Podcasts about brass bands

The 1920s was an era of contradictions. We deconstruct the popular image of the Roaring Twenties and examine the tensions at work in American culture. The decade was anything but simple.-Find the full transcript of this episode including citations at our website:https://www.americanhistoryremix.com/episodeguide/culture-1920s-In this episode we cover….-Introduction [0:00-03:03]--Misery & EscapismWorld War One [03:03-06:03]Spanish Flu [06:03-08:55]Consumer Culture [08:55-10:52]Entertainment [10:52-13:43]The Lost Generation [13:43-15:31]--Modernism & TraditionalismA Divided Society [15:31-16:51]Immigration [16:51-18:55] Intellectual Trends [18:55-23:14]The Klan [23:14-25:14]Prohibition [25:14-28:19]Political Divide [28:19-30:40]--Traditional & “New Woman”Home & Work [30:40-31:55]Sex [31:55-34:50]Limits to the Change [34:50-37:15]Consumer Society [37:15-38:28]Generational Divide [38:28-39:58]--Racial Violence & ArtThe Great Migration [39:58-41:12]Lynching [41:12-43:50]Tulsa Race Massacre [43:50-46:58]The Blues [46:58-51:00]Ragtime [51:00-53:00]Brass Bands [53:00-54:10]Jazz [54:10-54:57]Harlem Renaissance [54:57-57:00]--Conclusion [57:00-58:28]-To dive deeper into these topics (affiliate links):LeRoy Ashby, With Amusement for All: A History of American Popular Culture since 1830https://tinyurl.com/Ashby-With-AmusementAlfred W. Crosby, America's Forgotten Pandemic: The Influenza of 1918https://tinyurl.com/Crosby-Americas-ForgottenLynn Dumenil, The Modern Temper: American Culture and Society in the 1920shttps://tinyurl.com/Dumenil-Modern-TemperGeorge M. Marsden, Fundamentalism and American Culturehttps://tinyurl.com/Marsden-FundamentalismW.J. Rorabaugh, Prohibition: A Concise Historyhttps://tinyurl.com/Rorabaugh-ProhibitionEileen Southern, The Music of Black Americans: A Historyhttps://tinyurl.com/Southern-The-Music-of-Black-Support the showSupport the Show https://buymeacoffee.com/amhistoryremix

What happens when street-level swagger meets world-class musicianship? You get the Heavyweights Brass Band—Canada's answer to New Orleans-style funk, jazz, soul, and brass-fueled energy.In this episode of Meet Me For Coffee, George sits down with band member Paul Metcalfe to talk about the group's wild musical journey—from the streets of Toronto to stages across the globeThis one's packed with groove, laughs, and deep musical insight—don't miss it!

Damon has had series regular roles in The Big Door Prize, The Last Days of Ptolemy Grey starring Samuel L. Jackson (both for Apple TV), Black Lightning (CW), Criminal Minds (CBS), The Player (NBC), The Divide (AMC), Prime Suspect (NBC), Dick Wolf's Deadline (NBC), Strange Brew (FOX), and Finkleman (NBC), as well as guest star/recurring appearances on Happy Face (Paramount+), as well as Your Honor (Showtime), Super Pumped (Showtime), The Comey Rule (Showtime), Dirty, John (Bravo), Goliath (Amazon), Bates Motel (A&E),The Newsroom (HBO), Suits (USA), Empire (FOX), Rake (FOX), Law & Order (NBC), Law & Order Criminal Intent (NBC), Conviction (NBC), The Unusuals (ABC), Hack (CBS), Third Watch (NBC), and Drift (ABC). He appears in the upcoming Lear Rex, starring Al Pacino and The Drama, directed by Kristoffer Borgli, as well as Damien Chazelle's Academy Award-winning films Whiplash and LaLa Land, This is Forty, The Last Airbender, Helen at Risk, Before the Devil Knows You're Dead, Unfaithful, The Loretta Claiborne Story, and Nicki Micheaux's Summer of Violence. As a conductor, he was appointed the first-ever Principal Guest Conductor of the Cincinnati Pops. He served as American Conducting Fellow of the Houston Symphony and held the post of assistant conductor of the Kansas City Symphony. His conducting appearances include the Boston Pops, Philadelphia Orchestra, Orchestra of St. Luke's, Detroit Symphony, San Francisco Symphony, Atlanta Symphony, Baltimore Symphony, National Symphony Orchestra, St. Louis Symphony Orchestra, Toledo Symphony, Fort Worth Symphony, Florida Orchestra, San Diego Symphony, Long Beach Symphony, San Antonio Symphony, Princeton Symphony, Orchestre Philharmonique de Monte Carlo, NHK Orchestra of Tokyo, Orquesta Filarmonica de UNAM, Charlottesville Symphony, Brass Band of Battle Creek, NYU Steinhardt Orchestra, Kinhaven Music School, Vermont Music Festival, Michigan Youth Arts Festival, Brevard Music Center, and Sphinx Symphony as part of the 12th annual Sphinx Competition. 

In episode 192 of The Johnny Rogers Show, I sit down with RJ Satchithananthan from The Heavyweights Brass Band! RJ's word for the episode was "intention," and we dive into how that shaped his music career. We talk about the band's guerrilla busking days, their new album Knockout, and how they've become the soundtrack to so many lives. This one is a celebration of purpose, passion, and pure brass energy!Get access to video for each episode by checking out ⁠⁠The Johnny Rogers Show⁠⁠ on YouTube-

Die Schweizer Brass Band «Nationalmannschaft» zelebriert ihr Jubiläumsjahr mit einem reichhaltigen Programm. Die Nationale Jugend Brass Band NJBB besteht aus einer A- und einer B-Band. «Die Plätze in der NJBB sind heiss begehrt», sagt NJBB-Präsidentin Monika Bandi der SRF Musikwelle. Nicht nur für die Aufnahme in die NJBB müssen die Jugendlichen eine Prüfung ablegen, am ersten Kurstag steht gleich noch einmal ein Vorspiel an. Bei der sogenannten «Stuhlprüfung» werden die letzten Umverteilungen von Stimmen vorgenommen. «Wir wollen die 50 besten Musikantinnen und Musikanten in der A-Band haben», sagt Monika Bandi. Im Gegenzug für ihren Einsatz für die NJBB erleben die Jugendlichen ein einzigartiges Gemeinschaftsgefühl und sie erhalten unvergessliche Konzerterlebnisse: Ab Mittwoch, 9. bis 13. Juli ist die NJBB auf Konzerttournee in Interlaken, Grindelwald, Oensingen Courtételle, Andermatt, Bregenz und Conthey.

This week's episode features a special guest, Nicolas Propes, the talented director of the Big River Brass Band.

La pli veglia musica dal chantun Grischun festivescha ses giubileum er gist cun ina concurrenza da Brass Bands. Fundada il 1803 è la Musica da Domat gist tuttina veglia sco il chantun Grischun. 222 onns è bain in bel dumber per festivar da camifo quest anniversari. Sper la concurrenza da divertiment «Mountain Brass in Concert» ha la musica però er edì l'emprima cronica da la musica. En l'Artg musical discurran l'istoricher local Theo Haas ed il president d'onur da la Musica da Domat, Albertus Durisch, davart l'istorgia, il svilup e la muntada da l'uniun.

Anlässlich ihres 222 Jahre-Jubiläums lanciert die Brass Band Musica da Domat einen neuen Brass Band Wettbewerb. Der Wettbewerb «Mountain Brass in Concert» findet am Samstag, 21. Juni 2025, in Domat/Ems statt. An der ersten Austragung nehmen sechs Brass Bands teil. · Brass Band Eglisau · GR Brass · Liberty Brass Band · Musikgesellschaft Risch-Rotkreuz · Oberaargauer Brass Band · Universal Brass Band Die Bands spielen jeweils ein 30 bis 35 Minuten langes Programm. Gefragt ist hochstehende Unterhaltung (d.h. keine Wettbewerbsliteratur), wobei die Bands in der Programmgestaltung recht frei sind. «Die Bands können sich zur Musik bewegen, mit Filmprojektionen arbeiten und so weiter”, sagt Contest-Controller Gian Stecher im Gespräch mit der SRF Musikwelle. Die teilnehmenden Brass Bands werden von einer dreiköpfigen Jury bewertet. Beim Spezialpreis «Bestes Unterhaltungsprogramm» kann zudem auch das Publikum mitbestimmen. «Mountain Brass in Concert» lehnt sich an den britischen Wettbewerb «Brass in Concert» an. Dieser seit 1977 bestehende Wettbewerb erfreut sich grosser Beliebtheit. Die Erstausgabe des Schweizer «Mountain Brass in Concert» wird vom rätoromanischen Radio RTR per Video-Livestream übertragen. Der Wettbewerb startet am Samstag, 21. Juni 2025, um 12:30 Uhr. Initiantin des «Mountain Brass in Concert» ist die Musica da Domat. Die Brass Band aus Domat/Ems feiert 2025 ihr 222-jähriges Bestehen. Damit ist sie die älteste aktive Musikgesellschaft im Kanton Graubünden. Am Freitag, dem 20. Juni 2025, gibt die Musica da Domat ihr Jubiläumskonzert, bei dem sie das Publikum auf eine Zeitreise durch 222 Jahre Geschichte mitnimmt.

The Combination of Thomasina Petrus singing in front of the Selby Avenue Brass Band has been very well received. Catch this pairing in a comfortable listening situation, Crooners Supper Club in Fridley, Friday evening June 13 from 8 till 9:30. The leader of the Selby Avenue Brass Band is Tom Wells. Tom and Thomasina met with Phil Nusbaum to talk about the show, and first, Tom talked about the quality of the ensemble playing on a piece called Selby Strut.

Author : Katie McIvor Narrator : Eliza Chan Host : Scott Campbell Audio Producer : Chelsea Davis PseudoPod 978: Where the Brass Band Plays is a PseudoPod original. CW: environmental horror, parent loss; grief, reality vs. illusion, nostalgia, willful blindness From the author:  “This story grew out of the feeling that we live in an […]

This week on the Podcast this week Tom and Dick are talking about St Pats Brass Band.You can find the articles referenced in this podcast on www.advertiser.ie/galway.If you have a message for Tom or Dick please email us at oldgalwaydiary@advertiser.ie

The Old Galway Diary Podcast - Episode 206 - St. Patricks Brass Band by Advertiser.ie

Host: Coach Guests: Dr. Jonathan Hinkle, Garrett O'Connor, Alex Pawlowski, Martin Faut, Ian Pietro Air date: Apr 23, 2025

DJ Stilo takes us into the upside down world of blends and remixes with sneaky 45s from DJ Goce, Wally Puma, DJ Bacon and Casual Connection. Plus smoldering soul by Tanika Charles and Hot 8 Brass Band, overproof boombap with Doechii & J.Period and a brand new posse cut with the Native Tongues all-stars. View the full playlist for this show at https://www.wefunkradio.com/show/1244 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

It's been two weeks since ICE picked up immigration activist Jeanette Vizguerra and her lawyers are now arguing that her detainment is unconstitutional and violates the First Amendment. Meanwhile at the statehouse, lawmakers are debating the financial impacts of reproductive healthcare access on the state's budget after voters enshrined the right to abortion in the Colorado constitution last year. Host Bree Davies is joined by Denver Post immigration reporter Megan Ulu-Lani Boyanton to discuss her latest coverage, and a listener calls in with a list of brass bands to know around the Mile High. Listener Billy from Lakewood recommended Guerilla Fanfare Brass Band, Badaboom Brass Band, Gora Gora Orkestar, and Brothers of Brass.  For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm What do you think? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 Learn more about the sponsors of this episode: Bookshop.org - Use code CITYCAST to get 15% off your next order CAP Management Midrolls Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

1.  David Lynch - Pinky's Dream. 2.  The KVB - Black Is Black. 3.  Yndling - It's Almost Like You're Here. 4.  Étienne de Crécy - Brass Band. 5.  Holy Motors - Ghost of Heart. 6.  Widowspeak - Harsh Realm. 7.  Still Corners - I Wrote in Blood. 8.  Papercuts - Future Primitive. 9.  MIEN - Empty Sun. 10.  Motorbike - Currency. 11.  Amyl and The Sniffers - Security. 12.  IDLES - Television. 13.  Fontaines D.C. - It's Amazing To Be Young. 14.  Teenage Fanclub - Everything Flows. 15.  Hannah Cohen - Draggin'. 16.  Theodor - Lucifer. 17.  Inventory - Photobomb. 18.  Crate - Necklace. 19.  LAAVU - Вспять. 20.  Punchlove - (sublimate). 21.  The Horrors - Ariel. 22.  trentemøller - Behind My Eyes. 23.  Wyldest - Lovesong. 24.  Drew Friel - Sober.

Our guest for Episode 58 is the fabulous Lisa Bontrager, Emeritus Professor of Horn at Pennsylvania State University, and a member of the IHS Advisory Council and the Brass Band of Battle Creek, among many other engagements! Episode Highlights Musical Inspirations Teaching philosophy, other pedagogical ideas Studying with Louis Stout at the University of Michigan Advice for new or aspiring professional musicians and/or college teachers Brass band, brass quintet Chamber Music Brass Band of Battle Creek, tenor horn Millenium Brass MirrorImage Duo Importance of the IHS, serving in the Advisory Council    

Muchas personas me preguntan el motivo real de que B90 no esté en Spotify, os lo cuento. Suenan: Denise LaSalle y Hot 8 Brass Band. + info - https://linktr.ee/b90podcast Espacio patrocinado por: jvcliment, Jaume Solivelles, Dreifor, Javier Alcalde, jmgomez, Jorge - Chisco Fernández Sainz - Ana Isabel Miguélez Domínguez - Pablo Carrasco Santos - Iñigo Albizu - Rachael - utxi73 - Jorge Sánchez - Naïa - Dani GO - kharha - garageinc78 - Juan Carlos Acero Linares - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Nerdo IsMe - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - Barrax de Pump - PDR - Fernando - QUIROGEA - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - victorguibor - Alvaro Gomez Marin - Achtungivoox - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Rosa Rivas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Raul Sánchez - Nuria Sonabé - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas.

Every Tuesday in The Feed @CTFoodGirly comes on to talk food, dining, and drinks here in Connecticut. With today being Mardi Gras (Fat Tuesday!) she's bringing the NOLA up to CT with all the best places to find southern New Orleans cuisine and even some Mardi Gras celebrations that are going down here in Connecticut. Image credit: Getty Images

Full show: https://kNOwBETTERHIPHOP.com Artist Played: E-Turn, Prowess The Testament, conshus, Just Be, JBiz, JuniAli7, Phels, Hot 8 Brass Band, Michi, De La Soul, Shade Cobain, Sankofa, Burnt Bakarak, Salami Rose Joe Louis, Kuna Maze, Mugs and Pockets, Joao Selva, Moka Only, Reckonize Real, Emma-Jean Thackray, BLAND, Inkswel and Lee Scratch Perry, Elf Tranzporter, Alsarah and the Nubatones, Arrested Development, OutKast, GOODie MOb, IMAKEMADBEATS

Today, we're celebrating the Mardi Gras season, right before Fat Tuesday, around the state! In the building once again is none other than Epic Funk Brass Band on House Band Duty for the entire show and for our first stop, we'll learn all about our state's Mardi Gras History at Coastal Mississippi Mardi Gras Museum with Executive Director Abreeza Thomas… then we're off to Meridian for The Gumbo Gala: A Sassy Swamp Soirée at MSU's Riley Center with the MS Symphony Association, happening March 1st! We'll also check out what's happening around your neck of the woods! Laissez les bons temps rouler, buckle up, and hold on tight for your Next Stop, Mississippi!Check out this episode on MPB's YouTube Channel: Next Stop, Mississippi | Epic Funk Brass Band, Coastal MS Mardi Gras Museum, & The Gumbo GalaNext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.

This week on The Tangential Music Show, immerse yourself in a vibrant tapestry of genres featuring artists like the dynamic Hot 8 Brass Band, who blend New Orleans jazz with funk and hip-hop and the legendary Shirley Bassey, renowned for her powerful vocals and timeless classics. We'll also showcase the innovative sounds of Dowdelin, known for their fusion of Creole jazz and electronic beats, and the soulful melodies of Tara Lily, who seamlessly integrates jazz with contemporary influences. Join us for an eclectic mix that transcends musical boundaries, promising a journey through both classic and contemporary tunes.For more info and tracklisting, visit: https://thefaceradio.com/tangential-music/Tune into new broadcasts of the Tangential Music, 3rd Saturday from 8 - 10 AM EST / 1 - 3 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

The Chicago ensemble brought their horns and big band sound, infused with elements of hip-hop, funk, reggae and pop, to KNKX's Seattle studios.

Soul from Kymara and SAULT. A new track from WheelUP. Broken Beat from Close Counters feat Allysha Joy, Son Of Dan and Domu remixing Bread & Souls. A classic from Moonstarr. Hip Hop from SALIMATA, Doechii and A.D.O.R (Rest In Peace). A deep quality track from Aanya Martin. Kero One remixes a Portishead classic. Plus plenty more music treats.

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Millatron, Marz Mello, Shinobi Stalin, DH, Crew54, Trust Burnem, conshus, Mad Sexual Genius, Kramer, Tensei, Michi, R.A.P. Ferreira, Yukimi, Fernie, Alsarah and the Nubatones, Ghost Funk Orchestra, Free Daps, Choses Sauvages, Cavalier, Child Actor, Hot 8 Brass Band, Ensilence, Tekbeatz, Songhoy Blues, Brother Ali, Tara Lily, Surya Sen, Scar, Sleepy Brown, OutKast, GOODie MOb, IMAKEMADBEATS

Happy 2025! Our guest for Episode 55 is the amazing Brian KM! Show Notes Brian's Website: briankm.com  Brian's Socials: IG: @imbriankm YT: @imbriankm TikTok: @imbriankm The AI Code of Ethics for Artists: https://www.briankm.com/ai.html  Musical Influences: https://juliakent.com  https://danielherskedal.com  https://www.rachelkcollier.com  https://www.daftpunk.com  Brass Bands: https://diebrasserie.com  https://www.brassdelirium.com Conan Clip: What an Audience Wants https://youtube.com/clip/Ugkxx87HaDx1VlpAwqqZvAIqPZbF1s84LaAK?si=SNQhXuA2zDu14WEK Ableton Live: Brian's Software https://www.ableton.com  Musical Entrepreneurship Advice: http://meganihnen.com  Brian's Audio Setup (See below)  

Find out about the oldest brass band in Australia and the Southern Hemisphere which hails from a small town in the Barossa Valley 

New Orleans Grammy-winning artists Hot 8 Brass Band are putting the finishing touches on their new album due in late February 2025, so while we wait, let’s take in their signature party-marching-band sound on the title track “Big Tuba.”   

A track in tribute to the excellent poet and activist Nikki Giovanni. Deep downtempo music from Anchorsong remixed by Salamanda, and Duval Timothy. Soul from Yaya Bey, dego feat Samii and a classic from Blue Zone (feat Lisa Stansfield on vocals). Uplifting house from Julio Bashmore feat J'Danna, Gayance feat Judith Little D and Walter Murphy. A quality Jungle track from Tim Reaper and Kloke from their album on Hyperdub. A Bruk blend of Haze City with the current Grime Scene Saviours tune from Chip and a whole host of Grime legends. A new tracks from Hot 8 Brass Band. Plus plenty more music treats. 

Full show: https://kNOwBETTERHIPHOP.com Artist Played: Butta Verses, conshus, DJ Center, Oddisee, Shinobi Stalin, Wahid, Merna, Juga-Naut, Mr Brown, K S R, Konny Kon, Connie Price, The Keystones, Fullee Love, Soup, Jurassic 5, Hasizzle, spill tab, El Michels Affair, Okito Sisi, Okito, Big Punisher, Fat Joe, VinS da Cuero, Nilufer Yanya, Anwar HighSign, Arckatron, Colette Chantel, Theory Hazit, Jae Skeese, 49th and Main, Hot 8 Brass Band, Raekwon, OutKast, GOODie MOb, IMAKEMADBEATS

Continuing our series with Vince DiMartino, Vince discusses the transition and challenges of playing classical music from other genres, highlighting the importance of using the right methods, such as solfège. The conversation also delves into Vince's days as a student at the Eastman School of Music, playing with iconic figures like Clark Terry, which planted seeds for what came to be known as the Great American Brass Band Festival, still held every June in Danville, KY. Episode highlights:00:11 Challenges in Classical Music00:42 Jazz Influence and Methodology01:41 Early Career and Influences02:16 Experiences at Eastman School of Music05:40 Clark Terry and Professional Growth06:57 Brass Band Festival Origins10:56 Retirement and Legacy12:48 Conclusion and Call to Action**Mastery Is Within Reach. Will You Go For It?Follow Brass Mastery and stay updated via email every time a new episode is released at https://brassmastery.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit brassmastery.substack.com/subscribe

In this episode of Backstage Sonoma, host Steve Roby chats with Keith Frazier, a founding member of the legendary Rebirth Brass Band. Rebirth has been a cornerstone of New Orleans brass for over four decades, blending the Crescent City's traditional sounds with modern funk, soul, and hip-hop influences. The band's infectious energy and genre-defying innovation have earned them two Grammy Awards, and they continue to inspire a new generation of music lovers worldwide. In this exclusive interview, Keith dives into the band's evolving sound, songwriting process, and what it's like to keep the spirit of New Orleans alive while continually pushing boundaries. Whether they're parading down the streets of their hometown or taking the stage at iconic venues like Sweetwater Music Hall, Rebirth Brass Band remains a force of musical celebration. Tune in as Keith shares some of his favorite memories, from collaborations with Ani DiFranco to the origins of their iconic hit, "Do What You Want To." Episode Highlights: The Roots of Rebirth: How Rebirth Brass Band keeps New Orleans traditions alive while incorporating funk, soul, and hip-hop influences. Songwriting Evolution: Keith discusses the band's democratic process, in which all members contribute ideas and the magic behind their biggest hits. Fan Connection: Keith shares how Rebirth engages with their audience during live shows, often letting the crowd dictate the setlist. Tour Talk: Excitement about their upcoming tour and how each new audience brings fresh energy to the band's performances. Behind "Do What You Want To": The story behind one of their most famous Mardi Gras anthems and its timeless New Orleans spirit. Featured Songs: "Feel Like Funkin' It Up" "New Orleans Girl" "Do What You Want To" Links: Rebirth Brass Band Official Website Sweetwater Music Hall Social Media Hashtags: #RebirthBrassBand #NewOrleansMusic #BrassBand #SweetwaterMusicHall #BackstageSonoma 

Unkle Chip hits all the sweet spots with sample breakdowns, dope covers and dancefloor magic featuring Cal Tjader, René Costy, Hot 8 Brass Band, Five Star, Kashif and more. Plus a Crooklyn homage from Napoleon da Legend & Amerigo Gazaway, soulful boombap from Edo G, and a glance back to JB soul powerhouses Marva Whitney, Vicki Anderson and Lyn Collins. View the full playlist for this show at https://www.wefunkradio.com/show/1224 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

In this episode I chat to returning guest Gavin Holman about his research into the first recorded brass band contests and the most well documented event - Burton Constable. We talk instrumentation, perverse serpents, cutting reviews, issuing challenges and clergy adjudicators.   the Internet Bandsman's Everything Within https://www.brassbandresults.co.uk/  

John R. Beck, Professor of Percussion at the University of North Carolina School of the Arts, also teaches at Wake Forest University. He is the principal percussionist of the Winston-Salem Symphony and is a member of the Greensboro Symphony, Brass Band of Battle Creek, and the Philidor Percussion Group. A former member of the United States Marine Band, for 10 years he performed regularly with the National and Baltimore Symphonies, Washington and Baltimore Operas, and the Theater Chamber Players of the Kennedy Center. Beck has toured the United States as a xylophone soloist with the Jack Daniel's Silver Cornet Band, Brass Band of Battle Creek, and the New Sousa Band. John is a Past President of the Percussive Arts Society and presents clinics endorsing Yamaha percussion instruments, Zildjian cymbals, Innovative mallets, and is a Remo Endorsed Drum Circle Facilitator in the Health and Wellness community. In this episode, John talks about: What it means to play credibly How his thoughts on versatility vs. specialization have evolved  Questioning the relevance of knowing how to read a big band chart How getting good at drumset gives percussionists a better sense of internal time The advantages and baggage that came with being John Beck's son Valuing sound over everything, regardless of instrument or genre His time as president of PAS and helping the organization become more inclusive and outward-looking

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 1924, the crown prince and future emperor of Ethiopia, Ras Täfäri, on a visit to Jerusalem, called on forty Armenian orphans who had survived the genocide of 1915-1916 to form his empire's royal brass band. The conductor, who was also Armenian, composed the first official anthem of the Ethiopian state. Drawing on this highly symbolic event, and following the history of the small Armenian community in Ethiopia, in The Brass Band of the King: Armenians in Ethiopia (Bloomsbury, 2024) Boris Adjemian shows how it operated on the margins of political society, hiding in its interstices, preferring intimacy and discreet loyalty to the glitter of open politics. The astonishing role of the Armenians in their host country was embodied in the friendship that the kings and queens of Ethiopia extended to them, a theme that is echoed in the life stories collected from their descendants. Bringing to light the political and cultural importance of a community that has long been ignored and has almost vanished, this study draws on the collective memory of Armenian immigration and the centuries-long history of proximity between the Armenian and Ethiopian Churches. The author argues for a sedentary approach to the diaspora, for a socio-history of this collective rootedness, which dates back to the 19th century and builds on historical representations of otherness from the early modern period up to the colonial era. Highlighting stateless immigrants halfway between the national and the foreign, this history reveals the agency of stateless immigrants and their descendants, their ability to play with identities and undermine assigned belongings. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soul from Lynda Dawn & Demae. Rap from Lex Amor, dereck d.a.c, Sonja Blade & Jaycen Spades. Broken Beat from Matica remixing Cengiz, Footshooter feat Natty Wylah & brother portrait. A track from Quantic on Aus Music. Drum & Bass from Zero T, Calibre, Hight Contrast and Demolition Man. New music from Hot 8 Brass Band. A Gospel Soul stomper from Evelyn Freeman. A track from the Ezra Collective album. Plus plenty more music treats.

We're back with our season wrap episode. Thanks for listening to season 19. And thank you to everybody who's watched the show on YouTube. In today's episode we break down two of our favourite songs, rather than our own as we normally do. One Queen song. One Irving Berlin. Who chose which? mail the show! - weeklysongpodcast@gmail.com Follow WSP on Instagram - https://lnk.bio/weeklysongpodcast Listen to our collab project Schnookums! - https://schnookums.bandcamp.com/album/attaboy Declan's music: https://open.spotify.com/artist/7bMtbyTnDHGXr64oThq6eJ?si=1jMD_D_PRjCWwMrnu8QjoQ Roger's music: https://lnk.bio/rogerheathers

On News Time, we count down five news stories from around Australia and the world, and today's show has a tasty mix of news morsels for you. I've got award winning lunch orders, booming brass bands and cool coastal science on the menu.Quiz Questions1.Can you name two of the veggies in the pasta?2.How many new species were added to the National Species List?3.In which town, starting with B, is the all-ages brass band?4.What's the indigenous name for Botany Bay?5.What kind of mushroom have the scientists used for the robot? Hint: It's a little bit royal!Bonus Tricky QuestionWhat's the name of the rootlike structures that the mushroom has grown into the hardware?Answers1.Any two of these: sweet potato, tomato, carrot, cauliflower, capsicum and zucchini 2.7503.Bega4.Gamay5.King OysterBonus Tricky AnswerMycelium

If you’ve seen Big Wy’s Brass Band, then you’re already hip to the spark that is multi-instrumentalist Wyatt Corder. Furthermore, you’re probably familiar with the fact that Wy’s got high standards for the folks he plays with; if he hand picks you as a performer, it’s a real privilege…especially when it comes to pulling off […] The post Allisen & The Wy’s Guys: “Tell Me (Like A Man)” appeared first on KUT & KUTX Studios -- Podcasts.

Google antitrust decision party: celebrating the DOJ's win over the monopoly Tomaš Dvořák - "Game Boy Tune" - "Mark's comments" JARC - "Move On Up" [0:22:54] Pookiesnackenburger - "Just One Cornetto" [0:22:41] Har-You Percussion Group - "Welcome to the Party" [0:22:27] Hot 8 Brass Band - "shake your body (down to the ground)" [0:34:39] - "Hampsterdance Song" [0:44:00] Buffalo MC - "Stop and Bust a Move" [0:47:17] Anders Enger Jensen - "Jump (For My Love) Mega Jump Version" [0:52:16] Green Leaves - "Yatta" [0:55:29] https://freeform.wfmu.org/playlists/shows/142851

Google antitrust decision party: celebrating the DOJ's win over the monopoly Tomaš Dvořák - "Game Boy Tune" - "Mark's comments" JARC - "Move On Up" [0:22:54] Pookiesnackenburger - "Just One Cornetto" [0:22:41] Har-You Percussion Group - "Welcome to the Party" [0:22:27] Hot 8 Brass Band - "shake your body (down to the ground)" [0:34:39] - "Hampsterdance Song" [0:44:00] Buffalo MC - "Stop and Bust a Move" [0:47:17] Anders Enger Jensen - "Jump (For My Love) Mega Jump Version" [0:52:16] Green Leaves - "Yatta" [0:55:29] https://www.wfmu.org/playlists/shows/142851