Podcasts about Dread Scott

In episode s3e48, Platemark host Ann Shafer speaks with Deb Chaney, Tamarind-trained master printer specializing in lithography. She has an eponymous imprint, Deb Chaney Editions and has started a new venture with Stéphane Guilbaud—D&S Fine Art Editions—to whom she is fairly recently married. They have studios in Upstate New York (studio to be built), Paris, and LaForce, France. Ann and Deb talk about the beauty of litho stones, common problems that come with printing lithographs, why litho inks are more saturated than other types of inks, how the Tamarind program works, why printers are the nexus of the whole system, and the surprising differences between the print ecosystem in France versus the United States. Deb is a delight and super knowledgeable. You'll learn more about the chemistry of lithography (adding to the history of litho we got from Michael Barnes in episode 25), and so much more.   Ethan Murrow (American, born 1975). Quietude, 2022. 4-color stone lithograph. 62 ½ x 47 in. Published by D&S Fine Art Editions. Dasha Shishkin (American, born Moscow, 1977). 9 Pickles, 2020. Portfolio of 9 stone lithographs. Each: 16 x 12 in. Published by Deb Chaney Editions. Deb Chaney sponging the stone for Dasha Shishkin's lithograph Good Night and Good Luck, 2021. Art Spiegelman (American, born Stockholm, 1948). Trump L'oeil, 2018. 7-color stone lithograph. 30 x 22 in. Published by MEL Publisher; printed by Deb Chaney Editions. Beauvais Lyons (American, born 1957). Flea Circus, 2015. Lithograph. Hokes Archives, University of Tennessee, Knoxville. Anita Jung (American, born 1960). Hole in the Sky, 2019. Acrylic on paper. 30 x 22 in. A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Dread Scott and Jenny Polak at work in D&S Fine Art Editions's studio, Paris. Dread Scott (American, born 1964) and Jenny Polak (American, born 1974). Délivré, 2023. 8-color stone lithograph. 37 1/2 x 28 ½ in. (96 x 72 cm.). Published by D&S Fine Art Editions. D&S Fine Art Editions's studio in La Force, Bergerac, France. Ethan Murrow at work in D&S Fine Art Editions's studio.  Deb Chaney (American, born 1978). La Habana, 2014. Monotype collage. 20 x 32 in. Publisher Spotlight: D&S Fine Art Editions. Installation at Print Center New York, 2023, featuring lithographs by Dread Scott and Jenny Polak, Ethan Murrow, and Dasha Shishkin. Stéphane Guilbaud (left) and team in the D&S Fine Art Editions's Paris studio. The giant Voirin Press in D&S Fine Art Editions's Paris studio with Ethan Murrow's Quietude, 2022.

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This week, Norah joins Ben to talk about a subjective… subject.  The word is art, so prepare yourself for a more philosophical episode than you're used to.  The hosts share their love of observing, appreciating, making, and talking about art.  Ben tells a few stories, Norah brings her research, and they both drop many artist and architect names.  For details about the episode's "video game bookends," see below!  Video games mentioned or discussed (albeit briefly) in this episode include:  Mahjong Dimensions - by Arkadium Pocket Card Jockey: Ride On! - GAME FREAK The Grand Theft Auto franchise - Rockstar Games World of Demons - PlatinumGames Odin Sphere: Leifthrasir, 13 Sentinels: Aegis Rim, and Dragon's Crown - Vanillaware Jet Set Radio - Smilebit and Sega The Borderlands franchise - Gearbox Software 00:00:21 - Chicago snowstorms, gauntlets, removable hands, and one big wind tunnel 00:02:30 - What we are playing these days: Mahjong Dimensions and Pocket Card Jockey 00:05:27 - An impromptu endorsement of Apple services and products 00:06:40 - Art according to Oxford Languages, the 13 Bhutanese Arts, and the Art of War 00:10:30 - Subjectivity, relativity, no abbreviations, “art thou,” and ars  00:12:20 - Personal meanings of the word, Ben's arts of podcasting, and NFT-like episode titles 00:15:30 - Ben asks, “when you follow a pattern, are you creating art?” 00:17:42 - Norah's “not normal people” when drawing and painting, and Ben's modern art  00:20:46 - Paint by numbers is so much easier with iPads, and representative art philosophy 00:26:28 - Impressionism, art as form, Norah loves Frank Gehry, and noisy mimes 00:33:32 - Architecture of Louis Sullivan, Frank Lloyd Wright, and Ludwig Mies van der Rohe  00:35:47 - Ben's Mister 20 / POÄNG chair diversion, and an architect's furniture designs  00:38:51 - HEY GRAHAM!  Do you know what would make this podcast better? 00:40:42 - Norah's experiences at this year's International Puppet Festival in Chicago 00:43:19 - Bad puppet show criteria, Tony Scott, and thinking about what isn't art 00:45:51 - Paul's impressive latte art, art student Dread Scott, and the movie “So Fine” 00:50:38 - The use photorealism and other stylistic choices in video games 00:54:09 - Ben loves Vanillaware Ltd.  games, and talks about the company's history 00:57:25 - Ben tries to explain hand painted images, RTS games, and pointless teasers  01:00:01 - “Better Off Ted,” Jabberwocky, and Ben loses his train of thought 01:02:20 - Norah impressed by the art style of “World of Demons” 01:04:28 - The cel shading game art style, ne'er-do-wells, graffiti art, and Jean-Michel Basquiat  01:08:40 - Perceptions of art, closing thoughts, the art of shame  If episode graphics are not displayed or supported by your preferred podcast app, you can check them out at www.twovaguepodcast.com .

Knight takes a deep dive on twenty artists who inspired him to use his art to address social issues—artists like Ollie Harrington, Langston Hughes, Octavia Butler, Oscar Michaux, James Baldwin, alongside current artists like Dread Scott, Public Enemy, and Fly.

The Dread Scott Case was important Supreme Court Case that impacted the future of slavery in the United States.

Artist Dread Scott discusses his art and activism

ศิลปะการต่อสู้ตอนนี้จะพาคุณไปรู้จัก Dread Scott ศิลปินหลากหลายแขนงตั้งแต่ Performnce Art, Vusual Art ไปจนถึงการทำงานศิลปะบนอินสตาแกรม งานของเขาถูกสร้างขึ้นมาเพื่อเรียกร้องสิทธิและต่อสู้กับความไม่ยุติธรรม ตั้งคำถามให้สังคมเกี่ยวกับเรื่องที่แตะต้องไม่ได้ เช่น ความสูงส่งของธงชาติอเมริกัน และล่าสุด ศิลปินวัย 56 คนนี้ได้สร้างผลงานชื่อ ‘White Male for Sale' ในตลาด NFT  ดำเนินรายการ : ภาสินี ประมูลวงศ์

Wassan Al-Khudhairi, Chief Curator of the Contemporary Art Museum St. Louis, stopped by to talk with Nancy about the museum and one of the current exhibitions, Stories of Resistance.  Stories of Resistance explores artistic forms of resistance from across the world. Through visual narratives, artists amplify and bring to focus the multitude of conditions that ignite and inspire people to resist. The exhibition activates the entire museum space, inside and out, with video, photography, drawing, sculpture, painting, and installation. Presenting narratives from many social, political, and geographical spaces, the artists include: Bani Abidi, Andrea Bowers, Banu Cennetoğlu, Torkwase Dyson, Emily Jacir, Glenn Kaino, Bouchra Khalili, Candice Lin, Jen Liu, Guadalupe Maravilla, Tuấn Andrew Nguyễn, Trevor Paglen, PSA: (Jen Everett, Aida Hasanović, Simiya Sudduth), Wendy Red Star, Dread Scott, Kemang Wa Lehulere, and Wide Awakes (Maryam Parwana, Combo, Otherward). St. Louis serves as an ideal platform for Stories of Resistance. Resistance movements that have arisen here, most especially the rise of Black Lives Matter in response to the police killing of Michael Brown, have incited global actions against racism and injustice. By looking through a local lens, the exhibition draws connections worldwide, revealing profound influences that traverse borders and cultures. With this in mind, Radio Resistance, an integral component of the exhibition, will broadcast conversations between exhibiting artists and artists, activists, scholars, and others with a deep knowledge and experience of St. Louis. Because of radio's legacy as a tool for dissent, it serves as the medium for dialogue between intersecting local and global agents of change. Alongside the exhibition and radio program, a CAM publication will include images of works in the exhibition and writings that further explore and expand on the ideas and themes of Stories of Resistance.   Stories of Resistance, installation view, CAM.  Photo: Dusty Kessler Wassan Al-Khudhairi: Chief Curator at CAM  

A closer look at the Dread Scott case that is still in effect today --- Support this podcast: https://anchor.fm/xtabi-media/support

Is rebellion a norm, or is it exceptional? In this episode, artist Dread Scott and scholar Walter Johnson discuss the community-engaged performance Slave Rebellion Reenactment and the inspiring true story of the largest uprising of enslaved people in US history, in 1811. Scott and Walker discuss the power of culture to unify and catalyze people, as well as the proposition that the most radical views of freedom in early American history were held in the minds of enslaved people.Dread Scott is an artist who makes revolutionary art to propel history forward. In 1989, Scott became part of a landmark Supreme Court case when he and others defied the new law by burning flags on the steps of the U.S. Capitol. Photographs and flags from his community-engaged performance Slave Rebellion Reenactment are included as part of the exhibition Stories of Resistance. Walter Johnson is Winthrop Professor of History and Professor of African and African American Studies at Harvard University and author of The Broken Heart of America: St. Louis and the Violent History of the United States. He is a founding member of the Commonwealth Project, which brings together academics, artists, and activists in an effort to imagine, foster, and support revolutionary social change, beginning in St. Louis.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

Episode No. 478 is a holiday weekend clips episode featuring artist Dread Scott. For thirty years, across sculpture, installation, performance, photography and video, Scott’s art has relentlessly addressed the racism within and failures of the American system. This program was recorded and aired the week after George Floyd was murdered by Minneapolis police.

For the 9th episode of AW Classroom, founder of AW, Kiara Cristina Ventura, takes us through works by artist Dread Scott. Particularly, we dive into how he changed US Law and uses the flag as a medium to make a statement about the historical foundation of the US and the overall discrimination against the black community within the US. AW CLASSROOM is a series of talks and art history classes highlighting the work of artists and creatives of color. Find out more at ARTSYWINDOW.COM. To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Much love! We recently made a patreon to support our work: https://www.patreon.com/ARTSYWINDOW Follow us on the gram: @artsywindow Tiktok: @artsywindow --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artsywindow/support

Episode No. 448 features artist Dread Scott. Scott's 2015 "A Man Was Lynched by Police Yesterday" is one of the major American artworks of the decade, and is sadly, immediately relevant in the wake of the killing of George Floyd by Minneapolis police last week. For thirty years, across sculpture, installation, performance, photography and video, Scott's art has relentlessly addressed the racism within and failures of the American system. Scott's work is in the collections of art museums such as the Whitney Museum of American Art and the New Museum, both in New York, and the Brooklyn Museum. He recently presented "Slave Rebellion Reenactment," a performance which re-enacted a march by formerly enslaved people to seize Orleans territory in 1811. Scott is collaborating with two-time MAN Podcast guest John Akomfrah to make a film installation based on the performance's ideals.

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! In honor of The 1811 German Coast uprising January 8-10, 1811, we rebroadcast interviews and conversations of Reenactors Nov. 8-9 with Dread Scott, artist, whose vision it was to restage a Reenactment of this historic event Nov. 8-9, 2019 along River Road into New Orleans.  This revolt of enslaved African men and women in parts of Orleans Territory on the east bank of the Mississippi River occurred in what is now St. John the Baptist, St. Charles and Jefferson Parishes, Louisiana. There were three shows, Nov. 20-27. This is the second show, Thursday, Nov. 21, 2019.  https://ushistoryscene.com/article/german-coast-uprising/  

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! In honor of The 1811 German Coast uprising January 8-10, 1811, we rebroadcast interviews and conversations with Dread Scott, artist, whose vision it was to restage a Reenactment of this historic event Nov. 8-9, 2019 along River Road into New Orleans.  This revolt of enslaved African men and women in parts of Orleans Territory on the east bank of the Mississippi River occurred in what is now St. John the Baptist, St. Charles and Jefferson Parishes, Louisiana. https://ushistoryscene.com/article/german-coast-uprising/ NCR article by Jason Berry: Beneath the gentility, a harsh, hidden past Reading (pp 48-55) taken from On to New Orleans: Louisiana's Heroic 1811 Slave Revolt by Albert Thrasher. Purchase at Hidden History Tour

What do Janelle Monae, Yelp reviews of plantations and Russian Dixies have to do with artist, Dread Scott? Dread Scott wants us to remember that history is not so far from our present. His work often looks to the past in order to imagine a more just future, and perhaps no project embodies that more as his recent "Slave Rebellion Reenactment." In this piece, Scott brought the Slave Rebellion of 1811 back to life in New Orleans over the course of two days back in November, and he joined MacKenzie in the studio to talk about the project, his influences and punching Nazis.

Farnaz Fassihi, from the New York Times, joins Christiane Amanpour to discuss the recent deadly protests in Iran. A 50 percent rise in oil prices triggered national unrest, and thousands of Iranians have taken to the streets in protest with deadly consequences. She gives her gives her view on the brutal crackdown on demonstrators. Péter Szijjártó, the Hungarian Foreign Minister, talks all things NATO as the summit took place in London this week. He discusses everything from migration, to climate change, to tensions with Ukraine, in a wide-ranging conversation. Artist Dread Scott looks back on his recent recreation of a Louisiana slave revolt from 1811, the German Coast Uprising. He outlines why he thinks so many people wanted to come together to recreate the forgotten rebellion. Our Alison Stewart sits down with designer Christian Siriano to find out more about his rise to the top of the fashion world. Known for his breathtaking visual imagination, and for championing body positivity and diversity on the runway, he talks about why he's not afraid to break the rules.

This is the third conversation in a series, Nov. 20 & Nov. 21, which looks at the historic Slave Rebellion Reenactment Nov. 8-9, 2019 in the places the German Coast Uprising January 1811 took place in Southeast Lousiana. The brainchild of artist provocateur Dread Scott, these conversations are an opportunity for the Army to reflect on the experience and where we go from here.  We are joined by: Jardyn Lake, aka Sweetboi, is a black/queer cultural activist, youth worker, and artist living in New Orleans; Kelsey Robinson is a Pittsburgh and Brooklyn-based actor-singer with an interest in global folk music and theater with a focus on racial/multiracial identity and empathy elevating immersion; Victoria Netanus Grubbs is a PhD Candidate in the Department of Media, Culture, and Communication and New York University. Nicole Eugene is an Assistant Professor at the University of Houston-Victoria. Camellia Moses Okpodu is Professor of Biology and Dean of Arts and Sciences at Xavier University of Louisiana (XULA), New Orleans, LA.; Carrie Hawks (they/them) is a Brooklyn-based filmmaker, animator, artist and performer who focuses on healing and queer narratives. Dread Scott, artavist (artist+activist), provocateur and visionary who pursued the Slave Rebellion Reenactment concept from idea to fruition Nov. 8-9, 2019 in Southeast Louisiana into New Orleans and beyond. https://www.slave-revolt.com/  

Host Deardra Shuler talks with artist Dread Scott regarding his 6 year project in collaboration with John Akomfrah, Ghanaian-British artist, filmmaker, and writer on the Slave Rebellion Reenactment. Jointly they created the film documentation of a performance that includes hundreds of local community members in New Orleans who start in the River Parishes of New Orleans on Nov. 8, and for 2 days November 8-9, reenact a 26-mile Slave Rebellion that will end in Congo Square at an event featuring music and dance from community artists including trombonist Delfeayo Marsalis, rapper Truth Universal and the Kumbuka African Drum & Dance Collective. In 1811, those who hoped to abolish slavery took part in the uprising.  Individuals such as Charles Deslondes, Gilbert, Marie Rose, Jessamine, Quamana, Jupiter and others will be celebrated.  The  German Coast 1811 uprising its said, claimed a total of 200 to 500 slaves participating in a 2-day, twenty six-mile march, wherein slaves burned five plantation houses, several sugarhouses, and crops. They were armed mostly with hand tools. Only 2 whites died and 45 slaves. Whites captured and killed many of the revolting slaves, killing other blacks without trial, as they went along.  Decapitating them and putting their heads on poles as a scare tactic to prevent future revolts. The Slave Rebellion Enactment is a large-scale community-engaged art performance and film project reimagining the largest rebellion of enslaved people in the United States. This project was done in an effort to reclaim a narrative, redefine freedom and revive a story of revolutionary action. This is a project about resistance and freedom, exploring a significant moment in history, to reflect on how the past collides with the present.  

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! We are so excited to speak to participants in the historic Slave Rebellion Reenactment, Nov. 8-9, 2019. Visit https://www.slave-revolt.com/ We speak to Fred T. McWilliams, Baba Luther S. Gray and Camellia Moses Okpodu.  This is part 1 of  series of conversations. The next: Thurs., Nov. 21, 12:30 PM PT and Wed., Nov. 27, 8 AM PT 2. We close with a pre-SRR conversation with Dread Scott.   

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! Dread Scott, artist speaks to us about the January 1811 Slave Rebellion in New Orleans, La, and its reenactment this weekend, Friday-Sat., Nov. 8-9, 2019.  https://www.dreadscott.net/about/ https://www.slave-revolt.com/   2. Rebroadcast of Fugitive Slave Act by Michael Gene Sullivan https://newplayexchange.org/users/159/michael-gene-sullivan

We talk to the artist Dread Scott about his extraordinarily ambitious two-day performance in Louisiana where he and 500 Louisianans in 19th-century dress will reenact a slave rebellion from 1811. And we visit an exhibition of the women connected to the Pre-Raphaelites at the National Portrait Gallery, London. See acast.com/privacy for privacy and opt-out information.

This audio tape, made back in the '80s, describes the decay of society. The Roe vs. Wade decision is the worst since the Dread Scott decision, which dehumanized people of color.

Marc Morial- on the state of the black union. According to Marc Morial President of the Urban League our democracy is under attack. The right to vote is being attacked like never before since the passage of the Voting Rights Act. He blames a trio on attack first and foremost the Supreme Court with its decision in Shelby be holder in the same vein as Plessy v. Ferguson and the Dread Scott case. The second according to Marc are state legislators rolling back access to voting. The third are the Russians seeking to divide and distract us.

Born and raised in New York City to Afro-Dominican parents, Suhaly Bautista-Carolina has designed a career centered on harnessing the collective power of communities through the arts. Over the past 10 years, she has served as a social justice educator, youth advocate, and community organizer both in the U.S. and throughout Latin America. Suhaly has worked in various capacities with organizations such as the Brooklyn Museum, Creative Time, Caribbean Cultural Center African Diaspora Institute (CCCADI), ArtBuilt, and the Laundromat Project. In 2015, Suhaly was a panelist at ArtPrize7's "Reflecting the Times: Arts & Activism" alongside Dread Scott and Arts.Black. She is also a 2016 alumna of CCCADI’s Innovative Cultural Advocacy Fellowship and a graduate of Columbia University's Summer Teachers and Scholars Institute, "The Many Worlds of Black New York." As a curator, Suhaly has worked to design exhibitions and arts programming on behalf of organizations including Art Connects, ArtSpace, and Myrtle Avenue Brooklyn Partnership’s “Black Artstory Month.” Her photographic documents and writings have been published in La Galeria Magazine, Remezcla, United Nations’ International Museum of Women and Caribbean Vistas Journal. She has enjoyed solo exhibitions at New York University (8th Floor Gallery) and La Casa Azul Bookstore and has been featured in Bustle, The Girl Mob, and mitú. Suhaly is a Weeksville Heritage Center Ambassador and serves on the Advisory Boards to Black Girl Project and More Art. She earned her Bachelor’s (B.A.) and Masters in Public Administration (MPA) degrees from NYU, where she was named one of “NYU’s 15 Most Influential Students.” Suhaly lives in Brooklyn with her wife and their daughter, Luna.

There's always good material left on the cutting room floor, so from time to time we'll be posting portions of interviews and other things that didn't quite fit into the monthly episode. In this first supplemental, you'll hear Bob Snead and Nic Aziz speak about the upcoming Slave Rebellion Reenactment, a project conceived and initiated by artist Dread Scott in partnership with Antenna, as well as other things to get excited about in 2019. Uploaded on January 28th 2019. More info on the Reenactment can be found at www.slave-revolt.com

Jingoism! For the inherently racist American imperial project?? Capitalism with a conscious??? We’re NOT having it. We talk destroying and deconstructing the American flag at home and abroad. Please check out the full show notes of this one. If you like us please consider donating for bonus writing, memes, and art: https://d.rip/art-and-labor Follow our new … Continue reading "Episode 14 – What is the Proper Way to Display a U.S. Flag"

In this quick talk, visual artist Dread Scott tells the story of one of his most transgressive art installations, which drew national attention for its controversial use of the American flag and led to a landmark First Amendment case in the US Supreme Court. Hosted on Acast. See acast.com/privacy for more information.

In this quick talk, visual artist Dread Scott tells the story of one of his most transgressive art installations, which drew national attention for its controversial use of the American flag and led to a landmark First Amendment case in the US Supreme Court.

En esta rápida charla, el artista visual Dread Scott cuenta la historia de una de sus instalaciones artísticas más transgresoras, que atrajo la atención nacional por su controvertido uso de la bandera estadounidense y llevó a un histórico caso de la Primera Enmienda en la Corte Suprema de EE. UU.

Au cours de cette petite conférence, l'artiste en arts visuels Dread Scott raconte l'histoire de l'une de ses œuvres les plus transgressives. L'utilisation controversée du drapeau américain a fait écho dans tout le pays et a entraîné une affaire historique à la Cour suprême des États-Unis, affaire en lien avec le premier amendement à la constitution.

Nesta palestra rápida, o artista visual Dread Scott conta a história de uma de suas instalações de arte mais transgressoras, que chamou a atenção nacional por seu controverso uso da bandeira americana e levou a um caso histórico da Primeira Emenda na Suprema Corte dos EUA.

In diesem kurzen Vortrag erzählt Bildkünstler Dread Scott die Geschichte zu einer seiner am stärksten grenzüberschreitenden Kunstinstallation, die nationale Aufmerksamkeit auf sich zog für ihre kontroverse Nutzung der amerikanischen Flagge und die zu einem bahnbrechenden Fall um den Ersten Zusatzartikel im Obersten Gerichtshof führte.

이 짧은 발표에서 시각 예술가 드레드 스콧은 그의 작품 중 가장 관습 저항적이었던 작품의 이야기를 들려줍니다. 논란이 일었던 미국 국기를 전시한 방식과 그로 인해 미연방대법원에서 수정 헌법 1조에 대한 역사적인 판결까지 이끌어 내 전국적인 관심을 끌었던 작품이었습니다.

This week, we break down the stories that made up “The Year in Art”—the most comprehensive overview of art in 2016. From a spate of museum expansions to the controversy surrounding artist Dread Scott’s flag that hung briefly outside a Chelsea gallery, we talk through the moments that defined art this year.

After Youth Rising up Radio on Riverwest Radio, I sat down with Dread Scott, a local Milwaukee artist to talk about Milwaukee, his impressions of Milwaukee and topics of community, the election and his love for Milwaukee. Dread Scott Links Facebook: Leander Scott SoundCloud : https://m.soundcloud.com/unifeyed-society Twitter: @dreadsxtt00 Getting Wavy Links Facebook Getting Wavy with Rob and Adri Twitter @waves414 Soundcloud :Getting Wavy Instagram : toxicavengerxo Check out the podcast on iTunes

After Youth Rising up Radio on Riverwest Radio, I sat down with Dread Scott, a local Milwaukee artist to talk about Milwaukee, his impressions of Milwaukee and topics of community, the election and his love for Milwaukee. Dread Scott Links Facebook: Leander Scott SoundCloud : https://m.soundcloud.com/unifeyed-society Twitter: @dreadsxtt00 Getting Wavy Links Facebook Getting Wavy with Rob and Adri Twitter @waves414 Soundcloud :Getting Wavy Instagram : toxicavengerxo Check out the podcast on iTunes

“I think about posters as a way of starting a conversation, but I don’t feel like we talk enough about how that conversation is started and where that conversation goes beyond talking.” — Kameelah Janan Rasheed On Nov 4, 2015, Interference Archive hosted a panel entitled Solidarity, Distribution, Design: The Poster Today, which explored the intersection of graphic design and socio-political engagement. Josh MacPhee of Interference Archive moderated the event and was joined by artists Dread Scott, Kameelah Janan Rasheed, and Avram Finkelstein for a rousing discussion that touched on topics of appropriation, respectability politics and even the Fast and Furious movie franchise. Produced by Interference Archive. Music: “Welcome Departure” by Ketsa, courtesy of the Free Music Archive.

"I think about posters as a way of starting a conversation, but I don't feel like we talk enough about how that conversation is started and where that conversation goes beyond talking."  -- Kameelah Janan Rasheed   On Nov 4, 2015, Interference Archive hosted a panel entitled Solidarity, Distribution, Design: The Poster Today,  which explored the intersection of graphic design and socio-political engagement.   Josh MacPhee of Interference Archive moderated the event and was joined by artists Dread Scott, Kameelah Janan Rasheed, and Avram Finkelstein for a rousing discussion that touched on topics of appropriation, respectability politics and even the Fast and Furious movie franchise.   Produced by Interference Archive.   Music: "Welcome Departure" by Ketsa, courtesy of the Free Music Archive.

This week we are totally ashamed of Chicago and are collectively horrified by the Tragic death of Laquan McDonald. #blacklivesmatter We are joined by venerable Dread Scott to talk through the problems and possibilities that exist in contemporary America.  

“I knew there was this punk rock stuff, I didn't know anything about it, I just went to a show, and it was like, this is really weird and I kinda like it.” —Dread Scott Dread Scott, artist and friend of Interference Archive, speaks with Vero Ordaz about his art, life, and connections to the Chicago punk scene–including memories prompted by his recent donation of posters to the archive. Image: Burning the US Constitution, documentation of a 2011 performance by Dread Scott (www.dreadscott.net). Music: “Sick of You” by the Britemores, performed live on WFMU’s Three Chord Monte with Joe Belock. Produced by Interference Archive.

“I knew there was this punk rock stuff, I didn’t know anything about it, I just went to a show, and it was like, this is really weird and I kinda like it.” —Dread Scott   Dread Scott, artist and friend of Interference Archive, speaks with Vero Ordaz about his art, life, and connections to the Chicago punk scene--including memories prompted by his recent donation of posters to the archive.  Image: Burning the US Constitution, documentation of a 2011 performance by Dread Scott (www.dreadscott.net).  Music: "Sick of You" by the Britemores, performed live on WFMU's Three Chord Monte with Joe Belock.   Produced by Interference Archive.

This week: Scandal! Economics! Wendy's ads from the 80's!! We talk to Oliver Ressler and Gregory Sholette about It's the Political Economy, Stupid. The economic crisis that we face today has also become a major crisis for representative democracy. The very idea of the modern nation state is in jeopardy as the deterritorialized flow of finance capital melts down all that was once solid into raw material for market speculation. It is the social order itself, and the very notion of governance with its archaic promise of security and happiness that has become another kind of modern ruin. It’s the Political Economy, Stupid brings together an international group of artists who focus on the current crisis in a sustained and critical manner. Rather than acquiesce to the current calamity, this exhibition asks if it is not time to push back against the disciplinary dictates of the capitalist logic and, by use of artistic means, launch a rescue of the very notion of the social itself. The Austrian Cultural Forum New York is pleased to present this new group exhibition which was curated by the Austrian-American team of Oliver Ressler and Gregory Sholette. The show derives its title from the slogan which in the early 1990s came to define then presidential candidate Bill Clinton’s campaign, “It’s the economy, stupid”. PRESS QUOTES: "In the wake of the capitalist crisis, very few cultural institutions have dared to address the horrors of greed that plague us in such a direct and haunting way as the Austrian Cultural Forum." - Alexander Cavaluzzo, Hyperallergic.com, Feb. 13, 2012 "Curated by Gregory Sholette and Oliver Ressler, this is a good old political exhibition, full of sarcasm, hope, protest, and information." - William Corwin, Saatchi Online Magazine, Feb. 21, 2012 A "confrontational, intellectual, and occasionally amusing group show, which squarely aligns itself with the Occupy movement." - Robert Shuster, The Village Voice, Feb. 8, 2012 "Curated by Oliver Ressler and Gregory Sholette, this is a smart exhibition that I suspect will be preaching to the converted, but in style.  [...]  This is the gallery version of Occupy Wall Street." - Andrea Kirsh, Feb. 14, 2012, theartblog.org "Visible from the sidewalk on a block that the Austrian Cultural Forum shares with Cartier, Ferragamo and Tourneau, the work [by Dread Scott] affirms a disheartening truth about the cultural mindset this well-curated exhibition aims to critique: many would prefer to see their money burn than have it distributed equitably." -David Markus, Art in America, Mar. 28, 2012 "Ressler’s and Sholette’s show does indeed achieve its objectives, occupying the Austrian Cultural Forum through a diverse range of artworks stemming from the 2008 crisis of finance capitalism. It does so principally by drawing together a selection of works which both educate and entertain, offering invaluable information and welcome critical reflection." - Thom Donovan, Art:21 Blog, Apr. 16, 2012