Podcasts about Montresor

En este episodio nos adentramos en El Barril del Amontillado, uno de los relatos más inquietantes de Edgar Allan Poe. Acompañamos a Montresor en su descenso literal y simbólico hacia las profundidades de la venganza, mientras conduce a su desprevenida víctima, Fortunato, por las catacumbas en busca de un vino inexistente. En apenas unas páginas, Poe despliega una historia de orgullo herido, engaño y justicia retorcida que sigue resonando dos siglos después. Analizamos su atmósfera opresiva, la precisión del lenguaje y el simbolismo oculto tras cada ladrillo. Un brindis macabro por la literatura del horror. Patreon: https://www.patreon.com/vuelodelcometa YouTube: https://www.youtube.com/@vuelodelcometa Twitch: https://www.twitch.tv/vuelodelcometa Bluesky: https://bsky.app/profile/vuelodelcometa.bsky.social Instagram: https://www.instagram.com/vuelodelcometa Twitter: https://twitter.com/Vuelodelcometa Telegram: https://t.me/vuelodelcometacomunidad WhatsApp: https://whatsapp.com/channel/0029Vb16aSZEawdwoA2TD235 Facebook: https://www.facebook.com/Vuelodelcometa Mastodon: https://mastodon.social/@Vuelodelcometa Web: alvaroaparicio.net Si quieres apoyar este y otros proyectos relacionados: https://www.patreon.com/vuelodelcometa o a través del sistema de mecenazgo en iVoox. Y si quieres contactar con nosotros para una promoción, no dudes en ponerte en contacto a través de: vuelodelcometapodcast@gmail.com ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/1049191 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Our next guest is someone who has had a very similar life path to that of our host!Jason Strutz is the artist behind multiple comics such as The House of Montresor graphic novel from Action Lab Entertainment, The Deadly Ten series from Full Moon Comix, and the Good Fight Anthology. He is an illustrator of Role Playing Game ™ monsters and heroes for companies like 2CGaming, Checkmate Studios, and more. He works in graphic design for various companies and most recently created the unique medieval, family drama, horror web comic The Returned!Jason talks working for Full moon Entertainment, how his real life influenced his new work and working in the commercial sign industry. A topic André knows all too well!Support the show

Join us this week as we dive into the 2020 Montresor Capitela Della Crosara, a interesting Ripasso wine from the Valpolicella region of Italy. In this episode, we learn about Valpolicella wine and the Ripasso method, while also mixing in some fun with a lively game of 'Pick Your Poison' and a bit of football talk. Thanks for listening and Happy Sipping! Connect with the show. We would love to hear from you! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stopwastingyourwine.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Send me a message. What do you think about the book/podThe Cask of Amontillado by Edgar Allan Poe, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.patreon.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY:The narrator, Montresor starts his story by stating that he has been gravely insulted by a man called Fortunato, and that he vows revenge. Fortunato is a wine connoisseur and Montresor wishes to exact his revenge with little risk, so he uses his foe's love of wine to convince him to test a bottle of Amontillado to judge if it is real. Montresor says that he could look for a different man called Luchesi to taste it, and no matter how pressed, Fortunato says that he will judge the wine for himself, so they head together to Montresor's vaults. Montresor has planned his revenge thoroughly and has told his servants to enjoy the festival in the town for the evening. As they head down the vaults, Montresor points out some nitre to his companion and says that they can turn back if it will prove too strong for his cough. Fortunato declares that he is continuing, and Montresor gives him a draught of wine to ease his throat. They continue further into the vault and eventually come to a crypt. There is a small recess at the end and Montresor tells Fortunato that the Amontillado is in the recess, asking him to step into it. Once inside, Montresor takes advantage of Fortunato's drunken state and chains him quickly to the wall whereafter Montresor starts to brick the tomb back up. While bricking up the wall, the alcohol wears off of Fortunato, and believing that Montresor is playing a bad joke on him, asks to stop and take him back upstairs where they can enjoy the party and the Amontillado together. But Montresor continues to brick up his enemy and after placing the last one, says, in Latin, “May he rest in peace.”Support the showThank you so much for listening, if you want to support the me go to any of these links :)*Social*INSTAGRAM: https://www.instagram.com/theessentialreadsTWITTER: http://twitter.com/IsaacBirchallvoKo-Fi: https://ko-fi.com/theessentialreads

Todo entusiasta del vino ha oído las historias del Decantador de Amontillado, un vino con propiedades fuera de este mundo y al mismo tiempo, un receptáculo de una antigua maldición que ha enfrentado a la familia Montresor y Fortunato por generaciones. Esta noche el decantador será abierto y a través del vino nos sumergiremos en la intriga, el amor y la locura. ¡¡¡¡No dudes y bebe!!!! *Esta historia esta inspirada en “El barril de amontillado” de Edgar Allan Poe, es una secuela ambientada generaciones después de los eventos del cuento. Nuestros protagonistas son:

Todo entusiasta del vino ha oído las historias del Decantador de Amontillado, un vino con propiedades fuera de este mundo y al mismo tiempo, un receptáculo de una antigua maldición que ha enfrentado a la familia Montresor y Fortunato por generaciones. Esta noche el decantador será abierto y a través del vino nos sumergiremos en la intriga, el amor y la locura. ¡¡¡¡No dudes y bebe!!!! *Esta historia esta inspirada en “El barril de amontillado” de Edgar Allan Poe, es una secuela ambientada generaciones después de los eventos del cuento. Nuestros protagonistas son:

Edgar Allen Poe - "The Cask of Amontillado" is a short story that plunges into the twisted mind of its protagonist, Montresor, as he seeks vengeance against his perceived enemy, Fortunato. Set within the eerie confines of catacombs beneath an Italian palazzo during the carnival season, the tale unravels with an air of impending doom and malevolence.

The Cask of Amontillado, by Edgar Allan Poe is a chilling short story that revolves around the theme of revenge. The narrator, Montresor, seeks vengeance against Fortunato, whom he perceives as having insulted him.  The story explores themes of deception, betrayal, and the darkness that resides within the human psyche, creating a suspenseful and psychologically intense narrative.Co-hosts Mary Labrie and Greg Flynn talk about the adaptation of Poe's writing by George Lowther, the great voice actors, and what possibly happens during 'la pausa' in Italy. Thank you for listening! Share us and give us a review!Website: www.timewarpstudios.comPodcast platforms: https://linktr.ee/theshivershowFacebook and Instagram on @theshivershowThe Shiver Show started life in 2017 as a radio show on KPPQ 104.1 FM in Ventura California and is still going strong today. Thank you to CAPS Media for your continued support and mentorship!

A secret is finally revealed.   --- Intro & Outtro Music by: Jack Le Breton Website: jacklebreton.com Twitter & Instagram: @Jack_Le_Breton   Website: https://www.Withoutanetpod.com Discord link https://discord.gg/TbE5Ajc If you like the show, swing by our Patreon where you can get access to over 15 extra hours of content. https://www.patreon.com/posts/43800673 Email us: Withoutanetpod@gmail.com Facebook: https://www.facebook.com/WithoutANetPodcast Copyright: Without A Net Podcast 2018-2022   Disclaimer: This Vampire: The Masquerade chronicle is a non-official, fan-created work by the Without A Net Podcast.  Portions of the materials used in this Actual Play are the copyrights and trademarks of Paradox Interactive AB and are used with their permission.  All rights are reserved.  For any further information in those regards you can find them at worldofdarkness.com.

"This is Jason Markiewitz: Owner, Director, Writer, Voice Actor, etc. of Markiewitz Audioworks. Our production of Edgar Allan Poe's ""The Cask of Amontillado"" is a unique look at a superior work of gothic fiction. Our script maintained the feel and the flow of Poe's work, but added an undercurrent of remorse as Montresor ultimately seeks absolution for his crime. Cask was our second in a series of five audio drama adaptations based upon Poe's writings, and it is our most successful one to date. It has been nominated for a 2023 Saturday Visiter Award at the International Edgar Allan Poe Festival and Awards, and was a People's Choice Audio Drama of the Year Finalist at the 5th Annual Audio Theatre Central Seneca Awards. Listeners will enjoy the soundscape and theatrical nature of this piece...even if they've never heard the story before. And Poe fans will enjoy the new characters and classic themes they will recall. Anyone can listen to this work and others on our YouTube Channel @ Markiewitz Audioworks Presents. Thank you so much for listening." No transcript available. https://www.markiewitzaudioworks.com/portfolio/audio-dramas/poe

The bloody-minded Montresor leads the pompous Fortunato deep into the wine vaults and catacombs, crowning in a climax that is delightfully sinister. Edgar Allan Poe, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  This is our first Vintage Episode of The Classic Tales Podcast. We'll be releasing two Vintage Episodes each week, so be sure to check your feed regularly. New episodes will be available every Friday.  We've got a special treat for you. Head on over to Nancy Peterson's TikTok channel @nancy_peterson_narrates, and you can see her recording an episode or two of The Classic Tales Podcast LIVE. In October, she and I will be doing a duet narration of The Closed Cabinet. You can watch her record her portion live on her TikTok channel, and even chime in! Nancy is an Audie Award-Winning narrator, a world class individual, and great friend. Check out her TikTok channel, and you'll have a ball. A link is in the show description. This episode of The Classic Tales Podcast was originally released on June 22, 2007, along with The Speckled Band, by Arthur Conan Doyle, and Part One of Barbara of the House of Grebe, by Thomas Hardy.  The recording of Basil Rathbone recording The Cask of Amontillado changed my life. It really did. Up until that time, I couldn't understand the heavier language of the classics. I never really understood Poe until I had an actor help me with it. But when I heard this recording, the world opened up for me. I listened to it over and over again, until I practically memorized it. Then I discovered other audiobooks, and learned how to really read. I could understand these amazing stories that were up until that time, hidden from me. I can't emphasize how deeply this impacted my life. We named our first-born son Basil.  So, after I listened to a few hundreds of audiobooks over a dozen years or so, I heard about podcasting, and I had an idea for one. The Cask of Amontillado had to be the first episode. I cobbled together an old computer, borrowed some recording equipment, and threw three episodes together.  Now, 17 years later, I record audiobooks as my full-time job.  Let's start the journey again.  And now, The Cask of Amontillado, by Edgar Allan Poe.  Follow this link to see Nancy Peterson record a Classic Tales Podcast episode, and other stuff:  Follow this link to become a monthly supporter: Follow this link to subscribe to our YouTube Channel: Follow this link to subscribe to the Arsène Lupin Podcast:  Follow this link to follow us on Instagram: Follow this link to follow us on Facebook: Follow this link to follow us on TikTok:

A vengeful man cunningly lures his perceived enemy into the catacombs of his family's estate, promising a taste of rare wine. As they descend into darkness, a sinister plot unfolds. What dark fate awaits the unfortunate Fortunato?From time to time I will perform a classic Poe just for you, my friends. Enjoy it!Get Cool Merchandise https://weeklyspooky.storenvy.comContact Us/Submit a Storytwitter.com/WeeklySpookyfacebook.com/WeeklySpookyWeeklySpooky@gmail.comMusic by Ray Mattis http://raymattispresents.bandcamp.comExecutive Producer Rob FieldsProduced by Daniel WilderThis episode sponsored by HenFlix.comFor everything else visit WeeklySpooky.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5621141/advertisement

In einer weiteren Kurzgeschichte von Edgar Allan Poe geht es feuchtfröhlich zu. Wir machen die Bekanntschaft des selbstlosen Montresor, der sich einen besonders edlen Tropfen mit seinem alten Kumpel Fortunato teilen will. Sollte es unser Misstrauen wecken, dass der feine Amontillado ausgerechnet in der Familienkrypta der Montresors lagert? Bestimmt nur ein komischer Zufall … Wir wünschen euch viel Spaß! In der nächsten Folge widmen wir uns unserem ersten größeren Projekt. Wir lesen „Der Hund der Baskervilles“ von Arthur Conan Doyle. Hier geht's zum Text: https://www.projekt-gutenberg.org/doyle/2basker/2basker.html „Das Fass Amontillado“ von Edgar Allan Poe findet ihr hier kostenlos zum Mitlesen: https://www.projekt-gutenberg.org/poe/amontill/amontill.html Linktree: https://linktr.ee/letspoe_podcast Instagram: @letspoe.podcast Facebook: Let's Poe E-Mail: letspoe@gmail.com Intro-Theme: Christoffer Moe Ditlevsen (@christoffermoeditlevsen, https://www.composermoe.org/)

In einer weiteren Kurzgeschichte von Edgar Allan Poe geht es feuchtfröhlich zu. Wir machen die Bekanntschaft des selbstlosen Montresor, der sich einen besonders edlen Tropfen mit seinem alten Kumpel Fortunato teilen will. Sollte es unser Misstrauen wecken, dass der feine Amontillado ausgerechnet in der Familienkrypta der Montresors lagert? Bestimmt nur ein komischer Zufall … Wir wünschen euch viel Spaß! In der nächsten Folge widmen wir uns unserem ersten größeren Projekt. Wir lesen „Der Hund der Baskervilles“ von Arthur Conan Doyle. Hier geht's zum Text: https://www.projekt-gutenberg.org/doyle/2basker/2basker.html „Das Fass Amontillado“ von Edgar Allan Poe findet ihr hier kostenlos zum Mitlesen: https://www.projekt-gutenberg.org/poe/amontill/amontill.html Linktree: https://linktr.ee/letspoe_podcast Instagram: @letspoe.podcast Facebook: Let's Poe E-Mail: letspoe@gmail.com Intro-Theme: Christoffer Moe Ditlevsen (@christoffermoeditlevsen, https://www.composermoe.org/) --- Send in a voice message: https://podcasters.spotify.com/pod/show/lets-poe/message

"Fortunato's Fatal Misfortune" Audio Drama Starring Mark Redfield and Chris Pfingsten Based on "The Cask Of Amontillado" by Edgar Allan Poe DON'T FORGET TO SUBSCRIBE! For more great audio visit: http://www.RedfieldArtsAudio.com Recorded before a live audience at the Baltimore Theatre Project, "FORTUNATO'S FATAL MISFORTUNE" stars Mark Redfield as "Montresor" and Chris Pfingsten as "Fortunato". The play was adapted from Poe's short story "The Cask Of Amontillado" and directed by Tony Tsendeas. Mike Moran created the live sound effects and Dave Crandall created the electronic ambience. Music by Jennfer Rouse and the audio engineer is Bill Dickson of Drat Productions. Poe's "The Cask of Amontillado" was published in November 1846, in Godey's Lady's Book. Cast & Crew "Montresor" is played by Mark Redfield "Fortunato" is played by Chris Pfingsten Announcer: Chris Pfingsten Adapted and Directed by Tony Tsendeas Sound Design is by David Crandall. Sound Effects: Mike Moran Music: Jennifer Rouse Album art design: Jennifer Rouse Recording Engineer/Technical Director is Bill Dickson of Drat Productions. "FORTUNATO'S FATAL MISFORTUNE" is a new adaptation, written and directed by Tony Tsendeas. © Mark Redfield Studios https://markredfieldstudios.com/

Italy, The Carnival Season: A man can only take so much. When Fortunato insults Montresor, Montresor concocts a plan to ensure Fortunato never insults again. Far away from the sounds of celebration on the streets, the two men descend into the dampness of the catacombs below, in search of a rare vintage of wine.​ Cast (in speaking order): MICHAEL STUHLBARG as Montresor KEITH DAVID as Fortunato ​with SAM TSOUTSOUVAS, the voice of RPR Learn more about your ad choices. Visit megaphone.fm/adchoices

THE MIDNIGHT MATINEE Poe's "The Cask Of Amontillado" - John Astin and Mark Redfield (Ep 23-2) Don't forget to SUBSCRIBE! Visit our website at http://www.RedfieldArtsAudio.com Recorded before a live audience at Westminster Hall in Baltimore (where Edgar Allan Poe is buried!), THE CASK OF AMONTILLADO stars John Astin as "Montresor" and Mark Redfield as "Fortunato". The play was adapted from Poe's short story and directed by Tony Tsendeas. Poe's "The Cask of Amontillado" was published in November 1846, in Godey's Lady's Book. This performance of Poe's "The Cask of Amontillado" was recorded before a live audience on June 22nd, 2013 at Westminster Hall Burial Grounds, in Baltimore, Maryland, where Edgar Allan Poe is buried. (27:35 minutes) Cast & Crew "Montresor" is played by John Astin "Fortunato" is played by Mark Redfield Announcer: Mary Anne Perry Adapted and Directed by Tony Tsendeas Sound Design is by David Crandall. Recording Engineer/Technical Director is Bill Dickson of Drat Productions. THE CASK OF AMONTILLADO is a new adaptation, written and directed by Tony Tsendeas especially for Poe Forevermore Radio Theater. "The Cask of Amontillado" is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book.

Are you now, or have you ever been, a Lady? If yes, were you a Lady in the United States during the 19th Century? You are doubtless familiar, then, with Godey's Lady's Book, a source of densely packed text, hand-colored fashion plates, piano sheet music, and the odd Edgar Allan Poe short story ("for the love of Godey, Montresor!"). All this, plus a look at the troubled romance between legendary circus aerialists: Lillian Leitzel, a tiny woman who is stronger than you or any man you know, and Alfredo Codona, a shining star of the Flying Codonas, shunned for years by the Walking Codonas, who were generally agreed to be fiercely jealous of their far more glamorous cousins. Join us, won't you?

El Tarn es un relato de terror del escritor británico Hugh Walpole (1884-1941), publicado originalmente en la edición de octubre de 1923 de la revista Success, y luego reeditado en numerosas antologías, entre ellas: La gorra negra; El espino plateado; Un siglo de historias de fantasmas y Fantasmas en aldeas rurales. El Tarn, uno de los mejores cuentos de Hugh Walpole, relata la historia de Foster, un escritor que visita a un viejo conocido, Fenwick, en su remota casa en el Distrito de los Lagos. Ha oído que Fenwick le guarda rencor y está ansioso por arreglar las cosas. Pero Fenwick no está de humor para hacer las paces; de hecho, en las apacibles aguas del Tarn se entrega a voluptuosas fantasías, como retorcer lentamente el cuello de Foster. ¡¡¡¡¡¡SPOILERS!!!!!! En la superficie, El Tarn de Hugh Walpole es una brillante historia de celos [en este caso, literarios] y venganza, pero debajo hay más, mucho más. Fenwick, el protagonista, es autor de una novela que ha fracasado rotundamente, mientras que su amigo, Foster, escribió una basura sentimental que resultó ser un éxito. Desde ese momento, Fenwick fantasea con asesinar al despreocupado Foster, a quien culpa de su propio fracaso. Con la intención de reconciliarse [y acaso para regodearse en su victoria], Foster se invita a sí mismo a la casa de Fenwick en el Distrito de los Lagos ingleses, donde se presenta con un falso sentido de la modestia, admitiendo, claro, que tiene algo de talento, «pero no tanto como dice la gente», antes de jactarse de sus premios literarios, sus viajes a Italia y Grecia, y sus ganancias [«Por supuesto, cien libras no es mucho»]. Fenwick lo soporta en silencio, aparentando cierta amistad y receptividad, pero en secreto piensa «en lo agradable que sería hundir los ojos de Foster en su cabeza, muy, muy profundo, haciéndolos crujir, dejando las cuencas vacías, abiertas y ensangrentadas». En este contexto, Fenwick invita a Foster a dar un paseo por un Tarn: un pequeño pero profundo lago en la base de una colina [el término deriva del escandinavo tjörn, el cual describe un pequeño lago de montaña sin afluentes visibles.]. Allí, por fin, Fenwick consuma su venganza al estilo de Edgar Allan Poe. De hecho, Fenwick y Foster bien podrían ser sustitutos de Montresor y Fortunato de El barril de Amontillado. Al igual que Montresor, Fenwick solo busca reparar lo que él considera un agravio: el éxito de Foster. El tercer personaje de este notable relato de Hugh Walpole es el Tarn, este pequeño pero profundo lago en el regazo de una colina. Es un lugar remoto, y de algún modo parece ejercer una influencia nefasta en Fenwick, como si presionara en su resentimiento para darle ese empujón necesario para pasar de la fantasía a realmente asesinar a Foster: [«¿Sabes por qué amo este lugar, Foster? Parece pertenecerme especialmente, tanto como tu gloria y fama y éxito parecen pertenecerte a ti. Yo tengo esto y tu tienes aquello. Quizás al final estemos a mano después de todo.»] Fenwick lleva a Foster hacia un embarcadero y lo ahoga en las sombras del profundo Tarn. De camino a casa, cree que alguien [o algo] lo sigue; incluso cree que su misterioso perseguidor podría ser el propio Tarn «resbalando, deslizándose por el camino». Esto no lo perturba demasiado. Después de todo, Fenwick es un hombre solitario que disfruta pasar el tiempo en el Tarn, pero no encuentra paz esa noche. A la madrugada, el Tarn parece manifestarse en su propio dormitorio, inundándolo, arrastrándolo hacia abajo y, finalmente, ahogándolo. Por la mañana, la criada descubre el cuerpo de Fenwick y una simple jarra de agua volcada. El Tarn de Hugh Walpole es un cuento muy bien logrado. Hace lo que hace de una manera clásica, y lo hace muy bien, con un estilo elegante y evocador, sobre todo en cuanto a la ambientación y la descripción de los pensamientos homicidas de Fenwick. Lo más desconcertante aquí es el Tarn, que en cierto modo es como el Genius Loci de Clark Ashton Smith; es decir, un egregore o espíritu elemental que presiona sobre las debilidades mentales de su víctima, en este caso, el resentimiento de Fenwick [ver: Los Tulpas y el Horror: nos acecha lo que pensamos]. La manifestación final del Tarn, además de ser innovadora, acaso simboliza el arrepentimiento [no reconocido] de Fenwick por haber asesinado a su único amigo. En cierto modo, la escena final de El Tarn parece ser intencionalmente una versión sobrenatural del final de El corazón delator. En este sentido, hay que decir que Hugh Walpole era un escritor familiarizado con la fama, moviéndose en los mismos círculos que Henry James y Joseph Conrad; por lo que es probable que también haya estado familiarizado con los celos de Fenwick. La mayoría de los relatos de Hugh Walpole poseen elementos autobiográficos, por ejemplo, el protagonista suele ser un escritor con una relación conflictiva con un colega. Por supuesto, lo sobrenatural siempre está presente [en este caso, en la figura incierta del Tarn], pero debajo siempre hay un entramado de sutilezas psicológicas en la relación entre dos hombres que, además, son escritores. Este escenario de aislamiento entre dos hombres también está presente en Señora Lunt (Mrs. Lunt), así como los sentimientos conflictivos entre dos hombres, acaso inspirados en las intensas [aunque discretas] relaciones sentimentales de Hugh Walpole con otros escritores. Esto, creo, es lo que constituye buena parte de la corriente subyacente de tristeza y añoranza en los relatos de Hugh Walpole. El Tarn, sus insondables profundidades reprimidas que emergen de repente, claramente resuenan en la homosexualidad de Hugh Walpole en una época en la que serlo era ilegal. [«Detrás de ese escarpado pico enorme, negro, como si tuviera un instinto de poder voluntario, alzó la cabeza. Cada vez más inmóvil en estatura, la forma siniestra se elevó entre las estrellas y yo, y aún así, porque eso parecía, con un propósito propio y un movimiento medido, como un ser vivo, y caminó tras de mí.»] La cita anterior no es de Hugh Walpole, sino de William Wordsworth, el cual versifica una epifanía mientras rema a través de un lago y percibe el paisaje imbuido de una misteriosa vida propia, tangible, pero incomprensible, enfatizando su propia insignificancia como ser humano ante la naturaleza; aunque bien podría tratarse de una descripción de Fenwick de los horrores manifestados por el Tarn. Pero Wordsworth, en vez de asesinar a alguien, se sintió transformado por esta extraña experiencia: [«Durante muchos días mi cerebro funcionó con un vago e indeterminado sentido. Sobre mis pensamientos colgaba una oscuridad, llámese soledad o abandono. No quedaron imágenes agradables de árboles, del mar o del cielo, ni colores de campos verdes; sino formas enormes y poderosas que no viven como los hombres; se movían lentamente a través de mi mente durante el día, y eran un problema para mis sueños.»] Fenwick, el protagonista de El Tarn, no menciona a Wordsworth, pero sería difícil creer que un autor británico no estuviese familiarizado con sus escritos, sobre todo porque Fenwick se ha enclaustrado en el Distrito de los Lagos, en una casa cerca de Ullswater, y parece ser el tipo de hombre que, a pesar de repudiarlos, volvería a los escritores románticos para reflexionar sobre los fracasos de su vida. La influencia de Wordsworth en El Tarn también está presente en la forma en que Fenwick percibe el paisaje [las nubes son «ejércitos fantasmales», las colinas detrás de Ullswater se extienden sobre el «pecho de las llanuras»]. A pesar de todos sus intentos de sofisticación urbana, Fenwick está enamorado de ese paisaje, de «esas curvas, líneas y huecos», y constantemente lo personifica, como cuando menciona las «nubladas colinas púrpura, encorvadas como mantas sobre las rodillas de un gigante yacente». Foster, mucho más insensible, también percibe esa presencia, pero desde otra constitución emocional y psicológica. Para él, las colinas solo son extrañas en el crepúsculo, «como hombres vivos». Donde Fenwick ve belleza, Foster ve una amenaza, aunque no puede articularla claramente. Hay una sutil alusión al cuento de hadas en El Tarn de Hugh Walpole, más precisamente a la historia del ratón de campo y el ratón de ciudad [ver: Los cuentos de hadas y una Teoría sobre la Imaginación]. En este sentido, Foster es el sofisticado ratón de ciudad que sabe cómo jugar el juego, mientras que Fenwick es el ingenuo ratón de campo que cree que la vida se rige por méritos y esfuerzo. No es casual que Fenwick se haya exiliado en el Distrito de los Lagos y viva en una relativa penuria; menos aun que experimente algo de comodidad mental en el aislamiento físico y cultural. Después de todo, codearse con otros escritores en Londres solo le recordaría su fracaso. La psicología de toda la situación planteada en El Tarn es intrigante. Según Fenwick, su fracaso es totalmente atribuible a Foster. De alguna manera, éste último siempre ha logrado superar a Fenwick, tomando la dirección de una revista aquí, logrando que su novela sea mejor recibida por la crítica [y publicándola en la misma semana que la de Fenwick]. Al mismo tiempo, la exagerada admiración de Foster por el trabajo de Fenwick no parece del todo sincera; de hecho, parece motivada por el deseo de ser admirado él mismo por alguien que evidentemente lo detesta [«odiaba que alguien pensara mal de él; quería que todos fueran sus amigos»]. De los dos hombres, Fenwick es el más emocionalmente consciente de su Sombra Jungiana. Reconoce la intensidad de su odio por Foster y que no es seguro que se encuentren, es decir, no confía en ser capaz de controlar sus impulsos homicidas. En cuanto a si realmente no quiere amigos, como él afirma, es menos claro. Tengo la sensación de son dos personas profundamente diferentes, pero igualmente vulnerables, que bien podrían haber sido amigos en diferentes circunstancias [ver: Freud, el Hombre de Arena, y una teoría sobre el Horror] El vínculo de Fenwick con el Tarn es tal que afirma: «un día me imagino que también me tomará en su confianza y me susurrará sus secretos», mientras que Foster ni siquiera sabe qué es un Tarn, y cuando lo ve solo lo describe como «muy agradable» y «muy bonito. Esta falta de apreciación es significativa. A pesar de su deseo de amistad [auténtico o fingido], Fostr realmente tiene poca idea de lo que mueve a Fenwick. Por otro lado, no hay indicios de que Fenwick planeara asesinar a Foster cuando sugiere que den un paseo nocturno hasta el Tarn, aunque no hay duda de que alberga pensamientos y fantasías violentas. Sin embargo, los pensamientos y las fantasías están lejos de la acción, sobre todo en alguien que ha intentado mantenerse alejado, incluso físicamente, de la fuente de esa violencia. Uno inmediatamente relaciona al Tarn con el Genius Loci, pero la historia de Clark Ashton Smith establece una relación causal distinta, aunque ligeramente complicada, entre el lugar y la persona [ver: Genius Loci: el espíritu del lugar]. Incluso en Los Sauces ('The Willows), de Algernon Blackwood, se insinúa una especie poder sobrenatural detrás de los eventos [ver: La Llamada de lo Salvaje]. La historia de Hugh Walpole es mucho más ambigua. Por un lado, puede ser que la obsesión de Fenwick con Foster lo impulse a asesinarlo en el Tarn, justo cuando este último confiesa su miedo al agua y relata una experiencia infantil traumática, en la que unos muchachos mayores casi lo ahogan. Es decir, no hay indicios de que Fenwick supiera esto antes de sugerir el paseo al Tarn. Sin embargo, sus fantasías sobre Foster constantemente implican una una acción física directa. Hugh Walpole es ambiguo incluso en el modus operandi del crimen. Fenwick primero pone sus manos alrededor del cuello de Foster, y luego lo empuja al agua. ¿Cómo funciona esto exactamente? En cualquier caso, una vez cometido el crimen, Fenwick es «consciente de un alivio cálido y lujoso, un sentimiento sensual que no era pensado en absoluto». Rodeado por un silencio que adquiere atributos humanos, Fenwick parece estar en comunión con el propio Tarn [«miró fijamente a Fenwick a la cara con aprobación»]. El Tarn se ha convertido en «el único amigo que tenía en todo el mundo». Hasta se podría decir que es la soledad lo que lo ha vuelto loco: [«Tuvo la más extraña fantasía, pero su cerebro latía tan ferozmente que no podía pensar: que era el Tarn el que lo estaba siguiendo, el Tarn resbalando, deslizándose a lo largo del camino, estando con él para que no se sintiera solo.»] A partir de entonces, todo alrededor de Fenwick, cada sonido, insinúa culpabilidad y remordimiento. El clic de la puerta de su dormitorio al cerrarse sugiere el sonido metálico de una celda que se cierra. Sus sentidos se están derrumbando. Dos candelabros le recuerdan la voz de Foster, «lloriqueando con su miserable lamento centelleante». Luego, finalmente, al despertar en la noche, encuentra que su habitación se llena silenciosamente de agua. ¿Qué es lo que lo sujeta del tobillo, luego de los muslos, finalmente presionando sus globos oculares? ¿Acaso al ahogarse uno siente como si estuviera siendo estrangulado o ahorcado? ¿Esto tiene que ver con las manos de Fenwick alrededor del cuello de Foster antes de arrojarlo al Tarn? Si no fuera por Annie, la criada, que al parecer se refiere a los dos hombres, uno podría preguntarse si Foster realmente existe; o Fenwick, para el caso. El hecho de que ambos nombres empiecen con la misma letra, junto con la naturaleza intensamente antitética de los dos hombres, sugiere la escisión de un personaje en dos en algún momento [tal vez antes del inicio de la historia] y, de hecho, podría explicar la insondable sensación de soledad de Fenwick después del [aparente] asesinato. El final de El Tarn de Hugh Walpole abre una nueva línea de especulación sobre el punto de vista de la historia. Todo el tiempo se asume que es el de Fenwick, pero en la sección final algo más entra en juego. De hecho, ¿qué hacer con esa última línea?: «En la brisa, una ramita de hiedra golpeó ociosamente contra el cristal de la ventana. Era una hermosa mañana.» Una imagen tan común y, sin embargo, tan extrañamente amenazante. Al final, no sabemos más que al comienzo de la historia. Lo que parecía seguro se ha visto socavado. De hecho, cuanto más de cerca se examina la historia, más frágil se vuelve. Lo que inicialmente parecía tener sentido ya no encaja del todo, pero no está claro por qué podría ser así. Y ahí, en ese hueco donde las cosas no terminan de tener sentido, reside la exquisita rareza de El Tarn. Lo que parece tan ordinario, tan sencillo, se vuelve cada vez más extraño a medida que uno profundiza en ello. Lo cual nos lleva de vuelta a Wordsworth, tal vez, y esas «formas enormes y poderosas que no viven como los hombres» [ver: Tulpas, Seres Interdimensionales y una teoría sobre el Horror] Análisis de: El Espejo Gótico http://elespejogotico.blogspot.com/2022/03/el-tarn-hugh-walpole-relato-y-analisis.html Texto del relato extraído de: http://elespejogotico.blogspot.com/2022/03/el-tarn-hugh-walpole-relato-y-analisis.html Musicas: - 01. PGM Misterio Autor: Antonio Muñoz Guirado en colaboración con Jim Bryan y Brendan Brown - Cedida en exclusiva para este programa de Relatos de Misterio y Suspense. -02. Música de terror (sin copyright) - Creepypasta Aftermaths. Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Relato de terror: El barril de amontillado, de Edgar Allan Poe. Montresor es un hombre que día a día recibe burlas y humillaciones de Fortunato, un experto catador de vinos. Un día, con la excusa de verificar la autenticidad de un barril de amontillado, Montresor conduce a Fortunato por las largas y húmedas catacumbas italianas, sin que este sospeche de su implacable venganza. Nemo me impune lacessit. Nadie me ofende impunemente. Una historia de vino y terror. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hosts Kristin Dilley and Bill Thomas of the "Mind Over Murder" podcast start the Halloween season off right with a spooky reading of Edgar Allan Poe's 1846 horror short story, "The Cast of Amontillado." We will be reading more classic horror stories as bonus episodes of "Mind Over Murder" each Thursday during the month of October. We hope you enjoy.Edgar Allan Poe Museum, Richmond, Virginia:https://poemuseum.org/Follow Othram's DNA Solves: You can help solve a case. Help fund a case or contribute your DNA. Your support helps solve crimes, enable the identification of John & Jane Does, and bring closure to families. Joining is fast, secure, and easy.https://dnasolves.com/Join the discussion on our Mind Over Murder and Colonial Parkway Murders pages on Facebook.Mind Over Murder on Facebook: https://www.facebook.com/mindoverpodcastColonial Parkway Murders Facebook page with more than 15,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comNew Article in Virginia Gazette: 35 Years Later, Victims' Families in Colonial Parkway Murders Still Searching for Answers, Hope DNA Advances will Solve Case By Em Holter and Abigail Adcoxhttps://www.dailypress.com/virginiagazette/va-vg-colonial-parkway-murders-anniversary-1024-20211022-76jkpte6qvez7onybmhbhp7nfi-story.htmlNew Article in Medium: The Colonial Parkway Murders — A Tale of Two Killers? By Quinn Zanehttps://medium.com/unburied/the-colonial-parkway-murders-a-tale-of-two-killers-1e8fda367a48Washington Post: "Crimes of Passion"https://www.washingtonpost.com/archive/opinions/1997/08/15/crimes-of-passion/0a38e8f9-6d04-48e4-a847-7d3cba53c363/New feature article in the Daily Beast: "Inside the Maddening Search for Virginia's Colonial Parkway Serial Killer" By Justin Rohrlichhttps://www.thedailybeast.com/what-happened-to-cathleen-thomas-and-rebecca-dowski-inside-the-hunt-for-the-colonial-parkway-killerCitizens! Check out our new line of "Mind Over Murder" t-shirts and other good stuff !https://www.teepublic.com/stores/mind-over-murder-podcast?ref_id=23885Washington Post Op-Ed Piece by Deidre Enright of the Innocence Project:"The FBI should use DNA, not posters, to solve a cold-case murder" https://www.washingtonpost.com/opinions/2021/06/25/julie-williams-laura-winans-unsolved-murder-test-dna/Oxygen: "Loni Coombs Feels A Kinship To 'Lovers' Lane' Victim Cathy Thomas"Loni Coombs felt an immediate connection to Cathy Thomas, a groundbreaking gay woman who broke through barriers at the U.S. Naval Academy before she was brutally murdered along the Colonial Parkway in Virginia.https://www.oxygen.com/crime-news/loni-coombs-feels-a-kinship-to-colonial-parkway-victim-cathy-thomasYou can contribute to help "Mind Over Murder" do our important work:https://mindovermurderpodcast.com/supportFour one-hour episodes on the Colonial Parkway Murders are available on Oxygen as "The Lover's Lane Murders." The series is available on the free Oxygen app, Hulu, YouTube, Amazon, and many other platforms. https://www.oxygen.com/lovers-lane-murders Oxygen" "Who Were The Colonial Parkway Murder Victims? 8 Young People All Killed In Virginia Within 4 Years" https://www.oxygen.com/lovers-lane-murders/crime-news/who-were-the-colonial-parkway-murder-victims Washington Post Magazine: "Victims, Families and America's Thirst for True-Crime Stories." "For Bill Thomas, his sister Cathy's murder is a deeply personal tragedy. For millions of true-crime fans, it's entertainment." https://www.washingtonpost.com/news/magazine/wp/2019/07/30/feature/victims-families-and-americas-thirst-for-true-crime-stories/Daily Press excellent series of articles on the Colonial Parkway Murders: "The Parkway" http://digital.dailypress.com/static/parkway_cottage/main/index.htmlColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/New Article in Virginia Gazette: 35 Years Later, Victims' Families in Colonial Parkway Murders Still Searching for Answers, Hope DNA Advances will Solve Case By Em Holter and Abigail Adcoxhttps://www.dailypress.com/virginiagazette/va-vg-colonial-parkway-murders-anniversary-1024-20211022-76jkpte6qvez7onybmhbhp7nfi-story.htmlNew Article in Medium: The Colonial Parkway Murders — A Tale of Two Killers? By Quinn Zanehttps://medium.com/unburied/the-colonial-parkway-murders-a-tale-of-two-killers-1e8fda367a48Washington Post: "Crimes of Passion"https://www.washingtonpost.com/archive/opinions/1997/08/15/crimes-of-passion/0a38e8f9-6d04-48e4-a847-7d3cba53c363/New feature article in the Daily Beast: "Inside the Maddening Search for Virginia's Colonial Parkway Serial Killer" By Justin Rohrlichhttps://www.thedailybeast.com/what-happened-to-cathleen-thomas-and-rebecca-dowski-inside-the-hunt-for-the-colonial-parkway-killerCitizens! Check out our new line of "Mind Over Murder" t-shirts and other good stuff !https://www.teepublic.com/stores/mind-over-murder-podcast?ref_id=23885Washington Post Op-Ed Piece by Deidre Enright of the Innocence Project:"The FBI should use DNA, not posters, to solve a cold-case murder" https://www.washingtonpost.com/opinions/2021/06/25/julie-williams-laura-winans-unsolved-murder-test-dna/Oxygen: "Loni Coombs Feels A Kinship To 'Lovers' Lane' Victim Cathy Thomas"Loni Coombs felt an immediate connection to Cathy Thomas, a groundbreaking gay woman who broke through barriers at the U.S. Naval Academy before she was brutally murdered along the Colonial Parkway in Virginia.https://www.oxygen.com/crime-news/loni-coombs-feels-a-kinship-to-colonial-parkway-victim-cathy-thomasYou can contribute to help "Mind Over Murder" do our important work:https://mindovermurderpodcast.com/supportFour one-hour episodes on the Colonial Parkway Murders are available on Oxygen as "The Lover's Lane Murders." The series is available on the free Oxygen app, Hulu, YouTube, Amazon, and many other platforms. https://www.oxygen.com/lovers-lane-murders Oxygen" "Who Were The Colonial Parkway Murder Victims? 8 Young People All Killed In Virginia Within 4 Years" https://www.oxygen.com/lovers-lane-murders/crime-news/who-were-the-colonial-parkway-murder-victims Washington Post Magazine: "Victims, Families and America's Thirst for True-Crime Stories." "For Bill Thomas, his sister Cathy's murder is a deeply personal tragedy. For millions of true-crime fans, it's entertainment." https://www.washingtonpost.com/news/magazine/wp/2019/07/30/feature/victims-families-and-americas-thirst-for-true-crime-stories/Daily Press excellent series of articles on the Colonial Parkway Murders: "The Parkway" http://digital.dailypress.com/static/parkway_cottage/main/index.htmlColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!https://lovethepodcast.com/jpHq3qWe launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero Productions

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! 🥰 Antes de continuar, quiero dar las gracias a los Fans de iVoox y a los mecenas de mi página de Patreon. Gracias a ellos es posible este programa. El barril de amontillado es un cuento del escritor Edgar Allan Poe, publicado en 1846, y en el que se nos relata como Montresor, harto de las injurias recibidas, orquesta su terrible venganza. 🎙️ Puedes escuchar todos los audiolibros en la versión completa haciéndote Fan en iVoox (dándole al botón azul de Apoyar) o mecenas desde mi página de Patreon: 👉 https://www.patreon.com/vicentesilvestre 🎧 Para escucharlos desde allí tienes que realizar dos pasos: ✔️ Registrarte en Patreon (se puede desde la cuenta de Facebook, Google, Apple o con una dirección de correo electrónico). ✔️ Convertirte en Amante de los Audiolibros (es como invitarme a un café ☕). 📚 Aprovecho para dejarte un enlace a los libros que tengo publicados, por si quieres echarles un vistazo: • 🧟 La hora muerta: https://www.amazon.es/dp/1090975104 • 👿 Los nuevos vivos: https://www.amazon.es/dp/1689209194 • ⛪ La catedral de la carne: https://www.amazon.es/dp/B09CKJQZYD • 😱 Mordiscos de Terror: https://www.amazon.es/dp/1973314681 ℹ️ Puedes encontrar más información de mi trabajo en mi página web: https://www.vicentesilvestre.com/ 😉 Y de Facebook: https://www.facebook.com/vicentesilmarco/ Música: Spirit of the Dead, de Aakash Gandhi.Escucha este episodio completo y accede a todo el contenido exclusivo de Casa de Tinieblas - Audiolibros. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/494311

"Descansa em paz", em latim, é a frase que encerra o conto "O barril de Amontillado", de Edgar AlLan Poe. É a história de uma vingança, muito bem articulada, esperada, planejada e executada com frieza, em uma noite de carnaval. O tempo da narrativa dista 50 anos da ação narrada. O “o quê” do conto está escrito logo na primeira frase. É uma vingança! Então não é o que vai acontecer nesse conto que é o mistério. Quando o escritor nos entrega de bandeja o que acontece na narrativa, ele quer que a gente preste atenção no “como” que essa coisa vai acontecer. Depois que gravei o final, me dei conta que, no brasão, Montresor é representado pela serpente, sempre nos calcanhares do nobre pé de ouro que Fortunato simboliza. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Two old friends meet— perhaps by chance, perhaps by design— on the last night of Carnival. Their mysterious journey carries them deep into the catacombs of the Montresor family to find a cask of very rare, very expensive, wine. Fortunato, a noted connoisseur, is eager to taste the Amontillado.  His companion has something else in mind… A horror classic from the pen of Edgar Allen Poe.Support the show (https://www.patreon.com/mysteriousjourney)

Enrica is the founder and editor-in-chief at Red Stylo Media. She is the writer and creator of Azteca, a comic series and motion comic, Angel With a Bullet, The House of Montresor, and editor of the annual Red Stylo Presents series of anthologies. Her screenplay The Freshmen was made into a short film, Frienemies, winner of a CINE Golden Eagle in 2011. Read more about her at www.enricajang.com Sign Up for Forbidden on Kickstarter today https://www.kickstarter.com/projects/forbidden/forbidden-issue-1?ref=clipboard-prelaunch Previous Episode: Chris Moses https://youtu.be/SQjUuUbMQLE Sponsor an Episode and promote your brand today https://www.icreatestories.com/Sponsor Sign Up for our Newsletter: https://www.crazeecomics.com I use Fiverr for all my projects hit this link and give it a try http://www.fiverr.com/s2/2ff3c0855b Follow us on Podbean: https://catchdacraze.podbean.com Visit our Website: https://www.crazeecomics.com Member of the NSC Roadshow https://www.nsclivetv.com Tools I use: Mixer https://www.rode.com/rodecasterpro Mic: Somson C01 Condensor http://www.samsontech.com/samson/products/microphones/condenser-microphones/c01/ Cameras: Logitech C922 Pro https://www.logitech.com/en-us/products/webcams/c922-pro-stream-webcam.960-001087.html?crid=34 Channel Switcher: Elgato StreamDeck https://www.elgato.com/en/stream-deck Software: OBS https://obsproject.com  Editing: Filmora9 https://filmora.wondershare.net/video-editor/   Thumbnail Creation: Microsoft PowerPoint https://www.microsoft.com/en-us?rtc=1 #redstylo #Azteca #podcast

Although the subject matter of Poe's story is a murder, "The Cask of Amontillado" is not a tale of detection; there is no investigation of Montresor's crime and the criminal himself explains how he committed the murder. The mystery in "The Cask of Amontillado" is in Montresor's motive for murder. Is it the search for wealth or revenge? Without a detective in the story, it is up to the reader to solve the mystery.

I open, taste and review a Montresor Rustego Rosso 2019 from Italy purchased from Total Wine in Charlotte, NC. We also toast birthdays and national days. Plus, a toast to Dads everywhere on Father's Day, a short animated film I made with a friend in the 1980's and Open Chat!

  The Cask of Amontillado is Edgar Allan Poe's short but enigmatic masterpiece. Set in an unnamed Italian City we hear the story of how Montresor lures Fortunato through the catacombs into the Montreso family vault and there chains him up and bricks him in for eternity. Why he does it we will never know, but he does so with a casual savagery that is truly chilling. “'Cask' was recorded on location in ancient vaults. Every footstep and cough, every brick and every echo are captured. You will never forget hearing the final, faraway declamation: ‘In pace requiescat!'”

En plenos carnavales de alguna ciudad italiana del siglo XIX, Montresor busca a Fortunato con ánimo de vengarse de una pasada humillación. Al hallarlo ebrio, le resulta fácil convencerlo de que lo acompañe a su palazzo con el pretexto de darle a probar un nuevo vino. Lo conduce a las catacumbas de la casa, y allí consuma su venganza.

Episode 21-4 - "The Cask Of Amontillado" Audio Drama Starring Mark Redfield and Chris Pfingsten DON'T FORGET TO SUBSCRIBE! For more great audio visit: www.RedfieldArtsAudio.com Recorded before a live audience at Baltimore Theatre Project, THE CASK OF AMONTILLADO stars Mark Redfield as "Montresor" and Chris Pfingsten as "Fortunato". The play was adapted from Poe's short story and directed by Tony Tsendeas. Mike Moran created the live sound effects and Dave Crandall created the electronic ambience. Music by Jennfer Rouse and the audio engineer is Bill Dickson of Drat Productions. Poe's "The Cask of Amontillado" was published in November 1846, in Godey's Lady's Book. Cast & Crew "Montresor" is played by Mark Redfield "Fortunato" is played by Chris Pfingsten Announcer: Chris Pfingsten Adapted and Directed by Tony Tsendeas Sound Design is by David Crandall. Sound Effects: Mike Moran Music: Jennifer Rouse Album art design: Jennifer Rouse Recording Engineer/Technical Director is Bill Dickson of Drat Productions. THE CASK OF AMONTILLADO is a new adaptation, written and directed by Tony Tsendeas. © The Mark Redfield Company

In the middle of Carnival, Fortunato encounters his old friend Montresor. But the invitation to sample some fine wine leads not to greater revelry, but rather into a hideous and vengeful trap. Summary & Analysis at 21:30 Questions, Comments, and Compliments at bryankdevil@gmail.comPod on Insta: @weirdandloathsomeArt by: hamxdesign (IG)

B.J. Harrison visits Edgar Allan Poe's grim horror story, "The Cask of Amontillado". Montresor is a man who has been insulted, and he does not take this lightly...Uitgegeven door SAGA EgmontSpreker(s): B. J. Harrison

Welcome to this week’s show and welcome to Halloween in a year that has been definitely one of the annals of human history. This year I thought maybe it might be kind of fun to inject a little Poe back into everyone’s life. So instead of doing something about writing, I thought it could be fun to recite a couple of my favorite works by Edgar Allen Poe. Edgar Allen Poe, or Poe as we call him, was born on January 18th 1809 in Boston. In 1811, the family moved to Richmond, Virginia and forever he would be associated with that city. As a matter of fact, if you go to Richmond Virginia today you can visit the Poe museum. In 1826 he began his studies at the University of Virginia where he studied ancient and modern languages. He would eventually join the Army and you can see a small display to him at the casemate museum at Fort Monroe. You can visit the entire fort today. I remember having to go the Fort Monroe when it was still an active installation.Poe wrote and had several positions in magazines and literary journals. Always having issues with gambling, he was constantly in debt. Though he still managed to amass quite a stable of literary pieces while alive. On October 7th 1849, he passed away. And although many people had provided accounts of his last days, no one is really sure how he died.If you ask me what pieces of his work I love the best, I would have to tell you the poem the bells and the story, A Cask of Amontillado are my favorite.The Bells is one of his works which was not published in his lifetime. Published in November of 1849 (one month after his passing), it is evocative of the movement through life. Each of the stanzas gets longer until the reader gets to the final tolling of the bells, so to speak.Speaking of bells, did you catch the bells at the end of The Cask of Amontillado? They are jingling on the hat of a jester which is supposed to be a source of merriment. You have to ask yourself if the bells were Fortunato’s true character or was it just a disguise and Montresor murdered someone who did him little harm? Speaking of symbols, the Cask of Amontillado certainly has tons of it. Published in 1846 in the magazine Godey's Lady's Book, it is dripping with irony. It chronicles the murderous intentions of Senior Montresor and his adversary, Fortunato. Fortunato was said to have caused him a thousand insults. Thank you very much for listening. Happy Halloween everyone! This is Bryan the Writer, signing off.Support the show (http://paypal.me/BryanNowak)

3D Audio Horror. Edgar Allan Poe's masterpiece, recorded on location in ancient vaults as a binaural audio drama. Montresor lures Fortunato into the family vault...

Episode 46 - "The Cask Of Amontillado" Audio Drama Starring Mark Redfield and Chris Pfingsten DON'T FORGET TO SUBSCRIBE! For more great audio visit: http://www.RedfieldArtsAudio.com Recorded before a live audience at the Baltimore Theatre Project, THE CASK OF AMONTILLADO stars Mark Redfield as "Montresor" and Chris Pfingsten as "Fortunato". The play was adapted from Poe's short story and directed by Tony Tsendeas. Mike Moran created the live sound effects and Dave Crandall created the electronic ambience. Music by Jennfer Rouse and the audio engineer is Bill Dickson of Drat Productions. Poe's "The Cask of Amontillado" was published in November 1846, in Godey's Lady's Book. Cast & Crew "Montresor" is played by Mark Redfield "Fortunato" is played by Chris Pfingsten Announcer: Chris Pfingsten Adapted and Directed by Tony Tsendeas Sound Design is by David Crandall. Sound Effects: Mike Moran Music: Jennifer Rouse Album art design: Jennifer Rouse Recording Engineer/Technical Director is Bill Dickson of Drat Productions. THE CASK OF AMONTILLADO is a new adaptation, written and directed by Tony Tsendeas. © The Mark Redfield Company

“THE CASK OF AMONTILLADO” by Edgar Allan Poe #WeirdDarknessIf you like the podcast, please leave a review in the podcast app you listen from, and share a link to the podcast on Facebook and Twitter to invite others to become Weirdos too!IN THIS EPISODE: It’s #CreepypastaThursday! This week I share a classic horror tale from the master, Edgar Allan Poe, called “The Cask of Amontillado”! TODAY’S BONUS AUDIO FOR PATRONS…In Love With Inanimate Objects: https://www.patreon.com/posts/34799097 LINKS MENTIONED IN THE EPISODE…The Krystal King painting: https://weirddarkness.com/archives/5800 “The Devil and Robert Johnson” episode: https://weirddarkness.com/archives/829 STORY AND MUSIC CREDITS/SOURCES…(Note: Over time links can and may become invalid, disappear, or have different content.)https://www.sparknotes.com/lit/poestories/section11/https://americanenglish.state.gov/files/ae/resource_files/the_cask_of_amontillado.pdf Weird Darkness opening and closing theme by Alibi Music Library. Carnival and cave music and sound effects by AudioBlocks with paid license; other background music by Shadows Symphony (http://bit.ly/2W6N1xJ) used with permission. MY RECORDING TOOLS…* MICROPHONE (Neumann TLM103): http://amzn.to/2if01CL* POP FILTER (AW-BM700): http://amzn.to/2zRIIyK* XLR CABLE (Mogami Gold Studio): http://amzn.to/2yZXJeD * MICROPHONE PRE-AMP (Icicle): http://amzn.to/2vLqLzg * SOFTWARE (Adobe Audition): http://amzn.to/2vLqI6E * HARDWARE (iMac Pro): https://amzn.to/2suZGkA I always make sure to give authors credit for the material I use. If I somehow overlooked doing that for a story, or if a credit is incorrect, please let me know and I’ll rectify it the show notes as quickly as possible.***WeirdDarkness™ - is a trademark and creation of of Marlar House Productions. Copyright © Marlar House Productions, 2020."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46 *** How to escape eternal darkness: https://www.youtube.com/watch?v=2IYmodFKDaM

Montresor seeks revenge on Fortunato during the Italian Carnival.  To download, right-click here and then click SaveJoin the Journey Into Patreon to get extra episodes and personal addresses, plus other extras and rewards.Edgar Allan Poe was born on January 19, 1809 and became an American author, poet, editor and literary critic. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre, as well as the genre of science fiction.  He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.  Poe died in 1849,  in Baltimore, under mysterious circumstances, but he left us with a legacy of tales of wonder and woe, the marvelous and the macabre.Rish Outfield and Big Anklevich are a duo to be reckoned with, whether it be as narrators, authors, or podcasters.  You can find both of them on their podcast The Dunesteef Audio Fiction Magazine, or the That Gets My Goat podcast.Rish Outfield also hosts The Rish Outcast podcast and frequently co-hosts the Delusions of Grandeur and Outfield Excursion series' here on the Journey Into... Podcast, He also maintains a blog and a Youtube channel.Big Anklevich used to host The Anklecast podcast, and maintains a blog and a Youtube channel.Relevant Links:Journey #130 with Weird Circle's adaptation of "The Cask of Amontillado""Something There Is" by Joe Nazare on Psuedopod Long Note Four by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3991-long-note-fourLicense: http://creativecommons.org/licenses/by/4.0/Theme music: Liberator by Man In SpaceTo comment on this or any episode:Journey on over to the ForumsLeave us a voicemail at 77-JINTO-107 (775-4686-107)Send comments and/or recordings to journeyintopodcat@gmail.comTweet us us TwitterPost a comment on Facebook hereComment directly to this post down below

O Barril de Amontillado é um conto de Edgar Allan Poe, publicado em 1846. A narrativa da história, que se passa na Itália, Montresor é um homem imbuído do desejo de vingança e de emparedar vivo seu desafeto. Neste conto, o enfoque é dado aos fatos em si e aos condicionamentos psicológicos das personagens. O conto traz a percepção de que o protagonista se vingará de um desafeto; no meio, há indícios de como será a vingança; no fim, o protagonista exerce sua vingança lentamente. Adaptação do conto narrado e interpretado por Carlos Eduardo Valente. Arte da capa de Erika Pessanha.

Pulp-Pourri Theatre presents episode 9 of their fourth season, Pete Lutz's own adaptation of Edgar Allan Poe's classic tale of revenge and retribution, "The Cask of Amontillado", with Jason D. Johnson as Montresor and Pete Lutz as Fortunato. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulp-Pourri Theatre presents episode 9 of their fourth season, Pete Lutz's own adaptation of Edgar Allan Poe's classic tale of revenge and retribution, "The Cask of Amontillado", with Jason D. Johnson as Montresor and Pete Lutz as Fortunato.

Chatterbox's ten-year story reaches its final chapter with this classic horror tale. The vindictive Montresor has been insulted by the obnoxious Fortunato. Montresor's taste for revenge leads the two men deep into the catacombs below his palazzo, where Fortunato will face a shocking reckoning.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Chatterbox's ten-year story reaches its final chapter with this classic horror tale. The vindictive Montresor has been insulted by the obnoxious Fortunato. Montresor's taste for revenge leads the two men deep into the catacombs below his palazzo, where Fortunato will face a shocking reckoning. 

Fortunato jest pysznym i pewnym siebie dżentelmenem. Valdemar cierpi niewyobrażalne katusze, będąc zawieszonym między życiem, a śmiercią. Locke jest samotnikiem, mieszkającym w opuszczonym, ogromnym domu. Są jeszcze inni; Lenora – odrzucona i niekochana córka, Annabel, zaniedbywana prze męża, amatorka czarnych kotów, Montresor: notoryczny krętacz i alkoholik, oraz niejaki Carmichael: znachor, hochsztapler i oszust. Wszyscy ci … Continue reading "Poza strefą – “Opowieści niesamowite cz.3”"

Fortunato jest pysznym i pewnym siebie dżentelmenem. Valdemar cierpi niewyobrażalne katusze, będąc zawieszonym między życiem, a śmiercią. Locke jest samotnikiem, mieszkającym w opuszczonym, ogromnym domu. Są jeszcze inni; Lenora – odrzucona i niekochana córka, Annabel, zaniedbywana prze męża, amatorka czarnych kotów, Montresor: notoryczny krętacz i alkoholik, oraz niejaki Carmichael: znachor, hochsztapler i oszust. Wszyscy ci … Continue reading "Poza strefą – “Opowieści niesamowite cz.2”"

Fortunato jest pysznym i pewnym siebie dżentelmenem. Valdemar cierpi niewyobrażalne katusze, będąc zawieszonym między życiem, a śmiercią. Locke jest samotnikiem, mieszkającym w opuszczonym, ogromnym domu. Są jeszcze inni; Lenora – odrzucona i niekochana córka, Annabel, zaniedbywana prze męża, amatorka czarnych kotów, Montresor: notoryczny krętacz i alkoholik, oraz niejaki Carmichael: znachor, hochsztapler i oszust. Wszyscy ci … Continue reading "Poza strefą – “Opowieści niesamowite cz.1”"

"FOR THE LOVE OF GOD, MONTRESOR!"

Edgar Allen Poe's The Cask of Amontadillo  is a story of revenge.  A man named Montresor lures an old friend who unknowingly wronged him to sample his rare wine selection, located deep beneath his villa in old catecombs. He then chains the man to the walls and builds a wall to hide the man from any searchers. Inspired by a legend Poe had heard while he was serving with the army in Boston. SUPPORT OUR SHOW MONTHLY AT PATREON Become an Assistant Producer at 1001 Stories Network ( a great resume enhancement) and support us at Patreon today! Here;s the link:  https://www.patreon.com/1001storiesnetwork YOUR REVIEWS AT APPLE/ITUNES ARE NEEDED AND APPRECIATED! Catch RADIO DAYS now at Apple  iTunes!   https://itunes.apple.com/us/podcast/1001-radio-days/id1405045413?mt=2 Catch 1001 HEROES now at Apple iTunes Podcast App:  https://itunes.apple.com/us/podcast/1001-heroes-legends-histories-mysteries-podcast/id956154836?mt=2 Catch 1001 CLASSIC SHORT STORIES at iTunes/apple Podcast App Now:  https://itunes.apple.com/us/podcast/1001-classic-short-stories-tales/id1078098622?mt=2 Catch 1001 Stories for the Road at iTunes/Apple Podcast now:  https://itunes.apple.com/us/podcast/1001-stories-for-the-road/id1227478901?mt=2 ANDROID USERS- CATCH OUR SHOWS AT WWW.CASTBOX.FM  SUBSCRIBE FREE  THEN SHARE  THANK YOU 1001 Classic Short Stories & Tales:  https://castbox.fm/channel/1001-Classic-Short-Stories-%26-Tales-id381734?country=us 1001 Heroes, Legends, Histories & Mysteries:  https://castbox.fm/channel/1001-Heroes%2C-Legends%2C-Histories-%26-Mysteries-Podcast-id1114843?country=us 1001 Stories for the Road: https://castbox.fm/channel/1001-Stories-For-The-Road-id1324757?country=us Catch ALL of our shows at one place by going to www.1001storiesnetwork.com- our home website with Megaphone. Website For  1001 Heroes is still www.1001storiespodcast.com  (we redirected that one to www.1001storiesnetwork.com) Website For 1001 Classic Short Stories is still www.1001classicshortstories.com ( we redirected that as well) Website for 1001 Stories For The Road is still www.1001storiesfortheroad  (we redirected that one, too) Website for 1001 Radio Days is www.1001radiodays.com  Links: Our Twitter:  @1001podcast Our Facebook: www.Facebook.com/1001Heroes Our Email:  1001storiespodcast@gmail.com

It’s a bonus podcast this week with not one, not two, but three guests!  Enrica Jang (House of Montresor), Alex Cormack (work published by Image, IDW & ComixTribe) and Mark Mullaney (Ninja Bear) join me to talk about there Kickstarter for issues #2 & #3 of Crossing, a six-issue paranormal series. What's it all about?   "An annoying goth princess haunts the rookie train conductor who ran her over. Paranormal couples counseling, anyone?" Enrica is also the Editor-in-Chief of Red Stylo Media, an independent publishing company founded in 2008. Her co-creators, Alex and Mark worked with Enrica on the Poe Twisted Anthology and the synergy the team creates during our interview is palpabile. Besides talking about Crossing, the Kickstarter rewards, and the book’s bright future, we go a bit “off the rails” with fun questions I ask all my guests.   Crossing Kickstarter: https://www.kickstarter.com/projects/RedStyloMedia/crossing-2-and-3-new-issues-in-this-paranormal-ser?ref=user_menu   Red Stylo: http://redstylo.com/   Please take a moment to rate Creator Talks on iTunes: https://itunes.apple.com/us/podcast/creator-talks-podcast/id1180823120?mt=2

Here's one of two teasers for Episode 9 of Pulp-Pourri Theatre's fourth and final season: Edgar Allan Poe's classic poem "Annabel Lee", recited by Narada Radio Company member Jackie Ayers, with music specially composed for this piece by Tom Rory Parsons. Enjoy! Episode 9 is Poe's short story, "The Cask of Amontillado", featuring the voices of Jason D. Johnson as the narrator/protagonist, Montresor, and Pete Lutz as the fat, foolish, unfortunate Fortunato. Our next teaser will be Poe's dark classic, "The Raven", also with music by Mr. Tom. Don't miss it!

Back after our Thanksgiving break, Jason, Ben, and Adam are ready to give you an extra-long episode. We start with continuing are look back at the 2017 season, and what it means for 2018, and today we concentrate on the single most important day of this year: the transfer deadline day that brought in Paul Arriola, Zoltan Stieber, Russell Canouse, and Bruno Miranda. We look at what they did this year and what we expect them to do next year. In our second segment we continue with our reviews of individual players and ask if we want them back next year. Since we skipped last week, we have a lot of players to get through: Sean Franklin, Bill Hamid, Ian Harkes, Jared Jeffrey, Taylor Kemp, Chris Korb, Bruno Miranda, Patrick Mullins, and Patrick Nyarko. Finally, we get to your Twitterbox questions where we talk about turkey, D.C. United players as Thanksgiving dishes, Dos Equis, the Washington Spirit and NWSL, and so much more. Give it a listen!

Chatterbox's ten-year story reaches its final chapter with this classic horror tale. The vindictive Montresor has been insulted by the obnoxious Fortunato. Montresor's taste for revenge leads the two men deep into the catacombs below his palazzo, where Fortunato will face a shocking reckoning.

The Cask of Amontillado is Edgar Allan Poe’s short but enigmatic masterpiece. Set in an unnamed Italian City we hear the story of how Montresor lures Fortunato through the catacombs into the Montresor family vault and there chains him up and bricks him in for eternity. Why he does it we will never know, but he does so with a casual savagery that is truly chilling. “Cask’ was recorded on location in ancient vaults. Every footstep and cough, every brick and every echo are captured and you will never forget hearing the final, faraway declamation: ‘In pace requiescat!’ This is a BINAURAL recording and must be listened to with headphones for the full effect. We suggest listening alone…. in the dark….! #binaural #horror #audio #edgarallenpoe #radiodrama

On this episode of AGP I will be joined by comic writer Enrica Jang. Enrica is know for her works with Red Stylo Media with titles such as AZTECA, Angel With a Bullet, and The House of Montresor. She is also the editor of THE 27 Club, A Comic Anthology. Her screenplay The Freshmen was made into a short film, Frienemies, winner of a CINE Golden Eagle in 2011. Read more about her at enricajang.com.

We review Deadpool! How do we feel about rated R comic book movies? Is the film too much or just right? Listen to find out! We also comment on the ever developing DC Rebirth. Of course we talk and review all the big comics of the week. Lightning Round Golem #1-3, All-New Wolverine #5, The House of Montresor, Monologue#1, Jonesy #1, Batman #49, Deadpool #1-6, Black Canary #8, Starfire #9, All-New All Different Avengers #5, Shaft Imitation of Life #1, Insexts #3, and Harley Quinn's Little Black Book. Book of the Week Injection, The Ultimates, Jonesy #1

It's time for another round of insightful reviews, and this week Gwen and Derek have just what the doctored ordered. In fact, the first two books they discuss are part of Penn State University Press' Graphic Medicine series. Peter Dunlap-Shohl's My Degeneration: A Journey through Parkinson's is the author's account of living with Parkinson's disease. It's not exactly a memoir, although it does explore the impact that the disease has had on Dunlap-Shohl's life over the past decade. My Degeneration is more of an instructional text, or perhaps a survival guide, on how to navigate the debilitating straits of his condition. As Gwen and Derek reveal, the book is an informative, no-nonsense look at Parkinson's, and while it posses a hopeful and even upbeat tone, it is anything but a Pollyanna narrative. The second book from the Graphic Medicine series is Aliceheimer's: Alzheimer's through the Looking Glass, Dana Walrath's account of confronting her mother's Alzheimer's disease (and which will be released in April). The author uses Lewis Carroll's classic children's tale as a metaphor for her mother's condition, as well as her own grappling with the dilemma. Although technically not a comic, Aliceheimer's could be considered a "graphic narrative" in that Walrath juxtaposes collage-style illustrations with textual accounts of her mother's experiences. Both Graphic Medicine books are deeply personal and moving texts that can speak directly to patients, caregivers, and medical professionals. Next, Derek and Gwen take a look at the first issue of Ted McKeever's new miniseries, Pencil Head (Image Comics). What makes this title so striking and so different from his previous works (such as Miniature Jesus and Superannuated Man) is that it's about the comics industry and, according to the publisher, a semi-autobiographical account of the strange things that occur in the life of a creator. Indeed, McKeever's shark, and at times surreal, black-and-white art is the perfect vehicle to reveal the weirdness underlying the profession. Finally, Gwen and Derek wrap up the show by looking at the latest adaptation of Edgar Allan Poe's classic gothic tale, Enrica Jang and Jason Strutz's The Cask of Amontillado (Action Lab Studios). Derek is an aficionado of Poe adaptations, and the two begin their discussion by highlighting both the adherences to and the deviations from the original narrative. Jang doesn't really retain the short story's complicating narrative frame -- Montresor's confessional (and ambiguous) account provided years after the event -- but this one-shot does set up her and Strutz's upcoming limited series, The House of Montresor. This will be their sequel to the classic, a look into the consequences of Montresor's calculated murder and what it means to both his and Fortunato's families.

As Andy and Derek do at the beginning of every month, they use this first week of December to flip through the latest Previews catalog, highlighting upcoming series and notable new releases that capture their attention. Among the many soon-to-be-released titles they discuss on this week's show are comics from Dark Horse Comics - King's Road #1, Neal Adams' Blood, and I Am a Hero Omnibus, Vol. 1 DC/Vertigo - The Dark and Bloody #1 IDW Publishing - Wynonna Earp #1, Archie's Americana Box Set, and Haunted Love #1 Image Comics - Mirror #1, Snow Fall #1, Bloody Mary, and Octopus Pie Vol. 2 Action Lab Entertainment - The House of Montresor #1 AfterShock Comics - Second Sight #1 Alterna Comics - All My Ghosts Alternative Comics - Street Dawgz, From Now On, The Sequential Artist's Workshop, and Incomplete Works Bergen Street Press - Revenger, Vol. 1 Big Planet/Retrofit Comics - Future Shock Zero BOOM! Studios - Kennel Block Blues #1 and Hit: 1957 Conundrum Press - Adventures of Drippy the Newsboy, Vol. 2: The Red Drip of Courage and Ramshackle: A Yellowknife Story Dynamite Entertainment - Shaft: Imitation of Life #1 Drawn and Quarterly - Big Kids Fantagraphics Books - Powr Mastrs Book 4, Kramer's Ergot 9, Ganges #5, The Meat Cake Bible, and Crickets #5 First Second - Last Man, Vol. 4: The Show and Sweaterweather and Other Short Stories Humanoids - The Ark Improper Books - Mulp: Sceptre of the Sun #1 and Porcelain: Bone China Last Gasp - As You Were, Vol. 4: Living Situations Magnetic Press, Inc. - Golem, Vol. 1 Oni Press - Wet Moon, Book One: Feeble Wanderings Pantheon Books - The Art of Charlie Chan Hock Chye 21 Pulp - Hero Hourly Viz Media - JoJo's Bizarre Adventure: Part 2 - Battle Tendencies, Vol. 2 and Assassination Classroom, Vol. 8 Vanguard Productions - Wally Wood: Jungle Adventures with Jim King and Animan Also in this episode: the guys enthusiastically welcome new Patreon supporters; complain about reading from PDF files; discuss the increasing weirdness of Neal Adams; speculate on the pronunciation of "Amontillado"; anticipate next year's new SyFy series, Wynonna Earp; pat themselves on the back for getting an endorsement blurb for a major upcoming book; and, of course, give a lot of love to Fantagraphics.

Fortunato era un conocedor de vinos. Pero debió pensarlo dos veces cuando, después de humillar a Montresor, éste lo invitó a probar el amontillado de las catacumbas de su mansión.

Fortunato era un conocedor de vinos. Pero debió pensarlo dos veces cuando, después de humillar a Montresor, éste lo invitó a probar el amontillado de las catacumbas de su mansión.

Anticipating the concept of "frenemy," Poe gives us vanity, self-righteousness, and terrible cruelty in revenge, as stone-hearted Montresor lures credulous Fortunato to his doom.