Podcasts about music programming

In this episode, get an insider's look at the state of Hip Hop radio and streaming with SiriusXM & Pandora VP of Music Programming, Joshua "J1" Raiford! Discover how streaming and satellite platforms are changing the way we experience Hip Hop and creating opportunities for artists of all generations.In this exclusive conversation with Manny Faces and J1, learn about:How streaming technology saved hip hop after nearly destroying itSiriusXM's partnerships with HBCUsWhy data doesn't tell the whole story in music programmingThe evolution of digital streaming in Hip Hop cultureHow legacy artists find new audiences through streamingKey Highlights:Behind-the-scenes look at music programming decisionsThe importance of balancing data with cultural authenticityCreating opportunities for the next generation of industry leadersHow streaming platforms pay artists directlyThe future of AI and technology in musicWhether you're an aspiring artist, industry professional, or hip hop enthusiast, this conversation offers valuable insights into how streaming platforms are shaping the future of music while preserving Hip Hop's cultural legacy.Subscribe for more conversations exploring Hip Hop's influence in technology, business, and culture.#HipHopBusiness #MusicIndustry #SiriusXM #MusicTechnology #StreamingPlatforms #HBCUs #MusicProgramming #HipHopCulture #DigitalStreaming #MusicBiz #HipHopEd----Hip-Hop Can Save America! with Manny Faces is a Manny Faces Media production, in association with The Center for Hip-Hop Advocacy.Links and resources:SHOW WEBSITE: https://www.hiphopcansaveamerica.comON YOUTUBE: https://www.hiphopcansaveamerica.com/watchMANNY FACES: https://www.mannyfaces.comNEWSLETTER (free!): https://mannyfaces.substack.comSUPPORT QUALITY INDIE HIP HOP JOURNALISM: https://www.patreon.com/mannyfacesManny Faces Media (podcast production company): https://www.mannyfacesmedia.comThe Center for Hip-Hop Advocacy: https://www.hiphopadvocacy.orgSPONSORS / FRIENDS:The Mixtape Museum: https://www.mixtapemuseum.orgHip-Hop Hacks: https://www.hiphophacks.comHip-Hop Can Save America! is produced, written, edited, smacked, flipped, rubbed down, and distributed by Manny Faces. Eternal thanks to Consulting Producer, Sommer McCoy.

Kennedy revisits her conversation with Revolt TV Co-Founder, and former Head of Music Programming at MTV Andy Schuon to discuss more about their glory days at MTV in the 90s. They recall some of the most notable celebrities encounters such as Michael Jackson, Madonna, and Dennis Rodman. Follow Kennedy on Twitter: @KennedyNation Kennedy Now Available on YouTube: https://bit.ly/4311mhD Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore the evolving dynamics of radio in 2024 with industry guru Sean Ross! In his roles as VP Music + Programming at Edison Research, and creator of the popular Ross on Radio Insight column, Sean is the perfect 'go-to' guy to explore the key questions we'll all be facing in 2024. Among them:Can collaboration with record labels rejuvenate radio's influence? How crucial are up-tempo hits in today's audio landscape? Is radio's influence slipping in comparison to platforms like TikTok?How will the radio landscape change with different music tastes evolving including the surge of country music?" Is revitalizing local stations with truly local programming – the key to sustainability?Sean also explores the coming pulse of the Billboard Hot 100 and industry concern over the scarcity of new music on radio. We'll also explore how falling ratings and market share threaten radio's legacy, and what can be done about it. Join us as we attempt to unlock these secrets of radio survival. The future of radio…and your career awaits! Time-stamped takeaways you won't want to miss:[1:59] Sean questions music beliefs, citing 2023 hits like Miley Cyrus's "Flowers" and Olivia Rodrigo's "Bad Idea," impacting Top 40 radio.[5:07] Radio's evolving role is discussed. Sean notes its vital role to listeners, raising questions about its significance to labels.[7:11] Sean anticipates changes, highlighting radio challenges and emphasizing collaboration with labels. Discusses reliance on platforms like TikTok.[9:02] Sean explores the ideal radio station model, balancing local and national focus, and discussing their roles in the marketplace.[11:00] Sean challenges radio success metrics, advocating a broader evaluation beyond AQH share, and suggesting a more comprehensive approach.One-Minute Martinizing (tap here)Please help us thank these supporters who help keep BRANDWIDTH ON DEMAND free!Musicmaster Morning Show Boot CampRadio Swag Shop Return to Brandwidth on Demand episodesYES! Send me the free SHOW NOTES preview email

Wednesdays are for reminiscing, right? Well, on this podcast, it is. Revolt TV Co-Founder, and former Head of Music Programming at MTV Andy Schuon rejoins Kennedy to discuss more about their glory days at MTV in the 90s. Andy and Kennedy attempt to pinpoint at what time MTV became the most influential by pushing alternative, rap, and hip-hop music in their regular rotation, as well as how they rebranded the network into a soapbox for various musical artists to be able to hop onto.  They recall some of the most notable celebrities encounters such as Michael Jackson, Madonna, and Dennis Rodman. Follow Kennedy on Twitter: @KennedyNation Kennedy Now Available on YouTube: https://bit.ly/4311mhD Learn more about your ad choices. Visit megaphone.fm/adchoices

Revolt TV Co-Founder, and former Head of Music Programming at MTV Andy Schuon joins Kennedy to discuss his career in media, how media has changed, and the lessons that he has internalized that helped him move in so many directions throughout his life. Later, Andy revisits some of the talent that he was able to recognize during his span at MTV, including over very own gal Kennedalia. Follow Kennedy on Twitter: @KennedyNation Kennedy Now Available on YouTube: https://bit.ly/4311mhD Learn more about your ad choices. Visit megaphone.fm/adchoices

In this gala edition of Behind the Scenes we chat with one of the most successful ever television entertainment Producers, on both sides of the Atlantic. In the U.K, as ITV's Head of Music Programming, he oversaw international television spectaculars starring most of the biggest global star names including Sir Elton John, Luciano Pavarotti and Cher, while Executive Producing highly rated music special editions of An Audience With… as well as many a Royal Variety Performance. Since moving to the U.S. 20 years ago, he's become one of the busiest Executive Producers on network television's blockbuster shows such as “So You Think You Can Dance”, “American Idol” and, most recently, the breakout hit “Come Dance With Me”. Sharing fond memories of his early days as a dancer-turned-choreographer working on Bruce Forsyth's Generation Game, Wogan, Noel's House Party, and the opportunity he was given by great Dougie Squires, Jeff's incredible career story, in his own words, is a listening must! Support the podcast by becoming a Patron: ⁠⁠⁠⁠⁠https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS⁠⁠⁠⁠⁠ Colin Edmonds socials ⁠⁠⁠⁠⁠Facebook: colin.edmonds.73⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Instagram: colinedmondsssm⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Twitter:@ColinEdmondsSSM⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Website: https://www.steamsmokeandmirrors.com/⁠⁠⁠⁠⁠ Listen to all episodes of the podcast available on; ⁠⁠⁠Spotify⁠⁠⁠ ⁠⁠⁠Amazon Music⁠⁠⁠ ⁠⁠⁠Audible⁠⁠⁠ ⁠⁠⁠Apple Podcasts⁠⁠⁠ BOOKS Buy Steam, Smoke and Mirrors ⁠⁠⁠⁠Available at Caffeine Nights⁠⁠⁠⁠ ⁠⁠⁠⁠Available at Amazon⁠⁠⁠⁠ ⁠⁠⁠⁠Available on Audible⁠⁠⁠⁠ Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 ⁠⁠⁠⁠Available at Caffeine Nights⁠⁠⁠⁠ ⁠⁠⁠⁠Available at Amazon⁠⁠⁠⁠ ⁠⁠⁠⁠Available on Audible⁠⁠⁠⁠ Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 ⁠⁠⁠⁠Available at Caffeine Nights⁠⁠⁠⁠ ⁠⁠⁠⁠Available at Amazon⁠

KOP looks into a woman's take on the Things You Need To Know About Sugar Daddy Relationships. Plus he examines several recent cases of sugar daddies scamming their sugar babies. Sugar babies, we get it. You want to be taken care of, and you want to be treated like a lady. We understand that you might be wary of dating older men—but there are plenty of legitimate reasons why you'd want to date a sugar daddy.There are also some things you need to know about sugar daddy relationships that might not be obvious at first glance. Here's what you need to know:1) Sugar daddies aren't all creepy dudes who are after young girls; they're normal guys who have the resources and willingness to help women out with their finances, time management skills, or even education.2) A lot of sugar babies are actually looking for more than just money from their sugar daddies—they're looking for friendship and companionship too!3) Many sugar babies don't think of themselves as "sugar babies," but rather as "sugar friends" or "sugar partners." This means that many sugar babies expect more than just financial support from their sugar daddies—they expect emotional support too!4) There are plenty of ways for sugar babies and sugar daddies to meet up safely online or in person before they start dating each other.Plus, debunking the advice of Signs You Are Emotionally Ready For A Relationship and how you know you are emotionally ready for a relationship. Check out the KOP Radio Network of Talk and Music Programming and Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.comFollow KOP on Twitter, Instagram, TikTok or Facebook @kingofpodcastsSend a question, comment or topic to KOP to kingofpodcasts@yahoo.com and I will talk about it on a future segment of Depraved and Debaucherous.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5267208/advertisement

In this episode of Pattukkaaran Podcast, I have my friend, Thambi thanga kambi 'Ashwin Vinayagamoorthy' who is a Film Composer, Indie Artist, Music Producer sharing his passion about Music & his extra love for Music Programming. I hope you find this episode insightful :) --- Support this podcast: https://podcasters.spotify.com/pod/show/pattukkaaran/support

The BBC has disclosed plans to cut programmes like Classics Unwrapped, JazzNights and Pipeline all aired on BBC Scotland. Jazz musician Tommy Smith OBE has started a petition to save the programmes and to encourage the BBC to expand its jazz coverage. He explains how he got to know of the planned cuts and what he intends to do now. (Photo Derek Clark) --- Send in a voice message: https://podcasters.spotify.com/pod/show/edinburgh-reporter/message

Track Listing Track 1: Archie Roach, Song: “Spiritual Love”. Album: Let Love Rule (2016): https://www.archieroach.com/ Track 2: Samantha Crain, Song: “Reunion”. Album: A Small Death (2020): https://www.samanthacrain.com/ Track 3: Opliam, Song: “Land Back”. Album: All Roads Are Good (2022): https://opliammusic.com/ Track 4: Gary Farmer & the Troublemakers, Song: “Go Go Go”. Album: Road Songs (2022). Track 5: Tanya Tagaq, Song: “Colonizer”. Album: Tongues (2022): https://www.tanyatagaq.com/ Track 6: Otykem, Song: “Storm”. Album: released as a single (2022): https://otyken.ru/ Track 7: Innastate, Song: “Sailing”. Album: Verde (2018): https://www.innastate.net/ Track 8: Doc featuring Spencer Battiest, Song: “The Storm”. Single (2011) Track 9: Frank Waln, Song: “Bad Medicine”. Single (2022): http://frankwaln.com Track 10: Black Belt Eagle Scout, Song: “My Blood Runs Through This Land”. Album: The Land, The Water, The Sky (2022): https://www.blackbelteaglescout.com/ Track 11: Supaman feat. Ashley Hall, Song: “I Hope You Know” (2022): https://www.supamanhiphop.net/ Track 12: Digging Roots, Song: “Skoden”. Album: Zhawenim (2022): https://www.diggingrootsmusic.com/ Track 13: Beatrice Deer Band, Song, “Cannibal”. Album: Shifting (2021): https://beatricedeerband.com/ Track 14: Archie Roach, Song: “Native Born”. Album Charcoal Lane (1990): https://www.archieroach.com/ Archived programs can be heard on Soundcloud at: https://soundcloud.com/burntswamp American Indian Airwaves streams on over ten podcasting platforms such as Amazon Music, Apple Podcast, Audible, Backtracks.fm, Gaana, Google Podcast, Fyyd, iHeart Media, Player.fm, Podbay.fm, Podcast Republic, SoundCloud, Spotify, Stitcher, Tunein, YouTube, and more.

The lovely folk at Radio X are broadly aiming their output at an audience aged between 25 and 44, according to the website of the parent company Global. So how do you decide what music they should be listening to? Lea Stonhill, Music Programmer at the station, gives us the answers. Fantastic Noise is a podcast about audio production. Recorded in the Radio LaB 97.1FM studios at the University of Bedfordshire. Produced and presented by Terry Lee. You can follow Fantastic Noise on facebook.com/afantasticnoise, instagram.com/afantasticnoise & twitter.com/afantasticnoise or email us fantasticnoise@beds.ac.uk. Let us know what you think. Our art work was produced by Stoo Elvin (facebook.com/iamstooelvin/), and our theme music is by Liam Ayton, remixed by Daniel Potter.

Ep. 83: Ari Fink of SiriusXM Weird Music Podcast is all about learning from inspirational musicians and music industry entrepreneurs about how to channel creative energy. In this episode, Cam and Ari talk about interviewing legends, what it takes to be a great leader, advise for artists, and more.   Ari Fink is SiriusXM's Senior Director of Music Programming. In addition to hosting Phish Radio and Dave Matthews Band Radio, Ari has worked behind-the-scenes on SiriusXM's Grateful Dead channel, Jam On, Pearl Jam Radio, and Nugsnet Radio. Enjoy! And let us know if you'd like a handmade ice-dyed Weird Music Podcast hoodie or t-shirt! — https://forms.gle/Ri5grzaMoC4QUXRU8 Produced by: Katie Daly Sponsored by: Thrax CBD & THC ( http://thrax.shop/ ) JNJ Distribution ( https://jnj-distribution.com/ ) Franklinton Press ( https://www.franklintonpress.com ) We are very grateful for our generous listeners & sponsors! Feel free to give a tip on Venmo — @Cam_Elkins

226: Delivering your online music programming the right way No matter how you teach music online, there are some steadfast rules to follow to allow your students to achieve their goals and love the online learning experience you provide. These include: Providing an unforgettable experience Effective communication Being available Providing an unforgettable experience I believe this is the most important! Making sure that your student is excited about the WHOLE experience! This includes: What they're going to learn The environment in which they're learning And how they feel empowered to continue coming to the device - despite the distractions at home (you know, the pets, the people around them, the neighbors, the chores, etc!) It's your job to make sure that they feel validated when they come to the screen to learn from you. What you're teaching them is going to help better themselves as a musician - so creating an unforgettable experience through live lessons and interactions (as well as anything that's pre- recorded) is job #1. Effective communication This gets glossed over more than it should... I'm talking about effective communication. All of your communication, every link, reminder, email, text message - needs to come across at the right time and with authority! If you teach lessons, be sure to have adequate reminders with a link - be sure to include your vital information and not leave your messages so vague (for example: Reminder: You have a lesson Thursday at 4:00 pm) This same message applies to recital and billing information. Always be sure to send complete and concise information for your students and their families. Make sure that they feel like they have the easy job of “just pressing play” - make it easy for them to come back! Being available Lastly, making sure to set the right level of availability! In person, it's really easy to set your availability. Students can access you during their lessons, or class, or via email. With online, theoretically, they can have much more access to you and that may be great - but at the same time makes it feel like you're always working! Which is why it is important to set the appropriate level of availability and expectation for your students. If you are running a course where there is an interactive option, assignments and feedback - I suggest that you make it clear that assignments are due by X time by X date and that you review all assignments and send feedback at X date and X time. This not only sets your students up to not be “knocking” on your virtual door at all times - but also allows them to plan for their own success and creates clear separation and boundaries! Now, as your studios / courses/ workshops etc continue to grow, a lot of teachers like to create forums - or a community where people can post their videos / audio to ask questions and connect with other students who are going through the same course to get feedback. When you set up a community aspect, be sure to make it clear that you are not responsible for answering back every single question or comment and be sure to clearly define what level of involvement you have within that community or forum. The last thing you want is for people to not get responses from you and start questioning your authority - help them understand your role within that community or forum. Additionally, you want to figure out and effectively communicate how you want students to communicate with you when it comes to billing matters, scheduling matters, personal inquiries, feedback on things other than course material - how do you want students to communicate with you then? Tip: The fewer ways your students can communicate with you, the better! But when you're picking ways of communicating be sure to pick ones that make sense for your students' audience. How are they using online tools best? Are they texting, using Facebook, Instagram, Snapchat (hey, you never know!) - Relatively, how will the parents communicate with you vs. the kids? So, as a quick recap: Make it an unforgettable experience EVERY time your student shows up! Be an EFFECTIVE communicator! CLEARLY communicate YOUR availability and the level of expectation they should have. Did you enjoy this episode? I would love your feedback. Do you want more episodes like this? Do you want me to go deeper? Let's connect! Connect with me: https://www.instagram.com/jaimeslutzky/ https://m.me/jaimeslutzky/ https://callwithjaime.com

Vinyl records have made a comeback. Despite that development, the music industry of today is very different from what Baby Boomers knew when we were spinning our albums on turntables in the 70s. Vinnie Peri is Bob Mann's guest. Vinnie and Bob discuss the return of vinyl as well as the impact of YouTube and Tik Tok on the business. Vinnie Peri is creator and adjunct lecturer of Caldwell University's "Intro to Music Industry" course. He held positions in the industry including Manager of Music Programming for MTV. 

Keziah and I had only been in touch for a few months kicking some ideas around about how to elevate Black voices in the music industry when I resigned from my role at SiriusXM. While it feels like we were meant to connect and had some great conversations about the state of the music industry; I really wanted to speak to her about her participation in the recently published 'Closing the Gap' report about the impact and representation of Indigenous, Black, and People of Colour Live Music Workers in Canada. Read more about the report here: https://www.canadianlivemusic.ca/closing-the-gap Keziah Myers believes in the skills and uniqueness of this country and knows that there is so much talent yet to be discovered. Currently as the Executive Director of ADVANCE - Canada's Black Music Business Collective, Keziah's main role is to advocate for the betterment, upliftment, and retention of Black Talent within the music industry. Leading this organization, Keziah focuses on changing processes, creating opportunities, and providing resources to ADVANCE members, and music industry organizations. Prior to ADVANCE, Keziah led music licensing initiatives at Entandem and the A&R Operations at SOCAN, where she was instrumental in ensuring diverse hiring, updating internal systems, improving operations, and enabling all offices to better serve 150 000 members. Additionally, Keziah has held positions in Label Operations Management and Publicity. She has also sat on Entertainment & Music Organization Boards, adjudicated as part of FACTOR and JUNO juries, and is a regular guest presenter for Art-Focused programs, colleges, universities and high schools.As a part of a major music movement in Canada, Keziah has taken opportunities to stay involved, advise, volunteer, educate, and advocate. Her passion for people has afforded her the opportunity to be able to live on 3 continents, and travel to over 30 countries. Keziah has worked with countless artists and music creators. Along the way she has worked with Drake, Maroon 5, Kim Davis, DSVN, Boi 1da, and many more. Keziah currently works on advisory committees, and juries for MusiCounts, FACTOR, The JUNO Awards, and the SOCAN Foundation.Find out more about ADVANCE: https://www.advancemusic.org/AMPED 2022 (ADVANCE Music Professional Entertainment Dialogues)This professional development conference will take place in Vancouver, British Columbia June 3rd & 4th with a focus on professional development, music industry careers, funding opportunities, and the celebration of the community and Black music.The goal is to level up the community, providing tools that they need to build capacity and growth within the industry.ADVANCE & THE 2022 JUNO AWARDS:ADVANCE x JUNO Talks - Influential Black Women in Music, May 12 (4:00pm)An all-star line up of Black women who have worked in the music industry. This event will include a JUNO nominated performer and artifacts from Hip Hop over the years (shared by Master T). Register HERE.The Rap Committee Brunch - Powered By ADVANCE; Presented by AMAZON, May 14A RocNation Inspired Brunch where invitees will be past and present Rap nominees, and those who helped them reach success in their careers. Emphasis on youth attendance, VIP/invite onlyThe ADVANCE House - May 15A place of connection and networking for Black music Business collectives for members or prospective membersPerformances from JUNO nominated artistsAux God Music Battle GameSunday watch party of the JUNOs on CBCIn this episode, Keziah nominates Kadon Douglas, Executive Director of BIPOC Film & TV, Jamelia Campbell of The Orchard, and Vivian Barclay, GM at Warner Chappell Music Canada to come on the Women in Media Podcast in the future! A special shout-out to Morgan James who is indeed a Black country music programmer at NOW Country 104.7 in Winnipeg; you'll hear Keziah & I wondering if there was a black individual programming country music in Canada.Have you subscribed yet on your favourite podcast service?  Leave a review if you dig what you're hearing and follow along on socials @WomenInMediaPod.

Twitch partners with Warner Music to host original music programming; Face ID on the iPhone 13 stops working if a third-party replaces the phone's display

Twitch partners with Warner Music to host original music programming; Face ID on the iPhone 13 stops working if a third-party replaces the phone's display

Glamour. Sass. Unadulterated talent. What makes a diva? Podcast divas of the universe Tracy and Josh go deep in their diva bags and unpack the origins and evolution of divas as well as the politics around diva-dom. They invite Wayne Isaak, former Executive Vice President of Music Programming and Talent for VH1 and Co-Producer of VH1's Divas Live '98 and '99 to explain all things diva, and he gives the tea on what really happened behind the scenes between the ultimate diva/divo acts like Tina Turner, Elton John, Whitney Houston, and Aretha Franklin. Is a diva still a female version of a hustler or has it been reinvented? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shawn and Cate go back to 1981 and talk about the launch of MTV, it's influence on music and pop culture through the years, and their vastly different MTV experiences. Kurt Steffek also joins us to talk about his years at MTV ('87-'98) being music scheduler, programmer for shows like '120 Minutes', and Vice President of Music Programming and Talent/Artist Relations. Follow us on social media: https://www.www.facebook.com/x1039radiohttps://twitter.com/x1039radio https://www.instagram.com/x1039radio

Matt Pinfield grew up loving all things radio which led to visits to the local AM station WCTC in New Brunswick at the age of ten, where he would sit in with the patient and supportive night jock, giving him the chance to learn everything he could about being a DJ and being on the radio. When Matt turned sixteen, he had his first chance to do a real live radio show on the Rutgers University radio station WRSU, where he would later become promotions director and music director. He also did summer shows on Princeton University's WPRB in the early '80s. Now with real on-air experience, Matt looked to the next level, which was getting a job at a commercial radio station.Matt got that chance in 1984, as a weekend/overnights/fill-in jock at WHTG- FM in Asbury Park NJ in 1984. He embraced the opportunity he had been given, and soon enough he secured a regular midday slot, quickly followed by the coveted afternoon drive. Matt's reputation as the most knowledgeable and respected music personality at the station led to a dramatic increase in listenership and helped put WHTG on the national map as one of the first alternative music stations anywhere, leading to the worldwide alternative music revolution to come in the early 90s.His next promotion took him to the position of Music Director at WHTG. During his tenure, his talent and personality were recognized by his peers and he was awarded the Gavin Award for Commercial Alternative Music Director of the Year back to back in '92 and '93, the first time anyone who was not in a major market had won the award. In early 1994, he was promoted to Program Director at WHTG.With his talent, personality and unmatched enthusiasm for music now making waves on a national level, he was approached by MTV, and they quickly recognized Matt was the right person to join their global brand. In ‘93, Matt did his first on-air MTV hosting on the show “120 Minutes” as a fill- in. Although he didn't get hired as the permanent host at that time, it was clear that this would be inevitable when a permanent slot opened up. No one knew the alternative music scene more thoroughly, or was respected more by the artists.In January of '95, Matt was named Manager of Music Programming for MTV, and was one of the committee of 10 who picked and programmed the videos and created specials for the channel in one of their most influential periods. Just months later, Matt was asked to start hosting “120 Minutes”, the cutting edge alternative music program on MTV.Due to his vast musical knowledge and relatable delivery, MTV research soon showed he was MTV's most loved and respected VJ. This quickly led to a dramatic expansion of his on-air responsibilities to include over the next 5 years over 15 regular shows, over 100 specials, and used his style as the template for the original MTV2 (M2), where he became that channel's first VJ.In the spring of '96. Howard Stern suggested that WXRK in New York City flip format from Classic to Modern Rock and asked them to hire Matt.Although they wanted him to do afternoon drive, because of his growing MTV schedule, he ended up doing a 4-hour free form New Music/Classic show called “The Buzz” which ran until the station changed format in the mid-2000s. Pinfield continued to do the show when he left MTV to move to LA in 2000 to broadcast from K-ROCK LA's studios. Matt's move to LA was to host and write the USA network TV show “Farmclub.com” which was on TV from 2000-2001 where A-list artists played live alongside unknowns who uploaded their music to the show's website. Interscope CEO and show creator Jimmy Iovine said, “it was a great show and idea…think Myspace and Facebook but way ahead of its time, when no one had broadband.”When the show finished, Matt moved back to NYC and was named Vice President of A&R and Artist Development for Rock at Columbia Records where he signed and oversaw the making of many gold and platinum recordsbetween 2001-2006.Matt continued hosting “The Buzz” on WXRK, New York, and was then hired to do the first weekly music interview show in HD by Marc Cuban for HDNET. “Sound Off With Matt Pinfield” lasted 4 seasons and featured interviews with artists from every music genre-Rock, Pop, Country, Hip-Hop, Jazz, andR&B.In May of 2008, Matt started doing morning drive for WRXP in NYC, a new station that fused modern and classic rock and remained with the station until it changed ownership and format in June 2011. In July 2011, MTV brought back Matt's signature show and changed the name to “MTV2's 120 Minutes With Matt Pinfield”. The show's return met with praise from over 250 publications and websites including The NY Times, The LA Times, Entertainment Weekly and Hollywood Reporter. The show aired weekly on Fridays.Matt has continued to host radio shows and specials for SiriusXM since 2003 on the Lithium, First Wave, Left Of Center (now SiriusXMU), and Volume channels. In 2014,
he was elected to the Board of Governors of the Recording Academy and Grammys where he worked to help pass legislation on artists' songwriting and performance fair royalties compensation. He remained on the board until he moved to San Francisco to do the morning show on legendary rock station KFOG during 2016-17.Matt is the host of the classic rock history syndicated weekend radio show “Flashback” for Cumulus Radio Networks which airs on over 200 stations in the U.S. and Canada including KLOS in Los Angeles and KSAN in San Francisco. He also produces “The Hivecast with Matt Pinfield” which is a free podcast through iTunes and MTVHIVE.COM. Matt started a live streaming show to benefit MusiCares for the COVID-19 pandemic, called “In A Lonely Place with Matt Pinfield” featuring conversations with artists as diverse as Foster The People and Yungblud.Allison Hagendorf is the Global Head of Rock at Spotify, host of the brand new show on Spotify called Rock This, with Allison Hagendorf as well as a national television host/live announcer and music journalist. She is the official host of the world's most famous New Year's Eve celebration, Times Square New Year's Eve, seen by more than a billion television viewers across the globe. Allison also serves as the Live Announcer for both the MTV Video Music Awards and MTV Movie Awards, and is the host of Refinery29's “Be A Badass” series, The CrossFit Games Live Show, and The X Games Live on ABC and ESPN.Allison began her entertainment career in A&R at Sony Music's Columbia Records and Epic Records. She recruited new talent globally, and oversaw the album production for many artists including metal band, Lamb of God, whose single “Redneck” received a Grammy nomination for “Best Metal Performance.”Hagendorf then transitioned from working with bands in the studio to interviewing them on-camera. She hosted the live primetime music competition show on The CW Network, “The Next,” which was executive produced by hip-hop icon Queen Latifah, and featured superstar mentors: Gloria Estefan, Joe Jonas, Nelly, and John Rich. Allison also became the main host on Fuse, hosting numerous shows including “Top 20 Countdown” and “Grammys Live,” and traveled with Fuse across the country covering national music festivals such as Bonnaroo, Warped Tour, SXSW Music Festival, and Lollapalooza.She also hosted the first-ever live television broadcast of both The New Orleans Jazz & Heritage Festival and The Stagecoach Festival for AXS TV and co-hosted “Music Fridays” with supermodel, Chrissy Teigen, on MSG Network. Additionally, Allison has hosted a variety of shows on both VH1 and The Cooking Channel.Allison is also a health/wellness coach who has inspired thousands in her dual role as rock n roll expert and health advocate. She ascribes to positivity, knowing yourself, exercise, self-care, and emotional intelligence.She is the mother to son, Cole Hendrix, just six months old and married to health advocate, Brian Jaffe. They make their home in Los Angeles. 

Q&A with BET Connie Orlando, EVP, Specials, Music Programming and Music Strategy on the BET Awards and live events. Moderated by Mara Webster, In Creative Company. This event was taped in front of a live audience in conjunction with New York Women in Film & Television.

Michelle and David discuss the magic of music and how it is used as a very simple and digestible example of how you have the power to program your brain and, just as easily, deprogram your brain. --- Support this podcast: https://anchor.fm/red-kite-movement/support

Robyn Lana is the founder and artistic director of the Cincinnati Youth Choir, which in a normal year has 900-1000 singers. I talked with her about running a youth choir during this pandemic and also about programming music for youth and children's choir in general. The podcast ends with a beautiful rendition by the Cincinnati Youth choir of the work We Will do Miracles by Dominic DiOrio, composed for them. (The music comes in after we say our good byes. ) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sergio-barer/support

Since the beginning of social distancing, live streaming has been the one major performance opportunity available to artists. We can easily spend all day everyday now tuning in to watch artists of all types. As a result, our industry has simultaneously become flooded with live streaming and confronted with many new challenges. For example, how do you compete for people's attention with so many streams happening? How do you determine the proper price for virtual tickets when your patrons are used to viewing content for free? What type of artist fee should you offer an artist for a virtual concert? Should you use Facebook, YouTube, and/or Instagram to stream the event or are there better platforms out there? How do you make a unique experience for your patrons when you no longer have the ambience of your venue? If you are an artist, how do you make a unique experience for your fans who may be watching your show on a small phone? Lastly, what will all of this look like when live music can finally resume in person? These questions and many more are fundamentally changing how live music is presented and received. While we won’t have time to address everything on today’s webinar, our goal is to share new ideas that address some of these basic challenges. Today you will hear from Laura Simpson, CEO and Co-Founder of Side Door (https://sidedooraccess.com/home). Side Door’s platform marketplace is built to connect artists with curators, venues, service providers and audiences to make booking, ticketing and payments easy, fair and transparent. Next you will hear from Andrew Baranbom, Founder & CEO of First Tube Media (https://www.firsttubemedia.com/), a full-service livestream content platform that makes it turn-key for brands to execute innovative sponsorship programs. Next up will be Eric Essex, Director of Programming at the University of Alabama Birmingham’s prestigious Alys Stephens Performing Arts Center (https://www.alysstephens.org/). Over the years, Eric has booked everyone from Herbie Hancock, Wynton Marsalis and Pat Metheny to Diana Krall, Yo-Yo Ma, Emmylou Harris and Oscar winning actor Al Pacino. Next you will hear from Nicholas Russotto, Director of Music Programming at the 92nd Street Y in New York City (https://www.92y.org/). Finally, you will hear from Emmet Cohen (https://emmetcohen.com/), winner of the 2019 American Pianists Awards and the Cole Porter Fellow of the American Pianists Association. I also want to thank my team member Marie Le Claire who is with us today to ensure things run smoothly. Thank you Marie.

Tuma Basa is the Director of Urban Music at YouTube, and previously served as the global programming head for Hip Hop at Spotify, responsible for curating their widely popular playlists including RapCaviar, one of the biggest and most popular playlists with over 9 million followers.  He spent ten years at MTV in music programming for channels and franchises such as MTV Jams and Sucker Free. While at MTV, he earned his MBA from New York University's Stern School of Business. He then went on the help Sean "Puff Daddy" Combs launch REVOLT where he served as Vice President of Music Programming. Tuma chat’s with Will Lucas about how creatives break through the noise and get noticed, and how artists can gain equity in the new landscape of music and distribution.

As we're now in week 2 of the Covid-19 Pandemic, literally EVERYTHING has shifted online.  But where can it go?This week Darryl Talks To long time HTZ FM Music Director Paul Morris who speaks candidly about many great Canadian Bands from his home in Niagara.  Darryl also Talks To Ottawa hard rock trio Old James in their living room. We play 2 of their new songs, talk about how they're going to release it and they also share some personal stories about themselves and the band that may or may not involve DMT

During This Episode Oracle Group & Young Gully Discuss The Politics Of Oakland, Community Building, Music Programming, Education & More

What makes a magic show really good or really bad has nothing to do with the tricks and everything to do with intention and timing. I think you'll find this one interesting. Chris closes us out with 4 Hot Tips about the gifts of fear.

(Echo) I (1) forgive(3) myself (5) .... Welcome to TeTe & Espresso, a CastBox original, I’m TeTe. Let’s take our 2 -3 minute espresso shot today and program your brain to forgive yourself. Enjoy the listening experience. 1 I (1) forgive (2) myself (3) (Sing the triad) 2 (Whisper) I forgive myself Affirmation I, I, I, I, I, I, I (1)(Fast) Forgive, Forgive, Forgive, (3)(Fast) Myself, myself, myself (5) (Fast) Program your brain to forgive yourself. Say it 10 times a day, 3,650 times a year, feel it, program your brain to allow yourself forgiveness. This is the key to what you wanted in your life. Everything. It all starts here. Your treasure map. Once you forgive yourself, the whole map unfolds. I forgive myself, you forgive yourself, we forgive ourselves. I forgive myself (as many times fast as will fit, all on 1 breath)... You can not say it, and feel it enough.. Continue this journey with me, and subscribe to this CastBox Podcast.

Veronica encountered a patron at one of her concerts that was legitimately offended by her concert programming. We discuss what those pitfalls are, and what it means for us now that we know. Also: Cookie Dough.

Denise Donlon began her career in music as a Much Music VJ in 1985 and by 1992 was named director of Music Programming before becoming VP and General manager in 1997. In the year 2000[...] The post EP 34: Interview with Denise Donlon appeared first on Muses and Stuff Podcast.

Today we are going to have a great conversation with Steve Toll, the National Director of Music Programming. Steve Toll is a classical musician and composer. He has a strong interest in the amazing transformative “power of music.” Currently, Steve is the National Director of Music Programming for ComForcare Health Care Holdings, Inc. Contact Information For stoll@comforcare.com www.comforcare.com Additional Resource Information: Alzheimer's Speaks Resource Website: https://www.alzheimersspeaks.com/ Keynote Speaker: https://www.alzheimersspeaks.com/event-planners Dementia Chats™: https://www.alzheimersspeaks.com/dementia-chats-webinar Conscious Caring Resources: https://www.alzheimersspeaks.com/conscious-caring-resources Join The Purple Angel Project: https://www.alzheimersspeaks.com/purple-angel-project Check out Audible www.audibletrial.com/SOCIAL Check out Fresh Books www.gofreshbooks.com/aliveSupport this Show: https://alzheimersspeaks.com/donate-now/See omnystudio.com/listener for privacy information.

We're coming to you live from Music PEI Week 2014 with a great bunch of guests from different arms of the business. First, we'll be speaking with Jeff Leake, the Director of Music Programming at Sirius XM Canada, who'll have some tips for musicians on how to capture the attention of people in such a role. Then, we'll speak with PEI performing songwriter, fiddler, and all around nice guy Tim Chaisson about what's keeping him busy about a year following the release of his album, The Otherside. Finally, we've got producer Gavin "Golden" Brown, who's had a hand in monster albums by the likes of Three Days Grace, Billy Talent, Metric, and more. He'll speak about some tricks of the trade and the current state of his business. What's more, we'll have Mike Carver of Music PEI and the band North Lakes on co-hosting duties. Just swell.

Today's interview is with Jeff Leake, the director of music programming for Sirius XM Canada and host of The Leak In Review. I met Jeff at a music industry panel in Victoria, BC. He's a knowledgable guy, a funny guy and most definitely a very well connected guy! We got together at his hotel to do the interview and drink tea. Rock n' roll. I am always interested to ask questions about what people do but I'm especially interested to find out how they got where they are. The more I have looked at successful careers the more overlaps I have found with the types of events that lead to success. To be more specific, the types of opportunities that have been the stepping stones to success. Finding success in music or business is all about the accumulated experience and knowledge that allows us to recognize and seize the opportunity that ultimately results in what the general public observe to be "overnight success." I was curious as to what those opportunities had been for Jeff. With his experience and first hand stories to tell about artists and their careers I was curious as to what advice he could offer for those looking for a career in music. In our interview we talk about how to get your music on the radio, how to submit it, the importance of having a story, how to incorporate airplay into your overall strategy, the importance of follow up, but more importantly when to approach radio and why. Jeff also talks about networking and being ready and willing to take opportunities when they present themselves no matter how big or small they may seem. Enjoy! Aaron Bethune. Music Specialist. Creative Collaborator. http://www.playitloudmusic.com http://www.abovethenoise.ca http://www.twitter.com/playitloudmusic

I think this is a great show, but then again, I did have four Scotches before hand.  Cheers!

Chip Schutzman is the CEO of Miles High Productions, an online and social marketing company for the entertainment industry. Chip formed Miles High Productions in 2003 after noticing a lack of efforts made to effectively promote artists online. Prior to that, Chip was the Director of Music Programming for the House of Blues, where he implemented the first 99cent download of live music exclusive content several years before iTunes. For more info on Chip and Miles High Productions visit: http://www.mileshighproductions.com/

How is the ever changing and growing multicultural market in the US, continue to influence their in order to impact the current US Hispanic market.  Each panelist presented what factors have most impacted their brand, how they’ve modified their strategy and how a common trend (i.e. Spanglish) has helped them unite forces in order to reach a new generation of audiences.  Are you leading the “consumidor”? Or is the market  “siguiendote a ti”?Panelists:Gabriela Martinez, VP of Marketing (Latin America) & GM (USA)Sie7e,  Warner Music, Grammy winning artistRobert Isaac, Director of Music Programming, Mun2Javier Romero, #1 Hispanic DJ in Miami at Amor 107.5 

I was especially happy to interview Jay as he is one of the people in the industry I most respect. His vision of the music industry and where it is headed is one of the clearest. In this interview he shares a ton of information so be ready to listen to it a few times over with a pen and paper, you won't want to miss a thing! Jay Frank is the Owner and CEO of DigSin (http://digsin.com/), a new singles-focused music company that allows subscribing fans to obtain music for free. DigSin signs new artists to deals that leverage new platforms, social networks and analytics that expose music to a wider audience, building popularity outside of traditional methods. Frank is also the author of two books. His first book, Futurehit.DNA (http://www.futurehitdna.com/), is a #1 Songwriting book on Amazon and part of the college curriculum at a number of colleges and universities. The book explores how digital technology has changed the way people discover music and examines what an artist needs to make their song more hitworthy in the digital age. Frank’s second book, Hack Your Hit (http://www.futurehitdna.com/), is a how-to guide for musicians filled with free and cheap marketing tips. Prior to forming DigSin, Frank was the Senior Vice President of Music Strategy for CMT, an MTV Network. Under Frank’s leadership, music video ratings reached all-time highs thanks to an aggressive multi-platform promotional strategy. Frank was also Vice President of Music Programming and Label Relations for Yahoo! Music, responsible for all the company’s music programming. He was instrumental in the exponential growth of Yahoo’s audience bringing in approximately 25 million people a month. He was also senior music director at The Box Music Network, worked in marketing and A&R for Ignition Records, managed a live music venue, programmed broadcast radio stations and created two local music video shows. Frank holds a Bachelor of Science degree from Ithaca College in Ithaca, NY and sits on the Board of Directors of the Academy of Country Music, The Community Foundation of Middle Tennessee and Leadership Music. Frank also serves on the Tennessee Film, Entertainement and Music Commission, is a co-chair of Leadership Music Digital Summit, and is a consultant at FLO (Thinkery). A respected leader in the music and digital communities, Frank has spoken at such conferences as MIDEM, South By Southwest, Canadian Music Week, ASCAP Expo, MusExpo, Digital Music Forum, CMJ, SF Music Tech Summit, New Music Seminar and Mobile Entertainment Summit, among others.