Podcasts about Fan Fair

Nick Kypreos, Justin Bourne and Sam McKee are live at All-Star Fan Fair to break down a news-filled day in the NHL! They start with last night's All-Star draft, the presentation, the celebrity presence and which team looks the best. Then, on Gary Bettman's presser, his comments on the accused players in the London police investigation and the announcement that NHL players are returning to the Olympics. They are joined by Grammy winner and celebrity All-Star captain Michael Bublé (14:26), who discusses his experience at the draft and his Canucks fandom. Later, looking ahead at the Four Nation Faceoff planned for next year. Finally, reacting to Todd McLellan's dismissal in LA and the Jets acquiring Sean Monahan from the Habs.The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Live from NHL All-Star Fan Fair, Nick Kypreos and Justin Bourne start the second hour with NHL Deputy Commissioner Bill Daly (0:33). He gets into the Hockey Canada 2018 investigation, growing the game with Four Nations Faceoff and Salt Lake City expansion. They regroup with Sam McKee for a deeper dive into expansion and how many teams the league could sustain. Afterwards, they are joined by the mayor of Fan Fair, Gord Stellick (26:16), who shares some All-Star memories, his thoughts on the Four Nations Faceoff, NHL expansion in Canada and teams to watch at the deadline.The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

The Hills go to a country music festival in Nashville, where no one believes Peggy when she says that Randy Travis plagiarized a song she submitted to him. Directors Jeff Myers Klay Hall Writers Mike Judge Greg Daniels Alan R. Cohen Stars Mike Judge Kathy Najimy Pamela Adlon Brittany Murphy Johnny Hardwick Stephen Root Toby Huss Randy Travis Kix Brooks Ronnie Dunn Vince Gill Clint Black Lisa Hartman Terri Clark Charlie Daniels Wynonna Judd Martina McBride Tony Danza David Herman Lauren Tom Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining Tower Records in 1978 Jon Kerlikowske spent 14 years working and running stores like Tempe, Christown and Mesa (plus one year working for Handleman) before leaving for the bright lights of Nashville, TN. Jon talks about the charm of running a store in Nashville where the country singers were real people you would see around town, bumping into them in the Grocery store or the local movie theatre. In Nashville the yearly focus appeared to be on the week long Fan Fair (now known as CMA Fest) where the 1,000 square foot booth would do more business in 6 hours than the main Nashville store for the day. On top of that, the Nashville store would host multiple in store performances with established and up & coming country musicians making for a very busy week. Jon winds down our conversation talking about being a clerk in the jazz section and the first time he met Russ Solomon in the Tempe, AZ store. This scenario ended up with Jon spending an hour with him at a local restaurant, discussing his thoughts and impressions on his store. 

On Friday, June 7th, 1985, Nashville's The Fan Fair, also known as “The Country Explosion” was days from its grand opening, and the city was flooded with strangers; the same afternoon, a man named Ricky Lee Franks would return to Nashville, his hometown, and see his family—briefly—before disappearing. Ricky Lee Franks had been living in a group home in Dickson, TN, and no one—not the cold-case detective now assigned to his case, or Ricky's eldest sister, Sylvia—is quite sure how Ricky made his way back to Nashville that Friday. They also don't know what happened afterward. . . though there have been leads that have taken investigators across state lines. That's because years later, his family would hear startling reports of a stranger, calling himself Ricky Franks, traveling across the Southeast.  This two-part series looks at Ricky's disappearance and Sylvia's near-40-year-quest to find her brother.  Go to Framebridge.com and use promo code FALLLINE to save an additional 15% off your first order.   Tickets to The Raymond Green International Outreach Gala: https://www.eventbrite.com/e/a-night-of-unity-black-tie-gala-tickets-404902402987?aff=estw&utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-source=tw&utm-term=listing   Submit a case to The Fall Line: https://www.thefalllinepodcast.com/case-submissions   Written, researched, and hosted by Laurah Norton, with research assistance from Bryan Worters, Kyana Burgess, and Michaela Morrill/Interviews by Brooke Hargrove/Produced, scored, and engineered by Maura Currie/Content advisors are Brandy C. Williams, Liv Fallon, and Vic Kennedy/ Theme music by RJR/Special thanks to Angie Dodd, Liz Lipka, and Sarah Turney  Sources at our website: https://www.thefalllinepodcast.com/sources Join us on Patreon: https://www.patreon.com/thefalllinepodcast 2022 All Rights Reserved The Fall Line® Podcast, LLC Want to advertise/sponsor our show? Contact Glassbox Media https://glassboxmedia.com/contact-us/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On Friday, June 7th, 1985, Nashville's The Fan Fair, also known as “The Country Explosion” was days from its grand opening, and the city was flooded with strangers; the same afternoon, a man named Ricky Lee Franks would return to Nashville, his hometown, and see his family—briefly—before disappearing. Ricky Lee Franks had been living in a group home in Dickson, TN, and no one—not the cold-case detective now assigned to his case, or Ricky's eldest sister, Sylvia—is quite sure how Ricky made his way back to Nashville that Friday. They also don't know what happened afterward. . . though there have been leads that have taken investigators across state lines. This two-part series looks at Ricky's disappearance and Sylvia's near-40-year-quest to find her brother.  Go to Framebridge.com and use promo code FALLLINE to save an additional 15% off your first order.   Tickets to The Raymond Green International Outreach Gala: https://www.eventbrite.com/e/a-night-of-unity-black-tie-gala-tickets-404902402987?aff=estw&utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-source=tw&utm-term=listing   Submit a case to The Fall Line: https://www.thefalllinepodcast.com/case-submissions   Written, researched, and hosted by Laurah Norton, with research assistance from Bryan Worters, Kyana Burgess, and Michaela Morrill/Interviews by Brooke Hargrove/Produced, scored, and engineered by Maura Currie/Content advisors are Brandy C. Williams, Liv Fallon, and Vic Kennedy/ Theme music by RJR/Special thanks to Angie Dodd, Liz Lipka, and Sarah Turney  Sources at our website: https://www.thefalllinepodcast.com/sources Join us on Patreon: https://www.patreon.com/thefalllinepodcast 2022 All Rights Reserved The Fall Line® Podcast, LLC Want to advertise/sponsor our show? Contact Glassbox Media https://glassboxmedia.com/contact-us/   Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Lesson 14, which as all about Travel. We kick things off with Jose's pick, the Season 2 Finale of King of the Hill. Originally airing on May 21, 2000, "Peggy's Fan Fair" sees the Hill family travel to Nashville to see a bunch of celebrity County Music stars, most of whom John couldn't pick out of a lineup. But you don't need to know who Randy Travis is to enjoy watching him getting socked in the face.Ladies and gentlemen, Dung!

On this episode we chat with ROWDY- The Dixie Original who is a Country and Western Cowboy Rock n' Roll Musician from Nashville, TN. ROWDY has performed at Pocono Raceway in our Fan Fair in 2021 and is a self proclaimed huge NASCAR Fan. We chat about all things NASCAR, Music and everything in between. Check out ROWDY here: http://rowdydixieoriginal.com/ or https://linktr.ee/rowdydixieoriginal

CMA Fest is arguably America's Greatest Music Festival, and undoubtedly the biggest and best time of year in Nashville, TN. Rich in over 50 Years of History, how did it grow to what it is today? The festival was originally called Fan Fair and was an opportunity for celebrities of the time to meet and greet their fans (a tradition that is still carried on now, in 2023!) On this episode of Roots Music History, we dig into the Roots that grew the Country Music Association Festival in Nashville, TN. #musicfestival #RootsMusicHistory #RootsMusic #cmafest #countrymusicassociation #countrymusic #countryartist #history #historyfacts #music #musicindustry

Youtube Version https://youtu.be/BLPjqvSIyKA https://mindandmoneycoaching.co.uk About me – financial mindset coach and money mentor. Underpinning my coaching experience with my career in the finance industry, I can help improve your emotional relationship with money and set you on your way to the wealth you deserve. As a qualified Neuro Linguistic Programming (NLP) and Hypnotherapy practitioner, I can bring an holistic approach to my coaching for those who wish to dig deeper into their relationship with money.

This week Mark and Jonny discus episodes eighty one and eighty two of "King of the Hill", "Transnational Amusements presents: Peggy's Magic Sex Feet" and "Peggy's Fan Fair".

Thank you Gospel Music Fan Fair and Christian Voice Magazine. Favorite Website for 2022. You can watch GMT on our website online anytime! www.gospelmusictoday.com Find us on Facebook Gospel Music Today TV show  · 16K like this Watch Gospel Music Today anytime on your computer at www.gospelmusictoday.com. Southern Gospel news, guests, concerts. Sylvia Fedrick and 12 other friends like this 6 posts in the last 2 weeks Beatrice, Alabama 231 Six Ave. 36425 #HOWCEE RADIO LISTENERS Beatrice, Alabama 231 Six Ave. 36425 Howcee Productions Gospel at Ourstage @ #HOWCEE Radio BTR   This Week on Gospel Music Today Shawn Porter is the guest on Gospel Music Today for the week of May 22. Ken and Jean Grady host southern gospel news and concert updates. The Feature Group is Heirborn, and Jean reviews new recordings by Sounds of Jericho and Joe Mullins and The Radio Ramblers. An article from Christian Voice magazine is the subject of this week's News Notes. The show features exclusive concert video of Fields of Grace, recorded by Gospel Music Today's cameras in Stanley, NC, and a visit to the Gospel Music Today Archives for an exclusive video of Avenue Trio, recorded by Gospel Music Today's cameras in Marietta, GA

Daren knocks out this episode from Las Vegas at the NHL's Fan Fair during All Star weekend. He's joined by Deputy Commissioner Bill Daly (1:05), Senior VP of Hockey Operations Kris King (22:45) and Vegas Golden Knights President of Hockey Operations George McPhee (48:35). 

Ascolteremo: Remember When (Alan Jackson), One Horse Town (Blackberry Smoke), Country Girl (Caroline Jones), I'll be here in the morning (Don Williams), Cowboy (Sunny Cowgirls), Follow me (John Denver), Country Roads (Hermes House Band), Coward of Country (Kenny Roger), Any Man of Mine (Shania Twain), Boot Scootin'Booge (Brooks & Dunn), This is the life (Amy Macdonanld), I Cross my Heart (George Strait), Not Fair (Lily Allen). Dedicheremo questa puntata alla musica Country, risultato dell'unione di forme popolari della musica americana, le cui origini vengono fatte risalire al 1900 nel Sud degli Stati Uniti. Spesso, comunque, viene identificato con un genere musicale a sé stante. Le sue origini stilistiche, invece, sono il Folk, il Blues e il Ghospel. Popolarissimo fino agli anni '70, il Country ha rivestito fino ad oggi una popolarità modesta ma costante. Si sviluppa grazie agli influssi della musica tradizionale del Sud, caratterizzata da violino e banjo, anche chiamata “Old Time Music”, dei tradizionali “Duos”: gruppi formati da fratelli, con la presenza di chitarra, mandolino ed una fantastica affinità vocale. Il Country viene anche suggestionato dalla musica Folk degli immigrati Anglo-Irlandesi. Il genere si compone di molti filoni artistici. Tra essi: il Bleugrass e le musiche Western. Il primo cantante di successo fu Vernon Dalhart, nel 1924. La capitale della musica Country viene considerata la città Nashville nel Tennessee, dove ha luogo il famoso festival “Fan Fair”. Purtroppo, al giorno d'oggi, questo genere è colmo di stereotipi, di ballate che non appartengono correttamente a questo genere. Possiamo dire che il Country è ormai contaminato per ragioni di business, ma, contaminato o meno, è comunque gradevolissimo. Buon ascolto da Lorella Turchetto Michieli. --- Support this podcast: https://anchor.fm/radio-nostra/support

WHAT'S THE TROUBLE, BUBBLE   It's a star-studded season 4 finale!!!! Today, we're talking S4:E24 - Peggy's Fan Fair!!! It's a rough, "overconfident" Peggy episode, but somehow, Randy Travis gets the award for biggest turd. Tune in and let us know if you agree!!!     JOIN OUR PATREON! For just $2 a month you have access to each week's episode a day early! Not to mention just a plethora of other benefits and fun stuff in our other tiers! CALL OUR HOTLINE AND LEAVE A VOICEMAIL!!! 386-530-3876 Don't forget to check out our Instagram, Twitter and Facebook pages - and leave a review on iTunes! 

We answer your fan mail! Eric thinks he knows whats up, Cj is crazy, Luis has his backpack full and Matt is playing Madden! Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/trashtalkpod/message Support this podcast: https://anchor.fm/trashtalkpod/support

We answer your fan mail! Eric thinks he knows whats up, Cj is crazy, Luis has his backpack full and Matt is playing Madden! Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/trashtalkpod/message Support this podcast: https://anchor.fm/trashtalkpod/support

Sarah Trahern is the CEO of the Country Music Association (CMA). We dive deep into her journey to Music City, how the CMA is innovating around the world today, the recovery of the music industry and so much more. This episode is simply a must listen. 

Cassidy comes in a little, bleh, and he and Katie talk about the distinction between what your mind knows and what your eyes will do to try to convince you of your preconceived narrative. Then Cassidy, Katie, and Des get the boost they need from their first fan guest. Margaret wrote in to say hi and ask some questions of the Akashic Records, so we decided to bring her voice all the way from Australia and do it “live”. As she is our first special guest we did not censure her praise one syllable, we are humans with feelings and needs. Since this recording, Margaret has become host of All The Answers facebook community (https://www.facebook.com/groups/371989500646765/) and is posting about All The Episodes, past and present. Do yourself a favor and head over and meet like minded listeners and share your thoughts and feelings about these great conversations.  Katie Rubin .com (https://www.katierubin.com/)   FB/IG/T @allanswerspod or write directly to allanswerspod@gmail.com (mailto:allanswerspod@gmail.com) and maybe Katie will answer your question through the Akashic Records.  Thanks for the listens and support, Please Rate/Review and tell a friend.  Sounds Awesome (https://whatsoundsawesome.com/) Facebook (https://www.facebook.com/whatsoundsawesome) Instagram (https://www.instagram.com/whatsoundsawesome/) Twitter (https://twitter.com/soundsawesome2)      

El pasado martes moría el tejano de Lubbock Mac Davis. A partir de la mitad de los 60 se le empezó a reconocer como compositor, firmando temas como "Within My Memory" (Glen Campbell) o "Somethin's Burnin" (Kenny Rogers & The First Edition). Pero, además, fue el autor de "A Little Less Conversation" y sobre todo de "In The Ghetto" para el especial de televisión de Elvis Presley del 68. En un principio, Mac Davis tituló “In The Ghetto” como "The Vicious Circle" y se la presentó a Sammy Davis Jr. en un estudio junto a otros miembros de la comunidad negra. Su propio compositor la grabó de esta forma con la que hemos abierto hoy nuestro tiempo de radio después del tremendo éxito de Elvis en 1969. Sin embargo, la versión original no salió a la luz hasta aparecer en un recopilatorio de 1991 titulado Golden Throats, cuando el artista tejano ya tenía una seria consideración en el terreno del country. Mac Davis era un nativo de la tejana ciudad de Lubbock, que comenzó su carrera artística sin demasiado éxito a comienzos de los años 60. Pasaría después a ejercer de ejecutivo discográfico, un trabajo que le llevó a Los Angeles, donde comenzaría a ejercer de compositor. Como solista, dejó éxitos como "Baby Don't Get Hooked On Me", "Stop and Smell the Roses" y de manera muy especial "Texas In My Rear View Mirror", de tintes autobiográficos. Willie Nelson vuelve a dar ejemplo y recupera "Vote 'Em Out", una canción que exhorta a utilizar la herramienta más poderosa que cualquier ciudadano libre tiene a su disposición: el voto. Y como recuerda, es sagrado y pone el poder en manos de la gente. Está escrita junto a su viejo amigo Buddy Cannon y en ella se encuentra acompañado de Lukas y Micah, animando a sus conciudadanos a que ejerzan su derecho en el Election Day 2020 de Noviembre en Estados Unidos. El arma más grande que tenemos Se llama urna. Así que si no te gusta quién está ahí Vota para echarlo… Palabra de Willie. Terry McBride es de la tejana Austin, hijo de Dale McBride, en cuya banda estuvo tocando, y fue líder de McBride & the Ride, una excelente banda de la primera mitad de los 90 en el terreno del country. Tras disolverse, pasó a ser uno de los compositores más solicitados, especialmente por Brooks & Dunn. Ahora ha decidido grabar en solitario y dar continuidad al EP Hotels & Highways que publicó hace tres años inspirado por los honky-tonks y las salas de baile. Se trata del álbum Rebels & Angels, cuyo tema central lo ha compuesto junto a Chris Stapleton y ha contado, además, con la voz de Patty Loveless, a quien echamos de menos como protagonista de alguna nueva aventura sonora desde hace demasiado tiempo. Terry McBride fue el bajista de Delbert McClinton y, más tarde, trabajó con Lee Roy Parnell y Rosie Flores. Nunca se había puesto al frente de una banda hasta que llegó a Nashville. Su talento como cantante y compositor llamó la atención de Tony Brown, presidente de MCA Nashville y en Junio de 1989, durante la celebración de la desaparecida Fan Fair en Nashville, se creó McBride & The Ride como trío. Debutaron al año siguiente y con su segundo disco, Sacred Ground, del 92 lograron sus mayores éxitos, incluso el segundo puesto de las listas con la canción que les dio título. En TOMA UNO tenemos el compromiso no escrito de compartir pasado, presente y buena parte del futuro de la Americana. Esa es una de las razones por la que estamos anticipando The Highway Kind, el nuevo álbum de la Josh Abbott Band que saldrá al mercado a mediados de noviembre. Desde que se formaron en la Texas Tech University de Lubbock, han pasado a convertirse en una de los más sólidos pilares de la Red Dirt music gracias a canciones en las que su líder refleja situaciones reales y cotidianas que casi siempre tienen que ver con su propia vida. “The Highway Kind” como canción es una de las favoritas de las emisoras tejanas en estas fechas. The Band Of Heathens han sido una de las formaciones más activas en estos tiempos de pandemia. El resultado de su casi frenética actividad se resume ahora en Stranger, un último álbum que aborda el temor existencial de estos momentos con referencias a Albert Camus o a Robert Heinlein. Un tema tan sobresaliente como “Asheville Nashville Austin” ensalza la magia de la carretera en todo su esplendor a través de un tema de medio tiempo convertido casi en un himno sobre los espacios abiertos y los buenos tiempos. Otra de las bandas que ha aprovechado el aislamiento para crear nuevas propuestas sonoras es Drive-By Truckers, que publicará a mediados de diciembre por sorpresa un nuevo álbum, The New OK, aunque está ahora disponible para descarga digital. Una vez más la banda de Athens, en Georgia, ha canalizado sus frustraciones que ya manifestaban en su disco de enero, The Unraveling, y han hecho una selección de las canciones que habían grabado en Memphis los Sun Studios de Memphis en el otoño de 2018, añadiendo un par de temas recién compuesto por Patterson Hood y la inesperada versión de un tema de los Ramones como "The KKK Took My Baby Away", manteniendo esa postura desafiante ante la depresión. “Sarah’s Flame” es una de las deliciosas canciones que ha compuesto Mike Cooley y que nos recuerdan que pudimos haber visto a banda la pasada primavera en nuestro país, pero la Covid-19 lo impidió. Joachim Cooder es un californiano de Santa Monica que también debe soportar el “peso de la púrpura” al ser hijo del legendario Ry Cooder. Joachim, un multi-instrumentista centrado especialmente en la percusión tiene una larga andadura que le han encontrado con nombres de la talla de Mavis Staples, Buena Vista Social Club o Dr. John, entre otros. Ayer mismo, se publicó el tercero de sus discos en solitario, Over That Road I'm Bound: The Songs of Uncle Dave Macon, dedicado a las canciones de Uncle Dave Macon, una figura esencial en el desarrollo de la música de raíces norteamericana, a caballo entre el final del siglo XIX y los primeros años del XX. Uncle Dave Macon, conocido como "Dixie Dewdrop", era un banjista de Tennessee convertido en un pionero seminal, a la altura de Jimmie Rodgers. De hecho, cuando Ralph Peer realizó las famosas sesiones de Bristol, él ya había grabado más de 100 canciones. Fue la primera gran estrella del Grand Ole Opry y eso que comenzó su carrera profesional cuando ya tenía 50 años. Joachim Cooder ha utilizado las tonadas de Uncle Dave Macon como punto de partida, jugando con las letras y reelaborando melodías para su instrumento favorito, la mbira. Originalmente es un instrumento africano que los esclavos llevaron a América y que se suele considerar antecesor del piano. “Come Along Buddy” es una melodía creada por Uncle Dave Macon en 1930, descubierta medio siglo después por Stephen Wade en un acetato de prueba en casa de la familia Macon. Steve Earle compuso una canción como “Times Like These” hace cuatro años manifestando su ansiedad por los tiempos covulsos que se avecinaban, pero recordando que siempre puede haber esperanza a pesar de lo sombrío del presente. "Times Like These" se lanzó en principio como una pieza acústica, pero con motivo de la celebración del último Record Store Day se ha publicado una versión grabada durante las sesiones de su último álbum, Ghost Of West Virginia, realizadas en los Electric Ladyland Studios y en la que Steve Earle está acompañado por los Dukes. Se publicó en single de vinilo el 7 pulgadas siendo una edición limitada a 1300 copias. The Mastersons siguen creciendo como propuesta alternativa y respondiendo a la complejidad de la situación actual. A primeros de año publicaban No Time For Love Songs, un disco con el que volvían a poner el foco en sus propuestas como pareja, contando con la producción de su buen amigo Shooter Jennings. Algunas de las canciones grabadas por entonces quedaron fuera de aquel disco porque parecían precisar su propio espacio. La llegada de la pandemia cambió los planes de un calendario lleno de conciertos y aislados en su casa se motivaron para dedicarse a esos nuevos temas con mayor crudeza que su álbum anterior. El próximo 16 de este mes de octubre, se edita el nuevo EP de los Mastersons, Red, White & I Love You Too. Son cinco canciones que miran de frente al dilema moral sobre qué quiere ser Estados Unidos como nación. “Sensitive Souls” es un buen ejemplo de este Red, White & I Love You Too, que ha sido grabado en el estudio casero de la pareja con el apoyo de Jeff Hill, compañero en los Dukes, en las mezclas. Canciones como “A Change Is Gonna Come” pudieron costarle la vida a Sam Cooke. Fue uno de los primeros que se implicó en la industria musical, formando su propia editora y su sello discográfico Su activismo político se fue acentuando según iba ampliando su fama, no olvidando sus raíces. Su implicación en la defensa de los derechos sociales y en contra del racismo le ganó serios enemigos. “A Change Is Gonna Come” fue compuesta por Sam Cooke después de hablar para los manifestantes que habían protagonizado una sentada en Durham, en el estado de Carolina del Norte, en mayo de 1963. Es evidente que el artista de Clarksdale, en Mississippi, estaba influido por “Blowin' In The Wind” de Bob Dylan, una canción que le gustaba mucho y que, incluso, llegó a grabar. Siempre es reconfortante escuchar una canción como esta, que acaba de ser actualizada por Gary Clark Jr., Brandi Carlile y John Leventhal como un mensaje de esperanza para estos tiempos. Es evidente que la música es un nexo de unión entre distintas generaciones y las hermanas Rebecca y Megan Lovell, que forman Larkin Poe, lo dejan claro en su nueva apuesta sonora, Kindred Spirits, que se va a editar el 20 de noviembre a través de su propio sello Tricki-Woo Records. Se trata de un disco de versiones con guiños a Elton John, Neil Young, The Allman Brothers Band, e incluso los Moody Blues. Kindred Spirits expresa su admiración profunda y agradecimiento por artistas que marcaron el camino en épocas precedentes. De hecho, Larkin Poe, nativas de Calhoun, en Georgia, ya había iniciado hace cinco años una serie de YouTube dedicada a rendir homenaje a sus héroes musicales. "Nights In White Satin" es una de las canciones elegidas. Originalmente formó parte de un álbum coral y emblemático como fue Days Of Future Passed de los británicos Moody Blues. Escuchar audio

The NBA is back in full effect, but there is something missing. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/Neil_Legend/support

Con este programa culminamos la temporada número 47 de TOMA UNO y no sabemos si tendrá continuación a partir de septiembre. En los últimos 18 años, nunca nos habíamos tomado vacaciones en estas fechas... hasta el presente. Tendremos todo el mes de Agosto para preparar una próxima temporada a conciencia, aunque seguiremos contactados a través de las redes sociales. Nos hemos enterado de la muerte durante la pasada semana de Jamie Oldaker, socio fundador y batería de los Tractors, además de un respetado músico de sesión para artistas como Eric Clapton, Bob Seger o Leon Russell, entre otros muchos. Nativo de Tulsa, en Oklahoma, formó los Tractors junto al trístemente desaparecido Steve Ripley. Nos dejaron canciones inolvidables como "Baby Likes to Rock It" en 1994, a cuya presentación oficial asistimos aquel año en Nashville durante la celebración de la Fan Fair. Hace 15 años, el ahora desaparecido Jamie Oldaker publicó en el sello Concord el álbum Mad Dogs & Okies, donde cio todo el protagonismo a invitados tan brillantes como Clapton, J.J. Cale, Ray Benson, Vince Gill, Willie Nelson o Tony Joe White. Era un homenaje a la herencia musical de su estado natal, Oklahoma, y por lo tanto no podía faltar el legendario J.J. Cale, con su voz y su guitarra en “Daylight”, un tema propio que ejemplariza a la perfección el Tulsa Sound. Es evidente que Margo Price no deja indiferente a nadie. Así ocurrió con sus críticas directas a la administración Trump y ahora la amplitud de miras de su nuevo álbum, That's How Rumors Get Started. La artista de Aledo, en Illinois, sigue aventurandose por todos los caminos que se abren a su paso y tampoco ha dejado fuera el legado que Muscle Shoals ha dejado en la escena de la Americana. Esas influencias clásicas que van mucho más allá de Nashville se reflejan en "Prisoner of The Highway", donde habla de los músicos en gira y en el que el Southern rock y el góspel se confunden, conformando uno de los cortes más sobresalientes de un álbum que mira con cariño hacia el rock clásico. Los que se consideran más puristas ya han levantado la voz y las quejas. El susto al saber que Sturgill Simpson era el co-productor aún no se lo han quitado de encima. Ethan Johns, un productor curtido al lado de nombres tan eclécticos y sonoros como Ray LaMontagne, Paul McCartney o Kings of Leon, ha sido el encargado de trabajar al lado de Mary Chapin Carpenter, a la que se llevó hasta los estudios Real World de Peter Gabriel en Bath, al suroeste de Inglaterra, para grabar The Dirt And The Stars, el nuevo álbum de la cantante compositora de Nueva Jersey, que explora los desafíos del presente desde una visión íntima y personal. Mary Chapin compuso estas canciones en su granja de Virginia antes de la pandemia, y deja momentos tan intensos como “Secret Keepers”, un recordatorio de aquellas experiencias irremplazables que nunca desaparecen. Que las cicatrices desaparezcan no significa que lo haga el dolor que las produjeron. The Dirt And The Stars supone la primera colección de nuevas canciones desde que hace cuatro años publicó The Things That We Are Made Of. En 2018 lanzó junto a Ethan Johns y en los estudios de Peter Gabriel Sometimes Just The Sky que, excepto el tema que lo dio nombre, era una celebración de sus 30 años de carrera discográfica con nuevas versiones de algunas de sus canciones más queridas. Lori McKenna, la compositora y vocalista de Stoughton, en el estado de Massachusetts, se mantiene en la senda de construir grandes canciones que profundizan en sus experiencias personales y que vienen a ser, en cierto modo, una versión femenina de lo que puedan suponer Jason Isbell o Sturgill Simpson. En el tema central de su nuevo álbum, The Balladeer, recién editado, nos encontramos con el temor de que el cantar sobre una relación feliz impida, precisamente, el reconocimiento que suele tenerse por las composiciones que describen relaciones dolorosas y desgraciadas. Parece ser casi una norma en Courtney Marie Andrews que no haya demasiado optimismo en sus propuestas, y en este séptimo registro se mantiene la tónica. Desde el delicioso vals de apertura, "Burlap String", hasta el final no hay una sola nota de más y su voz persiste en el convencimiento más absoluto. La joven cantante y compositora de Arizona que cumplió 29 años el pasado diciembre ha querido que su nuevo trabajo, Old Flowers, sea precisamente un disco de ruptura, con el riesgo que suponen que exista una cantidad ingente de discos que tratan sobre esas tensiones emocionales. La autocompasión puede resultar empalagosa y siempre estás en el difícil equilibrio de que una canción sea un terrible cliché terapéutico o que se convierta en un clásico intemporal. Hace cuatro años debutaba un cuarteto de Sheridan, en Wyoming, llamado The Two Tracks con un disco homónimo que se convirtió en el mejor álbum del año para la emisora pública de aquel estado. Aquello supuso que al año siguiente Will Kimbrough quisiera hacer su presentación como productor con Postcard Town y que ahora persista en esa labor con Cheers to Solitude, su nuevo disco, con un sonido familiar enraizado en la tradición que supone un paso significativo hacia adelante con respecto a sus propuestas previas. Se editará a mediados de agosto y fue grabado en el mítico The Butcher Shoppe de Nashville, muy pocos meses antes de que se viera obligado a cerrar para reconstruirlo. Un tema como “All Women Are Healers” es en cierto modo un himno de apoyo a las mujeres, inspirado en el título de un libro de curación natural. El protagonismo de ellas en los cambios y la conciencia de combatir ciertos los estándares sociales y prejuicios a los que las mujeres aún se enfrentan en el mundo está muy presente. Con sus raíces en Texas, Evan Ogden se inspira en los clásicos que escuchó por primera vez en los discos de su abuelo, pero su interés está en que las nuevas generaciones también receptivas a esas propuestas que como en “Thunderstorms” provoca una tormenta emocional parecida a las muchas que van apareciendo lentamente a nuestro alrededor. Volvemos a encontrarnos con reflexiones muy honestas y personales de un joven músico de Austin que descubrió muy pronto lo significativo que fue el country de los años 1940, aquel que plantó las semillas para apreciar el impacto de una música conmovedora. Omnivore sigue dando sorpresas a los coleccionistas con ediciones puntuales que recuperan tesoros inesperados e inéditos. Esta vez se trata de escarbar en los archivos del trío América y conformar Heritage II: Demos/Alternate Takes 1971-1976 como una continuación del primer volumen publicado en 2017. En esta ocasión las canciones se han centrado, excepto las dos primeras, en dos álbumes producidos por George Martin: Holiday de 1974 y Hideaway del 76. El sexto trabajo de América fue Hideaway, grabado en el Caribou Ranch de Nederland, en el estado de Colorado cuando América estaba culminando su carrera en Warner Bros. Allí encontramos "Amber Cascades", una canción de Dewey Bunnell con una letra abstracta de tonos espirituales cuyo arrope instrumental evoca el soleado sur de California bajo el sol. La mezcla alternativa que podemos escuchar por primera vez de su tercera toma enfatiza el carácter de la composición en sí misma, sin las armonías vocales ni la orquestación que escuchamos en su edición original. Hace exactamente 45 años, los Eagles alcanzaban el primer puesto de las listas con el álbum One Of These Nights. Fue el aldabonazo definitivo en aquel verano de 1975, consiguiendo con él un Grammy como mejor grupo de pop tras permanecer durante cinco semanas en la cima de las listas generales. Pero Bernie Leadon abandonaría la banda en diciembre de ese mismo año al no comulgar con la dirección musical tomada. El álbum One of These Nights nos dejó aún cierto protagonismo de Bernie Leadon, que participó en la composición de hasta tres de las nueve piezas del trabajo, incluyendo "Hollywood Waltz", un tema que pasó demasiado inadvertido y en el que compartía autoría con Don Henley, Glenn Frey y su hermano, Tom Leadon, que había sido socio fundador de Mudcrutch, la primitiva banda de Tom Petty. Tras tocar el bajo con Linda Ronstadt, se unió a Silver, un grupo de country-rock californiano. En 2007, Tom Petty volvió a contar con su tocayo en la reforma de Mudcrutch. Sin abandonar a la banda californiana, el pasado miércoles, Don Henley cumplía 73 años, desde su nacimiento en la tejana Gilmer y crecer en Linden. Militó en los Four Speeds, que pasaron a llamarse Felicity, luego estuvo en Shiloh y de ahí a los Eagles. Por primera vez en su carrera, Don Henley logró hace cinco temporadas que uno de sus álbumes en solitario alcanzara la cima de las listas. Cass County, su último trabajo, debutó en el No. 1 de las de country. El artista tejano regresó de manera decidida a los sonidos de sus comienzos con un álbum que rezuma tradición en el fondo y nl las formas. La estrecha colaboración entre Don Henley y Stan Lynch, socio fundador de los Heartbreakers de Tom Petty, fue vital en la composición de muchos de los nuevos temas, pero en canciones de la categoría de “Waiting Tables”, posiblemente la mejor de aquel trabajo, participaron también Timothy B. Schmit y Steuart Smith en la creación y contó con Jamey Johnson en los coros. “Take It Easy” de los Eagles fue la canción con la que comenzamos la primera temporada de TOMA UNO allá por 1973 y es la que hoy escuchamos para cerrar la número 47 del programa. Aunque no estaremos en antena, seguiremos en las redes sociales y nos encantaría que fuera posible vernos en los conciertos, porque la música sigue siendo cultura y apoyamos una #cultura segura. Confiamos en volver a primeros de Septiembre en la nueva temporada de Radio 3. Nos encantaría seguir cumpliendo años juntos. Escuchar audio

Jon Brasher has today’s intro. Brasher is Donna’s wusband and taught her the mastery of deflection. He is hilarious, lives in Johns Creek with his family and is up next to have his own podcast *wink wink*. Thanks Brasher! If you’ve been listening since the beginning, you’ll know that Caddy has been having some problems with his mouth. It’s finally caught up to him. The first segment of today’s show explains where Caddy is headed and why Roscoe was the first to know. The kicker, though, is how Donna wants to leverage it into her first TikTok milly and an energy drink sponsor. Is it true that Gregg Alman broke into Capricorn studies to record a song? Donna says yes and that it’s her hype song today. Then Caddy uses his hype song to reflect on CMA Fest, Fan Fair and his birthday(s) in Nashville. Caddy and Donna break into what makes country music so special (spoiler: it’s the artists), using the example of when Garth Brooks came off of his world tour, showed up at the Tennessee State Fairgrounds (at 10am on a Tuesday) and signed autographs for 23 hours. Did you know that Caddy once hosted a successful morning show on an Atlanta radio station? He shares some stories from his time on the air, including when K****** walked in (late) for a 30-artist show with one shoe on. As Donna says, “that’s how you know you had a good night.” Caddy and Donna then move in to cover Jada Pinkett Smith’s “entanglement.” The discussion runs for a while before smoothly transitioning into why Donna can’t stand words like “entanglement.” Or “conscious uncoupling.” Who names their child Apple anyways? “Out of an abundance of caution,” just tell Donna that Hamilton is cancelled. Back when Caddy and Donna were printing money (literally, they had a money printer) they had a weekend at the Four Seasons. Things got a little hairy when they were invited up to “see another couple’s condo” and found themselves in a couple of robes. Caddy and Donna want to set the record straight: are they easy marks? Use the promo code "CADDY" for $30 off your first order at dinnerafare.com. Save Caddy. Send a text. 7704646024.

Become a subscriber! Visit us at https://www.patreon.com/nashvilledailyToday's Sponsor: Screened ThreadsUse the Code "NashvilleDaily" for 10% off online and in-storehttps://screenedthreads.com/Eventshttps://www.opry.com/Nash NewsNashville COVID-19 Responsehttps://www.asafenashville.org/roadmap-for-reopening-nashville/Crane Watch During Covid-19https://www.bizjournals.com/nashville/news/2020/05/18/crane-watch-development-map-update-covid-crisis.html?iana=hpmvp_nsh_news_headlinehttps://www.bizjournals.com/nashville/maps/nashville-crane-watchFresh Hospitality, Seattle developer seek MDHA approval for downtown projectshttps://www.bizjournals.com/nashville/news/2020/05/18/fresh-hospitality-sobro-seattle-developer.htmlFacebook buys land as Gallatin green lights $715Mil projecthttps://www.bizjournals.com/nashville/news/2020/05/20/facebook-data-center-gallatin-tn-nashville-vote.html?iana=hpmvp_nsh_news_headlineCMA Fest CancellationCMA Fest 2020 canceled due to ongoing coronavirus pandemichttps://www.tennessean.com/story/entertainment/music/2020/03/31/cma-fest-nashville-2020-canceled-due-coronavirus-pandemic/2881819001/The cost of losing CMA Fest: CMA Fest's cancellation echoes across Nashvillehttps://www.bizjournals.com/nashville/news/2020/04/03/cma-fests-cancellation-echoes-across-nashville.htmlLocal Artist Feature - Aurelia Sharp Wordshttps://open.spotify.com/artist/2D2HDgexBCOB52qkjMv2iZ?si=debJI6i3QyyP8escCrb8cwhttps://www.aureliamusic.comNashville Daily Artist of the Day Playlisthttps://open.spotify.com/playlist/51eNcUWPg7qtj8KECrbuwx?si=nEfxeOgmTv6rFUyhVUJY9AFollow us @ XPLR NASHWebsite -  https://nashvilledailypodcast.com/YouTube Channel - https://www.youtube.com/c/xplrnashInstagram - https://www.instagram.com/xplr.nash/Twiter - https://twitter.com/xplr_nashNASHVILLE & XPLR MERCH - http://bit.ly/nashville_merchMedia and other inquiries please email hello@xplr.life

Today, we discuss the following topics:1. The Kings fall behind against the Anaheim Ducks;2. Todd McLellan: Disappointed Dad, and3. A look back at Fan Fair excitement at the AHL All Star Game, featuring special guest Jason Hernandez of Locked On Ducks.All that and more on today's episode of Locked On Los Angeles Kings, part of the Locked On Podcast Network.You can find Locked On Ducks at @LO_Ducks on Twitter, and Jason at @StimpyJD.If you're a Kings fan who lives outside of the LA area and would like to be considered for a future "far-flung fan spotlight", go to http://bit.ly/LockedOnKings and fill out a very brief survey.Want to know more about a prospect? Want some wild speculation on how many goals Jeff Carter will score this year? We want all of your questions! Send an email to lockedonlakings@gmail.com or find us on Twitter at @LockedOnLAKings and share your thoughts.Thanks to Joseph McDade for our opening song. Joseph's music is available at https://josephmcdade.com/music Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, we discuss the following topics: 1. The Kings fall behind against the Anaheim Ducks; 2. Todd McLellan: Disappointed Dad, and 3. A look back at Fan Fair excitement at the AHL All Star Game, featuring special guest Jason Hernandez of Locked On Ducks. All that and more on today's episode of Locked On Los Angeles Kings, part of the Locked On Podcast Network. You can find Locked On Ducks at @LO_Ducks on Twitter, and Jason at @StimpyJD. If you're a Kings fan who lives outside of the LA area and would like to be considered for a future "far-flung fan spotlight", go to http://bit.ly/LockedOnKings and fill out a very brief survey. Want to know more about a prospect? Want some wild speculation on how many goals Jeff Carter will score this year? We want all of your questions! Send an email to lockedonlakings@gmail.com or find us on Twitter at @LockedOnLAKings and share your thoughts. Thanks to Joseph McDade for our opening song. Joseph's music is available at https://josephmcdade.com/music Learn more about your ad choices. Visit megaphone.fm/adchoices

When the Stars come out in St. Louis, St. Louis knows how to be a great host. The St. Louis Blues get a bye week going ino All Star weekend and St. Louis  was hopping all weekend. It started on Thursday with the St. Louis Blues Alumni vs. NHL Alumni and it culminated on Sunday with the last day of the NHL Fan Fair. What a great weekend it was. St. Louis rolled out the red carpet to the NHL and I think despite some hiccups we did an amazing job. Jason and Chris along with our friend Ric (who is a big Pittsburgh Penguins fan) break down all the happenings over NHL All Star weekend including the Skills Competiton including the first ever women's USA vs. Canada  3 on 3 game, Fan Fair, the NHL All Star game with a Green Day concert thrown in if there wasn't already enough going on! --- Support this podcast: https://anchor.fm/blues-hockey-podcast/support

Announcements: New LetsGoBlues.com site design & T-Shirt Shop! Today in Blues History All-Star Game, Fan Fair, & All-Star 5K! Rapid Fire Tid Bits From Around The NHL Blues having Issues With Colorado Now? 91 back on the ice (settle down Blues fans). Is Binnington the best goalie in Blues history? Is Manny Legace? ;) The Trade Deadline...should we make a move? And more!

You’ve probably heard about some of “The Institutions” of country music… the CMA Awards, the Grand Ole Opry, the ACM Awards, CMA Fest (formerly Fan Fair), this list goes on and on. But you probably haven’t heard stories like this. On this episode, Susan and Evelyn talk about some of their high (and very low) points during these huge industry events.For more information, visit http://shadyladiesofmusiccity.com. Follow along on Instagram at http://instagram.com/shadyladiesofmusiccity. Submit your Music City Myth at https://smarturl.it/MusicCityMyth.1:23 Evelyn’s time on CMA Board Of Directors2:00 Ricky Van Shelton gets kicked off the Opry grounds, Evelyn makes the paper 7:00 Country music industry retirement home8:05 CMA Awards9:48 Alan Jackson’s controversial performance of George Jones’ song “Choices” on the CMA Awards12:03 BMI/ASCAP/Sesac Awards dinners13:27 Willie Nelson’s unexpected appearance at the BMI Awards15:00 ACM Awards 15:33 “Jews In Country Music”16:35 Randy Travis at the ACM Awards18:45 Susan & Evelyn get lost leaving the ACM Awards19:40 The Beach Boys at Fan Fair20:50 More on Fan Fair/CMA Fest22:00 Evelyn’s first Fan Fair24:55 Music City Myth segmentListen if you are interested in: CMA Awards, CMA Fest/Fan Fair, ACM Awards, Ricky Van Shelton, Willie Nelson, George Jones, Alan Jackson, Randy Travis See acast.com/privacy for privacy and opt-out information.

CMA Fest 2019 has taken over Nashville this week and Music Row insider Preshias Harris has the scoop on concerts, autograph sessions, and more. Jonathan Leifheit is back with commentary on the four Atlantic Coast Conference teams heading to the Super Regionals of NCAA Baseball. Also, Mississippi's offbeat towns just might be the perfect summer escape.

Let's go back to June of 1998 to FAN FAIR (now called CMA FEST) in Nashville, Tennessee! www.throwbackcountrymusicpodcast.com www.facebook.com/throwbackcountrymusicpodcast Hit the subscribe button and leave a 5 star review! Thanks so much! --- Support this podcast: https://anchor.fm/throwbackcountrymusic/support

Let's talk about the NHL All Star WEEKEND!!Media Day, Skills Competition, All Star Game and Fan Fair are all covered in this fancast!  

Fans gotta know they place.... ketch my latest episode as I discuss Westbrook's latest incident in Utah, my favorite fan/player inicidents, Cleveland (Yes I'm talking about Cleveland, Joakim Noah) & more.

Following All Star weekend, we use episode 63 to discuss the NHL All Star game, the Skills Competition, Fan Fair and more. We also talked about NHL mascots, Joe Thornton playing injured, the penalty kill, the Barracuda and baby Sharks and more. That song is in your head now, isn't it? The Pucknologists is a weekly podcast with the aim of being family-friendly while looking at the last week of San Jose Sharks News that is available exclusively on our audio stream. The Pucknologists are made up of three local fans who bring their insights from their experiences at SAP Center and Sharks Ice. The Pucknologists is in no way affiliated with the San Jose Sharks or the National Hockey League.

It’s that time of year again! The CMA Festival is coming up and Kix, Suzanne, and Producer Lono preview it and share a few essential tips for fans in this episode of the Kickin' It with Kix podcast.

Kix Brooks, Suzanne Alexander, and Producer Lono discuss Brad Paisley's new Love and War album and the concept of a visual album. Kix gives the artist view of festival season. Plus, the trio talk about a bit of the history behind the CMA Music Festival in Episode 2 of the Kickin' It with Kix podcast.

Join us this week as we welcome Country Pop music singer songwriter and actress, Celeste Kellogg. Celeste started performing at the age of 6 in her church choir. At age 12, Celeste found herself performing with the Radio Disney Tween Pop Group "RD7" While with Radio Disney, Celeste opened for opened for Raven, The Jonas Brothers, Miley Cyrus, The Cheetah Girls and Kelly Clarkson's Addicted To Love Tour. In 2010 Celeste released her debut CD "This Is Where I Wanna Be", where her song "The Look" charted #20 in Germany. The CD was produced by multi- platinum producer Andrew Lane. On this CD Celeste had the privilege of co-writing with Noah Gordon (Average Joe Entertainment A/R) Kris Bergsness (Tyler Farr) Anthony Little (Reba) and Douglas Shaw. In April of 2013 she released her second CD "Broken Record" also produced by Andrew Lane and written by Celeste. For the past two years the Country Music Association has acknowledge Celeste as an emerging artist at Fan Fair. In exciting news for the summer of 2016, Celeste will be releasing her 3rd CD "You and Me" on June 7th, 2016. The new release is available now for pre-order on the shop page of her website. We will talk to Celeste about her upcoming schedule, get a behind the scenes look at her music, feature her latest songs, and ask her to share her message for the troops. Please be sure to visit Celeste Kellogg at http://www.celestekellogg.com/ and spread the word. Fans are welcome to call in and speak live with Celeste during the show (718) 766-4193. And as always we will give shout outs to our deployed military listeners. Our message to the troops: WE do what we do, because YOU do what you do.

Join us this week as we welcome country pop music singer songwriter and actress, Celeste Kellogg. Celeste started performing at the age of 6 in her church choir. At age 12, Celeste found herself performing with the Radio Disney Tween Pop Group "RD7" While with Radio Disney, Celeste opened for opened for Raven, The Jonas Brothers, Miley Cyrus, The Cheetah Girls and Kelly Clarkson's Addicted To Love Tour. In 2010 Celeste released her debut CD "This Is Where I Wanna Be", where her song "The Look" charted #20 in Germany. The CD was produced by multi- platinum producer Andrew Lane. On this CD Celeste had the privilege of co-writing with Noah Gordon (Average Joe Entertainment A/R) Kris Bergsness (Tyler Farr) Anthony Little (Reba) and Douglas Shaw. In April of 2013 she released her second CD "Broken Record" also produced by Andrew Lane and written by Celeste. For the past two years the Country Music Association has acknowledge Celeste as an emerging artist at Fan Fair. Celeste has also been featured on Zuus Country's On The Rise Program. This is a program that recognizes up and coming artists. We will talk to Celeste about her upcoming schedule, get a behind the scenes look at her music, feature her latest songs, and ask her to share her message for the troops. Please be sure to visit Celeste Kellogg at http://www.celestekellogg.com/ and spread the word. Fans are welcome to call in and speak live with Celeste during the show (718) 766-4193. As always we will give shout outs to our deployed military listeners. Join us, Sunday 11/1/2015 at 4 PM EST! Our message to the troops: WE do what we do, because YOU do what you do.

The Florida IT Server Group (FISG) is a group of IT Pros and Administrators established for the purpose of networking, topology design, education, security planning and familiarization of the latest technologies.

This Nashville-based singer/songwriter is a two-time CMA “Emerging Artist” who will again be at Fan Fair. She has performed in venues across the U.S. and Europe and has sung background vocals on stage for stars from Gloria Gaynor to Taylor Swift. On this episode of NHTE she even makes an exclusive announcement regarding a new product launch accompanied by a song download.

The International Fan Club Organization started putting together fan club shows over forty years ago. The Annual event became popular with the fans from all over the world, and eventually became Fan Fair, the predecessor to the CMA Music Fest. This year one of the founding members of IFCO passed away, leaving the other founders without much time to plan their annual event. Fortunately, enough artists helped step up to make this year's show a tribute to Loretta Johnson.

They came, they saw, they twanged. Nashville recovers from another Fan Fair endorphin rush. But there was much more to CMA Music Festival 2006 than met the eyes or ears. Lance Yelvington takes us through what and who the average and not so average country music fan saw in Music City.