Podcast appearances and mentions of David Allan Coe

Brennan Edwards is a singer/songwriter based in the northern part of the Shenandoah Valley. Brennan has been making a name for himself well beyond his hometown of Winchester, Virginia. Brennan's interest in country music began with Artists such as David Allan Coe and Conway Twitty, but Hank Williams ultimately played the biggest part in the music he plays today. Brennan is also greatly influenced by bluegrass. He spent much of his childhood going to bluegrass festivals with his grandmother, and His mother's five siblings are locally and nationally renowned bluegrass musicians, all currently recording and performing in their own bands. This has been a big year for Brennan, and I will not be surprised to see this guy's career explode before we know it.

Tras partidos insufribles en el juego, pero con resultados favorables, llegábamos a Valladolid cargados de ilusión para enfrentarnos al colista de la Liga el último sábado de Noviembre, en el horario habitual de las 21 horas, con ya toda nuestra afición, pues la sanción impuesta por la SAD ya había terminado, pero fueron solo 300 los afortunados que pudieron entrar en la grada visitante.. En lo futbolístico, parece que finalmente las piezas encajan y el Cholo ha dado con la tecla. Ya comentamos la victoria en Champions, pero es que el sábado se volvieron a anotar 5 goles frente al colista de la liga, que demostró sobradamente porque ocupa esa posición en la tabla.  El caso es que llevamos 7 victorias seguidas, 2 grandes partidos y, esa liga que se había tirado en Septiembre y octubre, está más cerca que nunca, porque con los tropiezos del Barça que parecía intratable, está a 2 puntos. Vuelve a haber liga, al estar los 3 clasificados en 2 puntos. Pero lo primero es ver que nos ofrece la unidad B del equipo el próximo jueves en Copa contra el Cacereño y no perder el paso el domingo en casa frente al Sevilla. Disfruten del programa. SUMARIO:1.- Presentación 2.- El cuadernillo de Óscar con @elabuchus 3.- Jesús en un bar con @Doniphon62 “Mona Lisa lLost her sSmile” de David Allan Coe 4.- Tertulia Atlética con @tenoriopop @Lera_atm @V1t0t3 @chaminorte y @MiguelNicolasOS  5.- “Desde que era pequeño” un relato de @MiguelNicolasOS Todo ello presentado y dirigido por Eduardo de Atleti (@EduardoDeAtleti) Podéis dejar vuestras opiniones sobre este programa, tanto en los comentarios de esta entrada, como en Spreaker.com, iVoox.com, Twitter y Facebook Tienen todas las melodías y músicas del programa en esta lista de SpotifyConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/aplasta-arteche-podcast--4791815/support.

An Outlaw Country Special. This is Part 2 of a 3 part series.(Part 1,  Ep. 114 Part 3, Ep. 124)Episode includes tracks by  Merle Haggard, David Allan Coe and Rodney Crowell.

This past weekend delivered in terms of COLLEGE FOOTBALL CHAOS - which, as we all know, is Melanie's favorite. So on this week's episode we talk about the chaos, and about our weekends, and about the latest with all my traveling. Plus, Side Eyes and I See Yous. We also discuss my weekend in Melanie's favorite city (not) - and it's her turn for Five Favorites  Enjoy, y'all! - Join Us on Patreon - Our Amazon Shop - Live Stream tickets for our Friday night Dallas show - Convoy of Hope (for Hurricane Helene relief) - The Rock Church - Boone, NC (our friend Travis' nephew is the pastor here - select "Helene relief fund" from the drop-down menu) Show Notes: - Missouri at A&M - Kirby Smart disappointed in Georgia's atmosphere - Alabama at Vandy - Tennessee at Arkansas - SEC Shorts - Wake Forest & North Carolina marching bands play "Amazing Grace" - Dan Mullen's Top 25 (THE SHADE) - Nate Bargatze as George Washington, round 2 - Olamaie in Austin - Paperboy in Austin - The Otis in Austin - "You Never Even Called Me by My Name" by David Allan Coe - blue light aviator reading glasses - Solely Foster collegiate cashmere and more (use code BOO15 for 15% off everything except mahjong and children's clothing) - Old Navy So Soft vneck sweater - Closer to God: A 40-Day Pursuit of God's Personal Presence by Jeannie Cunnion - Pilcro relaxed roll neck sweater - What in the World?! by Leanne Morgan Sponsors: - AG1 - use this link to get 10 free travel packs and a bottle of vitamin D3 and K2 - Trust & Will - use this link for 10% off plus free shipping of your trust plan documents - OSEA - use code BIGBOO for 10% off - ZocDoc - use this link to download the app for free

Episode 118 picks up in September 2007 where we discuss a David Allan Coe show at The Cain's Ballroom with Otis Watkins opening. After that we continue to talk about a country casino show w/ The Bellamy Brothers, We also discuss a Sum 41 show at The Diamond Ballroom that did less than 400 tickets sold. 2007 & 2008 were filled with lots of shows, including The Misfits at Cains & Diamond, The Cult, Modest Mouse, & more... We finish this episode talking about the massive Hannah Montanna show at the Ford Center w/ the Jonas Bros opening... See omnystudio.com/listener for privacy information.

National Fight procastination day.  Entertainment from 2012.  First to sail around the workd, Prsident McKinley shot in Buffalo, First supermarket in the world opened.  Todays birthdays - David Allan Coe, Roger Waters, Swoosie Kurtz, Jane Curtain, Jeff Foxworthy, Michael Winslow, Mark Chesnutt, Rosie Perez, Deloris O'Riordan.  Burt Reynolds died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Procrastination the musicalWe are never ever getting back together - Taylor SwiftOver - Blake SheltonBirthdays - In da club - 50 Cent http://50cent.com/Mona Lisa lost her smile - David Allan CoeComfortably numb - Pink FloydYou might be a redneck - Jeff FoxworthyIt's a little to late - Mark ChesnuttLinger - The CranberriesLets do something cheap and superficial - Burt ReynoldsExit - In my dreams - DokkenFollow Jeff Stampka on facebook and cooolmedia.com

We watched RANCHO DELUXE, a slowpoke "western" starring Jeff Bridges, Sam Waterston, Harry Dean Stanton, Slim Pickens, Elizabeth Ashley and JIMMY BUFFET. We get to discuss our love of 70s films, country, and the merits (or anti-merits) of ol' Parrothead himself.Join our supporters club here for exclusive content and to access our first 100 episodes.https://www.spreaker.com/podcast/bodegaboxoffice--1441069/supportThe awesome David Allan Coe diss trackhttps://youtu.be/QnTO7rTf2cM?si=hrKTVL_I4cuJXlGq

Send us a Text Message.Ray Scott, a powerhouse in the world of country music, brings a distinctive blend of traditional country sounds with modern storytelling. Born and raised in North Carolina, Scott's journey in music is as authentic as the songs he sings. With a deep, resonant voice that exudes sincerity and grit, he has carved out a niche for himself in an industry that often favors the mainstream.Scott's musical style harkens back to the golden era of country music, drawing inspiration from legends like Merle Haggard, Johnny Cash, and Waylon Jennings. His songs are steeped in the rich tapestry of Southern culture, with themes ranging from heartbreak and longing to love and redemption. With each note, Scott transports listeners to the backroads of rural America, where life moves at a slower pace and stories are passed down from generation to generation.One of Scott's defining characteristics as an artist is his unwavering authenticity. He stays true to himself and his roots, eschewing the trappings of commercialism in favor of honest, heartfelt songwriting. This commitment to his craft has earned him a loyal following of fans who appreciate his raw, unfiltered approach to music.Scott's career took off with the release of his debut album, "My Kind of Music," in 2005. The title track, a celebration of all things country, struck a chord with audiences and catapulted him into the spotlight. Since then, Scott has continued to release a string of critically acclaimed albums, including "Rayality" and "Guitar For Sale," each showcasing his remarkable talent as a singer-songwriter.In addition to his solo career, Scott is also known for his collaborations with other artists, including fellow country musician Luke Combs. Together, they co-wrote Combs' hit song "Out There," which became a fan favorite and further solidified Scott's reputation as a master storyteller.Beyond his musical endeavors, Scott is also an avid outdoorsman and a passionate advocate for wildlife conservation. He frequently incorporates his love of hunting, fishing, and the great outdoors into his music, creating a unique blend of country and outdoor lifestyle.As Scott continues to tour and record new music, his impact on the country music landscape only continues to grow. With his soulful voice, compelling songwriting, and down-to-earth persona, he remains a beloved figure in the genre, beloved by fans and respected by peers.In a world that often seems consumed by flash and spectacle, Ray Scott stands as a beacon of authenticity, reminding us of the power of music to connect us to our roots and to each other. Whether he's singing about love, loss, or life in the South, Scott's music resonates with listeners on a deep and personal level, leaving an indelible mark on the country music landscape.www.betterhelp.com/TheBarnhttp://www.betterhelp.com/TheBarn www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

David Allan Coe celý svůj život rád překvapuje a šokuje. Přesto je tenhle divoký psanec, jehož někteří příznivci country doslova nemohou vystát, nejen skvělý autor a zpěvák, ale také citlivý člověk. Spolu s ním si poslechneme také George Jonese, Willieho Nelsona a Waylona Jenningse. A dojde i na heavy metal a rap.

David Allan Coe celý svůj život rád překvapuje a šokuje. Přesto je tenhle divoký psanec, jehož někteří příznivci country doslova nemohou vystát, nejen skvělý autor a zpěvák, ale také citlivý člověk. Spolu s ním si poslechneme také George Jonese, Willieho Nelsona a Waylona Jenningse. A dojde i na heavy metal a rap.

David Allan Coe byl v country hudební branži odjakživa označován jako „psanec psanců“. Se svou excentrickou osobností, rebelskými songy a nekonvenčním životním stylem si získal tisíce fanoušků. I dnes, ve svých bezmála pětaosmdesáti, zůstává ikonou outlaw country. Kromě DAC uslyšíme v jeho písních také Tanyu Tucker nebo Johnnyho Cashe.

David Allan Coe byl v country hudební branži odjakživa označován jako „psanec psanců“. Se svou excentrickou osobností, rebelskými songy a nekonvenčním životním stylem si získal tisíce fanoušků. I dnes, ve svých bezmála pětaosmdesáti, zůstává ikonou outlaw country. Kromě DAC uslyšíme v jeho písních také Tanyu Tucker nebo Johnnyho Cashe.

-Great Plains 8-Ball Shootout; Nebraska Women's Gymnastics; Nebraska Boat, Sport & Travel Show; Nebraska Baseball Fan Fest-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers): "You Never Even Called Me by My Name" ~ David Allan Coe (1975)Show sponsored by GANA TRUCKINGAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, I am joined by Uncle Kracker, and we're diving into the stories behind the songs from throughout his entire discography!  We also discuss: how his experiences with Kid Rock, as the DJ for Twisted Brown Trucker, helped prepare him for his solo career; his Woodstock ‘99 experience; working with Dobie Gray on his cover of “Drift Away;” co-writing “Letter To My Daughters” with David Allan Coe; recording “When The Sun Goes Down” & “Last Night Again” with Kenny Chesney; the story behind the adult contemporary & country crossover for his hit song “Smile;” his experiences going from a major label to an indie label for his 2012 album “Midnight Special,” and the new music he's been releasing throughout 2023, including the singles “Reason To Drink,” “Sweet 16” & “Crusin' Altitude”  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode!  FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape Twitter: https://twitter.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

National fight procrastination day. Entertainment from 1970. 1st circumnavigation of the world, 1st supermarket, President McKineley assassinated. Todays birthdays - David Allan Coe, Roger Waters, Swoosie Kurtz, Jane Curtin, Jeff Foxworthy, Michael Winslow, Mark Chesnutt, Rosie Perez, Deloris O'Riordan, Idris Elba. Burt Reynolds died.intro - Pour some sugar on me - Def Leppard http://defleppard.com/Procrastination the musicalWar - Edwin StarrAll for the love of sunshine - Hank Williams jrBirthdays - In da club - 50 Cent http://50cent.com/Mona Lisa lost her smile - David Allan CoeComfortably numb - Pink FloydYou might be a redneck - Jeff Foxworthy It's a little to late - Mark ChesnuttLinger - The CranberriesLets do something cheap and superficial - Burt ReynoldsExit - It's not love - Dokkenhttps://www.coolcasts.cooolmedia.com/show/history-factoids-about-today/

Episode 409... Labor Day Special! If you hate work, love work, or maybe you don't have to work and could give two craps... plenty of job-themed rippers in this episode. Both Bros split the DJ efforts solo, so we spare you some banter. Another brand-new song from the BGP themselves and El Matador! Some newer lix as usual, including a cover sent in. Enjoy, you working human scum (as our robot mascot Punkbot would say)!Listen to Episode 409:On ARCHIVE. Or play it below: (scroll for set list)Listen to The Brothers Grim Punkcast:ARCHIVE.Org - hear/download past episodesPUNK ROCK DEMONSTRATION - Wednesdays 7 p.m. PSTRIPPER RADIO - Fridays & Saturdays 7 p.m. PSTApple PodcastsGoogle PodcastsContact Brothers Grim Punk:brothersgrimpunk@gmail.com - In a punk band? Send us your music! Want us to make you a punk song? Email us some lyrics!@Punkbot138 on Instagram@BrosGrimPunk on XMore Punk Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of punk playlists, from Anarchy to Violence!Working class Punx...Berlin Work Sucks 0:39 Turtle Rage Chambers Of Peace Nuke Work 1:18 The Uglies Still U.G.L.Y. Worker Bee 0:57 D.R.I. Thrash Zone All We Do Is Work 1:45    Brothers Grim Punk    BGP Labor Day Single Why Don't You Get a Job? (bkgrd) 2:49 The Offspring The Offspring: Greatest Hits Carp 1:48 Guttermouth The Album Formerly Known As Full Length LP NYNY fucked up at work 1:24 the jims the jims Working For The Company 2:04 The Virus Nowhere To Hide_Punk Core Recs Career Suicide 1:43 Wasted Outsider By Choice work will set you free - GIRLSCOUTCOOKIES 0:12 v/a - Fast//LOUD cassette compilation Workman's Stomp 1:19 Dragged Dragged Clocked In 1:33 Black Flag The First Four Years Take This Job And Shove It (bkgrd) 2:59 David Allan Coe 17 Greatest Hits Dead End Job 1:11 Nobodys Generation XXX Quit Your Job 0:24 Chixdiggit! Fat Wreck Chords-Short Songs For Short People No Money No Job 1:23 Human Toys Spin To Win Work Buy Consume and Die 1:07 DS-13 No One Will Thank You When You're Dead I Got Work in the Morning 1:11 Pizzatramp Grand Relapse Working Class Attack 1:32 Sunpower Sunpower - Decade 12'' Work 1:27 Screeching Weasel Screeching Weasel Detroit GO TO WORK (bkgrd) 3:00 PLATiNUM CRACK! ELECTROPUNK EP Rich Men North of Richmond cover 2:43 DUERST THE WUERST 2023 Single Milwaukee SWEATING 1:16 GORILLA KNIFEFIGHT THIS KNIFE WINS THE FIGHT! NYNY ALL WORK NO PLAY 1:17 PIGMILK PIGMILK Nuclear Laugh Recs DEAD FUCKING BROKE 0:48 SHAKA SHAKA - S/T WA DC Es Duro ser Working Class 1:10 Corvo Cortadas Dead Invoices Guff - Working Man 1:55 Guff   Mongrel // Guff - Inner Self SPLIT UK Work For The 1% 0:47 Ättestor The Final Tracks Working Stiff 1:26 Ferd Mert Morons Working (bkgrd) 2:46 Cock Sparrer Shock Troops Don't Quit Your Day Job 1:25 Spazz La Revancha Where Do You Work? 0:53 Fuck On The Beach I Have Never Seen Myself Everything Cool Comes from the Working Class 0:06 SHITSTORMTROOPER GULF COAST GRINDVIOLENCE [NTR 345] Suicide Of Work Pressure 1:00 Disclone The Neverending Nightmare - EP Get A Job 0:10 Black Thoughts All The Songs Day Job 1:04 AFD Adventure Island EP_Denver 72-Hour Work Week 3:53 Formerly Known As ...We Don't Like Us, Either The Working Man (bkgrd) 3:05 Creedence Clearwater Revival Platinum Finland Working Class Boys 2:13 The Hostile Ones The Hostile Ones

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Pantera es una banda estadounidense de groove metal fundada en 1981 por los hermanos Abbott, Darrell y Vinnie Paul, en Arlington, Texas. El bajista Tommy Bradford se uniría a inicios de 1981 con el vocalista Donnie Hart hasta finales del mismo año en el que a Tommy se le sustituiría por Rex Brown y a Donnie por Terry Glaze, quien además también era vocalista y teclista. En 1987 Phil Anselmo se convertiría en el vocalista principal del grupo. La banda permaneció activa desde 1981 hasta su disolución en 2003. El 14 de julio de 2022 se confirma una reunión de la banda con Phil Anselmo y Rex Brown, como también una gira mundial para 2023. El género del grupo fue variando con los años. Durante la década de los 80, junto al cantante Terry Glaze, el glam metal predominaba en la apariencia y estilo de la banda. Tras el despido de Glaze y la llegada de Phil Anselmo, la banda abandona sus raíces, muy influenciadas por Kiss, y se vuelca en un estilo más pesado, periodo marcado por la publicación del álbum de estudio Cowboys from Hell en 1990, que los catapultó a la fama. En 1992 lanzan su álbum Vulgar Display of Power, considerado uno de los álbumes pioneros del groove metal. En 1994, su disco Far Beyond Driven debuta en el n.º 1 del Billboard 200, y de esta forma Pantera es considerada la responsable de "mantener con vida" al heavy metal en una década en la cual el grunge y el rock alternativo alcanzaban el mainstream.​ A mediados de la década de los 90, Pantera comenzó a sufrir numerosas discusiones y tensiones entre sus integrantes, debido principalmente al abuso de drogas de Anselmo,​ lo cual provocó un comportamiento errático y volátil por su parte, que lo hizo distanciarse de sus compañeros. El cantante atribuye la razón de su drogadicción a un problema crónico en su columna vertebral, causado por años de violentas actuaciones sobre los escenarios, lo que le provocaba un gran dolor.​ En el 2001 deciden tomarse un receso, y sus integrantes toman caminos distintos. Anselmo siguió con sus proyectos que ya había fundado anteriormente, Superjoint Ritual y Down, este último al lado de su compañero Rex Brown, bajista de Pantera, y los hermanos Abbott formaron la banda Damageplan, tras esperar e intentar reiterada y fallidamente contactar con Anselmo, quien se había sumergido en sus otros proyectos.​ Pantera se disolvió oficialmente en el 2003. Cualquier esperanza de una reunificación se vendría abajo con la trágica muerte de su legendario guitarrista Dimebag Darrell, que fue asesinado a tiros en el escenario Alrosa Villa en Columbus, Ohio, el 8 de diciembre de 2004 por un infante de marina llamado Nathan Gale, tras sólo unos segundos de haber comenzado el concierto de Damageplan. Solo unos pocos días antes de la tragedia, Anselmo había dicho a la revista Metal Hammer que los demás miembros de Pantera no tenían por qué opinar sobre su adicción, y que Dimebag merecía recibir una buena paliza.​ Estos comentarios terminaron de romper la amistad entre los miembros de la ya desaparecida banda. El cantante diría después que fue un comentario irónico, quejándose del sensacionalismo de la prensa del heavy metal en general, y aseguró que jamás habría sido capaz de lastimar a su difunto amigo.​​ No obstante, Vinnie Paul no creyó esto, y acusó a Anselmo de ser el responsable indirecto de la muerte de su hermano, ya que su comportamiento y sus palabras podrían haber desencadenado las acciones del asesino de Darrell, de quien se comprobó que era esquizofrénico y estaba molesto por la separación de Pantera.​ La familia del guitarrista no le permitió a Anselmo asistir al funeral de su excompañero.​ A pesar de todo lo sucedido, muchos fanes de la banda reclamaban una reunión de sus miembros; pidiendo que Anselmo, ya recuperado de su adicción y de su problema en la espalda, y Vinnie Paul, quien fue parte del supergrupo Hellyeah, hicieran las paces en honor a la memoria de Dimebag Darrell. Pero todo quedó como recuerdo.​ También se había hablado la posibilidad de una reagrupación de la banda junto al guitarrista Zakk Wylde (Ozzy Osbourne y Black Label Society) quien fue un gran amigo del difunto guitarrista de Pantera y que posee un estilo de tocar bastante similar a él, tanto Anselmo como Wylde han manifestado que estaban dispuestos a reunirse,​​ pero Vinnie Paul afirmaba que esa reunión no pasaría, ya que, en sus palabras, dijo que Pantera sin Dimebag Darrel no era nada. En 2018, Vinnie Paul fallece debido a un ataque al corazón. En el 2022 luego de haber pasado aproximadamente 20 años de inactividad, la banda confirma gira para el año 2023, siendo los miembros para la gira: Phil Anselmo, Rex Brown, Zakk Wylde y Charlie Benante. ​​​ Vinnie Paul y su hermano Dimebag Darrell nacieron en Dallas, Texas, en 1964 y 1966 respectivamente, hijos de Jerry Abbott, un músico de country que poseía un estudio de grabación en Pantego, Texas, por lo que ambos hermanos se acostumbraron rápidamente al mundo musical. En un principio, Vincent, apodado Vinnie Paul se interesó por la batería, por lo que sus padres le compraron una. Su hermano Darrell se sintió atraído a su vez por la batería de su hermano, pero luego, al ver a numerosos guitarristas de country y blues desfilando por los estudios de su padre, prefirió la guitarra eléctrica. Ambos hermanos, amantes de la música de rock de los setenta y bandas de heavy metal y thrash metal, con grupos como Black Sabbath, Judas Priest, Venom, Slayer, Metallica, Dark Angel,Van Halen y Kiss, decidieron formar un grupo musical que recogiese estas influencias, unidas al dominio que los hermanos Abbott iban tomando en sus respectivos instrumentos; este sueño se haría realidad en 1981. Pantera fue formada en Arlington, Texas, en 1981, por el cantante Donnie Hart, los guitarristas Darrell Abbott (apodado "Diamond Darrell" o "Dimebag Darrell") y Terry "Terrence Lee" Glaze, el bajista Tommy Bradford y el baterista Vinnie Paul, hermano de Darrell. Empezaron tocando covers de Quiet Riot y Van Halen, así como material propio encuadrado dentro del glam metal y el hair metal, en clubes nocturnos de Texas. En 1982, Hart abandonó la banda, y el guitarrista Glaze tomó la parte vocal. Poco tiempo después, Tommy Bradford fue reemplazado por Rex Brown, por ese entonces conocido como "Rex Rocker". Pantera se convirtió en una de las bandas favoritas del underground, aunque sus tours regionales nunca los llevaron más allá de Texas, Oklahoma y Luisiana. La banda empezó a telonear otros actos de glam metal, como los de bandas como Stryper, Dokken, y Quiet Riot, quienes a cambio promovieron el debut de Pantera, Metal Magic. Este álbum fue lanzado por el sello propio de la banda, con el mismo nombre, en 1983, y fue producido por el padre de los hermanos Abbott, Jerry Abbott, en los estudios Pantego. Luego, Pantera lanzó otros dos también desapercibidos álbumes: Projects In The Jungle y I Am The Night, en los que seguía dominando el glam metal en sus composiciones, aunque se fueron separando progresivamente de las de su disco antecesor. Este último disco, I Am the Night, vendió únicamente 25. 000 copias, por lo que es en la actualidad una pieza de coleccionista. La influencia de dos discos capitales dentro del desarrollo del thrash metal (Reign in Blood de Slayer y Master of Puppets de Metallica) habían marcado la carrera de la banda hacia dicho estilo,​ en el que no cuadraba Glaze, por lo que fue despedido. Phil Anselmo, proveniente de Nueva Orleans, fue su reemplazo como vocalista después de meditar la entrada de cantantes como David Peacock o Matt L'Amour. Con él lanzaron el álbum Power Metal (1988), en el cual se encuentra la canción Proud To Be Loud, escrita por el guitarrista de Keel, Marc Ferrari. El estilo de dicho trabajo se orientó más hacia una mezcla del hard rock de los años ochenta y el naciente thrash metal, añadiendo además el estilo vocal de Anselmo, más áspero y rudo que el de Terry Glaze. El posterior cambio estilístico de la banda hizo de estos discos casi piezas de coleccionista, llegando a ser relegados al ostracismo por la propia banda, ya que no aparecen en la discografía presente en su página oficial. Poco después de la edición de Power Metal, Dimebag Darrell se presentó a las audiciones de Megadeth, para formar parte del grupo liderado por Dave Mustaine. Darrell había puesto como condición que se uniese también su hermano Vinnie Paul, pero como Megadeth ya tenía un baterista estable, Nick Menza, Darrell no fue contratado, siendo elegido en su lugar por Marty Friedman. Después de buscar durante un largo período un sello que acompañase a Pantera en la grabación del siguiente disco de la banda,​ Mark Ross, que trabajaba para Atco Records, vio un concierto de la banda en un local de Texas y convenció a su empresa para que fichase al grupo. Atco aceptó, y la banda remató el año 1989 grabando su siguiente material en los estudios Pantego. Cowboys from Hell (1990) marcó un cambio drástico en la música de Pantera, que se decantó por un sonido más aguerrido y poderoso dejando atrás el glam, condicionado por la voz aguardentosa de Anselmo y los gruesos riffs de guitarra de Dimebag Darrell. Editado el 24 de junio de 1990, sus canciones más destacadas son Domination, Cowboys from Hell, Cemetery Gates, Psycho Holiday y Primal Concrete Sledge. Muchos fanes, e incluso los miembros mismos de la banda, consideraron este trabajo como su debut oficial.​ Dimebag Darrell hizo sus riffs y solos más complejos, y Anselmo adoptó un estilo vocal aún más abrasivo que en Power Metal. Para presentar adecuadamente el trabajo, Pantera giró durante un tiempo con Exodus y Suicidal Tendencies, antes de abrir para artistas de la talla de Metallica, AC/DC o Judas Priest, tocando ante una multitud estimada de 1.6 millones de personas en Moscú para celebrar uno de los primeros conciertos de música occidental desde la caída de la Unión Soviética.​ Posteriormente llegó Vulgar Display Of Power (25 de febrero de 1992), que presentó aún mayor madurez, más personalidad y estilo propio, acercándose ligeramente hacia el hardcore. En el disco destaca la ralentización de los tempos y el estilo aún más abrasivo y violento si cabe de Anselmo en la parte vocal. De este disco cabría destacar los temas Walk, A New Level, This Love, Fucking Hostile, Rise, Mouth For War y Hollow. Los fanes y críticos consideraron este trabajo como el mayor esfuerzo de la banda.​ Además, el público acompañó al álbum, llegando al 44.º puesto en las listas del Billboard gracias, entre otros motivos, a la repercusión que tuvieron algunos de los vídeos del disco en la influyente MTV. Al poco de editar el disco, Pantera colaboró con el vocalista de Judas Priest, Rob Halford, para grabar el tema Light Comes Out of Black, que conformó la banda sonora de la serie Buffy the Vampire Slayer. Para ello, Halford tomó la voz principal y Anselmo los coros. Después de esta pequeña incursión en el estudio de grabación, la banda se sumerge en una gira por Japón, primero, e Italia después, en la que compartieron escenario con gigantes del metal como Black Sabbath y Iron Maiden. Tras Vulgar Display Of Power, en 1994 se publicó el disco Far Beyond Driven, ligeramente más directo y brutal que su antecesor, que debutó en el primer puesto del Billboard estadounidense y en las listas de Australia. De este disco se podrían destacar los temas 5 Minutes Alone, Becoming y I'm Broken (nominada al Grammy en la categoría de mejor interpretación de metal en 1995). Con este disco ganaron un gran respeto entre los fanes más acérrimos de la música más "brutal". La portada original del disco era explícita y causó un gran impacto, un ano atravesado por un taladro. Debido a las presiones recibidas, está fue reemplazada por la actual, el cráneo siendo atravesado por un taladro. En la gira de promoción del álbum, Pantera comenzó un tour por Sudamérica y en otro de los festivales "Monsters of Rock". Por esta época, Anselmo y los hermanos Abbott comenzaron a distanciarse, debido, según Anselmo, a unos dolores crónicos en la espalda que le impedían comportarse con normalidad. Para intentar solucionar estos problemas de espalda, Anselmo se volvió adicto al alcohol, algo que acabó distanciándolo más de los miembros de la banda según sus propias declaraciones.​ Esto provocó unas declaraciones suyas en un concierto en Montreal, Canadá, en las que dijo que "la música rap induce a matar blancos" ("rap music advocates the killing of white people").​ A raíz de estas desafortunadas declaraciones, Anselmo negó las acusaciones de racismo, pidiendo disculpas poco tiempo después,​ arguyendo que estaba borracho y que fue un error.​ Los médicos le recomendaron pasar por el quirófano para solucionar dichos problemas, pero Anselmo se negó ya que debería pasar un año en total reposo, por lo que comenzó a usar la heroína como un reductor del dolor, volviéndose adicto a dicha droga. En 1995, Anselmo creó un proyecto llamado Down, paralelo a Pantera, junto con el bajista Todd Strange, los guitarristas Pepper Keenan y Kirk Windstein y el batería Jimmy Bower. Down editó su primer disco en septiembre del mismo año bajo el nombre de NOLA. Para el segundo disco del supergrupo, Strange sería reemplazado por el bajista de Pantera, Rex Brown, quien grabaría Down II: A Bustle in Your Hedgerow, el título es uno de los versos de la conocida canción de Led Zeppelin Stairway to Heaven. El siguiente álbum de Pantera, The Great Southern Trendkill, fue publicado en 1996 durante el final del auge del grunge y el surgimiento del rapcore y el nu metal. Cabe destacar los temas Floods,​ The Great Southern Trendkill, War Nerve, Drag The Waters y los complementarios Suicide Note Pt. I y Suicide Note Pt. II, dos canciones dedicadas por el cantante Phil Anselmo a su adicción a la heroína. Anselmo grabó sus partes vocales en un estudio de Nueva York junto con Trent Reznor de Nine Inch Nails, mientras el resto del grupo grabó lo que restaba en Texas, una prueba más del progresivo distanciamiento que sufría Anselmo con respecto al resto de integrantes de Pantera. El 13 de julio de 1996, Anselmo sufrió una sobredosis de heroína una hora después de un concierto perteneciente a la gira que la banda estaba realizando a lo largo del estado de Texas. Su corazón se paró durante cinco minutos, por lo que los médicos que lo atendieron le administraron una fuerte dosis de adrenalina y fue enviado al hospital. Después de despertarse, Anselmo agradeció a sus compañeros de banda el apoyo recibido durante su sobredosis, aunque esto no hizo gran cosa en lo que respecta al distanciamiento de Anselmo con el resto de miembros, ya que los Abbott estaban avergonzados por el comportamiento del vocalista. En 1997 publican el disco en directo Official Live: 101 Proof, recopilando las mejores canciones de sus cuatro discos anteriores tocadas en la gira Tourkill entre 1996 y 1997, demostrando su brutal puesta en escena y su sonido en directo, uno de los puntos fuertes del grupo. También añadieron dos temas inéditos grabados en estudio, Where You Come From y I Can't Hide, ambas grabadas en 1997. Dos semanas antes de la publicación de dicho álbum, la banda consiguió su primer disco de platino de su carrera por Cowboys from Hell. Apenas cuatro meses después, Vulgar Display of Power y Far Beyond Driven consiguieron este premio también.​ Durante 1997, Pantera también tocó en el festival Ozzfest, siendo cabezas de cartel junto con Ozzy Osbourne, Black Sabbath, Marilyn Manson o Machine Head. Un año después repetirían la experiencia, tocando en el Ozzfest de 1998 junto con Slayer, Foo Fighters y Soulfly. A lo largo de estos dos años, Anselmo se embarcó en más proyectos paralelos, entre los que hay que destacar su colaboración como guitarrista en el álbum de Necrophagia Holocausto de la Morte, y ayudó a los grupos de black metal Viking Crown y Eibon. Por su parte, los hermanos Abbot y Rex Brown formaron Rebel Meets Rebel junto con el vocalista David Allan Coe, en el que añadieron sonidos country al sonido de Pantera. Tras los rumores de ruptura del grupo debido a la gran cantidad de proyectos de sus componentes, el grupo contraataca con el que sería su último disco, Reinventing the Steel (2000), recuperando un sonido más pesado donde las raíces de Black Sabbath se sienten más que en sus últimos trabajos. Las canciones destacadas de este álbum son Goddamn Electric, Yesterday Don't Mean Shit, You've Gotta Belong To It y Revolution Is My Name (primer single y vídeo en el que se puede ver a los componentes en su preadolescencia pintados como los componentes de Kiss). Este mismo año, Pantera se volvió a embarcar en otro Ozzfest junto con Ozzy Osbourne, Incubus, Queens of the Stone Age o Black Label Society. Una vez finalizado el Ozzfest, la banda hizo gira por Australia, Estados Unidos, Corea del Sur y Europa. Sin embargo, los atentados del 11 de septiembre de 2001 hicieron que la gira por Europa se cancelase, regresando los miembros de Pantera a sus hogares en Estados Unidos. Una vez en casa, los hermanos Abbott habían planeado componer y grabar otro disco con Pantera, algo que nunca pudo llevarse a cabo.​ Durante esta época, Anselmo fundó nuevos proyectos, como Superjoint Ritual, y editó el segundo álbum de Down. El baterista Vinnie Paul expresó que Anselmo le había dicho que no giraría durante el tiempo que Pantera estuviese parada, algo que supuestamente rompió el cantante al organizar la gira de presentación del segundo trabajo de Down y el disco de Superjoint Ritual. Sin embargo, y según declaraciones de Anselmo, el descanso de Pantera y la realización de sus giras con Down y Superjoint Ritual se llevaron a cabo "de mutuo acuerdo".​ La banda se disolvió oficialmente en 2003, cuando los Abbott (Dimebag Darrell y Vinnie Paul) se dieron cuenta de que Anselmo les había abandonado y que no retornaría. La ruptura de la banda no fue en absoluto amistosa y trascendió del mundo musical para llegar a informativos y periódicos de tirada general. Mientras Darrell y Vinnie Paul, junto con los técnicos de Pantera y demás ayudantes, juraron y perjuraron que habían intentado contactar por teléfono con Anselmo, este adujo que nadie se había interesado por él. Tal fue el enfrentamiento entre Anselmo y los hermanos Abbott, que el vocalista, en una entrevista a la revista Metal Hammer, dijo: "Dimebag merece que le peguen una buena paliza". Anselmo diría después que fue un comentario irónico,​ algo que Vinnie Paul no creyó, empeorando más, si cabe, las relaciones entre los miembros de la ya desaparecida banda. En julio de 2004, Vulgar Display of Power alcanzó de nuevo el disco de platino, y The Great Southern Trendkill consiguió también dicha certificación.​ Un año después de la ruptura de Pantera, los hermanos Abbott fundaron Damageplan junto con Bob Zilla al bajo y Patrick Lachman como vocalista para editar un único disco, New Found Power, en 2004. Durante la gira de presentación de New Found Power ocurrió la catástrofe. El 8 de diciembre de 2004, exactamente veinticuatro años después del asesinato de John Lennon, durante el concierto en el local Alrosa Villa, en Columbus, Ohio, Dimebag Darrell fue asesinado a quemarropa por Nathan Gale, un supuesto fan alienado de la banda que sufría de esquizofrenia, quien fue después abatido por un policía mientras portaba un rehén. Aparte del malogrado Darrell, tres personas más sufrieron heridas mortales, entre las que se encontraban Nathan Bray, un fan de la banda de veintitrés años; Erin Halk, empleado del local de veintinueve años de edad; Jeffrey Thompson, jefe de seguridad de Damageplan, con cuarenta años. Chris Paluska, mánager de la gira, y John Brooks, técnico de sonido de la batería, fueron también heridos por Gale. Esto provocó un shock entre los fanes metaleros, convirtiendo a Dimebag Darrell en una leyenda. Aunque Anselmo declaró poco después del asesinato de Darrell que estaba meditando reunir a Pantera,​ Vinnie Paul dijo un año después que esa reunión "nunca pasará". Paul declaró también que era imposible una reconciliación con Anselmo.​ Dimebag Darrell y su hermano Vinnie Paul estaban de gira con Damageplan, a pocos días de finalizar e irse a casa por Navidad. Según afirma Rita Haney, la novia de Dimebag Darrell, los últimos días antes de su muerte, Dimebag Darrell la llamaba mucho por teléfono, contándole que estaba harto de Pat Lachman (vocalista de Damageplan) con el que tenía discusiones ya que este no quería cantar canciones de Pantera, cansado de la gira y con ganas de volver a casa por Navidad. Descorazonadoramente, el 8 de diciembre de 2004, cuando Damageplan salió al escenario en el Alrosa Villa en Columbus, Ohio, en no más de 10 segundos tras empezar a tocar la primera canción, Dimebag Darrell fue disparado 5 veces en la cabeza por un exmarine esquizofrénico llamado Nathan Gale, que también disparó a varias personas del público y del equipo de Damageplan. Afortunadamente no tuvo tiempo de llegar a localizar a Vinnie Paul, al que buscaba desesperadamente tras disparar a su hermano, para también acabar con su vida. Dimebag Darrell falleció en el momento, junto con varias personas más asesinadas por el exmarine esa noche. La policía llegó al lugar tras dos minutos después de haber recibido la primera llamada de emergencia, y Nathan Gale fue abatido por el agente de policía James Niggemeyer, que le disparó en la cara cuando este se disponía a matar a un rehén, John "Kat" Brooks, miembro del equipo de Damageplan y antiguo amigo y miembro del equipo de Pantera, que se enfrentó al asesino intentando quitarle la pistola, salvando así la vida del rehén y la de muchas más personas. Según las investigaciones policiales, Nathan Gale sufría de esquizofrenia y había sido expulsado del cuerpo de los marines. Estaba determinado a cometer un asesinato contra Dimebag Darrell y Vinnie Paul, ya que decía que Pantera le robaba sus letras. Además, fan de Pantera, se cree que la ruptura de la banda le llevó a querer cometer los asesinatos contra sus miembros como venganza. Al parecer, Nathan Gale había provocado un altercado en el anterior concierto que Damageplan había dado en Columbus, Ohio, queriendo colarse en el escenario afirmando que Pantera le robaba sus letras, pero fue expulsado del concierto por los miembros de seguridad. El 22 de junio de 2018, Vinnie Paul muere en su casa en Las Vegas mientras dormía; dos meses después se reveló que el músico falleció a causa de una miocardiopatía dilatada.​ Sus restos fueron sepultados al lado de la tumba de su hermano y de su madre Carolyn en el cementerio Moore Memorial Gardens de Arlington, Texas. El 13 de julio de 2022, Billboard informó que Brown y Anselmo se reunirán en 2023 para la primera gran gira de Pantera en 22 años, y se anunció que habían firmado con Artist Group International para reservar una gira por América del Norte.​ Zakk Wylde y Charlie Benante fueron anunciados más tarde como los respectivos sustitutos de Dimebag Darrell y Vinnie Paul.​ Pantera ha aparecido en multitud de actos y programas de entretenimiento. La serie animada Beavis and Butt-Head incluyó los vídeos de las canciones "Mouth for War", "Psycho Holiday", "I'm Broken" y "This Love". En dicha serie, sus protagonistas comentaban los vídeos mientras las interpretaban. Aunque dichos personajes suelen comentar de forma negativa la mayoría de los vídeos que incluyen en su serie, con los de Pantera realizan una excepción al comentarlos relativa y favorablemente. "Walk" fue usada durante la retransmisión del programa de lucha libre Extreme Championship Wrestling por el luchador Rob Van Dam. La música de Pantera ha aparecido también en multitud de videojuegos, entre los que destacan Doom (en el que aparecen los temas "Rise", "Mouth for War", "Regular People (Conceit)" y "This Love", aunque todas ellas sin parte vocal), y Guitar Hero, en el que la canción "Cowboys from Hell" es una de las más difíciles de tocar Guitar Hero: Warriors Of Rock con la canción "I'm Broken", en 2008 la cantante estadounidense Madonna hizo un cover de la canción A New Level mezclándola con el éxito Hung Up durante el Sticky and Sweet Tour.​ Por otro lado, muchas canciones de Pantera que no aparecen en ningún álbum oficial de la banda, sí lo hacen en las bandas sonoras de, por orden cronológico, Buffy the Vampire Slayer, El cuervo, Cuentos de la cripta, Strangeland, Detroit Rock City, Heavy Metal 2000, Dracula 2000 y La matanza de Texas. También una canción parecida a "Death rattle" apareció en el capítulo Semana de prehibernación de la serie Bob Esponja apareciendo en los créditos "Invitado Especial Grupo Pantera". El estilo de Pantera ha sido numerosas veces sometido a crítica debido al parecido de este con el de la banda Exhorder. Muchos fanes de dicha banda acusaron a Pantera de haber robado su estilo, el groove metal que luego popularizarían. La biografía presente en Allmusic dice que, si Exhorder hubiera tenido un presupuesto mayor de grabación y una gran compañía detrás, quizá se habría hablado de unos "nuevos Pantera".​ Otro músico que cree en un posible plagio de Pantera a Exhorder es Dave Mustaine, líder de Megadeth, quien lo dijo en una entrevista al canal MTV en 1994.​ En el polo opuesto se encuentra el crítico musical Brian Davis, quien trabaja para la emisora de radio de habla inglesa por internet, KNAC, al decir que existen algunas similitudes entre el sonido de Exhorder y el de Pantera, pero que decir que Pantera robó el sonido de Exhorder es excesivo.​ A pesar de la controversia que hubo en su día acerca de un posible plagio entre las dos formaciones, el vocalista de Exhorder, Kyle Thomas, declaró que no le importa la polémica que hay alrededor de su estilo, argumentando que los miembros de Pantera y los de Exhorder son grandes amigos y que lamentaba la muerte de Darrell.​ La banda está considerada como una de las fundamentales para asentar las bases del groove metal y una de las más influyentes formaciones de metal de la década de los noventa. Pantera ha sido incluida en numerosas listas de importancia dentro de la historia del heavy metal y del hard rock, llegando al quinto puesto de la lista de la MTV de las 10 mejores bandas de heavy metal de la historia,​ así como aparecer en el puesto número 45 de la lista de VH1 de las 100 mejores bandas de hard rock.​ La discografía de Pantera está compuesta por nueve álbumes de estudio, un álbum en directo, un álbum recopilatorio, más tarde este sería publicado en dos versiones. También lanzaron dos EP, seis sencillos, cinco video álbumes, once videos musicales y dos cajas recopiladoras. Pagina Oficial: https://pantera.com/

Maestro Warren Haynes invited PG's John Bohlinger to Nashville's historic Ryman Auditorium, where they hang out after Gov't Mule's soundcheck and take a tour through his live rig. This Gibson-heavy collection has been a 40-year-work in progress for the guitarist, who has spent his career playing with David Allan Coe, Dickey Betts, The Allman Brothers, The Dead, leading Gov't Mule, and much, much more.New Gov't Mule Album Peace...Like A River out 6/16.Brought to you by D'Addario XS Strings.Mentioned in this episode:Shred With ShiftyDid you ever wonder how the most epic guitar solos of our time were crafted? Let Chris Shiflett of the Foo Fighters be your tour guide and listen in as he breaks down legendary guitar solos with the artists themselves. Click below to subscribe to the podcast! Full Video Episodes: http://volume.com/shifty Apple Podcasts: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb Stitcher: https://www.stitcher.com/show/shred-with-shifty iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314

In the 8th episode of the Honky Tonk Heroes Podcast, we come at you with an episode that switches things up, with a man who does just that, Cody Lee Meece. The wise born and bred Kentucky man has an EP, a single, and most recently, a full length acoustic album available currently. The car mechanic turned musician is a gifted songwriter and guitar picker, who seems he was meant to be born in a time where outlaws like Waylon Jennings and David Allan Coe ruled the roost of the country scene. Cody does it his way, and his way is legit to say the least. Cody and I talk about life for the majority of the episode, and he shares the wisdom he has acquired through living a life unlike most anyone. The audio in this episode is not the greatest at times, and I apologize for that, but did my best to mitigate the damage. As always, I hope you enjoy and thank you all so much for listening!HTH Instagram- https://www.instagram.com/honky.tonk.heroes/HTH Merch- https://honkytonkheroespod.com/

This week we welcome, from Confederate Railroad, Danny Shirley! Confederate Railroad first rolled onto the national country music scene in the early 90s with its unique style and sound. Headed by founder and frontman Danny Shirley, the former backup band for both David Allan Coe and Johnny Paycheck got their big break by signing with Atlantic Records. The first single from their debut album ("Confederate Railroad") was "She Took It Like A Man". It went to No. 26, a preview of what was to come. "The next two singles, "Jesus and Mama" and "Queen of Memphis" went to the top of the charts. Three more huge hits followed, "Trashy Women", "When You Leave That Way You Can Never Go Back", and "She Never Cried". "Trashy" would lead to a Grammy nomination and become their signature song. That album with six hits and nearly three million sales brought Confederate the Academy of Country Music's Best New Group Award in 1993 as well as numerous nominations from the Country Music Association and the British Country Music Foundation. The second album, "Notorious", produced one of the group's most popular songs "Daddy Never Was the Cadillac Kind" which became a No. One video as well. "Elvis and Andy" and "Summer in Dixie" would further establish the Railroad as one of the most versatile acts in the business. This album would sell more than one million. Their overal totals are 18 charted hits and five million albums sold. From rowdy country to raw emotion, a Confederate Railroad concert today covers a wide range of feelings. Young people will be there rocking to "Trashy Women", while their parents and even grandparents will likely be singing along to "Jesus and Mama". The band plays 100 or so dates each year. Whatever the venue, they are right at home...be it a fair, a club, or a biker show. Shirley, the lead singer and vocalist, and his mates, Mark Dufresne on drums, Mo Thaxton on bass and vocals, Rusty Hendrix on lead guitar and Joey Recker on keyboards and vocals are obviously having fun right along with their appreciative audience. At the end of each show, the band stays around until every fan who wants an autograph, or to pose with the group for a picture or just say "hello" is taken care of. To order tickets or for more information visit their website: www.ConfederateRailroad.com

Originally from Parkland, Washington, singer/songwriter Ian Jones grew up on a steady diet of music by Bob Dylan, David Allan Coe and The Beatles. His new album, Results Not Typical drops April 7.

Shane and The Howler discuss our infamous “Super Fan”, banning TikTok and misconceptions about David Allan Coe.The From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast. Don't forget to subscribe! #ozarkhowler #midweekhowl #bigfoot #sasquatch #china #arkansas #funny #davidallancoeAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacyThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5839686/advertisement

Kris and David are guestless as we discuss the week plus that was January 24-February 2, 1987.We start with the WWF, where we talk about the hype for WrestleMania III really starting to ramp up as we have a location for the show, Roddy Piper announcing his retirement, Andre the Giant and Hulk Hogan starting their angle on Piper's Pit, and so much more in one of the most newsworthy periods in WWF history.Then we go international, as Riki Choshu is winding down his All Japan run in a big way while talking up a future match with Tatsumi Fujinami, Crusher Bam Bam Bigelow makes his New Japan debut, and we go over all the other news and views from Japan, Canada, Mexico, and Puerto Rico.Next, we go to the territories, where we talk about Lex Luger leaving Florida as Kevin Sullivan returns to the territory, Doug Furnas making his wrestling debut in Knoxville, Lance Russell and Dave Brown celebrating their 20th Anniversary in Memphis as a team, Kerry Von Erich returning to the ring in World Class, and lots more.Then we close with Jim Crockett Promotions, where Lex Luger fully enters the promotion and turns on Barry Windham in a major angle. We also talk about Ric Flair and Barry Windham taking up a whole hour on Worldwide, Brad Armstrong stepping up to Ric Flair, David Allan Coe showing up at TBS studio, and so much more.We always love the '80's shows, and this one is a humdinger, so LISTEN NOW!!!!!!Timestamps:0:00:00 WWF0:53:17 Int'l: AJPW, NJPW, JWP, Montreal, Stampede, EMLL, Arena Naucalpan, Arena Neza, UWA, & WWC1:29:43 Classic Commercial Break1:32:51 Halftime1:59:56 USA East: Deep South, CWF, CCW, & CWA/Memphis3:03:07 USA West: UWF, WCCW, AWA, Portland, Hawaii, & NATPE convention3:37:29 Jim Crockett Promotions4:44:59 Patreon Preview: Mainstream Canadian magazine coverage of the Montreal ScrewjobTo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Kris and David are guestless as we discuss the week plus that was January 24-February 2, 1987.We start with the WWF, where we talk about the hype for WrestleMania III really starting to ramp up as we have a location for the show, Roddy Piper announcing his retirement, Andre the Giant and Hulk Hogan starting their angle on Piper's Pit, and so much more in one of the most newsworthy periods in WWF history.Then we go international, as Riki Choshu is winding down his All Japan run in a big way while talking up a future match with Tatsumi Fujinami, Crusher Bam Bam Bigelow makes his New Japan debut, and we go over all the other news and views from Japan, Canada, Mexico, and Puerto Rico.Next, we go to the territories, where we talk about Lex Luger leaving Florida as Kevin Sullivan returns to the territory, Doug Furnas making his wrestling debut in Knoxville, Lance Russell and Dave Brown celebrating their 20th Anniversary in Memphis as a team, Kerry Von Erich returning to the ring in World Class, and lots more.Then we close with Jim Crockett Promotions, where Lex Luger fully enters the promotion and turns on Barry Windham in a major angle. We also talk about Ric Flair and Barry Windham taking up a whole hour on Worldwide, Brad Armstrong stepping up to Ric Flair, David Allan Coe showing up at TBS studio, and so much more.We always love the '80's shows, and this one is a humdinger, so LISTEN NOW!!!!!!Timestamps:0:00:00 WWF0:53:17 Int'l: AJPW, NJPW, JWP, Montreal, Stampede, EMLL, Arena Naucalpan, Arena Neza, UWA, & WWC1:29:43 Classic Commercial Break1:32:51 Halftime1:59:56 USA East: Deep South, CWF, CCW, & CWA/Memphis3:03:07 USA West: UWF, WCCW, AWA, Portland, Hawaii, & NATPE convention3:37:29 Jim Crockett Promotions4:44:59 Patreon Preview: Mainstream Canadian magazine coverage of the Montreal ScrewjobTo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

You don't want to miss this conversation with Charlie Overbey, an accomplished LA born and raised singer songwriter and maker of high quality hats! Charlie's soulful songs are steeped in the timeless traditions of the American South. He has toured the world supporting acts ranging from David Allan Coe and Blackberry Smoke to Social Distortion and Motorhead. His Lone Hawk Hats are popular with famous celebrities, musicians, and actors as well as the average person looking for a cool one of a kind top quality hat. Tim McGraw and Faith Hill can be seen wearing Charlie's hats in the popular TV series 1883.There's much more to learn more about Charlie Overbey's music at https://charlieoverbey.com and his company Lone Hawk Hats at https://lonehawkhats.com Host Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee recently authored "Americana Music - Voices, Visionaries & Pioneers of an Honest Sound" which is now available on Amazon and other outlets. Lee also played a key role in securing airplay for Jimmy Buffett's first major hit, “Margaritaville” so you can blame him for the fact that it's become something akin to a Parrot heads' national anthem! During his time at Capital records Lee also worked with such legends as Paul McCartney, Bob Seger, the Steve Miller Band, and others. You can contact Lee at lezim@bellsouth.net and find him online at https://www.storiesbeyondthemusic.com Podcast producer/cohost Billy Hubbard is a Tennessee based Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company, as well as a music and podcast producer. Billy is also the venue developer, booking manager, and co-founder of the iconic venue "The Station" in East Tennessee. As an artist Billy is endorsed by Godin's Simon & Patrick Guitars and his YouTube channel has over 3 million viewers. Billy's new self titled album released September 2022 is now available on iTunes, Amazon, Shopify and all major outlets! Learn more about Billy online at http://www.BillyHubbard.comMy Backstage Pass intro/outro music credit; Billy Hubbard "Waiting' on The Wind"

A wide ranging discussion of the prior weeks news, using sound bites from mainstream media, podcasts, and social media feeds as neverending fodder for debate, agreement, and hopefully some laughs. Correction: Charlie Daniels sings Uneasy Rider, not David Allan Coe. Otherwise, we made no mistakes in this broadcast --- Support this podcast: https://anchor.fm/none-taken/support

Earl Owensby's talent took Hollywood by storm, earning multiple credits as a producer. Owensby kickstarted his acting career in various films such as "Challenge" (1974), "The Brass Ring" (1975) and "Death Driver" (1977). In the seventies and the eighties, Owensby devoted his time to various credits, such as "Seabo" with David Allan Coe (1977), "Dark Sunday" (1978) and "A Day of Judgment" (1980). He also worked on "Lady Grey" (1980) and "Living Legend" (1980). Owensby more recently acted in "The Rutherford County Line" (1985).

Ep. 269 David Allan Coe "X-Rated"

#770 - Gary P. Nunn Gary P. Nunn is a special guest on The Paul Leslie Hour! Today's guest is a genuine legend in Texas Music, and is considered an icon in American country music as a whole. We present Paul E. Leslie's interview with Gary P. Nunn! Now, Gary P. Nunn has had his successful solo records and performances, but also is known for his work with Michael Martin Murphey and the late Jerry Jeff Walker. Gary P. Nunn has written some great songs, including "London Homesick Blues," that was used as the theme song for Austin City Limits for close to 30 years. His songs have been recorded by everyone from Wille Nelson, Jerry Jeff Walker, David Allan Coe, Rosanne Cash, Chris Stapleton and others. You know what else? Listeners like you can help keep The Paul Leslie Hour going strong. Just go to www.thepaulleslie.com/support Enjoy this interesting chat with the legendary Gary P. Nunn! The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

GUEST OVERVIEW: The rowdy non-stop rebel soul that is Blind Joe is as infectious as a night of Jack Daniels and a few Hank Williams songs on the jukebox. Coming from nowhere to being one of the most successful solo musicians in the North Dakota/Minnesota area was not what he expected. Nevertheless, in just a few short years, Joe has shared the stage with numerous top local and regional acts, as well as national recording artists such as David Allan Coe, Craig Morgan, John Anderson, James Otto, Collin Ray, Buddy Guy, Bret Michaels of Poison, and many more.   After multiple cross country tours, playing to thousands of fans and an excellent run on Season 9 of NBC's The Voice, Blind Joe is fast becoming a household name. Although if you asked him, he would humbly tell you, “I'm just bringin' that good stuff back”.. With his quick witted sense of humor, original country music, and energetic stage presence, Blind Joe is tapping his way quickly into the hearts and minds of people all over the United States. And in case you're wondering, YES, he really is blind :) GUEST WEBSITE: https://blindjoe.com/ 

Phil & Jake are back to rank John Carpenter's 1986 film Big Trouble in Little China, the musical subgenre known as Bro-Country, and Baby Yoda on the List of Every Damn Thing.If you have something to add to the list, email it to list@everydamnthing.net (or get at us on Twitter, Instagram and Facebook).SHOW NOTES: The kid in Madonna's Open Your Heart video isn't Leo Dicaprio, he's Felix Howard, who is now an A&R guy. Actors that we talk about include Kurt Russell, Kim Cattrall, Dennis Dun, Victor Wong, James Hong, Danny Trejo, He Huy Quan, Al Leong (here's his wedding announcement), Dennis Quaid, Harrison Ford, Jason Mantzoukas, Tom Cruise, Jackie Chan and Rodney Dangerfield. Other movies discussed include Everything Everywhere All at Once, Indiana Jones and the Temple of Doom, Overboard (which Phil thinks is really indefensible because Kurt Russell's character brainwashes Goldie Hawn's; “it's a Rapemantic comedy”), Minority Report, Dreamscape (filmed in Stockton, CA), Innerspace, Guardians of the Galaxy, The Golden Child, Friday, Caddyshack, The Matrix, Trading Places, Ferris Bueller's Day Off, Flashdance, The Truman Show, The Wizard of Oz, Howard the Duck and Spider-Man: Into the Spider-Verse. Jack Burton is a very influential protagonist, maybe even more so than Snake Plissken. He's sort of John Wayne as a buffoon. Bruce Willis' persona owes something to Jack Burton. If you want to hear an even more in-depth discussion of Big Trouble in Little China, check out this episode of the Blank Check podcast. Dwayne "The Rock" Johnson owns the remake rights to Big Trouble in Little China and makes noises about a remake from time to time. John Carpenter's soundtrack (and especially the theme song) are a must-listen. Here's the New York Magazine article in which Jody Rosen first coined the term “Bro-Country.” Here's a history of the Country laundry-list song. Dr. Suess' pants with no one inside them are from the last story in the Sneetches book. “Cruise” by Florida Georgia Line is maybe the ur-text of Bro-Country. Or– going further back– in could be either “Honky Tonkin'” or “Jambalaya” by Hank Williams. Other songs discussed by include “Big Green Tractor” and “Dirt Road Anthem” by Jason Aldean, “Sand in My Boots” by Morgan Wallen, “Jack & Diane” by John Mellencamp, “Honky Tonk Badonkadonk” by Trace Adkins, “Dilemma” by Nelly w/ Kelly Rowland, “If That Ain't Country” by David Allan Coe, “That's My Kind of Night” by Luke Brian, “Friday” by Rebecca Black, “All My Rowdy Friends Are Coming Over Tonight” by Hank Williams Jr., “If You've Got the Money, I've Got the Time” by Lefty Frizzell, “Friends In Low Places” by Garth Brooks, “Tulsa Time” by Don Williams, “Boys Round Here” by Blake Shelton, “New Truck” by Dylan Scott, “Beer With My Friends” by Shy Carter, “Beer” and “Turned Up On the Weekend” by Branchez & Big Wet, “American Pie” by Don McLean, “Do You Know the Way to San Jose” by Dionne Warwick, and “Santa Baby” by Eartha Kitt. ALSO DISCUSSED IN THIS EPISODE:angiograms * perimyocarditis * Chinatown in San Francisco * Sam Raimi's New York City * Star Wars * Margaret Cho * Bruce Springsteen * Rappin' Rodney * Ke$ha * The Beach Boys * Insane Clown Posse * Bon Jovi * Aerosmith * Garfield * Grogu * The Mandalorian * Muppet Babies * Baby Groot * the X-Babies * Double Stuf Oreos * Miss Piggy * Hulk Hogan * Reese's Ultimate Peanut Butter Lover's Cup * seedless watermelon * peanut butter ice cream * Old Man Logan * Trouble * Sorry! * radio editsBelow are the Top Ten and Bottom Top items on List of Every Damn Thing as of this episode (for the complete up-to-date list, go here).TOP TEN: Dolly Parton - person interspecies animal friends - idea sex - idea bicycles - tool coffee - beverage Clement Street in San Francisco - location Prince - person It's-It - food Doctor Doom - fictional character Cher - person BOTTOM TEN:294. cops - people295. British Royal Family - institution296. Steven Seagal - person297. McRib - food298. Hoarders - TV show299. death - idea300. war - idea301. cigarettes - drug302. QAnon - idea303. transphobia - ideaTheme song by Jade Puget. Graphic design by Jason Mann. This episode was produced & edited by Jake MacLachlan. Show notes by Jake MacLachlan & Phil Green.Our website is everydamnthing.net and we're also on Twitter, Instagram and Facebook.Email us at list@everydamnthing.net. 

Welcome to today's show, and a great show it'll be!  I saw a face book post a few weeks back that was advertising a newly released book called “My Life on the Road with David Allan Coe”.  With as colorful of a character as I knew Coe to be, I of course wanted to learn more!  I found out that book was written by a guy named Mickey Hayes who played bass in Coe's band for years.  So, for anyone who'd spent that much time with David Allan Coe, I knew he'd have some great stories that our listeners would love to hear, so I immediately reached out to Mickey to set up the interview.  Mickey graciously accepted my invitation and the interview, as you are about to hear, didn't disappoint. I highly encourage you to go pick up your own copy of the book.  I'll have a direct link in the show notes for you to do just that.  Amazon link to Mickey's book Gilley's Show w/ Warren Haynes On to today's episode with our guest, musician and author, Mickey Hayes. How YOU can support the podcast! If you would like to support the podcast AND ALSO earn some free swag in the process  CLICK HERE to sign up! You can listen to our wonderful podcast by clicking on any of the following links: The Troubadour Podcast Website, Apple Podcasts, Spotify, Stitcher, Podbean  

This week your hosts discuss Andrew Dice Clay, Kate Bush, Zelda, Dave Thomas, David Allan Coe, John Boy and Tom, Bob and Billy. https://podvoices.help https://donations4abortion.com Please help support our friend Tim! https://www.gofundme.com/f/tims-head-trauma-and-living-expenses Join our Peloton! https://www.patreon.com/JortsCenter Facebook group https://www.facebook.com/groups/342135897580300 Subreddit https://www.reddit.com/r/jortscenter Follow us on Twitter at @JortsCenterPod Will is @wapplehouse Josh is @otherjrobbins Ryan is @ryhanbeard Vic is @Dokktorvikktor Dan is @motleycruedetat

Episode 122: This week we discuss You Never Even Called Me By My Name by David Allan Coe. Wheeee! and Yikes.   Special THANK YOU Chuck Savage & Eddie Hawkins: Intro music Jeremy Essig: Six Degrees of Tinted Windows   **********   We have a Patreon Page! https://www.patreon.com/rockthecashbar   If you would like to help support Rock the Cash Bar we have some fun perks for becoming a Patreon member!   For $5 a month Patreon members will have a private community, receive some awesome Rock the Cash Bar swag and once a month we draw one Patreon member's name and let them choose a song for us to cover!   We have Merch! https://www.rockthecashbarpodcastmerch.com   Shirts, hats, stickers, mugs and more! Check it out!   Website: https://www.rockthecashbarpodcast.com   PLEASE rate and leave us a review! It really helps!! Thank you!

This Meeting concerns David Allan Coe, amongst other things. Come see our new live show, 7/14 at the Rockwell Theater. Tickets at itsconspiracy.com Email us at TheMeetingWithConspiracy@gmail.com IG: @conspiracylovesyou TW: @itsconspiracy

This week, we're pickin' it out with the man that has done it all, the great actor Eddie McClintock. He has guest starred on shows like Friends, Diagnosis Murder, Agents of S.H.I.E.L.D., Shooter, Bones and many more. He starred on the number one show Warehouse 13 and has worked on many movies as well. We had a great conversation about life, love, loss, death, money, fame, drugs, recovery, Dr Pepper, David Allan Coe and just about any other thing you can think of. This is one of my favorite episodes. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tyree and Aaron are going all out to celebrate the best in outlaw country! This first part of a two part audio and video Ne'er Do Wells Special dives into the lives and careers of: Waylon Jennings, Willie Nelson, Johnny Paycheck, Merle Haggard, David Allan Coe, Charlie Daniels, Johnny Cash, Hank Williams JR, Hank Williams III, just name a few, join the chat and get in on the fun! For More Rabbit In Red Radio: Listen To Our Internet Radio Station Or On Demand Episodes: www.rabbitinredradio.com Call The Show Or Leave A Voicemail: 215-240-7839 Email The Show: mike@rabbitinredradio.com Join Us On Facebook: www.facebook.com/groups/rabbitinredradio https://www.facebook.com/groups/27965... Follow Us On Twitter: @RIRShowOfficial Grab Some Rabbit In Red Radio Goodies: www.teepublic.com/user/rabbitinredradio Help Crippled Cody Out: https://gofund.me/932caabf For Audio Versions Of The Show Visit: www.rabbitinredradio.com/mindjacked

An Outlaw Country special. This is Part 2 of a 3 part series.(Part 1 is Episode 114)Episode includes tracks by  Merle Haggard, David Allan Coe and Rodney Crowell.

Phil & Jake are joined by friend-of-the-pod Micah to rank the reality TV show Hoarders, the craft beer style known as IPA, and the activity of backpacking on the List of Every Damn Thing.If you have something to add to the list, email it to list@everydamnthing.net (or get at us on Twitter, Instagram and Facebook).SHOW NOTES: The Collyer Brothers were famous hoarders who died in the 1940s. There was a musical made about their lives. Aida is a Verdi opera, first performed in Cairo in 1871. Of course Phil pronounced it wrong. What did you expect?! During the episode Jake drinks a Picnic Lightning by Brouwerij West. It's a top-notch Hazy IPA. Shop ‘n' Wash was a laundromat & convenience store in Ukiah, CA. It's name is pure description, zero wordplay. Phil feels that laundromats should have some wordplay in their names eg "Get the Funk Out"  "Escamoles" or "Mexican caviar" are ant eggs eaten as food by adventurous eaters like Micah. Phil referred to Shackleton's Endurance as Sir Edmund Hillary going to the North Pole in the Perseverance. The wreck of Endurance was just discovered in March of 2022! "The Ride" by David Allan Coe is a 1983 country song about an encounter with the ghost of Hank Williams while hitchhiking from Montgomery, AL to Nashville, TN. Phil mentions Plagues and Pleasures on The Salton Sea, a documentary about the area. It's a very strange place both culturally and geologically. ALSO DISCUSSED IN THIS EPISODE:The Lost Coast * hoarding * transphobia * exploitation * A&E * public humiliation * The Last Starfighter * McRib * Steven Seagal * crushed ice * Gary Busey * hot sauce * puns * beer & wings * mini-trucks * Fritch's mustache * cold brew shandy * sriracha * Mendocino County * nature * cats * dogs * Britney Spears * Hank Williams * camping * the Eastern Sierras * feeding cats like babies * pickles * The Lone Ranger radio show * CherBelow are the Top Ten and Bottom Top items on List of Every Damn Thing as of this episode (for the complete up-to-date list, go here).TOP TEN: Dolly Parton - person interspecies animal friends - idea sex - idea bicycles - tool coffee - beverage Clement Street in San Francisco - location Prince - person It's-It - food Doctor Doom - fictional character Cher - person BOTTOM TEN:274. Hank Williams, Jr - person275. British Royal Family - institution276. Steven Seagal - person277. McRib - food278. Hoarders - TV show279. death - idea280. war - idea281. cigarettes - drug282. QAnon - idea283. transphobia - ideaTheme song by Jade Puget. Graphic design by Jason Mann. This episode was produced & edited by Jake MacLachlan, with audio help from Luke Janela. Show notes by Jake MacLachlan & Phil Green.Our website is everydamnthing.net and we're also on Twitter, Instagram and Facebook.Email us at list@everydamnthing.net. 

We've got another new episode coming for you next week, and this one is completely different from anything we've talked about before.  In support of all things wayward and different, we've decided to do a few interviews with people who choose to live life on their own terms.  For our first interview, we've got one of the most interesting people we've ever met – Tyler Mahan Coe.  If that last name sounds familiar, it's because he's the son of the infamous country singer David Allan Coe.  His story isn't really about his family, but about his journey through strange and difficult times to end up recording the best country music history podcast of all time.  Tyler's passion is contagious, and we have no doubt you'll be entertained in this episode.  Country music fan or not, you won't want to miss this!

Sup my world wide Infamous Mobb UDVE listeners in India, Ukraine, Canada, Italy, Sweden who are just better than every other podacast listener in the world hand down and it just is what it is ! We got a debacle of debauchery as well as California's best hidden nature secret Lytle Creek to bust out a cavegut, a stoned weeded Irish ginger, a microphone & a six pack of full bodied Budweiser on ice to take in California without shitty Californians around, record a gem, get my soul right , shake the bad vibes of negativity , plan the UDvE Infamous tour with Patskees and this time NO PSYCHOTIC BREAKS BROTHER PAT$KEE AND ASKING DUST-O FOR A GUN :=| Part II - The Stimulus check dropped so the Jameson whiskey aka Dust'O's Popeye Liquid spinach is purchased and we drive down from the California Hills back to the Land'O'Vets , the Armed Forces Disabled Veterans home-base as it were & meet up with Harley the wonder pup's owner who adds some of his experiences in Hemet aka Hem-Meth selling retail methed out & of course dog talk . Brandon isn't drunk yet when I came upon him at roughly high noon but I fix that by letting him sip daddy's magical Mick sauce plus looking at B-Dawgz swollen black eyes unwashed is not good for me while we find some weird old XXX country singer named David Allan Coe who if you listen was probably Weird Al's inspiration to record " I'm Fat" & " Just Eat It" . Outro - Me & B-Dawg salute the Infamous Fam listening around IE.. Australia, Morocco , Brazil, & the world who we get a kick out of trying to find on google maps . Brandon also discloses his preference for the type of dog he'd have sexual intercourse with. :0 Make sure to take a minute to go over to ITunes.com to Rate, Review , & Subscribe GIVE 5 STARS ! Join us on Instagram @UncleDustComedy for visuals to the Infamous UDvE ! ARE WE YOUR FRIENDS ? ... WE'RE NOT LIKE THE OTHERS , WE'RE THE GONZO TRUTH . SHARE AN UDVE INFAMOUS LINK WITH YOUR HOMIES, FAMILY, & FRIENDS ITUNES https://podcasts.apple.com/us/podcast/udve-comedy-podcast-uncle-dust-vs-everything/id1554587979 ANCHORFM https://anchor.fm/s/a7d215c/podcast/rss IHeart Radio https://iheart.com/podcast/78085518/ GOOGLE PODCASTS https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9hN2QyMTVjL3BvZGNhc3QvcnNz?sa=X&ved=2ahUKEwjzt768tZLvAhWDpp4KHVEMDosQ9sEGegQIARAC STITCHER PODCASTS https://www.stitcher.com/show/uncle-dust-comedy WORDPRESS https://wordpress.com/page/uncledustcomedyhub.wordpress.com/2 SOCIAL MEDIA https://www.instagram.com/uncledustcomedy/ https://www.youtube.com/channel/UCtluo0IzXMlStlrbMF53PQg https://www.bitchute.com/channel/Hi3MYpEer3nT/ https://www.reddit.com/u/UncleDustComedy?utm_source=reddit-android

In episode 41 of the Podcast for Social Research's "Practical Criticism" series, Ajay Singh Chaudhary plays Locash for Rebecca Ariel Porte, who has no idea what the object of the week will be. They discuss pop country, meta-country, bro country, bubblegum country, crossover appeal, national imaginaries, projections of unity and masculinity, David Allan Coe, Lady A, the culture industry, Nashville songwriting, clean and dirty production, cliché, and dorito engineering.

Success coach and former professional golfer, Christina Lecuyer interviews the kind-hearted, introverted, INCREDIBLE country music sing-songwriter, Jamey Johnson. This episode takes you on Jamey's amazing journey into music, the twists and turns he took to get where he is today and how he always remembered to follow his gut. Plus, a special shoutout to a foundation close to Jamey's heart, the Nikki Mitchell Foundation. Jamey Johnson's Bio:Truth and tradition. These non-negotiable principles serve as the bedrock of the music of 11-time Grammy-nominated singer-songwriter Jamey Johnson, who is “one of the greatest country singers of our time,” according to The Washington Post . Indeed, the Alabama native has been acknowledged by many as country music's north star, guiding us down a path of confession and conflict to a place of reflection and redemption. He is one of only a few people in the history of country music to win two Song of the Year Awards – for “Give It Away” and “In Color”-- from the Academy of Country Music and the Country Music Association. He has received tremendous praise from The New York Times, Rolling Stone, The Wall Street Journal and other publications, many of which have hailed his albums as masterpieces. He was among the artists asked to set Johnny Cash's poetry to music in the new album Johnny Cash Forever Words: The Music.His influential album, That Lonesome Song , was certified platinum for 1 million in sales, and his innovative double album, The Guitar Song , debuted at No. 1 on the country album charts and was certified gold. In 2012, he released a Grammy-nominated project honoring one of his heroes, Living for a Song: A Tribute to Hank Cochran. In addition to his own recordings, he has written songs for George Strait, Willie Nelson, Trace Adkins, James Otto, Joe Nichols and others. He and Alison Krauss recently joined Brantley Gilbert to record the song “Fire and Brimstone” for Gilbert's new album.Follow Jamey Johnson:InstagramFacebookTwitterJamey Johnson's WebsiteNikki Mitchell Foundation Website If you enjoyed this episode, make sure and give us a five star rating  and leave us a comment on iTunes, Podcast Addict, Podchaser and Castbox about what you'd like us to talk about that will help you realize that at any moment, any day, you too can decide, it's your turn!  Christina Lecuyer's Bio:Christina Lecuyer is a former Professional Golfer, a three-time reality television competitor, Confidence + Mindset Coach, Motivational Speaker, and Founder of Women with C.L.A.S.S. Mastermind, as well as Decide It's Your Turn: Women's Weekend. Christina's mission in life is to empower people to fully live in their purpose, confidently and successfully! Decide It's Your Turn! PodcastResources and Links:Christina Lecuyer's WebsiteFollow us on InstagramFollow us on FacebookLooking for our Tweets?Christina Lecuyer on YouTubeHashtags : #justbe #worthaf #livealifeyoulove 

Description: One day after the LAPD beat up Rodney King, an Ice Cube concert went down in history as one of the most violent shows ever held at First Avenue. Hosted by Jay Smooth, we ask rap experts and former First Ave staffers about gangsta rap, security, and the uneasy relationship between the Minnesota music industry and Black hip-hop artists. This is the sixth episode of The Current Rewind's "10 Pivotal Days at First Avenue" season. If you missed the first five episodes, catch up below. • April 3, 1970 (The day it all began)• Nov. 28-29, 1979 (The days that told the future)• Sept. 27, 1982 (Bad Brains/Sweet Taste of Afrika/Hüsker Dü)• Aug. 3, 1983 (The birth of "Purple Rain")• Oct. 22, 1990 (Sonic Youth/Cows/Babes in Toyland) Transcript of The Current Rewind season 2, episode 6: "March 4, 1991" Anne O'Connor: We're talking about almost 30 years ago, but my memory of this was like, you opened up the gate at the horse races, and everybody was off to it. [Ice Cube, "The Bomb," with the lyrics: "With the L, the E, the N, the C, the HThe M, the O, the B, the greatLyrics that make the beat swing and I gotchaIt's the hip-hopper that don't like coppers." Hard cut.] Anne O'Connor: And it was just like an explosion, and it was non-stop all night long. ["The Bomb" picks up where it left off, running through these lyrics: "And if you try to upset the pot, sonYou get kicked in the chest like a shotgunI make the beats, I make the breaksI make the rhymes that make you shakeMake you findIce Cube never caught in the middleI make stuff that kick you in the a** a little." Hard cut.] Anne O'Connor: We just went from one fight to the next fight to the next fight. There was no breathing time. There was no downtime. It was just, "What emergency is there to go and deal with next?" [Ice Cube's "The Bomb" returns with a sample of spoken audio and several voices singing, "The bomb"] Cecilia Johnson VO: Gangsta rap was the most controversial music of the '90s – praised as an expression of Black America's righteous anger, reviled for its misogyny and depictions of violence. Taking cues from Schooly D and Ice-T, Los Angeles group N.W.A popularized the genre with their album Straight Outta Compton. Their most talented rhymer, Ice Cube, left the group to go solo in 1990. In early 1991, he brought his show to Minneapolis's First Avenue, for one of its most memorable nights ever. ["Hive Sound" by Icetep] Cecilia Johnson VO: [over theme] I'm Cecilia Johnson. This is The Current Rewind, the show putting music's unsung stories on the map. For our second season, we're looking back at one of the Twin Cities' – and the country's – greatest live venues through a series of pivotal nights. We're bringing on guest hosts for several episodes. In this one, Jay Smooth – the New York hip-hop radio legend and cultural commentator – joins us to tell the story of one of the most infamous shows in First Avenue's history. I do want to warn you: This episode contains explicit accounts of racism and violence. [rewind sound effect] Jay Smooth VO: Way back in 1991, I founded New York's longest-running hip-hop radio show, WBAI's Underground Railroad. It was a pivotal time for hip-hop music, when it was still just beginning to cross all sorts of cultural boundaries. And the other love of my musical life back then was the Black Minneapolis Sound, as defined by Prince and his many collaborators – who, in their own way, were on a similar path of bringing Black music into spaces where it hadn't necessarily been all that welcome. So, as a devoted student of Prince and hip-hop who came of age in that era, the First Avenue club and its relationship with Black music, and hip-hop, specifically, has always been an object of fascination for me. And though it was primarily defined as a rock club, First Avenue did host a number of high-profile hip-hop shows in the '80s and early '90s, according to someone who saw a lot of them. Tim Wilson: Timothy Wilson, Urban Lights Music owner. Jay Smooth VO: Tim's record store, Urban Lights, is a community hub in the Midway neighborhood of St. Paul. Tim Wilson: I remember seeing Run-D.M.C. I remember they had Jam Master Jay kind of suspended in the air, swinging back and forth, and they couldn't jump around on the stage, because the records were skipping and stuff like that, but they still made it through. I remember going to KRS-One; the sound crashed and he literally had one of his people beat box, and he continued to perform. [Tim laughs] Jay Smooth VO: On top of the big names from out of state, Minnesotan hip-hop acts the Micranots and the I.R.M. Crew sometimes performed in First Ave's smaller room, the 7th Street Entry. Still, it would take a while for the club's overall attitude to change, from what sound engineer Randy Hawkins, in Chris Riemenschneider's book First Avenue: Minnesota's Mainroom, called, quote, "anti-rap." The non-white population of Minneapolis grew nearly 70 percent during the '80s. But hip-hop took longer to bloom in the Twin Cities than on the coasts, partly because the success of Prince, the Time, and Jimmy Jam & Terry Lewis made funk the sound du jour there in the '80s. One of First Avenue's most successful dance nights was More Funk, every Thursday with the club's longtime DJ Roy Freedom. Prince and Jimmy Jam would sometimes bring test pressings for the occasion. Tim Wilson also DJ'ed there. Tim Wilson: You know, it was disco, funk, rap, kind of all mixed up into one hodgepodge. It was just a little bit of hip-hop at the time, because rap just hadn't really – hadn't really captured the imagination of the world, let's say it like that. It wasn't the Wall Street darling that it is today. So it was a record here, a record there, but it was just a lot of Minneapolis Sound stuff. Of course you would get a lot of Prince and people like André Cymone, the Girls, Ta Mara & the Seen, Alexander O'Neal. Dan Corrigan: More Funk with Roy Freedom? We used to call it More Fights with Roy Freedom – ha! Jay Smooth VO: Dan Corrigan has been First Avenue's official photographer since 1995. These clips are from a 2003 interview he did with Pete Scholtes of City Pages. Dan Corrigan: There was one night, there was the biggest fight I've ever seen down there. It was just crazy. It started on the dance floor and kind of went around the right and spilled all the way out to the entryway. Jay Smooth VO: That brawl took place in 1990, during More Funk's fifth anniversary. Randy Hawkins told our writer Michaelangelo Matos about that night. Randy Hawkins: The fifth anniversary of [More] Funk night it was a similar situation of losing control of the club. There was a few times where it was like, "We've lost control of this." Jay Smooth VO: Now, this kind of thing didn't happen very often. One reason for that is First Avenue's security system. Sabrina Keith: There's, like, a light switch at various locations throughout the club, like emergency buttons you press if something goes wrong. Jay Smooth VO: Sabrina Keith was a bartender, stagehand, and superglue employee of First Ave, working on and off from 1988 to 2004. Sabrina Keith: And you flip the switch, and let's see, upstairs, a central light goes on. It's, like, a siren light – a red siren light. And then, I think, at the front door there might be one, as well. And then, you look over to the side of the stage, and there's many lights of many different colors, and hopefully just one of them will be spinning, and that would be – that gives you an idea of where the trouble is. And actually, just the other day, me and another old employee were talking and can remember pretty much where all the trouble lights are. It's really disturbing. [laughs] I shouldn't know that green means pool tables, which means it's by where the current coat check is and no more pool tables. Jay Smooth VO: The origin of the so-called "trouble lights" is still fresh in Richard Luka's mind. He had been recruited to work security in 1975, when the club was still called Uncle Sam's. You may remember him from the Ramones and Pat Benatar episode earlier this season. Richard spoke with our producer, Cecilia, and First Ave's longtime general manager Steve McClellan. Richard Luka: The reason for that light was that in March of 1977, I was working alone. We'd purged a lot of people out of there at that time. Uh, there was all this new staff. They really didn't know anything, and I was all alone at the front door with the cashier, and a bike gang came to the door. The Iron Cross from northern Minnesota. And I had to card these guys, and I thought, "Oh my god, I can't – what am I gonna do here?" And I just – there was, like, six of them. I just said well, I guess I'm letting them in. And it turns out a few more came in, so we had like nine bikers in there who took their coats off. They were flying their colors in there. Steve McClellan: What show was it? Richard Luka: No, this was like a Saturday night in 1977, and I remember one of our regular customers, a guy named Tiger. He was Black, and he had a shaved head and these guys surrounded him. They were rubbing his head, saying, "I wish I had a watermelon," and I was like, "Oh my god, this is gonna get out of hand." And at the end of the night, they were just rude and belligerent to people. And [Tiger] came up and he said, "What on earth did you let them in here for?" I go like, "I was gonna get the s*** beat out of me. It's like I'm up here all alone." And they said, "Okay, we're putting a light in." So they installed this light, and a year later, the bike gang came back, but we had hired all new staff. [Steve and Richard laugh] We had some bigger people there, and I hit that light and people were right there, and these guys, they threw their jackets off and they were ready to go, and the police showed up. So that is what can happen at the front door. You never knew what was gonna show up there. Steve McClellan: Oh, the first light that he's talking about, my brother Kevin installed. When did we put in the different colors? So if it was the game room, it would go off green, and when it was – Richard Luka: It was, like, 1983, I'm gonna say. Steve McClellan: Yeah, that much later. The first one was '77, '78. And that was sufficient, and then we had to do a system that people wouldn't go to the front door. They would go to the game area, the upstairs, or bar five. So we had like a six-light sequence that would go off. Jay Smooth VO: Along with the trouble lights, the seriousness of First Ave's security earned it a reputation in town, according to Tim Wilson. Tim Wilson: People go through the usual First Avenue bulls*** when you go to First Avenue. You know, they look at your license and turn it upside down and flip it and flop it, pat you down, and you walk in. It was always one of those things like, oh man, don't go to First Avenue with a fake ID. Don't try to sneak in First Avenue. Their security doesn't play. And it's still the same thing. People get turned away. Sabrina Keith: One point that as always made kind of clear at First Avenue was, we're not bouncers. And we don't ever want to be called bouncers. We are security. We're just trying to make things better. We don't want to bounce you. We don't want to be mean to you. We don't want to beat you up. We just want you to have fun, and I've never understood why people go out and don't have fun. It's like, "Why are you starting stuff? You paid however much money to get in here, so have fun." Whether you kick them out or whether you put them back, it's up to how they act. I mean, I had one kid come up to me five years after the fact saying, "Oh my god, it's you," and I'm like, what are you talking about. "You kicked me out of Nine Inch Nails." I'm like, "OK." [laughs] I'm glad that was a great memory for you. [Sabrina and Michaelangelo laugh] Jay Smooth VO: The club's security staff have long been trained to de-escalate situations, according to a longtime staffer. Anne O'Connor: My name is Anne O'Connor. I worked at First Avenue for two different time periods in the 1990s. [pause] I mean, de-escalation can work in any setting. It really can. You have to keep your head. My strategy was always to get in between the people who were really upset, because they almost would never go after me. And so that would at least create some space. When people are hot-headed, a lot of times all they really need is to step back for a second and say, "Wait a minute, do I really want to do this?" And that's the kind of thing that we would say. [Ice-T's "Body Count" starts fading up] Anne O'Connor: And sometimes that didn't work at all. [Anne laughs] [Ice-T's "Body Count" plays for about 20 seconds] Jay Smooth VO: In February of 1991, First Avenue hosted one of its occasional rap shows: Ice-T, the revolutionary Los Angeles MC with sharp storytelling and a steely voice. That show was one of two he'd perform in Minnesota that year; he also came through St. Paul's Harriet Island on the Lollapalooza tour. And each time, Ice-T didn't just rap – he sang with an all-Black metal band called Body Count. Sabrina Keith told Michaelangelo about hanging out with that group. Sabrina Keith: It was just fun, because it was Ice-T, and he was doing metal, which, like, with Body Count, there's just not a lot of Black artists doing that. And we had Blake working at the club, who's basically the exact same thing, just not, you know, Ice-T. And so it's fun, it's novel and just a bunch of big guys, and they had really cool merch, and they wanted like our First Avenue jackets because we were all wearing them and I think it was cold then too. Michaelangelo Matos: February. Sabrina Keith: Yup, that's cold. [laughs] Jay Smooth VO: Ice-T and Body Count would see more than their share of controversy a year later, in 1992, when they released the song "Cop Killer." But in 1991, there was no more controversial figure in rap, or in music, than Ice Cube. He'd been the primary lyricist for N.W.A, who had debuted in 1989 with the iconic album Straight Outta Compton. Soon afterward, the FBI sent a letter to N.W.A's record label to complain about the lyrics of songs such as "Eff Tha Police" – lyrics that had mostly been written by Ice Cube, who was only 20 years old. But Cube felt like he wasn't getting his fair share of royalties, so in 1990, he and his friend and producer Sir Jinx went to New York to collaborate with the hottest producers of the time, The Bomb Squad. The Bomb Squad, featuring Hank Shocklee, Chuck D, and Eric Sadler, were Public Enemy's sample-heavy production team. With their help, Ice Cube finished his first solo album, AmeriKKKa's Most Wanted, and released it in May of 1990. He followed it with the Kill at Will EP in December. No rapper was hotter right then, as Tim Wilson recalls. Tim Wilson: That was good Ice Cube: AmeriKKKa's Most Wanted, one of my top five albums of all time. He left N.W.A, got politically conscious, and then there was just the whole thing with the group and the break-up, and then he went out east and hung out with Chuck D and Public Enemy, and they produced that album, and it was just – it was the hot album at that particular time. That particular album bridged gangsta rap and politically conscious material all into one project. You know, he was gassed up and ready to go. Jay Smooth VO: Ice Cube didn't lead a lifestyle as violent as his lyrics would suggest – like a lot of rappers, he'd rhyme in character. But some of his fans did carry the things he rapped about carrying, as John Smith, who would join the First Avenue staff in 1993 and is still a DJ and bartender at the club, would discover. DJ Smitty: First Avenue started using metal detectors. When you saw the metal detectors, it wasn't, "Oh, this is a new thing they're doing." It's like, "Oh, Ice Cube is coming." And then earlier that week, before the show, I was at Northern Lights Records, and I overheard some clerks talking about how they had overheard some kids talking about trying to stash some guns in First Avenue before the Ice Cube show, so that they would circumvent the metal detectors. Those were the people who first made it apparent to me that this was not gonna be business as usual. The record stores, I guess, were getting phone calls and whatnot – because we weren't a Ticketmaster club, [so] if you wanted to buy tickets for a First Avenue show, you had to go someplace and buy them. I think the Ice Cube crowd was a crowd that didn't necessarily know where to buy our tickets. So it was kind of that, where we realized, "This isn't just gonna be shiny happy hipsters going to a rap show. This is gonna be real." Jay Smooth VO: Anne O'Connor worked roaming security that night. Anne O'Connor: As the staff, we would get together and talk about what we were gonna do. And then what ended up happening is we hired in a bunch of extra additional security people. For about a week before the shows, we had metal detectors at the door so that people couldn't bring guns of knives or anything in and stash them in the club, so that they could use them during the shows themselves. You know, these were guys who, their show was about raising people's anger about some really unfair situations, about calling out some things that were really wrong, and so people had a tendency to get pissed. So we knew that, and we had to be ready for that. And the Ice-T show, I feel like we managed to do that without huge problems. We didn't have huge problems that night. When you put together people with loud music, lots of drinking and lots of young people dancing – body contact – you're really just setting a stage for some conflict. There's gonna be some conflict sometime. Jay Smooth VO: Ice Cube's March 4 appearance was, in fact, two shows – an all-ages in the late afternoon and an ID-only show at night. This was a regular occurrence at the club throughout the '90s. Sabrina Keith: I know for the first show, I did coat-check, so it was pretty mellow. Everybody thought the kids' show was gonna be bad, and it just was not. Jay Smooth VO: There was one issue during the all-ages show: Somebody threw a bottle over the upstairs balcony, where alcohol was allowed. When Ice Cube finished the first show, the club took two hours to change over. Sabrina Keith: You have to clean up and kind of reset everything to start the night fresh. I think they bought us pizza, and we just kind of hung out and waited. Jay Smooth VO: Rod Smith was bar-backing that night – running liquor from storage to the bars. Rod Smith: The attendance at the all-ages show was healthy, but nowhere near sold out. At the ID show, attendance was sold out-plus. I believe you've encountered the phenomenon where somebody in the office would panic about ticket sales and just start slamming comps out indiscriminately. A ton of comps had gone out, and then a ton of people paid, so attendance [laughs] was way over the top. DJ Smitty: We got there for the ID show. We walk in. First thing we figured out pretty quick was, we weren't gonna get any help, because anything with a counter, whether it was a bar or whether it was coat-check – they were busy. It was packed. It was full, and there were people yelling. There were people who were not happy with the order that they were being helped. There were people who were not happy with the prices. There were just a lot of not happy people. It was wet outside, and it was hot in there, which made it hot and wet – like a cave. The walls were sweating. The men's room had an inch of water going on, on the floor. There was a bad vibe. Jay Smooth VO: Our sources couldn't pick out one specific point where the fights started. But according to Anne, once they started, they didn't stop. Anne O'Connor: It was just bam-bam-bam. It was just non-stop, so you didn't really have time to stop and think, "Wow, this is really overwhelming; I don't know if I can do it." You just did it. The place was packed. There were so many people there. So if you were – if you couldn't get to the trouble light, that's one thing, but also if the trouble light was already going, you'd have a fight five feet away from you. Well, five feet in a packed room could be – it's a lot of feet to get to, sometimes – [laughs] you know – to get through the bodies and get to the actual fight, you're not always gonna make it. Rod Smith: These melees would just randomly break out. The outside security people that First Avenue hired did an outstanding job, because they were really aware of what was going on mood-wise in the club, and as soon as something broke out, they would start heading toward it. But, again, the problem being there was a certain amount of distance in the Mainroom, and when the club is that packed, you can't move that quickly. They were moving pretty quickly, though. So these fights were being stopped, for the most part, like, pretty quickly after they started. But they didn't really stop. I'd say they continued pretty much through the night. DJ Smitty: As a customer, I knew about the trouble lights, and I'd seen them go off in the past. I had never seen all of them go off at the same time. Rod Smith: I believe there were 27 all told, and there were incidents that didn't even prompt the trouble light, because nobody could get to a trouble light, because the club was that packed. Jay Smooth VO: Randy Hawkins worked the barricade in front of the stage for both shows. Randy Hawkins: There was three of us – four of us all in the barricade, and we had to stay there. Unless the situation was right in front of you on the floor, of which there were many, we did what we could from inside the barricade, but mostly the roaming security of people on the dance floor dealt with that stuff. And so it was like, it turned into a pretty serious us-against-them scenario, and like as far as security vs. the audience, which, you never want to get in that situation. But every time a door got opened, there'd be three people trying to bum-rush the show. But every time like a side door or anything got opened to let someone in, you had to have security at each one, basically just to defend the castle. It was kind of the same way with the barricade and every bar – just people trying to take everything they could take. Yeah. There was all sorts of, just grab whatever booze you could grab. Rod Smith: I encountered bartenders and bar backs crying back by the coolers, and that happened multiple times. The bar backs, because they'd been sucker-punched, and the bartender, because people kept I mean, there was some real ballers there, and they tipped really well, but then these wannabes would come along and steal the big tips that somebody else had just left. And it was so busy that it was impossible for the bartenders to really keep track of what was happening with their tips. Anne O'Connor: You know, we called the cops several times. We carted several people out to the cops. When you are in a fight at First Avenue, what ends up happening is you get surrounded by staff. Michaelangelo Matos: Quickly. Anne O'Connor: Quickly. And so, you know like, there's nowhere to go. Jay Smooth VO: But the cops weren't particularly soothing that night, or any other. In fact, just the night before, on March 3, 1991, a Los Angeles motorist named Rodney King was pulled over and beaten mercilessly by the LAPD. A man with a camcorder filmed the incident and sent it to a local TV news show. The Rodney King video wasn't yet national news when Ice Cube played First Avenue – that would be in a few days still. But for most people at the show, police brutality wasn't just something they heard about in rap songs – chances were, many of Ice Cube's fans knew someone it had happened to, if they hadn't experienced it personally. Anne O'Connor: What I would say is that there were a lot of valid reasons for being upset, and this was a place for them to have that upset, and sometimes that upset meant that they wanted to hurt someone. And so I'm not justifying the behavior or excusing it, but I'm just saying it was not a big surprise. When I say nobody got seriously hurt, I mean like broken bones or injuries that . . . Michaelangelo Matos: Hospital injuries. Anne O'Connor: Hospital injuries. It was a rough night. It was a rough scene. It was a very violent show, so I don't want to underplay that. Jay Smooth VO: Urban Lights owner Tim Wilson was in the audience that night – and he remembers seeing an opening group that included a rapper who would top the pop charts four years later. Tim Wilson: I remember a group called WC and the MAAD Circle, which was one of Ice Cube's groups – Dub-C who still tours with Cube. And Coolio was actually part of the group at that time. Crazy Toones was the DJ, which was Dub-C's brother. I remember they kept having sound problems. And they kept telling the sound guy, like, "Man you better fix this or we're gonna have a problem." And they would keep rapping, keep doing their thing, and then they would warn him again, and then the sound never changed. I think they warned him a third time. And honestly, what I remember is them jumping off the stage, breezing past us, and I remember – I never understood why First Ave set their soundboard – they had those steps that go down, and then they set their soundboard where, unfortunately, the way he kind of got jumped on, he ended up down in the crevice at the bottom of the stairs and where the soundboard started. And they were kicking him and hitting him until they got pulled off and back onto the stage. They just kind of shot past us and jumped on him. Then they jumped back onstage, and they kept rapping, and the sound man wiped the blood off his face and he just kept going. Jay Smooth VO: DJ Smitty, who couldn't get into the Sonic Youth concert last episode, did make it in the door for Ice Cube. He says the mood perked up when the headliner took the stage. DJ Smitty: People never talk about the fact [that] that was a great show. Ice Cube – I'd go see him again in a heartbeat. One of the best hip-hop shows I've ever seen. But a friend of mine did get close enough to the stage to see the set list and came back and said, "We're going. We're two songs away from the encore. Let's get out of here." And as we left, I had to hold the door open because they were stretchering someone out. [Ice Cube ft. Chuck D, "Endangered Species (Tales From The Darkside) - Remix"] Rod Smith: Management lost control of the club, too. Everybody lost control of the club. Steve McClellan: All I know is it was hateful because you couldn't – you got 1,500 people in the room. You could have 50 security staff. You don't stand a chance. There was so many people ready to quit after some of these shows. Jay Smooth VO: Anne O'Connor was one of them. Anne O'Connor: I put my notice in shortly after the Ice Cube show. I remember thinking, that is the violence that I don't need to be a part of. And I love the club, I loved the people I worked with, it was a lot of fun, but that wasn't fun for me. Rod Smith: A lot of people were really bummed out. I had quit smoking eight months earlier, and I started again that night. The mood overall was, "We got through it." A few people were traumatized. Anne O'Connor: We were worn out. And it was hard. And I remember everyone feeling pretty rough at that point. It was pretty rough. Jay Smooth VO: The show also got First Avenue in trouble with the city, not for the first time. Steve McClellan: I had too many incidents where the police wouldn't respond when I would book gangsta rap. I used to go to monthly downtown – what do they call them? – downtown association meetings or something. Where I'd go and I'd sit, and when you went to these meetings, and if you were a nightclub, the fire department was there to tell you exactly what you do to keep your license. The police department would be there monthly and tell you exactly what you needed to do to keep your license. They were more like – "This meeting isn't to ask questions. We're the city and you're gonna do what we tell you." Jay Smooth VO: Despite the complaints about gangsta rap, the next First Ave show that'd see similar violence was a 1995 appearance by a singer-songwriter whose politics could not have been further removed from Ice Cube's. Randy Hawkins: There's a country singer – oh my god, what's his name? Outlaw country singer. David Allan Coe. At the time, that was show two that had as many problems as Ice Cube. That David Allan Coe show, I think it wasn't as well attended. I got probably there was probably 800 people there, and so I don't think we ever really lost control of it, but it was definitely getting there. I came in the next day and everybody was just, like, shell-shocked: "You will not believe what we were dealing with last night." Jay Smooth VO: Chris Riemenschneider, author and longtime music reporter at the Star Tribune, suggests that the Ice Cube show is remembered as a turning point. Chris Riemenschneider: The biggest myth about that show – well, I don't know if it's a myth, but I mean, supposedly that show was – hip-hop was not booked at the venue for many years after that show, because it got so ugly. And they generalized over, "Well, hip-hop audiences are bad news." Jay Smooth VO: When we asked Steve McClellan and LeeAnn Weimar whether First Avenue avoided hip-hop after Ice Cube, Steve said that he still booked rappers through agents he trusted. Steve McClellan: There was a lot of drug dealers that were trying to bring me shows, because they had connections with the agent, and they wanted to bring in a lot of these hip-hop acts. LeeAnn Weimar: Or they had beepers. Remember, they had beepers. Steve McClellan: I called them the beeper phone promoters. In the '90s, I stopped dealing with beeper phone promoters that had plenty of cash but no trust from me. Jay Smooth VO: Steve returned to this point several times throughout the interview, insisting that if there was a lapse in hip-hop shows, it was only because he didn't want to work with so-called "beeper phone promoters." Whatever the case, First Avenue generally avoided hip-hop until the late '90s, according to Chris Riemenschneider. Chris Riemenschneider: It really wasn't until Rhymesayers and Atmosphere came along and started packing the place that they started giving hip-hop a good chance there again. Jay Smooth VO: Nationally, hip-hop had been ebbing into the mainstream for years. In Minnesota, indie rap label Rhymesayers capitalized on that shift. In the late '90s, they started throwing Soundset Wednesdays, a series of hip-hop dance nights at First Avenue, and their audiences trended whiter and whiter. At the same time, First Avenue opened the gates to touring acts such as OutKast, Eminem, Public Enemy, and the Black Eyed Peas. ["Hive Sound" by Icetep fades up and plays for a few seconds] Cecilia Johnson VO: Ok, so this episode was a whopper. And I think the material of this episode is still so relevant today. At this point, I want to bring up an article that rocked Minnesota music in 2016. Like, I still remember, the day that it came out, reading it at my desk. It's the Twin Cities Daily Planet's piece "Whitest hip hop scene you've ever heard of," written by Kayla Steinberg, and it speaks directly to the aftershocks of the Ice Cube show. I'm just gonna read a few somewhat abridged sentences: Quote, "When out-of-state and mainstream media and fans refer to Twin Cities hip hop, Rhymesayers Entertainment is often their point of reference. The common faces of Rhymesayers include Brother Ali, an albino Muslim rapper who identifies as white, and Atmosphere, a duo of racially ambiguous, arguably white-passing, hip hop artists. However, to Toki Wright, a Black North Minneapolis rapper, these are just a couple faces of the Twin Cities hip hop scene. "I think the face of Twin Cities hip hop is a 14-year-old kid on the Northside of Minneapolis in his bedroom, making beats or writing rhymes," he said. "The face of Twin Cities hip hop is Lexii Alijai recording with Kehlani and the local press turning a blind eye to it. That's Twin Cities hip hop." Enquote. Later in the article, Black rapper MaLLy talks about his experience at the Rhymesayers 20th anniversary show in 2015. The way he remembers it, many audience members went from supportive, when white artist Brother Ali rapped his song "Dear Black Son," to apathetic when Toki Wright and I Self Devine, both Black rappers, proclaimed messages such as "eff the police" and "kill white supremacy" on stage. Some things haven't changed between '91 and now, but First Avenue [itself] has undergone a monumental shift, in the way they operate, what causes they stand for, and whose names are at the top. It's all covered in our next episode, which is about Election Day in 2004: the day First Avenue declared bankruptcy. This episode of The Current Rewind was hosted by the one and only Jay Smooth and me, Cecilia Johnson. It was produced by me and Jesse Wiza and scripted by our head writer, Michaelangelo Matos. Marisa Morseth is our research assistant, and Jay Gabler is our editor. Our theme music is the song "Hive Sound" by Icetep. This episode was mixed by Johnny Vince Evans. And I wanna give a super special thank-you to Rick Carlson, Shelby Sachs, David Safar, Pete Scholtes, and Chris Wilbourn for additional support. If you want to check out a transcript of this episode or any other one, you can go to TheCurrent.org/rewind. And if you feel so moved, you can go ahead and rate and review the show on Apple Podcasts or tell a friend that it's out there. If you want to share any thoughts, feedback, or First Avenue stories, our inbox is open. You can just send an email to rewind@thecurrent.org. The Current Rewind is made possible in part by the Minnesota Legacy Amendment's Arts and Cultural Heritage Fund. It is a production of Minnesota Public Radio's The Current. The Current Rewind goes to First Avenue

The Appetizer. Adding context to the powerful IG Horowitz Report on James Comey. Softening the targets for what lies ahead? Devin Nunes describes the IG Report as a "building block" for a forthcoming criminal conspiracy case against the SpyGate Perps. We notice Reps. Ratcliffe, Jordan and Meadows sounding calm and optimistic in spite of the declination. President Trump says he has "a lot of faith" in Bill Barr. But we are left to wonder -- will AG Barr ultimately have the brass gonads required to prosecute the Deep State? Saint Comey crows about not going to jail and has the gall to demand apologies. A bit premature? Notes on the mysterious FBI "whistleblower" detailed in the IG Report. Former CIA officer Bryan Dean Wright unloads on Comey and says America may need to "disband the entire organizations" of the FBI and CIA. Quotes from George Orwell on a corrupt "ruling class" which may "cling to power by force or fraud." No trust for the "organized lying" of the totalitarian MSM. Details on the forthcoming "Stand With ICE" event with Michelle Malkin in Aurora, Colorado. Late Great Golden State. Truckin'. Fast As You. Smoke Along the Track. Turn It On, Turn It Up. More Dwight Night. With Listener Calls & Music via Dwight Yoakam and David Allan Coe.See omnystudio.com/listener for privacy information.

New York honored the U.S. Women's National Soccer Team for their fourth World Cup victory with a ticker-tape parade and a presentation at city hall on July 10th where each member of the team received a key to the city. The team has won 48 of its last 50 games played and has now won four of the eight total women's World Cups played. (According to the Department of Sanitation, 7 tons of paper were collected along the parade route and recycled after the ticker-tape parade.) Back in April on Episode 18 we talked about an attempted arson at St. Patrick's Cathedral, and now Marc Lamparello, the man charged in the attack, has been declared mentally unable to stand trial. 7 years ago on July 5, 2012 — NYPD officer Brian Groves is shot while chasing a suspected drug dealer in a stairwell of the Seward Park Extension NYCHA housing on the Lower East Side 2 years ago on July 5, 2017 — NYPD officer Miosotis Familia is killed while sitting in a police vehicle in Fordham Heights, Bronx 12 years ago on July 9, 2007 — NYPD officer Russel Timoshenko is shot during a traffic stop in Crown Heights and dies five days later The Wall Street Bull may get some breathing room by next summer. In a Department of Transportation proposal, the area surrounding the narrow plaza at Bowling Green where the Charging Bull statue was placed in 1989 will be modified to be more pedestrian-friendly. Manhattanhenge July 42 years ago on July 13, 1977 — A two-day blackout sweeps across the city 23 years ago on July 17, 1996 — TWA Flight 800 explodes and crashes in Suffolk County after takeoff from JFK Airport, killing all 230 people on board If AGBC has kept you informed over the years, make a contribution at agreatbigcity.com/support, and if you're a local business, visit agreatbigcity.com/advertising to view rates and learn more. AGBC is more than just a news website: Our fireworks page monitors the city's announcements of upcoming fireworks, lists them on our site, and automatically sends out a notification just before the fireworks begin, so that you can watch the show or prepare your pet for the upcoming sounds of explosions. Visit agreatbigcity.com/fireworks to see the full calendar and follow @agreatbigcity on social media to receive the alerts Park of the day Jennings Park Parks Events Find a new viewing location for the upcoming Manhattanhenge by leaving Manhattan! There will be a unique perspective available across the East River in Hunters Point Park. Located in south Long Island City along the coastline, the new park offers a view straight across the water to 34th Street, giving a view of the entire Manhattan skyline with the sun glowing from within. Plan to arrive at the park early, as Manhattanhenge only shines for a short amount of time just before sundown at 8:21pm, and visit the AGBC Manhattanhenge page for more viewing locations — LIC Henge 2019 Concert Calendar Here's the AGBC Concert Calendar for the upcoming week: The Psychedelic Furs, Dear Boy, and James are playing The Rooftop at Pier 17 on Friday, July 12th. Heize US and Canada Tour 2019, Heize, and 헤이즈 are playing Music Hall of Williamsburg on Friday, July 12th. Charly Bliss is playing The Bowery Ballroom on Friday, July 12th. Freezepop and Nullsleep are playing Mercury Lounge on Saturday, July 13th. The Weeks is playing Baby's All Right on Saturday, July 13th. Marissa Nadler and Wild Pink are playing City Winery on Saturday, July 13th. Jennifer Lopez with World of Dance is playing Madison Square Garden in Midtown West / Chelsea / Hudson Yards on Saturday, July 13th at 8pm. Nick Murphy with Beacon is playing Brooklyn Steel in Greenpoint on Saturday, July 13th at 8pm. Lynyrd Skynyrd and Hank Williams Jr. are playing Forest Hills Stadium on Sunday, July 14th. Public Practice and The Ritchie White Orchestra are playing Our Wicked Lady on Sunday, July 14th. Lynyrd Skynyrd with Hank Williams Jr. is playing Forest Hills Stadium in Forest Hills on Sunday, July 14th at 6pm. Lohai is playing Brooklyn Bowl in Downtown Brooklyn on Sunday, July 14th at 8pm. Chai and Bodega are playing Music Hall of Williamsburg on Monday, July 15th. Legion of Skanks Podcast and Francis Ellis are playing The Stand on Monday, July 15th. Sad Summer, State Champs, Mayday Parade, The Maine, and The Wonder Years are playing The Rooftop at Pier 17 on Tuesday, July 16th. David Allan Coe is playing Sony Hall on Tuesday, July 16th. Coyle Girelli and Riley Pinkerton are playing Mercury Lounge on Tuesday, July 16th. New York Fact Here's something you may not have known about New York: Central Park's Great Lawn was originally a reservoir of fresh water for city's water supply system. In 1931, it was filled in with material excavated from Rockefeller Center and the Eighth Avenue subway Weather The extreme highs and lows for this week in weather history: Record High: 102°F on July 15, 1995 Record Low: 54°F on July 13, 1888 Weather for the week ahead: Light rain on Thursday and next Friday, with high temperatures bottoming out at 85°F on Monday. Intro and outro music: 'Start the Day' by Lee Rosevere — Concert Calendar music from Jukedeck.com — Manhattanhenge music by Anonymous420

REFLECTION QUOTES “Christ took the place of guilt we all deserved so that we could take the place of acceptance we all long for.” ~Wayne Grudem (1948-present), American Theologian “There is tremendous relief in knowing that his love to me is utterly realistic, based at every point on prior knowledge of the worst about me, so that no discovery now can disillusion him about me, in the way I am so often disillusioned about myself, and quench his determination to bless me.” ~J.I. Packer (1926-present), Canadian theologian “To be rooted is perhaps the most important and least recognized need of the human soul.” ~Simone Weil (1909-1943), French philosopher and activist “Intelligence is nothing without delight.” ~Paul Claudel (1868-1955), French Poet “I pity the fool.” ~Mr. T (1952-present), American actor “God's unfailing love for us is an objective fact affirmed over and over in the Scriptures. It is true whether we believe it or not. Our doubts do not destroy God's love, nor does our faith create it. It originates in the very nature of God, who is love, and it flows to us through our union with His beloved Son.” ~Jerry Bridges (1920-2016) Christian author “It is not the beauty of a building you should look at; its the construction of the foundation that will stand the test of time.” ~David Allan Coe (1939-present), Singer-Song Writer “The fear of the LORD is the beginning of wisdom, and the knowledge of the Holy One is insight.” ~Proverbs 9:10 “He is no fool who gives what he cannot keep to gain what he cannot lose.” ~Jim Elliot (1927-1953) Missionary to Ecuador SERMON PASSAGE Psalm 92 (ESV) 1 It is good to give thanks to the Lord, to sing praises to your name, O Most High; 2 to declare your steadfast love in the morning, and your faithfulness by night, 3 to the music of the lute and the harp, to the melody of the lyre. 4 For you, O Lord, have made me glad by your work; at the works of your hands I sing for joy. 5 How great are your works, O Lord! Your thoughts are very deep! 6 The stupid man cannot know; the fool cannot understand this: 7 that though the wicked sprout like grass and all evildoers flourish, they are doomed to destruction forever; 8 but you, O Lord, are on high forever. 9 For behold, your enemies, O Lord, for behold, your enemies shall perish; all evildoers shall be scattered. 10 But you have exalted my horn like that of the wild ox; you have poured over me fresh oil. 11 My eyes have seen the downfall of my enemies; my ears have heard the doom of my evil assailants. 12 The righteous flourish like the palm tree and grow like a cedar in Lebanon. 13 They are planted in the house of the Lord; they flourish in the courts of our God. 14 They still bear fruit in old age; they are ever full of sap and green, 15 to declare that the Lord is upright; he is my rock, and there is no unrighteousness in him.