Podcasts about alexander o

Parafraseando una de sus más recordadas interpretaciones teatrales, Susana Alexander no sólo ha dado cátedra de cómo ser una buena madre judía, sino de cómo vivir apasionadamente su vocación de actriz, en un país que acogió y protegió a sus padres de los horrores de la segunda guerra mundial.En entrevista con Pati Chapoy, la actriz rememora la odisea que implicó para ellos su llegada a México, luego la prematura muerte de su padre, cuya figura intentó encontrar años más tarde casándose con su maestro de matemáticas, aunque el matrimonio finalmente no resultó. También relata cómo incursionó en el mundo del teatro y la televisión, apoyada por su propia madre y los productores Ernesto Alonso y Luis de Llano Palmer. Desde entonces su compromiso actoral era tal, que abandonó su banquete de bodas con tal de ir a dar función en el teatro.Hoy con una larga y fructífera trayectoria a cuestas que la ha consolidado como una de las mejores actrices de su generación, Susana dice estar lista para el virtual retiro de los escenarios donde el público todavía la reclama, e incluso de la vida misma, pues a sus 81 años tiene la certeza de que lo único que tenemos seguro es la muerte... y es que nada es lo que parece. Hosted on Acast. See acast.com/privacy for more information.

Happy New Year! To soothe fragile minds after the Christmas break we are easing you in to 2025 with St Columbanus part 2 — a further, more relaxed, reflection, on the career and legacy of Irish monastic founder Columbanus with Dr Alexander O'Hara. Do listen to our previous episode from November 22nd first if you get the chance. In this episode, we hear lots of Columbanus' own words, from his own writings. Dr O'Hara discusses how Columbanus became a dynastic holy man to the Merovingians, high politics, murder, marriage alliances, the appeal of Irish radical asceticism, the tension between temporal and spiritual power, the physical layout of Irish monastic sites, the legacy of St Gall (Sankt Gallen). Suggested reading: Sancti Columbani Opera, ed. G. S. M. Walker, (Scriptores Latini Hiberniae Vol. II) The Dublin Institute for Advanced Studies, (Dublin, 1957 [repr. 1970]) Ian Wood, The Merovingian Kingdoms (450-751) (London, 1994) Alexander O'Hara (ed.), Saint Columbanus: Selected Writings (Veritas, Dublin, 2015)  J.-Michel Reaux Colvin & Alexander O'Hara, "Réécriture and the cultus of Saint Gallus, ca. 680-850: A fidelissimis testibus indicata", Traditio 79 (2024) Regular episodes every two weeks (on a Friday). Email: medievalirishhistory@gmail.com X (formerly Twitter): @EarlyIrishPod Supported by the Dept of Early Irish, Maynooth University, & Taighde Éireann (formerly Science Foundation Ireland/Irish Research Council). Views expressed are the speakers' own. Production: Tiago de Oliveira Veloso Silva. Logo design: Matheus de Paula Costa Music: Lexin_Music

Play List: 0:00 Chris Rea - Driving Home for Christmas 4:30 Keni Burke - Risin' to the Top (7" Version) 6:30 Phyllis Hyman - Ain't You Had Enough Love 10:30 Lionel Richie - Serves You Right (Album Version) 17:00 Cherrelle - Saturday Love (feat. Alexander O'neal) [Extended Version] 18:00 Midnight Star - Midas Touch 19:00 Jimi Jones - Say What Again 22:00 A Taste of Honey - Boogie Oogie Oogie 28:30 John Davis & The Monster Orchestra - Ain't That Enough For You (Extended Disco Version) 32:30 Jojo Effect - Echo Valley 36:00 The Trammps - Can We Come Together (Joey Negro Philly Dub Excursion) 40:00 Tavares - Heaven Must Be Missing An Angel 43:30 Pockets - Come Go With Me (Dave Lee's Found a Place Mix) 48:30 AC Soul Symphony/Dave Lee - Metamorphosis 54:30 Sade - Nothing Can Come Between Us 57:00 Sade - Smooth Operator 1:02:30 Soul II Soul - Back to Life 1:06:00 Womack & Womack - Life's Just a Ballgame 1:11:00 Barry White - Cant Get Enough Of Your Love Baby 1:13:30 The Soul Crusaders - Just Get It 1:19:00 Womack & Womack - Teardrops - Edit 1:23:00 Willie Hutch - Brother's Gonna Work It Out 1:25:30 Lionel Richie - Love Will Find A Way 1:31:30 Bill Withers - Lovely Day 1:35:00 Christopher Cross - Sailing (2001 Remaster) 1:39:00 Billy Preston - My Sweet Lord 1:44:00 Sting - Fields Of Gold 1:47:30 Joe Cocker - You Are So Beautiful 1:49:30 John Lee Hooker - Chill Out (Things Gonna Change) 1:53:30 UB40 - Kingstown Town 1:57:00 Bob Marley & The Wailers - Satisfy My Soul 2:07:00 UB40 - Red Red Wine 2:08:00 Genesis - Hold on My Heart (2007 Remaster) 2:20:30 Rhythm Walker - John Jazzle 2:22:30 Crossroads Guitar Festival - Crossroads Guitar Festival 2010 Part 2 (Live at Toyota Park, Bridgeville, IL, 2010) 2:26:30 Jazz Instrumental Club - Heart That Cannot Be Reversed 2:33:30 Phil Collins - In the Air Tonight (2015 Remaster) 2:37:30 Brian Owens & Thomas Owens - A Change Is Gonna Come 2:50:00 Nathan East - Why Not This Sunday (feat. Ruben Studdard) 2:55:30 Fourplay - Magic Carpet Ride 3:00:30 Bread - Make It with You 3:03:30 Christopher Cross - Ride Like the Wind (2001 Remaster)

Happy anniversary to St Columbanus, famous as a monastic founder, and a symbol of a united Europe, who is remembered as having died on Nov 23rd in the year 615! (Happy birthday also to Dr O'Hara's wife! More info in episode). Columbanus aficionado Dr Alexander O'Hara brings us through Columbanus' auspicious beginnings as a handsome aristocrat in Leinster, his superlative scholarly career in Bangor, his illustrious travels around Europe and the cosmopolitan mixed monastic communities he founded in Annegray, Luxeuil and Bobbio. Referring to Columbanus' monks as akin to the SAS, O'Hara answers the question was he 'zero craic' and explains his impressive literary legacy. Suggested reading: Alexander O'Hara, “A lacuna in Irish historiography: the Irish peregrini from Eoin MacNeill to The Cambridge history of Ireland and beyond,” Irish Historical Studies 47 (2023), 1-18 Alexander O'Hara (ed.), Columbanus and the Peoples of Post-Roman Europe (Oxford University Press, 2018)  O'Hara, Jonas of Bobbio and the Legacy of Columbanus: Sanctity and Community in the Seventh Century (Oxford University Press, 2018) O'Hara (ed.), Saint Columbanus: Selected Writings (Veritas, Dublin, 2015)  Regular episodes every two weeks (on a Friday). Email: medievalirishhistory@gmail.com X (formerly Twitter): @EarlyIrishPod Supported by the Dept of Early Irish, Maynooth University, & Taighde Éireann (formerly Science Foundation Ireland/Irish Research Council). Views expressed are the speakers' own. Production: Tiago de Oliveira Veloso Silva. Logo design: Matheus de Paula Costa Music: Lexin_Music

GFM Intro GFM Intro Why Do We Celebrate Hispanic Heritage MonthSituationship Alli StarrSwimming in your mind G LettSober  New Jack Teddy Riley Version Nile Rodgers Ft Chic Love Always Wins KEM Sam Smith Talking Sam Smith TalkingNo Love Canita Ft Noel GourdinBad Mama Jama Carl CarltonI Love You More SwitchYour Love's Everything Tracy CruzThe Power of The One Bootsy CollinsRoses Gregg Jackson, Christopher Williams, Alexander O'neal Sam Smith Talking Sam Smith TalkingReturn of the Mack Mark MorrisonIm Gonna Take My Time Lamont Dozier Jr I Want A Girl Like You JoeDon't Remix Ed SheeranBeing Gentle Saint Jaimz Feat. Sene Sam Smith Talking Sam Smith TalkingHispanic Heritage Month 2 Alexander Zonjic Motor City SwayAll Is One Tony LindsayLooking For Love Michelle LawsonJust Goodbye Karen Wolfe  Sam Smith Talking Sam Smith TalkingTrust in Me Glenn Jones feat. Genobia JeterLove And Affection Art Madison No One  D FolksLet Me Be the One Five StarSometimes O´Bryan Sam Smith Talking Sam Smith TalkingHispanic Heritage Month 3 Solid Ashford & Simpson I Still Have You Charlie Wilson Ft Nutta ButtaSweet Talk D'Atra HicksA Change Must Come DBJ Sam Smith Talking Sam Smith TalkingGroove You DW3 Feat. Rebecca JadeFly With You Force M.D.'sMy Only Love Karen Bryant Beautiful Mason RdSpecial Park Avenue Sam Smith Talking Sam Smith TalkingHispanic Heritage Month 4 Feel Real Silver Twins of FunkThere Ain't Nothin' Better Robert BrookinsGoodTimez Mr. Dalvin feat. TaliThis Kind of Love TanQueray Hayward  Rock Ya Body ZappRight Where You Are Will DowningWhatever It Takes Tomi JenkinsLets Get Away Sargent TuckerThe One Chris Jasper

EP. 521 Mzhipop talks about the iconic and legendary RNB artist Alexander O'Neal and his contributions to the music world. Make sure you share this brief episode with your friends and family.

This weeks blast into the Vinyl Vault including hits from Donald Byrd, Earth Wind & Fire, The Mac Band, Billy Griffin, The Rev Al Green, Glen Goldsmith, Alexander O' Neil, George Benson, Circle City Band, an absolute corker from Stone and a banger from Roy Hamilton...

In this episode of the Business of Boating podcast, we sit down with Alexander O'Neill, Co-Founder & CEO of Nauta, a company that is pioneering changes in the yacht charter industry. Alexander shares his journey from a successful career in finance and investment banking to launching a startup that challenges traditional notions about luxury yachting. He discusses how Nauta is making superyacht experiences accessible to a broader audience, not just the ultra-wealthy, and dives into the strategies and technologies driving this transformation. Alexander also reflects on the challenges of entering a luxury market with a disruptive model, the impact of economic trends on luxury spending, and his vision for the future of yacht chartering. Tune in to gain unique insights into how Nauta is navigating the evolving landscape of luxury boating and what this means for the industry at large.NautaAlex O'NeillMerrill CharetteMIDA.PRO - Marine Industry Digital Agency - MarketingSupport the Show.

Our sixth criminally underrated black artist features Alexander O'Neal. An artist that is honest about his intentions in music and did big numbers in the UK. Listen as Kevaun discuss the history of his upbringing, songs, and life of today. Mr. O'Neal, here are your flowers.

**Smiffy's A To Z Of Soul Music Replay On www.traxfm.org. This Week Smiffy Featured Boogie/Contemporary Soul,Rare 70's & 80's Grooves/Dance Classics From A Vision Of Panorama, Alexander O'neal, Chocolate Lips, Northend, Dina Carroll, Magnolia, Jermaine Stewart, DJ Trip, Eddie Harris, Curtis Hairston, Funk Hunk, Dexter Jones, L-Farrio, Clarence Mann, Funk Therapy Feat Michael B, One On One, Howard Smith, Donnell Pitman & More. #boogie #soul #70sgrooves #80sgrooves #danceclassics #contemporarysoul #raregrooves Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

This week on The Metro, Rev Jeff Ivins is back from his 2 week break and brings you the following bands for your time trip to the 1980s: The Cure, Cyndi Lauper, Paul Young, Alexander O’Neal, Tears For Fears, Thompson Twins, Kool & The Gang, Josie Cotton, Berlin, Laura Branigan, Mike + The Mechanics, Spandau Ballet, Culture Club, ABC, and finishing off with some Bangles.

1. Cherrell Ft. Alexander O'nealSaturday Love (Jamsteady Retronova Mix)2. Deep SpelleBack In Town3. Dj SpinnaAnita Baker You're my everything Dj Spinna rmx4. Angelo Ferreri, Yakka, Micky More, Andy TeeNo More Apologies (Micky More & Andy Tee Remix)5. B. B. & Q. Band, Michael GrayDreamer (Michael Gray Remix)6. House MusicBarry White Come On Club House Remix7. Bill Withers Just The 2 Of Us8. Frankie KnucklesChaka Khan - Never Miss The Water (Frankie Knuckles Remix)9. House MusicD'angelo 'Spanish Joint' House Remix (White Label 2000)10. BabertBoogie Oogie (Original Mix)11. Dj J.Squared edit Do For Love (What You Won't Do) Vick L. feat R.J Green (Dj J.Squared edit)12. The TailorsGeorge Benson - Give me the night (The Tailors Remix)13. House MusicRay Charles Eleanor Rigby Quentin Harris Remix14. The Jackson 5Blame It on the Boogie15. Kenny BlakeTom's DinerSupport this podcast at — https://redcircle.com/dj-jsquared/donations

# Alexander o Neal criticize # one of the most underrated male vocalist of the 80s# Minneapolis Sound premiere vocalist imo# song composed and produced by Jimmy jam and Terry Lewis # respect and appreciate --- Support this podcast: https://podcasters.spotify.com/pod/show/mr-maxxx/support

ALBUM FOCUS: CHRISTIAN PARKER: Sweethearts http://www.christianparker.com A tribute to The Byrds' SWEETHEARTS OF THE RODEO with Earl Poole Ball and JayDee Maness from the original recording. "Hickory Wind" "One Hundred Years From Now" "Blue Canadian Rockies" "Life In Prison" ***************** PUTUMAYO WORLD MUSIC presents Acoustic Europe: a musical journey through France, Italy, Netherlands, Germany and Denmark with ten enchanting songs by some of today's best singer-songwriters. Emanuele Tozzi (Italy/US) "Beautiful Princess" Lunau & Sound (Denmark) "En Seng At Guld" Vincent Fuller & Mariane Feder "Dernier Rendez-Vous" Achille au Couer Leger (France) "Moi Ia Nuit" Lisza (France) "Canta Querida" ****************** Alexander O'Neal "Love Finds A Way" - https://www.alexander-oneal.com/ Jon Shain "Something New" - Times Right Now www.jonshain.com (2009) Professor Louie & The Crowmatix "Over The Edge" - Over The Edge (2001) www.woodstockrecords.com Joel Astley "Takin' It With Me" - Seattle To Greaseland www.joelastley.com Little G Weevil "One Last Time" - If I May www.gweevil.com Drew Young "Ordinary Day" - No Good At Being Cool www.drewyoung.com (2001) Ryan Wayne "Wherever You Land" - Crow Amongst The Sparrows www.ryanwaynemusic.com ****************** These artists are part of the upcoming Dripping Spring Songwriter Festival https://www.destinationdrippingsprings.com Rebecca Loebe "Land and Sea" - Mystery Prize www.rebeccaloebe.com (2010) Grace Pettis "Tin Can" - Working Woman www.gracepettis.com Helene Cronin "Careless With A Heart" - Old Ghosts and Lost Causes www.helenecronin.com Livingston Taylor "Bicycle" - The Best Of Live: 50 Years Of Livingston Taylor www.livingstontaylor.com ********************** Rani Arbo & Daisy Mayhem "Farewell, Angelina" - Big Old Life (2007)www.raniarbo.com Chris Smither "Let It Go" - Train Home www.smither.com (2005) Tim Grimm "Anne in Amsterdam" - The Turning Point (2013) www.timgrimm.com Allysen Callery "Sea Change" - Ghost Folk www.allysencallery.com Closing music: MFSB "My Mood" Running time: 5 hours --- Send in a voice message: https://podcasters.spotify.com/pod/show/radiocblue/message Support this podcast: https://podcasters.spotify.com/pod/show/radiocblue/support

Welcome to The Dull Roar. Cheers to 20 Sessions and countless more. Session 020// TRACKLIST Victoria Monét - On My Mama [DJ Chopp-A-Lot REMIX]Deleongotwaves - Landing PrivateFranchise - welcome to the river ft. sgamoSángo - Rifle Walk Boston Cherry - Tempted To Touch (Boston Chery Remix )DeeDONTCARE - BREATHE [DWIWALI RIDDIM EDIT]FS GREEN - LadyzLincoln Baio - TRAVIS PORTER - AYY LADIES (AMAPIANO ISH BLEND)Drake - 4422 feat. Sampha (YAMA//SATO Amapiano Edit)Karen Nyame KG - Cherrelle & Alexander O'Neal - Saturday Love (KG Loverz Edit)Whitney Houston - It's Not Right [Sliink Remix]GUNNA - FukUMean (Glenwood! JerseyClub Edit)DJ Sliink - Break From Jersey [Booty Bounce]KING CORONA - Yebba's Heartbreak (Jersey Club Remix)Aquarius Jay - SHABOOYA (AQUA FLIP)DJ Smilez - Wolves (Smilez remix)1981 tokyo - você se foiFranchise - Flacko (f r a n c h i s e. Afro Baile Edit)mantineo - middle novinha (edit)tango. - Oh U Went Baile QLAQUÉ - WALKING ON A DREAM (QLAQUÉ DANCEHALL REMIX)

Full TorahAnytime LectureVideo or AudioMore classes from R' Eliezer Zeytouneh⭐ 1,717

Memphis native Darryl Sanford has been playing music all of his life. From playing the drums at the age of two and later matriculating to the piano, Darryl developed an ear for music. Darryl teaches music theory and is also a member of the legendary Bar-Kays. Darryl first started playing for churches as a teenager and has been playing for churches and choirs in the city of Memphis ever since. By the time he entered his twenties, he started breaking into secular music by playing for a jazz band and then eventually breaking off into the r&b and neo-soul scene in the city of Memphis and surrounding areas. After playing for many of the artists and singers in the city, he started playing for more mainstream artists in jazz and r&b, such as Shalamar, Howard Hewitt, Euge Groove, Kim and Kayla Waters, Alexander O'neal, and would eventually become a member of the legendary funk group The Bar-Kays. Darryl Sanford's main motivation is to be a light and spread positivity through the power of music.

Memphis native Darryl Sanford has been playing music all of his life. From playing the drums at the age of two and later matriculating to the piano, Darryl developed an ear for music. Darryl teaches music theory and is also a member of the legendary Bar-Kays.Darryl first started playing for churches as a teenager and has been playing for churches and choirs in the city of Memphis ever since. By the time he entered his twenties, he started breaking into secular music by playing for a jazz band and then eventually breaking off into the r&b and neo-soul scene in the city of Memphis and surrounding areas.After playing for many of the artists and singers in the city, he started playing for more mainstream artists in jazz and r&b, such as Shalamar, Howard Hewitt, Euge Groove, Kim and Kayla Waters, Alexander O'neal, and would eventually become a member of the legendary funk group The Bar-Kays.Darryl Sanford's main motivation is to be a light and spread positivity through the power of music.

Super charged with pre release material, this weeks show features Tinkah, Doc Sleep, Bellaboo, Kaval, Leoleoleo, Hardacre, Glen Astro and many more besides. Add a few edits into he mix, ft. Alexander O, Neil, Tyree Cooper, The Jungle Brothers, Tony Allen and The Chemical Brothers, This is Dub Intervention !Tune into new broadcasts of Dub Intervention, Saturday from 8 - 10 PM EST / 1 - 3 AM GMT (Sunday).For more info visit: https://thefaceradio.com/dub-intervention///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Aswad from the Studio Funk podcast returns to the program with the debut album from American R&B singer Alexander O'Neal. A successful but underappreciated figure in the funk and soul movement of the 1970s and '80s Minneapolis scene, our discussion covers O'Neal's ties to other artists and the greater recognition he received in the United Kingdom.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

Sean Sheehan is back to give his preview, predictions and betting odds for the upcoming Cage Warriors 153: Dublin which goes down in Dublin, Ireland on April 29 headlined by a welterweight title fight between Rhys McKee and Jim Wallhead.Timestamps:(00:00) Cage Warriors 153: Dublin - Fight Card Overview(06:35) Paddy McCorry vs. Angus Hewett(07:40) Adam Darby vs. Jack Tucker(09:32) Ryan Curtis vs. Nicolas Leblond(14:20) Declan Mcaleenan vs. Wasiu Idowu(17:11) Taka Mhandu vs. Benoit Blanc(18:39) Leon Hill vs. Marcin Zembala(20:18) Alexander O'Sullivan vs. Afrim Thaqi(21:41) Leon Hill vs. Marcin Zembala - Continued (22:50) Solomon Simon vs. Dorian Cliucinicov(24:23) Morgan Charriere vs. Pedro Souza(26:31) Ryan Shelley vs. Tobias Harila(29:57) James sheehan vs. Oban Elliott(33:41) Rhys McKee vs. Jim Wallhead - welterweight championship(41:41) Cage Warriors 153: Dublin - Predictions

#Alexander o neal what's missing # one of the baddest vocalist over the past 40 years # collaboration with Jimmy Jam Harris and Terry Lewis # one smoking cut# respect --- Support this podcast: https://podcasters.spotify.com/pod/show/mr-maxxx/support

This week we take a look at one of the most underrated & forgotten soul singers of all time, Alexander O'Neal. FOLLOW ME ON TWITTER ROBERTSILVA5768 EMAIL ME ROBERTSILVA57@HOTMAIL.COM

s4e11 {161} Alexander O'Neil (2013) interview on Nexxlegacy Hosted by Charles iambranded Madison #GooglePlay - https://bit.ly/409OIg6 (Free App) #iOS - https://apple.co/3WH6mop (Free App) Download the app for free #Nexxlegacy #Music #HipHop #Culture #Music #RnB #RythmnBlues #MotivationalSpeaker #Radio #Nexxlegacy #Rap or go to http://www.nexxlegacy.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/nexxlegacy/message

In this episode we will be continuing our Time Honored Series Pt. 5. We will cover the early days of Alexander O'Neal's career in Minneapolis, his getting fired by Prince from The Time, and his incredible breakout self titled debut album on Tabu Records. You don't want to miss this one. 

This episode will be covering the masterpiece sophmore album Hearsay, collaborations with Cherrelle and the All True Man album. 

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Intimate Sounds of the Four Continents Episode #2  Intimate Sounds of the Four Continents combines Lisa Lowe's theories and music from around the world to create intellectually stimulating sonic experience. DJ Miu created this radio show with a mission to spread the message: “Freedom is Yet to Come.” I encourage listeners to take the time to read, write, and resist. We require inoculations that repel the seductions of corporate servitude. Cauleen Smith told us. Starting with reading Lisa Lowe's writing. Reading is Fundamental.  Episode #2 This month's episode features Thao and The Get Down, Stay Down, Star Feminine Band, Taj Majal, and Tohur Aizawa Quartet. Sounds from Cambodia, Benin, Americas, and so much more. With winter coming in the northern hemisphere, I was inspired by music that ponders, wanders, and lingers. A time of reflection of the change from mercury retrograde and the stillness in this Scorpio season and recent Scorpio eclipse and the current mars in retrograde in Gemini. All that to say, reflect on your desires, needs, and goals. Be honest, truly honest about where you are and where you want to be. Send compassion to yourself and those around you. Listen to this set and allow yourself to transmute these energies by meditation and sonic medicine. Star Feminine Band A group of 7 girls, aged between 10 and 17 years old, from Natitingou, a remote town in the north of Benin. I absolutely fell in love with the energy of their music, light and playful and deeply talented. I found their record digging in Pasadena, CA over the summer of 2022. Thao and The Get Down, Stay Down I first heard her and her band in Los Angeles for my auntie's birthday. It was a free concert and that's how my aunt convinced our whole family to go. I was 14 at the time and I didn't really connect to her music at first, my auntie did get an autograph and it was the happiest I've ever seen her.  But then when the pandemic came around, I listened to Thao's tiny desk and it ignited a love for her and her music. I had spent more time learning about folk, rock music so I was able to appreciate it more and understand the depths of her music, especially during March of 2020.   Geraldo Pino  So I found this next track off the Nigeria Soul Power 70 Compilation album. It's got some serious gems on it and this is no exception.  Pino is a Sierra Leonean Nigerian musician. He was one of the early pioneers of modern African pop music. The Charles LLoyd Quartet  This was one of the “First psychedelic jazz bands” and the group was all about “Communication is the prime concern” The quartet is made up of Keith Jarret, Ron McClure, Charles Lloyd, Jack DeJohnnette.  Taj Mahal  Taj Mahal is a Blues musician but fuses Caribbean, Africa, India, Hawaii, and the South Pacific so naturally I had to share some of his music. I found his music crate digging as well as all good music is found by word of mouth or found hidden in a crate.  Henry chose his stage name, Taj Mahal, from dreams he had about Mahatma Gandhi, India, and social tolerance. He started using the stage name in 1959 or 1961—around the same time he began attending the University of Massachusetts. He formed one of the first interracial bands back in 1964 when he moved out to Santa Monica and they released one album together before creative differences. At that time he also worked with Buddy Lee and Muddy Waters. Later in his career, he formed Hula Blues Band in Hawaii.  He will be performing in Oakland if you want to check him out on December 2 and 3 at the fox theater and in Los Angeles on December 4. Tupac Tupac is famously known for his rap music and repping Los Angeles, California. Though he was born in Oakland, CA and wrote an amazing book collection of poetry called “The Rose That Grew From Concrete” that features the very first track “Wake Me When I'm Free” as well as other tales of growing up in the ghetto and his life stories. The rose is a symbol of beauty and love showing resilience in its ability to grow in the face of insurmountable odds, the concrete. Lisa Lowe's Book:  In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Cop it over at Duke University Press About the DJ My name is Paige Chung. I am a writer, skater, poet, and turntablist-in-training. My last project Nail Trap is juicier than your neighborhood gossip and my current project is hotter than your cousin's mixtape. Based in LA, but I roll everywhere and go by DJ Miu. I am currently enrolled at the Beat Junkies Institute of Sound.  Lastly, special shoutout to my DJ crew 730 Faders. Catch us throwing the next best party in LA and coming near you. And my deep study crew Quinnette, Zahara, Discott and the Soul in the Horn family.  Find me anywhere and everywhere @paigechung @DJxMIU Website Instagram Twitch Mixcloud SoundCloud Intimate Sounds of the Four Continents' Episode #2 Set List:  apex express intro music “Wake Me When I'm Free” by sang by Babatunde Olatunji, Sikiru Adepoju written by Tupac “Teacup's Jazzy Blues Tune” by Taj Mahal “Holy Roller” by Thao and The Get Down Stay Down “Samba De Orfeu” by Tohru Aizawa Quartet “PEBA” by Star Feminine Band “Love In (live)” by The Charles Llyod Quartet “Man of Constant Sorrow by Pan Ron “A Who Se Me Dun (Blind Alley Mix)” by Cutty Ranks (DJ Babu famously routined this beat)  “Ain't Nothing Wrong” by KC and The Sunshine Band “Wan Maha Sanook” by Plearn Promdan “Bacao Suave” by Bacao Rhythm and Steel Band “Sob A Luz Do Sol” by A Bossa Electrica “Soul Lam Plearn” by The Petch Phin Thong Band “Words of Wisdom” by Tupac Shakur “Femme Africaine” by Star Feminine Band “Suối Mơ” by Khánh Hà “Love Till The End of Time” by Paulinho da Costa “Higher” by DJ BABU “Tribal Dance” by The Charles Lloyd Quartet “La Musique” by Star Feminine Band “Ngày Vui Bên Nhau” by Khánh Hà “Saturday Love (Mirror Pop Remix)” by Cherelle ft. Alexander O' Neal “Africans Must Unite” by Geraldo Pino and The Heartbeats “Merengue” by Boliver “Loan mắt nhung” by Elvis Phương APEX Express Outro The post APEX Express -11.10.2022 Intimate Sounds of the Four Continents #2 by DJ Miu appeared first on KPFA.

Alexander O'Neil interview s1e30 Hosted by Charles iambranded Madison Listen to the radio station using the apps #ios - https://apps.apple.com/us/app/nexxlegacy/id1556213017 #googleplay - https://play.google.com/store/apps/details?id=com.radio.mfa6aedb1f Download the app for free #Nexxlegacy #Musc #HipHop #Culture #Music #RnB #RythmnBlues #MotivationalSpeaker #Radio #Nexxlegacy or go to http://www.nexxlegacy.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/nexxlegacy/message

Andrew plays Charlotte in the Tuesday edition of the PopMaster Podcast with Ken Bruce

R&B LEGEND ALEXANDER O'NEAL LIVE ON “MIDDAYS WITH DANNY MORRISON” He rose to prominence in the mid-1980's with eleven Top 40 singles on the US R&B chart, three of which also reached the Top 40 on the US pop chart. His solo singles include "If You Were Here Tonight", "Fake", "Criticize", "The Lovers", "(What Can I Say) To Make You Love Me", "All True Man", "Love Makes No Sense" and "In the Middle". He is also known for duets with Tabu labelmate Cherrelle such as "Saturday Love" and "Never Knew Love Like This". And today, he will join KBLA's Danny Morrison for a conversation on his career journey and his upcoming tour dates! Air Date 2/1/22

Grown Folks Music Podcast 41 Hosted By Sam Smith1 Encore -  Cheryl Lynn2 Just Goodbye - Karen Wolfe3 It's Cool - Instant Funk4 Love And Affection - Art Madison5 Nothin - Toni Braxton6 Move Your Boogie Body - The Bar-Kays7 Whatever It Takes - Tomi Jenkins8 I Love You More - Switch9 Situationship - Alli Starr10 No One  - D Folks11 Sometimes - O´Bryan 12 Can't Put It In The Hands of Fate  - Stevie Wonder feat. Rapsody, Cordae, Chika & Busta Rhymes13 Where Is Our Love Song - Stevie Wonder feat. Gary Clark Jr14 Love Always Wins - KEM15 Roses - Gregg Jackson, Christopher Williams, Alexander O'neal 16 Your Love's Everything - Tracy Cruz17 The Power of The One - Bootsy Collins18 When the World Says No - J.D'S Time Machine (feat. Lorenzo Owens)19 All Is One - Tony Lindsay20 Im Gonna Take My Time - Lamont Dozier Jr21 This Kind of Love - TanQueray Hayward22 No Love - Canita Ft Noel Gourdin23 Come Go With Me - Teddy Pendergrass24 Work That - The Party King25 I Surrender - The Deele26 My Everything - Sauti Sol feat. India.Arie27 Daphnique Springs & Friends Virtual Comedy Show28 Alice I Want You Just For Me - Full Force29 Can You Help Me - Jesse Johnson30 Looking For Love - Michelle Lawson31 Being Gentle - Saint Jaimz Feat. Sene32 Lady's Wild - Con Funk Shun33 There Ain't Nothin' Better - Robert Brookins34 The Friend Zone - Ingram Street35 Tiempo - Crack Of Dawn Ft Melba Moore36 Make It Rain - Lukas Setto37 Everybody Dance - Ta Mara & The Seen38 Work - Wendell B39 God Gave Me Everything - The Whispers40 Be Alright (Remix) - Zapp & Roger 

Send us a text 1hr of soulful music with a theme of sunshine & skys. Artist include: Gramatik, Herbie Hancock, Raphael Saadiq, Brian Simpson, The Manhattans, Jon B, Roy Ayers, Leo's Sunshine, E.W.F, The Brand New Heavies, Sunlightsquare, Spyra Gyra & Alexander O'Neal.  $1 Podcast  subscription - limited time only  https://djbenniejames.com/dollar1Tips at cash app $djbenniejamesOr become a supporter, sponsor or investor at djbenniejames.com/podcastLicensed for digital streaming & play  ASCAP 400009874 & BMI - 2021Thanks to all my Supporters, Sponsors and Music Pool Members and Special Thanks as always to: Sheabutterlasvegas.com, Life Destiny SOULutions & the wonderful Gardner Family Support the show (https://djbenniejames.com/podcast)

Monte Moir, former keyboardist for The Time, discusses the process of writing one of Alexander O'Neal's most memorable hit songs.Discuss at our Facebook pagePress release: https://podnews.net/press-release/song-surgery

welcome to POP.MORRIS Season 2 - Episode 5 you asked and now its here!! the Morris Candle Company Lemongrass / Basil Candle. 4 ounces of 100% Organic Soy Wax, and contains flecks of living Basil. Hand poured by one artisan: Morris. and it smells really good, fam. grab the candle today! http://smarturl.it/morriscandle this weeks episode features music from Lady Gaga, Ariana Grande, Lady Gaga, SWV, Clean Bandit, Lil Uzi Vert, Rusko, Lil Uzi Vert, Flux Pavilion, Darude, Cardi B, Megan thee Stallion, Peaches, Alexander O'Neal, Kanye West, Lil Pump, Soho, St Germain, Larry Heard / Mr Fingers, Drake, Michael Jackson, Moodymann, Roni Size, Donald Trump, Summer Walker, Toonami, Asap Rocky, Frank Ocean, Lauryn Hill, Brent Faiyez, Andre 3000, Travis Scott, Kanye West, Bilal, Summer Walker, 2Pac, and Nipsey Hussle. another new episode next MONDAY so make sure to subscribe! make sure to check out the links below for more...MORRIS http://www.patreon.com/popmorris http://www.goombawave.bandcamp.com http://www.bio.fm/mynameismorris Support this podcast

Roller Skating Jams Vol. 2 hit the rink“Listen. I got three expressions: looking left, looking right and looking straight ahead.”—Pete Zapitpetezapit@gmail.com rate review and subscribe in iTunesTracklist—Change "A Lovers Holiday"George Benson "Love X Love"Vicky D "This Beat Is Mine"Carol Williams "Can't Get Away (From Your Love)"Linda Lewis "Class/Style (I've Got It)"Raydio "Get Down"Cherrelle with Alexander O'Neal "Saturday Love"Network "Cover Girl"The Shades "Keep In Touch Body To Body"Raw Silk "Do It To The Music"Glenn Jones "I Am Some Body"D Train "Keep On"Major Harris "All Of My Life" Steve Monite "Only You"Dynasty "Grove Control"Aretha Franklin "Jump To It"Ray Parker Jr. "Still In The Groove"Herbie Hancock "Ready Or Not"Frankie Smith "Double Dutch Bus"The Brothers Johnson "Stomp"The Whispers "It's A Love Thing"Prince "I Feel For You"Rhyze "Do Your Dance"Skyy "Here's To You"G.Q. "Disco Nights (Rock Freak)"D Train "Keep Giving Me Love"Michael Jackson "Get On The Floor"Aurra "In The Mood To Groove"Chicago "Street Player"Stargard "Wear It Out"Mass Production "Welcome To Our World"

Sweet Musical Sunday Spotlight and Interview with Alexander O' Neal

Hosted By Sam Smith 1. I Heard It Through The Grapevine - The MoBo AllStars2. Not Thru Being with You - Michael Jeffries 3. Wanna Get With U - Guy4. Change Of Heart - Change5. Thank You Remix - Boyz II Men6. 5 things you didn't know about Native Americans - 7. Get Ready - Brian Culbertson8. Im Gonna Take My Time - Lamont Dozier Jr 9. All Is One - Tony Lindsay10. Best Part of Me - Anthony AK King11. Ol' School Love - Gwen Majors12. Love Always Wins - KEM 13. A Change Must Come - DBJ 14. Waiting On The World To Change - Kevin Ross15. It's Cool - Instant Funk16. When the World Says No - J.D'S Time Machine (feat. Lorenzo Owens)17. He Don't Know Nothin' Bout It - Jam & Lewis · Babyface18. Little Known Facts About Native Americans - 19. Facts Of Life - Jeff Lorber 20. Thank U - Michelle Williams21. You Love Me (Best of My Love) - Anita Wilson22. Bootsy Off Broadway - Bootsy Collins 23. All Of My Love ft. Smokey Robinson - Charlie Wilson24. 4 Evermore - Anthony David 25. Make It Rain - Lukas Setto26. Soul Symphony - Jarrod Lawson 27. Something - Jack Tyson Charles28. Sweet Side - Raquel Rodriguez29. Common MISCONCEPTIONS About NATIVE AMERICANS30. Be Thankful for What You Got - William DeVaughn31. I'm Good - The Parkmans32. There Ain't Nothin' Better - Robert Brookins 33. Saturday Night - Special Formula Band feat. Jeff Floyd 34. This Kind of Love - TanQueray Hayward35. Common MISCONCEPTIONS About NATIVE AMERICANS36. I Can't Thank You Enough - Full Force feat. Force MD's 37. I Wanna Thank Ya - Angie Stone 38. Satisfied With My Love - Adesha39. If You Want Me To Stay - Ari Lennox (Feat. Anthony Ramos)40. All My Life - Donovan Blackwood41. WKND - Ledisi 42. Roses - Gregg Jackson, Christopher Williams, Alexander O'neal43. Where Is Our Love Song - Stevie Wonder feat. Gary Clark Jr -44. Nothin - Toni Braxton

Hosted By Sam Smith 1. Sweet Side - Raquel Rodriguez2. All Is One - Tony Lindsay3. Tiempo - Crack Of Dawn Ft Melba Moore4. Swimming in your mind - G Lett 5. This Kind of Love - TanQueray Hayward6. The Power of The One - Bootsy Collins 7. The Friend Zone - Ingram Street8. Im Gonna Take My Time - Lamont Dozier Jr9. Afterwork Party - Shannon10. No One - D Folks11. All Of My Love - Charlie Wilson ft. Smokey Robinson12. It's Cool - Instant Funk 13. When the World Says No - J.D'S Time Machine (feat. Lorenzo Owens) 14. Something - Jack Tyson Charles15. Just Goodbye - Karen Wolfe16. Love Always Wins - KEM 17. Satisfied With My Love - Adesha18. Love And Affection - Art Madison19. If You're Thinking About Leaving - Calvin Richardson20. A Change Must Come - DBJ 21. Nothin - Toni Braxton22. Southern Girl - Lenny Williams 23. Can't Put It In The Hands of Fate - Stevie Wonder feat. Rapsody, Cordae, Chika & Busta Rhymes24. Trust in Me - Glenn Jones feat. Genobia Jeter25. Saturday Night - Special Formula Band feat. Jeff Floyd26. I Love You More - Switch27. If You Want Me To Stay - Ari Lennox (Feat. Anthony Ramos)28. No Love - Canita Ft Noel Gourdin29. More Than A Minute - Debra Debs30. Waiting On The World To Change - Kevin Ross31. Roses - Gregg Jackson, Christopher Williams, Alexander O'neal32. Never Too Much - Erin Stevenson33. Groove You - DW3 Feat. Rebecca Jade 34. Make It Rain - Lukas Setto35. Work That - The Party King36. Being Gentle - Saint Jaimz Feat. Sene37. Groovology - Gerald Albright 38. It's You - Ronny Jordan39. Here We Go Again - Jimmy B feat. Andre Grant, Bryan Nesbitt, & Otis Johnson40. Flava In Ya Ear (Remix) - Mike Phillips · Stevie 41. Wonder · Naturally 7 · Raheem DeVaughn · PJ Morton · AverySunshine 42. Still Got It - Dave Koz 43. Thighs High (Grip Your Hips And Move) - Tom Browne 44. Lies - Jonathan Butler

Kelly was delighted to be joined by Alexander O'Neal. The man, the legend is an American R&B singer, songwriter and arranger from Natchez, Mississippi. In a music career spanning more than 40 years, O'Neal is an accomplished R&B and soul singer and we were so happy to have him in Soho Radio. What an hour of radio.

Description: One day after the LAPD beat up Rodney King, an Ice Cube concert went down in history as one of the most violent shows ever held at First Avenue. Hosted by Jay Smooth, we ask rap experts and former First Ave staffers about gangsta rap, security, and the uneasy relationship between the Minnesota music industry and Black hip-hop artists. This is the sixth episode of The Current Rewind's "10 Pivotal Days at First Avenue" season. If you missed the first five episodes, catch up below. • April 3, 1970 (The day it all began)• Nov. 28-29, 1979 (The days that told the future)• Sept. 27, 1982 (Bad Brains/Sweet Taste of Afrika/Hüsker Dü)• Aug. 3, 1983 (The birth of "Purple Rain")• Oct. 22, 1990 (Sonic Youth/Cows/Babes in Toyland) Transcript of The Current Rewind season 2, episode 6: "March 4, 1991" Anne O'Connor: We're talking about almost 30 years ago, but my memory of this was like, you opened up the gate at the horse races, and everybody was off to it. [Ice Cube, "The Bomb," with the lyrics: "With the L, the E, the N, the C, the HThe M, the O, the B, the greatLyrics that make the beat swing and I gotchaIt's the hip-hopper that don't like coppers." Hard cut.] Anne O'Connor: And it was just like an explosion, and it was non-stop all night long. ["The Bomb" picks up where it left off, running through these lyrics: "And if you try to upset the pot, sonYou get kicked in the chest like a shotgunI make the beats, I make the breaksI make the rhymes that make you shakeMake you findIce Cube never caught in the middleI make stuff that kick you in the a** a little." Hard cut.] Anne O'Connor: We just went from one fight to the next fight to the next fight. There was no breathing time. There was no downtime. It was just, "What emergency is there to go and deal with next?" [Ice Cube's "The Bomb" returns with a sample of spoken audio and several voices singing, "The bomb"] Cecilia Johnson VO: Gangsta rap was the most controversial music of the '90s – praised as an expression of Black America's righteous anger, reviled for its misogyny and depictions of violence. Taking cues from Schooly D and Ice-T, Los Angeles group N.W.A popularized the genre with their album Straight Outta Compton. Their most talented rhymer, Ice Cube, left the group to go solo in 1990. In early 1991, he brought his show to Minneapolis's First Avenue, for one of its most memorable nights ever. ["Hive Sound" by Icetep] Cecilia Johnson VO: [over theme] I'm Cecilia Johnson. This is The Current Rewind, the show putting music's unsung stories on the map. For our second season, we're looking back at one of the Twin Cities' – and the country's – greatest live venues through a series of pivotal nights. We're bringing on guest hosts for several episodes. In this one, Jay Smooth – the New York hip-hop radio legend and cultural commentator – joins us to tell the story of one of the most infamous shows in First Avenue's history. I do want to warn you: This episode contains explicit accounts of racism and violence. [rewind sound effect] Jay Smooth VO: Way back in 1991, I founded New York's longest-running hip-hop radio show, WBAI's Underground Railroad. It was a pivotal time for hip-hop music, when it was still just beginning to cross all sorts of cultural boundaries. And the other love of my musical life back then was the Black Minneapolis Sound, as defined by Prince and his many collaborators – who, in their own way, were on a similar path of bringing Black music into spaces where it hadn't necessarily been all that welcome. So, as a devoted student of Prince and hip-hop who came of age in that era, the First Avenue club and its relationship with Black music, and hip-hop, specifically, has always been an object of fascination for me. And though it was primarily defined as a rock club, First Avenue did host a number of high-profile hip-hop shows in the '80s and early '90s, according to someone who saw a lot of them. Tim Wilson: Timothy Wilson, Urban Lights Music owner. Jay Smooth VO: Tim's record store, Urban Lights, is a community hub in the Midway neighborhood of St. Paul. Tim Wilson: I remember seeing Run-D.M.C. I remember they had Jam Master Jay kind of suspended in the air, swinging back and forth, and they couldn't jump around on the stage, because the records were skipping and stuff like that, but they still made it through. I remember going to KRS-One; the sound crashed and he literally had one of his people beat box, and he continued to perform. [Tim laughs] Jay Smooth VO: On top of the big names from out of state, Minnesotan hip-hop acts the Micranots and the I.R.M. Crew sometimes performed in First Ave's smaller room, the 7th Street Entry. Still, it would take a while for the club's overall attitude to change, from what sound engineer Randy Hawkins, in Chris Riemenschneider's book First Avenue: Minnesota's Mainroom, called, quote, "anti-rap." The non-white population of Minneapolis grew nearly 70 percent during the '80s. But hip-hop took longer to bloom in the Twin Cities than on the coasts, partly because the success of Prince, the Time, and Jimmy Jam & Terry Lewis made funk the sound du jour there in the '80s. One of First Avenue's most successful dance nights was More Funk, every Thursday with the club's longtime DJ Roy Freedom. Prince and Jimmy Jam would sometimes bring test pressings for the occasion. Tim Wilson also DJ'ed there. Tim Wilson: You know, it was disco, funk, rap, kind of all mixed up into one hodgepodge. It was just a little bit of hip-hop at the time, because rap just hadn't really – hadn't really captured the imagination of the world, let's say it like that. It wasn't the Wall Street darling that it is today. So it was a record here, a record there, but it was just a lot of Minneapolis Sound stuff. Of course you would get a lot of Prince and people like André Cymone, the Girls, Ta Mara & the Seen, Alexander O'Neal. Dan Corrigan: More Funk with Roy Freedom? We used to call it More Fights with Roy Freedom – ha! Jay Smooth VO: Dan Corrigan has been First Avenue's official photographer since 1995. These clips are from a 2003 interview he did with Pete Scholtes of City Pages. Dan Corrigan: There was one night, there was the biggest fight I've ever seen down there. It was just crazy. It started on the dance floor and kind of went around the right and spilled all the way out to the entryway. Jay Smooth VO: That brawl took place in 1990, during More Funk's fifth anniversary. Randy Hawkins told our writer Michaelangelo Matos about that night. Randy Hawkins: The fifth anniversary of [More] Funk night it was a similar situation of losing control of the club. There was a few times where it was like, "We've lost control of this." Jay Smooth VO: Now, this kind of thing didn't happen very often. One reason for that is First Avenue's security system. Sabrina Keith: There's, like, a light switch at various locations throughout the club, like emergency buttons you press if something goes wrong. Jay Smooth VO: Sabrina Keith was a bartender, stagehand, and superglue employee of First Ave, working on and off from 1988 to 2004. Sabrina Keith: And you flip the switch, and let's see, upstairs, a central light goes on. It's, like, a siren light – a red siren light. And then, I think, at the front door there might be one, as well. And then, you look over to the side of the stage, and there's many lights of many different colors, and hopefully just one of them will be spinning, and that would be – that gives you an idea of where the trouble is. And actually, just the other day, me and another old employee were talking and can remember pretty much where all the trouble lights are. It's really disturbing. [laughs] I shouldn't know that green means pool tables, which means it's by where the current coat check is and no more pool tables. Jay Smooth VO: The origin of the so-called "trouble lights" is still fresh in Richard Luka's mind. He had been recruited to work security in 1975, when the club was still called Uncle Sam's. You may remember him from the Ramones and Pat Benatar episode earlier this season. Richard spoke with our producer, Cecilia, and First Ave's longtime general manager Steve McClellan. Richard Luka: The reason for that light was that in March of 1977, I was working alone. We'd purged a lot of people out of there at that time. Uh, there was all this new staff. They really didn't know anything, and I was all alone at the front door with the cashier, and a bike gang came to the door. The Iron Cross from northern Minnesota. And I had to card these guys, and I thought, "Oh my god, I can't – what am I gonna do here?" And I just – there was, like, six of them. I just said well, I guess I'm letting them in. And it turns out a few more came in, so we had like nine bikers in there who took their coats off. They were flying their colors in there. Steve McClellan: What show was it? Richard Luka: No, this was like a Saturday night in 1977, and I remember one of our regular customers, a guy named Tiger. He was Black, and he had a shaved head and these guys surrounded him. They were rubbing his head, saying, "I wish I had a watermelon," and I was like, "Oh my god, this is gonna get out of hand." And at the end of the night, they were just rude and belligerent to people. And [Tiger] came up and he said, "What on earth did you let them in here for?" I go like, "I was gonna get the s*** beat out of me. It's like I'm up here all alone." And they said, "Okay, we're putting a light in." So they installed this light, and a year later, the bike gang came back, but we had hired all new staff. [Steve and Richard laugh] We had some bigger people there, and I hit that light and people were right there, and these guys, they threw their jackets off and they were ready to go, and the police showed up. So that is what can happen at the front door. You never knew what was gonna show up there. Steve McClellan: Oh, the first light that he's talking about, my brother Kevin installed. When did we put in the different colors? So if it was the game room, it would go off green, and when it was – Richard Luka: It was, like, 1983, I'm gonna say. Steve McClellan: Yeah, that much later. The first one was '77, '78. And that was sufficient, and then we had to do a system that people wouldn't go to the front door. They would go to the game area, the upstairs, or bar five. So we had like a six-light sequence that would go off. Jay Smooth VO: Along with the trouble lights, the seriousness of First Ave's security earned it a reputation in town, according to Tim Wilson. Tim Wilson: People go through the usual First Avenue bulls*** when you go to First Avenue. You know, they look at your license and turn it upside down and flip it and flop it, pat you down, and you walk in. It was always one of those things like, oh man, don't go to First Avenue with a fake ID. Don't try to sneak in First Avenue. Their security doesn't play. And it's still the same thing. People get turned away. Sabrina Keith: One point that as always made kind of clear at First Avenue was, we're not bouncers. And we don't ever want to be called bouncers. We are security. We're just trying to make things better. We don't want to bounce you. We don't want to be mean to you. We don't want to beat you up. We just want you to have fun, and I've never understood why people go out and don't have fun. It's like, "Why are you starting stuff? You paid however much money to get in here, so have fun." Whether you kick them out or whether you put them back, it's up to how they act. I mean, I had one kid come up to me five years after the fact saying, "Oh my god, it's you," and I'm like, what are you talking about. "You kicked me out of Nine Inch Nails." I'm like, "OK." [laughs] I'm glad that was a great memory for you. [Sabrina and Michaelangelo laugh] Jay Smooth VO: The club's security staff have long been trained to de-escalate situations, according to a longtime staffer. Anne O'Connor: My name is Anne O'Connor. I worked at First Avenue for two different time periods in the 1990s. [pause] I mean, de-escalation can work in any setting. It really can. You have to keep your head. My strategy was always to get in between the people who were really upset, because they almost would never go after me. And so that would at least create some space. When people are hot-headed, a lot of times all they really need is to step back for a second and say, "Wait a minute, do I really want to do this?" And that's the kind of thing that we would say. [Ice-T's "Body Count" starts fading up] Anne O'Connor: And sometimes that didn't work at all. [Anne laughs] [Ice-T's "Body Count" plays for about 20 seconds] Jay Smooth VO: In February of 1991, First Avenue hosted one of its occasional rap shows: Ice-T, the revolutionary Los Angeles MC with sharp storytelling and a steely voice. That show was one of two he'd perform in Minnesota that year; he also came through St. Paul's Harriet Island on the Lollapalooza tour. And each time, Ice-T didn't just rap – he sang with an all-Black metal band called Body Count. Sabrina Keith told Michaelangelo about hanging out with that group. Sabrina Keith: It was just fun, because it was Ice-T, and he was doing metal, which, like, with Body Count, there's just not a lot of Black artists doing that. And we had Blake working at the club, who's basically the exact same thing, just not, you know, Ice-T. And so it's fun, it's novel and just a bunch of big guys, and they had really cool merch, and they wanted like our First Avenue jackets because we were all wearing them and I think it was cold then too. Michaelangelo Matos: February. Sabrina Keith: Yup, that's cold. [laughs] Jay Smooth VO: Ice-T and Body Count would see more than their share of controversy a year later, in 1992, when they released the song "Cop Killer." But in 1991, there was no more controversial figure in rap, or in music, than Ice Cube. He'd been the primary lyricist for N.W.A, who had debuted in 1989 with the iconic album Straight Outta Compton. Soon afterward, the FBI sent a letter to N.W.A's record label to complain about the lyrics of songs such as "Eff Tha Police" – lyrics that had mostly been written by Ice Cube, who was only 20 years old. But Cube felt like he wasn't getting his fair share of royalties, so in 1990, he and his friend and producer Sir Jinx went to New York to collaborate with the hottest producers of the time, The Bomb Squad. The Bomb Squad, featuring Hank Shocklee, Chuck D, and Eric Sadler, were Public Enemy's sample-heavy production team. With their help, Ice Cube finished his first solo album, AmeriKKKa's Most Wanted, and released it in May of 1990. He followed it with the Kill at Will EP in December. No rapper was hotter right then, as Tim Wilson recalls. Tim Wilson: That was good Ice Cube: AmeriKKKa's Most Wanted, one of my top five albums of all time. He left N.W.A, got politically conscious, and then there was just the whole thing with the group and the break-up, and then he went out east and hung out with Chuck D and Public Enemy, and they produced that album, and it was just – it was the hot album at that particular time. That particular album bridged gangsta rap and politically conscious material all into one project. You know, he was gassed up and ready to go. Jay Smooth VO: Ice Cube didn't lead a lifestyle as violent as his lyrics would suggest – like a lot of rappers, he'd rhyme in character. But some of his fans did carry the things he rapped about carrying, as John Smith, who would join the First Avenue staff in 1993 and is still a DJ and bartender at the club, would discover. DJ Smitty: First Avenue started using metal detectors. When you saw the metal detectors, it wasn't, "Oh, this is a new thing they're doing." It's like, "Oh, Ice Cube is coming." And then earlier that week, before the show, I was at Northern Lights Records, and I overheard some clerks talking about how they had overheard some kids talking about trying to stash some guns in First Avenue before the Ice Cube show, so that they would circumvent the metal detectors. Those were the people who first made it apparent to me that this was not gonna be business as usual. The record stores, I guess, were getting phone calls and whatnot – because we weren't a Ticketmaster club, [so] if you wanted to buy tickets for a First Avenue show, you had to go someplace and buy them. I think the Ice Cube crowd was a crowd that didn't necessarily know where to buy our tickets. So it was kind of that, where we realized, "This isn't just gonna be shiny happy hipsters going to a rap show. This is gonna be real." Jay Smooth VO: Anne O'Connor worked roaming security that night. Anne O'Connor: As the staff, we would get together and talk about what we were gonna do. And then what ended up happening is we hired in a bunch of extra additional security people. For about a week before the shows, we had metal detectors at the door so that people couldn't bring guns of knives or anything in and stash them in the club, so that they could use them during the shows themselves. You know, these were guys who, their show was about raising people's anger about some really unfair situations, about calling out some things that were really wrong, and so people had a tendency to get pissed. So we knew that, and we had to be ready for that. And the Ice-T show, I feel like we managed to do that without huge problems. We didn't have huge problems that night. When you put together people with loud music, lots of drinking and lots of young people dancing – body contact – you're really just setting a stage for some conflict. There's gonna be some conflict sometime. Jay Smooth VO: Ice Cube's March 4 appearance was, in fact, two shows – an all-ages in the late afternoon and an ID-only show at night. This was a regular occurrence at the club throughout the '90s. Sabrina Keith: I know for the first show, I did coat-check, so it was pretty mellow. Everybody thought the kids' show was gonna be bad, and it just was not. Jay Smooth VO: There was one issue during the all-ages show: Somebody threw a bottle over the upstairs balcony, where alcohol was allowed. When Ice Cube finished the first show, the club took two hours to change over. Sabrina Keith: You have to clean up and kind of reset everything to start the night fresh. I think they bought us pizza, and we just kind of hung out and waited. Jay Smooth VO: Rod Smith was bar-backing that night – running liquor from storage to the bars. Rod Smith: The attendance at the all-ages show was healthy, but nowhere near sold out. At the ID show, attendance was sold out-plus. I believe you've encountered the phenomenon where somebody in the office would panic about ticket sales and just start slamming comps out indiscriminately. A ton of comps had gone out, and then a ton of people paid, so attendance [laughs] was way over the top. DJ Smitty: We got there for the ID show. We walk in. First thing we figured out pretty quick was, we weren't gonna get any help, because anything with a counter, whether it was a bar or whether it was coat-check – they were busy. It was packed. It was full, and there were people yelling. There were people who were not happy with the order that they were being helped. There were people who were not happy with the prices. There were just a lot of not happy people. It was wet outside, and it was hot in there, which made it hot and wet – like a cave. The walls were sweating. The men's room had an inch of water going on, on the floor. There was a bad vibe. Jay Smooth VO: Our sources couldn't pick out one specific point where the fights started. But according to Anne, once they started, they didn't stop. Anne O'Connor: It was just bam-bam-bam. It was just non-stop, so you didn't really have time to stop and think, "Wow, this is really overwhelming; I don't know if I can do it." You just did it. The place was packed. There were so many people there. So if you were – if you couldn't get to the trouble light, that's one thing, but also if the trouble light was already going, you'd have a fight five feet away from you. Well, five feet in a packed room could be – it's a lot of feet to get to, sometimes – [laughs] you know – to get through the bodies and get to the actual fight, you're not always gonna make it. Rod Smith: These melees would just randomly break out. The outside security people that First Avenue hired did an outstanding job, because they were really aware of what was going on mood-wise in the club, and as soon as something broke out, they would start heading toward it. But, again, the problem being there was a certain amount of distance in the Mainroom, and when the club is that packed, you can't move that quickly. They were moving pretty quickly, though. So these fights were being stopped, for the most part, like, pretty quickly after they started. But they didn't really stop. I'd say they continued pretty much through the night. DJ Smitty: As a customer, I knew about the trouble lights, and I'd seen them go off in the past. I had never seen all of them go off at the same time. Rod Smith: I believe there were 27 all told, and there were incidents that didn't even prompt the trouble light, because nobody could get to a trouble light, because the club was that packed. Jay Smooth VO: Randy Hawkins worked the barricade in front of the stage for both shows. Randy Hawkins: There was three of us – four of us all in the barricade, and we had to stay there. Unless the situation was right in front of you on the floor, of which there were many, we did what we could from inside the barricade, but mostly the roaming security of people on the dance floor dealt with that stuff. And so it was like, it turned into a pretty serious us-against-them scenario, and like as far as security vs. the audience, which, you never want to get in that situation. But every time a door got opened, there'd be three people trying to bum-rush the show. But every time like a side door or anything got opened to let someone in, you had to have security at each one, basically just to defend the castle. It was kind of the same way with the barricade and every bar – just people trying to take everything they could take. Yeah. There was all sorts of, just grab whatever booze you could grab. Rod Smith: I encountered bartenders and bar backs crying back by the coolers, and that happened multiple times. The bar backs, because they'd been sucker-punched, and the bartender, because people kept I mean, there was some real ballers there, and they tipped really well, but then these wannabes would come along and steal the big tips that somebody else had just left. And it was so busy that it was impossible for the bartenders to really keep track of what was happening with their tips. Anne O'Connor: You know, we called the cops several times. We carted several people out to the cops. When you are in a fight at First Avenue, what ends up happening is you get surrounded by staff. Michaelangelo Matos: Quickly. Anne O'Connor: Quickly. And so, you know like, there's nowhere to go. Jay Smooth VO: But the cops weren't particularly soothing that night, or any other. In fact, just the night before, on March 3, 1991, a Los Angeles motorist named Rodney King was pulled over and beaten mercilessly by the LAPD. A man with a camcorder filmed the incident and sent it to a local TV news show. The Rodney King video wasn't yet national news when Ice Cube played First Avenue – that would be in a few days still. But for most people at the show, police brutality wasn't just something they heard about in rap songs – chances were, many of Ice Cube's fans knew someone it had happened to, if they hadn't experienced it personally. Anne O'Connor: What I would say is that there were a lot of valid reasons for being upset, and this was a place for them to have that upset, and sometimes that upset meant that they wanted to hurt someone. And so I'm not justifying the behavior or excusing it, but I'm just saying it was not a big surprise. When I say nobody got seriously hurt, I mean like broken bones or injuries that . . . Michaelangelo Matos: Hospital injuries. Anne O'Connor: Hospital injuries. It was a rough night. It was a rough scene. It was a very violent show, so I don't want to underplay that. Jay Smooth VO: Urban Lights owner Tim Wilson was in the audience that night – and he remembers seeing an opening group that included a rapper who would top the pop charts four years later. Tim Wilson: I remember a group called WC and the MAAD Circle, which was one of Ice Cube's groups – Dub-C who still tours with Cube. And Coolio was actually part of the group at that time. Crazy Toones was the DJ, which was Dub-C's brother. I remember they kept having sound problems. And they kept telling the sound guy, like, "Man you better fix this or we're gonna have a problem." And they would keep rapping, keep doing their thing, and then they would warn him again, and then the sound never changed. I think they warned him a third time. And honestly, what I remember is them jumping off the stage, breezing past us, and I remember – I never understood why First Ave set their soundboard – they had those steps that go down, and then they set their soundboard where, unfortunately, the way he kind of got jumped on, he ended up down in the crevice at the bottom of the stairs and where the soundboard started. And they were kicking him and hitting him until they got pulled off and back onto the stage. They just kind of shot past us and jumped on him. Then they jumped back onstage, and they kept rapping, and the sound man wiped the blood off his face and he just kept going. Jay Smooth VO: DJ Smitty, who couldn't get into the Sonic Youth concert last episode, did make it in the door for Ice Cube. He says the mood perked up when the headliner took the stage. DJ Smitty: People never talk about the fact [that] that was a great show. Ice Cube – I'd go see him again in a heartbeat. One of the best hip-hop shows I've ever seen. But a friend of mine did get close enough to the stage to see the set list and came back and said, "We're going. We're two songs away from the encore. Let's get out of here." And as we left, I had to hold the door open because they were stretchering someone out. [Ice Cube ft. Chuck D, "Endangered Species (Tales From The Darkside) - Remix"] Rod Smith: Management lost control of the club, too. Everybody lost control of the club. Steve McClellan: All I know is it was hateful because you couldn't – you got 1,500 people in the room. You could have 50 security staff. You don't stand a chance. There was so many people ready to quit after some of these shows. Jay Smooth VO: Anne O'Connor was one of them. Anne O'Connor: I put my notice in shortly after the Ice Cube show. I remember thinking, that is the violence that I don't need to be a part of. And I love the club, I loved the people I worked with, it was a lot of fun, but that wasn't fun for me. Rod Smith: A lot of people were really bummed out. I had quit smoking eight months earlier, and I started again that night. The mood overall was, "We got through it." A few people were traumatized. Anne O'Connor: We were worn out. And it was hard. And I remember everyone feeling pretty rough at that point. It was pretty rough. Jay Smooth VO: The show also got First Avenue in trouble with the city, not for the first time. Steve McClellan: I had too many incidents where the police wouldn't respond when I would book gangsta rap. I used to go to monthly downtown – what do they call them? – downtown association meetings or something. Where I'd go and I'd sit, and when you went to these meetings, and if you were a nightclub, the fire department was there to tell you exactly what you do to keep your license. The police department would be there monthly and tell you exactly what you needed to do to keep your license. They were more like – "This meeting isn't to ask questions. We're the city and you're gonna do what we tell you." Jay Smooth VO: Despite the complaints about gangsta rap, the next First Ave show that'd see similar violence was a 1995 appearance by a singer-songwriter whose politics could not have been further removed from Ice Cube's. Randy Hawkins: There's a country singer – oh my god, what's his name? Outlaw country singer. David Allan Coe. At the time, that was show two that had as many problems as Ice Cube. That David Allan Coe show, I think it wasn't as well attended. I got probably there was probably 800 people there, and so I don't think we ever really lost control of it, but it was definitely getting there. I came in the next day and everybody was just, like, shell-shocked: "You will not believe what we were dealing with last night." Jay Smooth VO: Chris Riemenschneider, author and longtime music reporter at the Star Tribune, suggests that the Ice Cube show is remembered as a turning point. Chris Riemenschneider: The biggest myth about that show – well, I don't know if it's a myth, but I mean, supposedly that show was – hip-hop was not booked at the venue for many years after that show, because it got so ugly. And they generalized over, "Well, hip-hop audiences are bad news." Jay Smooth VO: When we asked Steve McClellan and LeeAnn Weimar whether First Avenue avoided hip-hop after Ice Cube, Steve said that he still booked rappers through agents he trusted. Steve McClellan: There was a lot of drug dealers that were trying to bring me shows, because they had connections with the agent, and they wanted to bring in a lot of these hip-hop acts. LeeAnn Weimar: Or they had beepers. Remember, they had beepers. Steve McClellan: I called them the beeper phone promoters. In the '90s, I stopped dealing with beeper phone promoters that had plenty of cash but no trust from me. Jay Smooth VO: Steve returned to this point several times throughout the interview, insisting that if there was a lapse in hip-hop shows, it was only because he didn't want to work with so-called "beeper phone promoters." Whatever the case, First Avenue generally avoided hip-hop until the late '90s, according to Chris Riemenschneider. Chris Riemenschneider: It really wasn't until Rhymesayers and Atmosphere came along and started packing the place that they started giving hip-hop a good chance there again. Jay Smooth VO: Nationally, hip-hop had been ebbing into the mainstream for years. In Minnesota, indie rap label Rhymesayers capitalized on that shift. In the late '90s, they started throwing Soundset Wednesdays, a series of hip-hop dance nights at First Avenue, and their audiences trended whiter and whiter. At the same time, First Avenue opened the gates to touring acts such as OutKast, Eminem, Public Enemy, and the Black Eyed Peas. ["Hive Sound" by Icetep fades up and plays for a few seconds] Cecilia Johnson VO: Ok, so this episode was a whopper. And I think the material of this episode is still so relevant today. At this point, I want to bring up an article that rocked Minnesota music in 2016. Like, I still remember, the day that it came out, reading it at my desk. It's the Twin Cities Daily Planet's piece "Whitest hip hop scene you've ever heard of," written by Kayla Steinberg, and it speaks directly to the aftershocks of the Ice Cube show. I'm just gonna read a few somewhat abridged sentences: Quote, "When out-of-state and mainstream media and fans refer to Twin Cities hip hop, Rhymesayers Entertainment is often their point of reference. The common faces of Rhymesayers include Brother Ali, an albino Muslim rapper who identifies as white, and Atmosphere, a duo of racially ambiguous, arguably white-passing, hip hop artists. However, to Toki Wright, a Black North Minneapolis rapper, these are just a couple faces of the Twin Cities hip hop scene. "I think the face of Twin Cities hip hop is a 14-year-old kid on the Northside of Minneapolis in his bedroom, making beats or writing rhymes," he said. "The face of Twin Cities hip hop is Lexii Alijai recording with Kehlani and the local press turning a blind eye to it. That's Twin Cities hip hop." Enquote. Later in the article, Black rapper MaLLy talks about his experience at the Rhymesayers 20th anniversary show in 2015. The way he remembers it, many audience members went from supportive, when white artist Brother Ali rapped his song "Dear Black Son," to apathetic when Toki Wright and I Self Devine, both Black rappers, proclaimed messages such as "eff the police" and "kill white supremacy" on stage. Some things haven't changed between '91 and now, but First Avenue [itself] has undergone a monumental shift, in the way they operate, what causes they stand for, and whose names are at the top. It's all covered in our next episode, which is about Election Day in 2004: the day First Avenue declared bankruptcy. This episode of The Current Rewind was hosted by the one and only Jay Smooth and me, Cecilia Johnson. It was produced by me and Jesse Wiza and scripted by our head writer, Michaelangelo Matos. Marisa Morseth is our research assistant, and Jay Gabler is our editor. Our theme music is the song "Hive Sound" by Icetep. This episode was mixed by Johnny Vince Evans. And I wanna give a super special thank-you to Rick Carlson, Shelby Sachs, David Safar, Pete Scholtes, and Chris Wilbourn for additional support. If you want to check out a transcript of this episode or any other one, you can go to TheCurrent.org/rewind. And if you feel so moved, you can go ahead and rate and review the show on Apple Podcasts or tell a friend that it's out there. If you want to share any thoughts, feedback, or First Avenue stories, our inbox is open. You can just send an email to rewind@thecurrent.org. The Current Rewind is made possible in part by the Minnesota Legacy Amendment's Arts and Cultural Heritage Fund. It is a production of Minnesota Public Radio's The Current. The Current Rewind goes to First Avenue

Hosted By Sam Smith 1. Encore - Cheryl Lynn2. Just Goodbye - Karen Wolfe3. It's Cool - Instant Funk4. Love And Affection - Art Madison5. Nothin - Toni Braxton6. Move Your Boogie Body - The Bar-Kays7. Whatever It Takes - Tomi Jenkins8. I Love You More - Switch9. Situationship - Alli Starr10. No One - D Folks11. Sometimes - O´Bryan 12. Can't Put It In The Hands of Fate - Stevie 13. Wonder feat. Rapsody, Cordae, Chika & Busta Rhymes14. Where Is Our Love Song - Stevie Wonder feat. Gary Clark Jr15. Love Always Wins - KEM16. Roses - Gregg Jackson, Christopher Williams, Alexander O'neal 17. Your Love's Everything - Tracy Cruz18. The Power of The One - Bootsy Collins19. When the World Says No - J.D'S Time Machine (feat. Lorenzo Owens)20. All Is One - Tony Lindsay21. Im Gonna Take My Time - Lamont Dozier Jr22. This Kind of Love - TanQueray Hayward23. No Love - Canita Ft Noel Gourdin24. Come Go With Me - Teddy Pendergrass25. Work That - The Party King26. I Surrender - The Deele27. My Everything - Sauti Sol feat. India.Arie28. Daphnique Springs & Friends Virtual Comedy Show29. Alice I Want You Just For Me - Full Force30. Can You Help Me - Jesse Johnson31. Looking For Love - Michelle Lawson32. Being Gentle - Saint Jaimz Feat. Sene33. Lady's Wild - Con Funk Shun34. There Ain't Nothin' Better - Robert Brookins35. The Friend Zone - Ingram Street36. Tiempo - Crack Of Dawn Ft Melba Moore37. Make It Rain - Lukas Setto38. Everybody Dance - Ta Mara & The Seen39. Work - Wendell B40. God Gave Me Everything - The Whispers41. Be Alright (Remix) - Zapp & Roger

Today's guest is Alexander O'Connor, Lead Data Scientist at Autodesk in San Francisco. Autodesk makes software for people who make things. If you've ever driven a high-performance car, admired a towering skyscraper, used a smartphone or watched a great film, chances are you've experienced what millions of Autodesk customers are doing with their software. Autodesk gives you the power to make anything. Alex leads a team whose purpose is to help the customer to get the answer they need by allowing them to state their problem in their own words. The team is dedicated to enhancing support. They work in an agile fashion to deliver projects that leverage a variety of Machine Learning tools and have access to a fantastic store of data in many forms, all of which can be mined for insight, automation and prediction. In the episode, Alex will tell you about: Applying Machine Learning & Data Science at Autodesk, What he loves most about his job, Making the transition from academia to industry, The potential of Personalisation, NLP and Deep Learning, Exciting projects he is working on at Autodesk, How to build an effective data science team, and Key tips for a successful Data Science career

PLAY LIST1. Intro, 2. Love's Theme - Love Unlimited Orchestra, 3. Theme from Shaft - Isaac Hayes, 4. Move On Up (full length version) - Curtis Mayfield, 5. Apache - Michael Viner's Incredible Bongo Band, 6. Bra - Cymande, 7. Expansions - Lonnie Liston Smith, 8. Across the Tracks - Maceo & The Macks, 9. Hot Pants Road - The JBs, 10. I get Lifted - KC & The Sunshine Band, 11. Knee Deep - Funkadelic, 12. I Wonder if I Take You Home - Lisa Lisa & Cult Jam, 13. Sign O the Times - Prince, 14. Play Dead - Bjork, 15. I Am the Black Gold of the Sun - Nuyorican Soul (4 Hero Rmx), 16. This is LA - Lemon D, 17. Beachdrifter - Rufige Kru , 18. Circles - Adam F, 19. Share the Fall - Ronnie Size & Represent, 20. My Beat - Blaze, 21. God Made Me Phunky - MD X-Spress, 22. Hey Hey - Dennis Ferrer, 23. The Cure & The Cause - Fish Go Deep, 24. Spin Spin Sugar - Sneaker Pimps, 25. Stay a Little While Child - Loose Ends, 26. Hanging On a String - Loose Ends, 27. Saturday Love - Cherielle & Alexander O'Neil, 28. Don't Stop Your Love - Keith Sweat, 29. Read My Mind - Tashan, 30. Off On Your Own - Al B Sure, 31. Jam Rock - Damian Marley, 32. Here I Come - Barrington Levy, 33. Step Up Inna Life - Beenie Man, 34. Common Sense - Buju Banton, 35. One Drop - Bob Marley, 36. Jah Live - Bob Marley, 37. Love & Hate - Dennis Brown, 38. Loving Pauper - Freddie McGregor, 39. Joy in the Morning - Freddie McGregor & Papa San, 40. Saturday - De La Soul, 41. Looking at the Front Door - Main Source, 42. Walking into gthe Sun - Organized Konfusion & 43. Emergency on Planet Earth - Jamiroquai

Love Old School? Lemme Take you Back to Some REAL Classic Vibes. Funk . Disco . Old School & Some Breaks Enjoy! Don't Forget to Roll with Me on TwitterGram @djSinToronto E.U - Da Butt Kool & The Gang - Lets Go Dancing Midnight Star – I'm Curious The Gap Band - Outstanding Teddy Pendergrass - Believe in love George Benson - Turn Your Love Around Maze ft Frankie Beverly - Before I Let Go One Way - Cutie Pie Zapp & Roger - More Bounce To The Ounce Brick - Dazz George Clinton - Atomic Dog Shalimar - Get Ready Tonight Mac Band - Roses Are Red Johnny Gill - Fairweather Friend Cheryl Lynn - Encore Slave - Just A Touch Of Love George Benson - Give Me The Night Stevie Wonder - Love Light In Flight Indeep - Last night a DJ saved my life Luther Vandross - Never Too Much Slave - Watching You Michael Jackson - Baby be Mine Cameo - Single Life Pointer Sisters - Automatic Kool & The Gang - Get Down On It Cameo - Candy Tom Browne - Funkin' For Jamaica Zapp & Roger - Dance Floor One Way - Mr. Groove Funkadelic - Knee Deep Lakeside - Fantastic Voyage Vaughn Mason - Bounce, Rock, Skate, Roll Grandmaster Flash & The Furious Five - Rapper's Delight Chic - Good Times McFadden & Whitehead - Ain't No Stopping Us Now Kool & the Gang - Hollywood Swinging Lyn Collins - Think Incredible Bongo Band - Apache First Defence - Take Control Evelyn King – I'm In Love The Whispers - And the Beat Goes On Patrice Rushen - Forget Me Not's Whispers - Rock Steady Carl Carlton - She's a Bad Mamma Jamma Michael Jackson - Rock With You Sheila E - Love Bazaar Sister Sledge - He's The Greatest Dancer Stevie Wonder - Do I Do Change - A Lovers' Holiday Evelyn "Champagne" King - Love Come Down Strapoint - Object Of My Desire Cherrelle feat Alexander O'neal - Saturday Love Midnight Star - Midas touch Kool & The Gang - Fresh Vanity - Nasty Girl Jermaine Stewart - The Word Is Out Cameo - Word Up Prince - I Wanna Be Your Lover Michael Jackson - Off The Wall Rick James - You And I SOS Band - Take Your Time Sister Sledge - We Are Family Prince - 1999 The Time - Jungle Love Rick James - Give It To Me Baby Prince - Raspberry Beret Marvin Gaye - Got To Give It Up Michael Jackson – Don't Stop Till you Get Enough Kool & The Gang - Celebration Michael Jackson - Shake Your Body To The Ground Mary Jane Girls - Candy Man Michael Jackson - Wanna Be Starting Something Chaka Khan - I Feel For You Earth, Wind & Fire - Let's Groove The Gap Band - You Dropped A Bomb On Me Earth, Wind & Fire - September Michael Jackson - PYT Ready For The World - Oh Sheila Sheila E - Glamorous Life Rick James – Super Freak Dazz Band - Let it Whip BONUS TRACK

Tracklist 11. GOOD TIMES (a touch of jazz remix) CHIC 22. Faux (version longue)par Alexander O'neal 33. Hooked on you ( dims'old school of disco mix) CERRONE FEAT JOCELYN BROWN 4. 4 Keep On (feat Danny - John Morales M & M Club Mix)par Deep & Soul Project 55. found a cure (a tom moulton mix) ASHFORD & SIMPSON 66. Mon Love Song (feat Nickson - mélange classique)par Distant People 7. 7 Be Mine (feat Sofia Rubina - vocal mix)par Mark Di Meo 8Jochen Simms by 8. Need You (original mix)par Scott Mac 9Abel Trigo by 9. Everytime (vocal mix originale)par Voltereto 10Carmen Nophra by 10. My Groove Is So Hot (Topa remix)par Baseek 1111. Somethin 'A propos de Da Musique 2014 (Priez pour Plus remix)par Bibi et Sami Dee Pres Konga Motel 12Gramma Funk by . 12 Do Do Funk (feat Gramma Funk - Sommet Kenny & Tom Gianelli remix)par Bronx Cheer 13. 13 I Feel Passion (feat Ione Mai - Alex Murmure remix)par Carl Parker 14Stabbs by 14. Joy & Happiness (Encore une fois)par Chris Sammarco 1515. Paix (Danny Clark mix)par Deepcitysoul & Darryl D'Bonneau 1616. Shine (Fabio Tosti funkin mix)par Fabio Tosti et Michael Procter 1717. Soyez jamais Wonderful (Fever Brothers remix)par Fever Brothers 1818. Do It Again (original mix)par Inland Knights 1919. I Darepar Jerico 20Bobbi Depasois by 20. Demandez (club mix)par K Klass 21. 21 Délie It All (feat Josephine Sweett - original mix)par KPD 2222. INCONNU 2323. Love Me Right (rythmique Grooves Plage maison remix)par Luna Avenue / Tara Chinn 2424. macabres Bears (original mix)par Essential Luther Sole 2525. INCONNU 26Dihann Moore by 26. Gotta Get There (Coqui Selection remix)par Pray For More 2727. INCONNU 2828. More Than U Knowpar rythmique Groove 2929. Au Club (feat Lynn Lockamy - Rocco Deep Mix)par Timmy Regisford 3030. obtenir un sentimentpar Bryan Jones 3131. Baba Groove (original mix)par Conan Liquid 3232. Keep It Comin '(original mix)par Crazibiza 33Patrick M by 33. Estela (original mix)par Dj Chus 3434. Sax Incrediblepar Djhd 3535. Movin 'On (Piers Kirwan remix vocal)par Fleetside feat Carolyn Harding

at a b@r L.A 02/24/2018 1 Billy Idol; Flesh For Fantasy (Below The Belt Mix) 2 Tears For Fears - Shout 3 Charles & Eddie - Would I Lie To You 4 The Human League - Human 5 Rah Band - Clouds Across The Moon 6 Wang Chung - Dance Hall Days 7 Jack Le Funk - Make Love Not War (Original Mix) 8 . Frankie Goes To Hollywood - Rage Hard (Blank & Jones so8os Reconstruction) 9 Kid Creole & The Coconuts - Annie, I'm Not Your Daddy 10 Queen - Another One Bites The Dust 11 Bruce Hornsby - The Way It Is 12 Curiosity Killed The Cat - Down To Earth 13 Tom Browne - Funkin' For Jamaica 14 Alexander O'neal - Fake (Extended Version) 15 Paul Young - I'm Gonna Tear Your Playhouse Down (Extended Mix) 16 Donna Summer - Eyes (Extended Remix) 17 Discotron - Last Night A Dj Saved My Life (Original Mix) 18 Alexander O'neal - (What Can I Say) To Make You (Hateful Club Mix) 19 Curiosity Killed The Cat - Misfit 20 Luther Vandross - She Won't Talk To Me (12″ Extended) 21 Coldcut feat. Yazz And The Plastic Population - Doctorin' The House 22 Discotron - Feel The Need (Original Mix) 23 Jack Le Funk - Wanna Show You (Original Mix) 24 Prefab Sprout - Hey Manhattan (JFK Version) 25 Frankie Goes To Hollywood - The Power Of Love (Blank & Jones so8os Reconstruction) 26L.A. Woman (Full Length Version)Billy Idol;