Behind The Billboard

Visuals: https://getbehindthebillboard.com/episode-90-tim-jonesPodcast episode #90 is the first of our Manchester special and features the charming and uber-talented Tim Jones. Tim has an incredible track record when it comes to OOH, both from his time at BBC Creative and more recently at Meanwhile, the agency he set up with long term creative partner James Cross and Al Marchant.Meanwhile have enjoyed great success since launch in 2022, thanks not just to their creative work, but savvy association with Bez of the Happy Mondays, himself an icon of the North West. It's no surprise Meanwhile were Campaign's Start Up Agency of 2023.We discussed Tim's extensive OOH portfolio, including the 7m tapestry for the BBC World Cup in Russia which formed the centre pice of the History Will Be Made campaign and was meant to have an additional segment, allowing for the next bit of history. Tim told us how he was prepping the new piece to incorporate Harry Kane lifting the trophy. Oh Lord. How many years of hurt?! Too much. Anyway, it wasn't meant to be, but a brilliant story about what goes on behind the tapestry.Then there was the Netflix Diamond Heist and how Meanwhile placed a 9-carat diamond onto the side of a billboard.Next Travel Supermarket with a vertical stack of inflatables in a shopping trolley on the side of a building. How will they stay up? What happens if a member of the public throws darts at them? And a million and one other daft questions that have to be answered in order to get creative work to run.On and on the stories went, the Manchester tram that toots the theme tune of Coronation Street, the BAFTA winning work for BBC Tokyo Olympics, the award-winning launch work for Chester Zoo, the iconic Park Run work for Mental health Day.Thank you Tim. It was a total pleasure. We can't wait to see what you and Meanwhile do next.

Visuals: https://getbehindthebillboard.com/episode-89-liam-and-alisonEpisode #89 features Liam Bushby & Alison Steven, Global Creative Directors at Ogilvy London and two of the finest, most humble creatives you could ever meet.We talked at length about what it's like to work on Dove and in particular their multi award-winning campaigns Reverse Selfie and #TurnYourBack which won more metal than you can shake a stick at, including a Cannes Grand Prix.We also discussed their first ever poster for McDonald's, a wonderful idea that has a great story about timing, opportunity and being open to nailing a brief, even if it's over lunch on a Friday when you've got shitloads of other work on.We also heard about Liam & Alison's outdoor work which is not confined to billboards, in particular two audacious campaigns for Hellman's Mayonnaise, the Charli XCX inspired “Club Classic" sandwich and the The Margaret bag that debuted at London Fashion Week. Both sound be appearing at an awards show soon.Thank you so much Liam & Alison for coming on and sharing your stories. 

Visuals: https://getbehindthebillboard.com/episode-88-hermeti-balarinEpisode #88 features the charming, uber-talented Hermeti Balarin, joint CCO at W+K London.Hermeti works with his wife Ana, who was Behind the Billboard guest no. 9, which means the Balarin's are our first ever married couple on the show

Visuals: https://getbehindthebillboard.com/episode-87-jeremy-craigen-part-2He's back! Jeremy Craigen returns for episode #87, talking all things VW.Jeremy worked on the brand as a creative / CD / ECD and Global CCO for over 20 years, winning endless awards with iconic campaigns for every model in the range, even getting a free appearance on Top Gear (estimated viewing audience 90million).How did it feel to be the creative lead on such a prestigious account? Who were his inspirations? What is the essence of VW? And did he play as hard as he worked?Jeremy tells all and more.We found out how two creative teams independently came up with same Polo Cops idea. And how, for the same brief, King Kong was also in the mix and the client was persuaded to run it a year later.The Polo Ice Car was another fascinating story … a press ad that became national news, involving a life sized car carved from 9.5 tonnes of ice. We also discussed the Surprisingly Ordinary Prices Wedding execution, which is still the most awarded print ad ever (facts by Neil Dawson).Then there was Swear Box, Ele-pump, Cabriolet, Dr Who x3, Nightdrive and more. A phenomenal body of work. Thank you again Jeremy. It was an education. Apologies we didn't have any booze, schoolboy error. Next time promise

Visuals: https://getbehindthebillboard.com/episode-86-jeremy-craigen-part-1Episode #86 features legendary creative, CD, ECD, CCO, bonvivier and lover of life, Jeremy Craigen.It's hard to know where to start with Jeremy's incredible body of work, which has won every gong going for just about every client going.So we took a corporate decision and split him in two. Ooeerr.Part one is all about Optrex, Marmite, Budweiser, The Labour Party, The Financial Times and Harvey Nichols.Iconic work with brilliant stories told by the man himself. Hear how Jeremy's chest hair inspired a marmite billboard. How the Optrex brief was cracked in the blink of an eye

Visuals: https://getbehindthebillboard.com/episode-85-felipe-serradourada-guimaraesEpisode #85 features Felipe Serradourada Guimaraes, the recently appointed ECD at BBH. It was a real pleasure talking with Felipe, who we think is the only creative ever to go from being on placement at BBH, to being the ECD at BBH. That is some achievement, but no surprise considering his portfolio of work. During his 14 years with the Black Sheep, Felipe has been behind some incredible campaigns and yet feels like he's only getting started.We discussed Tesco's and discovered the stories behind the recent ‘Bags' campaign. We also had another chat on ‘Icons', which was fascinating. Hearing about the craft that went into both campaigns a real lesson and reminder in how to get to great work. And making it happen.We also covered Burger King and three fantastic campaigns - Grill Lines, National Burger Day and Bundles of Joy. Some great insights into how the work came about, especially the perseverance and passion to get Bundles of Joy made.Then there were the Paddy Power ‘A shirt is not just for Christmas' billboards, posted next to the grounds of various Premier League teams in suitably un-PC PaddyPower fashion. And we even had time to find out how an Alexander McQueen dress inspired the campaign for F+F Homeware.Felipe thank you so much for being such a charming and gracious guest. We loved it and v much look forward to you coming back with more stories.This was also the first episode in our new streamlined approach, where we get in and out within the hour. It feels more focussed that way, but apologies if any listeners miss Hugh droning on ;-)

To (belatedly) welcome in the new year, we decided to go forth into The Great Outdoors and discuss plans for 2025.We covered all sorts of stuff: the need for a new sponsor, upcoming guests, a book of the show, masterclasses, talks, merchandise and more. Let us know if you have any feelings about any of this as we always want to hear what our listeners think.The hoody tops are amazing - high quality stitch and super warm - if there's a desire we can deffo put in an order. More details on this to follow.We also covered the crucially important football issues - a very short conversation - and what Dan is going to do with his new found freedom. The walk itself was amazing, taking in a beautiful golf course, a slightly creepy wood and a view across a valley where we saw where James Bond was blown up. It'll make more sense when you listen.Cheers all and here's to a great 2025.

Visuals: https://getbehindthebillboard.com/episode-83-aidan-mcclureEpisode #83 features the super-charming, super-talented Aidan McClure, CCO and co-founder of Wonderhood Studios.We caught up with Aidan just before Christmas and had a great natter.We heard the story of how he got onto the Watford Copywriting course by pretending to be the Queen.We discovered how Aidan (and partner Laurent Simon) got their first job after winning the Diageo Best Student Team in the UK doing placements at Mother, BBH and JWT before settling at AMV. Not a bad start.We even talked about Aidan's musical side hustle, playing the violin nearly as well as Stefan Grappelli.And of course there were many brilliant billboards, starting with some classics for The Economist and VW before the incredible BBC Russia World Cup tapestry … still hanging in the Football Museum in Manchester today.We found out how Aidan worked with our Dan on the ground-breaking Google Front Row campaign that featured the world's first live stream to pitch side hoardings.Then there was Nike ‘The 93', The Migration Museum and the changing of the signage of Coral's betting shops during the last Euro's.Every piece of work has a story, a vibe that makes it feel more than advertising. It's a theme throughout Aidan's award-winning career which includes ‘The Bear and Hare' campaign for John Lewis, which won a Cannes Gold and BBC1's Christmas campaign ‘The Supporting Act' that was one of the Beeb's most successful commercials ever.Aidan thank you so much for coming on and bringing your warmth and creativity to us in abundance! It was a total pleasure.

Visuals: https://getbehindthebillboard.com/episode-82-best-of-2024BtB best of 2024 / Christmas specialYes folks it's the biggie. The one you've been waiting for. Behind the Billboard's ‘Best of 2024' with some mince pies and festive cheer thrown in for good measure. Plus some big news from our Dan.In our humble opinion it's been another great year for outdoor. Some brilliant work from the usual suspects, plus nice surprises from new agencies. Hopefully you'll agree with our choices but if not feel free to comment or drop us a note.We decided to include a few new categories this year. So alongside the traditional Poster of the year, Agency of the year and BtB Instagram of the year, we've included the following:- Best baked goods- Jon Jones award for outstanding contribution to the podcast- Incredibly high levels of patience in producing a podcast award- Lifetime achievement best billboard bloke of past 20 yearsAnd much much more!A huge thank you to all of our guests for coming in and sharing the stories behind their billboards. It's been a total pleasure chatting in the booth with you. And an even bigger thanks to you our listeners and followers - without you guys we honestly wouldn't be doing it. Please keep liking and subscribing and spreading the good vibes.Thanks to our sponsors for the last time ;-)Talon OutdoorGrand VisualAnd thank you, Soho Radio - we'll be back!

Visuals: https://getbehindthebillboard.com/episode-81-helen-rhodesEpisode #81 features Helen Rhodes, ECD at BBH.We've been asking Helen to come on the show for ages, so we're super chuffed she came on, not just for the stories behind her incredible portfolio of work, but also because we devoured her gift of cinnamon buns which were sensational.The campaign for Stranger Things was enough for a whole episode - how the project came to be, the craft that went into making the fake 80's posters and the secret pop-up experiences. Listen out for our chat on the smell of the slime in an underground corridor and whether it was authentic enough. Not a conversation we ever thought we'd have!Then there's this year's most talked about campaign, Burger King's ‘Bundles of joy'. We discussed how the work came to be part of the ‘foodfillment' platform and the furore it created online and in the national press. And how it's true ;-)Then there's the iconic BBC work - setting billboards on fire for Perfect Planet, and eerie shadows for the award-winning monster Dracula.To top it off, a few weeks ago the Tesco ‘Icons' campaign was launched, which has just been voted Campaign's OOH campaign of the year. And rightly so. It's a belter.We covered Helen's formative years working with Matt Lever (episode #67) and their rise to fame which eventually took them to W+K in the States.At end of the show we chatted about tips to make great work, which Helen dedicated to ex-Watford College tutor Tony Cullingham. Helen talked with incredible fondness for TC, about his time at the BARN in BBH (still going strong) and she offered up some pearls of wisdom Tony would give students as they went off out into the creative world.Thanks Helen for the buns and the billboards and remembering Tony.

Visuals: https://getbehindthebillboard.com/episode-80-mary-wearEpisode #80 features copywriter extraordinaire Mary Wear.Mary wrote possibly the most important endline in the history of advertising: ‘Make Poverty History' for Comic Relief in 2004 … a line and movement that involved Richard Curtis, World Leaders and saving lives. The line was everywhere - posters, bus sides, advans, on underpants, on Bono's arm, on the side of St Paul's Cathedral and the coup de grâce, on a lectern in front of Nelson Mandela, who was chanting the words ‘Make Poverty History' to thousands gathered in Trafalgar Square.That is more than most people's entire careers and would easily have been enough to fill the episode. The way Mary tells the story of how the line came about is wonderfully humble, involving a planner and a rather talented chap called Peter Souter.But Mary is no one-trick pony. Her locker is full of great work.Starving a parking meter for TfL was a lesson in never giving up, even when the model maker had ruined the idea. What could have been a catastrophe turned into a seminal award-winning piece of work.Then there was seemingly endless more award winning work for The Economist, the Famous Grouse (a double, a small one, a quick one, a large one - they all went down well) plus an Anti-Smoking like never before. Her partnership with Damon Collins at GGT, Saatchi's and AMV was brilliant and prolific.We even had time for some Russian Vodka and flapjacks ;-)Thank you Mary for coming on and sharing some of the industry's greatest OOH work. It was a real privilege. 

Visuals: https://getbehindthebillboard.com/episode-79-dan-wattsEpisode #79 features the charming and super-talented Dan Watts, ECD at Pablo, London.Hugh & Dan spent a fascinating hour hearing about Dan's eclectic career that has seen him work at some of the industry's finest agencies - Fallon / 4Creative / Crispin Porter / Pablo - on some amazing projects.We discussed how to fit an entire book onto a poster. How to write great ooh … in Ghana. How to ‘Skip the cow' for Flora in one of the best new product launches of the past few years. How to launch a record label for a chocolate brand. And the toughest of the lot, how to re-launch a Great British institution - GBBO - on ‘edgy' C4 instead of ‘cozy' BBC.Thanks so much Dan for coming in and sharing your stories. And good luck with everything at Pablo. 

Visuals: https://getbehindthebillboard.com/episode-78-andy-jexAfter what seems like a lifetime away, we're back. And who better than Andy Jex, the TBWALondon CCO to usher us into Autumn. ‘Jexy' as he's affectionately known, is the epitome of positivity and creativity, which is exactly what the world needs right now. Hugh & Dan enjoyed an hour in his company where many things were discussed:FallonNando'sNando's billboardsWhy you shouldn't eat eggsLetters of complaint from the Egg Association about telling people not to eat eggsRich & Andy1Extra TV and postersThe greatest leaving car(d) of all timeMotherThe dried noodle kingA Scalextric world recordSaatchi'sStannersSilburnMarie Curie (where Jexy turned interviewer and asked Hugh about ‘The Extra Hour' DOOH)Stealing staffNorth London footy rivalryJaffa Cake v FlapjackAnd most importantly of all, we talked about our Mums.Jexy, thanks so much for coming on and sharing stories, we loved it.Hear all about it on the podcast now!

Visuals: https://getbehindthebillboard.com/episode-77-british-airways/Sorry for the brief delay, but It's finally landed ✈️The story behind the Cannes Grand Prix winning British Airways work is here.A few weeks ago we sat with Nils and some of the BA team (Nick Stanley, Benny Everett, Ellie & Elisa and ‘Chips' Pomfret) and discovered the story behind one of the most iconic OOH campaigns in recent times.It was an enthralling chat. We heard how the pitch was won, how 500 executions came to be, why ‘A British Original' was only half the story, and how - with virtually no time left - the agency turned to a tick box idea buried at the bottom of a layout pad which eventually became the all conquering idea.It's genuinely one of the most intriguing episodes we've ever done.We also squeezed in some chat about the Windows campaign too. Bonus content!Thank you Nils and all at Uncommon for your incredible generosity in sharing your story. It was business, leisure and much more.

Visuals: https://getbehindthebillboard.com/episode-76-brian-connollyEpisode #76 features Brian Connolly.Brian is brilliant on many levels. His billboards are amazing, some of them very close to art. The level of purity and craft is second to none.He is also a United fan, which is also brilliant (for Hugh at least).And on top of all that, he's just a really decent human being who - after many years smashing it in the UK - is now smashing it stateside in New York.We started with Eurostar and found out how the photographer went to the Eiffel Tower and shot at slightly the wrong angle … meaning a mini re-shoot to get it exactly right. These days it would no doubt be done in a matter of seconds with AI. But there's something gritty and real about the process back then. The rail tracks merging perfectly into the Eiffel Tower is one of the iconic OOH images of the past 30 years and rightly won all the awards going.Brian also created the Classic FM campaign which used instruments to portray power, exhilaration, peace and more in another wonderfully minimalist campaign shot by Nadav Kander that won yet more awards and plaudits. The use of white space letting the visuals sing is a lesson to all … less is more. Or as we recently coined … even less is even more.Army … Harrods … 18-30 … Empire City Casino, the great work continued as did the chat. The ‘bust up' fight in the Harrods designer room another (black) eye-opening story behind the work.Thanks again Brian for sharing your work and stories. We really enjoyed it.

Visuals: https://getbehindthebillboard.com/episode-75-phil-and-grahamEpisode #75 features Phil Cockrell & Graham Storey.Humble, funny, gracious and massively talented, Phil & Graham have quietly created some of the most iconic billboards of the past 30 years.In that time they have won most major awards including 4 Cannes Golds, 5 BTA arrows, 7 Campaign Poster awards and 26 D&AD in book entries.It seems a bit of a crime that we haven't had them on the show before. But due to various circumstances / holidays / other guests taking their slot, we've only just got them on.It's worth listening for the Nike work alone. Phil flying to the south of France to meet Eric Cantona as ‘research' for the redemption poster is a classic ‘someone's got to do it' story. But it was nothing compared to how the team met Peter Hull the Paralympian who'd run the marathon and became the inspiration behind one of Nike's greatest posters ever.Then there was Yellow pages, Toblerone, Virgin Atlantic, The Times and more.Every campaign oozing simplicity, craft and class.Thanks gents for coming on and sharing your incredible history. Long may it continue.

Visuals: https://getbehindthebillboard.com/episode-74-kate-congreveWe love firsts on the podcast. So episode #74 is a treat for Dan and Huge who hosted Kate Congreve our first ever producer. And not just any producer, but a producer at Mother, Campaign's current agency of the year.Kate shared many brilliant stories from her career to date, having worked both agency and production side.We talked Snickers and skateboarding and how she helped put together the shoot for Paul Belford while at AMV. Shot by James Dimmock it's a beautiful campaign with some eye-opening stories about casting.Next was another fascinating shoot, this time for Hovis at JWT, working with brilliant creative team Claudia & Verity and photographer Kelvin Murray, managing to shoot everything in camera.And then the Mother years, packed full of more amazing work. IKEA, Stella Artois. KFC, Uber. Four monster campaigns. Everyone an award winner, crafted to perfection.The KFC story is particularly interesting. Try promoting a finger lickin' brand during a time when the last thing you should do was lick your fingers. Hear how the work still ran during the pandemic.Thanks Kate for coming in and sharing your stories. We loved it. 

Visuals: https://getbehindthebillboard.com/episode-73-nicola-woodPodcast episode #73 features Nicola Wood, Executive Creative Director at Ogilvy London, winner of many shiny prizes and someone with a liking for a farty Valentine's Day card.Strap in folks. This is an absolute belter of an episode.The farty card was a good start. But the story behind the Relate campaign shot by Rankin is something we'd never heard before. And we've heard quite a bit in the past five years.We don't want to reveal too much but let's just say Nicola's Nan features quite prominently. And some of the conversations Nicola had to have to persuade Nan to appear naked on billboards up and down the country are quite something.We also discussed the incredible craft that went into the British Airways ‘New York We're back' billboard which rightly won awards on both sides of the pond. Instead of choosing the easy AI / post production route to recreate workers sat on a girder atop a New York skyscraper, Nicola and long term partner Andy Forrest decided to do it for real. Or as ‘real' as you can as the nation was emerging from Covid. Another brilliant story involving previous guest photographer Adam Hinton (episode #18) a real life girder and a lot of wardrobing.We also found out how gardening and sex can help reduce STI's in the over 65's in another raunchy campaign for Relate ‘The Hornicultural Society'.Cannes, flapjacks, you people voting, Maaate, Araldite Glue, Tony Cullingham, Nike … we packed a lot in.Everything Nichola does seems to have a story, an edge, a relevance to popular culture. We may need a part two soon. Maybe with special guest Nan?!Thank you again Nicola for coming on and lighting up the studio with your incredible stories. 

Visuals: https://getbehindthebillboard.com/episode-72-rachel-milesEpisode #72 features Rachel Miles, BAFTA award-winning creative and Creative Director at Meanwhile Campaign Start-up Agency of the Year 2024.Rachel not only brought stories from behind her billboards but also some sensational pies from Great North Pie which usurped Hugh's ‘tiny flapjacks' as Dan calls them.Dan and Hugh discussed many things with Rachel. We covered her six year tenure at BBC Creative where, along with creative partner Michael Tsim she created many iconic campaigns, including setting a billboard on fire for the Perfect Planet series, which made the national news and won just about every award going.We also featured the wonderfully graphic OOH campaign for This is Our BBC. And a campaign of virtual billboards that appeared in the BAFTA winning Tokyo Olympics trail. Adam Peaty, Laura Kenny, Jason Kenny et al getting the Manga treatment.We even squeezed in her first OOH work of note at Meanwhile for Lifeshare - a clothing charity - that ran during fashion week just before Christmas. And we had a brief chat on the special build for TravelSupermarket featuring a heavily stacked supermarket trolley. So good.Rachel, thank you so much for coming on and being your wonderful charming talented self. We loved it (and the pies!).

Visuals: https://getbehindthebillboard.com/episode-71-steve-hudsonPodcast episode #71 features the super talented Steve Hudson.Not only is Steve one of the industry's most awarded creatives, he's a brilliant director and also the founder of The Power of Advertising (TPOA) platform.We covered a great deal in the hour or so together, in particular Steve's prolific time at BBH where together with creative partner Victoria Fallon, he created iconic work for Audi, Levi's, Polaroid, one2one, Electrolux and more.Obv we focused on the billboards and two campaigns in particular.For Levi's the Original Wearers campaign shot by fashion photographer Nick Knight. A stunning campaign. Idea. Casting. Art direction. Photography. Lighting. Wardrobe. All faultless.And for Wallis we talked about the Dressed to Kill campaign shot by another legendary snapper Bob Carlos Clark.We heard how on a train ride to Brighton to shoot Wallis, Steve claimed advertising can be art. Bob begged to differ. Halfway through the debate Steve got a call from the V&A, telling him that one of the Levi's posters had been accepted into the museum. You couldn't make it up. Listen out for it. Steve tells it much better.We also discussed Audi ‘Number One' - one of the greatest car ads of all time - how it came to be, how it was sold to the client, and how the final line of dialogue was used by yuppie bankers as reference for cocaine.It was a real pleasure having Steve on the show, not just to hear the stories behind his work, but to feel the passion and energy in the room and his positive outlook for the future of the industry. Thank you so much again Steve for coming on and good luck with the power of advertising, which we firmly believe in.

Visuals: https://getbehindthebillboard.com/episode-70-paul-banhamCan you project the two moons from Mars into the night sky?Can you sell over 1,000,000 lights in the world's tallest building?Can you build an underwater mobile phone store to sell a waterproof phone?These are just some of the questions, answered by MullenLowe MENA CCO Paul Banham on episode #70, where we take a deep dive into life as a creative in Dubai.It's an absolute fascinating chat and one we've been wanting to have for ages. We caught up Paul on a flying visit to London.So we sat down with tea and flapjacks and a microphone and off he went.It was a massive eye-opener hearing about life and all things outdoors in the Middle East.Everything is different.The weather.The budgets.The ambition.But the one thing that thankfully stays the same is the desire for ideas.And when those ideas happen, they are big.And more often these days award-winning, with the previous mentioned campaigns picking up Cannes Lions galore.Paul it was a total pleasure and we're so pleased you managed to fit us in on your tour of the UK.Looking forward to seeing you again in the summer, possibly for a second round and certainly a couple more pints than this time.Take care and keep applying the factor 50

Visuals: https://getbehindthebillboard.com/episode-69-paul-brazierEpisode #69 features Paul Brazier and his brilliant billboards. The Economist, Guinness, Think!, Aer Lingus, Wrangler, Museum of Childhood, Walkers, Cancer Research…every one of them a banger. Paul has created and presided over some of the greatest work of the past 30 years. And he's spent the best part of these years at @amvbbdo, as Creative Director, Executive Creative Director, CCO and Chairman. During this time, Paul and his partners (@psouter and @Nick Worthington) and his creative department have amassed a mountain of awards, including an incredible 239 entries into D&AD, which must have gone some way to him becoming D&AD President in 2010. We hear Paul's side of the ‘Industrial Secrets for Sale' billboard for The Economist. It's a real lesson in craft, never giving up, ending up with a jaw-dropping piece of work. Then there are the celebrity tales from the Aer Lingus campaign - Roy Keane and Vinnie Jones don't disappoint. The Think! campaign saw Paul & Nick go on a police patrol to witness the harsh reality of how drink driving ruins lives. We also heard about Paul's favourite posters - ‘It's Frothy man' and the entire portfolio of Mark Denton @mdentonesq which Paul lovingly brought to life in his own homage. Thank you Paul for your generosity in telling these amazing stories. 

Visuals: https://getbehindthebillboard.com/episode-68-dan-and-hughEpisode #68 features two titans of the industry, huge characters with oodles of charm, awards and humility. Yep, we're talking to ourselves, finding out what's going on in each of our worlds. We covered the following: Watch advertising in Geneva AirportThree dimensional screen mapping in Barcelona and New YorkThe delayed launch of Hugh's novelThe billboards at the end of our streetsNews of upcoming guests including Rachel Miles and the billboards hidden within her brilliant BBC Olympics promoDigital ads on the subwayThe 280ft billboard in the Oculus NYCFlapjacksAnd of course Jeremy Allen White's pants (which Dan spotted will soon be usurped by Idris Elba's suit)We do hope this isn't the equivalent of The Fly episode from Breaking Bad. Or worse still the finale of Beef. We're just two blokes trying our best. Normal service will resume next week.

Visuals: https://getbehindthebillboard.com/episode-67-matt-leverWe're back folks. Dry BtB Jan is over. And we're starting the year with a belter in Matt Lever.Multi talented.Multi awarded.Funny.Charming.Loves a big idea.Loves a gag.And loves the in-house BtB flapjacks.We spent a leisurely hour with Matt chatting billboards, from his very first one for Macallan that he bizarrely spotted while on holiday in New York…to DOH anti-smoking, Tfl, Trident Gum, Gym Box and closing on Breast Cancer Now and the perfectly pitched topical work that ran during the Women's World Cup.Listen out too for Matt talking about The Chat - the UK's first drama series to play out on a messaging app group chat on WhatsApp. An audacious idea which not only garnered many awards and much PR, but more importantly has helped women cope with the disease.Matt, thanks so much again for coming in and sharing, it was a real pleasure.And for those after extra content, we're also posting on the website Matt's good copywriting doc, which is basically a reminder of what great work looks like. 

Visuals: https://getbehindthebillboard.com/episode-best-of-2023Best of 2023We're nearly there folks. 2023 just about done. How was it for you?For us it was a year of amazing guests, incredible stories, home-made cake, some lovely beards (esp our Dan's) and best of all, broadcasting from our new home at Soho Radio. Thank you Rachel and Adrian for putting up with us. You guys are the best.So in episode #66 @hughtodd and @mymatedan look back over the year in outdoor…any and everything ooh, billboards projections, adshels, stunts, special builds, enormous shopping bags, musical posters, massive microwaves, spider's webs and more.This year we've gone for a slightly new format. Without giving anything away, it was a battle of the billboards, each of us bringing our fave campaigns to the table in an effort to find the winner(s)of 2023. It was feisty. Some strong debate, explosive cracker pulling and scoffing mince pies (off-mic)Who won? Who nearly won? Was it all UK? Or did a Global campaign win?We also launched a new award. The People's Poster, for the work that garnered the most likes right here on Instagram. Another tight contest with quite a bit of drama ;-)Huge thanks as ever to our sponsor TalonTo Soho Radio. To all our guests who gave their time so generously. And of course thank you to all our listeners. We love the feedback, the DM's, the requests, the very faint praise and more. Keep it coming.And we are eternally grateful to the legend that is Jon Jones aka JJ. Quietly keeping us afloat as the loudmouths wang on into the microphones.And also Jordan for his endless help on design and last minute mock up favours.We hope you all have a great festive break and we'll no doubt see you on the other side.Take care and thanks again for all your support.Hugh & Dan & JJx

Visuals: https://getbehindthebillboard.com/episode-65-dan-fisherPodcast episode #65 features Dan Fisher, Global ECD at Ogilvy and WPP, the man behind a vast portfolio of award-winning billboards and the owner of a classy beard.With Christmas nearly upon us, it was most apt we discussed the brilliant “I spent it on myself” Harvey Nichols campaign which on its own could've filled an entire episode. Listen out for how Dan had to haggle on the price of gravel to get the campaign through. A real lesson in the lengths you have to go to for great work. We also covered The Sunday Times Rich List and another great anecdote involving a dragon and a gold Lion on a yacht in Cannes. And of course we spent plenty of time on Dove and the incredible work Dan has presided over these past few years. Some of the stories behind the work are humbling and inspiring in equal measure. Thanks so much again Dan. Please come back again when you've snaffled a few more Grands Prix

Visuals: https://getbehindthebillboard.com/episode-64-neil-dawsonEpisode #64 features Neil A Dawson.We spent a lovely couple of hours discussing his career which has featured many iconic billboards, notably the VW surprisingly ordinary prices campaign. Classic VW. Classic DDB. Every one of them a cracker with Weddings still the most awarded print ad of all time. Neil drew us a billboard live in the studio, recreating his first ever billboard for Sanyo. We also discovered what the ‘A' stands for, if he is related to our Dan Dawson and of course Clive Pickering, Neil's partner for many years on many amazing campaigns.Thanks again Neil. It was a total pleasure. 

Visuals: https://getbehindthebillboard.com/episode-63-guy-murphyEpisode #63 features our first ever planner, which seems a bit overdue considering the best planners are often the best creatives and vice versa. And we've haven't got just any old planner, but one who's been round the block with tread to spare. Guy Murphy many things: award-winning strategist, big creative thinker, agency leader, but also someone who just loves ideas and the chat about strat and tech and how they're all joined up. Plus he's a footy fan. All of which makes him perfect for the pod.Guy started his career at the home of planning BMP, before moving to BBH for a successful 16 year tenure where he first met and worked with Hugh. Guy rose through the ranks to become Deputy Chairman, before heading off to Knightsbridge and the global reach of JWT. But he couldn't shake Hugh, whom he worked with again on the Baileys pitch, winning with a strategy of lusciousness and a campaign of a thousand lips shot by @rankinarchive @rankincreative (BtB episode #17)One of Guy's BBH high points was for Levi's Japan, ‘The original jeans for original people' featuring the world's largest photocopier - so big you could lay down on it - shipped in from Korea for the shoot. A great idea that could work on any platform, but especially well for billboards. We also discussed the Audi design / jewellery campaign which was a huge change in strategy, but still resulted in award winning iconic work.We ended with Dan and Guy having a spod-off, debating AI and the future of OOH and Guy's current position as Co-Founder of AdTech start-up OSSA. (OSSA is a self-service advertising platform using GenAI to help small business do digital advertising)Thanks so much Guy for coming on. It was a a real pleasure getting behind the strategy behind the billboard

Visuals: https://getbehindthebillboard.com/episode-62-peter-souterRarely have we had such a talented, humble and unanimously respected guest as Peter Souter. Our teaser earlier this week had an amazing response with many waxing lyrical about his creative talent and what a great person he is. So we're hoping this episode lives up to the hype.We talked about any and everything. And managed to fit in some OOH along the way

Visuals: https://getbehindthebillboard.com/episode-61-shish-patelPodcast episode #61 features one of the industry's good guys, Shish Patel. Talented, funny, charming, thoughtful and extremely humble, it was a great hour with Shish, who regaled us with brilliant stories behind brilliant billboards.The baby in the marmite poster is a cracker. A story that involved another DDB creative Pete Hayes and a photo of his child never intended for a Marmite billboard, but ended up being the actual shot in the ad.There's also the Comfort poster that appeared outside Shish's parents shop which helped them finally understand what it was that he did for a living.There's more Marmite involving The Love Party and The Hate Party. Iconic work for FT. And the ‘Night drive' campaign for VW where we discussed the entire campaign - TV print billboards - which was a seminal moment in the VW oeuvre.Shish thanks so much for coming on and talking art and commerce in equal measure. And sampling Hugh's madierra cake.

Visuals: https://getbehindthebillboard.com/episode-60-specsavers-part-1Podcast #60 is part 1 of our Specsavers Special, featuring the brilliant outdoor campaign from creative team Jon Morgan & Bertie Rapkin.We explore the background to the work, how the craft played a huge part in making these such a success (kudos to GSA and Lee Bofkin from episode #59) and we hear about the (equally brilliant) executions that never made it. The busker covered in billboard paper a true delight. Please get it to run!There's also a very funny story involving Leeds Art University and one of the posters going up opposite the college shortly after a Specsavers brief.Jon & Bertie thanks so much. It was a real pleasure hearing how you work. As were the pints after. Maybe that's a new feature for the show

Visuals: https://getbehindthebillboard.com/episode-59-lee-bofkin/Murals special with Lee BofkinIf you've seen an amazing mural lately, there's a pretty good chance Lee Bofkin was involved. Lee is Co Founder and CEO at Global Street Art who are the go-to agency for creating big messages on big walls.Peaky Blinders, Valentino, Oatly,Invesco, Beats, FIFA, VW, Baileys, Glenfiddich and many others have had their moment on bricks and mortar thanks to Lee and his crew at GSA.We spoke with Lee about murals. Their history. Their resurgence. The way they're now interacting with the digital landscape. Why they're different from any other piece of OOH. And much more, including a fascinating chat about ‘pouncing', a technique used by Michelangelo to paint the Sistine Chapel and still in use today. We enjoyed Lee's infectious energy and incredible knowledge of the Street Art scene. And also his wonderful orange glasses. Thanks so much for coming on Lee. It was an education and a pleasure.

Visuals: https://getbehindthebillboard.com/episode-58-nils-leonardAI / Elderflower cordial  / B&Q / Inflatable cushions / Cannes / Air conditioning / AwardsIt went pretty much in that order on a warm day earlier this week, where the air con and Hugh's home brew kept us cool.Episode #58 features a fascinating chat with Nils Leonard, co-founder of Uncommon, who became our first ever returning guest.We first spoke to Nils back in Feb 2021 when we were remote, stuck in various houses and offices trying to have spontaneous conversations on Zoom. So it was wonderful to meet irl and we can report Nils is even better in the flesh

Visuals: https://getbehindthebillboard.com/episode-57-alex-abrantes/Ever seen a billboard used as a music stage? Or a vodka ad invade a beer ad? Or John McEnroe of today play John McEnroe of 1979?Podcast #57 features Alex Abrantes, who epitomises the belief that if you can think it, you can do it. And if you surround yourself with the right people even the most audacious ideas are possible.We could have dedicated the entire show to the McEnroe vs McEnroe campaign alone:The first ever Real vs Virtual Tennis Match.6 pieces of tech combined for the first time:Motion capture, A.I. Learning, UNREAL ENGINE, a High-Resolution Mist + Industrial Robots…all on a custom-built Tennis Court.52 countries$20m earned media3bn impressions.Alex seems to revel in ‘never seen before moments' which we previously talked about with Graham Fink on episodes #39 and #40.  Seemingly impossible stunts or uses of the outdoor never attempted before. And yet when it's done - the latest for Budweiser using a billboard as a music stage for female artists snubbed by the Brits - it seems completely effortless, as if it was always going to happen.We spent just over an hour hearing how he and his amazing team - including writer Chloe Bayhack - bring these ideas to life.Thanks again Alex for your time and work. It was a pleasure having you on the show. 

Visuals: https://getbehindthebillboard.com/episode-56-james-day/Podcast episode #56 features one of the sharpest snappers in the business. And one of the nicest and most charming guests we've had on the show.It's James Day on Good Friday folks. Settle down with a cuppa and a hot cross bun. This is a belter.James has had his name attached to some of the most iconic billboards of the past 30 years.He's come a long way since picking up his first camera, which was a foggy affair:“I spent quite a lot of time in the photography room at school. Well I say photography room, it was more like a smoking room. Everyone used taking photos as an excuse to smoke a sneaky cigarette.”Thank God for those sneaky fags and that dark room, because amongst all the smoke and teenage angst, a light was switched on in James mind and made him the brilliant photographer he is today.Most recent and most brilliant work has been for Uncommon for B&Q. Clean, sharp, beautifully crafted images, they've won plaudits and awards across the board and rightly so. The image of the mobile phone is sensational - worthy of an album cover.We discussed the formative years when James worked with JustinTindall & AdamTucker on numerous projects, including the Harvey Nichols calendar campaign which features the stuffed cat and the 31 plates of baked beans stories. But the absolute winner was behind he Guardian and how they achieved the imprint of the rattan furniture on the model's bottom. This is honestly one of the funniest stories we've ever heard on the pod.We finished with XXXX Extra Cold posters and heard how the legendary Mark Reddy, Head of Art at BBH at the time, sprinkled gold dust on the idea, involving spiders and gloves and hair, taking the craft of the work to another level (we're hoping to have Mark on the show at some point soon).Thanks again James for being so generous with your time and the stories behind the work. It was a real pleasure. 

Visuals: https://getbehindthebillboard.com/episode-55-jo-mooreEpisode #55 has a bit of everything.Mostly it has the charming, humble and uber talented Jo Moore, ECD at House 337, discussing her OOH work.In particular we chatted about the domestic violence campaign for Women's Aid that ran during last year's World Cup.“He's coming home” was a chilling reminder of the domestic abuse suffered by women during major tournaments. The poster (and film which is equally brilliant) gained huge publicity and awareness on virtually no budget.It led us to a wider debate on how small but important clients like Women's Aid can get their message across with great creative work.This in turn led us to discuss the spoof fashion campaign ‘Not model's own' for the same client, highlighting the issue of Coercive Control, executed with tact and skill - gaining column inches galore and huge awareness.Next was something completely different: Ant & Dec. And Kraftwerk.Surreal, hilarious, with a lot of red.And then we heard how Jo met Anthony Burrell and got him designing the wonderfully graphic campaign for The Corinthia Hotel.Amidst all this, after about 10 minutes, Dan had to leave the room for a phone call. Jo and Hugh carried on chatting…and chatting…and chatting…Dan never returned until the final credits.We thought he was on an important business call, but it was more important than that - it was a family emergency, which thankfully was resolved.Quite a morning. Quite the episode!Thank you Jo for coming in and taking us behind your billboards. As well as inside your VW van and outdoor swimming. A woman of many parts who barely batted an eyelid as half the Behind the Billboard team left the building ;-)And well done Dan for keeping a cool head in a difficult moment. All in a day's work for my mate Dan. 

Visuals: https://getbehindthebillboard.com/episode-54-emma-brookeFor episode #54 we spoke to Emma Brooke, Writer and Creative Director at Leo Burnett and originator of some of the very best OOH work in recent years for the BBC.We started with her campaign for Peaky Blinders which featured fan art from devotees of the show. This big bucket of UGC resulted in over a dozen brilliant pieces of outdoor that stood out from your everyday air brushed advertising image thanks to their gritty hand crafted style. Whether it was Tommy, Polly or Arthur - the image always appeared fresh and unique.The final selects ran on poster sites local to where the artist lived. So not only did they have their moment of fame, but they could go down - with their Mum if need be - and see their art writ large in the great outdoors. What's more all the work was then exhibited in an online fan art gallery.This was followed by a brilliant set of billboards for Killing Eve, which didn't mention the show, or the BBC or any details other than a series of personal messages and a hashtag #CRAZY4EVESuper brave work that caught the tone of the show exactly right. A private squabble played out across the most public platform.We also discussed Emma's life before BBC, her other agencies, life in NYC and most fascinating of all, how she met the love of her life on a plane.Thanks Emma for coming on and being so open and charming with your stories. Esp that grinding billboard ;-)

Visuals: https://getbehindthebillboard.com/episode-53-david-masterman/Episode #53 of the podcast features the super talented ever ebullient Dave Masterman.  It was a great session that encompassed Dave's incredible collection of OOH work both as creative and CD.Many highlights: VW, Marmite, Kit Kat, Mr Kipling and esp Ben & Jerry's - the homemade look ‘n feel still fresh today.More up to date work included the audio mnemonic led Domin-oh-hoo-hoo campaign which works surprisingly well on murals and special builds.We finished on ‘I Spy Maynard's' (Wine Gums) which is possibly the ultimate in outdoor campaigns and why we do the podcast. So good hearing the story behind this campaign that ended up subverting the Euros and Number 10 Downing Street among other events of last year.Thanks Dave for not only being a fun and charming guest, but for your incredibly thorough preparation for this episode. We have never had a more organised session!See you (and James McAvoy) in Waitrose in December

Visuals: https://getbehindthebillboard.com/episode-52-mark-tutssel-part-2/Part 2 of our conversation with Tuts took us to the very heart the world's most famous fast food brand. We spoke at length about McDonald's and Tuts incredible time at the helm of the account, first in London, then Chicago, then around the world.There was so much work it would've been impossible to cover it all. But we're pretty sure we got the best bits:Golf, Mouse-holes, Hot dog, 20p, Fresh Salads, Milkshake and our absolute favourite, Sundial (featured on Episode 5 with creative team Vince Cook & Gary Fox-Robinson).And as if that wasn't enough, we squeezed in the audacious Allstate Insurance stunt that featured a car dangling off the 17th floor of the landmark Marina Towers apartment building in Chicago, seemingly about to plummet to the ground below, accompanied by the tagline ‘Are you in good hands?'This was followed by Samsung Safety Truck, Coke's Small World Machines that epitomised Tuts ‘creativity without borders' ethos before finishing on two monster award winning campaigns - ‘My blood is red and black' and Airbnb Van Gough ‘The Bedroom'.Thanks again Mark for giving your time and stories - judging by the response we've had for part 1, you have once again smashed it.Shoutout again to Soho Radio, our new home for the podcast and to our brilliant sponsors Talon

Visuals: https://getbehindthebillboard.com/episode-51-mark-tutssel-part-1/Mark Tutssel aka 'Tuts'Part 1To say we're excited about our latest guest on the podcast is somewhat of an understatement.Mark Tutssel aka 'Tuts', is one of the biggest names in the business.And when it comes to billboards and OOH, he has few rivals.His overall award record is staggering - 600 Cannes Lions, inc 10 Grand Prix, two D&AD Black Pencils, the first ever White Pencil, 25 D&AD Yellow Pencils, Grand Clios and many more - you name, he's won it.And he's won just about all these gongs at one agency, Leo Burnett. So in a way these two episodes (so much to cover we decided to make it a 2 parter) are as much about Leo Burnett as they are Mark Tutssel.In part one, Mark talks about his time in London, an incredible tenure alongside partner Nick Bell, creating iconic billboards for Mercedes-Benz, United Airlines, John West, Heinz and more. This body of work alone would be enough to fill several careers, but not for Tutssel.This is just part one of an amazing career spanning nearly 4 decades across all 4 corners of the globe, rewarded during many successful summers in the South of a France with all those Lions

Visuals: https://getbehindthebillboard.com/episode-50-david-kolbusz/BtB in 2023.And who better to kick off the year and podcast #50 than David Kolbusz, CCO of Orchard New York. A man of many talents and looks. And a blast of fresh air to blow away the January blues.We actually spoke before Christmas on a crisp winters day in New York. In fact it was Thanksgiving as we recall, so we're hugely appreciative of DK's time on such a big day Stateside.The sun was out and through his bedroom window we could hear birdsong from Central Park and sirens from downtown Manhattan (it's a very big window).And most importantly of all, we heard the dulcet tones of DK talking us through his billboards and OOH work from both sides of The Pond.Axe, The Guardian, Equinox Gyms, Coal Drops Yard. Every one of them iconic pieces of work with fantastic stories. Including a bit of background Wiggle Jiggle from the brilliant Ocean Spray campaign.DK thanks so much. It was a total pleasure.Thanks for waking up with us and talking billboards in your pyjamas.A first for the show

Visuals: https://getbehindthebillboard.com/2022/12/31/episode-49-best-of-2022/Of all the end of year lists, this is obv the one you've been waiting for.Yes, it's Behind the Billboard's Best of 2022.And what a year it's been.So much great work to choose from.Digital posters, traditional posters, fly posters, posters made from fruit juice, posters towed by horse drawn carriages, posters of cute cats and dogs, posters with 500 different executions in the campaign. Posters that had been put up wrong. Posters that came alive at night. And then there's posters for yoghurt. Yes amazing ooh work for yoghurt! Surely that is this years headline!But what was number one? Which billboard was most talked about? Which agency had the most entries? And how many mince pies did Hugh and Dan eat live on air?As it's the end of the year we also wanted to say a huge thanks to you our listeners for supporting us this year, liking us, saying nice things about us as well as spreading the word. We've been downloaded now over 30,000 times so we're obv doing something right. But if you have any suggestions for the show or guests you'd like to hear from, please do let us know. And obv a huge hank to our sponsor Talon, without whom none of this would happen.See you in January when we'll be hearing from some amazing guests including David Kolbusz, Mark Tutssel and Dave Masterman.Until then “We wish you a Merry Christmas and a Happy New Year” - surely one of the best headlines of all time ;-)

Visuals: https://getbehindthebillboard.com/2023/01/31/episode-48-scott-silvey/You wait for a D&AD black pencil winner for nearly 50 episodes…then two come along at once.Shelley Smoler for The Zimbabwean last time and now Scott Silvey for Hopeline 19.We talked about the work in depth and discovered how the campaign actually put Scott and the creative team Darren Beresford & Richard Gayton at the forefront of the pandemic, talking and listening to nurses and doctors trying to cope with Covid. A brilliant campaign that shone the spotlight on these amazing people who keep this country on its feet.We also chatted about another recent award-winning project from Adam&EveDDB for CALM ‘The last photo'. An equally emotively charged subject from creative team Andy Clough and Richard McGrann, highlighting how ‘Suicide doesn't always look suicidal'. The work comprised posters, press ads and most heart-breaking of all, an exhibition on the South Bank.This campaign, like Hopeline 19, looks destined for gongs galore also. On the day we spoke it won big at Campaign BIG awards and we wouldn't be surprised if it too got a black pencil. Obv it's nice to get awards, but we agreed really the point of the work is to raise awareness and hopefully save lives.And then along came Colman's Mustard! We talked about how Scott designed a few billboards and ended up with his work appearing on the actual jars of mustard. Next time you're in the cupboard looking at a jar of Colemans, chances are it's got Scott's work on it.Towards the end we discussed 1830 and NSPCC. Huge pieces of work which Scott paid a massive part. Credit also to Ant & Mike (BtB episode #12) who work with Scott on many projects and all the incredibly talented peeps at Adam&EveDDB.Thank you again Scott for being so kind and generous with the stories behind the work. It felt quite an emotional session but a very important one.A multi-talented humble craftsman. It was a real pleasure.

Visuals: https://getbehindthebillboard.com/2022/12/02/episode-47-shelley-smolerOur first South African.Our first D&AD black pencil winner.Our first guest with a sparkly (possibility pitch winning) top.Shelly Smoler, thank you so much for taking the Behind the Billboard podcast to new heights.The Zimbabwean campaign is one of the most famous in history and one we've been longing to discuss. Such was the parlous state of the Zimbabwean economy back in 2009, money was literally not worth the paper it was printed on, with people paying for goods with barrow loads of notes. From this crisis came the idea of billboards made entirely from bank notes. The campaign was lauded and awarded around the globe and is now part of the permanent collection at the British Museum and the Design Museum. Listen to how one of the most famous campaigns of all time came to be. And how it lead to Shelley nearly being banned from the country for her efforts. It's an amazing story.And an approach that has permeated Shelley's work ever since. Be it for Vestiaire Collective or Amazon Prime Video or Diet Coke, her work has a cool, effortless, subversive nature, always going beyond the conventional.Thanks so much for coming on Shelley. Fingers crossed for the pitch.(Thanks also to the ex-BBH crew Bill Scott, and in particular, the legend that is Peter Wardle, who helped make this episode happen)

Visuals: https://getbehindthebillboard.com/2023/07/07/episode-46-russell-ramseyWe're back!Series 4 is here and first up is Russell Ramsey, ECD of Pulse Creative and the brains behind some of the most famous OOH from the past 30 years.Audi, Paddy Power, Toohey's, Levi's, Polo, Kit Kat, Kleenex, The Times - the list of clients that have benefited from Russell's craft is long and impressive.And yet he remains incredibly humble and hungry for more. The Times Queen's Platinum Jubilee billboard was shortlisted at last night's prestigious Campaign BIG awards.Russ is man of many parts - consummate art director, CD, ECD, semi-professional gardener, professional Geordie, fashion guru “No one ever got anywhere wearing trainers Hughey” and owner of a lot of blue jumpers.For a man who says ‘No' a lot (but only in the pursuit of creative excellence) we were chuffed he said ‘Yes' to coming into our billboard world for an hour or so and we revelled in his joy and passion for the great outdoors.Thanks again Russ. You were immense.Watch that bookshelf on the way out. NB: The final slide is when Russell defaced Hugh's Man Utd book, replacing the word ‘Champions' with the word ‘Wankers', but in such a beautifully crafted manner Hugh didn't notice for 2 years.

Visuals: https://getbehindthebillboard.com/2022/07/08/episode-45-guy-moore/We're back.And most appropriately we're back with a Cannes man.None other than Guy Moore, who amidst many career highlights, won the Cannes OOH Grand Prix in 2018 with McDonalds ‘Signs' campaign, which has a brilliant back story.And coming in a close second is Guy's British Heart Foundation campaign which involved calling Saul Bass - yes the legendary Saul Bass - in the middle of the night in New York for a little art direction chat.Smart, funny, wise (and wearing a cracking shirt) Guy it was a total pleasure hearing, in your dulcet tones, the stories behind your billboards.Thank you so much for coming on - an hour felt way too short - maybe a part 2 sometime?Until then, enjoy this one.

See pictures and watch a video of the panel here: https://getbehindthebillboard.com/2022/06/22/episode-44-behind-the-billboard-cannes/C'est ici!Yes, podcast #44 is here and it's unlike anything we've ever done before.It was live in the South of France and despite a few technical glitches, it was tres bon.A lovely hour at LBB beach chatting with our esteemed panel of Daniel Fisher, Keka Morelle and Sanjiv Mistry about all things OOH @Cannes 2022.Sanjiv was our man in the judging room, giving a real insight into this year's winners, esp how and why the Adidas ‘Liquid Billboard' swept the board. It's a great story.As well as discussing this year's winners, we chatted about how to win at Cannes (Daniel tip: “Don't try to win at Cannes”) and the panel nominated their fave Lion winning billboards and most memorable Cannes stories.It was a brilliant experience. Thank you to everyone who's supported us along the way.Huge thanks of course to our sponsors @TalonOOH without whom none of this would've happened. The T-shirts were epic, nicely modelled by BtB's very own human billboard, Dan Dawson.And of course thanks to the man behind the men behind the microphones, tech legend Jon Jones.Special mention also to ‘Birdy' aka Andy Bird Le Truc @Publicis (BtB ep22 and ep23) who was vocal in the audience offering his favourite Lion winner. He also came to lunch, wore our sponsors hat and laughed a lot.We're very much hoping to be podding and laughing in the sun again next year.Auvoir!Ps. The key image here is a homage to the great Expedia campaign from Jon Morgan & Mike Watson. Cheers chaps. 

Beady eyed followers will know we've already posted about our #CopySafari with Vikki Ross.But today we're pleased to say the podcast episode is available.During the trek through the wilds of Shoreditch, there were a few technical problems which slowed down the editing process - we think the issue was extreme humidity in Dan's trouser pocket.But thankfully the recording has been rescued by intrepid IT pioneer Mr Jon Jones, who has not only salvaged the audio file, but edited it into a fully fledged episode.And it's quite a detour from our regular studio recording - proper front line stuff - real billboards in the real world with real punters walking past, occasionally glancing up and taking in the hard work of the creatives responsible.Some campaigns really stuck out - Minor Figures is brilliant on many levels - ditto Spiritualised - and some cool shit from Calvin Klein x Palace.‘Bring on the sun' from Ace & Tate was perfectly timed and a neat follow on from the previous teaser campaign of people squinting their eyes in readiness for summer.  Most apt as the sun warmed us.Thanks again Vikki. A great experience. Essential for both creatives and clients alike to appreciate what it's like out there.Next stop The Wild West End?

Visuals: https://getbehindthebillboard.com/2022/04/29/episode-42-ewan-paterson/‘How about Carl Lewis in his running gear, but instead of wearing spikes that normally propel him to 100m in 9.86 seconds, we put him in a pair of size 12 red stilettos with the headline 'Power is nothing without control'. Oh and let's insist on getting legendary photographer Annie Liebvitz to shoot it. What do you reckon?'This is why we love advertising. The dreamers. The moon shooters. The creatives who think nothing of putting the most famous athlete in the world in a pair of shiny red high heels.And it's why BtB love Ewan Paterson who in 1985 with then partner Graham Norways, created the seminal poster for Pirelli.Lewis wasn't even an ambassador for the brand at the time. He was an unsuspecting ten-time Olympian minding his own business until someone asked if he was up for it.Thank you Carl, from all us spoddy billboard nerds, for saying yes.In our eyes, it's your greatest moment

Visuals: https://getbehindthebillboard.com/2022/04/14/episode-41-ed-morris/Podcast 41 features one of the industry's greatest talents - Ed Morris.Ed has flexed his creative muscles across just about every discipline you can think of.Art direction, writing, typography, creative direction, photography, commercials direction and most recently turning his hand to film, directing his brilliant debut movie ‘How to stop a recurring dream'.There's no end to his talent. He even plays the ukulele. But thankfully he can't do the Rubik's cube ;-)We spent a wonderful hour hearing how these talents have helped shape his billboards, which have won at every major award show.And every one of them is a cracker. From the beautifully judged b&w portraits for Tfl to the utterly joyful Red Stripe, the iconic Kew Gardens 96 sheet, the graphic Sta Prest and our favourite - Quality Street - which in Ed's own words are ‘like stills from a film'.Every campaign has utter simplicity at its heart, executed with fantastic craft.And when Ed is the client the standard doesn't drop - the poster for his movie is a belter - courtesy of another BtB guest Paul Belford (Episode 2).Ed epitomises what creativity is all about. Passionate. Restless. Honest. Hard working. Collaborative. Always with a point of view. And always with a ton of energy.Thanks for coming on Ed. We loved it. 

Visuals: https://getbehindthebillboard.com/2022/03/18/episode-40-graham-fink-pt2/Is the sequel ever as good as the original? For Graham Fink Part 2, think Godfather Part 2 (but without all the killing).More brilliant cigarette billboards. This time for Silk Cut and the iconic Shower Curtain and Birds executions.Then Dixons….'the last place you want to go' which started life on the radio but thankfully ended up on billboards, winning at every award show around the world.Graham then literally gave blood for the (billboard) cause with the seminal ‘Blood' poster (and film) for Playstation when he and Trevor Beattie formed advertising's first ever SuperTeam at TBWA.And then a move out of the comfort zone. All the way to Ogilvy Shanghai where Graham offered a regional Coke brief to a student who wasn't working at O&M. Or even in the same country.Enter Jonathan Mak who changed the face of ad history with his Coke ‘Hands' poster - China's first ever Cannes Grand Prix.And we end on ELEPHant. A suitably audacious bonkers final act.Graham, what can we say.Epic.Audacious.Funny.And just f***ing great to hear your stories.You and your billboards did us proud.Thanks so much again.Secretly hoping there may be a Part 3 one day :-)