Podcasts about brass bands

DJ Stilo takes us into the upside down world of blends and remixes with sneaky 45s from DJ Goce, Wally Puma, DJ Bacon and Casual Connection. Plus smoldering soul by Tanika Charles and Hot 8 Brass Band, overproof boombap with Doechii & J.Period and a brand new posse cut with the Native Tongues all-stars. View the full playlist for this show at https://www.wefunkradio.com/show/1244 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

It's been two weeks since ICE picked up immigration activist Jeanette Vizguerra and her lawyers are now arguing that her detainment is unconstitutional and violates the First Amendment. Meanwhile at the statehouse, lawmakers are debating the financial impacts of reproductive healthcare access on the state's budget after voters enshrined the right to abortion in the Colorado constitution last year. Host Bree Davies is joined by Denver Post immigration reporter Megan Ulu-Lani Boyanton to discuss her latest coverage, and a listener calls in with a list of brass bands to know around the Mile High. Listener Billy from Lakewood recommended Guerilla Fanfare Brass Band, Badaboom Brass Band, Gora Gora Orkestar, and Brothers of Brass.  For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm What do you think? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 Learn more about the sponsors of this episode: Bookshop.org - Use code CITYCAST to get 15% off your next order CAP Management Midrolls Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

Am 50. Schweizerischen Brass Band Wettbewerb werden in allen Kategorien neue Aufgabenstücke zu hören sein. Der Schweizerische Brass Band Verband feiert das Jubiläum des wichtigsten Brass Band Wettbewerbs der Schweiz mit viel neuer Musik. Für alle sechs Kategorien hat der Verband Aufträge an renommierte, international bekannte Komponisten vergeben: Bert Appermont BE, Thierry Deleruyelle FR, Simon Dobson GB, Thomas Doss AT, Philip Sparke GB und Philip Wilby GB (alphabetische Reihenfolge). Der in der Nähe von Linz lebende Komponist Thomas Doss freute sich sehr über den Auftrag aus der Schweiz: «Das ist eine große Auszeichnung für mich». Sein Stück werde die Bands sicher herausfordern. Ob er für den Wettbewerb in die Schweiz reisen wird, weiss er noch nicht: «Wenn es irgendwie geht, möchte ich auf jeden Fall dabei sein». Der 50. Schweizerische Brass Band Wettbewerb findet am 29. und 30. November 2025 im KKL Luzern statt. Dabei geht es um den Titel «Brass Band Schweizermeister» sowie um die Qualifikation für die Europameisterschaft im darauffolgenden Jahr.

1.  David Lynch - Pinky's Dream. 2.  The KVB - Black Is Black. 3.  Yndling - It's Almost Like You're Here. 4.  Étienne de Crécy - Brass Band. 5.  Holy Motors - Ghost of Heart. 6.  Widowspeak - Harsh Realm. 7.  Still Corners - I Wrote in Blood. 8.  Papercuts - Future Primitive. 9.  MIEN - Empty Sun. 10.  Motorbike - Currency. 11.  Amyl and The Sniffers - Security. 12.  IDLES - Television. 13.  Fontaines D.C. - It's Amazing To Be Young. 14.  Teenage Fanclub - Everything Flows. 15.  Hannah Cohen - Draggin'. 16.  Theodor - Lucifer. 17.  Inventory - Photobomb. 18.  Crate - Necklace. 19.  LAAVU - Вспять. 20.  Punchlove - (sublimate). 21.  The Horrors - Ariel. 22.  trentemøller - Behind My Eyes. 23.  Wyldest - Lovesong. 24.  Drew Friel - Sober.

Our guest for Episode 58 is the fabulous Lisa Bontrager, Emeritus Professor of Horn at Pennsylvania State University, and a member of the IHS Advisory Council and the Brass Band of Battle Creek, among many other engagements! Episode Highlights Musical Inspirations Teaching philosophy, other pedagogical ideas Studying with Louis Stout at the University of Michigan Advice for new or aspiring professional musicians and/or college teachers Brass band, brass quintet Chamber Music Brass Band of Battle Creek, tenor horn Millenium Brass MirrorImage Duo Importance of the IHS, serving in the Advisory Council    

Muchas personas me preguntan el motivo real de que B90 no esté en Spotify, os lo cuento. Suenan: Denise LaSalle y Hot 8 Brass Band. + info - https://linktr.ee/b90podcast Espacio patrocinado por: jvcliment, Jaume Solivelles, Dreifor, Javier Alcalde, jmgomez, Jorge - Chisco Fernández Sainz - Ana Isabel Miguélez Domínguez - Pablo Carrasco Santos - Iñigo Albizu - Rachael - utxi73 - Jorge Sánchez - Naïa - Dani GO - kharha - garageinc78 - Juan Carlos Acero Linares - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Nerdo IsMe - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - Barrax de Pump - PDR - Fernando - QUIROGEA - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - victorguibor - Alvaro Gomez Marin - Achtungivoox - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Rosa Rivas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Raul Sánchez - Nuria Sonabé - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas.

Every Tuesday in The Feed @CTFoodGirly comes on to talk food, dining, and drinks here in Connecticut. With today being Mardi Gras (Fat Tuesday!) she's bringing the NOLA up to CT with all the best places to find southern New Orleans cuisine and even some Mardi Gras celebrations that are going down here in Connecticut. Image credit: Getty Images

Full show: https://kNOwBETTERHIPHOP.com Artist Played: E-Turn, Prowess The Testament, conshus, Just Be, JBiz, JuniAli7, Phels, Hot 8 Brass Band, Michi, De La Soul, Shade Cobain, Sankofa, Burnt Bakarak, Salami Rose Joe Louis, Kuna Maze, Mugs and Pockets, Joao Selva, Moka Only, Reckonize Real, Emma-Jean Thackray, BLAND, Inkswel and Lee Scratch Perry, Elf Tranzporter, Alsarah and the Nubatones, Arrested Development, OutKast, GOODie MOb, IMAKEMADBEATS

Today, we're celebrating the Mardi Gras season, right before Fat Tuesday, around the state! In the building once again is none other than Epic Funk Brass Band on House Band Duty for the entire show and for our first stop, we'll learn all about our state's Mardi Gras History at Coastal Mississippi Mardi Gras Museum with Executive Director Abreeza Thomas… then we're off to Meridian for The Gumbo Gala: A Sassy Swamp Soirée at MSU's Riley Center with the MS Symphony Association, happening March 1st! We'll also check out what's happening around your neck of the woods! Laissez les bons temps rouler, buckle up, and hold on tight for your Next Stop, Mississippi!Check out this episode on MPB's YouTube Channel: Next Stop, Mississippi | Epic Funk Brass Band, Coastal MS Mardi Gras Museum, & The Gumbo GalaNext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.

This week on The Tangential Music Show, immerse yourself in a vibrant tapestry of genres featuring artists like the dynamic Hot 8 Brass Band, who blend New Orleans jazz with funk and hip-hop and the legendary Shirley Bassey, renowned for her powerful vocals and timeless classics. We'll also showcase the innovative sounds of Dowdelin, known for their fusion of Creole jazz and electronic beats, and the soulful melodies of Tara Lily, who seamlessly integrates jazz with contemporary influences. Join us for an eclectic mix that transcends musical boundaries, promising a journey through both classic and contemporary tunes.For more info and tracklisting, visit: https://thefaceradio.com/tangential-music/Tune into new broadcasts of the Tangential Music, 3rd Saturday from 8 - 10 AM EST / 1 - 3 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

The Chicago ensemble brought their horns and big band sound, infused with elements of hip-hop, funk, reggae and pop, to KNKX's Seattle studios.

En nuestro programa de hoy el placer de hablar con el maestro Pedro Chamorro de la Orquesta Roberto Grandío y el conocer las inquietudes de Nico Delgado y este reto de participar en dicha orquesta. También hablamos con Juan José Jerez, Ppresidente de la Fundación Pequeño Valiente para los niños con cáncer en Canarias y los eventos que hay el próximo fin de semana en todas las islas, además Pablo González de la 101 Brass Band, que alegran con todo el movimiento musical que están haciendo y el apoyo que harán el próximo sábado en La Laguna en Tenerife; y por otra parte Eusebio Cabrera nos cuenta parte de la historia de los Orígenes del Carnaval y nos vamos a escena con Zálatta Espacio Escénico y conversamos con Anna Dragow y el mundo del títere. Todo en La Diez Radio con Joam Walo Mendoza "poniéndolo canario más de modo que nunca y apostando por lo nuestro" #origenes #programaorigenes #ladiezradio #joamwalo

Soul from Kymara and SAULT. A new track from WheelUP. Broken Beat from Close Counters feat Allysha Joy, Son Of Dan and Domu remixing Bread & Souls. A classic from Moonstarr. Hip Hop from SALIMATA, Doechii and A.D.O.R (Rest In Peace). A deep quality track from Aanya Martin. Kero One remixes a Portishead classic. Plus plenty more music treats.

Die SRG hat in Zusammenarbeit mit der Fanfare la Dixence d'Hérémence neue Aufnahmen gemacht. Diese sind nun in der Sendung «Fiirabigmusig» als Radiopremiere zu hören. Die Fanfare la Dixence d'Hérémence ist eine Brass Band mit 33 Mitgliedern, erklärt Präsident Florian Baumgartner im Gespräch mit SRF Musikwelle: «Wir kommen aus dem wunderschönen Val d'Hérens». Die nahegelegene Staumauer «Grande Dixence» dürfte vielen ein Begriff sein: «Sie ist auch auf unserem Logo und auf der Vereinsfahne zu sehen», sagt Florian Baumgartner. Für die Fanfare la Dixence d'Hérémence war der Aufnahmetag mit der SRG in Bern ein schöner Vereinsausflug, schumzelt Dirigent Olivier Vergères: «Wir sind ein dynamischer, junger Verein.» Dementsprechend hat er auch moderne Musik ins Repertoire aufgenommen: «Ich möchte junge Leute motivieren, ein Instrument zu lernen und Musik zu machen». Folgende neue Aufnahmen mit der Fanfare la Dixence d'Hérémence sind in der «Fiirabigmusig» zu hören: · Alpentia, Marsch (Olivier Vergères) · Arromanches, Marsch (Albert Edward Kelly) · Dancing Queen (Benny Andersson/Björn Ulvaeus) · Löwe von Juda (Sunny Tranca/Eddie Incedi) · Viva la Vida (Coldplay) Die Musikaufnahmen entstanden im Rahmen eines Blasmusikprojektes der SRG. Die Radiosender der vier Schweizer Sprachregionen (SRF, RTS, RSI und RTR) haben im Jahr 2024 mehrere Blasmusikvereine aufgenommen, um ihr Musikprogramm zu bereichern.

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Millatron, Marz Mello, Shinobi Stalin, DH, Crew54, Trust Burnem, conshus, Mad Sexual Genius, Kramer, Tensei, Michi, R.A.P. Ferreira, Yukimi, Fernie, Alsarah and the Nubatones, Ghost Funk Orchestra, Free Daps, Choses Sauvages, Cavalier, Child Actor, Hot 8 Brass Band, Ensilence, Tekbeatz, Songhoy Blues, Brother Ali, Tara Lily, Surya Sen, Scar, Sleepy Brown, OutKast, GOODie MOb, IMAKEMADBEATS

Happy 2025! Our guest for Episode 55 is the amazing Brian KM! Show Notes Brian's Website: briankm.com  Brian's Socials: IG: @imbriankm YT: @imbriankm TikTok: @imbriankm The AI Code of Ethics for Artists: https://www.briankm.com/ai.html  Musical Influences: https://juliakent.com  https://danielherskedal.com  https://www.rachelkcollier.com  https://www.daftpunk.com  Brass Bands: https://diebrasserie.com  https://www.brassdelirium.com Conan Clip: What an Audience Wants https://youtube.com/clip/Ugkxx87HaDx1VlpAwqqZvAIqPZbF1s84LaAK?si=SNQhXuA2zDu14WEK Ableton Live: Brian's Software https://www.ableton.com  Musical Entrepreneurship Advice: http://meganihnen.com  Brian's Audio Setup (See below)  

Find out about the oldest brass band in Australia and the Southern Hemisphere which hails from a small town in the Barossa Valley 

New Orleans Grammy-winning artists Hot 8 Brass Band are putting the finishing touches on their new album due in late February 2025, so while we wait, let’s take in their signature party-marching-band sound on the title track “Big Tuba.”   

A track in tribute to the excellent poet and activist Nikki Giovanni. Deep downtempo music from Anchorsong remixed by Salamanda, and Duval Timothy. Soul from Yaya Bey, dego feat Samii and a classic from Blue Zone (feat Lisa Stansfield on vocals). Uplifting house from Julio Bashmore feat J'Danna, Gayance feat Judith Little D and Walter Murphy. A quality Jungle track from Tim Reaper and Kloke from their album on Hyperdub. A Bruk blend of Haze City with the current Grime Scene Saviours tune from Chip and a whole host of Grime legends. A new tracks from Hot 8 Brass Band. Plus plenty more music treats. 

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Butta Verses, conshus, DJ Center, Oddisee, Shinobi Stalin, Wahid, Merna, Juga-Naut, Mr Brown, K S R, Konny Kon, Connie Price, The Keystones, Fullee Love, Soup, Jurassic 5, Hasizzle, spill tab, El Michels Affair, Okito Sisi, Okito, Big Punisher, Fat Joe, VinS da Cuero, Nilufer Yanya, Anwar HighSign, Arckatron, Colette Chantel, Theory Hazit, Jae Skeese, 49th and Main, Hot 8 Brass Band, Raekwon, OutKast, GOODie MOb, IMAKEMADBEATS

Continuing our series with Vince DiMartino, Vince discusses the transition and challenges of playing classical music from other genres, highlighting the importance of using the right methods, such as solfège. The conversation also delves into Vince's days as a student at the Eastman School of Music, playing with iconic figures like Clark Terry, which planted seeds for what came to be known as the Great American Brass Band Festival, still held every June in Danville, KY. Episode highlights:00:11 Challenges in Classical Music00:42 Jazz Influence and Methodology01:41 Early Career and Influences02:16 Experiences at Eastman School of Music05:40 Clark Terry and Professional Growth06:57 Brass Band Festival Origins10:56 Retirement and Legacy12:48 Conclusion and Call to Action**Mastery Is Within Reach. Will You Go For It?Follow Brass Mastery and stay updated via email every time a new episode is released at https://brassmastery.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit brassmastery.substack.com/subscribe

In this episode of Backstage Sonoma, host Steve Roby chats with Keith Frazier, a founding member of the legendary Rebirth Brass Band. Rebirth has been a cornerstone of New Orleans brass for over four decades, blending the Crescent City's traditional sounds with modern funk, soul, and hip-hop influences. The band's infectious energy and genre-defying innovation have earned them two Grammy Awards, and they continue to inspire a new generation of music lovers worldwide. In this exclusive interview, Keith dives into the band's evolving sound, songwriting process, and what it's like to keep the spirit of New Orleans alive while continually pushing boundaries. Whether they're parading down the streets of their hometown or taking the stage at iconic venues like Sweetwater Music Hall, Rebirth Brass Band remains a force of musical celebration. Tune in as Keith shares some of his favorite memories, from collaborations with Ani DiFranco to the origins of their iconic hit, "Do What You Want To." Episode Highlights: The Roots of Rebirth: How Rebirth Brass Band keeps New Orleans traditions alive while incorporating funk, soul, and hip-hop influences. Songwriting Evolution: Keith discusses the band's democratic process, in which all members contribute ideas and the magic behind their biggest hits. Fan Connection: Keith shares how Rebirth engages with their audience during live shows, often letting the crowd dictate the setlist. Tour Talk: Excitement about their upcoming tour and how each new audience brings fresh energy to the band's performances. Behind "Do What You Want To": The story behind one of their most famous Mardi Gras anthems and its timeless New Orleans spirit. Featured Songs: "Feel Like Funkin' It Up" "New Orleans Girl" "Do What You Want To" Links: Rebirth Brass Band Official Website Sweetwater Music Hall Social Media Hashtags: #RebirthBrassBand #NewOrleansMusic #BrassBand #SweetwaterMusicHall #BackstageSonoma 

Unkle Chip hits all the sweet spots with sample breakdowns, dope covers and dancefloor magic featuring Cal Tjader, René Costy, Hot 8 Brass Band, Five Star, Kashif and more. Plus a Crooklyn homage from Napoleon da Legend & Amerigo Gazaway, soulful boombap from Edo G, and a glance back to JB soul powerhouses Marva Whitney, Vicki Anderson and Lyn Collins. View the full playlist for this show at https://www.wefunkradio.com/show/1224 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

In this episode I chat to returning guest Gavin Holman about his research into the first recorded brass band contests and the most well documented event - Burton Constable. We talk instrumentation, perverse serpents, cutting reviews, issuing challenges and clergy adjudicators.   the Internet Bandsman's Everything Within https://www.brassbandresults.co.uk/  

John R. Beck, Professor of Percussion at the University of North Carolina School of the Arts, also teaches at Wake Forest University. He is the principal percussionist of the Winston-Salem Symphony and is a member of the Greensboro Symphony, Brass Band of Battle Creek, and the Philidor Percussion Group. A former member of the United States Marine Band, for 10 years he performed regularly with the National and Baltimore Symphonies, Washington and Baltimore Operas, and the Theater Chamber Players of the Kennedy Center. Beck has toured the United States as a xylophone soloist with the Jack Daniel's Silver Cornet Band, Brass Band of Battle Creek, and the New Sousa Band. John is a Past President of the Percussive Arts Society and presents clinics endorsing Yamaha percussion instruments, Zildjian cymbals, Innovative mallets, and is a Remo Endorsed Drum Circle Facilitator in the Health and Wellness community. In this episode, John talks about: What it means to play credibly How his thoughts on versatility vs. specialization have evolved  Questioning the relevance of knowing how to read a big band chart How getting good at drumset gives percussionists a better sense of internal time The advantages and baggage that came with being John Beck's son Valuing sound over everything, regardless of instrument or genre His time as president of PAS and helping the organization become more inclusive and outward-looking

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soul from Lynda Dawn & Demae. Rap from Lex Amor, dereck d.a.c, Sonja Blade & Jaycen Spades. Broken Beat from Matica remixing Cengiz, Footshooter feat Natty Wylah & brother portrait. A track from Quantic on Aus Music. Drum & Bass from Zero T, Calibre, Hight Contrast and Demolition Man. New music from Hot 8 Brass Band. A Gospel Soul stomper from Evelyn Freeman. A track from the Ezra Collective album. Plus plenty more music treats.

We're back with our season wrap episode. Thanks for listening to season 19. And thank you to everybody who's watched the show on YouTube. In today's episode we break down two of our favourite songs, rather than our own as we normally do. One Queen song. One Irving Berlin. Who chose which? mail the show! - weeklysongpodcast@gmail.com Follow WSP on Instagram - https://lnk.bio/weeklysongpodcast Listen to our collab project Schnookums! - https://schnookums.bandcamp.com/album/attaboy Declan's music: https://open.spotify.com/artist/7bMtbyTnDHGXr64oThq6eJ?si=1jMD_D_PRjCWwMrnu8QjoQ Roger's music: https://lnk.bio/rogerheathers

The North Carolina Brass Band performs a free concert in Charlotte at First United Methodist Church. It's a night of brass band and pipe organ music featuring organist Evan Currie. On this Piedmont Arts podcast, we talk with music director Brian Meixner and cornest Bill Lawing. Plus, we talk with singer-songwriter and classically trained cellist Ben Sollee. He talks about breaking boundaries with the cello, his social activism offstage, and his new post-pandemic album, The Long Haul . Learn more about the North Carolina Brass Band Learn more about Ben Sollee's The Long Haul

On News Time, we count down five news stories from around Australia and the world, and today's show has a tasty mix of news morsels for you. I've got award winning lunch orders, booming brass bands and cool coastal science on the menu.Quiz Questions1.Can you name two of the veggies in the pasta?2.How many new species were added to the National Species List?3.In which town, starting with B, is the all-ages brass band?4.What's the indigenous name for Botany Bay?5.What kind of mushroom have the scientists used for the robot? Hint: It's a little bit royal!Bonus Tricky QuestionWhat's the name of the rootlike structures that the mushroom has grown into the hardware?Answers1.Any two of these: sweet potato, tomato, carrot, cauliflower, capsicum and zucchini 2.7503.Bega4.Gamay5.King OysterBonus Tricky AnswerMycelium

If you’ve seen Big Wy’s Brass Band, then you’re already hip to the spark that is multi-instrumentalist Wyatt Corder. Furthermore, you’re probably familiar with the fact that Wy’s got high standards for the folks he plays with; if he hand picks you as a performer, it’s a real privilege…especially when it comes to pulling off […] The post Allisen & The Wy’s Guys: “Tell Me (Like A Man)” appeared first on KUT & KUTX Studios -- Podcasts.

Depuis les années 60 se forment en Suisse des Brass Band : des ensembles de cuivres rassemblant des meilleur.es musicien.nes des fanfares, dont la tradition vient des miniers anglais. En septembre, le Valaisia Brass Band a participé au British Open, la plus prestigieuse compétition du monde. Pour cela, les moindres détails sont travaillés, et les musicien.nes doivent être au top. Comment donc réussir à allier performance et amateurisme ? Reportages Quentin Bohlen Réalisation David Golan Production Laurence Difélix

Google antitrust decision party: celebrating the DOJ's win over the monopoly Tomaš Dvořák - "Game Boy Tune" - "Mark's comments" JARC - "Move On Up" [0:22:54] Pookiesnackenburger - "Just One Cornetto" [0:22:41] Har-You Percussion Group - "Welcome to the Party" [0:22:27] Hot 8 Brass Band - "shake your body (down to the ground)" [0:34:39] - "Hampsterdance Song" [0:44:00] Buffalo MC - "Stop and Bust a Move" [0:47:17] Anders Enger Jensen - "Jump (For My Love) Mega Jump Version" [0:52:16] Green Leaves - "Yatta" [0:55:29] https://www.wfmu.org/playlists/shows/142851

With special guests DJ Davis Rogan and Derrick “Kabuki” Shezbie

Nicolas Propes stops by to chat about the Big River Brass Bands upcoming summer performance season, including their collaboration with the US Coast Guard Band!

Recent University of Missouri Master of Music in Percussion Performance graduate Miles Bohlman stops by to talk about his various grad program recitals (04:45), his Graduate Assistantship with the Mizzou New Music Ensemble and finishing the degree (21:15), growing up in the Chicago (IL) suburbs, his musical family, playing soccer goalie growing up, and his marching band activities (39:30), going to Illinois State for his undergrad (58:15), his high school band and percussion job out of undergrad, teaching during COVID restrictions, and keeping up his percussion chops through playing with British-style Brass Bands (01:10:10), and settles in for the Random Ass Questions, including segments on making curry, when he worked for his city's Public Works Department, Nicholas Cage movies, Barbara Kingsolver, and his Chicago Sports Team Fandom (01:23:40).Finishing with a Rave on Kelefa Sanneh's 2021 book Major Labels (01:50:10).Miles Bohlman links:Miles Bohlman's TCP pageMizzou New Music EnsemblePrevious Podcast Guests Mentioned:Megan Arns in 2017Julia Gaines in 2016Nathan Daughtrey in 2021Other Links:David CollierBenjamin Stiers“Velocities” - Joseph Schwantner“Asventuras” - Alexej Gerassimez“Spider Walk” - Marta Ptaszynska“Azul” - Nathan Daughtrey“Silver Streetcar for the Orchestra” - Alvin LucierNine French-American Rudimental Solos - Joseph TompkinsTwelve Studies for Snare Drum - Jacques Delecluse“Rebonds B” - Iannis XenakisThe Golden Ratio“Valseana” - Sergio Assad“Jobiniana No. 1” - Sergio Assad“Marking Time” - Chris P. ThompsonAlarm Will Sound“Insomnia” - Cody Holmes33 “God” - Bon Iver“Sculpture in Wood” - Rudiger PawassarEric HollenbeckJosé G. Martinez“Ionisation” - Edgard VareseJake HarpsterPhantom RegimentSarah WhitlockCavaliers DCIDan MooreSymphony No. 3 - Thomas TrachselIn C - Terry Riley"“Crown of Thorns” - David Maslanka“Consider the Birds” - Ryan GeorgeFountain City Brass BandNorth American Brass Band Association“Shofukan” - Snarky PuppyThe Princess Bride trailerThe Unbearable Weight of Massive Talent trailerMandy trailerPaddington trailerPaddington 2 trailerPursuit of Happyness trailerBarbara Kingsolver“hemenway” - Tiny HabitsCaleb WilliamsDerrick Rose“meditation for water, wind & metal” - Elizabeth A. BakerAbout Time trailerRaves:Major Labels - Kelefa Sanneh

The Eight One Sixty radio show on 90.9 The Bridge is broadcasting LIVE from the Beer Hall at Boulevard Brewery with special guests, Back Alley Brass Band.We're a month out from Boulevardia and tonight is a pre-party for the big fest happening on June 14 and 15 at Crown Center featuring over 60 acts, on 5 stages, over the 2-day event.Back Alley Brass Band has been busy gigging and releasing a brand new EP and we're going to play the entire album on show tonight and talk about it.We'll be up on the 4th floor, for the FREE all-ages show. Doors open at 5PM, we're on live from 6-7PM and then catch a free concert from Back Alley Brass Band at 7PM. Beers, NA drinks, sodas, great food, and snacks are available in The Beer Hall and the building is surrounded by free parking.

If you're a football fan, you know that halftime IS game time for a lot of bands. But, if you're from New Orleans, Louisiana, being in a band is a way of life. We talk to Edna Karr High School's band director, Chris Herrero all about his award winning band. Chris joins us to talk about his unique style of leadership, his gifted students and how his band was able to capture the attention of the one and only Beyoncé. The Edna Karr Marching Band aka TEAM BUST EM UP then gives us a performance. Special thanks to: Chris Herrero Edna Karr High School City of New Orleans Follow Edna Karr: Instagram: @TheOfficialEdnaKarrBand Email: chris.herrero@inspirenolaschools.org Website: ednakarr.org

In this Barrel-Aged Classic, Andy joins the Lowdown Brass Band at a gig in Somerville to talk about being a traveling band, blending musical genres, and road trip music choices. Intro music is "String Anticipation" by Cory Gray.

After a dispiriting stint as a Chartered Accountant, Ross found his perfect job: explaining the Australian economy, in plain English, to millions of people

We are kicking things off in Kauai with founder and chief business officer of Holy Grail Donuts, Hannah Dreiling, who started the business with her brother, Nile, in a trailer in Hawaii back in 2017. We talk about how they use local ingredients to change up the take on the classic treat, how the lines stretch for an hour, how they provide live music for those who wait, and how they eventually came to the mainland to serve up their delicious wares. Then we have a live performance from Philadelphia's Snacktime. They are currently on tour with Portugal. The Man, and just released their new lead single from their first studio record, Together. We talk about their favorite food in Philly, Philadelphia sports, and what they love to eat when they come home from a tour.Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world's top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It's an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Heritage Radio Network is a listener supported nonprofit podcast network. Support Snacky Tunes by becoming a member!Snacky Tunes is Powered by Simplecast.

Winter fans rejoice! We get one extra day in February this year. For everyone else who might be looking for a little, ahem, inspiration this time of year, fear not. Host Bianca Martin and Madison Minutes newsletter editor Hayley Sperling have you covered on the coolest things going on in Madison this February.  Galentine's and Valentine's Events: Thrifty Market at Communication Hearts and Crafts at Wayward Tattoos  Galentine Day at Thistle + Elm  Palentine's Bash at Lucille's  Madison Makers Winter Market and Pub Crawl Fangirl Fantasy: Taylor Swift Vs, Olivia Rodrigo at the Majestic Theater Taylor Swift Trivia at the Merchant  Mardi Gras Ideas: Madison Carnaval at the Majestic Theater Fat Tuesday w/ Mama Digdown's Brass Band and Panchromatic Steel at High Noon Saloon  Winter Escapes: Orchid Escape at the Olbrich Botanical Gardens Orchid Quest, hosted by the Orchid Growers Guild Wanna talk to us about an episode? Leave us a voicemail at 608-318-3367 or email madison@citycast.fm. We're also on Instagram!  Want more Madison news delivered right to your inbox? Subscribe to the Madison Minutes morning newsletter.  Looking to advertise on City Cast Madison? Check out our options for podcast ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover the origins of Limestone, which started in 2016 as an unnamed musical experiment by InSub Beckley and Jeff Westenhofer. With no specific goal other than bringing musicians together to see what magic would unfold, the indie rock project officially took on the name Limestone in November 2017. Join us on this podcast journey as we unravel the band's musical evolution. In the band's early days as a rock quartet, Limestone crafted a sound rooted in alt-rock, drawing inspiration from blues and punk. Their initial rock quartet phase resulted in the singles "Changing Ways" (December 2019) and "Never No Problem" (September 2021). Since 2022, the addition of violin and trumpet has transformed Limestone into a dynamic 6-piece ensemble, steering their sound towards lush pop with hints of folk and brass band influences. Dive into the band's journey of songwriting, culminating in their inaugural public performance in Louisville, Kentucky in December 2017. Join us as we unravel the rich tapestry of Limestone's musical narrative, from humble beginnings to the vibrant soundscape they've become today. --- Support this podcast: https://podcasters.spotify.com/pod/show/tophillrecording/support