Podcast appearances and mentions of Bill Brandt

For the British architect John Pawson, minimalism isn't just a design philosophy, but a life philosophy—with his 1996 book, Minimum, serving as a defining jumping-off point. Over the course of more than four decades, Pawson has quietly amassed a global following by distilling spaces, objects, and things down to their most essential. With projects ranging from his career-defining Calvin Klein Collection flagship store on Madison Avenue in New York City, completed in 1995, to a remote monastery complex in the Czech Republic he's been building for Cistercian monks of the Trappist order for more than 25 years; from hotels in Los Angeles, Madrid, and Tel Aviv to London's Design Museum; from private homes in Colorado, Greece, Japan, Sweden, and beyond, to a chair and cookware; from lamps and linens to doorknobs, bowls, to even a steak knife, Pawson's tightly focused yet seemingly boundless practice places him in a category all his own.On the episode—our fourth “site-specific” taping of Time Sensitive, recorded at Pawson's country home in the Cotswolds—he discusses the problems he sees with trying to turn minimalism into a movement; his deep-seated belief in restraint, both in life and in architecture; and his humble, highly refined approach to creating sacred spaces.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:[08:06] Tetsuka House (2005)[08:06] “John Pawson's Approach to Making Life Simpler”[08:06] Shiro Kuramata[08:06] Katsura Imperial Villa[08:06] North York Moors[12:41] “Minimum” (1996)[12:41] Sen no Rikyū[17:35] Calvin Klein Collections Store (1995)[17:35] Ian Schrager[17:35] Paul Goldberger[17:35] Cathay Pacific (1998)[20:59] “Elements of Style” (1959) by William Strunk Jr. and E.B. White[20:59] “Plain Space” (2010)[20:59] Raymond Carver[23:08] Bruce Chatwin[23:08] “Wabi”[23:08] Chatwin Apartment (1982)[26:26] Deyan Sudjic[28:12] Ryōan-ji[31:11] “John Pawson: Making Life Simpler” (2023)[30:16] Neuendorf House (1989)[30:16] Tilty Barn (1995)[37:19] Claudio Silvestrin[37:51] Philip Johnson[40:49] Home Farm (2019)[40:49] “Home Farm Cooking” (2021)[47:18] Bill Brandt[55:46] Hester van Royen Apartment (1981)[56:36] Casa Malaparte[56:36] Mies van der Rohe[56:36] Barcelona Pavilion[59:356] The Design Museum (2016)[59:356] Farnsworth House[59:356] “Inside the Brick House, Philip Johnson's Private Playground”[1:02:26] Pawson House (1999)[1:05:53] The Feuerle Collection (2016)[1:10:33] Abbey of Our Lady of Nový Dvůr (2004)[1:21:54] Pieter Jansz. Saenredam 

Crescenzo Notarile and Paris Chong discuss his work shooting nudes, with Paris acknowledging the potential for perversity and intrigue associated with the genre. Crescenzo emphasizes that all great artists start with nudes to study form, beauty, lines, and geometry, citing Picasso, Rembrandt, and Caravaggio as examples. He shares his own influences in nude photography, including Bill Brandt, Joel Peter Witkin, Helmut Newton, Robert Mapplethorpe, and Irving Penn. Crescenzo highlights the challenge of evoking emotion and avoiding cliché or vulgarity in nude photography, and mentions his own nude book and his use of infrared film to create a unique aesthetic. He also acknowledges the common observation that male photographers often shoot more female nudes than male nudes, offering reasons such as the perceived difference in beauty between the male and female form, as well as the difficulty in finding male models willing to pose nude.Show Clip from The Paris Chong Show with Crescenzo Notarilehttps://youtu.be/_vFzSFYdQLohttps://www.theparischongshow.com

Bill Brandt es con toda seguridad uno de los fotógrafos más influyentes en el arte del siglo XX. Junto a Brassaï y Cartier-Bresson conforman la trinidad de artistas que iniciaron el periodo moderno de la fotografía. Su obra abarca todos los campos y su minuciosidad en el revelado genera fotografías que se comportan como pinturas expresionistas. Un artista completo, que nunca se amoldó a ningún panfleto de vanguardias pero que asimiló su época, especialmente a través del surrealismo y la fotografía documental de corte social. ¿Lo conocías?

El reto de la semana pasada ha dado sus frutos y ha sido numerosa la participación por parte de los oyentes fotografiando texturas. Fructu Navarro llama la atención sobre las imágenes que manda M López, sobre el reto 30, que ha fotografiado grandes piezas de calzado. Alcanzadas las 581 fotografías, vamos camino de las 600 a por el reto de las 1000. Hablamos de la gestión del color, cómo las fotografías tienen adherido un volumen determinado de color, y la gestión consiste en adecuar los tamaños del volumen de los colores a las determinadas plataformas de entrada y de salida. La frase de esta semana de un fotógrafo británico, Bill Brandt, que dice 'No me interesan las reglas ni las convenciones, la fotografía no es un deporte'.Además, contamos con la presencia de la fotógrafa Ana Caravaca, de la que ayer se abrió una exposición fotográfico-literaria denominada «Costa Cálida, costa de Letras», en la Biblioteca Regional de Murcia, dentro de las actividades con las que se celebra el Día del Libro. El reto estuvo encontrar autores que habían hablado sobre la costa murciana y tratar todos los municipios de la Región e ir a fotografiar esos lugares que aparecían en las obras elegidas. La exposición estará expuesta hasta dentro de tres semanas y a partir de ahí se convertirá en itinerante. El reto que nos propone Fructu esta semana, con motivo del Día del Libro, es el de fotografiar libros y su entorno, hacerle un homenaje a la literatura.

HT1873 - Maximum Black Is Not Magic In my youth, I thought the magic was to achieve a maximum black. It took me several years to learn that the magic is not in maximum black but rather in beautiful gray tones and chords of tones that please the eye. Increasing contrast and overprinting the blacks is rarely the answer. My apologies to Bill Brandt.

Mark Haworth-Booth joins me on Creative Rituals this week. Mark is a poet, writer, photographer and was the Senior Curator of Photographs at the Victoria and Albert Museum in London, where he played a major role in building up the museum's collection of photography. We met by chance at a creative writing workshop Mark ran at the Appledore Book Festival here in Devon, and he kindly agreed to join me for a conversation about his writing routine, what is was like working and living with David Hockney in Los Angeles, and his 30 years as a curator at the V&A. To find out more about Mark's work, visit his websiteFind Georgie hereLinks:Helen ChadwickThis is the Place To Be by Lara PawsonIan Hamilton FinlayEggs - photographic series by Tessa TraegerMarkéta LuskačováMarina WarnerEast Sussex Coast by Bill Brandt (1957)Ansel AdamsPaul StrandRobert FrankHenri Cartier-BressonLamb Bank Arvon Centre, West YorkshirePilgrims: Photographs by Markéta LuskačováRoger MayneWind by Ted HughesFrom Today, Painting Is Dead (V&A 1972)'River Scene, France' by Camille SilvyCamille Silvy: Photographer of Modern Life Hosted on Acast. See acast.com/privacy for more information.

John Wilson talks to photographer Martin Parr about the formative influences and experiences that inspired his own creativity. Globally renowned for his witty and satirical scenes of British life, Parr made his name in the 1970s with a series of monochrome photographs documenting the community of Hebden Bridge, West Yorkshire. His fame grew with his 1985 project The Last Resort, which captured the spirit of the great British holiday in images of ice-cream, chips, and sunburnt bodies on the litter-strewn concrete promenade of New Brighton, Liverpool. Since then, his instantly recognisable work has examined subjects including global consumerism, mass tourism and class. He has published over a hundred books of his work, exhibited all round the world, and is regarded as one of Britain's greatest photographers. Parr is celebrated as Master Of Photography at the 2023 Photo London fair, and has recently opened his own Foundation to exhibit the work of emerging photographers alongside his own. Martin Parr reveals how, growing up in suburban Surrey, he was introduced to photography by his Yorkshire grandfather during holiday visits. He remembers seeing exhibitions by Bill Brandt and Henri Cartier-Bresson in the late 1960s, but it was the work of British street photographer Tony Ray-Jones, whose images he first saw whilst studying photography at Manchester Polytechnic, that was most influential. Martin Parr further developed his distinctive documentary style, and his use of saturated colour processing techniques, after seeing work by American photographer William Egglestone. Martin Parr also chooses the 1991 film Night On Earth by Jim Jarmusch as a key influence on his quirky approach to storytelling, and reflects on how his style and subjects have developed over the years. Producer: Edwina Pitman

OH IT'S SO GOOD BABY WHAEN YOU'RE AT THE WHEELWriting these blurbs can be worse than pulling teeth. Lucky for you, I ran out of teeth ten minutes ago so here we areShall we welcome Tom Oldham and Douglas Noble back? Okay then. Do you want to hear a blow-by-pulse-pounding-blow account of Tom's trip to Angouleme? Fine. That's what this is. Along the way we talk about:Julie Doucet, Sammy Harkham, Coffee, Druillet, Aien Worlds, Richard Corbyn, Jonathan Ross, Midnight Tales, Junji Ito, Bill Brandt, Sarah-Louise Barbett and Kit-Kats.How close do you feel to death?

To contact Matt and Adrian with thoughts comments and your own 'not so grim up north' moments write to grimupnorththepodcast@gmail.com The books mentioned are Love on the Dole by Walter Greenwood, English Journey by J B Priestley, and The Road to Wigan Pier by George Orwell.  Special thanks to Richard Blair, George Orwell's son for giving us an interview and being so kind with his time. Thanks also to Benedict Cooper from the Orwell Society for helping us to set up the interview. https://orwellsociety.com Here are some links to the clips we used  Walter Greenwood https://waltergreenwoodnotjustloveonthedole.com/walter-greenwood-the-kersal-flats-co-uk-interview-1973/?fbclid=IwAR0gYa0vtR-lmX7P-qHW5RwYWQSB0JZFOdcu5OjFNGbkLRFZYSXbRn4-BhQ J B Priestly https://www.youtube.com/watch?v=lkloVLeAtiY The Film of Love on the Dole https://www.youtube.com/watch?v=qBHHOm8CbYg Here is a link tot he Bill Brandt photograph Coal Searcher Going Home to Jarrow 1937 https://www.moma.org/collection/works/53508 With thanks again to the KLF for the theme music. https://open.spotify.com/artist/6dYrdRlNZSKaVxYg5IrvCH/discography/all?pageUri=spotify:album:1kJY7mRPwF5eJOf8DMZdwa

In episode 206 UNP founder and curator Grant Scott is in his shed reflecting on the truth within images of conflict, whether smartphones have become too smart and he suggests a Photo Life Hack to save you money. Plus this week photographer Tricia Porter takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Born in 1946 Tricia Porter's interest in photography began as a teenager, when she wanted to bring back a visual record of her first trip outside Britain, to Moscow in an old bus loaded with college students and camping gear. She met the photographer, Sylvester Jacobs who encouraged her to buy a camera and she began attending lectures and seminars at The Photographers Gallery, London, and the ICA Photo Study Centre learning from photographers work, such as Tony Ray Jones, Bill Jay, Steiglitz, Ansel Adams, Cartier-Bresson, Walker Evans, Kertesz, Bill Brandt and many more. Her first photography exhibition was in Liverpool in 1972, the outcome of documenting her surroundings while living in Liverpool's inner city. In 1974, she moved to Liverpool 8, an area of the city that was notorious for its poverty, planning blight and vandalism. The resulting Bedford Street exhibition was shown at the Liverpool Academy of Arts, and later the Half Moon Gallery in London. It gained Arts Council support, and Porter went on to create a follow-up exhibition, Some Liverpool Kids, which was also shown at the Academy in 1976. She left Liverpool in 1976 to live in rural Hampshire and has remained living there until today. Throughout her career Porter has running community based photography workshops, and continued to exhibit her work with the most recent ‘Liverpool Photographs 1972-74' being staged at the Bluecoat Gallery, Liverpool in 2015. Cafe Royal Books have published five books of Porter's work, Portraits of People in a Dying Community Liverpool 1972, Some Kids in Liverpool 8 1974, Industry Year 1986, Liverpool Docks 1975, and Selborne 1980-82 www.porterfolio.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). © Grant Scott 2022

A 1933 image of rooftops by influential British photographer Bill Brandt comes across Aimee's desk, and she tries to get to the bottom of how Brandt made this print using her mantra: Look, Touch, Think, Look (again). She nearly misses some important clues.

Albert Watson OBE (born 1942) is a Scottish fashion, celebrity, and art photographer. He has shot over 100 covers of Vogue and 40 covers of Rolling Stone magazine since the mid-1970s and has created major advertising campaigns for clients such as Prada, Chanel, and Levis.  Watson has also taken some well-known photographs, from the portrait of Steve Jobs that appeared on the cover of his biography, a photo of Alfred Hitchcock holding a plucked goose, and a portrait of a nude Kate Moss taken on her 19th birthday. Watson's prints of his photography are exhibited in galleries and museums worldwide. Photo District News named him one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. Watson has won numerous honors, including a Lucie Award, a Grammy Award, the Hasselblad Masters Award, and three ANDY Awards.  He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2010. Queen Elizabeth II awarded Watson an Order of the British Empire (OBE) in June 2015 for 'services to photography'.   Websites Albert Watson   Masters of Photography - Albert Watson    Bill Brandt   Sponsors Charcoal Book Club Lensrentals.com   Education Resources: Maryland Photography Alliance Presentation   Momenta Photographic Workshops   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

La Fundación Mapfre ha abierto en su sede de Madrid, paseo de Recoletos, una muestra de la obra de uno de los grandes maestros de la fotografía del siglo XX. Bill Brandt nació alemán pero se convirtió en británico. Su carrera discurre durante medio siglo en Inglaterra. Llegó al Reino Unido en una época de tensión con Alemania, que desembocaría en la II Guerra Mundial. Brandt era, oficialmente, inglés. Ocultó su origen alemán para poder vivir sin sospechas. Sus dos grandes maestros son Atget y Brassaï. El segundo es el fotógrafo que más le influyó, y como el propio Brandt reconoce en un audiovisual en la muestra, el fotógrafo al que más admira. La exposición en la Fundación Mapfre está organizada en campos temáticos: paisajes, desnudos, retratos, el "arriba y abajo" de las clases sociales en Inglaterra, y un "elogio de la imperfección" en el que se analiza su técnica artesanal de revelado.

In episode 164 UNP founder and curator Grant Scott is in his shed considering transferable skills, film making, finding answers with photography and challenging the status quo. Plus this week photographer Jason Langer takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Arizona born American photographer Jason Langer's love of photography dates back to his childhood in Ashland, Oregon.  Groomed on a Mamiya C330 twin-lens reflex, he developed his work in a makeshift darkroom cum hall closet in his family home before moving on to more advanced technology at the University of Oregon, where he earned a degree in photography.  Following graduation, Langer worked as an apprentice and printer for some of the San Francisco Bay Area's most renowned photographers, including Ruth Bernhard, Arthur Tress, and Michael Kenna, who became a lifelong mentor and friend. Langer descends from a tradition of photographers—George Krause, Ralph Gibson, Roy deCarava, Bill Brandt, Matt Mahurin—who photograph what is physically happening in the world, but a world in which the unexpected appears for brief glimpses before returning to generally accepted social norms. Langer's work has appeared in numerous publications including American Photo, Life, The New Yorker, The New York Times, Time, and Vanity Fair.  In addition, his in the permanent and private collections of the Rutgers University, Sir Elton John, Sir Mick Jagger, Yale University Art Gallery, and the Zimmerli Art Museum. He has published three monographs: Secret City (2006), Possession (2013) and Twenty Years (2015). He is currently working on a fourth book titled Berlin. Langer is also a sought-after photography mentor, having taught at the Academy of Art University for 12 years and Santa Fe Workshops since 2014. www.jasonlanger.com You can now subscribe to our weekly newsletter at https://www.getrevue.co/profile/unofphoto Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

Escucha la Foto del Día de Fernando de HaroLa foto que me ha llamado hoy la atención la he visto en el catálogo de una exposición sobre Bill Brandt que hay en Madrid y que está colgado en internet. Bill Brandt fue un fotógrafo británico que vivió en el pasado siglo XX. La imagen de la que te hablo, en blanco y negro, está tomada en un camino de tierra estrecho que se abre paso seguramente en un paisaje de acantilados aunque no se ve el mar. Es un día oscuro, el poco cielo que aparece, es gris, todo está celado por la bruma, los perfiles no son claros. Por la senda un hombre empuja una bicicleta vieja, pesada, con grandes ruedas. Sobre el cuadro de la bicicleta un gran petate, un saco en el que quizás están todas sus pertenencias. El protagonista de la foto, que es un minero en paro, hace un gran esfuerzo para que las ruedas avancen. Llevada calada en la frente una boina y todo su cuerpo está encorvado sobre el manillar que sujeta con dos manos. No se le ve cara. Sus ojos miran al suelo. La foto retrata un momento oscuro. La luz no ha terminado de amanecer, el camino es...

Episode 3. Nadav Kander explores his Photographic Memory: the abstract photography of Bill Brandt. London based artist Nadav Kander discusses the theory behind the Bill Brandt work that inspired him, how he relates to a his subjects, Francis Bacon and creative life in lockdown.In conversation with Vogue, Mr Porter & New York Times photographer Jonathan Daniel Pryce aka GarçonJon. Find more info on the guests and photographs mentioned in this episode below:Web:https://photographicmemory.show/Instagram:https://www.instagram.com/garconjon/

Ancora grande successo per "Malkovich, Malkovich, Malkovich. Homage to Photographic Masters" la mostra del fotografo americano Sandro Miller, a cura di Anne Morin e Simona Cossu, presentata per la prima volta in Italia al Magazzino delle Idee di Trieste. L'esposizione è organizzata dall'Ente regionale per il patrimonio culturale Erpac, in collaborazione con diChroma Photography, La Chrome di Madrid e la Galleria FIFTY ONE di Anversa. La mostra, visto il successo mediatico riscontrato nel primo periodo di apertura, sarà visitabile fino alla prossima primavera, una decisione voluta da Erpac per dare al pubblico la possibilità di visitare l'esposizione dal vivo e ammirarne le straordinarie fotografie e i video che caratterizzano il progetto fotografico di Sandro Miller: un omaggio a trentaquattro maestri della fotografia, fra cui Albert Watson, Annie Leibovitz, Bill Brandt, Diane Arbus, Herb Ritts, Irving Penn, Pierre et Gilles, Richard Avedon e Robert Mapplethorpe. In ognuno degli scatti John Malkovich impersona infatti il soggetto di una celebre fotografia, trasformandosi di volta in volta in Marilyn Monroe, Salvador Dalì, Mick Jagger, Muhammad Alì, Meryl Streep, John Lennon e Yoko Ono, Andy Warhol, Albert Einstein, Ernest Hemingway e in molti altri personaggi. Ogni opera riproduce in tutti i dettagli le fotografie prese a modello esaltando le doti camaleontiche e la capacità mimetica di Malkovich così che egli di volta in volta muta non solo espressione, ma anche sesso e età divenendo uomo o donna, anziano o bambino, sensuale o enigmatico, cupo o gioioso. La collaborazione fra Sandro Miller e John Malkovich risale agli anni Novanta quando i due si incontrano a Chicago nella sede della Steppenwolf Theatre Company di cui Malkovich è uno dei membri fondatori. «È diventato la mia tela, la mia musa, John si sedeva ed ascoltava la mia idea, poi diceva “Ok facciamolo”, racconta Miller. Negli anni di collaborazione John non ha mai detto non mi piace». La mostra documenta il lavoro intrapreso da Sandro Miller e Malkovich nel 2013. Lo scatto che dà vita all'intero progetto è quello in cui John Malkovich reinterpreta Truman Capote ritratto da Irving Penn. Durante una giornata di lavoro con Malkovich in teatro, Miller notò infatti la somiglianza dell'attore a Truman Capote. Desiderando omaggiare Irving Penn, suo maestro per eccellenza, Miller propose a Malkovich di posare per lui nelle vesti di Capote. Sulla scorta di questo primo scatto nascono tutte le opere esposte in mostra, in cui Malkovich interpreta una galleria di ritratti così noti da essere divenuti quasi immagini devozionali e che tuttavia non ha timore di dissacrare attraverso il proprio talento. Malkovich si cala nella parte di Che Guevara di Korda, in Warhol del celebre autoritratto, o in Mick Jagger nel ritratto di Bailey, sottolineando debolezze, vanità e contraddizioni dei grandi personaggi. Gli scatti sono preceduti da una minuziosa ricerca in cui Miller e Malkovich, assistiti da costumisti, truccatori e scenografi analizzano accuratamente ogni dettaglio degli originali, scandagliando i lavori dei grandi fotografi presi a modello. «Non ho voluto fare una parodia. Rendere omaggio ai fotografi e alle fotografie che hanno cambiato il mio punto di vista sulla fotografia è una cosa seria per me. Queste sono le immagini che mi hanno ispirato facendomi diventare il fotografo che sono oggi.» Arricchiscono l'esposizione tre ritratti non facenti parte del progetto originario che rappresentano Malkovich nei panni di Adolf Hitler (Hitler Green), di Papa Giovanni XXIII (Recreations), e impegnato in una rivisitazione del tema di Salomè con la testa del Battista (Head on Plate). Un video making-off permette inoltre di ripercorrere il processo creativo e di trasformazione di Malkovich davanti all'obiettivo e sotto la direzione di Miller. Per meglio apprezzare l'accurato lavoro affrontato da Miller e Malkovich saranno presenti in mostra anche le riproduzioni delle fotografie ch...

Dos creadores cruciales en la Historia de la Fotografía centran el programa a raíz de las dos exposiciones dedicadas a ellos en el nuevo KBr, el centro de fotografía de la Fundación Mapfre en Barcelona. De un lado, Bill Brandt (1904 - 1983), del que puede verse una gran antológica de su trabajo en los grandes géneros fotográficos: el reportaje, el desnudo, el retrato y el paisaje sobre los que volcó su inquietante mirada en el que la belleza colinda con lo terrible. Hablamos de su obra con Ramón Esparza, comisario de la exposición. Y, de otro, Paul Strand (1890 - 1976), del que Mapfre presenta su amplia colección de fotografías, la mayor de una institución en Europa. Strand fue un fotógrafo esencial sobre el que cristalizaron las transformaciones estéticas que agitaron el inicio de la fotografía como arte, desde el pictorialismo a la fotografía directa, el documento de denuncia o la abstracción. Recorremos la expo junto al comisario Juan Naranjo. Dirige y presenta: Juan María Rodríguez Con Leire Etxazarra y Miguel Solís (música) Emisión: 17/ 11 / 20 Puedes seguir nuestros blogs personales aquí: JUAN MARÍA RODRÍGUEZ http://www.juanmariarodriguez.com/ LEIRE ETXAZARRA https://www.cartierbressonnoesunreloj.com/

El bus turístic, un documental de la Paris Hilton, el disc de la Nathy Peluso i una expo de Bill Brandt són els plans proposats

El bus turístic, un documental de la Paris Hilton, el disc de la Nathy Peluso i una expo de Bill Brandt són els plans proposats

Bo Lutoslawski (Poland / UK) over the past 40 years has photographed many of the greatest figures in the arts in Europe, spanning the worlds of music, literature, dance and theatre. Arriving in London from his native Poland in 1980, he was immediately absorbed into the capital’s fast-moving cultural scene, taking portraits of the likes of Glenda Jackson, Tom Stoppard, Bill Brandt, Philip King, Ernst Gombrich, Peter Hall, Tambimuttu, George Martin, Marina Warner,  Claes Oldenburg, Lucy Burge, Paloma Picasso, Helaine Blumenfeld, Richard Rogers, John Peel, Anthony Caro, Simon Callow, James Bonas on assignments for Vogue, The Independent, Newsweek, The Illustrated London News, BBC and Harper’s & Queen among others. His work, however, is not constrained by time or place. And it has absolutely nothing to do with fashion. Instead, it results from a moment of special affinity, a kind of spiritual kinship, between two different personalities – the photographer and sitter. Max Wykes-Jones in Arts Review said of Bo’s work, “Powerfully baroque and quintessentially Polish photographic images ….”  “For Bo Lutoslawski taking a portrait is like falling in love. His technique is near-telepathic inside into his subject, the way they move, the way they think - a fleeting attempt to catch their true identity. He never asks anyone to smile; and to his delight, they often do.” Sophie Grove, journalist Website   ---------- Make Monday Mine is hosted by Deborah Claire Procter and produced by Clear Insight Productions This is about conversations so we’d love to hear your thoughts and take-aways.  Email your questions and comments to: comments@makemondaymine.com If you enjoyed this episode then it would be wonderful if you can head over to Apple Podcasts and kindly leave us a rating, a review and subscribe! ----------

This week's podcast contains a fascinating interview with beauty photographer Ben Hassett in which he talks about his early days, his studio lighting and his philosophy on how shooting street pictures and trees helps with his beauty work. Oh - and his thoughts on Bill Brandt. Next is Ken Zane, Art Producer extraordinaire who muses on how to get the most value from portfolio reviews and finally - Josef Blazer of Blazing Editions talks about the incredible large scale Dye Sublimation prints on aluminium. You can wash them and store 50 in the space of 8 inches. Gone are the headaches of framing, matting and shipping your shows.

MAIN SHOW MONDAY as we've been calling it talks today to respected British documentary photographer Fran May. Her honest pictures of Britain during the power strikes and financially turbulent times of the 70s are now the subject of a book featuring pictures that Bill Brandt, her mentor, commented would one day form a precious and important portfolio. As always your questions to click@fujicast.co.uk and Kev's photo book review. Fran May: https://www.franmayphotography.com/

In today's episode, you'll hear from Bill Brandt, founder of DSI Civic, a financial restructuring firm. Brandt, who for 35 years has helped handle workouts, turnarounds and restructurings for nearly 40 law firms, talks about the comparisons and contrasts between the Great Recession and the current situation for law firms. You'll also hear from Keith Wetmore, who was chairman at Morrison & Foerster from 2000 to 2012 and guided his firm through some rocky years. Wetmore is now managing director at Major, Lindsey & Africa, a legal recruiting firm. 

In Part 6, our final Carbon 101 podcast Bill Brandt tells us about how Evoqua manufactures and regenerates activated carbon.

In Part 5 of our Carbon 101 series Bill Brandt tells about the standard practices that Evoqua uses to size liquid phase activated carbon systems.

In Part 4 of our Carbon 101 series Bill Brandt tells us about the physical properties of the activated carbon that Evoqua offers.

The bankruptcy of LeClairRyan in September presents the common tale of a once-thriving law firm that ends up in ruin. A firm that in its heyday had $163 million in gross revenue, LeClairRyan joins the heap of other Big Law failures. To explore the similarities in these insolvencies and how other law firms can avoid making the same fatal moves, Law.com business of law reporter and editor Lizzy McLellan talks with Bill Brandt. Founder of DSI Civic, a financial restructuring firm, Brandt has helped handle workouts, turnarounds and restructurings for 36 law firms, including some of the biggest.

Photographer, documentarian and digital storyteller Daniel Meadows (b. 1952) has spent a lifetime recording British society, challenging the status quo by working in a collaborative way to capture extraordinary aspects of ordinary life through pictures, audio recordings and short movies.He is best known for his 1973-74 journey around England in the Free Photographic Omnibus when he travelled 10,000 miles in a converted double-decker and made 958 portraits in "free studio" sessions on the streets of 22 different British towns and cities. This is a project he revisited in the 1990s, photographing again some of the subjects of those portraits for his widely published series National Portraits: Now & Then.His pioneering community storytelling project BBC Capture Wales (2001-08) encouraged many hundreds of people across Wales to embrace the arrival of the digital age in pop-up workshops by making their own two minutes of TV, framing their memories and pictures into digital stories, "multimedia sonnets from the people". Capture Wales won a BAFTA Cymru in 2002.Daniel taught the documentary photography course with David Hurn in Newport (1983-94); also photojournalism (1994-2001) and digital storytelling (2000-2012) at Cardiff School of Journalism, Media & Cultural Studies where he also completed his PhD in 2005. In the 1990s he taught photojournalism workshops in the emerging democracies of eastern Europe, also in India and Bangladesh. After 2000 he travelled repeatedly to Australia and the USA lecturing about his pioneering work in participatory media.His photographs and (more recently) his short films have been exhibited widely both in the UK and on the continent of Europe. Solo shows include the ICA London (1975), The Photographers' Gallery London (1987) and the National Media Museum Bradford (2011). His books include: Living Like This – Around Britain in the Seventies (1975,) Nattering In Paradise – A Word from the Suburbs (1987), National Portraits – Photographs from the 1970s (1997), and The Bus – The Free Photographic Omnibus 1973-2001 (2001).A detailed and scholarly overview of Daniel’s early work, Daniel Meadows: Edited Photographs from the 70s and 80s by Val Williams, was published in 2011.His photo-essays done in the industrial north of England in the 1970s are celebrated in the Café Royal Books boxed set edition Eight Stories (2015).The Daniel Meadows Archive was acquired in March 2018 by the Bodleian Library at the University of Oxford, where there is an exhibition of Daniel’s work entitled Daniel Meadows: Now and Then until November 24th this year, and the accompanying book, Now And Then: England 1970 - 2015, was recently published by the Bodleian. On episode 116, Daniel discusses, among other things:- His show at the Bodleian library and how they acquired his entire archive.- His formative experience of boarding school.- Being taught the science of photography at Manchester Poly. And meeting Martin Parr there.- HIs Greame Street project.- Photographing Butlins holiday camp with his friend, Martin Parr - and starting to shoot colour.- The June Street project, also with Martin Parr.- His love for digital storytelling and a loathing for ‘antisocial media’.Memories of his English road trip by double decker bus and of finding some of the people he photographed 25 years later.- Always thinking his work was 'rubbish' and not feeling a success. Referenced:Pete JamesVal WilliamsColin FordTracey MarshallBill BrandtMartin ParrBrian GriffinGarry WinograndDiane ArbusBBC Omnibus documentary Beautiful, Beautiful (1969)Bruce DavidsonIrving PennPaul TrevorCliff Richard Summer HolidayWilliam EgglestonCraig Atkinson’s Cafe Royal Books Website | Instagram | Facebook“I spent a lot of my life wishing that I’d taken pictures like Cartier-Bresson or Diane Arbus or Bill Brandt. And it took me a long while to learn that I’d actually taken pictures like Daniel Meadows.”

In Part 3 of our Carbon 101 series Bill tells us about the different types of carbon that Evoqua offers and where they are primarily used.

Part 2 - In this podcast, the Evoqua Sales Manager for the Proact Environmental Solutions Bill Brandt tells our listeners how to select a high-quality carbon for the odor control industry.

Activated Carbon 101 Part 1 - In this podcast, the Evoqua Sales Manager for the Proact™ Environmental Solutions, Bill Brandt kicks off a series of discussions about Activated Carbon and how it is applied in the Evoqua business.

Garrett Titlebaum: It's Nice To See He's Working RSS Dan Getkin the local Pittsburgh musician is in the studio today. Dan Getkin fronts a rocking alternative-country band, Dan Getkin and the Twelve Six along with Bill Brandt, Alex Herd, Eddan Sparks, and Jake Troxell. Despite what you may have surmised, only five individuals make-up Dan Getkin and the Twelve Six, an alt-country outfit from the Steel City, named for a type of curveball that can buckle a man at the knees. The band careens from full-tilt rock anthems to delicate narrative-driven balladry and back around. 1-800-637-HOPE (4673)

I am not interested in rules or conventions. Photography is not a sport. — Bill Brandt, 1904 – 1983 Bill Brandt is easily in the list of Who’s Who of photographers of the twentieth century. I’ve heard his name a lot, but it wasn’t until recently that I took a more serious look at his […] The post INSPIRED – Episode 2 – Bill Brandt – Break the Rules appeared first on Photography Matters.

In this episode David and Mark chat about the Museum of London's current photography exhibition, London Nights. This large exhibition features historic and contemporary images from over 60 photographers, including Bert Hardy, Bill Brandt, Tish Murtha, and contemporary photographers like William Eckersley and Damien Frost. The aim of the exhibition is to: reveal the city after hours: unnerving, beautiful, eerie, energised - sometimes all at once. Step into the night and discover a darker, richer side to the capital. Images range from sinister street scenes, or people partying in the West End in the 60s, to shots of the city from the International Space Station and the image of a tower block used on the cover The Streets' album Original Pirate Material. Some of the photographers and photos we discuss are: Paul Martin's Embankment at Night (1896) Hannes Kilian's shot of Piccadilly (1955) Jim Friedman's Piccadilly Circus (1988) William Eckersley's series Dark City (2011) Thierry Cohen's London 51 degrees 30 minutes 17 seconds N 2015-02-17 LST 10:39 (2015) Nick Turpin's On The Night Bus series Philipp Ebeling's Whitechapel Market, Tower Hamlets (2008-13) Bert Hardy Bill Brandt We actually forgot to discuss one of our favourite images from the exhibition, The Long Wait (2005-6) by Mita Tabrizian from series depicting Iranian migrants. David also talks about the work of Jan Staller and his haunting photos of New York in the 1980s, published in a monograph Frontier New York. As always, wherever possible the photos we discuss can be found on our Pinterest page for this episode. We originally recorded one podcast covering both the main London Nights exhibition, and the smaller, free, Night Visions exhibition, both on at the Museum of London. However, at the editing stage it made sense to split them into two separate podcasts. You may wish to listen to them both, in order, but it's by no means essential and each episode stands up independently. Non-Photography tangents we detour off at 1980s TV: clip of Nerys Hughes as the District Nurse and the fashion of Buck Rogers in the 25th Century. London Transport Museum and the London Transport Moquette fabric. Camera gear: Fuji X-T3, their 10-24mm lens and Samyang's fisheye lens. Get involved! We hold regular photo meet-ups in central London, all levels welcome, so come and say hello - see Meetup for details. For more information about us and forthcoming podcasts, follow us on Twitter.

Howard Brenton discusses his new play Lawrence After Arabia, which examines a little known period of TE Lawrence's life. Back in England, Lawrence wearied by his romanticised public image and disgusted with his country and himself, seeks solace and a place to hide in the home of the Bernard Shaws.Christian Bale stars as a disillusioned Hollywood writer in the new film Knight Of Cups from director Terence Malick. Film critic Kate Muir reviews.91-year-old photographer Dorothy Bohm looks back over her 75-year career at her latest exhibition Sixties London. Born in East Prussia before being sent by her father to England to escape the threat of Nazism, she then became co-founder of The Photographer's Gallery and worked alongside some of the greats, from Henri Cartier-Bresson to Bill Brandt and Don McCullin.Danish artist Olafur Eliasson is most famous for erecting a giant sun in the Tate Modern for his work The Weather Project. He talks about his new book Unspoken Spaces which has collected all his architectural works in public spaces over the past two decades.Presenter: John Wilson Producer: Jack Soper.

In the first of a few “intersession” podcasts between the fall and spring semesters, we commemorate the birth date of photojournalist W. Eugene Smith (1918) and the anniversary of the death of photographer Bill Brandt (1983). W. Eugene Smith at Masters of Photography Bill Brandt at Masters of Photography

‘A cinematographic journey through the photographic atmospheres of Bill Brandt’ by renowned experimental filmmaker Steve Dwoskin. Many of the photographer's most famous images are presented, along with Brandt himself, who died in December 1983. Much of th