Podcasts about capcut

Send us Fan MailA shed builder with a phone camera should not be able to compete with big budgets, yet Jeremy Yoder, better known as Pro Shed Builder, has built an audience of roughly 350,000 across TikTok, YouTube, Facebook, and Instagram by doing something most companies still avoid: showing the real work. We talk about what happens when you stop scripting, stop polishing every detail, and instead capture the process in a way that feels human, useful, and honest. Jeremy breaks down his practical content workflow: how often to post, how he decides which sheds to “bookmark” for filming, and why going live helped him get comfortable on camera fast. We also get into the part nobody wants to admit, editing. Turning a three to four hour shed build into a one minute short can take hours, and Jeremy shares what that time cost really looks like, plus the simple tools he uses like CapCut, a basic tripod, and an affordable lav mic. We also zoom out to the shed industry itself. Jeremy shares what customers are buying right now, from cheap no-frills storage sheds to fully finished backyard offices and studios. Then we dig into what actually builds trust with buyers: transparency about build methods, moisture and ventilation details, the floor system, and warranties that prove you stand behind your work. If you want better leads, stronger brand credibility, and marketing that feels real, this conversation gives you a clear path forward. Subscribe for more shed business marketing and industry insights, share this with a builder who needs to start filming, and leave a review if you want more practical episodes like this.For more information or to know more about the Shed Geek Podcast visit us at our website.Would you like to receive our weekly newsletter?  Sign up on our website: shedgeek.comFollow us on Twitter, Instagram, Facebook, or YouTube at the handle @shedgeekpodcast.To be a guest on the Shed Geek Podcast visit our website and fill out the "Contact Us" form.To suggest show topics or ask questions you want answered email us at info@shedgeek.com.This episodes Sponsors:Studio Sponsor: Shed Geek MarketingVelocity 360RTO SmartShed SuiteFirst Choice MetalsChallenger

You know reels are one of the best ways to grow your business on Instagram. You've seen other people crushing it. You've probably even sat down to film one yourself, maybe more than once, and then... you just didn't post it. Or you did, and it flopped, and somewhere along the way, the whole thing started to feel way more complicated than it's worth.Here's what I actually think is happening: you're drowning in advice that was designed for influencers, not for people who run a real business. Hook formulas, trending audio, CapCut tutorials, edit transitions... it is A LOT. And most of it doesn't apply to you.So in today's episode, I'm breaking it all the way down to the actual basics: how to find ideas, how to script a reel, how to film it, and how to batch the whole thing so it doesn't take over your life. No dances. No pressure to go viral. Just what actually works to get you more clients from Instagram.In this episode, you'll hear…Why you shouldn't be getting content inspiration from competitors (and where to look instead)How to write a hook that stops the scroll, even if you hate writingThe one structural shift that's making reels perform better right now (hint: stop giving it all away in the video)Filming best practices that make a real difference, even with just your phoneHow to batch your reel production so you're not starting from scratch every single weekThe four reel formats explained, so you can pick what actually works for your personality and scheduleClick here to find the full show notes and transcript for this episode.EPISODE RESOURCES:Get Sam's weekly newsletter, Sam's SidebarKit (affiliate link)what I use to build my email list, send emails to my list, and create opt-in forms & pagesEpisode 291. 11 'Bad Habits' That Actually Built My 7-Figure BusinessNatasha's YouTube video on YAP content for InstagramB-roll reel example with Text OverlayB-roll reel example with Audio OverlayScripted reel exampleIf you have a question you'd like Sam to answer on a future podcast episode, you can submit it here.Click here to be notified when new episodes of On Your Terms® come outCONNECT:Get Sam's weekly newsletter, Sam's SidebarFollow Sam on InstagramFollow Sam on YouTubeSubscribe to Sam's Substack, Beyond BusinessTake Sam's free legal workshop "5 Steps to Legally Protect & Grow Your Online Business"DISCLAIMER

In today's episode, Brock Johnson walks through his complete editing process for Instagram Reels, including the tools he uses and how he decides which tool is right for each type of project.  Brock also covers why most editing bottlenecks actually start at the filming stage, and share the specific filming habits he has built that make editing significantly faster — including how he scripts, pace his takes, and use visual markers to stay organized in the timeline.  From there, Brock breaks down my full editing stack: CapCut for desktop edits, Gling for long-form clip editing, the Edits app for trend-based and audio-specific Reels, and when he hands things off to a professional editor.  Brock also shares a handful of practical tips for speeding up your editing workflow, including editing on desktop, working with audio on, using keyboard shortcuts, and tackling one task at a time rather than trying to do everything at once. Watch On YouTube 

Riley Hill and Tim Chaten discuss the year that was for iPadOS 26. Make sure to listen to the previous episode for more on this discussion. We also discuss the recently released version of CapCut for iPad. Early episodes are available by supporting the podcast at www.patreon.com/ipadpros. Early episodes are also now available in Apple Podcasts!Show notes are available at www.iPadPros.net. Feedback is welcomed at iPadProsPodcast@gmail.com.Links:- https://slatepad.org/2026/05/27/capcut-pad-now-available-us-ipad-android-tablets/- https://slatepad.org/2026/05/23/what-i-want-from-ipados-27-wwdc-2026/ Hosted on Acast. See acast.com/privacy for more information.

Tara Polley explains how building a personal brand through media stopped the grind and started attracting clients who already trust her.In this episode of RealDealChat, Jack Hoss sits down with Tara Polley of welcomehomesonoma.com, a 25-year real estate veteran turned television host, to break down how media, storytelling, and personal brand building change the game for realtors and investors alike.Tara shares her full framework including:Why getting on camera shortens the sales cycle by building trust before the first conversationHow storytelling and authenticity outperform polished, perfect content every timeThe role AI tools like Claude and ChatGPT play in scripting listings and TV segmentsHow she uses CapCut and TikTok to create social content fast without a big production teamWhy lifestyle marketing sells properties faster than leading with features and square footageThe delegation framework she uses to decide what to keep vs. automate vs. hand offWhat top performers in real estate actually have in common (and it's not talent)Why realtors who stay stuck in 2021 pricing mindsets are losing deals right nowThis episode is for:Realtors ready to stop cold prospecting and start attracting aligned clientsInvestors who want to understand how personal brand impacts deal flowAnyone in real estate who knows they should be creating content but keeps putting it offIf you've ever felt like you were grinding harder than your results showed, this episode is the reset you need.

CapCut est un outil de montage vidéo accessible, gratuit dans sa version de base, disponible sur ordinateur et mobile, avec une timeline, des transitions, de la musique, des effets, et même quelques options bien pratiques pour améliorer voix et images.Côté pédagogie, CapCut peut servir à :1) créer des capsules vidéo courtes pour introduire une notion ;2) monter des interviews d'experts ou de professionnels ;3) faire produire des vidéos par les apprenants directement depuis leur smartphone ;4) transformer un retour d'expérience, une démonstration ou une consigne en support vidéo clair ;5) ajouter sous-titres, transitions, musique ou habillage pour rendre une vidéo plus engageante.Dans cet épisode, on parle aussi de matériels et de tournage avec des "équipements légers", de smartphone, de caméra DJI Osmo Pocket, de prompteur.Pour tester et aller plus loin :Le lien vers l'outil : https://www.capcut.com/

Following on from last week's piece about the extent to which I use AI, I've had a surprising number of messages asking which AI I actually use and what for.I should immediately stress that I am not some sort of AI guru. I know people use Claude to write code, automate businesses and build entire internal operating systems. That is beyond me. I can't code. I'm a one-man band, who occasionally hires freelancers. I'm self-taught. But here's what I actually use and what for.I stress the best method of all is trial and error. You get results quickly. If you don't get what you're looking for, adjust the prompt, or try a different app.Let's start with the visual stuff.Pretty much every image accompanying my articles, such as the one above, is generated on Midjourney. I've experimented with ChatGPT, Grok and other image generators, but I like Midjourney's images the most. My prompt is often just the article title plus the aspect ratio. Four options appear. I pick the best one.That alone would have seemed miraculous ten years ago.I also use Midjourney extensively for music videos. For example, in this video about the lighter side of hyperinflationary collapse, almost every visual was AI-generated from the lyrics. My editor, Goat, then used Runway to animate the images. We filmed my face against a green screen and plonked it on top afterwards.If Midjourney didn't produce what I had in mind, I simply kept adjusting the prompt until it did, or I tried another image generator as a last resortEven as recently as five years ago, let alone twenty, to make a video like this would have cost hundreds of thousands, millions even, and taken many months. We would have needed teams of animators, post production specialists, Soho studio space and lord knows what else. That, to my mind, is the genuinely revolutionary part of AI. Democratisation of media and all of that.But on top of it all you still need someone - in this case my editor Goat - who knows what they're doing.People often argue that AI ia replacing creativity. What it is actually doing, at least in my case, is dramatically lowering the cost of production and making creativity available to all. The possibilities for creative littlemen like me are enormous. I made this video using Grok and Neural FramesAnd this one was generated entirely in Neural FramesIronically, we used no AI in the music itself. We edited the videos either in Capcut or FinalCut.By the way, if you enjoy these videos, the first place I upload them is at my comedy Substack, so sign up to that. It's free.Writing, research, advice and moreThis next video, about the most prolific slaving civilisations in history, generated millions of views across social media, and became the most viewed page on this Substack. It is an interesting case.Not because of the images themselves, which were generated with Midjourney, but because of the research. AI couldn't and in some cases wouldn't do it. Claude flat out refused because of the subject matter. It would not engage. (IN other words it is biased). ChatGPT couldn't get its head round what I was trying to do. Grok came closest but in the end I worked with a human researcher, Sam, who I knew from my book, who turned out to be much better.I have paid subscriptions to Claude, ChatGPT, Grok and Venice. I cooled somewhat on Claude after the slavery episode. Around the same time I was in a nasty dispute with three former business colleagues and needed some help. Claude kept getting hysterical and calling on me to speak to a lawyer, which I didn't have the time or budget to do, whereas ChatGPT gave the me the help I was looking for. So between the two episodes Claude has been rather demoted in my office, though I still use it as a sounding board for anything to do with writing - where it is strong - if I want a second or third opinion. I get that the experts think Claude is the boss, but for me it is too captured. ChatGPT has replaced it as my primary all-rounder.In general terms, ChatGPT is the most user-friendly though you have to go into the settings and tell it to stop being sycophantic, as that just gets annoying. (They are all as bad as each other for sycophancy).I'll use them all for brainstorming, proofreading, titles, summarising transcripts, challenging arguments, evaluating, drafting legal docs and agreements, advice, helping with negotiating. But I tend to go to ChatGPT ahead of the others, especially for anything to do with diet, health, personal development, mentoring, problem solving, advice and so on. It is basically having an extremely fast, but not always reliable assistant. You cannot blindly delegate to it, you have to oversee, because it is not always right, even if it behaves like it is. Grok is the best for anything current. If I am writing a satirical song, for example, and I need an overview of a politician or a news story, Grok is best by far. I think it's because Grok has X to mine from. Regarding investments, Grok beats most hedge fund managers, apparently. I use it to gauge sentiment around companies and themes: it can quickly tell me whether people are already talking about it or whether almost nobody is. That is very useful. If thousands of people are discussing a company, the hype cycle is probably already fairly advanced. If nobody is discussing it, that is more interesting.For ongoing projects, however, I still prefer ChatGPT and Claude. I find their their folder systems are more user-friendly and easier to organise, particularly for themes I want to keep coming back to. Grok - or is it me - seems to lose conversations between the app and when I use it via X.Grok could quickly become my go-to allrounder, though I have some shares in SpaceX, so I am probably biased. Broadly speaking I have greater faith in Elon Musk's integrity than I do Sam Altman's, even if for now I have voted with my usage for Sam Altman.Claude may be the most capable technically, particularly for coding and analysis, but I also found it the most censorious. Venice, by contrast, is the least filtered. And it gives you access to Seedance 2.0 (which is the best of the video generators), but it has other technological shortcomings. None of them are neutral, and you still need to judge what they tell you - which requires a functioning brain. I find AI really suits a one-man band like me, who has some experience, knowledge and who still retains a modicum of cognitive ability. It makes me so much more productive. But you still need a functioning brain.At the same time, I would argue that people who refuse to engage with AI at all - while I admire them - are putting themselves at a disadvantage. The productivity gains are simply too large. AI has not made me less creative. If anything, it has made me more productive creatively. Ideas that were once stuck in my head can now be realised. This Friday I am speaking at the New Culture Forum Literary Festival along with Alison Pearson, David Frost, Bill Cash and many more. It looks to be superb event. Flying Frisby readers can get a discount using the code LITFEST15.If you are a Lifetime Subscriber and fancy it, drop me a line and you can come as my guest without having to pay a single penny. How about that!(By the way I will shortly be ending lifetime subscriptions on June 7, if a Lifetime Subscription is of interest, sign up now)Here is this week's commentary in case you missed itFinally, this week I appeared on Blue Dot radio in the US talking to Dave Schlom about the book. Was a good interview.Thank you for being a subscriber to the Flying FrisbyUntil next timeDominic This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Following on from last week's piece about the extent to which I use AI, I've had a surprising number of messages asking which AI I actually use and what for.I should immediately stress that I am not some sort of AI guru. I know people use Claude to write code, automate businesses and build entire internal operating systems. That is beyond me. I can't code. I'm a one-man band, who occasionally hires freelancers. I'm self-taught. But here's what I actually use and what for.I stress the best method of all is trial and error. You get results quickly. If you don't get what you're looking for, adjust the prompt, or try a different app.Let's start with the visual stuff.Pretty much every image accompanying my articles, such as the one above, is generated on Midjourney. I've experimented with ChatGPT, Grok and other image generators, but I like Midjourney's images the most. My prompt is often just the article title plus the aspect ratio. Four options appear. I pick the best one.That alone would have seemed miraculous ten years ago.I also use Midjourney extensively for music videos. For example, in this video about the lighter side of hyperinflationary collapse, almost every visual was AI-generated from the lyrics. My editor, Goat, then used Runway to animate the images. We filmed my face against a green screen and plonked it on top afterwards.If Midjourney didn't produce what I had in mind, I simply kept adjusting the prompt until it did, or I tried another image generator as a last resortEven as recently as five years ago, let alone twenty, to make a video like this would have cost hundreds of thousands, millions even, and taken many months. We would have needed teams of animators, post production specialists, Soho studio space and lord knows what else. That, to my mind, is the genuinely revolutionary part of AI. Democratisation of media and all of that.But on top of it all you still need someone - in this case my editor Goat - who knows what they're doing.People often argue that AI ia replacing creativity. What it is actually doing, at least in my case, is dramatically lowering the cost of production and making creativity available to all. The possibilities for creative littlemen like me are enormous. I made this video using Grok and Neural FramesAnd this one was generated entirely in Neural FramesIronically, we used no AI in the music itself. We edited the videos either in Capcut or FinalCut.By the way, if you enjoy these videos, the first place I upload them is at my comedy Substack, so sign up to that. It's free.Writing, research, advice and moreThis next video, about the most prolific slaving civilisations in history, generated millions of views across social media, and became the most viewed page on this Substack. It is an interesting case.Not because of the images themselves, which were generated with Midjourney, but because of the research. AI couldn't and in some cases wouldn't do it. Claude flat out refused because of the subject matter. It would not engage. (IN other words it is biased). ChatGPT couldn't get its head round what I was trying to do. Grok came closest but in the end I worked with a human researcher, Sam, who I knew from my book, who turned out to be much better.I have paid subscriptions to Claude, ChatGPT, Grok and Venice. I cooled somewhat on Claude after the slavery episode. Around the same time I was in a nasty dispute with three former business colleagues and needed some help. Claude kept getting hysterical and calling on me to speak to a lawyer, which I didn't have the time or budget to do, whereas ChatGPT gave the me the help I was looking for. So between the two episodes Claude has been rather demoted in my office, though I still use it as a sounding board for anything to do with writing - where it is strong - if I want a second or third opinion. I get that the experts think Claude is the boss, but for me it is too captured. ChatGPT has replaced it as my primary all-rounder.In general terms, ChatGPT is the most user-friendly though you have to go into the settings and tell it to stop being sycophantic, as that just gets annoying. (They are all as bad as each other for sycophancy).I'll use them all for brainstorming, proofreading, titles, summarising transcripts, challenging arguments, evaluating, drafting legal docs and agreements, advice, helping with negotiating. But I tend to go to ChatGPT ahead of the others, especially for anything to do with diet, health, personal development, mentoring, problem solving, advice and so on. It is basically having an extremely fast, but not always reliable assistant. You cannot blindly delegate to it, you have to oversee, because it is not always right, even if it behaves like it is. Grok is the best for anything current. If I am writing a satirical song, for example, and I need an overview of a politician or a news story, Grok is best by far. I think it's because Grok has X to mine from. Regarding investments, Grok beats most hedge fund managers, apparently. I use it to gauge sentiment around companies and themes: it can quickly tell me whether people are already talking about it or whether almost nobody is. That is very useful. If thousands of people are discussing a company, the hype cycle is probably already fairly advanced. If nobody is discussing it, that is more interesting.For ongoing projects, however, I still prefer ChatGPT and Claude. I find their their folder systems are more user-friendly and easier to organise, particularly for themes I want to keep coming back to. Grok - or is it me - seems to lose conversations between the app and when I use it via X.Grok could quickly become my go-to allrounder, though I have some shares in SpaceX, so I am probably biased. Broadly speaking I have greater faith in Elon Musk's integrity than I do Sam Altman's, even if for now I have voted with my usage for Sam Altman.Claude may be the most capable technically, particularly for coding and analysis, but I also found it the most censorious. Venice, by contrast, is the least filtered. And it gives you access to Seedance 2.0 (which is the best of the video generators), but it has other technological shortcomings. None of them are neutral, and you still need to judge what they tell you - which requires a functioning brain. I find AI really suits a one-man band like me, who has some experience, knowledge and who still retains a modicum of cognitive ability. It makes me so much more productive. But you still need a functioning brain.At the same time, I would argue that people who refuse to engage with AI at all - while I admire them - are putting themselves at a disadvantage. The productivity gains are simply too large. AI has not made me less creative. If anything, it has made me more productive creatively. Ideas that were once stuck in my head can now be realised. This Friday I am speaking at the New Culture Forum Literary Festival along with Alison Pearson, David Frost, Bill Cash and many more. It looks to be superb event. Flying Frisby readers can get a discount using the code LITFEST15.If you are a Lifetime Subscriber and fancy it, drop me a line and you can come as my guest without having to pay a single penny. How about that!(By the way I will shortly be ending lifetime subscriptions on June 7, if a Lifetime Subscription is of interest, sign up now)Here is this week's commentary in case you missed itFinally, this week I appeared on Blue Dot radio in the US talking to Dave Schlom about the book. Was a good interview.Thank you for being a subscriber to the Flying FrisbyUntil next timeDominic This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

In this week's episode of the Push Pull Legs Podcast, Dan and Tom tackle the ultimate gym business summer survival guide. As the UK heatwaves hit, we reveal how elite online coaches and personal trainers can maximise client retention, level up their coaching programs, and out-skill the competition during the quieter... DULL summer months. We chat about the controversy surrounding the Enhanced Games, the reality of MAYBE ..." doping" in professional sports, and why every fitness enthusiast needs to understand the science of plyometrics. Plus, we debate CapCut's AI video editing tools for fitness content creators, rank the best bakery desserts, and expose Tom's absolute hatred for raisins. 0:00 Introduction and the Pastry Debate 2:22 UK Weather and Playing Golf 4:12 Dubrovnik Trip and the Champions League 7:19 Blind Ranking: Best Baked Goods 19:12 The Enhanced Games and Doping in Sports 28:02 Summer Coaching and Client Retention 35:07 AI in Video Editing and Troubleshooting 42:24 Ranking the Most Popular Coffee Orders 47:19 Recommendations and Closing Thoughts

Entérate de lo que está cambiando el podcasting y el marketing digital:-Spotify amplía su apuesta por el audio hablado con artículos narrados.-Del dolor personal al éxito internacional con “Vos Podés”.-NPR, PRX y NPM impulsan alianza para monetizar pódcast públicos.Tips y herramientas para podcasters-CapCut impulsa la edición de vídeo con IA junto a Gemini.PatrociniosSuscríbete a la newsletter de Vía Podcast y recibe a diario en tu bandeja de entrada las últimas noticias de inteligencia artificial, marketing digital y podcasting.Este episodio es presentado por RSS.com, la plataforma de hosting de pódcast que te permite publicar, distribuir y monetizar tu pódcast de forma sencilla. Lanza tu pódcast hoy mismo y haz crecer tu audiencia con herramientas profesionales y analíticas avanzadas.

El programa 2878 de Radiogeek, les habló de varios temas importantes. Discord ha mejorado la privacidad de las llamadas, pero los usuarios siguen sin estar contentos; Spotify está añadiendo más funciones de IA a los podcasts y audiolibros; Una en vulnerabilidad de Chrome sin parchear podría estar convirtiendo secretamente millones de teléfonos en botnets; Samsung esquiva la huelga en el último minuto: acuerdo tentativo salva al mercado global de chips; y por último Google Gemini incorpora la edición CapCut directamente en su sistema. Toda esta información la pueden encontrar desde nuestra web www.infosertec.com.ar o bien desde el canal de Telegram/Whastapp, o Instagram. Esperamos sus comentarios.

A creator economy está mudando e talvez o número de seguidores já não seja mais o principal indicador de relevância na internet. Em um cenário dominado por inteligência artificial, produção automatizada de vídeos e engajamento impulsionado por robôs, plataformas, marcas e creators começam a olhar com mais atenção para outro fator: autenticidade. No novo episódio do Podcast Canaltech, a repórter Elisa Fontes conversa com Rafael Sbarai, da CazéTV, e Thales Moura, do CapCut, durante a Gramado Summit, um dos principais eventos de inovação e empreendedorismo do país. Durante a conversa, os convidados discutem: o crescimento do chamado “astroturfing”, prática que simula engajamento artificial nas redes; os impactos da inteligência artificial na produção de conteúdo; a diferença entre audiência real e alcance fabricado; o papel da criatividade humana em meio ao avanço da IA; e como creators estão se tornando cada vez mais estratégicos para as marcas. O episódio também debate a transformação da creator economy em um mercado mais profissional, no qual influenciadores deixam de ser apenas vitrines de publicidade para se tornarem sócios, empreendedores e peças-chave dentro das estratégias de negócios. Você também vai conferir: Samsung revela novidades da One UI 9.0 com foco em IA, TikTok testa assinatura para remover anúncios do app e Alta dos combustíveis acelera procura por carros híbridos Este podcast foi roteirizado e apresentado por Fernanda Santos e contou com reportagens de André Lourenti, Viviane França e Danielle Cassita, sob coordenação de Anaísa Catucci. A trilha sonora é de Guilherme Zomer, a edição de Livia Strazza e a arte da capa é de Erick Teixeira.See omnystudio.com/listener for privacy information.

This webinar covers practical video marketing for marketers, including a two-hour production workflow, AI-assisted scripting with Claude, talking head video setup, audio quality tips, editing tools like CapCut and Wistia, and how to repurpose footage across portrait and landscape. Chris Lavigne, Head of Production at Wistia, shares how to make videos that earn their keep without chasing views.Timestamps:00:00 - Introduction03:55 - The two-hour workflow06:20 - Start with one question09:15 - Scripting with AI12:45 - Shoot setup and audio19:00 - Editing tools21:00 - Publishing to LinkedIn23:00 - Real video ROI25:10 - Gear walkthrough28:20 - Q&A33:30 - Camera-shy teams41:30 - Portrait vs landscape52:55 - Outdoor shooting58:10 - Motion graphics on a budgetWatch / listen:Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/marketing-meetup-podcast/id1365546447Listen on Spotify: https://open.spotify.com/show/5QvmFdxg5pMwsfPkKjhXl9The Marketing Meetup thrives for many reasons, but one of the crucial reasons we're able to do what we do is because we have the support of some incredible individuals from some equally inspiring companies. Below is the list of our partners in crime: our amigos. All we have to say is a big, massive, thank you.Cambridge Marketing College: The place to go for marketing qualifications (CIM, CIPR) and marketing apprenticeships. Cambridge Marketing College have supported us since day one, and are an unbelievably kind bunch of people.Frontify: The Frontify DAM simplifies brand workflows so marketing teams can deliver engaging experiences on a global scale, fast.Planable: Planable's the content collaboration platform that helps marketing teams create, plan, review, and approve all their awesome marketing content.Mailchimp: Join a marketing platform that scales with your business. Save 20% for 12 months on Mailchimp Premium or Standard and see why millions of users trust Mailchimp to boost their ROI. Switch plans or cancel anytime.Wistia: Wistia is a complete video marketing platform that helps teams create, host, market, and measure their videos and webinars, all in one place.Prismic: Prismic is the CMS and landing page builder that powers scalable content infrastructure for modern marketing terms.Canva: An online design and publishing tool with a mission to empower everyone in the world to design anything and publish anywhere.Want to find out more about our sponsors, and their exclusive TMM discounts and resources? Head here: https://themarketingmeetup.com/location/virtual/, sign up to a webinar and opt-in to receive your unique offer :)

It's always fun catching up with Greg McDaniel because he's always up to something cool.Here's a summary of our session:Absolutely, Ray. Here's a detailed summary shortened to roughly 20% of the original wording.Podcast Interview Summary: Ray Wood with Greg McDanielRay welcomes longtime friend Greg McDaniel from Grass Valley, Northern California. After a relaxed opening chat about Greg's 10-acre property, mowing, weather, and life in Northern California, the conversation turns to what is currently working for real estate agents in social media marketing and advertising.Greg says agents have never had more opportunity to create their own media. They no longer need a full studio setup; a smartphone, simple microphone, and free or low-cost editing tools like CapCut are enough to produce useful content. He emphasizes that agents can now use AI tools such as ChatGPT and prompt libraries like AIPRM to generate video ideas, captions, YouTube titles, descriptions, tags, and content frameworks quickly.A major theme is that agents often feel overwhelmed by all the marketing options available, but Greg argues the answer is simpler than most people think: stay visible, stay relevant, and keep having conversations with your audience. He uses his and Ray's friendship as an example. Even though they have known each other for around 10 years and never met in person, they have stayed connected through podcasts, conversations, and regular contact. That same principle applies to agents and their audience.Greg recommends agents post short-form content daily on Instagram, Facebook, YouTube Shorts, and other platforms. He says agents should pay attention to who watches, likes, comments, or reacts to their content, then personally reach out and start conversations. Rather than treating social media as a broadcasting platform only, agents should use it as a relationship-building tool.When Ray asks what type of content works best, Greg suggests documenting daily life. He compares each part of the day to a chapter in a book: morning routines, coffee stops, drives, meetings, funny moments, local observations, family life, pets, community stories, and real estate insights. His advice is to make content that is interesting, personal, and relatable, not just constant real estate sales messages.Greg recommends following an 80/20 rule: around 80% of content should be fun, interesting, community-based, or personality-driven, while 20% can be more directly related to business. He notes that kids and pets can attract engagement, though agents should only include family if they are comfortable doing so. Ray jokes that featuring his dogs in marketing videos could make their expenses feel like marketing costs, leading to a humorous side discussion about dogs, grooming, cleaning, and checking with a CPA.The conversation then moves into YouTube. Greg believes YouTube is a powerful free platform because once content is created, it can continue working long term. However, he says fewer than 1% of agents will actually take action. Ray asks why, and Greg bluntly says laziness is often the main barrier. He explains that many agents know what they need to do, but avoid it because they feel they have nothing to say or do not want to be on camera.Greg shares an example of a successful Silicon Valley agent who has deep local knowledge, a long real estate career, children who grew up in the area, a wife who teaches locally, and strong opinions about coffee — yet still feels he has nothing to say. Greg points out that this agent could easily create local coffee tours, community videos, tech-area commentary, and neighborhood stories. The lesson is that agents already have content all around them; they simply need to start filming.Ray and Greg discuss simple equipment, including the Hollyland Lark M2 microphone, which Ray recently bought and found impressive. Greg shares a practical tip: clip the tiny microphone under the brim of a cap for clear audio while filming casual videos.The discussion then shifts to YouTube trends. Greg mentions that large channels like MrBeast are seeing major changes in views as YouTube places more emphasis on Shorts and shorter content. He believes this creates an opportunity for smaller creators and independent agents to gain more visibility. Greg also mentions using tools like VidIQ and Thumbnail Creator to improve YouTube thumbnails, titles, SEO, descriptions, and tags.Greg demonstrates AIPRM inside ChatGPT, showing Ray how pre-built prompts can generate optimized YouTube titles, descriptions, tags, and hashtags. He enters a sample real estate topic and the tool produces multiple title options, a short description, and keyword tags that could be copied into YouTube Studio. Ray is impressed by how much time this could save.Ray then shares what he is seeing with AI Ad Machine clients: property listing ads are generating some of the strongest results. Rather than simply offering free appraisals or asking for listings, agents can advertise actual properties, send traffic to a Meta lead form or landing page, and capture buyer and seller leads. These leads can then flow into Go High Level for automated text and email follow-up. Ray argues that a great listing has enormous pulling power because it shows the agent actively marketing real estate, not begging for business.Greg agrees and adds that ads and content need to match the local audience. A generic message will not work equally well in Miami, San Francisco, Salt Lake City, Grass Valley, or a beach town. Agents should speak the language of their community. For example, in Grass Valley, a real estate agent could create a video using a zero-turn mower or tractor dealership as a metaphor for teamwork and market knowledge. In a beach town, an agent should be on the beach talking about local lifestyle, restaurants, and community news.The core marketing message from Greg is that agents should stop begging for business and instead become a trusted source of information. They should talk about their industry, community, local market, lifestyle, and daily experiences in a way that feels human and useful.Ray adds that testing is now easier than ever. In the old newspaper days, agents ran one ad and hoped it worked. Today, they can run many variations and quickly identify what gets attention, clicks, and leads. This ties directly into Ray's broader AI Ad Machine philosophy: test multiple ad angles and let the data show what works.Toward the end, Greg introduces Google Flow from Google Labs, describing how it can create AI-generated images from photos and prompts. He gives a playful example of generating an image of family members riding horses, grandchildren running around, and himself on a lawnmower being chased by a kangaroo. More practically, he suggests agents could use AI image tools to help buyers visualize themselves in a property, such as creating an image of a family enjoying a kitchen or living space, while cautioning agents to check rules and avoid anything misleading or discriminatory.Greg also promotes his own podcast, RE Geeks, which focuses on real estate, technology, and how tech influences agents and consumers. He explains that his longtime tech partner Michael is involved, and they discuss practical ways agents can use technology in their business.The episode closes with Ray thanking Greg and promising to include links in the show notes to the tools discussed, including AIPRM, the Hollyland Lark M2 microphone, Google Flow, VidIQ, Thumbnail Creator, and RE Geeks.Key TakeawaysThe strongest message from the interview is that real estate agents do not need complicated marketing. They need consistency, personality, community relevance, and a willingness to create. A smartphone, simple microphone, AI tools, and daily local observations are enough to start building attention.Agents should use short-form video, YouTube, stories, reels, and listing ads to stay visible and start conversations. The best content is not always polished or formal; it is often personal, local, useful, and human.Ray's major ad insight is that great property listings are still one of the strongest lead-generation assets agents have. When promoted properly through social ads, lead forms, landing pages, and CRM follow-up, listings can become powerful buyer and seller lead machines.Greg's major content insight is that agents already have more than enough to say. Their local knowledge, daily routines, clients, pets, coffee shops, neighborhoods, listings, and lifestyle stories can all become content. The agents who win are the ones who stop overthinking and start publishing.

Live from NAB 2026 — Nino Leitner, Johnnie Behiri, Graham Sheldon, and Michael Cioni break down four packed days on the show floor. AI is finally landing inside tools you actually use, a new wave of affordable Chinese cameras is threatening Japan's dominance, and the ARRI acquisition raises big questions about the future of cinema cameras. We also get into the GoPro effect, the sunk-cost fallacy killing established brands, and why NAB itself might be at a dangerous inflection point. Plus our show floor favorites: 4D video & Gaussian Splatting, Profoto 3x2, NanoLux 5C, Kinefinity Vista, and the Blackmagic URSA Cine Immersive.

If video editing has been slowing you down… this episode is for you.In this episode, I'm sharing a behind-the-scenes recap of my recent #CoffeeWithKatie training all about simple video editing for busy real estate agents. Because let's be honest - most agents know they should be creating video… but the editing part? That's where things get stuck.I'm breaking down a few of the biggest takeaways from the class, including how to simplify your workflow, save time, and create polished videos without overthinking every step.In this episode, we cover: • A simple 5-step video editing workflow • The “3 cuts” that instantly improve your videos • How to film smarter to make editing easier • How to turn one video into multiple pieces of content • Easy tools like CapCut and Descript to speed things upIf you've been feeling overwhelmed with video… this will give you a practical, doable approach to finally get consistent. 

In today's episode, I'm breaking down the exact tech tools and AI platforms I use to run my social media management business, and how you can use them in your wedding business, too.I get asked all the time what tools I'm using for content, scheduling, workflows…so I wanted to dedicate an episode to walking you through it all.I'm also sharing information about the upcoming Wedding Summit Series: Tech & AI Edition happening April 20–24.

Herkese merhaba! Bu hafta yapay zeka dünyasında yine yer yerinden oynadı, bazıları komik bazıları ise trajıkomik olan gelişmeleri sizler için toparladık. Google'ın maliyetleri düşüren yeni video modeli Veo 3.1 Light'tan , Meta'nın beynimizin görüntü ve seslere nasıl tepki verdiğini tahmin eden yeni korkutucu yapay zekasına kadar her şeyi konuştuk.Sadece bu kadarla kalmadık; Suno 5.5 ile kendi sesimizi yükleyip nasıl şarkı yaptığımızı test ettik (benim rap performansımı kaçırmayın!). Ayrıca yapay zeka ekosistemindeki 410 milyar dolarlık devasa yatırıma rağmen büyümenin neden "sıfır" olduğunu ve bunun bir balon olup olmadığını tartıştık. Amerika ve Çin arasındaki beyin göçü savaşları , bir adamın yapay zeka botuyla yaşadığı 3 yıllık ilişki ve CapCut'ın ezber bozan yeni kurgu mantığı da bu bölümün öne çıkanları arasında.Önümüzdeki hafta Atamızın evini ziyaret etmek üzere Selanik'te olacağım için kısa bir ara veriyoruz, ancak döndüğümde 15 günlük devasa bir özetle karşınızda olacağım! Videoyu beğenmeyi, paylaşmayı ve düşüncelerinizi yorumlarda belirtmeyi lütfen unutmayın. İyi seyirler!00:00 - Giriş ve Haftanın Özeti 00:18 - Google Veo 3.1 Light Çıktı 01:22 - Kling 2.7 ve Türkçe Karakter Sıvaması 01:33 - Sosyal Medya Yasakları ve Çocukların Yapay Zeka Kullanımı 05:26 - Recraft ile Tek Komutta 8 Farklı Görsel 06:51 - Bluetooth Kulaklık ile Google Translate Canlı Çeviri Deneyimi 09:52 - Yapay Zeka (Replika) ile 3 Yıllık İlişki Yaşayan Adam 11:41 - Krea AI'dan Bölgesel Düzenleme (Annotations) Özelliği 12:33 - Yapay Zekada Beyin Göçü ve Çin'in Yükselişi 15:58 - Suno 5.5 ile Kendi Sesinden Şarkı Üretme 18:12 - 410 Milyar Dolarlık Yatırım: Yapay Zeka Balonu mu? 20:06 - Apple'ın Zekice Pazarlama ve Yapay Zeka Stratejisi 22:26 - Gemini'ın OpenAI'dan Veri Taşıma Rehberi 23:25 - Runway Multi-Shot ile Kesintisiz Video Üretimi 24:21 - Meta'dan İnsan Beyni Tepkilerini Analiz Eden Yapay Zeka 26:27 - CapCut Video Studio'nun Yeni Canvas Kurgu Arayüzü 28:26 - Claude Kod Sızıntısı: Anthropic'in Sırları Açığa mı Çıktı? 30:04 - Gemini Agent (Şu an Sadece Amerika'da) 30:50 - Kapanış, Gelecek Haftanın Planı ve Yorumlar #replika #yapayzeka #haber

In this episode, Barbara discusses:    Why tools like Opus Clip are popular and what they actually do  Why using AI tools alone won't grow your audience without a clear strategy  How to build a simple workflow using tools like CapCut, Descript, and Submagic  Key Takeaways:  “The tool doesn't create growth. Clarity does. Tools only amplify what's already there.”  Dr. Barbara Hales  Connect with Barbara Hales:  Twitter: @DrBarbaraHales Facebook: facebook.com/theMedicalStrategist Business Website: TheMedicalStrategist.com Email: info@TheMedicalStrategist.com  YouTube:@barbarahales LinkedIn: https://www.LinkedIn.com/in/barbarahales Books: Content Copy Made Easy 14 Tactics to Triple Sales Power to the Patient: The Medical Strategist TRANSCRIPT (234) Introduction: The Opus Question  Dr. Barbara Hales 0:02   Welcome to another episode of marketing tips for doctors. I’m your host, Dr. Barbara Hales. Let me ask you something. Why is everyone suddenly talking about Opus Clip? Everywhere you look, TikTok, YouTube Shorts, Instagram, people are pumping out short videos like a content machine. And if you ask how they're doing it, they all say the same thing. “I just use Opus.” So the real question is this: Is Opus Clip the magic solution? Or is something deeper going on? Because here's the truth: The tool is not the strategy.  What Opus Clip Actually Does  Let's break this down simply. Opus Clip is an AI tool that takes long-form content a podcast, an interview, a talk and does three things: It finds what it thinks are your most engaging moments. It clips them into short-form videos. It formats them for TikTok, Reels, and YouTube Shorts. That sounds powerful. And it is. Because the hardest part of content creation isn't editing. It's deciding what's worth sharing. Opus removes that friction.  Where People Get It Wrong  Here's where things go wrong. People think, “If I use Opus, I'll grow.” That's not true. Because Opus doesn't understand your audience. It doesn't understand your positioning. It doesn't understand your message or authority. It's making guesses based on patterns. Sometimes it works. Sometimes it gives you clips that feel flat, out of context, or forgettable. So you end up posting polished content that doesn't connect. Why Video Works  What Smart Creators Actually Do  Smart creators don't rely on Opus. They use it as a starting point. Here's the real workflow: Record long-form content, let Opus generate clips, Review and refine. Enhance the best ones. Because virality isn't found. It's shaped. The AI suggests.        You decide.  A Practical Strategy for Doctors  If I were building a medical brand today, here's exactly what I would do. Record one strong, thoughtful long-form video. Not 20 random clips. One. Then let Opus generate 10 to 20 short clips. Then ask: Which of these actually reflects my message? Not which one is trendy. Not which one is flashy. Which one builds trust? Because in medicine, trust is everything.  The Truth About Tools and Talent  Here's something most people miss. The people winning with Opus were already good before Opus. The tool didn't make them better. It made them faster. If your content is unclear or generic, Opus just helps you produce more of that faster.  Building a Smarter Workflow  So yes, use Opus. But don't stop there. The real advantage is your workflow. After Opus, I would use CapCut. This is where you improve the hook, control pacing, and create impact. The first two seconds matter most. CapCut lets you shape attention.  Improving Long-Form Content First  Next, I would use Descript. If you're recording podcasts or long videos, this makes editing simple. You edit like a document. Remove filler. Clean your message. Then send that into Opus. Better input leads to better output.  Why Captions Matter More Than You Think  Then I would add Submagic or a similar caption tool. Because captions are not decoration. They are the content, especially on platforms with silent autoplay. Good captions highlight keywords, add rhythm, and hold attention. That's what makes people stop scrolling.  The Simple System  Here's the full system: Record → Descript → Opus → CapCut → Post. Or keep it simple: Record → Opus → CapCut → Post. That's it. The people winning aren't using better tools. They're using better workflows.  Final Advice: Focus on What Matters    If you're a physician trying to grow online, start here: Don't focus on doing more. Focus on saying something worth hearing. Then let the tools amplify it.    Closing    If you need help turning long videos into short-form content or building this workflow, you can reach out. Visit the medicalstrategist.com forward slash contact. We can talk about how to build this for your practice. This has been another episode of marketing tips for doctors. I'll speak to you next time. The post Everyone Using Opus: Are You? first appeared on The Medical Strategist.

Jason Howell and Jeff Jarvis dig into Anthropic's back-to-back data leaks exposing Claude Code source and a secret frontier model called Mythos, OpenAI killing its adult chatbot and shuttering Sora, a record $122 billion funding round ahead of IPO, Apple letting third-party AI plug into Siri, university students fighting AI with typewriters, quantum researchers warning encryption could crack sooner than expected, and new AI video models from Google and ByteDance. Note: Time codes subject to change depending on dynamic ad insertion by the distributor. Chapters: 0:00:00 - Start 0:09:31 - Claude Code's source code appears to have leaked: here's what we know 0:17:59 - Exclusive: Anthropic acknowledges testing new AI model representing ‘step change' in capabilities, after accidental data leak reveals its existence 0:20:57 - Can we talk for a second about my time with Claude Cowork? 0:38:09 - The Sudden Fall of OpenAI's Most Hyped Product Since ChatGPT 0:43:53 - OpenAI closes record-breaking $122 billion funding round as anticipation builds for IPO 0:45:13 - Apple Plans to Open Up Siri to Rival AI Assistants Beyond ChatGPT in iOS 27 0:50:26 - College students are writing with AI – but a pilot study finds they're not simply letting it write for them 0:54:17 - University students fight artificial intelligence with vintage typewriters 1:02:14 - Exclusive: Anthropic acknowledges testing new AI model representing ‘step change' in capabilities, after accidental data leak reveals its existence 1:05:49 - Google commits to video generation, announces Veo 3.1 Lite 1:06:45 - ByteDance's new AI video generation model, Dreamina Seedance 2.0, comes to CapCut 1:08:03 - Meta launches two new Ray-Ban glasses designed for prescription wearers 1:10:14 - Google Gemini now lets you import your chats and data from other AI apps 1:12:50 - Bluesky leans into AI with Attie, an app for building custom feeds Learn more about your ad choices. Visit megaphone.fm/adchoices

OpenAI killed Sora, cancelled Spicy Chat, and went all in on enterprise and AGI. Their next frontier model is called Spud. Yes, like the potato.  This week on AI For Humans, we dig into OpenAI's massive pivot as they kill Sora entirely, cancel their Disney deal, shut down 'Citrus Mode', and go full defense mode against Anthropic. Their next hope? A new frontier model called Spud that Sam Altman says could accelerate the economy. Plus, Google drops Gemini 3.1 Flash Live with better audio and video agents, Google's new Lyra3 Pro model brings AI-generated music and audio, Mistral launches an open-source voice model, Runway debuts multi-shot video, Meta reveals TRIBE v2 which can predict your thoughts from brain scans, a fully autonomous ping-pong robot called SMASH, and CapCut is ready to grab all that Sora traffic. OPENAI CANCELLED THE FUTURE OF VIDEO. BET IT ALL ON A POTATO.  #ai #ainews #openai Come to our Discord: https://discord.gg/muD2TYgC8f Join our Patreon: https://www.patreon.com/AIForHumansShow AI For Humans Newsletter: https://aiforhumans.beehiiv.com/ Follow us for more on X @AIForHumansShow Join our TikTok @aiforhumansshow To book us for speaking, please visit our website: https://www.aiforhumans.show/ // Show Links // OpenAI CEO Preps Spud: New Frontier AI Model Coming in Weeks https://www.theinformation.com/articles/openai-ceo-shifts-responsibilities-preps-spud-ai-model?rc=c3oojq&shared=2c9eeb0b22b15948 OpenAI Cancels Spicy Chat and Refocuses on Enterprise https://www.ft.com/content/de9bf0af-b241-424f-8229-5870b1c0d93d?syn-25a6b1a6=1 Sora Going Away Completely and Disney Deal Cancelled https://www.bbc.com/news/articles/c3w3e467ewqo CapCut Ready to Take Sora's Traffic https://x.com/capcutapp/status/2036943209956344181?s=20 Gemini 3.1 Flash Live Blog Post https://blog.google/innovation-and-ai/models-and-research/gemini-models/gemini-3-1-flash-live/ Google Lyra3 Pro: New AI Audio and Music Model https://x.com/Google/status/2036836307612119488?s=20 TurboQuant from Google Research https://x.com/GoogleResearch/status/2036533564158910740 Voxtral TTS Blog Post https://mistral.ai/news/voxtral-tts Runway Multi-Shot Video App https://x.com/runwayml/status/2037170118669500537?s=20 Gavin's First Try With Runway Multi-Shot https://x.com/gavinpurcell/status/2037191271106961881?s=20 Meta TRIBE v2 Demo https://aidemos.atmeta.com/tribev2/ SMASH Project Page https://mmlab.hk/Smash/  

Are you using the Instagram Edits app? In today's short and sweet episode, I'm sharing why this is the one app that we use in our agency to edit all our client reels. Plus, tips and tricks for you to get started with Edits, and which features I love the most. If you've been looking for the comparison guide of Instagram Edits vs. CapCut & InShot, this is it!Review full show notes and resources at mollycahill.com/podcastMentioned in this Episode:Episode 115: The Hidden Power of Collaboration Posts: mollycahill.com/instagram-collaboration-postsEpisode 90: Creating a Content Ecosystem for Instagram: mollycahill.com/instagram-content-ecosystemConnect with Molly:Holistic Marketing Hub holisticmarketinghub.com/enrollInstagram: instagram.com/mollyacahill

Marty and Eric give their tips and resources for how faculty can create, edit, and publish professional-quality video.Platform-Specific Video Creation ToolsmacOS ToolsFinal Cut Pro – https://support.apple.com/guide/final-cut-pro/welcome/maciMovie – https://support.apple.com/guide/imovie/welcome/macScreenFlow – https://www.telestream.net/screenflow/overview.htmEcamm Live – https://www.ecamm.comWindows ToolsCamtasia – https://www.techsmith.com/video-editor.htmlClipchamp – https://support.microsoft.com/clipchampOBS Studio – https://obsproject.comiPadOS & iOS ToolsLumaFusion – https://luma-touch.com/lumafusion-for-ios/CapCut – https://www.capcut.comApple Clips – https://support.apple.com/guide/clips/welcome/iosAndroid ToolsKineMaster – https://www.kinemaster.comInShot – https://inshot.com AI Tools for EditingDescript – https://www.descript.comRiverside – https://riverside.fmAdobe Express Video – https://www.adobe.com/express/create/videoEmail: ThePodTalkNetwork@gmail.comWebsite: https://ThePodTalk.netYouTube: https://www.youtube.com/@TechSavvyProfessor

In this episode, Brock Johnson shares a complete guide to posting once per day on Instagram without burning out. He walks through how to batch content efficiently, build a repeatable workflow, and create a sustainable system that allows you to stay consistent long term. Brock will cover how to organize ideas using tools like Google Sheets and ManyChat, film content in bulk, edit efficiently with tools like CapCut and Gling AI, and schedule posts in advance. He also explains how to use repeatable formats and upcycle content so you're not constantly reinventing the wheel. This episode is focused on building a practical, sustainable Instagram growth strategy that lets you post daily while protecting your time and energy. Watch On YouTube 

Orchid Bertelsen spent the last 20 years building a career that took her from a law firm in DC to the Gucci sales floor, through digital marketing at Nestle, and eventually into private equity, where she now helps beauty brands grow profitably. A first-generation Taiwanese American who grew up without a safety net, Orchid learned early that the path forward meant working harder than everyone else and getting close to the money. After 30 years away from horses, she recently returned to the saddle at a historic equestrian club 10 minutes from her home in Grosse Pointe, Michigan, and what started as a Christmas gift of six lessons has since taken over her entire personality.FIVE KEY INSIGHTS: Finding your way back: Orchid rode from 10 to 14, competed on the B circuit in Illinois and Wisconsin, then stepped away for nearly 30 years. Her return started with a walk past the Grosse Pointe Equestrian Center with her kid in a stroller and one question: "what if?"Horses as a forcing function for presence: Managing an oversensitive 17.3-hand horse named Bo has a way of demanding you show up fully. For someone always attached to her phone, barn time is the one place she's not.Building content with a system: Through Orchid in the Saddle, she applies her marketing background to create content for returning riders. Batch film on barn days, script with ChatGPT, edit ruthlessly in CapCut to 30 seconds or less, and let the data tell you what to make next.The gap the equestrian industry is missing: There's a disconnect between who brands design for and who's actually buying. From boot calf widths to men's sizing to grooming bags, the middle market for quality products made for real people at real price points is wide open.Immigrant grit and the cost of an obsession: All three voices in this conversation are first-generation Americans, and the thread connecting growing up without a safety net, building careers close to revenue, and developing a full-blown horse obsession is very real and very relatable.Orchid Bertelsen is proof that the horse world can pull you back in no matter how long you've been gone, and that returning to the barn at 43 with a half-lease, a TikTok account, and a marketing brain is its own kind of superpower. This conversation covers everything from building a content strategy on a barn budget to the very real gap in equestrian products for adult amateurs, and why the brands that figure that out first are going to win big. If you've ever thought about coming back to horses, or wondered whether your outside career could actually make you better in the saddle, this episode is for you.Follow Orchid: @orchidinthesaddle on TikTok and InstagramSubscribe and follow Horse People for more cross-discipline content and stories.

No uses B-roll en tus vídeosEdita tus vídeos en un click gracias a la IA de https://autovideo.esConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/marketing-digital--2659763/support.Newsletter Marketing Radical: https://marketingradical.substack.com/welcomeNewsletter Negocios con IA: https://negociosconia.substack.com/welcomeMis Libros: https://borjagiron.com/librosSysteme Gratis: https://borjagiron.com/systemeSysteme 30% dto: https://borjagiron.com/systeme30Manychat Gratis: https://borjagiron.com/manychatMetricool 30 días Gratis Plan Premium (Usa cupón BORJA30): https://borjagiron.com/metricoolNoticias Redes Sociales: https://redessocialeshoy.comNoticias IA: https://inteligenciaartificialhoy.comClub: https://triunfers.com

Al viajar aprovecho para ver que tal esta el Parque Automotor en diferentes lugares, esta vez fui a St. Maarten Isla en el Caribe.(Samsung S25 Ultra. Video & Sound edit by Capcut)

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026     This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They're based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they've worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let's talk about Cult Canyon. We're here, the album's almost out as we're sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M's earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M's also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I'd say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren't pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn't sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We're doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We're our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You're the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I'm very thankful for. James VanOsdol: Let's talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who's a good friend also. James VanOsdol: She's delightful. Josh Chicoine: Yeah, she's delightful, she's an old friend, she's a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we're in now is that there's so much noise and there's so many competing avenues for attention, including your couch doing nothing. That's a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn't know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I'm coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that's when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I've been collaborating with him since the M's, he did a lot of those string arrangements and horn arrangements and stuff, so he's really adept and really tasteful. And so I was just like, why not bring it into everything that I'm doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we're recording this right before it comes out, like I said. The album is Smoke Tricks. We've had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That's all due to my wife. James VanOsdol: You've got you in a convertible on the lakefront. Josh Chicoine: That's my buddy Al's '67 Oldsmobile. James VanOsdol: That's badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al's the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we're recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O'Conor. James VanOsdol: He's a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn't so far afield to imagine, because what are videos now? I don't even know what they are. But for this one, it was like, all right, Al, let's get in a car, let's drive around. I got this GoPro, I'll stick it to your car, drive around, and then let's go to the lake and let's jump in the lake. James VanOsdol: So it doesn't necessarily tie back to the lyrics or the theme? Josh Chicoine: I don't think so. I mean, but maybe somebody sees something that I don't. I think that's part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you're a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you're not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There's a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M's, and the M's were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that's what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who's a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It's always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I've wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it's not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don't know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I'll have to disagree, I feel like, you know, the barriers are down and people now, everybody's got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody's got a camera, you can do whatever you want, put it up there, and not going to say it's good, most of it's not, most of it's schlock. But you at least have the opportunity to make something that's decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It's called CapCut. And the same company, I can't remember what they're called, the TikTok corporation, ByteDance. It's a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I'm just going to dive in and start doing stuff. And so that's what I did. James VanOsdol: That's DIY. Roll up your sleeves, let's get to it. Josh Chicoine: Yeah, it's just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it's real. So if you have any kind of means by which you can get a hold of this stuff, then it's just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it's just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I've been able to do with hardly any resources. James VanOsdol: It's pretty cool. Josh Chicoine: Yeah, it's pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don't even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It's my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don't know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he's in Dead Rider, for everybody out there who's watching, check out Dead Rider. Yeah, he's fascinating, he's got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I'd be like, "Here's what I'm thinking for this song," and then we would try and fit it in somehow. And he was just—he's like a maestro. He was just like, "I love it, you're never taking away the dog's bark. We're keeping it in there 100%." So I was like, "All right, let's go." Piano sounded fine, sounded good, it's my piano in my living room. I loved it, and that's my boy Ralfy. So he's my spirit animal and I'm glad he's on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He's a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention "stuck here in Chicago" in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It's my favorite city. It's especially my favorite city to come back to. I don't know if you've ever leave for like a little while, but when you come back, it's just like—ah. Especially when you're driving back home and like you catch that first glimpse of the skyline. That is a moment. It's real. So, I mean, when I got that grant from DCASE, it was like, "Oh no, now I got to write a record." They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it's like a lot of introspection and a lot of like, "Who am I now? What am I going to write about now?" And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn't quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that's a big milestone. Josh Chicoine: Thank you. It's been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I've known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, "What if she came back here and she lived with me in this hovel and we could do this together?" And that's sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there's definitely moments where you're just like, "Okay, get me out of here." James VanOsdol: Write what you know. Josh Chicoine: That's I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, "If you're not writing about yourself, then it doesn't mean anything." And I'm parsing—I'm screwing that quote up, but I really took that to heart. So I was like, "Okay, well then I am going to write about myself and my experiences because it's all that I have really that I could feel a connection with." Oh, it's okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don't recommend. I mean, I recommend the song. Who's doing the backup vocals on that? Josh Chicoine: Yeah, so that's my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it's always sort of been there. You can hear it in the M's, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that's how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that's fine. I'm a mediocre guitar player but it's really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I've played music with women before, but not in a band. So it was sort of like, "Oh, this whole another resource that I would love to bring into this project." And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we're on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you're on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there's two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, "Wait a minute, this is a quadruple album? This is crazy." But it wasn't. There's a record sleeve that hides another record sleeve that has the record in it. That's how much money and wasteful money that they had. Because that's coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn't have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there's a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara's on that too, right? Josh Chicoine: Oh God, I'm going to get killed by my bandmates. Sara's on there, yeah, it's on there. Let's say yeah, when no one's looking it up. But yeah, we play Sara all the time and it's like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It's like there's 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There's 88-year-olds there. James VanOsdol: It's one of those bands that is transgenerational. My daughter, who's heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, "I only cried three times." I'm like, "What do you mean you cried?" "Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide." Of course, classics. But I mean it is interesting how maybe millennials didn't give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it's cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they're just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That's amazing. James VanOsdol: That's nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That's something you don't get to experience necessarily in the M's or Cult Canyon. Josh Chicoine: It's different. Yeah, it's different for sure. And I think that we—I've been told this by a lot of audience members after the show and they're just like glowing coming out after scream-singing at us for two hours. And they just say like, "You bring so much joy." And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they're the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it's like, "Okay, it's out there," and then you tell your friends and then it just doesn't really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, "Okay, we're still sitting on 250." Josh Chicoine: I have a lot of CDs. Let's put it to you that way. Hit me up if you want a CD by Sabres. I'll just give it to you. It's got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they're friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It's going to be DIY anyway, it's all about building community bit by bit by bit. So I was introduced to Paul kind of—I don't even remember when, it's probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, "I'm really looking for somebody to help me out with this." And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I've never been in that store, by the way, where it hasn't been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they've got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It's like a proper record store. James VanOsdol: And I mean if you're one of those budget-bin divers like there's dollar records, you'll hurt your knees going through them, but I mean there's occasionally gold to find in there. Josh Chicoine: I agree. It's everywhere. James VanOsdol: But yeah, it's a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we're putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That's right. We'll do what we can, but I mean it's hard, it's like a lot of hard flat surfaces and they didn't do any soundproofing or nothing. So, yeah. James VanOsdol: That's good. That's part of its charm. Josh Chicoine: It's part of the charm. Yeah, yeah, you know what you're getting into when you go back there. Just bring earplugs, what's the big deal? James VanOsdol: Just bring ear—that's—if you bring earplugs, you're good. Josh Chicoine: Yeah, that's right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that's a badge of honor. It's a badge of honor. I mean it's not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it's no joke. No, it's no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that's right. They're good if you want to sleep. If you're like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It's awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026 This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript (Note: Auto-generated transcript; errors are possible) James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They’re based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they’ve worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let’s talk about Cult Canyon. We’re here, the album’s almost out as we’re sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M’s earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M’s also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I’d say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren’t pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn’t sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We’re doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We’re our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You’re the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I’m very thankful for. James VanOsdol: Let’s talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who’s a good friend also. James VanOsdol: She’s delightful. Josh Chicoine: Yeah, she’s delightful, she’s an old friend, she’s a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we’re in now is that there’s so much noise and there’s so many competing avenues for attention, including your couch doing nothing. That’s a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn’t know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I’m coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that’s when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I’ve been collaborating with him since the M’s, he did a lot of those string arrangements and horn arrangements and stuff, so he’s really adept and really tasteful. And so I was just like, why not bring it into everything that I’m doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we’re recording this right before it comes out, like I said. The album is Smoke Tricks. We’ve had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That’s all due to my wife. James VanOsdol: You’ve got you in a convertible on the lakefront. Josh Chicoine: That’s my buddy Al’s ‘67 Oldsmobile. James VanOsdol: That’s badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al’s the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we’re recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O’Conor. James VanOsdol: He’s a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn’t so far afield to imagine, because what are videos now? I don’t even know what they are. But for this one, it was like, all right, Al, let’s get in a car, let’s drive around. I got this GoPro, I’ll stick it to your car, drive around, and then let’s go to the lake and let’s jump in the lake. James VanOsdol: So it doesn’t necessarily tie back to the lyrics or the theme? Josh Chicoine: I don’t think so. I mean, but maybe somebody sees something that I don’t. I think that’s part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you’re a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you’re not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There’s a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M’s, and the M’s were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that’s what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who’s a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It’s always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I’ve wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it’s not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don’t know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I’ll have to disagree, I feel like, you know, the barriers are down and people now, everybody’s got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody’s got a camera, you can do whatever you want, put it up there, and not going to say it’s good, most of it’s not, most of it’s schlock. But you at least have the opportunity to make something that’s decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It’s called CapCut. And the same company, I can’t remember what they’re called, the TikTok corporation, ByteDance. It’s a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I’m just going to dive in and start doing stuff. And so that’s what I did. James VanOsdol: That’s DIY. Roll up your sleeves, let’s get to it. Josh Chicoine: Yeah, it’s just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it’s real. So if you have any kind of means by which you can get a hold of this stuff, then it’s just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it’s just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I’ve been able to do with hardly any resources. James VanOsdol: It’s pretty cool. Josh Chicoine: Yeah, it’s pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don’t even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It’s my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don’t know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he’s in Dead Rider, for everybody out there who’s watching, check out Dead Rider. Yeah, he’s fascinating, he’s got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I’d be like, “Here’s what I’m thinking for this song,” and then we would try and fit it in somehow. And he was just—he’s like a maestro. He was just like, “I love it, you’re never taking away the dog’s bark. We’re keeping it in there 100%.” So I was like, “All right, let’s go.” Piano sounded fine, sounded good, it’s my piano in my living room. I loved it, and that’s my boy Ralfy. So he’s my spirit animal and I’m glad he’s on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He’s a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention “stuck here in Chicago” in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It’s my favorite city. It’s especially my favorite city to come back to. I don’t know if you’ve ever leave for like a little while, but when you come back, it’s just like—ah. Especially when you’re driving back home and like you catch that first glimpse of the skyline. That is a moment. It’s real. So, I mean, when I got that grant from DCASE, it was like, “Oh no, now I got to write a record.” They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it’s like a lot of introspection and a lot of like, “Who am I now? What am I going to write about now?” And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn’t quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that’s a big milestone. Josh Chicoine: Thank you. It’s been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I’ve known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, “What if she came back here and she lived with me in this hovel and we could do this together?” And that’s sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there’s definitely moments where you’re just like, “Okay, get me out of here.” James VanOsdol: Write what you know. Josh Chicoine: That’s I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, “If you’re not writing about yourself, then it doesn’t mean anything.” And I’m parsing—I’m screwing that quote up, but I really took that to heart. So I was like, “Okay, well then I am going to write about myself and my experiences because it’s all that I have really that I could feel a connection with.” Oh, it’s okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don’t recommend. I mean, I recommend the song. Who’s doing the backup vocals on that? Josh Chicoine: Yeah, so that’s my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it’s always sort of been there. You can hear it in the M’s, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that’s how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that’s fine. I’m a mediocre guitar player but it’s really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I’ve played music with women before, but not in a band. So it was sort of like, “Oh, this whole another resource that I would love to bring into this project.” And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we’re on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you’re on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there’s two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, “Wait a minute, this is a quadruple album? This is crazy.” But it wasn’t. There’s a record sleeve that hides another record sleeve that has the record in it. That’s how much money and wasteful money that they had. Because that’s coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn’t have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there’s a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara’s on that too, right? Josh Chicoine: Oh God, I’m going to get killed by my bandmates. Sara’s on there, yeah, it’s on there. Let’s say yeah, when no one’s looking it up. But yeah, we play Sara all the time and it’s like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It’s like there’s 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There’s 88-year-olds there. James VanOsdol: It’s one of those bands that is transgenerational. My daughter, who’s heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, “I only cried three times.” I’m like, “What do you mean you cried?” “Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide.” Of course, classics. But I mean it is interesting how maybe millennials didn’t give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it’s cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they’re just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That’s amazing. James VanOsdol: That’s nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That’s something you don’t get to experience necessarily in the M’s or Cult Canyon. Josh Chicoine: It’s different. Yeah, it’s different for sure. And I think that we—I’ve been told this by a lot of audience members after the show and they’re just like glowing coming out after scream-singing at us for two hours. And they just say like, “You bring so much joy.” And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they’re the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it’s like, “Okay, it’s out there,” and then you tell your friends and then it just doesn’t really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, “Okay, we’re still sitting on 250.” Josh Chicoine: I have a lot of CDs. Let’s put it to you that way. Hit me up if you want a CD by Sabres. I’ll just give it to you. It’s got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they’re friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It’s going to be DIY anyway, it’s all about building community bit by bit by bit. So I was introduced to Paul kind of—I don’t even remember when, it’s probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, “I’m really looking for somebody to help me out with this.” And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I’ve never been in that store, by the way, where it hasn’t been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they’ve got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It’s like a proper record store. James VanOsdol: And I mean if you’re one of those budget-bin divers like there’s dollar records, you’ll hurt your knees going through them, but I mean there’s occasionally gold to find in there. Josh Chicoine: I agree. It’s everywhere. James VanOsdol: But yeah, it’s a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we’re putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That’s right. We’ll do what we can, but I mean it’s hard, it’s like a lot of hard flat surfaces and they didn’t do any soundproofing or nothing. So, yeah. James VanOsdol: That’s good. That’s part of its charm. Josh Chicoine: It’s part of the charm. Yeah, yeah, you know what you’re getting into when you go back there. Just bring earplugs, what’s the big deal? James VanOsdol: Just bring ear—that’s—if you bring earplugs, you’re good. Josh Chicoine: Yeah, that’s right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that’s a badge of honor. It’s a badge of honor. I mean it’s not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it’s no joke. No, it’s no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that’s right. They’re good if you want to sleep. If you’re like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It’s awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it. See omnystudio.com/listener for privacy information.

We trade stories with Lou about faith, timing, and the grind it takes to build a podcast that actually helps people. From corrections work to covering 559 athletes, Lou shows how purpose, patience, and community can turn a small idea into a platform.• origin of Inside the Pod with Lou and early vision• giving voice to officers, ex-inmates, and overlooked stories• shift to high school, college sports, and fight coverage• the unseen work behind podcasting and setup• DIY editing with CapCut and iPhone workflows• why originality beats copying trends• faith, humility, and near rock-bottom lessons• community collabs with car culture and charity events• building a team and managing capacity• recognition moments and quiet supporters• shared mission to spotlight the 559 and its talentPlease go ahead and follow him @insidethepodwlou & @insidethepodwloupodcastFollow us @ brokeboyz_ff on Instagram and TikTokIntro Music by Rockstar Turtle- Broke Boyz (999)Christmas Intro Song by Nico

Nano Banana 2 is Google's best image model yet and it just dropped. It's cheaper, it's smarter, and it removed an Adidas logo from a banana in a tracksuit on the first try. But we have notes. The Door Brothers and Logan Paul made a 15-minute AI movie with Seedance 2.0 that looks like a direct-to-video action film…KIND OF. Meanwhile Seedance 2.0 is now live in CapCut, Anthropic is in a standoff with the Secretary of War over a $200M defense contract, and a sketchy music site called Sonato is generating perfect James Brown and Nirvana tracks from text prompts.  Using that, Kevin vibe coded a custom AI Spotify mash-up that looks like an iPod. During the show. While apologizing. Plus we built a whole new AI For Humans website from scratch with Claude Code, the stock market crashed because of an AI memo, and Deep Seek V4 might drop any minute now. Totally normal week. KEVIN OWES US ALL AN APOLOGY AND HE KNOWS IT. #ai #ainews #openai Come to our Discord: https://discord.gg/muD2TYgC8f Join our Patreon: https://www.patreon.com/AIForHumansShow AI For Humans Newsletter: https://aiforhumans.beehiiv.com/ Follow us for more on X @AIForHumansShow Join our TikTok @aiforhumansshow To book us for speaking, please visit our website: https://www.aiforhumans.show/   // Show Links // Nano Banana 2 Launch https://x.com/GoogleDeepMind/status/2027051577899380991?s=20 https://blog.google/innovation-and-ai/technology/ai/nano-banana-2/ Nano Banana 2 Window App:  https://x.com/sundarpichai/status/2027057726170509724?s=20 Complex Imagery:  https://x.com/emollick/status/2027051701258109306?s=20 Precise Editing of Adidas Tracksuit:  https://gemini.google.com/share/4d9ab1243d40 Failed at my Periodic Table test: https: //x.com/gavinpurcell/status/2027058092824027238?s=20 Dor Brothers / Logan Paul 15 Minute Movie https://x.com/thedorbrothers/status/2026733954942775433?s=20 Creator of Entourage Responds LOL https://x.com/mrdougellin/status/2026801159282057666?s=20 Seedance 2.0 Updates Now In CapCut? https://x.com/charliebcurran/status/2026713011805946301?s=20 Lil' Hot Dog Video I Made In CapCut https://x.com/gavinpurcell/status/2026751216139542733?s=20 Weights Leaked? Likely Fake https://x.com/taker_of_whizz/status/2026749425851253095?s=20 Tom Cruise/Brad Pitt Creator Second Video:  https://x.com/RuairiRobinson/status/2026164263547793787?s=20 My Chicken Run 90 Min Example:  https://x.com/gavinpurcell/status/2025260426519609557?s=20 Energym by AI Candy https://www.aicandy.be/giorgio-1 Citrini Piece Tanks Stock Market (Claude Code) https://www.citriniresearch.com/p/2028gic https://www.nytimes.com/2026/02/25/business/citrini-ai-stock-market.html?unlocked_article_code=1.PFA.WBh9.KPcM171X5cU2&smid=url-share Anthropic Use Growing Much Faster Than OpenAI or Gemini https://x.com/deedydas/status/2027057965862432843?s=20 New Claude Co-Work Plugins For Many Disciplines https://x.com/claudeai/status/2026305186671608315?s=20 Remote Control For Claude Code / Cowork https://x.com/noahzweben/status/2026371260805271615?s=20 Scheduled Tasks in Cowork https://x.com/claudeai/status/2026720870631354429?s=20 Fighting Vs The Pentagon Re AI Safety In War*** https://www.axios.com/2026/02/24/anthropic-pentagon-claude-hegseth-dario Theo Replicates & OpenSources Frame IO https://x.com/theo/status/2026794317197849001?s=20 Sonauto: AI Music With WAY Too Many Actual Voices https://sonauto.a Theoretically Media on Sonauto:  https://youtu.be/fK886jyF9Hw?si=DMbV4vikeD6y_jeP DeepSeek v4 Trained on Blackwell Chips https://x.com/niubi/status/2026111153617727843?s=20 New AI For Humans Website! https://www.aiforhumans.show/  

In this episode, Mike and Ben break down the creator subscriptions, software, and tools they personally pay for, and which ones are actually worth it for Amazon Influencers and content creators.As you grow in the Amazon Influencer Program, YouTube, or content creation in general, it's easy to feel like you need to pay for every tool that promises faster growth. The truth is, most creators can go very far using free tools, and upgrading too early often leads to wasted money without improving results.We talk through the free tools every creator should start with, including Canva, iMovie, CapCut, and cloud storage, and when it actually makes sense to upgrade to paid software like Final Cut Pro, DaVinci Resolve, or other editing platforms.We also break down the tools that can directly improve efficiency and increase earnings, including Oink and Viral View for Amazon Influencer product research and Creator Connections, Geniuslink for international affiliate linking, vidIQ for YouTube optimization, Keepa for product research, and ChatGPT for workflow efficiency.In addition, we share how we personally manage our creator subscriptions, including how to audit tools regularly, avoid unnecessary monthly expenses, and evaluate whether a tool is truly saving time or making money.We also discuss real-world creator tool costs, what we currently spend per month and per year, and how we decide whether a subscription is worth keeping or canceling.If you're an Amazon Influencer, YouTube creator, or content creator trying to grow your income while avoiding unnecessary expenses, this episode will help you understand which tools matter, which ones can wait, and how to build your creator stack the right way.________________________JOIN THE COMMUNITYIf you are looking for deeper strategy, accountability, and honest conversations with other serious content creators, the Creator's Leverage Guild was built for exactly that.Learn more and join here:⁠⁠⁠Creator's Leverage Guild⁠⁠⁠WORK 1-ON-1 WITH MIKE AND BENGet personalized guidance on content strategy, monetization, brand deals, and scaling your creator business.• Book a 1-hour coaching call• Save with a 4-session coaching package⁠⁠⁠Sign Me Up!⁠⁠⁠_________________________JOIN OUR FREE FACEBOOK COMMUNITYConnect with other Amazon Influencers and content creators, ask questions, and stay up to date on what is working right now.⁠⁠⁠Amazon Influencer Success Facebook Group⁠⁠⁠_________________________TOOLS AND RESOURCES FOR CREATORSViral VueMake smarter content decisions and grow faster.⁠⁠⁠Try Viral Vue here⁠⁠⁠Use code STRAHL10 for 10% off for lifeOinkTrack earnings and performance across platforms.⁠⁠⁠Try Oink here⁠⁠⁠Use code STRAHL10 for 10% off for lifeDescriptEdit podcasts and videos faster and easier.⁠⁠⁠Check out Descript here⁠⁠⁠Geniuslinks: Our #1 Deeplinking Pick!Try Geniuslinks!VidiQ: Our #1 pick for YouTube channel Insights!Try VidIQKeepa: Makes advanced product research for AIP a breeze!Try KeepaLasso: Deeplinking for Blogs & YouTubeGet LassoKadence WP: Great amazing websites for blogsNotion: Super helpful AI Agenthttps://www.notion.com/productCanva: So many uses! Our go to for creating thumbnails.https://www.canva.comChatGPT: My go to for AI help with brainstorming and planning!https://chatgpt.comAffiliate links. We may earn a small commission at no extra cost to you.__________________________CONTACTHave a question, collaboration opportunity, or topic request?Email: mike@creatorsleverageguild.com

This episode is a special crossover from The Next Wave podcast, hosted by Matt Wolfe and featuring a deep-dive conversation with marketing and business expert Joe Fier. The duo breaks down the five most interesting developments in AI from the past week, with a focus on SeedDance 2.0—an advanced video model from ByteDance that's dominating headlines for its realistic visuals and flawless lip syncing. They discuss how SeedDance is changing the game compared to heavyweights like Veo and Sora, and why its approach to copyright and training data might give it a global edge.Along the way, Matt Wolfe and Joe Fier demo tools live, including GPT-5.3 Codex Spark and Google's Gemini DeepThink, showing how these models can create websites, apps, and even solve scientific problems at lightning speed. The episode also explores the ethical and business ramifications of AI's rapid evolution—from ads in ChatGPT to the potential impact on jobs and creativity—making it a must-listen for anyone eager to stay ahead in the AI landscape.Topics DiscussedSeedance 2.0's Arrival & ImpactDemos & Real-World ExamplesThe Future of AI Video in Marketing & AdvertisingAI and IP/Copyright ChallengesUltra-Fast Coding ModelsHuman Creativity vs. AIAI Advertising & MonetizationRapid AI Advancement & Staying AheadResources MentionedThe Next Wave Podcast: https://www.thenextwave.showMatt Wolfe: https://www.youtube.com/@mreflow Seedance 2.0: https://www.seedance.com/ByteDance: https://www.bytedance.com/CapCut: https://www.capcut.com/Veo: https://deepmind.google/models/veo/Runway: https://runwayml.com/ChatGPT Codex: https://chatgpt.com/codexMatt Schumer's Viral Article: https://www.mattshumer.com/blog/ai-changes-everythingSuper Bowl Claude Commercial:

Get our AI Video Guide: https://clickhubspot.com/dth Episode 97: How close are we to a world where AI-generated videos are indistinguishable from reality? Matt Wolfe (https://x.com/mreflow) and Joe Fier (linkedin.com/in/joefier) dive deep into Seedance 2.0—ByteDance's new AI video model that could outpace giants like Sora and Veo. Joe, a marketing and business expert known for his hands-on approach and insights into AI's rapid evolution, helps to break down the five most fascinating developments in the AI space this week. They tackles game-changing AI advances: Seedance 2.0's mind-blowing video generation for ads and motion graphics, the rollout of Google's Veo 3.1 in Google Ads, the GPT-5.3 Codex Spark coding model built on specialized inference chips, Gemini's DeepThink model for scientific research, and the early rollout of ChatGPT ads. Check out The Next Wave YouTube Channel if you want to see Matt and Nathan on screen: https://lnk.to/thenextwavepd — Show Notes: (00:00) Seedance 2.0 arrives – AI video generation blurs reality, ad creation moves fast. (03:03) Google's Veo 3.1 powers video ads, advertisers can now generate clips directly from image uploads. (05:33) Comparison of Runway, Kling, Veo, and Sora—head-to-head prompt showdown. (07:00) Motion graphics and explainers—AI's take on the creative industry. (08:35) US vs. China—Copyright, IP, and training data debates. (12:10) Deepfake and video authenticity—why we now default to skepticism. (13:30) Google's edge in visual AI via YouTube's massive corpus. (14:39) The next frontier: Longer, more consistent video generation. (15:14) Where do humans fit in? Taste, storytelling, and creative direction. (18:30) GPT-5.3 Codex Spark—coding models on Cerebras inference chips, demo generating a website in 18 seconds. (24:34) AI tool comparisons—Codex vs. Cursor vs. Claude Code. (25:12) Speed as the key bottleneck breaker in creative and technical workflows. (28:02) Google's Gemini DeepThink—state-of-the-art research, advanced coding and physics capabilities. (32:52) Gemini demo attempt—3D-printable STL file and solving the three-body problem. (33:20) ChatGPT rolls out ads—impact on monetization and user trust. (40:02) Google's ad history—how “sponsored” is becoming harder to distinguish. (44:02) Democratizing AI access via ad-supported models. (45:03) Matt Schumer's viral article—why AI is moving even faster than most people realize. (51:11) Tools that build tools—AGI's path and the new role for humans. (53:12) Real-world skills and taste—where humanity still wins (for now). (54:01) Final thoughts—wake up, pay attention, and stay on the leading edge. — Mentions: Seedance 2.0: https://www.seedance.com/ ByteDance: https://www.bytedance.com/ CapCut: https://www.capcut.com/ Veo: https://deepmind.google/models/veo/ Runway: https://runwayml.com/ ChatGPT Codex: https://chatgpt.com/codex Matt Schumer's Viral Article: https://www.mattshumer.com/blog/ai-changes-everything Super Bowl Claude Commercial: https://www.anthropic.com/news/super-bowl-ad Get the guide to build your own Custom GPT: https://clickhubspot.com/tnw — Check Out Matt's Stuff: • Future Tools - https://futuretools.beehiiv.com/ • Blog - https://www.mattwolfe.com/ • YouTube- https://www.youtube.com/@mreflow — Check Out Nathan's Stuff: Newsletter: https://news.lore.com/ Blog - https://lore.com/ The Next Wave is a HubSpot Original Podcast // Brought to you by Hubspot Media // Production by Darren Clarke // Editing by Ezra Bakker Trupiano

Click to watch the full episode on YouTube!What if you could offload the busywork that keeps piling up every week and get back hours of focus without hiring a full team? In this episode, I break down how I've been using AI tools as a practical “assistant” for content, real estate, and everyday workflows so tasks stop slipping through the cracks and your systems actually feel manageable.In this episode of the First Sip Podcast, I break down:- Why I started using AI as leverage- How I use tools to capture leads, organize conversations, and reduce the back-and-forth across platforms- Simple automations that handle repeat questions and route people into a CRM without manual work- How AI-powered content workflows turn one episode into multiple short clips and marketing assets- A real example of turning a voice note into a polished presentation using transcription and slide tools- How beginners can start using AI to move past analysis paralysis and build a “virtual assistant” that asks the right questionsHere's the Master Prompt for you to create your own AI Assistant:[Executive Assistant Master prompt ](https://www.notion.so/Executive-Assistant-Master-prompt-2ff557a368e0813e9084c6c76ee132e7?pvs=21) Thank you for listening, and as always…enjoy your first sip! Timestamps:00:00 – Using AI as an assistant for weekly tasks and focuS02:38 – Real estate follow-ups, marketing, and the need for leverage03:31 – Using ChatGPT like a personal assistant and what you'll get by the end04:00 – Turning repeatable weekly tasks into faster workflows04:41 – Using forms, chatbots, and automations to capture info upfront04:58 – Zapier example: sending form responses directly into your CRM05:17 – Instagram DM auto-replies and filtering inbound requests07:00 – Turning long-form episodes into short-form content at scale07:36 – Tools like Opus Clip and CapCut for transcript-based clipping09:32 – Why the future of sales is changing fast10:02 – Real example: building a presentation with AI instead of PowerPoint11:02 – Transcribing audio with Descript11:33 – Using NotebookLM to generate a slide deck from the transcript12:34 – Creating a master prompt with ChatGPT or Gemini 13:32 – Prompting explained: clear instructions lead to better outputs15:50 – Using transcripts to create marketing visuals and infographics16:40 – Starting AI as a beginner and finding your real starting point17:10 – AI for goals: fitness, money, business, and life planning20:32 – The “virtual assistant” master prompt and how it works22:43 – Content recommendation: pair tools with a specific YouTube tutorial23:13 – Practical AI use cases: bloodwork, financial planning, and personal goalsWhat did you think about this episode?--------------------------------

Podcasting can feel lonely when you're stuck making decisions no one prepared you for. The technical choices, the workflow questions, the moments where you can't help but wonder if you're overthinking everything or missing something obvious. We get it. We've been there. Today, we open the mailbag and respond to real questions submitted by podcasters navigating both the technical and non-technical sides of the craft. From platform frustrations to workflow doubts, the team slows the conversation down and thinks things through together, offering perspective without panic or pressure. You may hear your own challenges reflected in these questions. If you have podcast-related questions of your own, you're always welcome to submit them through the Empowered Podcasting Facebook Group using the link below. We're always happy to help. Toward the end of the show, we shift gears and share our wins from the week, celebrating the progress, milestones, and accomplishments happening across the community.Episode Highlights: [02:00] Diving into the listener mailbag[02:51] Jeff's Riverside recording issues[05:08] Advice and troubleshooting for Jeff's setup[07:28] Exploring alternative recording and workflow tools[18:01] Question on guest management[31:03] Taking ownership of podcast promotion[31:28] Building an effective guest workflow[32:06] Collaborating with guests to promote episodes[36:35] Concerns about podcast hosting platforms[44:19] Wins from the weekLinks & Resources: The Podcasting Morning Chat: www.podpage.com/pmcJoin The Empowered Podcasting Facebook Group:www.facebook.com/groups/empoweredpodcasting⁠Empowered Podcasting Conference Course with Recordings: https://ironickmedia.com/courses/epc2025/Empowered Podcasting Conference 3: Use discount code ‘Podfest26' to get your ticket for under $200: https://empoweredpodcasting.comApplication To Submit Your Show For Evaluation: https://docs.google.com/forms/d/e/1FAIpQLSc8-Xv6O6lrNPcPJwj3N0Z5Osdl-5kHGz_PiAU45U57S-XgoA/viewform?usp=headerPodpage: https://www.podpage.com/?via=ironickmedia&u=515146796&ch=Mzrg46OpLate Bloomer  Living: https://www.latebloomerliving.com/blog/episode-257Riverside: https://www.riverside.fm/?via=0676daPodMatch: https://podmatch.com/?ref=1646144442692x331135044042346200Libsyn: www.lybsyn.com Capcut: www.capcut.com Captivate: https://www.captivate.fmNotion:www.notion.comTrello: https://trello.comClickups: https://clickup.com/downloadRalph Estep's Guest Appearance with Rob Greenlee on The New Media Show:  www.youtube.com/live/MHr3B3tF7cQ?si=stvLoQowgOoGtxQ5Katie Brinkley: https://katiebrinkley.comRemember to rate, follow, share, and review our podcast. Your support helps us grow and bring valuable content to the podcasting community.Join us LIVE every weekday morning at 7 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠ https://www.clubhouse.com/house/empowered-podcasting-e6nlrk0w⁠⁠Live on YouTube: ⁠https://youtube.com/@marcronick⁠Brought to you by⁠ ⁠iRonickMedia.com⁠⁠ Please note that some links may be affiliate links, which support the hosts of the PMC. Thank you!--- Send in your mailbag question at:⁠ https://www.podpage.com/pmc/contact/⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Chat? Send me a message on PodMatch, here: ⁠https://www.podmatch.com/hostdetailpreview/1729879899384520035bad21b⁠

Hace años que CapCut domina el mercado móvil de la edición de vídeo. Pero sus últimos cambios en el sistema de financiación de la plataforma, ha dejado a muchos usuarios descontentos. Por suerte hay alternativas, y hoy te hablo de una que realmente es muy buena.

Send us a textThis episode, we start with a quick look at Apple's new Creator Studio announcement and what it could mean for podcasters (plus some thoughts on GarageBand, Logic Pro, CapCut, and pricing across creator tools).Then we dig into realistic, healthy podcasting goals. We asked listeners what success would look like for them in 2026, and the answers weren't about chasing downloads or quitting day jobs. Instead, podcasters talked about consistency, letting go of perfection, building skills, listener engagement, and slowly working toward monetization.Links mentioned in this episode:Apple Creator StudioAlban's Podcast Goals Short VideoBuzzcast: Top 5 Motivations To Keep PodcastingContact Buzzcast Send us a text message Tweet us at @buzzcastpodcast, @albanbrooke, @kfinn, and @JordanPods Thanks for listening and Keep Podcasting!

Get Kieran's AI Video Ad Stack guide + prompts: https://clickhubspot.com/rhv Ep. 390 How long does it really take to make a realistic AI video ad? Kipp and Kieran dive into a step-by-step tutorial for creating high-quality, believable AI-powered videos, even if you're not a video expert. Learn more on how to develop a creative concept that AI tools can't replace, the essential workflow for using Veo 3.1 and Nano Banana Pro, and why reference images are the secret to seamless video scenes. This episode breaks down the process and tips to help you master AI video creation faster and smarter. Mentions Veo 3.1 https://deepmind.google/models/veo/ Nano Banana Pro https://gemini.google/overview/image-generation/ ElevenLabs https://elevenlabs.io/ Figma https://www.figma.com/ CapCut https://www.capcut.com/ Get our guide to build your own Custom GPT: https://clickhubspot.com/customgpt We're creating our next round of content and want to ensure it tackles the challenges you're facing at work or in your business. To understand your biggest challenges we've put together a survey and we'd love to hear from you! https://bit.ly/matg-research Resource [Free] Steal our favorite AI Prompts featured on the show! Grab them here: https://clickhubspot.com/aip We're on Social Media! Follow us for everyday marketing wisdom straight to your feed YouTube: ​​https://www.youtube.com/channel/UCGtXqPiNV8YC0GMUzY-EUFg  Twitter: https://twitter.com/matgpod  TikTok: https://www.tiktok.com/@matgpod  Join our community https://landing.connect.com/matg Thank you for tuning into Marketing Against The Grain! Don't forget to hit subscribe and follow us on Apple Podcasts (so you never miss an episode)! https://podcasts.apple.com/us/podcast/marketing-against-the-grain/id1616700934   If you love this show, please leave us a 5-Star Review https://link.chtbl.com/h9_sjBKH and share your favorite episodes with friends. We really appreciate your support. Host Links: Kipp Bodnar, https://twitter.com/kippbodnar   Kieran Flanagan, https://twitter.com/searchbrat  ‘Marketing Against The Grain' is a HubSpot Original Podcast // Brought to you by Hubspot Media // Produced by Darren Clarke.

Have we got a treat for you! This episode with content strategist, business coach and consultant Treasa Edmond was one of our most popular episodes in 2025. It is full of gold for any freelancer wanting to move up the value chain and secure more high-paying clients.   In our wide-ranging chat, Treasa talks about: • The different between offering content strategy and strategic consulting • Which one is an entry point for high-paying work • How strategy can open the gates to providing more effective content • How and why value pricing is better for this type of work • Her favourite client-finding strategies • Common mistakes freelancers make when it comes to strategy   Capcut is here: https://www.capcut.com/   Treasa's podcast is called Boss Responses: https://bossresponses.com/   Or take a look at Strategy Bosses: https://bossresponses.com/strategy-bosses-community/   Or through LinkedIn: https://www.linkedin.com/in/treasaedmond/    Find Rachel www.rachelsmith.com.au    Find Lynne www.lynnetestoni.com   Rachel's List www.rachelslist.com.au   Thanks (as always) to our sponsors Rounded (www.rounded.com.au), an easy invoicing and accounting solution that helps freelancers run their businesses with confidence. Looking to take advantage of the discount for Rachel's List Gold Members? Email us at: hello@rachelslist.com.au  for the details.   Episode edited by Marker Creative Co www.markercreative.co 

In this episode, Brock Johnson shares how to grow your Instagram in just 10 minutes per day — updated for 2026. He'll cover practical strategies to grow faster with less effort, including how to use Trial Reels effectively, batch your content, and upcycle posts for consistency. Brock also explains how to automate your growth with tools like DM automation, the Follow-to-DM strategy, and quick-turn content such as CapCut meme Reels and B-roll Reels. Whether you're short on time or just want to streamline your Instagram process, this episode gives you a step-by-step approach to post smarter, grow faster, and make the most of your time on the app. Watch On YouTube 

How to Run a Successful Family-Run Mobile Detailing Business & Get Customers Only on Facebook and No Website! In this inspiring discussion, Anthony Henderson of Better Than New Mobile Detailing in Louisville, KY, shares his unique, simplified approach to running a successful and profitable mobile detailing business—with his family by his side! Anthony is a rare example of an owner who has intentionally kept his business small and family-run to prioritize quality of life, including homeschooling his children, and he shares how his family is part of the detailing work. Key Takeaways for Detailers: Low Barrier to Entry: You can start a mobile detailing business with just $500 to $600 and a minivan. Facebook is Your Main Tool: Anthony gets consistent, daily work by running simple, targeted Facebook ads and manages all his bookings through Facebook Messenger, without needing a dedicated website or an email marketing list. He can book a customer in about a minute using a simple script. His first ads ran for just $5 a day and filled his calendar two weeks out with 3 or 4 appointments daily. Keep Your Eyes on Your Own Business: Anthony recommends focusing on what makes sense for your business and avoiding distraction by what other detailers are charging or doing, even blocking other detailers on his Facebook page to maintain focus. Keep Reviews On: He's one of the few detailers who keeps his Facebook reviews turned on, having over 500 reviews, which builds immediate trust with new customers. Marketing Tip: Anthony discusses using CapCut templates for creating quick, engaging before-and-after videos for organic content. Anthony proves that success isn't about scaling to an intimidating size with massive overhead and staff—it's about finding a simple, focused, and profitable system that works for you and your family. #MobileDetailingBusiness #FacebookMarketing #FamilyBusiness #EntrepreneurLife #SmallBusinessTips #CarDetailing #NoWebsiteNeeded #PricingStrategy #BetterThanNewMobileDetailing #WorkLifeBalance Calling All Detailers include Detailing Enthusiasts - DIY and Detail Professionals. Our goal is to help Detailers earn more money, by helping then Create more SUCCESS through Knowledge, Motivation and the 10X Mindset, Plus incorporate Common Sense and Sales & Marketing Strategies to their business plans. Be sure to use the best Detailing Supplies and Ceramic Coatings in the world. Pearl Nano. Grab your free Wholesale account at CallingAllDetailers.com Links to the websites are below. Watch my free, 16 chapter, online course all about how to 10X your detailing business: https://www.youtube.com/playlist?list=PLbQrc3JEe48FEqkR1hTNzhAMwDBS_6Y9Y Check out the Calling All Detailers Podcast (Business + Products + Community): https://open.spotify.com/show/2spT8MrFQPrl0rwpjo6cbN Join our Private Facebook group - a community of experienced detailers who use Pearl Nano products: https://www.facebook.com/groups/1071820092849444/ Sign up for your free wholesale account: https://callingalldetailers.com/pages/wholesale Launch your own brand of car care products: https://www.privatelabelcarcare.com/ or apply here: https://callingalldetailers.com/pages/private-labeling

The Diary of a CEO's Director of Trailers, Anthony Smith, on capturing attention in the first few seconds, building cliffhangers and emotional momentum that keep audiences watching (or reading), and testing hooks and packaging without losing trust or story.You'll learn:Why you only have 3–5 seconds to earn attention, and what that changes about your opening lines and first scenes.How to take the guesswork out of hooks by testing titles and thumbnails to see what audiences actually care about.Ways to pull a more compelling later moment forward and work in reverse when the early material is setup.What makes a cliffhanger work across books and videos, and how to raise the stakes so people feel “gutted” not knowing the answer.How to build an “emotional rollercoaster” so the narrative never flatlines.Why sound and silence can help storytelling work, creating intensity and then giving the audience space to breathe.How to balance intrigue with respect for your audience by offering a “moment of value” instead of holding everything back.Why giving away too much can kill curiosity, and how to protect the reason someone keeps reading or watching.Resources and Links:

Os consoles portáteis voltaram a ocupar um espaço gigante no mundo dos games e neste episódio do Podcast Canaltech, conversamos com Claudio Prandoni (Prandas), jornalista e especialista em videogames com mais de 20 anos de experiência, para entender por que esse mercado explodiu de novo. Do impacto do Nintendo Switch ao avanço de PCs portáteis como o Steam Deck, passando pela chegada de novos concorrentes como ROG Ally e Legion Go, Prandas explica o que está movimentando essa tendência, o que esperar do futuro e como Microsoft, PlayStation e outras marcas estão se posicionando nesse novo cenário. Uma conversa leve, profunda e cheia de contexto para quem ama games ou quer entender para onde a indústria está caminhando. Você também vai conferir: Google Maps passa a registrar automaticamente onde você estacionou, Facebook adota recursos do Instagram e muda experiência no feed, Google Fotos ganha editor de vídeos completo e desafia apps como o CapCut, Xiaomi prepara rastreador rival do AirTag com localização precisa e falha pode apagar todo o seu Google Drive sem nenhum clique. Este podcast foi roteirizado e apresentado por Fernada Santos e contou com reportagens de João Melo, Viviane França, Vinicius Moschen, Jaqueline Sousa, sob coordenação de Anaísa Catucci. A trilha sonora é de Guilherme Zomer, a edição de Vicenzo Varin e a arte da capa é de Erick Teixeira.See omnystudio.com/listener for privacy information.

In Part Two of this high-impact conversation, Dwayne continues his deep dive with global business strategist and Success Story Podcast host Scott Clary, who breaks down exactly why attention is the foundational currency of modern business — and why companies that fail to adapt will be overtaken by those who move quickly with media, content, and AI.Scott unpacks the psychology of why leaders resist content, the identity fear behind “not wanting to suck,” and how legacy businesses risk losing everything because they're still marketing for 2005 while technology is sprinting into 2025.Dwayne and Scott explore real-world examples—from lawn-care companies to B2B manufacturers to billion-dollar firms—and show how even the most “unsexy” industries can dominate simply by capturing attention and building trust at scale.The conversation expands into AI disruption, the collapse of traditional SEO, the rise of generative search, modern buyer behavior, shortening sales cycles through content, and the undeniable compounding power of personal brand.This episode is a wake-up call to business owners everywhere: adapt now, or be replaced by those who do.EPISODE HIGHLIGHTS00:00 – Media equals attention and attention drives every business outcome. 02:00 – The real starting point for content: sucking at first and learning through repetition.04:30 – Scott unpacks why universal business principles apply to content creation. 06:00 – Identity, fear, and why business owners avoid content creation.07:00 – The widening gap between tech adopters and those still resisting digital change. 09:00 – Legacy vs. legitimacy: content won't damage your reputation, but irrelevance will. 11:00 – Content isn't just video - newsletters, audio, and niche education all count. 13:00 – Niche creators winning with “unsexy” businesses. 17:00 – Example content strategies.20:00 – Why Scott studies fast-growing creators - not the biggest creators. 23:00 – The explosive business outcomes possible when you master content (“not a 1x or 2x”). 27:00 – Why even billion-dollar CEOs must build trust through media. 33:00 – How content accelerates B2B sales cycles and increases closing ratios. 37:00 – Generative search is replacing Google.43:00 – Scott breaks down the KPI stack: retention, shares, watch time, and qualified leads. 48:00 – Essential tools: ChatGPT, Claude, Opus Pro, CapCut, etc., and what they're best for. 50:00 – Hiring global talent.56:00 – The coming AI household-assistant revolution.01:02:00 – SEO collapse and the rise of creator-driven education and media networks. 01:08:00 – Entrepreneurs have already done hard things - this is simply the next one. 01:10:00 – Passion is the outcome of mastery, not the prerequisite. 01:11:00 – How older leaders can partner with younger digital natives.KEY TAKEAWAYSAttention is the gateway to trust, and trust drives every buying decision.Content doesn't mean dancing online; it means choosing a medium you can stick with.AI and generative search are rewriting SEO overnight.Content massively increases sales velocity and close rates.Small businesses have the most to gain from adopting a media strategy.Entrepreneurship is staying alive long enough for your strategy to work. QUOTES:"Media is attention. From the beginning of time, attention and...

In today's episode, I show you how to make 100 viral Instagram posts EASILY in just one hour using AI. I'll give you Instagram Reel ideas and post templates that can be created quickly and efficiently. I'll also guide you step-by-step through the process of using these AI content creation tools, including ChatGPT, to both brainstorm and develop effective post ideas! This episode is designed to help you streamline your content creation process and maximize your productivity on Instagram, making it easier than ever to maintain an active presence.

Everything's going great here at This Week in Startups — and we're expanding! As we launch a brand new podcast next year, we're looking to bring on two new creative roles:Video Editor — Full-time or part-time, remote or in-person (Austin). If you love startups and tech and you're skilled at editing, this is your shot. Send your portfolio to editor@launch.co.Short-Form Video Editor (CapCut) — Help us create top-tier TikToks, Reels, and YouTube Shorts from our podcast content. If you're great with CapCut and have a feel for viral startup content, email capcut@launch.co.We don't care about degrees or titles — just talent, creativity, and passion for startups. Competitive pay, flexible hours, and the chance to work with one of the top startup shows in the world.Apply now:Video Editor → editor@launch.coShorts Editor → capcut@launch.co#startups #hiring #videoediting #podcast #ThisWeekInStartups #tech