Podcasts about english concert

A keyboard soloist and conductor, Francesco Corti is one of Europe's most in demand musicians. He is a member of Les Musiciens du Louvre, Bach Collegium Japan and Le Concert des Nations, among several others. He's led Tafelmusik, the English Concert, and the Freiburg Baroqueorcheter, is the musical director at the Drottningholm Royal Court Theatre, and appears on over 30 albums. Francesco takes us through his passion for early music, and performing on instruments authentic to the period. He details his love of this era and shares some of his deep understanding of the fortepiano and its relevance as an instrument today. We also delve into the technique and process of his reconstruction of a JS Bach concerto.  Francesco Corti performs with the Australian Brandenburg Orchestra until 2 November.

欢迎收听午夜飞行「行走阿勒泰」系列节目！本次特别企划由 稻草人旅行 和 Marcast 联合出品。未来三期节目，欢迎和我们一起用耳朵、用双眼、双脚以及我们的全部身心，去阿勒泰大口呼吸、大步走路！这次旅行，我们会从乌鲁木齐出发，一路向北，途径克拉玛依的乌尔禾「世界魔鬼城」和布尔津县，在白哈巴村落脚，并由此开启 63 公里的徒步行走，用双脚去丈量阿勒泰，走路去看看不一样的喀纳斯、禾木，去体验真正的牧民生活、深山夏牧场，在小黑湖边看星空和银河。「行走阿勒泰」第一期，我们去看最壮阔的日落、最美丽的森林和最快乐的「彩虹布拉克」！本期节目我们聊到了：- 为什么要去阿勒泰？- 阿勒泰到底在什么地方？阿勒泰到底有多大？- 传说中的阿尔泰山脉里到底有什么值得看？- 乌尔禾的「世界魔鬼城」看日落是怎样的体验？- 走到白哈巴的森林，真的哭了- 在白哈巴村寻找电视剧《我的阿勒泰》里的夏牧场- 彩虹布拉克真的存在吗？- 人生果然就是活一些瞬间啊！- 在阿勒泰，你不可能不想起李娟- 在阿勒泰，你可以重新学会奔跑和大笑> 在也根得草原的日落时分拍下的「人生瞬间」【节目主播/制作】主播/制作：VC微博：@VividCrystal https://weibo.com/u/1241505120 小红书：@午夜飞行VC https://www.xiaohongshu.com/user/profile/572a84ee50c4b435fe74744e【节目互动】微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道【本集音乐】Music credits: 1. To Vals Tou Gamou (Remastered) - Eleni Karaindrou 2. Concerto grosso in G minor Op.6 No.8 ＂fatto per la notte di Natale＂：3. Adagio - Allegro - Adagio - Trevor Pinnock,The English Concert 3. 草原的风 - 高小阳 4. 那仁夏牧场 - 高小阳 5. 心动 - 高小阳 6. 彩虹布拉克 (伴奏) - 于适 7. 月光 (伴奏) - 于适【封面图片】Photo by 厌水的鱼视觉 by Marc【节目出品】本播客由 Marcast Media 制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 微博：@Marcast https://weibo.com/u/2743283854- 公众号：Marcast - 小红书：@Marcast新播客- 进听友群请添加微信：hellomarcast- 欢迎加入 2400+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2024 Marcast Media

A subtle extremist, in his Symphony no.51 Haydn throws down some extraordinary challenges to his horn players - can they beat the ‘immutable forces of nature'? Listening time 30 mins (podcast 9′, music 21′) Music here on YouTube, Spotify and [with links to first movement only] on Apple and Amazon played by The English Concert, conducted by Trevor Pinnock. They're playing on 'period instruments' which Haydn would recognise including valveless natural horns played by Anthony Halstead and colleague. You can buy the recording as a download from Presto music (on its own or with a whole bunch of other Haydn symphonies)   What do you think? Tell me with a comment below! I'd love to hear from you!   Check out the playlist of 126 pieces by different women composers from the 32 countries that played in last year's  Women's World Cup of Classical Music: https://youtube.com/playlist?list=PLCXUbmBaA9Orj2ENFMutv-X1u6DO162hA&si=nw23RYztmTC-ntyr If you'd like to support Cacophony there are easy, great, ways:   – help with the costs of running it (and me) with a one-off contribution  or with a regular payment at ko-fi.com. https://ko-fi.com/cacophonyonline – share this episode with someone you know – share the 100 second trailer: http://cacophonyonline.com/trailer – subscribe/ review and keep listening!   More episodes at: www.cacophonyonline.com/   Thanks for listening!

“Uniformity is a two-edged sword, isn't it? Within a choir you need uniformity or you're not going to get a good blend, but within that uniformity, I want as much individuality as possible. I do a lot of 16th-Century music, early 17th-Century music, which has very, very high, passionate stakes. The individual has to come through. That's what makes it interesting.”Robert Hollingworth was a chorister at Hereford Cathedral, set up his first solo-voice ensemble at the age of 16 and read music at New College, Oxford, followed by a year at the Guildhall School of Music and Drama. In place of a conventional academic career he has spent 40 years directing vocal groups, notably I Fagiolini, which he founded at university in 1986. Nearly 30 CDs and DVDs have included first recordings of works and collections by Byrd, Croce, Tomkins, Andrea Gabrieli and more. Recent releases include the multi-award winning Striggio 40-part mass, 'Amuse-Bouche' (French 20th century music including premiers of Francaix and Milhaud), and in 2017 'Monteverdi - The Other Vespers' which also featured the University of York's music department's choir, The 24. Winning the Royal Philharmonic Society's Ensemble Award, Gramophone Awards and the Diapason D'Or de l'Annee, the group is 'In Association' at the University of York Music Department where, as well as teaching Undergraduate projects, Robert runs the MA in solo-voice ensemble singing.As a freelancer conductor, Robert has directed the English Concert, Academy of Ancient Music and the BBC Concert Orchestra; among European choirs, Accentus (France), NDR Chor and RIAS Kammerchor (Germany), National Chamber Choir of Ireland, Voces8, BBC Singers and the National Youth Choir of Great Britain. He writes and presents programmes for Radio 3 including The Early Music Show and Discovering Music. During lockdown, he created and presented a new youtube series for choral music enthusiasts called 'SingTheScore'. He is the newly appointed director of Stour Music, taking over after 65 years from Alfred and Mark Deller. He founded and presents the UK's top choral music podcast 'Choral Chihuahua' with Eamonn Dougan and Nicholas Mulroy.To get in touch with Robert, look for I Fagiolini on YouTube (@ifagiolini), Facebook (@ifagiolini), Instagram (@i_fagiolini), or their website, ifagiolini.com.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

durée : 00:20:56 - Le Disque classique du jour du lundi 03 juin 2024 - Un disque exceptionnel de la mezzo-soprano Alice Coote dans les plus grands airs d'opéra de Haendel, accompagnée par l'ensemble The English Concert dirigé par Harry Bicket, pour leurs débuts chez Hyperion en 2014

SynopsisToday, we note two anniversaries concerning Handel and his music in London.On today's date in 1710, the German-born composer's music was performed in London for the first time when excerpts from his opera Rodrigo were used as incidental music during a revival of Ben Jonson's comic play The Alchemist, written 100 years earlier.It's a nice historical touch that in addition to writing satirical comedies such as The Alchemist, Jonson had supplied the poetic texts for elaborate masques staged at the court of King James I. Masques were a kind of precursor of the lavish Baroque operas such as Handel's Rodrigo, which debuted in Italy just three years before its tunes were recycled for use on the British stage.By 1713, the vogue for Italian operas had reached London, and Handel was on hand to write and stage them. On today's date in 1713, his opera Teseo had its premiere at the Queen's Theatre in London. And, just to show that off-stage events could prove every bit as dramatic as those on-stage, the theater manager, a certain Owen Swiney, ran off to Italy with the box office receipts after the second night's performance!Music Played in Today's ProgramGeorge Frederic Handel (1685-1757) Bourrée, from Rodrigo; Hallé Orchestra; John Barbirolli, cond. EMI 63956George Frederic Handel (1685-1757) Overture to Teseo; English Concert; Trevor Pinnock, cond. Archiv 419 219

durée : 00:05:29 - Classic & Co - par : Anna Sigalevitch - C'est le moment de Classic&Co avec Anna Sigalevitch… et en cette veille de Noël, en toute logique, elle a choisi de nous parler du Messie d'Haendel, dont une version vient de paraître sur le label Erato.

Chillout Classic w Radiu Spin #37 "Świątecznie" z dnia 21 grudnia. 1. J.S. Bach - Aria z Wariacji Golbergowskich oraz wariacje 3 i 12, Tymoteusz Bies. 2. A. Corelli - Concerto grosso g-moll, op.6, nr 8 "Na Boże Narodzenie", cz.1 Vivace - Grave, cz.3 Adagio- Allegro, cz.6 Pastorale: Largo, The English Concert, Trevor Pinnock. 3. Sting - Now Winter Comes Slowly. 4. J.S.Bach - Oratorium na Boże Narodzenie BWV 248 Part I, nr 5 Chorał, nr 6 Evangelista, nr 7 Chorał i Recitativ(bass), English Baroque Soloists, John Eliot Gardiner 5. R. Korsakov - Christmas Eve: Procesja Oksany i Wakuły. 6. P. Czajkowski - Dziadek do Orzechów: Uwertura, Dekorowanie choinki, Taniec arabski , Taniec chiński, Berliner Philharmoniker, Sir Simon Rattle. 7. Danny Elfman -Making Christmas. 8. Christmas Love Song - Scott Hamilton. 9. Driving Home for Christmas - Chris Rea.

durée : 00:13:31 - Le Disque classique du jour du lundi 04 décembre 2023 - Pour cet enregistrement du Messie de Haendel réalisé dans la nouvelle Cathédrale de Coventry en novembre 2022, John Nelson et l'English Concert ont établi leur propre version parmi les nombreuses variantes de la partition

Eine CD von Matthias Höfs - vorgestellt auf NDR Kultur.

Interpreten: Matthias Höfs, Matthias Janz Label: Berlin Classics EAN: 885470031057 Unter dem Titel „An English Concert“ haben der Trompeter Matthias Höfs und der Organist Matthias Janz eine CD mit Musik von 14 englischen Komponisten aus der Zeit der Renaissance und des Spätbarock aufgenommen. Wie das auf modernen Instrumenten klingt, verrät wie immer Michael Gmasz. Matthias Höfs gehört seit Jahrzehnten zu den führenden Vertretern der Trompetenzunft. Ob vor vielen Jahren noch als Solotrompeter des philharmonischen Orchesters Hamburg und dann als Professor an der Hochschule für Musik und Theater in Hamburg, oder als leitendes Mitglied von German Brass, als Kammermusiker in anderen Besetzungen und natürlich als Solist von Barock bis Modern. Als „Spezialgebiet“ sozusagen hat er sich das Spiel auf den hohen Piccolotrompeten erarbeitet und auf solchen ist er nun auch mit Werken von Georg Friedrich Händel, William Byrd, William Boyce uvm zu hören. Ganz im Sinne der alten Zeit, in der es durchaus üblich war, Musikstücke in unterschiedlichen, gerade passenden, Besetzungen zu spielen, haben Matthias Höfs und sein Orgelbegleiter Matthias Janz Englische Tänze und Lieder, Konzerte und Sonaten und sogenannte Voluntaries für ihre Besetzung arrangiert. Die Entscheidung für das moderne Instrumentarium fiel bewusst, weil es sich vorwiegend um Originalwerke für Flöte oder Blockflöte handelt, die auf einer Naturtrompete so gar nicht spielbar wären. Neben Bekannten, wie den erwähnten Händel, Boyce oder Byrd erlaubt uns diese CD auch so manche Preziose bisher eher unbekannter Meister kennenzulernen. Die beiden kurzen D-Dur Konzerte von John Baston und Robert Woodcock z.B. oder die Werke des mir bisher komplett verborgen gebliebenen John Stanley, der im Freundeskreis um Händel war und immerhin die Position des Master of the King's Music, einer Art Hofkapellmeister am britischen Hof, bekleidete.  (mg)

This week on the podcast is part two of our interview with International prize-winning violinist Ada Witczyk.   She's a dual citizen of Poland and Britain, and is the recipient of numerous awards such as the Henry Wood Award, the Star Award by the Countess of Munster Musical Trust, and the Margot MacGibbon Award.  As both a modern and baroque violinist, Ada has performed at many of the UK's most prestigious venues and festivals including Buckingham Palace, Royal Festival Hall, the Barbican and Royal Albert Hall. Ada has performed with renowned ensembles such as the Gabrieli Consort, The English Concert, and The Academy of Ancient Music. Ada gives us a sneak peek into her fascinating world of music and business. Ada, a dual citizen of Poland and Britain, isn't just an ordinary violinist but an International Prize-winner who's now on a mission to promote baroque violin compositions. From booking concerts and negotiating contracts to managing logistics, Ada shines the spotlight on the challenging yet rewarding path of arts entrepreneurship.Ada shares how she converted the hurdles on her path into stepping stones towards success. Ada's advice to budding artists and entrepreneurs alike is invaluable, highlighting the importance of real-life exposure and learning from professionals. She also gives us a sneak peek into her upcoming album featuring five diverse artists and her intriguing film recording project. So, come, join us in this captivating journey and get inspired by Ada's passion and resilience.https://www.volkweinsmusic.com/

This week on this podcast is part one of our interview with International prize-winning violinist Ada Witczyk.  She's a dual citizen of Poland and Britain, and is the recipient of numerous awards such as the Henry Wood Award, the Star Award by the Countess of Munster Musical Trust, and the Margot MacGibbon Award.  As both a modern and baroque violinist, Ada has performed at many of the UK's most prestigious venues and festivals including Buckingham Palace, Royal Festival Hall, the Barbican and Royal Albert Hall. Ada has performed with renowned ensembles such as the Gabrieli Consort, The English Concert, and The Academy of Ancient Music. Ada offers a unique perspective on the significance of supporting new music in a society that often favors the old. She delves into her own experiences of inspiring over 150 compositions for the Baroque violin, and shares her insights on the contrast between period and modern instruments. Our conversation also explores the importance of new music for period instruments, shedding light on Ada's passion for the genre.But that's not all! Ada also spills the tea on her experiences learning social media marketing and branding. As classical musicians navigate the digital age, she offers her insights on how to connect with new audiences and break free from the perfectionism that can sometimes hinder creativity. Finally, we reflect on the role of mistakes in creating compelling narratives in music and beyond. As always, we appreciate your support for the podcast be it through tuning in, subscribing or spreading the word. Join us for this must-listen episode that promises to intrigue both music enthusiasts and budding artists!https://www.volkweinsmusic.com/

Vraag van een trouwe luisteraar: wat maakt een werk tot een meesterwerk? Simpel, dachten Guido en Joris. Maar een sluitend antwoord formuleren bleek nog niet zo makkelijk. De klassieke kletsers gaan daarom te rade bij een paar persoonlijke favorieten. En nee, niet de Matthäus! Via bejubelde muziek en vergeten noten bereiken ze een soort van conclusie. Speellijst* Claudio Monteverdi, ‘Possente spirto, e formidabil nume', uit L'Orfeo. Valerio Contaldo (tenor), Cappella Mediterranea o.l.v. Leonardo Garcia-Alarcón* Jean Gilles, Graduel, uit Requiem. La Chapelle Royale o.l.v. Philippe Hereweghe* Joseph Haydn, Kyrie, uit Nelsonmis. The English Concert and Choir o.l.v. Trevor Pinnock* Franz Schubert, Adagio, uit Strijkkwintet. Alban Berg Quartett, Heinrich Schiff (cello)* Arvo Pärt, Ode III, uit Kanon Pokajanen. Cappella Amsterdam o.lv. Daniel Reuss* Louis Andriessen, uit De Staat.  Los Angeles Philharmonic Orchestra, Synergy Vocals o.l.v. Reinbert de Leeuw

This episode is a kind of birthday podcast in honour of the well-known and popular harpsichordist and conductor Trevor Pinnock and the ensemble he founded 50 years ago: The English Concert. To mark the occasion, DG has released a collection of their complete recordings on Archiv Produktion in a box set of 100 discs. Trevor and Sarah chat about making recordings, being period instrument pioneers and how the heart is connected to Baroque music.

Het is echt niet dat onze Klassieke kletsers overtuigde monarchisten zijn. Maar ze zagen de kroning van Charles III van het Verenigd Koninkrijk als dé kans om een aflevering op te nemen over een subgenre: kroningsmuziek. Op 6 mei krijgt Karel de St Edward's Crown opgezet tijdens een dienst in Westminster Abbey. Welke feestelijk nationalistische klanken gaan de kerk op die dag vullen? Naast Londen bezoeken Guido en Joris ook vorstelijk Praag, Reims, Boedapest en Amsterdam. Ga mee op een trip down monarchy lane! Gedraaide muziek • Marin Mersenne, L'entrée, Oltremontano o.l.v. Wim Becu • Georg Friedrich Händel, Zadok, the priest, The Choir of Westminster Abbey, The English Concert o.l.v. Trevor Pinnock • Tony Britten, tune van de Champions League • Hans Zimmer, titelmuziek van The Crown • Deslauriers, Domine fac salvum regem, Ensemble Correspondances o.l.v. Sébastien Daucet • Wolfgang Amadeus Mozart, Sanctus uit Krönungsmesse, Susan Gritton (sopraan), St John's Sinfonia o.l.v. Andrew Netsingha • Franz Liszt, Gloria uit Ungarische Krönungsmesse, koor en orkest van de kroningskerk Boedapest o.l.v. János Ferencsik • Herman van Veen, Later als ik groot ben, Amsterdams Kinderkoor, Matangi Quartet • Matthew Locke, Sarabande, Oltremontano o.l.v. Wim Becu Playlist https://open.spotify.com/playlist/7eHJMuPFf3NQRNSrkNL6Y6?si=0029b3b40c484fda

Wojna widziana z Kijowa i z Sankt Petersburga. Wojna zwykłych ludzi w Ukrainie i w Rosji będzie tematem wielkanocnego Raportu o stanie świata. Czym jest wojna bez monumentalizmu, bez geopolityki i dogłębnych analiz? Wojna, od której jedni odwracają wzrok, a inni muszą z nią żyć na co dzień. A oprócz tego porozmawiamy o tym, jak zmienia się rola społeczna Kościoła w Polsce. Czy Kościół przestaje być punktem odniesienia dla Polaków? Gośćmi Raportu są dwaj dominikanie ojciec Paweł Krupa w Sankt Petersburgu i ojciec Jarosław Krawiec w Kijowie. Rozkład jazdy:  (0:06) Madamicella, Nadine Rossello - Stabat Mater (chant traditionnel) (4:02) Rozmowa z o. Pawłem Krupą i o. Jarosławem Krawcem cz. 1 (36:29) Karl Jenkins, Royal Liverpool Philharmonic - Stabat mater VI. Now My Life Is Only Weeping (40:29) Rozmowa z o. Pawłem Krupą i o. Jarosławem Krawcem cz. 2 (1:05:22) Madrugada - Stabat Mater (1:10:38) Rozmowa z o. Pawłem Krupą i o. Jarosławem Krawcem cz. 3 (1:40:43) Wszystkiego dobrego i do usłyszenia (1:42:15) Jospeh Haydn, The English Concert, Trevor Pinnock - Stabat Mater XIIIb. Paradisi gloria, Amen (1:45:15) Podziękowania

Met de feestdagen voor de deur zitten veel concertzalen tot de laatste stoel vol. Elk jaar weer laten duizenden mensen zich meevoeren op de klanken van Bach, Händel en Mahler. Redacteur klassieke muziek Mischa Spel zocht uit hoe het komt dat we juist naar die componisten luisteren. Waarom hebben hun stukken het tot kerstklassiekers geschopt?Lees hier Mischa's recensie van de twee uitvoeringen van het Weihnachtsoratorium die ze dit jaar bezocht.Verder luisteren?Hier vind je het door NPO Radio 4 (NTR's Avondconcert) uitgezonden Weihnachtsoratorium van Bach. In de uitvoering van het Nederlands Kamerkoor en Les Talens Lyriques o.l.v. Christophe Rousset, m.m.v. Zachary Wilder (tenor, Evangelist), Johanna Winkel (sopraan), Sophie Harmsen (alt), Krešimir Stražanac (bas).Hier meer carols door het koor van het King's College uit Cambridge.Hier Händels Messiah door The English Concert & Choir o.l.v. Trevor Pinnock.En hier verschillende werken van Mahler door het Concertgebouworkest o.l.v. Bernard Haitink.Gast: Mischa SpelPresentatie: Egbert KalseRedactie: Ignace SchootMontage: Jair Stein en Jennifer PetterssonCoördinatie: Henk Ruigrok van der WervenHeeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze ombudsman via ombudsman@nrc.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Jess is joined by Egyptian soprano, and former BBC Radio 3 New Generation Artist Fatma Said, for a listening party of the music they love the most, including Dhafer Youssef, Elliott Smith, Jane Morgan, Massenet and Haydn. Playlist: Ravel – Daphnis et Chloe, M. 57; Introduction [New York Philharmonic, Pierre Boulez] Ángel Gregorio Villoldos - Ad Ay Sa'ab (El Choclo) [Fatma Said, Quinteto Ángel] Elliott Smith - Between the Bars Massenet – Manon, Act 5: Ah des Grieux ! O Manon ! [Angela Gheorghiu (Manon), Roberto Alagna (Des Grieux), Orchestre Symphonique et Choeurs de la Monnaie, Antonio Pappano] Haydn - Symphony No. 44 in E minor, Hob.I.44 ‘Mourning'- IV. Finale (presto) [The English Concert, Trevor Pinnock] Jane Morgan – If Only I Could Live My Live Again Dhafer Youssef - Birds Canticum - "Birds Requiem" Suite Schumann - Piano Concerto in A minor, Op. 54; I. Allegro affettuoso [Martha Argerich (piano), Orchestra della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky]

Val McDermid joins Nikki Bedi and Richard Coles. The award-winning crime writer was inspired to write after reading Agatha Christie as a child. After attending Oxford University, Val started her career as a journalist and has drawn on these experiences in her latest thriller 1989. Kristin Mcilquham's father suffered from a serious brain injury (three aneurysms) when she was child which changed her dad's personality. Now an actor, she is performing her one-woman show Headcase about the impact this had on her life growing up, on her family and on her dad. Eileen Fitzgerald befriended The Rolling Stones as a teenager and exchanged letters with the fledgling rockers. Years later she sold the correspondence to help pay for her PhD. Trumpeter Alison Balsom shares her Inheritance Tracks: JS Bach: Brandenburg Concerto No. 5 by Trevor Pinnock with The English Concert and Con Alma by Dizzy Gillespie. Nihal Arthanayake started out as a recording artist before becoming an award-winning broadcaster. He talks about life growing up and why in his new book Let's Talk he's encouraging everyone to have better conversations. Producer: Claire Bartleet

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Simon Standage,The English Concert,Trevor Pinnock - Concerto grosso in A minor , Op.3／6 , RV 356：2. Largo；2.Maurizio Pollini - Piano Sonata No.1 In F Sharp Minor, Op.11：2. Aria；3.Sleep Dealer - Spring Thaw；4.Various Artists - Salut d'amour Op. 12 (arr. Julian Milone)；5.Arthur Rubinstein - Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 ＂Moonlight＂： I. Adagio sostenuto；6.Deuter - Loving Touch；7.Francesco Tristano - Grey Light。

In this episode, Davina reviews two newly released albums hot off the press:  Handel's 'La Resurrezione' by The English Concert and 'John Wilbye – Draw on Sweet Night ' by I Fagiolini and Robert Hollingworth. The English Concert and Harry Bicket's acclaimed concert cycle of Handel operas and oratorios continues with its second release on Linn, following Handel's Rodelinda last year. La Resurrezione, composed by Handel in his mid-twenties, and first performed on Easter Sunday in 1708, marked the climax of Handel's time in Rome. The work details the events between and during Good Friday and Easter Sunday. This new album features some of today's finest voices including Lucy Crowe, Iestyn Davies, Sophie Bevan, Ashley Riches and Hugo Hymas. Davina is joined in The Classical Corner by Iestyn and Lucy to talk about their favourite arias, Handel's operatic writing and the process of recording the album.   To welcome the spring, I Fagiolini has put aside its beloved Monteverdi to uncover its own national heritage: the best of John Wilbye's classic Golden Age madrigals. The album marks the first specific recording of Wilbye's Madrigals released since the 1980s.  The album covers a central part of English choral culture that has been strangely out of fashion for so long, sung by a group that has matured into the repertoire. The plangent dissonance of ‘Draw on, sweet night' and ‘Weep, weep, mine eyes' evoke English melancholy, while ‘Sweet honeysucking bees' and ‘Adieu, sweet Amaryllis' are such sheer pleasure to sing that many listeners will scrabble to unearth old scores. Davina chats to Robert about how this new album came about, the choice of repertoire and the sheer delight of listening to and singing English madrigals. With special thanks to Linn Records and Coro for the use of these beautiful recordings. All the recordings discussed in this episode of The Classical Corner can be found in the Spotify playlist here: https://open.spotify.com/playlist/7wbunpPpFKH36KIys8OF2D?si=996cd75080bb4997

Jess Gillam and trumpeter Alison Balsom are joined by a live audience at The Hay Festival to have a listening party of some of the music they love the most. Alison brings along one of their most beautiful tunes and outs herself as a Queen superfan, then shares the Miles Davis tune that brings her most joy. Meanwhile Jess shares an absolute banger by Piazzolla, an epic sax solo by Rachmaninov and a breathtaking performance by Nina Simone. Playlist: BACH: Brandenburg Concerto no.4 - 1st mvt (English Concert, Trevor Pinnock) DAVID BOWIE: Dollar Days (from Blackstar) MILES DAVIS: If I Were a Bell (Miles Davis Quintet) RACHMANINOV: Symphonic Dances, op. 45 - No.1 {Philadelphia Orchestra, Yannick Nezet-Seguin) PIAZZOLLA: Histoire du Tango: Night Club 1960 (Astoria) QUEEN: Love of my Life (from A Night at the Opera) NINA SIMONE: Stars (Live at the Montreux Jazz festival) STRAVINSKY: The Firebird - finale (City of Birmingham Symphony Orchestra, Simon Rattle)

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Simon Standage,The English Concert,Trevor Pinnock - Concerto grosso in A minor , Op.3／6 , RV 356：2. Largo；2.彭柏德- Snowy Moon；3.Pieter de Graaf - Lullaby；4.渡辺俊幸-母の想い。

In November of 2021, LA Opera and CalPerformances are co-presenting The English Concert on tour with Handel's Alcina. In this podcast, Jeremy Geffen of CalPerformances leads conductor Harry Bicket in conversation about Handel's masterpiece.

English Concert artistic director Harry Bicket talks about Handel's Samson, the opera Alcina. Bicket also explains the three things others find annoying about him. Lateness is one of them. What are the other three?

Was jij erbij, bij één van de blijde intredes van koning Filip en koningin Mathilde in 2013? De kans is klein, want de opkomst was bijzonder mager. Dat was in de 18e eeuw wel even anders! Toen was de inhuldiging van een nieuwe vorst een belevenis die je je leven lang bijbleef. Een stad als Gent was tot vier dagen lang compleet in de ban van pronkerige optochten doorheen versierde straten, van klokkengelui en trompetgeschal en van grootse plechtigheden. Maar voor het gewone volk was een inhuldiging ook een welkome gelegenheid om eens goed uit de bol te gaan: de wijn vloeide rijkelijk en de hele stad verkeerde in een feestroes. Knaldrang in de 18e eeuw! Maar zo'n inhuldiging was natuurlijk veel meer dan een goed feestje. Dr. Klaas Van Gelder legt uit wat de diepere betekenis was van zulke ceremonies en rituelen in een tijd toen macht nog heel ongrijpbaar was. Afbeelding: Archief Gent, Oud archief, Atlas Goetghebuer, (Lade 125 nr. 117). Waterverf-schilderij, vermoedelijk door P.J. Goetghebuer zelf, gebaseerd op een schilderij van Ingelbert Lievens van Sieliers. Muziek: G.F. Händel: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla" (Arr. Pinnock) Alison Balsom, The English Concert, Trevor Pinnock. “Sound the Trumpet”, Warner Classics. G.F. Händel: Atalanta, HWV 35 Ouverture. Largo – Allegro. Alison Balsom, The English Concert, Trevor Pinnock. “Sound the Trumpet”, Warner Classics. G.F. Händel: Music for the Royal Fireworks, HWV 351 I. Ouverture (Adagio), II. Allegro – Lentement – Allegro, III. Bourrée – Lentement – Allegro, IV. La Paix (Largo alla siciliana), V. La Réjouissance, VII. Menuet 2. Alison Balsom, Balsom Ensemble, Simon Wright. “Royal Fireworks” Warner Classics. G.F. Händel: Semele, HWV 58, Ouverture to Act 1. John Eliot Gardiner, English Baroque Soloists. Warner Classics. J.J. Fux: Te Deum, K.271, Te Deum. Collegium 1704 Václav Lux H. Purcell: The Faerie Queen, Z629. Act 5: No 41, Prelude. Alison Balsom, The English Concert, Trevor Pinnock. EMI/Warner Classics. A. Vivaldi: Vioolconcerto nr 4 in f, op. 8, RV 297. “Le quattro stagioni”. L'invierno: Allegro non molto. Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul. Night Light by Blue Dot Sessions https://app.sessions.blue/browse/track/61475 Basketliner by Blue Dot Sessions https://app.sessions.blue/browse/track/61478

Suzi Digby was born in Japan and lived in Hong Kong, Mexico, and the Philippines before settling in the UK. She is a leading choral conductor and music educator and has promoted the revival of singing in the schools and communities in the UK. In 2016 she founded ORA Singers. She also founded the following National organizations: The Voices Foundation, a leading Primary Music charity; Vocal Futures, which nurtures young audiences for classical music and the London Youth Choir, which comprises five choirs, drawing singers, aged 8–22, from all of London's boroughs and multiple communities. She is Visiting Professor of Choral Studies at the University of Southern California (Los Angeles) and in 2014 launched the professional vocal consort The Golden Bridge in California. She has conducted, annually, 2,000 voices in the Royal Albert Hall, London, in a scratch Youth Messiah. She has also conducted many leading ensembles, including the BBC Symphony Orchestra, the London Mozart Players, The English Concert, and the Orchestra of the Age of Enlightenment. She is the official choral conductor for The Rolling Stones and she regularly adjudicates choral competitions and gives workshops and lectures around the world. She was Acting Music Director of Queens' College, Cambridge, where she founded and now runs the Queens' Choral Conducting Programme.   Check out Suzi Digby's website: https://www.suzidigby.com/   Check out our YouTube channel: Remember to Share and Subscribe! https://www.youtube.com/channel/UCdGhqK_DWpRIKS45ICqN3eQ   ***Classroom and Homeschool Teachers***  Find our digital resource to help enhance your classroom HERE!   Like us on Facebook!    Mr. Fite Check out original fun and educational music from Mr. Fite at  https://brucefite.com/music and subscribe to Mr. Fite's YouTube Channel   Mr. Henry Are you looking for affordable piano lessons for your 6-10-year-old? Start the music journey with Mr. Henry by taking a sneak peek into the Premier Membership with the free mini-piano course! https://www.mrhenrysmusicworld.com/piano   FREE Rock Out Loud Online Music Teaching Platform  [Disclosure: The Music Podcast for Kids is an affiliate of Rock Out Loud which means we receive a percentage of sales if a teacher decides to upgrade the service. There is no additional cost to the user. Our link gives access to the app for free as well!]

durée : 00:13:33 - Le Disque classique du jour - "Rodelinda" de Haendel, grand succès de l'année 1725. Une oeuvre que le chef d'orchestre Harry Bicket connaît bien car il la joue depuis le milieu des années 90 et en a donné une mémorable performance en 2004 au Met de New York avec la soprano Renée Fleming.

Growing up in Liverpool, Harry drove his artist mother mad playing The Beatles and took to the piano, but thought of it as more of a hobby than anything else. However, the world had other plans, and with an academic scholarship to Radley College, Harry began playing the chapel organ, and met a teacher who, through his work and his introductions, would change the course of his career. Harry went from the Royal College of Music to organ scholar at St George's Chapel, Windsor and to Christ Church College, Oxford where he was also an organ scholar, and to on to Westminster Abbey. However, the lonely nature of the job forced him to re-think his options, and on the brink of quitting music for business, his neighbour introduced him to Mark Elder, Music Director of English National Opera at the time. Having barely seen an opera, or indeed heard of a repetiteur, after some impressive sight-reading Harry was on the music staff, where he arrived on his first day only to be shouted at by Charles Mackerras for fumbling the offstage banda in The Makropulos Case. Harry shares his journey from his early years through to his successful international career, including his work as the Artistic Director of the English Concert and as Music Director of Santa Fe Opera. Read more about Harry on his agent's website here Read more about The English Concert and their recent Rodelinda recording here Read about Santa Fe Opera here

Violinist Sarah Jane Kenner currently resides in New York City. After beginning her musical studies in her native New Rochelle, New York, Ms. Kenner earned a Bachelor's Degree in Violin Performance from Temple University's Boyer College of Music in Philadelphia, a Master's degree from the Manhattan School of Music, and a Graduate Diploma in Historical Performance from the Juilliard School. As a period violinist, Ms. Kenner has been hailed as a "fireworks soloist," and has performed throughout the US and internationally as a chamber musician, orchestral player, and soloist. In 2018, she made her Lincoln Center debut as a soloist with Juilliard415, Juilliard's period-instrument ensemble. Ms. Kenner also served as concertmaster and principal second violinist of Juilliard415, and joined them on tours throughout the U.S., Europe, India, and New Zealand. Recent and upcoming engagements include performances with The English Concert, Trinity Wall Street, New York Baroque Incorporated, and The Sebastians, amongst others. She is also a member of the orchestra at Teatro Nuovo, a summer opera festival which presents 19th-century Bel Canto opera with a historically informed approach. Other festival appearances include BachFest Leipzig with members of Juilliard415 and Bach Collegium Japan, and with members of Les Arts Florissants at the Festival Dans les Jardins de William Christie in Thiré, France. Currently, Ms. Kenner is working on a recording project centered around the violin sonatas of Giovanni Antonio Pandolf Mealli. Ms. Kenner has studied with Cynthia Roberts, Elizabeth Blumenstock, Rachel Podger, Robert Mealy, and Leah Nelson. Ms. Kenner is also a 2018-2019 Mercury/Juilliard fellow and an American Fellow of The English Concert. As a modern violinist, Ms. Kenner has led and/or held principal positions in several ensembles, including the Manhattan School of Music Chamber Sinfonia, Texas Music Festival Orchestra, and Temple University Symphony Orchestra. Her principal teachers were Hirono Oka and Lucie Robert. Ms. Kenner has played in masterclasses for notable artists including Arnold Steinhardt, Glenn Dicterow, and Koichiro Harada. Ms. Kenner also studied at the Aspen, Bowdoin, Texas, and Duxbury Music Festivals. She currently performs regularly in New York City and Westchester County. In her spare time, Ms. Kenner maintains a strong interest in cooking, baking, and writing, all of which are documented on her recipe and music blog, "The Hungry Musician." https://www.sjkviolin.com/ https://thehungrymusician.com/ https://www.instagram.com/hungrymusician/ Find your host, Grace Lamb, on social media: Instagram, Youtube Website: https://gracecolbylamb.com/ @B4thestage on FACEBOOK @B4thestage on INSTAGRAM If you have any questions or topics you would like covered on the show please contact me at b4thestage@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/b4thestage/message

Podcast de la meditación que escribí para Adelante Día a Día. Mi abuelita, Laura Montes, me ayudó leyendo las lecturas y preguntas.Selecciones de música:Te Deum - Joseph HaydnInterpretación del English Concert and Choir, dirigidos por Trevor Pinnock

Og hvorfor er græsset grønt og ikke blåt? Sonja, Laila, Nora og Sigrid har kastet Radionauterne ud på en farverig mission, hvor vi kommer omkring ALLE regnbuens farver - selv dem vi ikke kan se! Så hvis du også er nysgerrig på hvor farverne egentlig kommer fra, og hvilke farver den røde legoklods elsker at spise - så skynd dig ind og hør Radionauternes nye afsnit: Medvirkende: Sonja på 8 år fra København, Laila på 7, Nora på 11 fra Schweiz og Sigrid på 12 år fra Hjørring. Derudover Christoffer Karoff, som er astrofysiker ved Århus Universitet. Musik: Regnvejrsdag i November, The Quiggs; Arcangelo Corelli, Concerto grosso in G minor, Op.6, No.8 “fatto per la notte la notte di Naltale”: 3. Adagio - Allegro - Adagio. The English Concert, Trevor Pinnock; Regnvejrsdag i November, Søren Bødker Madsen, Spil Guitar Året Rundt. Afsnittet er tilrettelagt og redigeret af Karen Birkegaard og Lisa Bay. Podcasten Radionauterne er produceret af Karen Birkegaard og Lisa Bay med støtte fra Novo Nordisk Fonden.

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Þriðji þáttur: Fiðlukonsert nr. 5 í A-dúr K. 219, 2. kafli (Andrew Manze, The English Concert); Píanókonsert nr. 9 í Es-dúr K. 271, 1. og 2. kafli (Mitsuko Uchida, Enska kammersveitin, Jeffrey Tate, stj.)

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. 1. þáttur: Leopold Mozart: Sinfonia da camera fyrir horn, fiðlu, strengi og fylgibassa, 1. þáttur (Stefán Jón Bernharðsson, Una Sveinbjarnardóttir, Kammersveit Reykjavíkur); Sónata fyrir píanó og fiðlu, K. 9 (Gary Cooper og Rachel Podger); Sjö tilbrigði í D-dúr K. 25 um hollenska lagið Willem af Nassau (Ronald Brautigam) Sinfónía nr. 6 (The English Concert, Trevor Pinnock stj.) Amoretti, aría úr La finta semplice (Barbara Hendricks, Carl Philipp Emanuel Bach kammersveitin, Peter Schreier stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Fimmti þáttur: Verk sem Mozart samdi á árunum 1779 og 1780, sem voru síðustu árin sem hann var búsettur í fæðingarbæ sínum, Salzburg: Sinfónía nr. 34, 1. kafli (The English Concert, Trevor Pinnock, stj.); Krýningarmessan, Agnus Dei (Barbara Bonney, Catherine Wyn Rogers, Jamie MacDougall og Stephen Gadd, The English Concert, Trevor Pinnock stj.,), Ruhe sanft, mein holdes Leben (Sandrine Piau, Barokkhljómsveit Freiburgar, Gottfried van der Goltz, stj.); Sinfonia concertante fyrir fiðlu og víólu (Rachel Podger, Pavlo Besnoziuk, Hljómsveit upplýsingaraldarinnar).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Sjötti þáttur: Tónverk frá fyrstu árum Mozarts í Vínarborg: Sónata fyrir 2 píanó K. 448 (Martha Argerich og Alexandre Rabinovich, píanó). Messa í c-moll K. 427: Kyrie, Gratias agimus tibi og Qui tollis (Camilla Tilling, Gabrieli Consort and Players, Paul McCreesh, stj.). Sinfónía nr. 36 í C-dúr (Linz) K. 425, 4. þáttur (The English Concert, Trevor Pinnock, stj.).

Catherine Bott profiles harpsichordist & conductor Harry Bicket - regular at Glyndebourne & the New York Metropolitan Opera, and current musical director of The English Concert - about his career and his recordings. Music includes works by Handel, Bach, Pergolesi and Gluck in performances by Renée Fleming, Lorraine Hunt Lieberson, Susan Graham, Andreas Scholl and Elizabeth Watts.

Lucie Skeaping looks at Vivaldi's groundbreaking Op.3 set of concertos for one, two or four violins entitled "L'Estro Armonico", which were published 300 years ago. Vivaldi had them published in Amsterdam, which meant they were readily available throughout northern Europe. The 8 partbooks even landed on the desk of JS Bach, who found them so inspirational he set about making transcriptions of some of them for keyboard instruments. We'll hear some of Vivaldi's concertos in recordings by The English Concert and I Musici, as well as one of Bach's transcriptions - the Concerto for 4 Harpsichords in a performance by Bach Collegium Stuttgart conducted by Helmuth Rilling.