Podcasts about chenonceau

What's it like to road trip through France with older teens? In Adventures in France: A Road Trip with Older Teens, host Annie Sargent chats with guest Emily Whimster, a New Zealander living in Australia, about her 18-day adventure across France and Italy with her partner and two older teens. From breathtaking landscapes to unique activities, their journey is full of excitement, challenges, and plenty of family fun. Get the podcast ad-free Emily shares how they started in Paris before driving through Normandy to visit the D-Day beaches and the Caen Memorial. They explored castles in the Loire Valley, including an unforgettable hot air balloon ride over Château de Chenonceau. Their road trip continued to Bordeaux, with a stop at the iconic Dune du Pilat for hiking and paragliding. In Chamonix, the family embraced the Alps with tandem paragliding, hiking, and even watching the Olympic torch relay. Emily recounts her partner's daughter's dream of lounging on a Mediterranean beach, fulfilled at the stunning Eden Plage near Menton. They also made time to see the Tour de France's thrilling hill climb stage in Italy, where they had a chance encounter with an Australian team manager. Emily reflects on the joys of flexibility in their travel style, the benefits of renting a car, and lessons learned about French culture, like how to navigate markets and order decaf coffee. Throughout the episode, Annie and Emily offer practical advice and plenty of laughs. Whether you're planning your own family road trip or dreaming about future travels, this episode is packed with inspiration. Listen to Adventures in France: A Road Trip with Older Teens for insights, travel tips, and stories that capture the magic of exploring France with older kids. Don't miss it! Table of Contents for this Episode Today on the podcast Suport the Podcast Bootcamp 2025 Magazine part of the Podcast Introduction and Guest Welcome Planning the French Road Trip Style of Travel Exploring Normandy and Loire Valley Hot Air Ballooning Adventure Bordeaux and Dune de Pilat How to order beverages in France Lesson Learned with Toilets Dune du Pilat Impressions Exploring Arcachon: A Relaxing Beach Town Experiencing Lyon's Fête de la Musique Tour de France: A Hill Climb Adventure Mont Blanc Cable Car and parapenting Beach Days and Running Adventures Running from Monaco to Menton French vs Italian road signs Anything Not Recommended? Thank you Patrons Support Elyse VoiceMap Tours Reviews Itinerary Consultations for 2025 Igor, the Retired Guide Dog Notre Dame French Politics Next week on the Podcast Copyright More episodes about family travel in France

Validé ? une hebdo décalée, pour les curieux, sur l'actualité culturelle et artistique.Présenté par Estelle 2. La Belle Hélène d’Offenbach au Grand Théâtre de Tours. 3. L’artiste Biga*Ranx. 4. Par-delà l'oubli d'Aurélien Cressely, livre qui a remporté le prix littéraire « Les Promesses ». 5. Une approche orthographique de Chenonceau(x). 6. Grégoire de Tours et […] L'article Validé ? la chronique culturelle par Estelle ! est apparu en premier sur Radio Campus Tours - 99.5 FM.

Are you curious about discovering hidden treasures in France? In this episode of Join Us in France, titled Hidden Gems of the Loire Valley, host Annie Sargent chats with guest Paul Gulesserian to explore some of the lesser-known châteaux and picturesque villages in this beautiful region. Get the podcast ad-free Paul, a proud Francophile and recent French citizen, shares his adventures as he and his husband Florian venture through the Loire Valley. Rather than focusing on the well-known châteaux, like Chambord and Chenonceau, they explore lesser-known gems such as the Château de Brézé, Château de Montreuil-Bellay, and Château de Brissac. Each one offers something unique, whether it's underground tunnels at Brézé or breathtaking views at Montreuil-Bellay. Paul's enthusiasm for exploring the charm and history of these often-overlooked sites brings the Loire Valley to life in a fresh and inspiring way. From their cozy stay at Domaine de Mestré to their adventures biking through troglodyte villages and sipping local wines, this episode is filled with travel tips and personal insights into life in France. Join Annie and Paul as they delve into the magic of these hidden gems. Don't miss out on this fun and informative episode—tune in now! Table of Contents for this Episode Today on the Podcast Podcast Supporters Magazine segment Bootcamp 2025 Annie and Paul Exploring the Loire Valley French Citizenship and Travel Experiences Planning and Starting the Loire Valley Trip Château Visits and Local Discoveries Tips for Driving in France Saumur Château de Saumur, Musée des Arts Décoratifs et du Cheval Château de Brézé Château de Montreuil-Bellay Ticket prices Biking on Day 2 Domaine des Amandiers Exploring Montsoreau and Its Modern Art Chateau Discovering the Abbaye Royale Fontevraud Chinon and the Challenges of Google Maps for Biking Biking Advice Château Adventures: From Riveau to Brissac Food in the area Château de Langeais Château de l'Islette Château D'Ussé Château de Brissac Angers Château de Speran Don't ignore the Tourist Office Restaurant Recommendations Sharing Tips about Living in France Thank you Patrons Annie's Tours Annie's Itinerary Consultations Self-guided GPS tours on the VoiceMap App Phone Safety Next week on the podcast Copyright Hotels to consider in the Loire Valley More episodes about the Loire Valley

If you're looking for a fairytale castle in France, look no further than Chateau de Chenonceau. Stood on an arched bridge across the Cher River, its reflection perfectly captures the magic of the building within. From being the residence of some of France's most powerful women to playing an active role in the French resistance, its walls have many stories to tell.A visit to the chateau will take you back to 16th-century France when it was built. You'll travel slowly back to the 21st century, meeting a King's mistress, a Queen, a French salonist, and a socialite, to name but a few. Its Renaissance architecture and medieval roots have earned it a place on the UNESCO World Heritage List. It's instantly recognizable and is one of the most photographed chateau in France. So, let me take you on a trip back in time when a fortified castle and mill were demolished, and a chateau was built.For full notes and details on today's episode see the links below:The Secrets of the Ladies Chateau, Chateau de ChenonceauI'm Kylie Lang, owner of Life in Rural France, a travel blog dedicated to helping others explore & discover all that France has to offer. On the blog, you'll discover sections covering:City Guides - everything you need to know about visiting cities such as Paris, Bordeaux, Carcassonne, Rouen, La Rochelle and many more.Moving to France - lots of resources to help you plan your move from visas and insurance to sim cards and watching TV.French Travel News - discover what's happening in France, from festivals and events to the latest deals and offers.If there is anything you'd like to know about living in France, the French culture or the history of this wonderful country, feel free to DM me on Instagram @lifeinruralfrance

Fluent Fiction - French: Love under the Fireworks: A Historian and Artist's Fairytale Find the full episode transcript, vocabulary words, and more:fluentfiction.org/love-under-the-fireworks-a-historian-and-artists-fairytale Story Transcript:Fr: Etienne se tenait devant le majestueux Château de Chenonceau, le regard fixé sur ses tours élégantes et ses arches reflétées dans la rivière Cher.En: Etienne stood before the majestic Château de Chenonceau, his gaze fixed on its elegant towers and arches reflected in the Cher River.Fr: Le soleil de juillet brillait fort, et les jardins étaient en pleine floraison.En: The July sun shone brightly, and the gardens were in full bloom.Fr: Des roses rouges et blanches parsemaient les allées, ajoutant une touche de magie à ce lieu historique.En: Red and white roses dotted the paths, adding a touch of magic to this historic place.Fr: Étienne, un historien passionné et discret, venait ici souvent pour s'inspirer pour son livre sur l'architecture française.En: Etienne, a passionate and reserved historian, often came here for inspiration for his book on French architecture.Fr: Ce jour-là, Claire, une artiste intrépide en quête de nouvelles inspirations, arpentait les mêmes jardins, son carnet à croquis à la main.En: That day, Claire, a fearless artist in search of new inspirations, was wandering through the same gardens, her sketchbook in hand.Fr: Ses cheveux blonds se balançaient au rythme de sa promenade, et un sourire éclairait son visage chaque fois qu'elle trouvait quelque chose de beau à dessiner.En: Her blond hair swayed with each step, and a smile lit up her face whenever she found something beautiful to draw.Fr: Elle était en voyage à travers l'Europe, cherchant des mouettes de beauté et des histoires à raconter à travers ses œuvres d'art.En: She was traveling across Europe, seeking moments of beauty and stories to tell through her artwork.Fr: Leurs chemins se croisèrent devant une statue imposante de Diane de Poitiers, l'ancienne maîtresse des lieux.En: Their paths crossed in front of an imposing statue of Diane de Poitiers, the former mistress of the estate.Fr: Claire était en pleine contemplation, essayant de capturer chaque détail de la sculpture.En: Claire was deep in contemplation, trying to capture every detail of the sculpture.Fr: Intrigué, Étienne s'approcha doucement, son cœur battant la chamade à l'idée de parler à cette jeune femme si pleine de vie.En: Intrigued, Etienne approached quietly, his heart pounding at the thought of speaking to this vibrant young woman.Fr: "Bonjour," murmura-t-il presque.En: "Hello," he murmured almost inaudibly.Fr: Claire se tourna, ses yeux bleu vif le regardant avec curiosité.En: Claire turned, her bright blue eyes looking at him with curiosity.Fr: "Bonjour!En: "Hello!"Fr: " répondit-elle chaleureusement.En: she responded warmly.Fr: "Vous aimez aussi l'histoire?En: "Do you also love history?"Fr: "Étienne hocha la tête.En: Etienne nodded.Fr: "Oui, je suis historien.En: "Yes, I'm a historian.Fr: J'écris un livre sur ce château.En: I'm writing a book about this château."Fr: "Claire sourit, intéressée.En: Claire smiled, interested.Fr: "C'est incroyable!En: "That's incredible!Fr: J'aime dessiner des endroits comme celui-ci.En: I love drawing places like this.Fr: Ils sont tellement inspirants.En: They are so inspiring."Fr: "Étienne sentit son cœur s'alléger.En: Etienne felt his heart lighten.Fr: Peut-être, juste peut-être, il pourrait trouver une amie dans cette aventureuse artiste.En: Maybe, just maybe, he could find a friend in this adventurous artist.Fr: Ils se perdirent dans la conversation, parlant des détails architecturaux du château, des histoires de ses anciens occupants, et des idées artistiques de Claire.En: They lost themselves in conversation, talking about the architectural details of the château, the stories of its former inhabitants, and Claire's artistic ideas.Fr: Plus ils parlaient, plus Étienne se sentait à l'aise, oubliant un peu sa timidité.En: The more they talked, the more comfortable Etienne felt, forgetting a bit of his shyness.Fr: Leurs échanges continuèrent toute l'après-midi, jusqu'à ce que le ciel commence à s'obscurcir pour les feux d'artifice du jour de la Bastille.En: Their exchange continued throughout the afternoon, until the sky began to darken for the Bastille Day fireworks.Fr: Le château illuminé par les lumières des festivités semblait encore plus enchanté.En: The château, illuminated by the festival lights, looked even more enchanted.Fr: Claire et Étienne s'installèrent sur la rive de la rivière Cher, leur conversation se mêlant à l'effervescence autour d'eux.En: Claire and Etienne settled on the bank of the Cher River, their conversation merging with the surrounding excitement.Fr: Au moment où les premières fusées colorées éclatèrent dans le ciel, Étienne sentit une vague de courage monter en lui.En: As the first colorful fireworks burst in the sky, Etienne felt a wave of courage rising within him.Fr: "Claire," commença-t-il, sa voix tremblante mais déterminée, "je.En: "Claire," he began, his voice trembling but determined, "I...Fr: je voudrais te dire quelque chose.En: I want to tell you something."Fr: " Claire le regarda attentivement, soutenant son regard.En: Claire looked at him attentively, holding his gaze.Fr: "Je pense que.En: "I think...Fr: je pense que tu es incroyable.En: I think you're amazing.Fr: Et j'aimerais vraiment continuer à te parler, même si tu voyages beaucoup.En: And I really would like to keep talking to you, even if you travel a lot."Fr: "Claire sourit, son cœur se réchauffant à ses mots sincères.En: Claire smiled, her heart warming at his sincere words.Fr: "Etienne, tu es un trésor rare.En: "Etienne, you are a rare treasure.Fr: Je ne sais pas ce que l'avenir nous réserve, mais je veux aussi rester en contact.En: I don't know what the future holds, but I also want to stay in touch.Fr: Peut-être pouvons-nous collaborer?En: Perhaps we could collaborate?Fr: Ton histoire et mes dessins, ensemble.En: Your history and my drawings, together.Fr: Cela pourrait être quelque chose de beau.En: It could be something beautiful."Fr: "Ces mots résonnèrent en Étienne comme une symphonie.En: These words resonated in Etienne like a symphony.Fr: Pour la première fois, il se sentait prêt à prendre des risques, à sortir de sa coquille.En: For the first time, he felt ready to take risks, to step out of his shell.Fr: Et Claire, en regardant le ciel illuminé de mille couleurs, comprit que certaines connexions valaient la peine d'être explorées, même si elles demandaient de s'arrêter un peu plus longtemps.En: And Claire, looking at the sky illuminated by a thousand colors, understood that some connections were worth exploring, even if they required pausing a bit longer.Fr: Lorsque les feux d'artifice prirent fin, Claire et Étienne se promirent de se retrouver.En: When the fireworks ended, Claire and Etienne promised to meet again.Fr: Ils échangèrent leurs coordonnées et firent des plans pour se revoir, chez Chenonceau ou ailleurs.En: They exchanged contact information and made plans to see each other again, at Chenonceau or elsewhere.Fr: L'avenir semblait prometteur et plein de collaborations créatives potentielles.En: The future seemed promising and full of potential creative collaborations.Fr: Ensemble, ils regardèrent le château sous la lueur apaisée des derniers feux d'artifice, un peu plus connectés au passé et l'un à l'autre.En: Together, they watched the château under the soothing glow of the last fireworks, a little more connected to the past and to each other. Vocabulary Words:the castle: le châteaumajestic: majestueuxthe garden: le jardinto bloom: fleurirhistorian: l'historienreserved: discretinspiration: l'inspirationto wander: arpenterfearless: intrépidesketchbook: le carnet à croquisto sway: se balancerto light up: éclairerbeautiful: beauto draw: dessinerimposing: imposantstatue: la statuemistress: la maîtressecontemplation: la contemplationto capture: capturerto murmur: murmurerbright blue: bleu vifarchitectural: architecturalstory: l'histoireinhabitant: l'occupantartist: l'artisteidea: l'idéecomfortable: à l'aiseto darken: s'obscurcirfirework: le feu d'artificefestival: la festivité

Chambord, Chenonceau nebo Blois jsou slavné velké zámky na Loiře. Za vidění určitě ale stojí i méně známá panství v okolí, která se svým uměleckým a historickým bohatstvím mohou klidně srovnávat s věhlasnějšími památkami. Takovou renesanční perlou ve střední Francii je i malý vodní zámeček Azay-le-Rideau, který se tak trochu podobá českému zámku Červená Lhota.

Chambord, Chenonceau nebo Blois jsou slavné velké zámky na Loiře. Za vidění určitě ale stojí i méně známá panství v okolí, která se svým uměleckým a historickým bohatstvím mohou klidně srovnávat s věhlasnějšími památkami. Takovou renesanční perlou ve střední Francii je i malý vodní zámeček Azay-le-Rideau, který se tak trochu podobá českému zámku Červená Lhota.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Fluent Fiction - French: Mystery at Château de Chenonceau: The Stolen Painting Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.org/mystery-at-chateau-de-chenonceau-the-stolen-painting-adventure Story Transcript:Fr: Le Château de Chenonceau se dresse fièrement au-dessus de la rivière Cher, majestueux et mystérieux.En: The Château de Chenonceau stands proudly above the Cher River, majestic and mysterious.Fr: Un après-midi de printemps, Julien, Sophie et Margaux visitent ce château avec un groupe.En: One spring afternoon, Julien, Sophie, and Margaux are visiting this castle with a group.Fr: Le guide explique l'histoire riche de Chenonceau.En: The guide explains the rich history of Chenonceau.Fr: Les trois amis écoutent attentivement.En: The three friends listen attentively.Fr: Soudain, les lumières s'éteignent.En: Suddenly, the lights go out.Fr: La galerie est plongée dans l'obscurité totale.En: The gallery is plunged into total darkness.Fr: Julien attrape la main de Sophie pour la rassurer.En: Julien grabs Sophie's hand to reassure her.Fr: Margaux allume la torche de son téléphone.En: Margaux turns on the torch of her phone.Fr: Le groupe est silencieux et inquiet.En: The group is silent and worried.Fr: Quand les lumières reviennent, un grand tableau de la galerie a disparu.En: When the lights come back on, a large painting from the gallery is missing.Fr: Le guide, paniqué, appelle la sécurité.En: The guide, panicked, calls security.Fr: Julien, Sophie et Margaux décident d'aider.En: Julien, Sophie, and Margaux decide to help.Fr: Ils observent les alentours.En: They observe their surroundings.Fr: Julien remarque une petite fenêtre ouverte près du tableau disparu.En: Julien notices a small window open near where the painting was.Fr: "Regardez!" dit Julien. "Quelqu'un est passé par là."En: "Look!" says Julien. "Someone went through there."Fr: Sophie et Margaux suivent Julien.En: Sophie and Margaux follow Julien.Fr: Dans le jardin, ils trouvent une écharpe rouge.En: In the garden, they find a red scarf.Fr: Margaux se souvient de l'avoir vue sur une femme dans le groupe.En: Margaux remembers seeing it on a woman in their group.Fr: Ils retournent vers l'entrée et cherchent cette femme.En: They return to the entrance and look for this woman.Fr: Elle est là, nerveuse.En: She's there, looking nervous.Fr: Julien s'approche du guide.En: Julien approaches the guide.Fr: "Excusez-moi, monsieur, je crois que nous avons trouvé quelque chose."En: "Excuse me, sir, I think we found something."Fr: Le guide appelle la sécurité.En: The guide calls security.Fr: La femme est interrogée et avoue bientôt.En: The woman is questioned and soon confesses.Fr: Elle voulait vendre le tableau pour de l'argent.En: She wanted to sell the painting for money.Fr: La sécurité récupère le tableau caché dans sa voiture.En: Security retrieves the painting hidden in her car.Fr: Le guide remercie Julien, Sophie et Margaux.En: The guide thanks Julien, Sophie, and Margaux.Fr: Grâce à eux, le tableau précieux est à nouveau en sécurité.En: Thanks to them, the precious painting is safe again.Fr: Le groupe continue la visite.En: The group continues the visit.Fr: Julien, Sophie et Margaux sont satisfaits.En: Julien, Sophie, and Margaux are satisfied.Fr: Ils ont vécu une aventure et aidé le Château de Chenonceau.En: They experienced an adventure and helped the Château de Chenonceau. Vocabulary Words:proudly: fièrementmajestic: majestueuxmysterious: mystérieuxspring: printempsafternoon: après-midicastle: châteauexplains: expliquerich: richehistory: histoirelisten: écoutentattentively: attentivementsuddenly: soudainlights: lumièresgo out: s'éteignentdarkness: obscuritétotal: totalegrabs: attrapereassure: rassurertorch: torchesilent: silencieuxworried: inquietpainting: tableaumissing: disparupanicked: paniquésecurity: sécuritédecide: décidentobserve: observentsurroundings: alentourswindow: fenêtregarden: jardin

Chenonceau, in Indre-et-Loire, is one of France's most visited châteaux. Known as the "château des dames", a historic monument and the jewel of the Loire châteaux, what lineage has made Chenonceau what it is today, the symbol of daring, courageous and resilient femininity?This is the second episode of the season 4 summer series written by Anne-Charlotte, an opportunity to take a closer look at the bold construction of this edifice, in particular the grand gallery on the bridge over the Cher. But where did this idea come from?Image teaser DR © saiko3pSound engineering: Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Chenonceau, en Indre-et-Loire, est l'un des châteaux comptant parmi les plus visités de France. Dit le château des dames, monument historique incontournable, joyau des châteaux de la Loire, quelle filiation a fait de Chenonceau ce qu'il est aujourd'hui, le symbole d'une féminité audacieuse, courageuse et résiliente?Voici le deuxième épisode de la série d'été de la saison 4 écrit par Anne-Charlotte, occasion de s'attarder sur l'édification hardie de cet édifice, notamment la grande galerie sur pont qui franchi le Cher. Mais au fait, d'ou vient cette idée? Image teaser DR © saiko3pIngénierie son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Chenonceau, in Indre-et-Loire, is one of France's most visited châteaux. Known as the "château des dames", this historic monument is the jewel in the crown of the Loire Valley châteaux. What lineage has made Chenonceau what it is today, a symbol of daring, courageous, resilient femininity?Here's the first episode of the season 4 summer series written by Anne-Charlotte, an opportunity to retrace the chronology while putting the notion of heritage and responsibility into perspective. Chenonceau, a feminine symbol for tomorrow?Teaser image DR © MarytogSound engineering: Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Chenonceau, en Indre-et-Loire, est l'un des châteaux comptant parmi les plus visités de France. Appelé le château des dames, monument historique incontournable, joyau des châteaux de la Loire, quelle filiation a fait de Chenonceau ce qu'il est aujourd'hui, le symbole d'une féminité audacieuse, courageuse et résiliente?Voici le premier épisode de la série d'été de la saison 4 écrit par Anne-Charlotte, occasion de retracer la chronologie tout en mettant en perspective la notion de patrimoine et de responsabilité. Chenonceau, un symbole féminin pour demain ?Image teaser DR © MarytogIngénierie son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Parmi tous les palais Renaissance qui ornent la Loire, le château de Chenonceau est peut-être le plus raffiné. Classé au patrimoine mondial de l'Unesco, il attire chaque année près d'un million de touristes français et étrangers. Un succès qui mobilise tous les jours une centaine d'employés, au service de Chenonceau : veiller à la sécurité des lieux, restaurer les oeuvres d'art, composer les bouquets qui agrémentent les couloirs… Plongée dans les méandres de ce joyau de Touraine.

Of all the Renaissance-era castles that adorn France's Loire Valley, the Château de Chenonceau is perhaps the most refined. Listed as a UNESCO World Heritage Site, it attracts almost a million French and foreign tourists every year. This success keeps a hundred employees busy at Chenonceau: ensuring the safety of the premises, restoring works of art and composing the bouquets that decorate the corridors. FRANCE 24 takes you behind the scenes of this beautiful château.

(00:00) Welcome(00:10) Suzy Chase(00:19) Joie by Ajiri Aki(00:40) Travelled to Paris(00:42) From New York(00:50) Paris, France(01:07) Joie de Vivre(01:24) Joie: A Parisian's Guide to Celebrating the Good Life(01:57) Decorating by the Book Podcast(02:15) Paris(02:34) Ajiri Aki(02:42) Parisian Cafe(02:59) Ajiri Aki Website(03:20) Messy Nessy Chic(03:46) Flâneur(04:09) Cafe Life(04:22) Looking Up(04:37) That is Joie de Vivre(04:53) Tiles(05:18) Montmatre(05:30) Winding Streets(05:49) At the Top(05:59) West Village(06:29) Austin, Texas(06:33) France(06:40) NYC(06:53) Buy Book Here(07:18) Coupe(07:22) Flute(07:29) Champagne Coupe(07:34) Ajiri's Article in WSJ(07:58) Glam(08:04) The Article(08:19) The Shape(08:40) Get the Book(08:47) Etched(08:49) Beveled (08:52) Bulbous Stem(09:03) Linen(09:11) Dinner Party(09:21) Madame de la Maison(09:53) Flax Seed Linen(10:03) Flax Seed Oil(10:05) Flax Seed(10:14) See Ajiri's Own Collection Here(10:31) The Only Design Book Podcast(10:38) Wrinkle Factor(10:47) The People and The Moment(10:54) Linen with Crinkle(11:20) Use the Good China(11:26) TV in the 80's(11:59) Purchase the Book Here(12:11) Coming to the Table(12:32) Tupperware(12:40) Joie the Book(13:08) Table with Family(13:37) The Good China(14:09) China Cabinet(14:29) Plates(14:39) Saucers(15:15) Salt Cellars(15:36) Tips for Antique Shopping(15:48) Tip 1(16:08) Tip 2(16:37) Tip 3(16:56) Petit Prix(17:08) Tip 4(17:50) Tip 5(18:12) Tip 6(18:34) Tip 7(19:02) Tip 8(19:21) Tip 9(19:44) Tip 10(20:22) The Podcast(20:32) Château de Chenonceau(20:34) Château de Chambord(20:45) Double Helix Staircase(21:15) Ajiri Aki on the Web(21:49) The Book Cover(22:13) Merci(22:30) Thanks for ListeningChapters, images & show notes powered by vizzy.fm.

Dans Historiquement Vôtre, Clémentine Portier-Kaltenbach nous raconte Louise de Lorraine (1553-1601), la moins connue des reines de France qui, en 1589, au lendemain de l'assassinat de son époux Henri III, se retire à Chenonceau avec quelques religieuses. Jusqu'à sa mort en 1601, à l'âge de 47 ans, elle observera un deuil absolu en cette sombre retraite...

In this episode of The Tudor History & Travel Show, we travel to the Loire Valley, France, to visit the beautiful Château de Chenonceau. We step back in time, as we tour this incredible building, following the stories of five important Tudor ladies.  Joined by our guide, Amelie Lanseaux, we head to the tranquil, riverside setting to wander through the sun-drenched rooms of a building that was once home to the French Renaissance court.  Some useful links, mentioned in this episode, are below:  To see a gallery of images associated with the places we discuss in this episode, head to the associated show notes page and blog here. This blog is a guest blog by Katie Marshall, while the gallery of images was compiled by The Tudor Travel Guide. To explore more of the Châteaux of the Loire Valley, check out this video.  For Château de Chenonceau visitor information, click here.   Please Note: This is a shorter version of the full episode. The latter is available only to the show's patrons. You can become a patron for as little as US$1 a month. For more information and to become a patron, follow this link.   In the meantime, if you want to keep up to date with all the Tudor Travel Guide's adventures, as well as top tips for planning your own Tudor road trip, don't forget to subscribe to the blog via www.thetudortravelguide.com.   This podcast now has an accompanying closed Facebook group, dedicated to discussing the places and artefacts discussed in each episode. it is also a place to ask your fellow Tudor time travellers questions about visiting Tudor locations or planning your Tudor-themed vacation or sharing your top tips to help others get the most out of their Tudor adventures on the road. Go to The Tudor History & Travel Show: Hitting the Road to join the community.    You can also find The Tudor Travel Guide on  Instagram, YouTube, Twitter, Facebook   Show Credits: Presenter: Sarah Morris Guest: Amelie Lanseaux Produced by Cutting Crew Productions

durée : 00:03:08 - C'est mon week-end - par : Ingrid Pohu - La 6e édition de "Noël au Pays des Châteaux" se tient jusqu'au 2 janvier en Touraine. Cap sur le château de Chenonceau, où le scénographe floral, Jean-François Boucher, Meilleur Ouvrier de France, imagine pour les fêtes de fin d'année des créations surprenantes et originales.

Bonjour, je m'appelle Anne Mignard et je vous invite à travers les podcasts de ZNet. fr à découvrir le monde de la transformation numérique chez les petites et très petites entreprises. Aujourd'hui je vous amène dans un endroit un peu magique. Dans le bordelais, sur la commune de Saint Emilion. Tout près d'une petite rivière, se trouve le château moulin de Lagnet. Alors évidemment quand on dit château, on imagine Versailles, Chenonceau...non non vous n'y êtes pas. Un château dans cette région, c'est un domaine viticole...je me rend donc chez Anne Lise qui avec son fils et sa belle fille, produisent un nectar des plus savoureux... Alors pourquoi vous amener dans ce petit coin de Paradis ? Et bien tout simplement parce entre le moment où Anne Lise s'est lancé dans la production de vin et aujourd'hui, les nouvelles technologies ont bien changé les usages.  Exemple tout bête d'abord, vous le savez chaque fin d'été et début d'automne dans cette région on cueille le raisin. Et bien le téléphone portable a fait gagné du temps et surtout de l'énergie à toute l'équipe des vendanges. Pourquoi ? Et bien quand vous êtes dans le chais, là ou un stocke le vin, et quand une cuve est pleine, il faut prévenir ceux qui sont dans les vignes. Sinon, ils continuent de cueillir et d'amener du raison alors que la cive pour l'accueillir n'est pas prête.  Autre utilité et pas des moindres, la météo, grâce à internet aujourd'hui Anne Lise et son équipe peut consulter quotidiennement la météo, et même en croiser plusieurs...et du coup si de la pluie est annoncée, pas la peine, de traiter la vigne...car l'eau va tout emporter. Le domaine a beau avoir été un pionnier en vin bio, il n'en reste pas moins que les traitements naturels sont indispensables et peuvent eux aussi couter cher. Alors autant les économiser !  L'informatique permet aussi au château de connaitre ses stocks.  A chaque facture éditée, les bouteilles vendues sont déduites. Et désormais, l'inventaire ne se fait qu'une fois par an.  Après évidemment, via internet, il y a toute la partie commerciale. Grâce au site et aux échanges de mail, l'exploitation s'est développée....Et puis internet sert aussi à Olivier, le fils d'Anne Mise, lorsqu'il doit réparer une machine agricole.  En quelques clics, il trouve directement la pièce qui lui faut et dont il a besoin très rapidement parfois. La vigne est toujours soumise aux caprices du temps.  Et puis il y a aussi toutes les déclarations administratives obligatoires comme les douanes, aujourd'hui tout se fait par internet, explique la viticultrice, ce qu'elle déplore en partie. Certes on gagne en rapidité et en clarté parfois mais comprenez qu'à coté de chez moi, il y a un vieil exploitant qui a plus de 90 ans...allez lui dire à lui de déclarer le peu de vin qui produit par internet...peste elle. Heureusement c'est elle qui s'en charge.  Enfin, Anne Lise l'avoue, oui internet c'est commode pour bien des choses mais tellement chronophage. Quand on s'est lancé en 1984, je passais une journée par semaine assise derrière mon bureau, aujourd'hui c'est tous les jours que j'y suis....et moi dit elle je préfère largement être dans mes vignes.  

France's most enchanting châteaux — among them Vaux-le-Vicomte, Chenonceau, Chambord, and Fontainebleau — lie within easy reach of Paris. For European travel information, visit https://www.ricksteves.com.

France's most enchanting châteaux — among them Vaux-le-Vicomte, Chenonceau, Chambord, and Fontainebleau — lie within easy reach of Paris. For European travel information, visit https://www.ricksteves.com.

Before we get started… Writing elsewhereI have recently written about modern Russian literature for CapX, as well Victorian YIMBYs and Katherine Mansfield and 1922, for The Critic.Tours of LondonSign up here to get updates when we add new tour dates. There will be three tours a month, covering the Great Fire, Barbican, Samuel Johnson and more!Helen Lewis is a splendid infovore, which is how she has come to be one of the most interesting journalists of her generation. You will see in this conversation some of her range. We chatted before we recorded and she was full of references that reflect her broad reading. She reminded me of Samuel Johnson saying that in order to write a book you must turn over half a library. I recommend her book Difficult Women to you all, perhaps especially if you are not generally interested in “feminist” books. Helen is also working on a new book called The Selfish Genius. There's an acuity to Helen, often characterised by self-editing. She has the precision — and the keenness to be precise — of the well-informed. She was also, for someone who claims to be a difficult woman, remarkably amiable. That seeming paradox was one of the things we discussed, as well as biography, late bloomers, menopause, Barbara Castle, failure, Habsburgs and so on... I had not realised she was such a royal biography enthusiast, always a good sign. Helen's newsletter, by the way, has excellent links every week. It's a very good, and free, way to have someone intelligent and interesting curate the internet for you. Her latest Atlantic feature is about defunct European royals who are not occupying their throne. Let's hope one of Helen's screenplays gets produced…(I do not know, by the way, if Tyler Cowen would endorse the reference I made to him. I was riffing on something he said.)[This transcript is too long for email so either click the title above to read online or click at the bottom to go to the full email…]Henry: Is Difficult Women a collective biography, a book of connected essays, feminist history or something else?Helen Lewis: Start nice and simple. It was designed as the biography of a movement. It was designed as a history of feminism. But I knew from the start I had this huge problem, which is that anyone who writes about feminism, the first thing that everybody does is absolutely sharpens their pencils and axes about the fact that you inevitably missed stuff out. And so I thought what I need to do is really own the fact that this can only ever be a partial history. And its working subtitle was An Imperfect History of Feminism, and so the thematic idea then came about because of that.And the idea of doing it through fights, I think, is quite useful because that means that there was a collision of ideas and that something changed. You know, there were lots and lots of subjects that I thought were really interesting, but there wasn't a change, a specific "We used to be like this, and now we're like this," that I could tie it to. So I don't think it is a collective biography because I think there's no connection between the women except for the fact that they were all feminists, and to that extent, they were all change makers. And I've read some really great collective biographies, but I think they work best when they give you a sense of a milieu, which this doesn't really. There's not a lot that links Jayaben Desai in 1970s North London and Emmeline Pankhurst in 1900s Manchester. They're very disparate people.Henry: Some people make a distinction between a group biography, which is they all knew each other or they were in the same place or whatever, and a collective biography, which is where, as you say, they have no connection other than feminism or science or whatever it is. Were you trying to write a collective biography in that sense? Or was it just useful to use, as a sort of launching off point, a woman for each of the fights you wanted to describe?Helen Lewis: I think the latter because I felt, again, with the subject being so huge, that what you needed to do was bring it down to a human scale. And I always feel it's easier to follow one person through a period of history. And weirdly, by becoming ever more specific, I think you'll have a better chance of making universal points, right? And one of the things that when I'm reading non-fiction, I want to feel the granularity of somebody's research which, weirdly, I think then helps you understand the bigger picture better. And so if you take it down all the way to one person, or sometimes it's more... So Constance Lytton and Annie Kenney, that's sort of two people. I think probably Constance is bigger in that mix. It helps you to understand what it's like to be a person moving through time, which is what I wanted to kind of bring it back. Particularly, I think, with feminism where one of the problems, I think, is when you get progress made, it seems like common sense.And it's one of the things I find I love about Hilary Mantel's, the first two of that Thomas Cromwell trilogy, is there is a real sense that you don't know what's going to happen. Like the moment, the hinge moment, of Anne Boleyn's star appears to be falling. It's very hard not to read it now and think, "Well, obviously that was destined to happen. You'd obviously jumped ship to Jane Seymour." But she manages to recreate that sense of living through history without knowing the ending yet, right? And so maybe you should stick with Anne Boleyn. Maybe this has all just been a temporary blip. Maybe she'll have a son next year. And that's sort of what I wanted to recreate with feminism, is to put you back in the sensation of what it is to be like making those arguments about women having a vote at a time when that's seen as a kind of crackpot thing to be arguing for because obviously women are like this, obviously women are delicate, and they need to be protected. And when all of those arguments... Again, to go back to what it's like to just to live in a time where people's mindsets were completely different to... Which is to me, is the point of writing history, is to say... And the same thing about travel writing, is to say, "Here are people whose very basis, maybe even the way that they think, is completely different to all of your assumptions." All your assumptions that are so wired so deeply into you, you don't even know they're assumptions. You just think that's what consciousness is or what it is to be alive. And that's, I think, why I try to focus it on that human level.Henry: How do you do your research?Helen Lewis: Badly, with lots of procrastination in between it, I think is the only honest answer to that. I went and cast my net out for primary sources quite wide. And there was some... The number of fights kept expanding. I think it started off with eight fights, and then just more and more fights kept getting added. But I went to, for example, the LSC Women's Library has got a suffragette collection. And I just read lots and lots of suffragette letters on microfiche. And that was a really good way into it because you've got a sense of who was a personality and who had left enough records behind. And I write about this in the book, about the fact that it's much easier to write a biography of a writer because they'll fundamentally, probably, give you lots of clues as to what they were thinking and doing in any particular time. But I also find things that I found really moving, like the last letter from Constance Lytton before she has a stroke, which has been effected by being force fed and having starved herself. And then you can see the jump, and then she learns to write again with her other hand, and her handwriting's changed.And stuff like that, I just don't think you would get if you didn't allow yourself to be... Just sort of wade through some stuff. Someone volunteered to be my research assistant, I mean I would have paid them, I did pay them, to do reports of books, which apparently some authors do, right? They will get someone to go and read a load of books for them, and then come back. And I thought, "Well, this is interesting. Maybe I'll try this. I've got a lot of ground to cover here." And she wrote a report on a book about… I think it was about environmental feminism. And it was really interesting, but I just hadn't had the experience of living through reading a book. And all of the stuff you do when you're reading a book you don't even think about, where you kind of go, "Oh, that's interesting. Oh, and actually, that reminds me of this thing that's happened in this other book that's... Well, I wonder if there's more of that as I go along." I don't think if you're going try and write a book, there is any shortcut.I thought this would be a very... I'm sure you could write a very shallow... One of those books I think of where they're a bit Wikipedia. You know what I mean. You know sometimes when you find those very 50 inspirational women books, those were the books I was writing against. And it's like, you've basically written 50 potted biographies of people. And you've not tried to find anything that is off the beaten track or against the conventional way of reading these lives. It's just some facts.Henry: So biographically, you were perhaps more inspired by what you didn't want to write than what you did.Helen Lewis: Yeah, I think that's very true. I think writing about feminism was an interesting first book to pick because there's so much of it, it's like half the human race. It's really not a new subject. And to do the whole of British feminism really was a mad undertaking. But I knew that I didn't want to write, "You go girl, here's some amazing ladies in history." And I wanted to actually lean into the fact that they could be weird or nasty or mad. And my editor said to me at one point, and I said, "I'm really worried about writing some of this stuff." She said, "I think you can be more extreme in a book," which I thought was really interesting.Which I think is also very true in that I also feel like this about doing podcasts is that I very rarely get in trouble for things I've said on podcasts because it's quite hard to lazily clip a bit of them out and put them on Twitter and toss the chum into the water. Right? And I think that's the same thing about if you write something on page 390 of a book, yeah, occasionally, someone might take a screen-grab of it, but people hopefully will have read pages 1-389 and know where you're coming from, by that point.Henry: Maybe trolls don't read.Helen Lewis: Well, I think a lot of the stuff that annoys me is a shallow engagement with complexity, and an attempt to go through books and harvest them for their talking points, which is just not how... It's just such a sad, weathered way of approaching the experience of reading, isn't it? Do I agree with this author or not? I like reading people I disagree with. And so for example, the fact that I call the suffragettes terrorists, and I write about that, I think people are reluctant to engage with the fact that people you agree with did terrible things in the pursuit of a goal that you agree with. And I think it's very true about other sectors. I always think about the fact that Nelson Mandela was imprisoned for terrorism. And that gets pushed down in the mix, doesn't it? When it all turns out that actually, he was a great man. And that incredibly long imprisonment in Robben Island is its own totemic piece of the history of modern South Africa, that you don't wanna sit with the awkward bits of the story too.Henry: You've had a lot of difficult experiences on Twitter? Would you have written this book if you hadn't lived through that?Helen Lewis: I think that's a hard question to answer. I tried not to make it a “Here is the cutting of all my enemies.” And actually, my friend, Rob read this book in draft and he insisted that everyone I knew that I was going to argue with had to be of sufficient stature to be worth arguing with. He's like, You cannot argue with, I think I put it in my drawing piece, a piece like Princess Sparklehorse 420. Right? That's quite hard when you're writing about modern feminism, because actually if you think about what I think of as the very social justice end of it, right? The end of it, that is very pro sex work, very pro self-identification of gender, very pro prison abolition, police abolition, it's actually quite hard to find the people who were the theorists of that. It's more of a vibe that you will find in social media spaces on Tumblr, and Twitter and other places like that. So trying to find who is the person who has actually codified all that and put that down to then say, "Well, let's look at it from all sides", can be really difficult. So I did find myself slightly arguing with people on Twitter.Henry: I'm wondering more, like one way I read your book, it's very thought-provoking on feminism, but it's also very thought-provoking just on what is a difficult person. And there's a real thing now about if you're low in agreeableness, that might mean you're a genius, like Steve Jobs, or it might mean you're a Twitter troll. And we have a very basic binary way of thinking about being difficult. And it's actually very nuanced, and you have to be very clever about how to be difficult. And in a way, I wondered if one of the things you were thinking about was, well, everyone's doing difficult in a really poor way. And what we need, especially on the left, is smart difficult, and here is a book about that, and please improve. [chuckle]Helen Lewis: Yeah, there was a lot of that and it's part of the sort of bro-ey end of philosophy is about maybe women have been less brilliant through history because they're less willing to be disagreeable, they have a higher need to be liked, which I think is kind of interesting. I don't entirely buy it. But I think there's an interesting thing there about whether or not you have to be willing to be iconoclastic. The thing that I find interesting about that is, again, there's another way in which you can refer to it, which is the idea that if you're a heretic, you're automatically right.Henry: Yes.Helen Lewis: And there's a lot of...Henry: Or brave.Helen Lewis: Or brave, right? And I think it's... You can see it in some of the work that I'm doing at the moment about the intellectual dark web being a really interesting example. Some of them stayed true to the kind of idea that you were a skeptic. And some of them disbelieved the mainstream to the extent that they ended up falling down the rabbit holes of thinking Ivermectin was a really great treatment for COVID, or that the vaccines were going to microchip you or whatever it might be. And so I'm always interested in how personality affects politics, I guess. And yeah, how you can be self-contained and insist on being right and not cow-tow to other people without being an a*****e is a perpetually interesting question. It's coming up in my second book a lot, which is about genius. Which is sort-of the similar thing is, how do you insist when everybody tells you that you're wrong, that you're right. And the thing that we don't talk about enough in that context, I think Newton is a very good example is that, obviously, he made these incredible breakthroughs with gravity and mathematics, and then spends literally decades doing biblical chronology and everyone tells him that he's wrong, and he is wrong. And we don't really talk about that side of it very much.All the people who spent all their time studying phlogiston and mesmerism, or that's more complicated because I think that does lead to interesting insights. A lot of people who the world told was wrong, were wrong. And we're over-indexing, always writing about the ones who were the one Galileo saying the Earth still moves, and they turned out to be correct.Henry: Yes. There are good books about biographies of failures, but they're less popular.Helen Lewis: Which is tough because most of us are going to be failures.Henry: Yes. Well, you're not gonna buy a book to reinforce that.Helen Lewis: No, but maybe there could be some deep spiritual learning from it, which is that a life spent in pursuit of a goal that turns out to be illusory is still a noble one.Henry: That's a fundamentally religious opinion that I think a secular society is not very good at handling.Helen Lewis: Yeah, maybe. Yeah. I've been doing lots of work for Radio 4 about the link between politics and religion, and whether or not religion has to some extent replaced politics as Western societies become more secular. And I think there is some truth in that. And one of the big problems is, yes, it doesn't have that sort of spirit of self-abnegation or the idea of kind of forgiveness in it, or the idea of just desserts happening over the horizon of death. Like everything's got be settled now in politics here, which I think is a bad fit for religious impulses and ideas.Henry: What is the role of humour in being difficult?Helen Lewis: I think it's really important because it does sweeten the pill of trying to make people be on your side. And so I had a long discussion with myself about how much I should put those jokes in the footnotes of the book, and how much I should kind of be funny, generally. Because I think the problem is, if you're funny, people don't think you're serious. And I think it's a big problem, particularly for women writers, that actually I think sometimes, and this happens in journalism too, that women writers often play up their seriousness, a sort of uber-serious persona, because they want to be taken seriously. If you see what I mean, it's very hard to be a foreign policy expert and also have a kind of lively, cheeky side, right? We think that certain things demand a kind of humourlessness to them.But the other thing that I think humour is very important, is it creates complicity with the audience. If you laugh at someone's joke, you've aligned yourself with them, right? Which is why we now have such a taboo and a prohibition on racist jokes, sexist jokes, whatever they might be, because it's everyone in the audience against that minority. But that can, again, if you use your powers for good, be quite powerful. I think it is quite powerful to see... There's one of the suffragettes where someone throws a cabbage at her, and she says something like, “I must return this to the man in the audience who's lost his head.” And given that all the attacks on the suffragettes were that they were these sort of mad, radical, weird, un-feminine, inhuman people, then that was a very good way of instantly saying that you weren't taking it too seriously.One of the big problems with activism is obviously that people, normal people who don't spend every moment of their life thinking about politics, find it a bit repellent because it is so monomaniacal and all-consuming. And therefore, being able to puncture your pomposity in that way, I think is quite useful.Henry: So if there are people who want to learn from Helen Lewis, “How can I be difficult at work and not be cast aside,” you would say, “Tell more low-grade jokes, get people to like you, and then land them with some difficult remark.”Helen Lewis: Use your powers for good after that. It's tricky, isn't it? I think the real answer to how to be difficult at work is decide what level of compromise you're willing to entertain to get into positions of power. Which is the same question any activist should ask themselves, “How much do I need to engage with the current flawed system in order to change it?” And people can be more or less open with themselves, I guess, about that. I think the recent Obama memoir is quite open about, for example on the financial relief in 2008, about how much he should have tried to be more radical and change stuff, and how much he... Did he actually let himself think he was being this great consensualist working with the Republican Party and therefore not get stuff done?And then the other end, I think you have the criticism I made of the Corbyn project, which was that it was better to have kind of clean hands than get things done. There's a great essay by Matt Bruenig called Purity Politics, which says... No, what is it called? Purity Leftism. And it said, “the purity leftist's approach is not so much that they're worried about that oppression is happening but that they should have no part of it.” And I think that's part of the question of being difficult, too, is actually how much do you have to work with and compromise yourself by working with people with whom you're opposed? And it's a big question in feminism. There are people who will now say, “Well, how could feminists possibly work with the Conservative Party?” Entirely forgetting that Emmeline Pankhurst ran as a Conservative candidate.Henry: She was very conservative.Helen Lewis: Right. And there were members of the suffragettes who went on to join the British Union of Fascists. That actually... Some of the core tenets of feminism have been won by people who didn't at all see themselves on the left.Henry: If I was the devil's advocate, I'd say that well-behaved women, for want of a better phrase, do make a lot of history. Not just suffragists but factory workers, political wives, political mistresses. What's the balance between needing difficult women and needing not exactly compliant women but people who are going to change it by, as you say, completely engaging with the system and almost just getting on with it?Helen Lewis: There's a scale, isn't there? Because if you make yourself too unbelievably difficult, then no one wants to work with you and it's... I think the suffragettes is a really good example of that actually. The intervention of the First World War makes that story impossible to play out without it.But had they continued on that course of becoming ever more militant, ever more bombings, and pouring acid on greens, and snipping telephone wires... The criticism that was made of them was, “Are they actually turning people off this cause?” And you get people saying that, that actually the suffragettes set back the cause of women's suffrage, which I'm not entirely sure I buy. I think I certainly don't buy it in the terms of the situation in 1905. Fawcett writes about the fact that there were loads of all these articles decrying the suffragettes, whereas previously they'd just been... The cause of suffrage, which had been going on for 70-80 years, quite in earnest, in legal form, had just been completely ignored. So there was definitely a moment where what it really needed was attention. But then, can you make the same argument in 1914 about whether or not the suffragettes were still doing an equal amount of good? I think then it's much more tenuous.And there was a really good article saying that, essentially your point, well-behaved women do make history, saying that a lot of boring legal heavy-lifting... And it's one of the things I find very interesting about where modern feminism in Britain is. A lot of the work that's most interesting is being done through things like judicial reviews, which is a lot of very boring pulling together large amounts of court bundles, and people saying, “Is this obiter?” This word which I once understood, and now don't anymore. But it's not people chaining themselves to railings or throwing themselves under horses. It's people getting up in the morning and putting another day shift in at quite boring admin. And I do think that maybe that's something that I underplayed in the book because it's not so narratively captivating. Brenda Hale made that point to me that she would have been a suffragist because she just believed in playing things by the book. You won it by the book.And I do think now I find I don't agree with throwing paint and pies and milkshakes and stuff like that at people whose political persuasions I disagree with, right? I fundamentally don't believe in punching Nazis, which was a great debate... Do you remember the great Twitter debate of a couple of years ago about whether it's okay to punch a Nazi? I think if you live in America or the UK, and there are democratic ways and a free press in which to make your political case, you don't need to resort to a riot. And that's not the case all over the world, obviously. But I do think that I am... I think difficulty takes many, many forms.Henry: A question about Margaret Thatcher.Helen Lewis: Yes.Henry: Was she good for women, even though she wasn't good for feminism? So millions of women joined the labour force in the 1980s, more than before or since. It was the first time that women got their own personal allowance for income tax, rather than being taxed as an extension of their husband's income.Helen Lewis: I'm trying to remember. Was that a Tory policy?Henry: That was 1988 budget, and it came into effect in 1990. And she also publicly supported. She said, “You should be nice to mothers who go out to work. They're just earning money for their families.” So even though she definitely did not, consciously I think, help the cause of feminism, you would probably rather be a woman in the '80s than the '70s...Helen Lewis: Oh yeah, definitely.Henry: But because of her. That's my challenge to you.Helen Lewis: No, it's a good challenge. And I think it's one that has a lot of merit. I'm not sure whether or not she would be grateful to you for positioning her as Margaret Thatcher, feminist hero. And it's really into having... I wrote a screenplay last year about the women in politics in the years before Margaret Thatcher, and it's very... And I cover this a bit in the book. That women have always struggled in Labour, a collective movement, where it's like if you let one woman through, you've got to let them all. Like, “I'm the vanguard” versus the Thatcher route, which was like, “I'm just me, a person. Judge me on who I am,” and not making such a kind of radical collective claim. So that's the bit that holds me back from endorsing her as a kind of good thing for women, is I think she was Elizabeth I in the sense where she was like, “I'm good like a man,” rather than saying, “Women are good, and I'm a woman,” which I think are two different propositions. But it's definitely true that... I think that growing up in a society that had a female prime minister was a huge deal. America still hasn't had a female president. It's just not... If you're a girl growing up there, it's just... That's something that you've never seen. And the other half of it is, I think it was incredibly powerful to see Denis Thatcher. The true feminist hero that is Denis Thatcher. But genuinely, that's somebody who was older than her, who was willing to take a back seat. And he found a role for men that was not being the alpha. It was kind of the, “I don't have anything left to prove. And I like playing golf. Haven't I got a great life while the little woman runs around with her red boxes. All a bit much.” I think that was almost a more radical thing for people to see.And it's interesting to me that he was somebody who had fought in the Second World War because I think the '70s and the feminist revolution, I think in some ways depends on there being a generation of men who didn't have anything to prove, in terms of masculinity. And it's really interesting to me that... So Barbara Castle's husband Ted was also, I think, a little bit older than her. But he was also very much in that Denis Thatcher mould of, “Woman! Right, you're exhausting.” And Maureen Colquhoun, who I also write about in the book, her husband Keith was, by all accounts, a very decent guy who was totally accepting of her ambitions. And then he conducted himself with incredible dignity after she left him for a woman. And I think that's a story that I'm interested in hearing a bit more about, is of the men who weren't threatened. So I do think that's a big challenge that the Thatchers did present to orthodox values. But let's not underplay them as conservatives.Henry: Oh no, hugely conservative.Helen Lewis: And also the fact that, to some extent, Margaret Thatcher was reacting to an economic tide that was very useful to her. More women in the workforce meant more productivity, meant higher GDP. And I think it was at that point a train that was just not... Why would you throw yourself in front of it to try and reverse it and get women back into the home?Henry: Her advisors wanted a tax break for marriage.Helen Lewis: Oh, that's a classic Conservative policy.Henry: Because they said, “We're in office, and this is what we're here for.” And she said, “I can't do it to the mill girls in Bolton. I can't give a tax break to wives in Surrey playing bridge.” And in a way, I think she was very quietly, and as you say for political reasons not entirely openly, quite on the side of the working woman for moral reasons that we would usually call feminist. But which because it's her and because of everything else she believes, it doesn't really make sense to call them feminist, but it's difficult to think of another Prime Minister who has had so much rhetoric saying “Yes, women should go to work, that's a good thing. Don't yell at them about it.” And who has implemented economic policies that's giving them tax breaks and trying to level the playing field a bit. So it's a sort of conundrum for me that she didn't want to be called a feminist, but she did a lot of things that quotes, if you were that sort of person would say “undermined” the traditional family or whatever.Helen Lewis: Yeah. And she found a way to be a powerful woman and an archetype of what that was, which I think again, is based enormously on Barbara Castle, I think Barbara Castle is the template for her.Henry: Oh yeah. Down to the hair. Yeah.Helen Lewis: With the big hair and the fluttering the eyelashes, and that kind of, what I think of as kind of “Iron Fem” right? Which is where you're very, very feminine, but it's in a steely ball-crushing kind of way. Although interestingly, Barbara Castle cried a lot. She would have frequently burst into tears about stuff, which again was, I think kept the men around her slightly off balance, they didn't know how to... Which I think any good politician uses what they've got. But the thing that struck me when I read more about Thatcher last year, was about the fact that if she hadn't been the first female Prime Minister, I think we would write a lot more about her lower-middle middle class background and what a challenge that was. And the fact that that really, in some ways, I think the Tory Party really loved having a female leader once they got over the initial shock because it was kind of like, “Well, aren't we modern. And now Labor can't have a go at us about all this kind of stuff, 'cause look at our woman leader.” What I think was more of a profound challenge for a long time, was the kind of arriviste sort of idea that she was, as you say, a representative of working people, upwardly mobile, or from right to buy being an example of one of these policies. I think that was a big challenge to the kind of men in smoky rooms.Henry: I don't think they ever got over it. Carrington called her “a f*****g stupid petit-bourgeois woman.”Helen Lewis: Petit-bourgeois is exactly the right, I think the right term of abuse. And there was a... And I think that's why... I mean, I think it came out as misogyny but actually it was also driven by class as well, the fact that she was no better than she ought to be, right?But that's about... I think that's how you see, and honestly I think Ted Heath experiences as a great... Leading to the incredible sulk, one of my favorite phrases, [chuckle] that he just never kind of got over that he had been beaten by a woman. I think that was an extra kind of poisoned pill for him, of the ingratitude of the party, that they would replace him with a woman.Henry: And a woman of his own class.Helen Lewis: Right. And exactly, it's not like she... So she wasn't sort of Lady Aster wafting in a cloud of diamonds and violet scent. It was, “Hang on a minute, you're saying this person is better than me.”Henry: Now, before Margaret Thatcher became leader of the Tory Party, almost nobody thought that she was going anywhere, right up to say a week before the leadership election. People would have meetings about who the candidates were and they wouldn't even discuss her. Who are the people in politics today that no one's really sort of gathered actually have got this big potential?Helen Lewis: Yeah, I think that's really interesting isn't it, that essentially she goes into that leadership context and they sort of think, “Well, someone's gonna shake it up a bit, someone's gonna represent the right to the party.” And then they go round... And it was Airey Neave who was running her campaign, going around sort of saying, “Well, you know, vote for her, it'll give Ted a shock.” And then the first ballot result comes in and they go, “Oh God, it's given us a shock as well.” And then I think at that point, Willy Whitelaw piles in, doesn't he? But it's too late and the train's already moving. And the other one who's... It's Hugh Fraser is the other... And he runs very much from the sort patrician candidate background. I love that, that leadership election, it symbolizes what I like about politics, which is just that sometimes there is a moment, that is a hinge when a force that's been bubbling away suddenly pops up. And not to get too much into the great man or in this case, a great woman theory history, but someone makes a big decision that is either going to be the right call or the wrong call.And for Margaret Thatcher is almost insanely ambitious, and she could have ended up looking incredibly stupid, and because the life didn't take that fork in the road, we'll never look back on that. But there are many people who have made that gamble, and again, go back to failures point, have crashed. You have to have that kind of instinct in politics. Who's good now? I was just thinking this morning that Bridget Phillipson of Labor, who is now currently shadow education, I think has been underrated for a long time. Finally less so, given that she's made it to the Shadow Cabinet, who knows if she can make an impression there, but she is smart. So I'll give you an example, she was asked the inevitable question that all labor politicians are now asked, like, “What is a woman?” And she said, “The correct... “ This is Richard Madeley asked her this. She said, “What to my mind is the correct legal ounce that would also makes sense to normal human beings who don't follow politics all the time, which is, ‘It's an adult human female or anybody with a gender recognition certificate. And there are difficulties in how you might sometimes put that into practice, but those are the two categories of people.'”And it was like this moment, I was like, Why? Why has it taken you so long to work out an answer to this question that is both correct and explicable. And I think that is an underrated gift in politicians, is actually deciding what issues you're going to fudge around and which issues you actually have to come out and say what you think even if people disagree with it. It was one of Thatcher's great strengths, was that she made decisions and she stuck to them. I mean, obviously then you get to the poll tax and it becomes a problem. But I think there's... One of the problems I felt with the Ed Miliband era of Labor was that he didn't want to annoy anybody and ended up annoying everybody. Wes Streeting, I think is also... No, I won't say underrated, I will say he's now rated and clearly has got his eye on the leadership next.Bridget Phillipson has a much more marginal seat than you'd like to see from somebody who's going to be a leader. Wes is an interesting character. Grew up on free school meals, has been through cancer in the last couple of years, is gay, has a genuinely kind of... But is also on scene as being on the right to the party. So he's got lots of different identity factors and political factors that will make people very hard to know where to put him, I think, or how to brand him, I guess. But those are two of the ones who you make me think that there's some interesting stuff happening. On the Tory side, there are some people who are quietly competent. So Michael Gove, I think, whatever you think about his persona or anything like that, is the person they put in when they want stuff actually to happen. I think Nadhim Zahawi did very well as Vaccines Minister without anyone really noticing, which is probably not what you want when you're a minister, but it's probably what you want from the public.Henry: Why are so many women late bloomers? Well, obviously, the constraints of having a family or whatever.Helen Lewis: I think the answer is children, I think is the answer to that one.Henry: But there must be other reasons.Helen Lewis: I think... I mean, who knows? I may be straying into territory which is pseudo-science here, but I do also think that menopause is quite important. When you lose all your caring for others, nicely, softly, softly hormones and your hormone profile becomes much more male, I think that makes it easier to not care what people think about you, to some extent. As does the fact that you can no longer be beautiful and play that card. And I don't know, I think also... Again, this is... I don't know if this is supported by the evidence, I think there's more of... I think more of the men fall away. I don't know, I think if you're a guy who's found it very hard to form personal relationships, then maybe your 50s and 60s can be quite lonely, whereas I think that's often the time in which women kind of find a sort of a second wind. Does that make sense? This is all... I mean, none of this is... There's no evidential basis for this, this is just based on my sort of anecdotal reading of people that I'm thinking of.Henry: Camille Paglia once wrote, she put it in very strict terms, she said something like, when the menopause happens, the wife becomes this sort of tyrant and starts flourishing.Helen Lewis: Yeah. No, I'm very much looking forward to that, yeah. Oh yeah.Henry: And the husband becomes this kind of wet rag and his testosterone level drops and the whole power balance just flips. And you're sort of, you're saying that, but not in quite that... Not as quite an aggressive way as she's phrased it.Helen Lewis: Yeah, and it's not a universal truth.Henry: No, no, not at all.Helen Lewis: I just think for the people for whom that happens, that is quite an arresting thing that often gives them the liberation. I also do think there's a kind of mindset change. I don't have kids, but I know from women that I know whose kids have gone off to university, that if you have been the primary caregiver, there is suddenly a great, big hole in your life, and what do you fill it with? And actually, do you have to find a new focus and direction and purpose, because you don't want to be sort of turning up at their halls of residence going, “Hello, just thought I check in, see if you're alright.” And whereas for men, who've maintained a sort of career focus throughout, whilst also adding on a family, that's not such a kind of big realignment of their day and their life and what they feel the focus of their life is.Henry: I spoke to Tyler Cowen about this and he wondered if there's something about women become more acceptable in their looks. So you think about Angela Merkel and Margaret Thatcher as... I think you were sort of implying this, when a woman reaches middle age, the public or the people around them are less likely to judge them on whether they're good-looking, and so some of that sexism slightly falls away, because when you are a woman in your 20s or 30s, you're very susceptible to being looked at or rated or whatever, whereas Margaret Thatcher had a sort of, I don't know, a motherly quality that no one would... There was a kind of cult of finding her attractive and Alan Clark said disgusting things about her.Helen Lewis: Yeah, and also we've had a queen for 70 years, right? So we do have that sort of idea of what female power looks like, which is icy and so it's non-emotional, but yeah.Henry: But I've seen that in the office, that women in their 20s have a difficult time if they're good looking because there are a certain type of men...Helen Lewis: Well, people assume you're stupid as well.Henry: Well, and also it's just what men go to. They talk about you being that, whereas once a woman gets slightly past that, men don't automatically sort of go, “Oh, how would you rate her out of 10” or whatever? And that creates a space to see them as the person.Helen Lewis: And see them as actual human. I think that's a really interesting thesis. I also think that there's a... I think being a young woman is a particular kind of problem. So I think there's definitely a form of ageism against women, where it's silly old bat, right? Which I do think you get silly old duffer as well, but there is some extra level as well about women, it's like, “Why are you still talking? No one wants to hear from you? Your... “ This is a phrase they use in the internet now, “You're dusty, you and your dusty opinions.” But I think you get the contrary version of that as a young woman, whereas I think we find... The phrase Young Turk implies man, doesn't it?It's like, thrusting young guy, on his way up, super ambitious, he's the new generation, whereas I don't think you necessarily have that whole sort of coalition of positive stereotypes about young women. It's untested, learner, still needs to learn the ropes, that kind of... I'm eternally grateful to my boss in my 20s, Jason Cowley of the New Statesman, for making me deputy editor of the Statesman when I was 28, which I think was a pretty radical thing to do. When I don't think it would have necessarily felt so radical to make a 28-year-old guy.Although I say that, but then Ian Hislop became editor of Private Eye when he was 26, and there was like a revolution among the old guard. And he had to metaphorically execute a few of them outside the woodshed. So I do think that... I also think people begin to... There's... Now, this is really straying to some dangerous, choppy feminist waters. Competition between women can be very fierce, obviously. I write about this in the book in the terms of Smurfette Syndrome. The idea that there's only one place for a woman, and by God, I've got to have it. But I do think that there can be some jealousy that maybe recedes. And I think it's probably true for men and women. As you get older, people don't see you as a threat because they think, “Well, by the time I'm 40, maybe I'll have all the stuff you have.” But if you've got that stuff at 28, I think there's a real feeling from other people in the generation that those, the stars are peeling away, and there's a real resentment of them. So one of the things I do is I provide kind of counselling services to young journalists who've just suddenly had like a really big promotion or career lift or whatever it is. And I feel indebted to go and say to them, “By the way, this is amazing, but people will hate you because of it.”Henry: It's very striking to me that we've had a period of very young politicians being leaders, but they're men. And the women who've either competed with them or become leaders afterwards are in their 50s. And I do think there's something about what's an acceptable public woman.Helen Lewis: And the idea of authority, I think that's the thing. I think as you get older as a woman, it's easier to seem authoritative.Henry: Someone like Stella Creasy, I think, has had a much more difficult time just because she happens to be under a certain age.Helen Lewis: Yeah, I think that's interesting. And I think the fact that she's now got very young children at a relatively older age. I know that's... Sorry. Apologies to Stella, if you're listening. But it is comparatively old to have children after 40, still. That that will be interesting of how that complicates her next decade in politics.And I do think those super top jobs… There was a really brilliant piece of research which I put in the book about the sort of so-called demanding jobs, the kind of lawyers, the top lawyers, and I think journalists and politicians. Greedy jobs, they're called. And the fact is that they have become more demanding in terms of hours as women have entered the workforce. And now the thing has become fetishized as can you do the 14-hour days? And it becomes a soft way of excluding women with young kids.The problem, I think, will come with all of this when both men and women end up needing to look after elderly parents, as we're having more and more of that extension, those decades at the end of life when you're alive but maybe you're not as mobile as you were. Maybe you need more help from your family. And I think there is a lot of anger among certain types of women that they just feel like they're finally free from their caring responsibilities, and then they get landed with another one. But I know, I've been to some feminist conferences recently where... There's a famous saying which women are the only minority that get more radical with age, which I think is probably true. You can meet some groups of 50-something women, and they are fuming, really fuming. And they've now got the time and the sort of social capital with which to exercise that fuming-dom, as it were.Henry: Is Roy Jenkins overrated?Helen Lewis: [laughter] That's the most random question. He's not my favourite politician, mainly because I'm Team Castle for life, right? And I think she was treated very badly by the men in that Wilson cabinet, the first, the '66 to '70 one, of whom he was one, right? I think that, yeah. I think... Do you know what? I haven't got very strong opinions on him compared with my strong opinions on James Callaghan, who I am anti. And I know there are some Callaghan-stans out there. But I think the utterly cynical way in which he sucked up to the unions in order to get the leadership at the cost, ultimately, of then Margaret Thatcher in '79, out-strikes me as one of the most sort of cynical pieces of politicking.Henry: You are sailing very close to being a Thatcherite.Helen Lewis: I'm not a Thatcherite. I'm not.Henry: No, I know.Helen Lewis: But I can see... I think you... And I think Rachel Reeves has basically written about this, who's now Labour's Shadow Chancellor, that if Barbara Castle had succeeded with In Place of Strife on what were, now, to us, very mild measures, right? A conciliation pause where you have negotiations, strike ballots, no wildcat strikes. If she'd managed to push through some of those, then some of the excesses of the '70s would not have happened. Or at least, Labour would have been able to show that it had a grip of them. But you have a situation where the teachers were asking for something like 25% pay rise in the run up to the '79 election. And the Labour government just looked completely out of control. And so yeah, that's my Callaghan beef. What's your Roy Jenkins beef, then?Henry: I don't have beef. I can't remember why I wrote that question. I read about him in your book. I suppose I think that he did implement some good progressive measures, but that he was essentially a sort of patrician wannabe. And that his whole career in politics is much more middling and establishment, and his radicalism was... I don't know. Perhaps overrated, when we look back.Helen Lewis: Well, I will go away and read some more. I read quite a lot of the... The mad thing about the cabinet, particularly in that Wilson government, is that they were all obviously sitting there writing copious amounts of... To the extent that Barbara Castle would actually write literal notes in cabinet, save it for diary later on. But Tony Benn was writing notes. Crossman was writing notes. Jenkins essentially wrote lots of... A very full memoir. Harold Wilson wrote one of the most boring memoirs that the world has ever seen. The trade union leaders wrote memoirs. Jack Jones wrote a memoir. It was an astonishingly literate and writerly sort of set of people. And yet the cabinet was, in some respects, kind of utterly dysfunctional, but with Wilson still running a sort of... You know, sort of like who was kind of currently had been nice to me. And he went... And of course in his second term, he became incredibly paranoid.It was not a model of good government really. And again, Callaghan is one of the greatest political resurrections ever, right, when he completely screws up the Treasury and then uses Northern Ireland's Home Secretary in order to kind of make himself back into a respectful mainstream figure. But before we go and fight Roy Jenkins-stans, we should both go and find out what our beef is with him.Henry: I'm gonna say her name, well, Colquhoun?Helen Lewis: Colquhoun.Henry: Colquhoun. She said, “Labor would rather fight Powell than solve poverty.” Is that still true?Helen Lewis: What read it out there is a phrase that I think Maureen Colquhoun said after not “the rivers of blood” speech, but another Enoch Powell speech in the '70s, which got her in enormous trouble. Would you like to endorse this sentiment that got her called a racist? And it was used as a pretext for drumming her out of the Labor party. So what happened to Maureen after that is that she... Her local party tried to de-select her, it then went to an appeal at the NEC. She eventually ended up holding on to her candidacy and then she lost in '79 to a guy called Tony Marlow, who's one of the most... Talk about Thatcher, I mean... He was bristly, to the extent that his nickname was Tony von Marlow. But yeah, he has some terrible quote about Harriet Harman as well, which is something like, “These bra burners have got a chip on their shoulder,” or something. It was something terrible mixed metaphor involving how you couldn't wear a bra if you also had a chip on your shoulder. Anyway, I digress.Henry: I'm not trying to endorse her quote, but if you replace Powell with Boris.Helen Lewis: I think it's a really interesting quote about... It comes back to purity leftism, what we were talking about before, is actually, “Do you want the win or do you want the fight?” And there is, I think, more of a tendency on the left than the right, to want to be on the right side of history, to want to be pure, to want to be fighting, and that sort of sense that... The perpetual struggle is the bit that you want to be in, that's the bit that's exciting, rather than the win. I think one of the really interesting sounds to me is gay marriage. I was just reading this Jonathan Rauch piece this morning about the fact that... His argument being, that there was a coalition of kind of right-wingers and centrists and liberals in America who fought with the radical left, who wanted gay rights to be predicated on the idea of sort of smashing the nuclear family and everything like that, to say, “Let's make gay rights really boring, and let's talk a lot about how much we want to get married. And maybe we wanna adopt. Let's recruit all the people who happen to have been born gay, but are also Tories or Republicans.”And I think a similar thing happened to him here, where you have David Cameron saying, “I support gay marriage not in spite of being a conservative, but because I'm conservative.” And you frame it as essentially a very norm-y, boring thing. And I think that has been really interesting to watch in the sense of... I think that's why gender is now come much more to the fore because it's a sense that, “Well, if even Tories are okay with people being gay, it's not... Like what's left? How is that interesting anymore?” And so, I think the criticism that she was trying to make there is very true in the sense that sometimes Labor wants to look right more than it wants to win a halfway victory.Henry: What are some of the best or most underrated biographies of women?Helen Lewis: That's a really interesting question. I read a lot of royal biographies, so I very much like Leonie Frieda's biography of Catherine de' Medici, for example. There is also... You're gonna think this is terrible, Princess Michael of Kent wrote a joint biography of Catherine de Medici and Diane de Poitiers, the mistress of Henry II, which is called The Serpent and the Moon, which is a really... I think it's... Actually, it's not a bad biography, but I think it's quite interesting to write a biography of the wife and the mistress together.Henry: Yeah, I think that's a great idea.Helen Lewis: Because the story of them is obviously so intertwined and their power relationship obviously changes, right? Because Catherine is the dowdy wife who bears the 10 children, Diane is the kind of unbelievably gorgeous, older woman. But then of course, the king dies and it's like, “Oh, nice chateau you've got there. Shame, one of us is the dowager queen and one of us is now just some woman,” and makes her hand back her Chenonceau to her. So I enjoyed that very much. I'm trying to think what the best political women biographies are. Do you have a favourite Elizabeth I biography? I think there must be a really great one out there but I can't... I don't know which one actually is best.Henry: Well, I like the one by Elizabeth Jenkins, but it's now quite out of date and I don't know how true it is anymore. But it's, just as a piece of writing and a piece of advocacy for Elizabeth, it's an excellent book. And it sold, it was sort of a big best seller in 1956, which I find a very compelling argument for reading a book, but I appreciate that a lot of other people might not.Helen Lewis: No, that's not to everyone's taste. That's interesting. I like Antonia Fraser as a biographer. I don't know if you'‘e got a strong feelings, pro or anti. Her Mary Queen of Scots book is very good. Her Mari Antoinette book is very good. And I actually, I interviewed her once about how she felt about the Sofia Coppola film, which is basically like a two-and a half hour music video. She was totally relaxed, she was like, “It's a film, I wrote a book.”She didn't say it like that, she didn't go, “Film innit,” sucking on a roll-up, she said it in a very lofty, Antonia Fraser kind of way. But I think that's a good thing if you're an author, to kind of go, “What works in a biography is not what works in a film,” so...But yeah, I grew up reading those Jean Plaidy historical novels, so I guess I read a lot of biographies of Queens. I'm trying to think whether or not I read any biographies of modern women. I haven't read... I have on my shelf the, Red Comet, the Sylvia Plath biography. And I also, which is on my to-read pile, as is the biography of Gertrude Stein and Alice B. Toklas by Janet Malcom, which I one day, will treat myself to. Henry: What are the best or most underrated biographies by women?Helen Lewis: By women? Well, again, then we go back to...Henry: I mean, you've named some of them, maybe.Helen Lewis: The interesting thing is, I remember when I did Great Lives, they said... The Radio 4 program about history. That they said, the one thing that they have tried to encourage more of, is men nominating women. Because they found there was no problem with getting women to nominate men and men to nominate men, but they found there weren't that many men who picked women, which I think is interesting. I really wanted, when Difficult Women came out, I wanted a man to review it.Henry: Did that not happen?Helen Lewis: No, it didn't happen. And I think everybody would've... I think, from the point of view of your male reviewers, why would you review a book on feminism when you're gonna get loads of people going, “Ew, what are you doing?mansplaining feminism?” But it's an intellectual project, right? It's not a... It should be open to criticism by absolutely anyone, not on... You don't have to pass an identity test. It's an ideology and a school of history. And so I would... What's the best biography of woman written by a man, is kind of a question I'm interested in.Henry: Yes. That's very difficult to think of.Helen Lewis: And how many of them are there? Because it just strikes me that when I'm naming all my women, biographies of women, that they're all by women.Henry: Yes. It's difficult to think... It'‘ easy to think of biographies of men written by women.Helen Lewis: Right. Hermoine Lee's out there repping for Tom Stoppard biography recently. But yeah, people can send in answers on a postcard for that one.Henry: Should there be less credentialism in journalism?Helen Lewis: Yes. I started as a sub-editor on the Daily Mail. And I worked alongside lots of older guys who had come up through local papers at the time when the trade unions were so strong that you had to do two years on local paper before you got to Fleet Street. And therefore, I worked with quite a lot of people who had left school at either 16 or 18 and were better at subbing than people who'd... than recent university graduates. And so, the way that journalism has become first of all, a graduate profession and now a postgraduate profession, I don't think it's got any real relationship to the quality of journalism. There are a sort of set of skills that you need to learn, but a lot of them are more about things like critical thinking than they are about literature, if you see what I mean?That's the thing. That is what I find very interesting about journalism, is the interesting marriage of... You have to have the personal relationships, you have to be able to find people and make them want to be interviewed by you and get the best out of them. Then you have to be able to write it up in prose that other humans can understand. But then there is also a level of rigour underneath it that you have to have, in terms of your note-keeping and record-keeping and knowledge of the law and all that kind of stuff. But none of that maps onto any kind of degree course that you might be able to take. And so, I think that's... And the other huge problem, I think in journalism is that, everyone in the world wants to do it, or at least that's how it seems when you're advertising for an entry level position in journalism.When I was at the New Statesman, we used to recruit for editorial assistants and I once had 250 applications for a single post, which was paid a fine amount, you could live on it just about in London, but was not... It was a plum job in intellectual terms, but not in economic terms. And I think that's a real problem because I could have filled every position that we had, with only people who'd got Firsts from Oxford or whatever it might be. But it wouldn't have been the best selection of journalists.Henry: No. Quite the opposite.[laughter]Helen Lewis: Yes. I enjoy your anti-Oxford prejudice. [chuckle] But you know what I mean is that I... But the fact that you had to have at least a degree to even get through the door, is sort of wrong in some profound way. And actually, some of the places have been... I think Sky did a non-graduate traineeship for people who were school leavers. And I think that there are profound problems in lots of those creative arts, publishing is the same, academia is the same, where you could fill every job which is low paid, and in London, with middle-class people whose parents are willing to fund them through. And the credentialism just is a further problem in that it just knocks out bright people from perfectly normal economic backgrounds.Henry: Do you think as well, that in a way, the main criteria for a good journalist, whether they're a sub-editor, or writing leaders or whatever, is common sense? And that a good English degree is really no guarantee that you have common sense.[laughter]Helen Lewis: Yeah. I couldn't put my hand in my heart and say that everybody I know with an English degree demonstrates common sense. I think that is actually not a bad... The famous thing is about you need a rat-like cunning, don't you? Which I think is also pretty true. But yeah, you do need to come back to that kind of idea about heresy and you do need to have a sort of sniffometer, not to be... I think you need to be fundamentally cynical, but not to a point where it poisons you.The right amount of cynicism is probably the thing you need in journalism. Because my husband's a journalist and quite often, there'll be a story where we just go, “I don't believe that. I just don't believe that.”And it really troubles me that that's become harder and harder to say. So I wrote a piece a while ago, about TikTok and people who claim to have Tourette's on there and actually quite a lot of them might have something else, might have functional neurological disorder. But there are whole genres of that all across journalism, where people will talk very personally and very painfully about their personal experiences. And the other half of that is that, we are not... It's mean, to question that. But they're often making political claims on the basis of those experiences. And you therefore can't put them in a realm beyond scrutiny. And so it's interesting to me, having been a teenager in the '90s when journalism was incredibly cruel. I'm talking about the height of bad tabloid, going through people's bins, hate campaigns against people. And a lot of this “be kind” rhetoric is a response to that and a necessary correction, but I do think there are now, lots of situations in which journalists need to be a bit less kind. That's a terrible quote. [laughter] But do you know what I mean?Henry: I do know exactly what you mean.Helen Lewis: When you have to say, “I know you think you've got this illness, but you haven't.” That's tough.Henry: People need to be more difficult.Helen Lewis: That's always my marketing strategy, yes.Henry: I want to ask if you think that you are yourself a late bloomer? In the tone of voice that you write in, you very often... You write like an Atlantic journalist and there are these moments, I think, of real wit. I don't mean jokey. I mean, clever. And so, a line like, “Your vagina is not a democracy,” is very funny but it's also very...Helen Lewis: It's true.Henry: Sort of Alexander Pope-ish.[laughter]Helen Lewis: That's the best possible reference. Yes, I hope to write very mean epigrams about people, one day.Henry: Please do. But you can also be very jokey like when you said, I think in a footnote, that you don't watch porn because the sofas are so bad.Helen Lewis: True.Henry: Now, there is something in those moments of wit that I think suggest that you could, if you wanted to, go and do something other than what you've already done. Maybe like Charles Moore, you'd become a biographer, or maybe you'd become a novelist, or maybe you'll run a think tank, or maybe you'll set up a newspaper and only employ 16-year-old school leavers, or... I don't know. Is that how you think about yourself or am I...Helen Lewis: You are trying to tell me I need to just grow up.[laughter]Henry: Not at all.Helen Lewis: Stop clowning around like a sea lion for applause after throwing fish.Henry: My theory on Helen Lewis is, you've got all the accolades that someone could want from a journalistic career.Helen Lewis: Not true. I've only ever won one award for journalism and you'll love this, it was Mainstream Video Games Writer of the Year.Henry: Oh my god.Helen Lewis: That's it. From the Games Awards in 2013, which I only remember this because every so often my publisher will put award-winning journalist as a merit that I have. Not really gov, not if I'm honest. You're right though. I have one of the plum jobs in journalism which is I work three days a week at the Atlantic, and then I make radio documentaries on the side and write books, and that is a position which is enormously enviable. But I have also... So I've moved away from column writing, in the last couple of years — I used to write a regular op-ed column — because I found it a deeply unsatisfying form. And I think, when you do jokes, you begin to realize that you can actually just say stupid, easy clap lines and with sufficient confidence, and people will respond to them, and after a while, you begin to hate yourself for doing that.[laughter]Well, that's one of the reasons I again... Like getting off Twitter. You know what I mean? You see some of those accounts that just exists to do lazy little dunks about the people that are appointed, that are sort of designated hate subjects. So if someone gets designated as a hate subject, then you can say nasty things about them and then everybody will applaud you. And I fundamentally revolt from that and I don't like it.I think that as a journalist, you should always try and be at right angles to whatever the prevailing opinion is. And actually as I've got older, I value the sort of... The people I think of as contrarians who I think really believe it rather than the people who are doing it for effect. Someone like a Peter Hitchens. He's got a whole ideology that's very much not mine and a set of interesting opinions and he believes them, and he truly argues them, and although they... Whether or not they're popular or unpopular is of no interest to hi

Chaque samedi, William Leymergie vous fait découvrir de nouveaux lieux partout en France.

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Ltd. “Chateau de Chenonceau.” GardensOnline, Gardens Online, 2021, www.gardensonline.com.au/inspiration/gardensoftheworld/show_92.aspx.Greenberg, Jake. “Drinking Gold Did Not Help the 16th-Century French Elite Fight Aging.” InsideHook, 21 Sept. 2018, www.insidehook.com/daily_brief/news-opinion/drinking-gold-16th-century-french-aging.“Heavy Metal Poisoning: What You Should Know.” WebMD, 22 Jan. 2018, www.webmd.com/a-to-z-guides/what-is-heavy-metal-poisoning.Johnson, Jon. “Mercury Poisoning: Symptoms and Treatment.” Medical News Today, 9 Jan. 2018, www.medicalnewstoday.com/articles/320563#causes.Kate. “Drinking Gold for Youth: Beauty Treatment Kills Woman.” The Belgravia Centre, 27 Oct. 2010, www.belgraviacentre.com/blog/drinking-gold-for-youth-beauty-treatment-kills-woman-473.Katy, and Nathan. “Queens Podcast - Side Hustle: Diane De Poitiers, Episode 18 on Stitcher.” Stitcher, uploaded by Queens Podcast, 5 Feb. 2018, www.stitcher.com/show/queens-podcst/episode/side-hustle-diane-de-poitiers-episode-18-53157060.Kynaston Bowden, Caroline Mary. “FEMALE EDUCATION IN THE LATE SIXTEENTH AND EARLY SEVENTEENTH CENTURIES IN ENGLAND AND WALES: A STUDY OF ATTITUDES AND PRACTI CE.” Institute of Education University of London, 1996, pp. 46–60, discovery.ucl.ac.uk/id/eprint/10019233/1/389405.pdf.Lindsay Holiday. “Queen Catherine de' Medici.” YouTube, uploaded by Lindsay Holiday, 4 Aug. 2020, www.youtube.com/watch?v=pGHfRrzRMOM.Malone, Noreen. “Waity Katie's Ladies.” Slate Magazine, 15 Apr. 2011, slate.com/human-interest/2011/04/kate-middleton-s-ladies-in-waiting-what-will-they-do.html.Marquez. “A Brief History of The Medici Family.” YouTube, uploaded by Marquez, 26 Mar. 2020, www.youtube.com/watch?v=IGEyzt47VYU.McDowall, Carolyn, and Carolyn McDowall. “Diane de Poitiers – Moon Mistress and Woman of Influence.” The Culture Concept Circle, 9 June 2014, www.thecultureconcept.com/diane-de-poitiers-moon-mistress-and-woman-of-influence.Mejia, Paula. “Drinking Gold Was a Grisly Anti-Aging Trend of 16th-Century France.” Atlas Obscura, 7 Jan. 2019, www.atlasobscura.com/articles/how-did-people-prevent-aging.Michael Jiroch. “A Walk Around Château de Chenonceau, Loire Valley, France.” YouTube, uploaded by Michael Jiroch, 30 Jan. 2020, www.youtube.com/watch?v=5KujZuJ8syQ.Milne, Andrew. “24 Hours at Château de Chenonceau with Diane de Poitiers.” Explore France, 29 Oct. 2019, us.france.fr/en/loire-valley/list/diane-de-poitiers-chateau-chenonceau.Montagne, Renee. “NPR Cookie Consent and Choices.” NPR Morning Edition, National Public Radio, 18 Dec. 2009, choice.npr.org/index.html?origin=https://www.npr.org/templates/story/story.php?storyId=121600083.National Center for Enviromental Health. “Hypothermia|Winter Weather.” Center for Disease Control, 26 Feb. 2018, www.cdc.gov/disasters/winter/staysafe/hypothermia.html.Nicholson, Joseph. “How Is Mercury Used to Purify Gold?” Sciencing, 2 Mar. 2019, sciencing.com/how-mercury-used-purify-gold-4914156.html.Osterloff, Emily. “What Is Ambergris?” Natural History Museum, www.nhm.ac.uk/discover/what-is-ambergris.html. Accessed 13 Apr. 2021.Paris, By Henry Samuel In. “French King's Mistress Poisoned by Gold Elixir.” The Telegraph, 22 Dec. 2009, www.telegraph.co.uk/news/worldnews/europe/france/6865939/French-kings-mistress-poisoned-by-gold-elixir.html.Quora Contributors. “What Happens When You Eat Gold.” Quora, 4 Feb. 2020, www.quora.com/What-happens-when-you-eat-gold.Sidney, Deana. “Beauty, Brains and Style –– Diane de Poitiers and Renaissance Potage-Green Sauce.” Lost Past Remembered Blog, 15 Mar. 2015, lostpastremembered.blogspot.com/2015/03/beauty-brains-and-style-diane-de.html.The BMJ. “Fatal Alchemy.” YouTube, 4 Jan. 2010, www.youtube.com/watch?v=mSvaf-4Cbj4.“The Garden of Catherine De Medicis.” Chenonceau, 29 May 2017, www.chenonceau.com/en/gardens/the-garden-of-catherine-de-medicis.The Italian Tribune. “How Did the ‘Mona Lisa' End up in France?” Mona Lisa's Florence, 30 Mar. 2019, becomingitalianwordbyword.typepad.com/monalisabook/2016/03/how-did-the-mona-lisa-end-up-in-france.html.Tran, Christine. “Raunchy Facts About King Francis I, Father Of The French Renaissance.” Factinate, 26 Feb. 2021, www.factinate.com/people/41-raunchy-facts-about-king-francis-i-father-of-the-french-renaissance/#:%7E:text=Francis%20I%20of%20France%20passed,of%20his%20lungs%20in%20shreds.%E2%80%9D.U of M Medicine. “Hypothermia and Cold Temperature Exposure | Michigan Medicine.” University of Michigan Medicine, University of Michigan, 26 Feb. 2020, www.uofmhealth.org/health-library/aa53968spec#:%7E:text=Hypothermia%20can%20occur%20when%20you,(21%C2%B0C)%20water.User, Super. “Gold Chloride.” Espi Metals, espimetals.com/index.php/msds/137-Gold%20Chloride. 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En este episodio, te presentamos un extracto de la conferencia de prensa que dio el pasado 8 de octubre para anunciar el regreso del festival gastronómico Goût de / Good France del 14 al 22 de octubre 2021. ¿Qué es Goût de / Good France? Es una iniciativa del Ministerio para Europa y de Asuntos Exteriores y del aclamado chef francés Alain Ducasse. El motivo es festejar la inscripción al Patrimonio Mundial Inmaterial de la UNESCO de la comida gastronómica de los franceses y recordar que más allá de recetas y técnicas, lo importante son las relaciones sociales que se tejen alrededor de una mesa. ¿Qué es la comida gastronómica de los franceses? Es la oportunidad de reunir las familias y los amigos para un momento de convivialidad Es un ritual con horarios fijos. Se come a las 12:30 del día y se cena a las 7:00 de la noche. Muchas veces los restaurantes cierran entre los dos servicios así que los viajeros deben contemplar estos horarios a la hora de planear un viaje a Francia. Como todo ritual, el hecho de comer en Francia, requiere tiempo. Por eso el menú sigue un orden especifico que va de 4 hasta 7 tiempos, entre Aperitivo, Entradas frías y calientes, Plato fuerte a base de pescado y otro a base de carne, Quesos y Postres. La fórmula más extensa suele ser un menú para grandes ocasiones como bodas y aniversarios. Sin embargo, en la vida cotidiana, se sigue aplicando un orden donde a diario se sirven quesos entre el plato fuerte y el postre en muchos hogares de Francia. Es también una ocasión para poner la mesa porque también hay un arte y un protocolo en la manera en la que se decora la mesa y se ubican cada uno de los elementos indispensables. Región Invitada: Centro-Valle del Loira La región del Centro-Valle del Loira será la región protagonista de esta edición 2021 de Goût de/Good France, en colaboración con el Consejo Regional del Centro-Valle del Loira y el Comité Regional del Turismo del Centro-Valle del Loira. El chef embajador de esta 6a edición de Goût de / Good France es el chef Christophe Hay, premiado con dos estrellas Michelin y recientemente nombrado «Cocinero del Año 2021» por la guía gastronómica Gault & Millau, en reconocimiento a su compromiso con una cocina local, sostenible y solidaria. Seguramente muchos conocen la región por ser la cuna del Renacimiento y de los castillos más importantes de Francia como Amboise, Chambord, Chenonceau o Cheverny. Sin embargo, la gastronomía del Valle del Loira es otro gran atractivo, marcada por su geografía. El río Loira aporta numerosos pescados de agua dulce como la carpa y el lucio. También tiene el apodo de Jardín de Francia porque su clima y su terruño permiten crecer un sinfín de productos. Los champiñones que crecen en las grutas trogloditas son muy preciados en las cocinas de los grandes restaurantes de Francia. También hay muy buenos quesos en Valle del Loire, en especial se producen cinco quesos de cabra que tienen una Apelación de Origen AOP: Crottin de Chavignol, Pouligny St Pierre, Sainte-Maure de Touraine, Selles-sur-Cher y Valençay. Un buen menú del Valle del Loira, siempre termina con uno de los postres más famosos de Francia: la famosa Tarta Tatín, creación de dos hermanas en su hotel de Lamotte Beuvron que aun funciona y recientemente fue remodelado. Y no podemos terminar sin mencionar los vinos del Loira. Los viñedos de la región representan una gran diversidad de terruños y se usan 24 tipos de uva diferentes para hacer algunos de los vinos blancos, rosados, tintos y espumosos más famosos de la zona.

You are listening to Cultivate Your French podcast One Slow French episode every week.  My name is Laetitia, I'm French, I live just outside Paris and I share with you a small slice of my daily life here in France.  All the information about the transcript,notes and photos is available at www.cultivateyourfrench.com Last week-end, the weather was beautiful and I felt the urge to go to Dieppe's market to buy some good things to eat and spend a nice day by the sea. The five of us woke up early, took a quick breakfast and took our place into the car.  But before telling you more about this, here is the answer to the riddle.  We were looking for a person, someone who was very serious and dark, but with an intense expression. Probably a woman. Someone who I mentioned in a previous podcast who became owner of a place by the river Cher. Ah, the place could be the Château de Chenonceau. Then, Diane de Poitiers or Catherine de Medicis? Well, Catherine de Medicis painted by François Clouet in her dark clothes. The painting is taking you by surprise on a narrow wall when you turn to enter a small corridor in one the of the Carnavalet' rooms. No, she's not smilling, not even looking at us, but I think there is a kind of pride in her face. Don't you think?

Since last week, we are on holidays and the podcast takes you with us. I'm recording this episode in the garden of our new home for two weeks.  Our holidays started in the Loire Valley where we had a walk in the the gardens of the castle of Chenonceau by night. This is what I told you last week. A few days later, we came back to Chenonceau to visit both the castle, where every room is outstanding, and the gardens .  Our week in the Loire Valley ended with the visit of the castle of Montpoupon. A Renaissance castle where the owners (since 300 years) are still living. We loved it because the rooms are largely decorated with many objects of everyday life from the 16th century to the early 20th century. By the end of the week, it was time to go to Felicia's concert in Pontlevoy where she was staying for a baroque music camp.    My name is Laetitia, I'm French, I live just outside Paris and I share with you a small slice of my daily life here in France. I have also been running the podcast One Thing In A French Day since 2006 All the information about the transcripts, notes and photos is available at www.cultivateyourfrench.com

We are on holidays! And I'm happy to share a few moments with you. I'm recording this episode in the garden of the house we've rented. This week we are in the Loire Valley region. I was dreaming to go back to Chenonceau, one the beautiful Loire Valley castles, since 2013. Chenonceau is a small Renaissance castle mainly built in the sixteenth century that the king Henri II offered to his very good friend Diane de Poitiers. When he died, his wife Catherine de Medicis took it back for herself and managed France from there. Mary Stuart was married to one of his son, Henri III and also lived in Chenonceau. This place is full of history! Micaela was surprised because she's reading La princesse de Clèves written in the 17th century by Madame de La Fayette. The story takes places at Henri II's court and Diane de Poitiers, Catherine de Medicis are part of the story. I've seen in the Castle shop that there is an English version of this book published by Penguin Books. Have you read it? My name is Laetitia, I'm French, I live just outside Paris and I share with you a small slice of my daily life here in France. I have also been running the podcast One Thing In A French Day since 2006 All the information about the transcripts, notes and photos is available at www.cultivateyourfrench.com  

Il y a quelques années, en mars 2013, je terminai un épisode du podcast par ces mots « notre visite a été assez courte, mais je ne rêve que d'une chose : retourner à Chenonceau ! Eh bien, parfois, il y a des rêves qui se réalisent ! Nous sommes en balade à Chenonceau ! Il fait presque nuit, il y a de la lumière dans les jardins et le beau château est illuminé. Un beau croissant de lune dans le ciel et de la musique. De la musique pour nous accompagner dans cette jolie promenade ! La suite du texte est dans le TRANSCRIPT, abonnez-vous! http://bit.ly/OneThingTranscripts  

Le podcast de la Sieste Musicale a pour but de vous faire découvrir les plus belles villes françaises ! Cette émission va vous faire découvrir des lieux emblématiques de France et vous faire voyager sans bouger de votre canapé. Ce programme vous embarquera dans une visite audio immersive de la vallée de la Loire où vous pourrez faire travailler votre imagination et vagabonder à vélo entre les plus grands châteaux des rois de France. . The Sieste Musicale podcast aims to make you discover the most beautiful French cities ! This program will make you discover emblematic places of France and make you travel without moving from your sofa. It will take you on an immersive audio tour of the Loire Valley where you can let your imagination work and wander by bike between the greatest castles of the kings of France. . Voici le lien vers la playlist que nous avons concocté pour ponctuer cette session : https://www.youtube.com/playlist?list=PLZ0ubMuDljKQMokpTQElOOX1qA9U8gO9n Et voici la liste des lieux mentionnés dans cet évènement : Chaumont sur Loire, Château et jardins du Domaine de Chaumont Sur Loire, Château de Chambord, Château de Cheverny, Château Royal d'Amboise, Château du Clos Lucé, Domaine Royal de Château-Gaillard, Château de Fourchette, Château de Chenonceau, Château de Chémery, Tours, Château de Villandry, Château d'Azay-le-Rideau, Villaine les Rochers, Vallée troglodytique, île de Béhuard

Les Châteaux de la Loire – Colle Part of Visit France Course | Loire Valley Castles Focus on 6 Loire Valley Castles, a short quiz of the chateaux at FrenchHour, including Chenonceau, Chambord, Villandry, Azay-le-Rideau, Cheverny, Amboise. France makes it really easy to go and visit royal castles, as most of them are located in […] The post Loire Valley Castles – Quiz appeared first on French Hour.

Les Châteaux de la Loire – Colle Part of Visit France Course | Loire Valley Castles Focus on 6 Loire Valley Castles, a short quiz of the chateaux at FrenchHour, including Chenonceau, Chambord, Villandry, Azay-le-Rideau, Cheverny, Amboise. France makes it really easy to go and visit royal castles, as most of them are located in […] The post Loire Valley Castles – Quiz appeared first on French Hour.

D'une beauté légendaire, femme d'affaires tenace, mécène, Diane de Poitiers vécut une histoire d'amour avec le roi Henri II qui dura plus de vingt ans. Partez avec Christine Bravo sur ces traces au château de Chenonceau et découvrez sa légende...

À quoi ressemble le quotidien d'une tapissière ? Aujourd'hui, je retrouve Sylvia,  tapissière d'ameublement, dans son atelier. Elle s'occupe de rénover les beaux sièges que vous pouvez voir, par exemple au château de Chenonceau, mais aussi de rideaux, tentures murales, literie coussins,  paravents. Tout cela avec des matériaux naturels ! Elle nous en parle dans cet épisode !

Chenonceau est sans doute le plus original des châteaux de la Loire. Dans ce nouvel épisode du podcast Europe 1 Studio "Au cœur de l’Histoire", Jean des Cars vous explique comment l’aspect unique de ce "château-pont" a été façonné par les femmes exceptionnelles qui l’ont successivement habité, et transformé…

Chenonceau est sans doute le plus original des châteaux de la Loire. Dans ce nouvel épisode du podcast Europe 1 Studio "Au cœur de l’Histoire", Jean des Cars vous explique comment l’aspect unique de ce "château-pont" a été façonné par les femmes exceptionnelles qui l’ont successivement habité, et transformé…

Aujourd'hui, direction le château de Chenonceau pour y rencontrer Jean-François Boucher, qui l'habille de ses merveilleuses compositions florales. Dans cet épisode, il nous parle du potager nouricier du château, de Catherine de Médicis, de technique et d'émotion florale. Et il est passionnant ! Musique : Not the king- Ice tea Crédits photo : Bereflex

“From One Renaissance to Another” — La embajadora de la Maison Penélope Cruz lee un extracto de un texto escrito por Fanny Arama sobre el Château de Chenonceau, que es a la vez la inspiración y el telón de fondo del desfile Métiers d’Art 2020/21 “Le Château des Dames”.

From One Renaissance to Another’ ในเวอร์ชั่นภาษาไทย — แอมบาสเดอร์ของแบรนด์ วิโอเลต วอเทียร์ (Violette Wautier) จะมาอ่านเรื่องราวส่วนหนึ่งจากบทความที่เขียนโดย แฟนนี่ อะรามา (Fanny Arama) เกี่ยวกับ Château de Chenonceau ซึ่งเป็นทั้งแรงบันดาลใจและฉากหลังของ ‘Le Château des Dames’ โชว์ Métiers d’art 2020/21

‘From One Renaissance to Another’ in English — House ambassador Keira Knightley reads an extract from a text written by Fanny Arama about the Château de Chenonceau, that is both the inspiration and the backdrop of the ‘Le Château des Dames’ 2020/21 Métiers d’art show.

From One Renaissance to the Other’ 中文版 — 品牌大使桂綸鎂 (Gwei Lun-Mei) 閱讀錄製擷取自作家芬妮·阿拉瑪 (Fanny Arama) 所撰寫有關香儂頌城堡 (Châteaude Chenonceau) 的故事，此處為香奈兒 2020/21 Métiers d’art 工坊系列« Le Château des Dames 女士城堡» 的創作靈感來源，也是大秀的發表地點。

"Da un Rinascimento all'altro" in Italiano - l'Ambasciatrice della Maison Anna Mouglalis legge un estratto da un testo scritto da Fanny Arama a proposito dello Château de Chenonceau, fonte di ispirazione e cornice della sfilata ‘Le Château des Dames’ Métiers d’art 2020/21.

« D’une Renaissance à l’autre » en Français — l’ambassadrice de la Maison Anna Mouglalis lit un extrait du texte de Fanny Arama à propos du Château de Chenonceau, à la fois inspiration et lieu du défilé Métiers d’art 2020/21 « Le Château des Dames ».

Bienvenidos a la parte 2 de este episodio dedicado a los castillos del Valle del Loira. Si no han escuchado la parte 1, pueden correr a escuchar el episodio 14. La región del Valle del Loira también es conocida como “el Jardín de Francia”. Haremos 6 paradas imperdibles: Castillo de Villandry y sus jardines a la Francesa Castillo de Chaumont-sur-Loire y su festival Internacional de Jardines Castillo Real de Amboise y su parque para hacer picnic Clos-Lucé y su parque dedicado a los inventos de Leornardo Da Vinci Castillo de Chambord y su reserva natural del tamaño de PArís intra-muros. Castillo de Chenonceau y la elegancia de sus arreglos florales Para agentes de viaje y profesionales del turismo, pueden ver más en nuestro manual de ventas online : https://issuu.com/home/published/manual_de_ventas_francia_vf_light O pueden pedir la versión impresa mandando un correo a comunicacion.mx@atout-france.fr

La Touraine, lieu connu pour son fleuve, le plus long de France, la Loire, qui donne à la Touraine une certaine unité. La Loire, reine de la région, reconnue de tous. Châteaux prestigieux et villes historiques, l'homme a posé sur les rives de ce fleuve un magnifique patrimoine. Chambord, Chenonceau, Blois ou encore Ambroise, ces miracles de l'architecture, aussi beaux que majestueux, ont été le théâtre de fastes noces de la Renaissance et du goût français. Une région également connue pour sa gastronomie. Les vins de Touraine, réservent une finesse et une élégance rare pour les papilles. Ces vignobles s'étalent sur des sols à constitution variables, et aux climats différents. Des facteurs qui permettent d'offrir des vins aux caractères changeant. Dans l'assiette, on trouve évidemment les rillons de Touraine, cubes de viande de porc. Les andouillettes au vouvray, cuites dans un bouillon aromatisé au succulent vin blanc. Enfin, comment passer à côté du fameux fromage, le Sainte-Maure...

En esta emisión nos visita desde Francia: Audrey Schaeffer, quien es guía de turistas profesional en el Valle del Loira. Su excelente narrativa de algunos sucesos creativos e interesantes de la historia de Francia, los vinculamos con casos del mundo de los negocios. Disfruten este episodio. Dejamos algunas ligas de referencia para que puedan visualizar los lugares de los que se comenta: Palacio de Jacques Coeur :http://www.palais-jacques-coeur.fr/es/ Ciudadela de Carcasona: https://www.turismocarcassonne.es/ Castillo real de Blois: https://es.chateaudeblois.fr/ Castillo de Chambord: https://www.chambord.org/es Castillo de Chenonceau: https://www.chenonceau.com/en

Bonjour à tous,This is Laetitia and you are listening to Cultivate Your French podcast, the slow version of One Thing In A French Day podcast.All the informations about the newsletter and the transcripts are available in English at www.cultivatyourfrench.com Et maintenant, parlons français!Cette semaine, j’ai choisi l’épisode de One Thing In A French Day, intitulé CHENONCEAU.Je vous le lis une première fois lentement.Et maintenant à vitesse normale.

Episode 5 of Monsieur So British and the two worlds collide, heavy duty bed and breakfasting in the morning, film star treatment in Cannes in the evening. All by way of an angry Romanian doctor, the Chateau de Chenonceau and a puppy who walks into walls.

In this episode of the Grape Miniseries, we discuss Pineau de la Loire, a.k.a, Chenin Blanc! This white grape is one of the most versatile in terms of wine styles it can make – from floral sparkling, to stunning dry and off dry versions to unctuous dessert wines. Chenin is underrated, not always treated with regard, but it has a pedigree and a class that can’t be doubted. After hearing about all it has to offer, you’ll want to run out and get a bottle ASAP!   Here are the show notes: What Is Chenin Blanc? It’s a high acid, white grape that makes everything from sparkling to dessert wines. When it’s grown poorly, it’s a boring neutral grape that’s used for its acidity but when grown in the right places, it can create a wine with great depth, character DNA: Chenin is related to Jura’s Savagnin – parent + unknown grape French grape scientist – Pierre Galet – Chenin Blanc started in Anjou in the 9thc, moved to Touraine by the 15thc 1520 – 1535 -- Grapes planted at Mount Chenin in Touraine by the Lord of Chateaux de Chenonceau and the Abbot of Cormery   Flavors of Chenin Chenin can express terroir, winemaker ideas, vintage but at its core it has a floral, mineral, honey note. Its nuances are determined by terroir, soil type and style With botrytis the wine is like peaches, honey, apricots, marzipan, quince Dry or off-dry from Loire: apple, chalk that turn into honey and quince – off dry can age New World, especially South Africa: tropical fruit notes, good acidity   Viticulture: Need ripeness and good control over its vigor to get depth and complexity New clonal research is being done to delay budding because the grape is prone to spring frost, increase sugar development Vintage variation: growers decide on a day by day basis what style and dryness of Chenin blanc they could make   Winemaking New World: Can be blended or do well alone, some skin contact to get different aroma, soften with malolactic, lees contact, tropical notes bc of cooler temps of fermentation Old World – fermentation temps – higher (60-68˚f. 16-20˚c) so they won’t get those tropical fruit flavors that come out with cooler temps (50˚/10˚C) – no new oak/toastiness Loire:Made like German white wines – low, slow fermentations in large old oak or stainless steel, no malolactic fermentation, no barriques   Wine regions Loire, France  Sweet appellations:Coteaux du Layon, Bonnezeaux, Quarts de Chaume, Vouvray Dry:Saviennières (Nicolas Joly) – concentration, flavor, longevity, climate change has made dry wine possible in most areas – although some is off-dry, tryig to become a Grand Cru of the Loire Range of sweetness levels, from dry to semi-sweet to sweet: Anjou, Crémant de Loire, Coteaux de l'Aubance, Jasnières, Montlouis, Saumur, and Vouvray Varied:Saumur, Vouvray, Anjou –Vouvray Moelleux wines:Sweet but can be artificially sweetened, so you need a good producer – Vouvray and Quarts de Chaume the best Demi sec: great acidity, with a touch of sugar sometimes seem dry b/c of the acidity Languedoc: Crémant de Limoux, Chenin must account for at least 20% and up to 40% of the blend with Mauzac, Pinot Noir, Chardonnay   South Africa Most in Western Cape: Stellebosch, Paarl and then Swartland, Olifants River Good acidity in a hot climate Swartland Top Producers: Badenhorst, Mullineux, Eben Sadie (blends Stellebosch Top Producers: Ken Forrester, De Morgenzon   United States California: Used it for jug wine because it had acidity, irrigated to the hilt – high yields, 4x as high as in Loire Clarksburg AVA plus, Chappellet in Napa, Leo Steen in Sonoma/Santa Ynez, Foxen in Santa Barbara Washington: Yakima Texas High Plains (a few hundred) Long Island, New York: Paumanok   Other wine regions: Australia,New Zealand, Argentina blended with Chardonnay, Mexico and Canada, and India and Thailand grow it too!   Thanks to our sponsors this week: Thanks to YOU! The podcast supporters on Patreon, who are helping us to make the podcast possible and who we give goodies in return for their help! Check it out today: https://www.patreon.com/winefornormalpeople And to sign up for classes, please go to www.winefornormalpeople.com/classes!      Coravin   Coravin is the first and only tool in the world that lets you pour wine without removing the cork. You can pour wine in any amount and preserve what’s left of the bottle for weeks, months of even years. Thousands of wine professionals, from sommeliers to winemakers, around the world have tested and trust Coravin with their wines and it will change the way you drink wine too. For a limited time, visit Coravin.com and enter NORMAL at checkout to get $20 off your purchase of $50 of more!   Halpern Financial   Imagine a path to wealth that just works. A team of experts at your beck and call, technology to keep tabs on your money 24/7, financial education and the personal touch that makes organizing your financial life feel achievable, rather than daunting.Halpern Financial is a fiduciary, fee-only, independent advisor that offers a combination of online tools and personal connection to help clients systematically achieve their goals. Go to halpernfinancial.com/wine for more information!     Last Bottle    I love this service!! Last Bottle Wines finds great wines and offers them at a one time discount. Last Bottle Wines is a fun way to discover the best wines at the lowest prices. They offer a range of prices from low end to high end $9 to $99 and the wines range from the lesser known kinds like Albariño and Bläufrankish to Cabernet, Merlot and Chardonnay. Visit: http://lastbottlewines.com/normal and join to get a $10 instant credit to use toward your first order. 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Everyone wants to go to Paris. But what do you do outside of Paris? This week we chat with Barbara Weindling, a travel advisor with Ciao Bambino to learn tip for France travel beyond Paris. ON THE PODCAST 00:30 - Talking with Tamara and Kim about NYC 07:42 - Getting into and out the city 13:15 - Talking with Barbara 16:15 - Regions outside of Paris 18:45 - How many days to spend 20:16 - Classic trip 21:26 - Best times to travel to France 23:52 - What different regions are like 24:55 - Loire Valley castles 26:12 - Provence, France 29:14 - Kayaking adventure under Pont du Gard 31:34 - Relaxing in Carcassonne, France 33:30 - Driving in France 36:18 - Beaches 38:40 - Cassis, France 39:47 - Other family friendly regions 42:10 - Beauty and the Beast concept town 43:35 - Budgeting for your trip 46:50 - Tips for going to france 51:37 - Where to take a family photo 52:16 - Favorite travel gear 54:47 - Tip of the week ABOUT BARBARA WEINDLING Since she was a child, Barbara traveled extensively all over the world. She attended Lycee Francais, is fluent in French, and has lived in Paris. Although born and raised in NYC, today she lives in Providence, RI with her husband and 14 year old son. Barbara is a travel advisor for Ciao Bambino, a website and travel agency specializing in family travel. Follow Barbara on Instagram and Facebook. TIPS FOR VISITING FRANCE BEYOND PARIS The best times to visit France would be May, June, September and October. Keep in mind, if you are traveling with young kids traveling to more than three locations in a twelve day trip is not recommended. Beyond that it gets to be a little challenging with kids unless you really want to move every two days. The train is a hub and spoke system radiating out of Paris You can get to Versailles or Giverny from local RER trains outside of Paris as day trips After Paris you can go west to Normandy (best for teens), south to Brittany to see Mont St. Michelle, and continue on to the Loire Valley (see map below) Top three Castles in the Loire Valley are Château de Chambord, Château de Chenonceau, Château de Blois. You canLoire Valley also go cycling in this area and see some beautiful countryside. A typical trip would be to start in Paris for four to five days and then go west to Normandy, east to Alsace, or south to Dordogne (prehistoric cave paintings), Provence, or Languedoc-Roussillon (a more affordable alternative to Provence with castles.) A classic trip would be to start in Paris, then take the TGV to Avignon, which is in Provence. Spend four days in Provence then drive (because trains are not as convenient) toFrench Riviera and stay in the hills behind the beaches because the beach gets very crowded. If you can it would be best to fly into Paris and fly out of Nice, which is an easier airport to fly in and out of. Driving around in the south of France is very easy. It is recommended to get an international license. Two main things to know is that people coming in on the right have priority. You will also not find many street lights, instead there are roundabouts. With highways, if you go through where there is a credit card they do not take American credit cards. So make sure you have cash and go through the cash lanes. Alsace has a big German influence. There is a monkey sanctuary, birds of prey show, lots of wine and cute towns. Normandy is known for the D-Day beaches and it is the region of butter and alcoholic cider. Lavender season is mid-June through mid-July in the Luberon. In Provence, you can visit Saint-Remy-de-Provence and visit the market, modern art museum, Roman ruins, and Château des Baux where they do catapults and performances. Near there you can visit the Les Carrières de Lumières, where they project famous works of art on the walls. Aix-en-Provence is where Cezanne was born and raised. It is a university town that is fun to explore. Rent a kayak and put together a picnic and kayak on the river and under the Route du Pont du Gard and the famous aqueduct and then you can visit this three-level aqueduct and the museum. In the Languedoc-Roussillon, which is economical and family-friendly and you can visit Nimes and see the ancient Roman colosseum, visit beaches, go kayaking, see the castles and the walled medieval town of Carcassonne. You can rent independent villas or apartments that are part of a resort or farm. It is a relaxed atmosphere. Some of the beaches are topless. The French Riviera is from Saint-Tropez to Monaco. The beaches are pebble beaches and you have to rent a chair, which are side-by-side to others. They get very crowded, especially in August. From Provence you can drive down to Cassis to the beach and to see the cliffs. Bordeaux is a great wine region and UNESCO town Further south to Toulouse, you can visit the Dordogne. You can't visit the original caves with pre-historic cave drawings but they have done wonderful recreations. This is great for outdoorsy families that also like history and culture. BEST PLACE TO TAKE FAMILY PHOTO In front of any castle is a great way to get a family photo. Though, Barbara’s favorite place to take a family photo would be in front of the Pont du Gard. FAVORITE TRAVEL GEAR Barbara loves to wear her leather Aco sandals, which are great for both walking around during the day and the still work with nicer outfits and going to dinner. Sundresses are great and comfortable to wear all around. In the winter Barbara has Paul Green loafers that work well for both indoor and outdoor. TIP OF THE WEEK If you plan on taking the TGV train in France, the earliest you can buy tickets will be 90 days in advance. You also should reserve tickets to the Eiffel Tower in Paris for a timed entry ticket in advance. These also open up for sale 90 days in advance. Ticket Site MENTIONED ON THE PODCAST Château de Chambord Château de Chenonceau Château de Blois Château des Baux Carrières de Lumières FOLLOW US AND SPREAD THE WORD! If you liked this show, please be sure to subscribe on iTunes, Stitcher, or Google Play and leave us a review! Have a question or comment? Send us an email or leave us a voicemail at +1.641.715.3900, ext. 926035#. You can also follow our travels on Stuffed Suitcase and We3Travel, or follow the Vacation Mavens on Instagram, Facebook or Twitter. Thanks for listening!

Join Us in France Travel Podcast In this trip report, Nancy Calkins tells us about her visit to the Chenonceau and Cheverny Chateaux in the Loire Valley. They are both spectacular, and Cheverny also offered stimulating activities for her teens, including the hunting dog pack and the tie-in to the Tintin stories. Nancy has some recommendations of where to stay in Montrichard which were quirky and fun. Then, in the French History segment of the podcast, Annie shares the Chenonceau Chateau History and the story of the rivalry between Diane de Poitiers et Catherine de Medicis. She also describes how two French Kings died: François I and Henry II. You decide, which one was worse? To learn about Join Us in France Tours, visit Addicted to France Subscribe to the email extras and bonuses Click here for show notes with time stamps for this episode. Click here to review the show on iTunes. Join Us in France Book Group on Goodreads Click here to leave us a voice mail question or comment. Send email feedback: annie@joinusinfrance.com Follow the show on Facebook

Join Us in France Travel Podcast In this episode of the podcast, we answer one big question: What are a few Loire Valley castles you shouldn't skip? The answer, of course, depends on what you like and who you are with. Janice Chung spent 6 days there in the spring of 2017 and she visited 12 of them on that occasion. But, as a true francophile, this was also her 5th visit to the area, so she's more qualified than most to give us a unbiased primer on the area and point out gems that are truly worth your time. Janice recommends staying at various castles instead of going to hotels. This can be surprisingly affordable, and a definite plus for honeymooners. She gives pointers for those visiting the area with children (as a former school principal she knows what works and doesn't work with kids!) We also talk about her long-time desire to take a hot-air balloon ride over the Loire Valley, and her adventure tasting Loire Valley wines. Janice is the editor of a wonderful blog about travel to France called France Travel Tips, you should check it out, it's great. Places Mentioned on this Episode: Loire River, Cher River, Blois, Tours, Chambord, Chenonceau, Château d'Ussé, Château Villandry, Saumur, Amboise, Le Clos Lucé, Château de Cheverny, Château Beauregard, Château de Valmer. To learn about Join Us in France Tours, visit Addicted to France Subscribe to the email extras and bonuses Click here for show notes with time stamps for this episode. Click here to review the show on iTunes. Join Us in France Book Group on Goodreads Click here to leave us a voice mail question or comment. Send email feedback: annie@joinusinfrance.com Follow the show on Facebook THANK YOU for listening to the show!

Join Us in France Travel Podcast "Big picture of why we like to tour France with our children is because I love the span of history in France. The history that you can get by traveling through France is tremendous: you can go back 20,000 years when you go see cave art paintings, then you've got the Romans, the Middle Ages, the Renaissance, WWI, WWII, pretty much anything you want to see history-wise is in France." Recommended in this Episode: La Rocheline in La Chevalerie in La-Croix-en-Tourraine, Gîte in Dinan. Places Mentioned in this Episode: TGV train station at CDG, Tours, Amboise, Chenonceau, Chambord, Mushroom Cave, Dinan, Monterfil, Mont Saint-Michel, Cancale, Fort la Latte, Saint-Malo, Sculpted Rocks in Saint-Malo, Gulf of Morbihan Introduction Brittany was always a place Matt wanted to visit, so he made sure to include it on his last visit to France in June/July 2017.  And since the Loire Valley is right between Paris and Brittany, they decided to make a stop in Tours and visit two Loire Valley Châteaux too. We also talk about dealing with a severe food allergy in France, driving in France, and how, if you do it right, a trip to France is like going into a time machine. This trip took Matt and his family to a lot of places that are lovely and completely off the beaten track for most visitors, some where they never heard a word of English. They planned to go both to both famous attractions and places that nobody ever goes to. I think they did made great choices, what do you think? If you're interested in this episode, you should also listen to: Driving in France and Gulf of Morbihan in Brittany To learn about Join Us in France Tours, visit Addicted to France Subscribe to the email extras and bonuses Click here for show notes with time-stamps for this episode. Click here to review the show on iTunes. Join Us in France Book Group on Goodreads Click here to leave us a voice mail question or comment. Send email feedback: annie@joinusinfrance.com Follow the show on Facebook THANK YOU for listening to the show!

Join Us in France Travel Podcast Visiting France with your teenagers? On this episode Annie talks to Henry Caulkins, a 13 year-old from Arizona who shares what he liked and didn't like about his vacation in France. He's got recommendations for your teens and what they can do to have a great time. His mother, Nancy Caulkins also  talks about her favorite ice-cream place in Paris, just in time for the summer! Places Mentioned in this Episode: Bayeux, Mont-Saint-Michel, Montrichard, Chenonceau, Cheverny, Paris, Senoble Ice Cream. To learn about Join Us in France Tours, visit Addicted to France If you enjoy the show, subscribe to the Join Us in France Newsletter Click here for show notes and time stamps for this episode. Click here to review the show on iTunes. Join Us in France Book Group on Goodreads Click here to leave us a voice mail question or comment. Send email feedback: annie@joinusinfrance.com Follow the show on Facebook THANK YOU for listening to the show!

Download MP3 11月から来年１月まで、毎月第１週は「異文化ディスカッション」をお届けしています。今回のゲストはアメリカ・ノースカロライナ出身のマディソン（Madison）と、フランス出身のニコラ（Nicolas）。第２回目となる今回の話題は「フランスとノースカロライナを旅する」です。 聞き手：Joe Lauer（広島大学外国語教育研究センタ―） （中級〜上級向け） ＊毎月第１週は「異文化ディスカッション」をお届けします。 ＊エントリーの「スクリプトを見る」をクリックすると、番組内で使われている表現を見ることができます（スクリプトは表示されません）。Traveling in France and North Carolina North Carolina = a state on the US East Coast, with a population about equal to Osaka, and a land area about half of Honshu absolutely = very much a spot = a place the French Alps = the mountain range in eastern France Annecy = a small town. Check out this photo: https://ja.wikipedia.org/wiki/アヌシー Also called “The Pearl of the French Alps” or “The French Venice” a canal = 運河 calm = peaceful and quiet a redneck = a rural poor white person in the southern part of the US (usually 軽蔑的な表現) racism = 人種差別 religious = 宗教的 the Biltmore Estate = see this photo: http://www.biltmore.com (Note: “An estate” is usually a piece of land with a large house on it.) a mansion = a gigantic and rich house, often associated with the southeastern part of the US 200 years ago colonial = 植民の a castle = 城 artwork = artistic designs a tapestry = a heavy cloth, with designs on it, often hung on the wall dining ware = dinnerware = expensive plates, cups, etc. the Loire Castle = Check out these photos: http://travel.cnn.com/5-best-loire-valley-castles-185206/ a region = an area at some point = at one time a noble = 貴族 Chambord, Chenonceau, and Azay-le-Rideau = three castles along the Loire River to flee = to escape Ashville = a town in the Appalachian Mountains. See: https://www.exploreasheville.com a hippie = a young counterculture person associated with the 1960s decorative = 装飾的な a vase = 花瓶 a bong = a large pipe used for smoking marijuana a hookah = a type of bong common in India and elsewhere absolutely = of course, definitely Provence = an area on the Mediterranean Sea, near the Italian border Aix-en-Provence = a town 30 kms north of Marseille, which also was the home of the French Impressionist painter Cézanne ancient = extremely old lavender = a purple herb the ambiance = the atmosphere les (the) Calanques = a hiking area along the Mediterranean, including a cave a mountain chain = a mountain range the Blue Ridge Mountains = part of the Appalachian Mountains steep = 険しい Brittany = a province facing the English Channel wild = rustic, full of nature, not developed granite = 花崗岩 Winston-Salem = a town first built by the British in the 1700s in character = acting like those (historic) people the clothes of the day = the clothes which were worn in that period of time off the top of my head = from what I remember now (Example: “I couldn’t tell you off the top of my head.” = I don’t remember.) Toulouse = the fourth largest city in France a brick = れんが the Garonne River = a 600-kilometer long river a bank = a slope leading to a body of water, such as a river or an ocean lively = 賑やか the Basilica Saint Sernin = a huge church with a history of almost 2,000 years a basilica = a large church based on Roman design Canal du Midi = a historic man-made river the Outer Banks = a 300 km-long chain for peninsulas and islands a strip of = a chain of, a series of and all of that kind of stuff = and various other similar things erosion = 浸食 temporary = the opposite of permanent killer = great (Note: conversation slang) where it is = what the situation is in the grand scheme of things = in the big picture, looking at things over many years to catch (something) = to remember (something)

Download MP3 11月から来年１月まで、毎月第１週は「異文化ディスカッション」をお届けしています。今回のゲストはアメリカ・ノースカロライナ出身のマディソン（Madison）と、フランス出身のニコラ（Nicolas）。第２回目となる今回の話題は「フランスとノースカロライナを旅する」です。 聞き手：Joe Lauer（広島大学外国語教育研究センタ―） （中級〜上級向け） ＊毎月第１週は「異文化ディスカッション」をお届けします。 ＊エントリーの「スクリプトを見る」をクリックすると、番組内で使われている表現を見ることができます（スクリプトは表示されません）。Traveling in France and North Carolina North Carolina = a state on the US East Coast, with a population about equal to Osaka, and a land area about half of Honshu absolutely = very much a spot = a place the French Alps = the mountain range in eastern France Annecy = a small town. Check out this photo: https://ja.wikipedia.org/wiki/アヌシー Also called “The Pearl of the French Alps” or “The French Venice” a canal = 運河 calm = peaceful and quiet a redneck = a rural poor white person in the southern part of the US (usually 軽蔑的な表現) racism = 人種差別 religious = 宗教的 the Biltmore Estate = see this photo: http://www.biltmore.com (Note: “An estate” is usually a piece of land with a large house on it.) a mansion = a gigantic and rich house, often associated with the southeastern part of the US 200 years ago colonial = 植民の a castle = 城 artwork = artistic designs a tapestry = a heavy cloth, with designs on it, often hung on the wall dining ware = dinnerware = expensive plates, cups, etc. the Loire Castle = Check out these photos: http://travel.cnn.com/5-best-loire-valley-castles-185206/ a region = an area at some point = at one time a noble = 貴族 Chambord, Chenonceau, and Azay-le-Rideau = three castles along the Loire River to flee = to escape Ashville = a town in the Appalachian Mountains. See: https://www.exploreasheville.com a hippie = a young counterculture person associated with the 1960s decorative = 装飾的な a vase = 花瓶 a bong = a large pipe used for smoking marijuana a hookah = a type of bong common in India and elsewhere absolutely = of course, definitely Provence = an area on the Mediterranean Sea, near the Italian border Aix-en-Provence = a town 30 kms north of Marseille, which also was the home of the French Impressionist painter Cézanne ancient = extremely old lavender = a purple herb the ambiance = the atmosphere les (the) Calanques = a hiking area along the Mediterranean, including a cave a mountain chain = a mountain range the Blue Ridge Mountains = part of the Appalachian Mountains steep = 険しい Brittany = a province facing the English Channel wild = rustic, full of nature, not developed granite = 花崗岩 Winston-Salem = a town first built by the British in the 1700s in character = acting like those (historic) people the clothes of the day = the clothes which were worn in that period of time off the top of my head = from what I remember now (Example: “I couldn’t tell you off the top of my head.” = I don’t remember.) Toulouse = the fourth largest city in France a brick = れんが the Garonne River = a 600-kilometer long river a bank = a slope leading to a body of water, such as a river or an ocean lively = 賑やか the Basilica Saint Sernin = a huge church with a history of almost 2,000 years a basilica = a large church based on Roman design Canal du Midi = a historic man-made river the Outer Banks = a 300 km-long chain for peninsulas and islands a strip of = a chain of, a series of and all of that kind of stuff = and various other similar things erosion = 浸食 temporary = the opposite of permanent killer = great (Note: conversation slang) where it is = what the situation is in the grand scheme of things = in the big picture, looking at things over many years to catch (something) = to remember (something)

In this travel lecture, Rick Steves guidebook co-author Steve Smith describes Normandy (D-Day beaches, Monet's gardens at Giverny, half-timbered Honfleur, and evocative Mont St-Michel) and the belle-époque châteaux of the Loire Valley (including Chenonceau). Visit http://www.ricksteves.com for more European travel information.

This episode is perfect for people who are staying in Paris and would like to venture out but are unsure how to go about it. Guest Kim Henry tells us how she organized her day trips and shares her advice. It's important to note that Kim doesn't speak a lot of French, yet she's able to get around without much trouble at all. She tells us about her visit to Nancy, Château Malmaison, Monet's Gardens at Giverny, Saint-Malo, Mont-Saint-Michel, Dinan, Chambord, Chenonceau, Cheverny, and Reims. Click here for show notes and photos. Click here to support the show when booking your hotels. If you'd like to book the specific hotel Kim recommends in this interview, click http://www.booking.com/hotel/fr/hotelwestend.html?aid=954523

The château of Chenonceau in France's Loire is one of the great sights in all of Europe. Earlier châteaux were built for defensive purposes, but Chenonceau was the first great pleasure palace, designed for high society. At www.ricksteves.com, you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.

The château of Chenonceau in France's Loire is one of the great sights in all of Europe. Earlier châteaux were built for defensive purposes, but Chenonceau was the first great pleasure palace, designed for high society. At www.ricksteves.com, you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.

Rick's newest series of travel shows premieres this fall on public television stations across the US. Next up — France's castle-studded Loire Valley. Watch the full episode at www.ricksteves.com. At www.ricksteves.com, you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.

Rick's newest series of travel shows premieres this fall on public television stations across the US. Next up — France's castle-studded Loire Valley. Watch the full episode at www.ricksteves.com. At www.ricksteves.com, you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.