Podcasts about tafelmusik

A keyboard soloist and conductor, Francesco Corti is one of Europe's most in demand musicians. He is a member of Les Musiciens du Louvre, Bach Collegium Japan and Le Concert des Nations, among several others. He's led Tafelmusik, the English Concert, and the Freiburg Baroqueorcheter, is the musical director at the Drottningholm Royal Court Theatre, and appears on over 30 albums. Francesco takes us through his passion for early music, and performing on instruments authentic to the period. He details his love of this era and shares some of his deep understanding of the fortepiano and its relevance as an instrument today. We also delve into the technique and process of his reconstruction of a JS Bach concerto.  Francesco Corti performs with the Australian Brandenburg Orchestra until 2 November.

Avui hem sentit: Obertura en si major; Concert en mi bemoll major; Conclusi

Avui hem sentit: Concert en fa major; Trio en mi menor; Sonata per a viol

Avui hem sentit: Obertura en re major; Quartet en re menor (del segon recull de la "Tafelmusik"). Georg Philipp Telemann

Avui hem sentit: Concert en la major; Trio en mi bemoll major; Sonata "a solo" en si menor; Conclusi

Avui hem sentit: Obertura en mi menor; Quartet en sol major (del primer recull de la "Tafelmusik"). Georg Philipp Telemann

Georg Philipp Telemann - Tafelmusik: Concerto for Two Horns: VivaceBedrich Tylsar, hornZdenek Tylsar, hornCapella IstropolitanaRichard Edlinger, conductorMore info about today's track: Naxos 8.550156Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Hochzeiten auf Schloss Versailles waren ein Ereignis. Dank Alexis Kossenkos Doppel-CD können wir mit beim Hochzeitsbankett mit dabei sein. Glanz und Gloria von einem riesigen Originalklangorchester.

Musik während des Essens zu hören war früher gang und gäbe. Zu großen Festessen wurden ganze Orchester engagiert, um dieses musikalisch zu untermalen. Sie spielten Tafelmusik. Heute wird Tafelmusik zwar selten gespielt, aber in Neustadt an der Weinstraße gibt es den „Neustadter Hebst“, bei dem an manchen Veranstaltungen während der Konzerte gegessen und getrunken werden darf. Mehr darüber erzählt der Initiator dieses Festivals, Simon Reichert, Bezirkskantor von Neustadt.

Violinist Rachel Podger is no stranger to the pages of The Strad magazine, having featured in several articles and reviews throughout her prolific career. Ahead of her busy upcoming season, which sees her as artist in focus at London's Kings Place, artistic director of Brecon Baroque Festival, a recording release of the Goldberg Variations, plus principal guest directorships with Tafelmusik in future seasons, Rachel makes her first appearance in the podcast to speak about the tools of her trade – including how she met her 1739 Pesarini/Pazarini violin, other instruments she's met throughout her career, plus an explosive anecdote about a gut E-string.  Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Bach Toccata and Fugue Tutta Sola Rachel Podger, violin Channel Classics

2:11:50 – Frank in NJ, plus the Other Side. Topics include: 1733, Telemann – Tafelmusik, classical music, Monte Carlo, poker chips, Baccarat, A Hard Day’s Night (1964), Derbysnug, various derbies, derpy, new phone case, the future of smartphones, new Onsug Radio idea, Dinosaur Dracula, Video Game Connections is returning, Winnetka Road (1994), and much more… plus the […]

2:11:50 – Frank in NJ, plus the Other Side. Topics include: 1733, Telemann – Tafelmusik, classical music, Monte Carlo, poker chips, Baccarat, A Hard Day’s Night (1964), Derbysnug, various derbies, derpy, new phone case, the future of smartphones, new Onsug Radio idea, Dinosaur Dracula, Video Game Connections is returning, Winnetka Road (1994), and much more… plus the […]

Heute wird der umfangreiche "Tafelmusik"-Zyklus von Georg Philipp Telemanns kaum noch in seiner Gesamtheit gespielt. Warum das so ist, darüber hat sich Julika Jahnke mit Reinhard Goebel unterhalten, dem Gründer und langjährigen Leiter des Alte Musik-Ensembles Musica Antiqua Köln.

Bei dem Terminus Tafelmusik denken Sie vielleicht an Musikberieselung bei Ihrem Lieblingsitaliener, an unser Nürnberger Tafelkonfekt, an Georg Philip Telemann, der seine Tafelmusik teuer drucken ließ und für einen sehr guten Preis losschlug oder an die Musiker, die Don Giovanni um sich schart, damit sie ihm bei seinem letzten Souper auf Erden aufspielen. Tafelmusik ganz anderer Art stellt Ihnen jetzt unser heutiges ZOOM vor.

Vyriausybė pritarė siūlymui perduoti Lietuvos kino centrui prie Kultūros ministerijos patikėjimo teise valdyti, naudoti ir disponuoti likviduojamos UAB „Lietuvos kinas“ turtą, kuris reikalingas Nacionalinės filmotekos projektui vystyti. Pokalbis su su Lietuvos kino centro direktoriumi Laimonu Ubavičiumi ir kino kritike Neringa Kažukauskaite.Artėjant Tarptautinei džiazo dienai ir pasitinkant džiazo žvaigždes Kaune, apie 33-ąjį tarptautinį festivalį „Kaunas Jazz“ kalbamės su festivalio organizatoriumi, meno vadovu Jonu Juču.Dainavimas penkiasdešimt šešiomis kalbomis – tik viena iš daugelio muzikanto iš Izraelio Talo Kravitzo asmenybės spalvų. Multiinstrumentalistas šiuo metu vieši Lietuvoje, ir šiandien, penktadienį, dalyvaus Izraelio Nepriklausomybės dienos minėjimo renginiuose. Kaune su Talu Kravitzu susitiko mūsų kolegė Kotryna Lingienė.Klasikinės muzikos naujienose: festivalio „BBC Proms“ dėmesys moterims, naujos pagrindinės kviestinės dirigentės Londono filharmonijos orkestre ir senosios muzikos ansamblyje „Tafelmusik“ ir Horowitzo pianistų konkurso nugalėtojai.Rubrikoje „Be kaukių“ pasitinkame pianistę Šviesę Čepliauskaitę ir pasikalbėsime apie nenuilstamą meilę fortepijoninei muzikai.Ved. Gerūta Griniūtė

Rebecca and Zara are joined by another mother-daughter musical duo in this week's episode! Patricia Ahern is a baroque violinist who plays with the world-renowned, Toronto based orchestra, Tafelmusik. Her daughter, Liliana Mahave, is a music major in the Claude Watson Arts Program at Earl Haig Secondary School and is already making a name for herself as a composer. Liliana shares her compositional process from early childhood to now. (She has come a long way from writing piano pieces about elephants and caterpillars!) While Patricia gives advice to all the musicians raising musicians.Liliana's award-winning composition for piano trio, Baile Diabólica de Tontín will be premiered by the Bedford Trio on March 19th, tickets are available here: https://www.eventbrite.ca/e/immersed-tickets-184993489507Watch Patricia and Liliana play together (video begins at 20:17): https://youtu.be/OD7TwI19LEg?t=1217

Wenn sich der französische Sonnenkönig zum Abendessen niederließ, war das einer der prunkvollsten Momente im Hofzeremoniell. Die Tafelmusik dazu komponierte Michel-Richard Delalande. Sie strotzt vor Theatralik und Abwechslungsreichtum.

In today's episode of the Magicians Talking Magic Podcast, we're chatting with Nicholas Wallace and Tafelmusik, a Juno Award-Winning baroque orchestra from Toronto. We begin with Nick sharing details about the upcoming concert and magic show, PLUS later in the episode, we chat with Tafelmusik musical director, Marco Cera.  I was thrilled to be a part of this massive collaboration that magicians around the world can watch and enjoy on October 28. Get your tickets: https://www.tafelmusik.org/concert-calendar/concert/music-magic Also, don't forget to like and subscribe to the Magicians Talking Magic Podcast on YouTube: https://bit.ly/3hf2R7j Alright, let's first jump into this conversation with Nicholas Wallace who shares his appearance on American's Got Talent, Penn & Teller Fool Us, how he developed his eerie style, the best piece of advice he received, staying creative and more! http://nicholaswallace.com/ https://www.tafelmusik.org/ Music & Magic Tafelmusik Online Premiere: October 28, 2021, 8pm EDT Open your eyes and ears to the world of illusion and enchantment in this new digital concert blending two captivating art forms. Join Magicians Talking Magic in Discord https://discord.gg/3HAD9st7nR We've got merch! Represent your favourite weekly magic podcast by grabbing a t-shirt, button or sticker. Link: https://rdbl.co/3Ahedz0 MEET YOUR HOSTS Ryan Joyce: https://RyanJoyce.com Graeme Reed aka Graemazing: https://GraemeReedMagic.com There's more magic on https://MagicianMasterclass.com  

08 08 2021 - Andante And Allegro (Movements 3 And 4) Of Sonata In G Minor From Tafelmusik by Snowmass Chapel

durée : 01:58:29 - Relax ! du mardi 22 juin 2021 - par : Lionel Esparza - Hommage à une grande dame du baroque ! Disparue ce dimanche 20 juin, la violoniste et cheffe d'orchestre américaine Jeanne Lamon a été pendant 33 ans à la tête du célèbre ensemble canadien Tafelmusik. Et en disque de légende, on écoute l'opéra Phaéton de Lully dans la version de Christophe Rousset. - réalisé par : Antoine Courtin

Jess Gillam talks to cellist Eve-Marie Caravassilis about the music that the love, from Handel to Gnarls Barkley. Today we played: Handel: Il Trionfo del Tempo e del Disinganno, HWV46a "Tu del Ciel ministro eletto" (Julia Lezhneva (soprano), Il Giardino Armonico, Giovanni Antonini) Max Richter: moth-like stars Pt. 14 (Max Richter (piano), Ben Russell (violin), Yuki Numata (violin), Caleb Burhans (viola), Clarice Jensen (cello), Brian Snow (cello)) Rodriguez: Crucify your mind Vivaldi: Concerto for 2 oboes in D minor RV 535 (John Abberger and Washington McClain (oboes), Tafelmusik, Jeanne Lamon) Josephine Baker: J'ai deux amours Gnarls Barkley: Crazy Dvorak: Rondo Op. 94 (Jean-Guihen Queyras (cello), BBC SO, Jiri Belohlavek)

Today's sight-reading session is dedicated to one of the icons of the high baroque era. Georg Philipp Telemann wrote his famous collection in 1733. More than 200 subscribers were found who were willing to pay the price in advance and whose name, social status, and address were published in the first edition. The illustrious list comprised crowned heads, noblewomen, and merchants as well as German and non-German musicians and composers – among others George Frideric Handel from London, Johann Georg Pisendel and Johann Joachim Quantz from Dresden and Michel Blavet from Paris. Telemann, who was music director of Hamburg at the time of publication, wrote: Diß Werk wird hoffentlich mir einst zum Ruhm gedeien, Du aber wirst den Wehrt zu keiner Zeit bereuen ... This work will hopefully bring me glory one day; but you will never have regrets about its value ... https://en.wikipedia.org/wiki/Tafelmusik_(Telemann) We are going to read the Quartet in d minor, TWV 43:d1 for two flutes, recorder (or bassoon) and continuo https://ks.imslp.info/files/imglnks/usimg/4/4a/IMSLP89245-PMLP182882-Telemann_Quatuor_TWV43_d1.pdf from this collection with the help of two wonderful guests: Anat Nazarathy traverso, https://www.anatnazarathy.com/ Amir Tiroshi recorder https://www.facebook.com/amir.tiroshi founders of the "Ensemble Tsurà" "The name Tsurà comes from the hebrew language. It means “shape” or “form”. This word represents for us our vision for the ensemble- with new, curious eyes, to re-find a shape, a meaning that speaks to us today in the music of the classics." Check out their precious music: https://www.ensembletsura.com/ https://www.instagram.com/ensembletsura/ https://www.youtube.com/channel/UCvH8ZIZdYXnhXadZSm52SGA The Telemann horn concerto that we are discussing in the episode: https://www.youtube.com/watch?v=w_s_EO3n0z8 Today we are going to discuss: - the term Tafelmusik - the newest discovery in the flute world - 50 shades of articulation - double(triple?) cadenza? - is it even possible to sight-read? Don't forget to join our Telegram channel and tell your friend about us, it will allow many people to discover our existence! https://t.me/insight_reading_enlightenment Yours Darina and Sebastien --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

Linda Catlin Smith grew up in New York and lives in Toronto. She studied music in NY, and at the University of Victoria (Canada). Her music has been performed and/or recorded by: BBC Scottish Orchestra, Exaudi, Tafelmusik, Other Minds Festival, California Ear Unit, Kitchener-Waterloo, Victoria and Vancouver Symphonies, Arraymusic, Tapestry New Opera, Gryphon Trio, Via Salzburg, Evergreen Club Gamelan, Turning Point Ensemble, Vancouver New Music, and the Del Sol, Penderecki, and Bozzini quartets, among many others; she has been performed by many notable soloists, including Eve Egoyan, Elinor Frey, Philip Thomas, Colin Tilney, Vivienne Spiteri, and Jamie Parker. Â She has been supported in her work by the Canada Council, Ontario Arts Council, Chalmers Foundation, K.M. Hunter Award, Banff Centre, SOCAN Foundation and Toronto Arts Council; in 2005 her work Garland (for Tafelmusik) was awarded Canada's prestigious Jules Léger Prize. In addition to her work as an independent composer, she was Artistic Director of the Toronto ensemble Arraymusic from 1988 to 1993, and she was a member of the ground-breaking multidisciplinary performance collective, URGE, from 1992-2006. Linda teaches composition privately and at Wilfrid Laurier University, Waterloo, Canada.More about Linda Catlin SmithLinda Catlin Smith  Soundcloud pageEXCERPT HEARD AT START OF SHOWPiano Quintet (2014)SUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

Philipp hat Tim Mälzer zu Gast am Tisch und begleitet Dich in der Küche mit einem musikalischen Fünf-Gänge-Menü. Diese Musikstücke hast Du in der Folge gehört: Georg Philipp Telemann - "Tafelmusik" // Frank Sinatra - "That's Life" // Johann Pachelbel - "Kanon in D" // Lana Del Rey - "Venice Bitch" // Max Mutzke & NDR Radiophilharmonie - "Creep" Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenschustern muss, dann schreib ihm: playlist@ndr.de.

Die Gambistin Juliane Laake erklärt, warum es schöner ist, Gambe zu spielen als Cello, warum die Alte-Musik-Szene wie eine große Familie ist und warum sie immer weiter vergessene Schätze entdeckt.

Thibault Bertin-Maghit est sans conteste l'un des musiciens les plus visionnaires de sa génération. Contrebassiste polyvalent, il collabore avec plusieurs groupes prestigieux de musique ancienne tels que Tafelmusik et Pallade Musica, ou de musique contemporaine tels que le NEM ou la SMCQ. Mais on le connait surtout comme étant l'un des maîtres d'oeuvre du projet collectif9, ensemble de neuf cordes au succès international qui cherche à apporter à la musique classique un souffle nouveau, l'enthousiasme d'un concert de rock et la créativité des plus grandes productions modernes. Quel rôle joue-t-il au sein de ce groupe ? Comment gérer l'expansion d'un projet basé sur un groupe d'amis ? Est-ce que son implication forte au sein du groupe lui donne, aux yeux du milieu, une nouvelle crédibilité dans sa vie de musicien-pigiste ? Découvrez le parcours de ce musicien exigeant, déterminé et toujours en avance sur son temps. Extrait musical:Another Living Soul - Nicole Lizée(Extrait du projet Rituels)interprètes - collectif9 Les destins imprévusMusique thème, animation et réalisation: Julien CompagneProduction: Entrepren'arts

Acclaimed for her ‘sterling tone’ in the New York Times, Kris Kwapis appears regularly as soloist and principal trumpet with period-instrument ensembles across North America, including Portland Baroque Orchestra, Early Music Vancouver, Pacific MusicWorks, Bach Collegium San Diego, Staunton Music Festival, Indianapolis Baroque Orchestra, Chicago’s Haymarket Opera Company, Tafelmusik, Bach Society of Minnesota, Oregon Bach Festival, Callipygian Players, Bourbon Baroque, and Lyra Baroque, making music with directors such as Andrew Parrott, Monica Huggett, Alexander Weimann, Barthold Kuijken, Matthew Halls, Jacques Ogg, and Masaaki Suzuki. Her playing is heard on Kleos, Naxos, ReZound, Lyrichord, Musica Omnia and Dorian labels, including the 2013 GRAMMY nominated recording of Handel’s Israel in Egypt, and broadcast on CBC, WNYC, WQED (Pittsburgh), Portland All-Classical (KQAC), Sunday Baroque and Wisconsin Public Radio. A student of Armando Ghitalla on modern trumpet, with a BM and MM in trumpet performance from the University of Michigan, Dr. Kwapis holds a DMA in historical performance from Long Island’s Stony Brook University. She often lectures on historical brass performance practice with appearances at the Metropolitan Museum of Art, University of Wyoming, University of Minnesota-Duluth, University of Louisville, Madison Early Music Festival, Pacific Lutheran University, Seattle Recorder Society, and Rutgers University, in addition to writing program notes and delivering pre-concert lectures. On modern trumpet, Kris was adjunct professor of trumpet at Hofstra University in Hempstead, NY from 2000-2010 and taught as a sabbatical replacement at Pacific Lutheran University in Tacoma, WA for the fall semester of 2019. Dr. Kwapis enjoys sharing her passion with the next generation of performers as a faculty member at Indiana University’s Jacobs School of Music Historical Performance Institute (baroque trumpet and cornetto) since 2010 in addition to teaching at her home in Seattle and online. When not making music, Kris explores the visual art medium of encaustic painting, cooking and gardening.

Katie Derham presents highlights from In Tune including baroque orchestra Tafelmusik, accordionist Bartosz Glowacki, and pianist Nino Gvetadze.

Ahead of Tafelmusik's European tour this week, music director Elissa Citterio talks about how she came to work with the Canadian Baroque orchestra, and her love of the Italian orchestral sound. 

Yan Lianke is one of China's most influential living writers. His often-satirical works have earned him an international readership. He has been touted for the Nobel Prize in Literature. And yet, most of Yan's books are effectively (if not formally) banned in China. Ben brings together three previous guests (Tricia Baldwin, Elizabeth Goodyear-Grant and Daniel Woolf) to discuss the rise of China, the absurdity of modern life, and what government power will look like in the future. Their point of departure is a 2018 profile of Yan Lianke in The New Yorker magazine. Note: you don't need to read anything before listening to the conversation; the below piece is a starting point only. Read the article in The New Yorker by Jiayang Fan. Read the blog post for this episode. About Yan Lianke Yan Lianke has secured his place as contemporary China’s most essential and daring novelist, “with his superlative gifts for storytelling and penetrating eye for truth” (New York Times Book Review). His newest novel, The Day the Sun Died—winner of the Dream of the Red Chamber Award, one of the most prestigious honours for Chinese-language novels—is a haunting story of a town caught in a waking nightmare. Yan was born in an impoverished region of Song County, Henan Province in 1958. His parents, illiterate farmers who lacked the means to send him to university, encouraged him to enlist in the army, where he rose in the ranks to become a propaganda writer. Upon returning to civilian life, Yan embarked on a career as a novelist. Over the last 30 years, he has produced an extensive body of work that ranges from novels, novellas and short fiction to essays and criticism. Although he has had two of his novels banned in China and was, for a period of three years, prohibited from obtaining a passport or travelling abroad, Yan continues to speak honestly about the impact that government censorship—and self-censorship—have had on contemporary Chinese writers. His full-length novels include: The Dream of Ding Village (丁庄梦, Ding Zhuang Meng), a tale of the blood trade and subsequent AIDS epidemic in a rural Henan village; The Joy of Living (Alt title: The Living, 受活, Shou Huo), a sweeping tale of the lives of disabled rural villagers from the Chinese Communist revolution through the years of reform and opening; The Sunlit Years (日光流年, Riguang Liunian); Solidity of Water (also called Hard as Water, 坚硬如水, Jianying Ru Shui) and Serve the People (为人民服务, Wei Renmin Fuwu), which was banned in China and later translated into English, French and Japanese. He has published ten collections of novellas and short stories: among them, the critically acclaimed Days, Months, Years (年月日, Nian Yue Ri), Song of Balou (耙耧天歌, Balou Tiange) and a five-volume set of his collected works. He is a member of the Chinese Writers’ Association and the recipient of numerous literary awards, including the first and second Lu Xun Literary Prizes and the Lao She Award for literary excellence, awarded in recognition of his novel The Joy of Living (受活, Shou Huo), considered by many to be his master work. Yan is also a winner of the Franz Kafka Prize.   About the Guests Tricia Baldwin Listen to Ben's previous podcast conversation with Tricia (Episode 12 on The Role the Arts Play) Tricia Baldwin became the Director of the Isabel Bader Centre for the Performing Arts (‘the Isabel’) in December 2014, and works with a tremendously talented team at the Isabel. Tricia is responsible for its programming featuring top diverse emerging and established artists, education, student and community engagement resulting in significant increase in audience participation, socially engaged art, and facilities management. She established the Isabel as an arts incubator for new works, the Ka’tarohkwi Festival of Indigenous Arts with curator Dylan Robinson, the Isabel Human Rights Arts Festival, and the Isabel Overton Bader Canadian Violin Competition. Tricia is the co-creator of Queen’s University’s new M.A. in Arts Leadership program with Queen’s Dan School of Drama and Music, and is the course developer and instructor of the program’s Contract Negotiations in the Arts graduate course. A champion of training the next generation of arts leaders, Tricia has been a mentor with the Canadian Heritage Talent to Lead Program and the Cultural Career Council of Ontario Mentor Program. Tricia recently served on the International Association of Venue Managers Association conference panel on arts management education. Prior to the Isabel, Tricia Baldwin was the Managing Director of Tafelmusik from 2000 to 2014. During this period, Tafelmusik doubled its operating revenues and increased its endowment seventeen fold. The orchestra undertook over 50 national and international tours, created 20 recordings and films that garnered significant industry awards and nominations that led to the launching of its recording label and digital concert hall, established artist training programs attracting pre-professional musicians from around the world, and undertook a successful $3M venue renovation. Tricia also headed up Tafelmusik’s expansion of venues within Toronto that contributed to the doubling of earned revenues and significant audience development. Prior to Tafelmusik, she was the Executive Director of Ballet British Columbia and General Manager of the Kingston Symphony. Tricia received her Bachelor of Music (University of Toronto) and her MBA (York University), and has continued her education with courses from Harvard Business School, University of Oxford School of Continuing Studies, the Harvard Kennedy School, and Boston University. Tricia Baldwin has been awarded the Canada Council for the Arts’ John Hobday Award in Arts Management, a scholarship to attend Harvard University’s Strategic Perspectives in Non-Profit Management program, First Prize for Student Philosophy Essay from the University of Oxford School of Continuing Studies, and the Queen’s Human Rights Initiative Award. As a volunteer, she currently serves on the Advisory Board of the York University Schulich School of Business Arts, Media, and Entertainment Management program, the City of Kingston Arts Advisory Board and Professional Development Working Group, and St. Lawrence College Music and Digital Media Program Advisory Committee. She has been a panel advisor/juror/assessor for the Canada Council for the Arts, Ontario Arts Council, Manitoba Arts Council, City of Toronto Cultural Services, City of Barrie Department of Culture, and the Department of Canadian Heritage. Learn more about Tricia. Elizabeth Goodyear-Grant Listen to Ben's previous podcast conversation with Elizabeth (Episode 37 on US Politics: Women, Polarization and the Media) Elizabeth Goodyear-Grant (Ph.D. McGill) is an Associate Professor in the Department of Political Studies at Queen’s University, and the Director of both the Queen’s Institute of Intergovernmental Relations (IIGR) as well as the Canadian Opinion Research Archive (CORA). Her research focuses on Canadian and comparative politics, with particular interests in electoral politics, voting behaviour, and public opinion; news media; and the political representation of women. She is the author of Gendered News: Media Coverage and Electoral Politics in Canada (Vancouver: UBC Press, 2013), which won the 2016 Pierre Savard Award from the International Council of Canadian Studies, and was one of three books shortlisted for the Canadian Political Science Association’s 2014 Donald Smiley Prize. In Gendered News, Goodyear-Grant presents compelling evidence that gender structures certain aspects of news coverage of candidates and politicians – not how much they’re covered, but certainly how they’re covered – and demonstrates that these differences can impact negatively on female candidates’ and leaders’ electoral prospects and political careers, contributing to the persistent under-representation of women at all levels of politics. Goodyear-Grant has also published work on attitudes toward democracy and political representation, attitudes toward the use of referenda, and so on, all part of a larger research agenda that concentrates on representation and political behaviour published in venues such as Political Behaviour, Politics & Gender, Electoral Studies, Commonwealth & Comparative Politics, and the Canadian Journal of Political Science. In the Department of Political Studies at Queen’s, Goodyear-Grant teaches courses on campaigns and elections; women, gender, and politics; Canadian politics more generally; and empirical methods. Learn more about Elizabeth Goodyear-Grant or follow her on Twitter (@eplusgg). Daniel Woolf Listen to Ben's previous podcast conversation with Daniel (Episode 10 on History and Jazz) Daniel Robert Woolf is the 20th Principal and Vice-Chancellor of Queen’s University, a role he stepped into on September 1, 2009. It wasn’t his first time on the campus, of course: Principal Woolf studied at Queen’s as an undergraduate in the late 1970s, graduating with a degree in history in 1980. After earning his doctorate at Oxford University (DPhil’83), Dr. Woolf returned to Queen’s in 1984 as a Social Sciences and Humanities Research Council (SSHRC) postdoctoral fellow in history. His teaching career took him from Queen’s to Bishop’s University, before he joined the history department at Dalhousie University in 1987. Seven years later, he became a full professor, then associate dean and later, the acting dean of Graduate Studies. In 1999, Dr. Woolf moved to McMaster University, where he held the role of dean of the Faculty of Humanities. He joined the University of Alberta as dean of Arts in 2002. Dr. Woolf, who is a Fellow of the Society of Antiquaries of London, the Royal Society of Canada and the Royal Historical Society, admits that learning he would become the principal of his alma mater initially inspired feelings of “shock, elation, and a little bit of fear,” and he continues to regard his role as both an honour and a challenge. A specialist in early modern British cultural history and the history of historical thought and writing, Dr. Woolf continues to teach at Queen’s on a part-time basis as a professor in the Department of History, and also pursues his own research and writing. He is the author or editor of a number of scholarly articles, monographs and books, including the five-volume Oxford History of Historical Writing (2011-2012) and a textbook on historiography entitled A Global History of History (Cambridge University Press, 2011), which has been translated into several languages. But Principal Woolf isn’t just about books (though he does have a growing collection of old and rare ones!) – he is also a fan of music (especially jazz), classic movies and is the father of three (one of whom is also a Queen’s graduate). Born in London, England, Dr. Woolf grew up in Winnipeg. A love of academia runs in his family: his mother taught English at university, his physician father was a member of a medical school faculty, and his uncle is a historian of modern Europe. Dr. Woolf, who began his second term as principal in 2014, is motivated by Queen’s students and by their dedication to making a difference in the world. While the university is a bigger place than it was when he was a student, it is also more research-intensive and has a more diverse student body. Since taking the helm, Dr. Woolf has built new connections with government, industry and institutions across Canada, led Queen’s through an extensive series of planning exercises, established the Principal’s Commission on Mental Health, and overseen the Initiative Campaign, the most ambitious fundraising campaign in Queen’s history. Principal Woolf’s term concludes on June 30, 2019.

Violinist Edwin Huizinga's career has taken him all over the world, performing in nearly every genre.  Listen to the incredible stories of how his network of musicians has grown, his exciting new projects, and how he has managed such a multifaceted career. 

Fine Music Radio — Telemann’s Tafelmusik. TRACK: Telemann: Concerto for 3 violins in F major, I. Allegro, Harmonia Mundi 2010. ARTIST: Freiburger Barockorchester under Petra Müllejans & Gottfried von der Goltz. PUBLISHER: Harmonia Mundi 2010.

What is the role of art and music in our society? Is art supposed to effect change or simply represent it after the fact? Is all good art subversive, and is all subversive art good? What does it mean for an arts organization to be responsible to its audience: give them what they want, or help them develop newer, deeper, unexpected tastes? How do you nurture art and artists who work on a cutting edge that is not always popular or immediately accessible, yet still keep it commercially viable? Ben chats with the award winning arts administrator, and Director of the Isabel Bader Centre for the Performing Arts in Kingston, Tricia Baldwin.  About the Guest Tricia Baldwin became the Director of the Isabel Bader Centre for the Performing Arts (‘the Isabel’) in December 2014, and works with a tremendously talented team at the Isabel. Tricia is responsible for its programming featuring top diverse emerging and established artists, education, student and community engagement resulting in significant increase in audience participation, socially engaged art, and facilities management. She established the Isabel as an arts incubator for new works, the Ka’tarohkwi Festival of Indigenous Arts with curator Dylan Robinson, the Isabel Human Rights Arts Festival, and the Isabel Overton Bader Canadian Violin Competition. Tricia is the co-creator of Queen’s University’s new M.A. in Arts Leadership program with Queen’s Dan School of Drama and Music, and is the course developer and instructor of the program’s Contract Negotiations in the Arts graduate course. A champion of training the next generation of arts leaders, Tricia has been a mentor with the Canadian Heritage Talent to Lead Program and the Cultural Career Council of Ontario Mentor Program. Tricia recently served on the International Association of Venue Managers Association conference panel on arts management education. Prior to the Isabel, Tricia Baldwin was the Managing Director of Tafelmusik from 2000 to 2014. During this period, Tafelmusik doubled its operating revenues and increased its endowment seventeen fold. The orchestra undertook over 50 national and international tours, created 20 recordings and films that garnered significant industry awards and nominations that led to the launching of its recording label and digital concert hall, established artist training programs attracting pre-professional musicians from around the world, and undertook a successful $3M venue renovation. Tricia also headed up Tafelmusik’s expansion of venues within Toronto that contributed to the doubling of earned revenues and significant audience development. Prior to Tafelmusik, she was the Executive Director of Ballet British Columbia and General Manager of the Kingston Symphony. Tricia received her Bachelor of Music (University of Toronto) and her MBA (York University), and has continued her education with courses from Harvard Business School, University of Oxford School of Continuing Studies, the Harvard Kennedy School, and Boston University. Tricia Baldwin has been awarded the Canada Council for the Arts’ John Hobday Award in Arts Management, a scholarship to attend Harvard University’s Strategic Perspectives in Non-Profit Management program, First Prize for Student Philosophy Essay from the University of Oxford School of Continuing Studies, and the Queen’s Human Rights Initiative Award. As a volunteer, she currently serves on the Advisory Board of the York University Schulich School of Business Arts, Media, and Entertainment Management program, the City of Kingston Arts Advisory Board and Professional Development Working Group, and St. Lawrence College Music and Digital Media Program Advisory Committee. She has been a panel advisor/juror/assessor for the Canada Council for the Arts, Ontario Arts Council, Manitoba Arts Council, City of Toronto Cultural Services, City of Barrie Department of Culture, and the Department of Canadian Heritage. Learn more about Tricia.

Mixtape / No Requests 013: Exploration of classical, baroque and contemporary electronica by Tafelmusik's Francesco Fusaro. Compiled and recorded to cassette at Behind This Wall (12.8.17), edited and re-mastered at Rushes Studios.

Mit Musik schmeckt der Braten gleich noch saftiger. Schon im Mittelalter wusste man sich bei Tisch zu amüsieren: kulinarisch und musikalisch.

Ivars Taurins in conversation with David Perlman.

Heute wird der umfangreiche Zyklus der Tafelmusik von Georg Philipp Telemann ziemlich selten in seiner Gesamtheit gespielt. Warum das so ist, darüber hat sich Julika Jahnke mit Reinhard Goebel unterhalten, dem Gründer und langjährigen Leiter des Alte Musik-Ensembles Musica Antiqua Köln.

Hannah French is in Toronto to meet members of the Canadian ensemble Tafelmusik Baroque Orchestra about their projects and recordings since the early 1980s, including contributions from their long-serving artistic director, Jeanne Lamon. Music includes pieces by Bach, Purcell, Geminiani, Telemann, Beethoven, Zelenka and Leonardo Leo.

Hannah French looks at the tradition of Tafelmusik. Musique de Table. Table Music. It's music composed to divert, entertain, and yes, be performed around a table. Hannah visits the British Library to talk to the Curator of Music Manuscripts Andra Patterson about an incredible manuscript of Table Music held there: a 'booke of In nomines and other solfainge songs of 5, 6, 7 and 8 parts for voyces or Instruments'. The programme includes pieces by William Byrd, Johann Schein, Michael Praetorius, Vivaldi and Telemann. Telemann is undoubtedly the most celebrated composer of Tafelmusik. His 1733 collection is a substantial portfolio of about four-and-a-half hours of music which is rated alongside Vivaldi's L'Estro Armonico and Bach's Brandenburg Concertos in terms of breadth of ideas and creative use of form. It's arranged into three parts or 'productions', each containing a suite, a quartet, a concerto, a trio, a sonata, and a conclusion. Telemann had the knack of keeping up with the latest musical trends and giving people what they wanted to hear. He knew he was on the money with his Tafelmusik, announcing: 'This work will make me famous one day'...

Københavns Drengekors julekoncert byder i år på julemusik af Telemann, bl.a. hans Magnificat samt 2 kantater til juletiden. Desuden uddrag af Telemanns samling med titlen Tafelmusik. Anna Jobrant, sopran. Kristin Mulders, mezzo. Nicolai Nørgaard Christensen, tenor. Mads Bagge Lange, baryton. Lauritz J. Thomsen, baryton. Domkirkens Barokensemble. Københavns Drengekor. Dirigent: Ebbe Munk. (Garnisonskirken, København 4. december). Vært: Anne Bro.

The Empire Club of Canada Presents: Piers Handling, Director and Chief Executive Officer, TIFF With TIFF Takes on the World Piers Handling is the Director and Chief Executive Officer of TIFF. He has held this position since 1994, responsible for leading both the operational and artistic growth of the organization. TIFF has a $33 million annual operating budget and employs more than 150 full time staff. For the last four years, TIFF has been named one of the Greater Toronto Area's Top Employers. Under Handling's direction, the organization has grown to become an internationally institution. In 2010 TIFF opened its own permanent home which presents daily programming. TIFF Bell Lightbox, houses five cinemas, two exhibition galleries, and educational and learning studios. He led the $196 million fundraising campaign. Handling has curated numerous film retrospectives and presented programmes of Canadian cinema at The Sundance Film Festival, the British Film Institute, the Havana Film Festival and sat on festival juries including Cannes, Tokyo, Rotterdam, San Sebastian, Torino, and Istanbul. Prior to joining the Toronto International Film Festival in 1982, Handling began his career at the Canadian Film Institute, ultimately becoming Deputy Director. After leaving the CFI, he taught Canadian cinema at Carleton University in Ottawa and Queen's University in Kingston. He has published extensively on Canadian cinema and edited numerous books. Handling has been honoured with the Chevalier des Arts et des Lettres, France's highest cultural insignia. In 2003, he was named CEO of the Year by the Canadian Public Relations Society. He holds three Honorary Doctorates from Ryerson University, York University and OCAD University, and has sat on a number of Boards and advisory Councils including Festivals and Major Events, the Canadian Film Centre, Tafelmusik, Luminato, Telefilm Canada's Feature Film Advisory Committee, and Ontario's Minister of Culture's Advisory Council for Arts and Culture Speaker: Piers Handling, Director and Chief Executive Officer, TIFF *The content presented is free of charge but please note that the Empire Club of Canada retains copyright. Neither the speeches themselves nor any part of their content may be used for any purpose other than personal interest or research without the explicit permission of the Empire Club of Canada.* *Views and Opinions Expressed Disclaimer: The views and opinions expressed by the speakers or panelists are those of the speakers or panelists and do not necessarily reflect or represent the official views and opinions, policy or position held by The Empire Club of Canada.*

Heute ist dieser umfangreiche Zyklus von Georg Philipp Telemann ziemlich unbekannt. Warum das so ist, darüber hat sich Julika Jahnke mit Reinhard Goebel unterhalten, dem Gründer und langjährigen Leiter des Alte Musik-Ensembles Musica Antiqua Köln.