Podcasts about Negrito

4ème soirée Planète Rap de Fresh La Douille ! Avec KLM, Negrito, Mola...

Spotify: https://open.spotify.com/show/4ddtKTMUUKPOS3YpC9MMfF?fbclid=IwAR2ahnAOofvzKs2bLJ7Zapc5WWburwTHfLSlF2TLFCyW83devbGexPsAsTY Deezer: https://www.deezer.com/es/show/2816092 Instagram: https://www.instagram.com/yo.te.lo.narro/ Youtube: https://www.youtube.com/@yotelonarro Apple: https://podcasts.apple.com/us/podcast/yo-te-lo-narro/id1564586494 AmazonMusic:https://music.amazon.com/es-co/podcasts/a0608ce2-f8c3-454f-bc5f-f96a0029c63f/yo-te-lo-narro Música: "Easy Lemon 60 Second de Kevin MacLeod cuenta con una licencia Creative Commons Atribución 4.0. https://creativecommons.org/licenses/by/4.0/ Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200077 Artista: http://incompetech.com/" #EmilioBallagas #Cuba #Cantoparadormiraunnegrito #narracion #declamacion #literatura #lectura #poesia #arte #literatura_hispanoamericana #arts #poetry #poem #amamoslapoesia #podcastenespañol #cuentosenespañol #poesiaenespañol ---- Dórmiti mi nengre, dórmiti ningrito. Caimito y merengue, merengue y caimito. Dórmiti mi nengre, mi nengre bonito. ¡Diente de merengue, bemba de caimito! Cuando tu sia glandi vá a sé bosiador… Nengre de mi vida, nengre de mi amor… (Mi chiviricoqui, chiviricocó… ¡Yo gualda pa ti taja de melón!) Si no calla bemba y no limpia moco le va′ abrí la puetta a Visente e′ loco. Si no calle bemba, te va′ da e′ gran sutto. Te va′ a llevá e′ loco dentre su macuto. Ne la mata ′e güira te ñama sijú. Condío en la puetta' etá e′ tatajú… Dórmiti mi nengre, cara ′e bosiador, nengre de mi vida, nengre de mi amor. Mi chiviricoco, chiviricoquito. Caimito y merengue, merengue y caimito. A′ora yo te acuetta ′la ′maca e papito y te mese suave… Du′ce… depasito… y mata la pugga y epanta moquito pa que droma bien mi nengre bonito… ----

Conrado Marroquín es el médico veterinario con el que llevé al Negrito en los últimos años. Tiene una manera particular de involucrarse con sus pacientes, aunque eso implique ser mordido o rasguñado. En este episodio exprés de Puente Levadizo hacemos una catarsis de cómo aceptar la pérdida de una mascota y otros temas. ¡Gracias por acompañarnos!

Negrito fue el perro que llevó alegría a la casa y a mi vida. Murió este lunes 17 de junio. Sabía que iba a ocurrir, sin embargo, estoy triste. Les comparto algo de lo vivido con él. Gracias por estar en Puente Levadizo.

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Episode summary below… It's Frii Lunch, with a Special thanks to our sponsors: Dobie Revolution Orthodontics Excellence, Excitement, and Empathy! Helping you LOVE YOUR SMILE. Visit www.dobierevolution.com Track Major Studios Your GO TO source for music production, website design, digital promotion, & MORE. Visit https://www.trackmajorstudios.com Frii Branding LLC The best version of your brand starts here. Offering podcast production, voiceover, videography, cinematography, and more… Visit: www.FriiBranding.com Pure White lens Photography LLC Photography, video, content creation and so much more. www.purewhitelens.com On this episode, Frii chops it up with music artists known as Negrito and OB Mostwvnted. They discuss their journey and music motivation, relationships, and standing on never valuing other people's opinion unless they are leaving you with VALUE. FOLLOW YOUR HOST HERE: https://linktr.ee/therealfrii FOLLOW GUESTS HERE: Negrito- https://www.instagram.com/nvop_negrito OB- https://www.instagram.com/obmostwvnted WATCH FULL VIDEOS HERE: https://open.spotify.com/show/1sm4KfN0t8YGUQvN4wrbJG?si=msTOYToBR_25BihZMJV2qg Show produced by: Frii Branding LLC www.FriiBranding.com Email: Ceo@FriiBranding.com

Desty, un véritable couteau suisse du monde du divertissement, sillonne sans cesse l'Atlantique entre Montréal et Paris, avec pour mission de développer le marché local en collaborant avec des équipes partageant sa vision. Il dévoile les coulisses de sa collaboration avec Lost, en assurant sa promotion en France l'année dernière, et retrace l'émergence de la connexion entre Lost et Negrito. Il évoque également la découverte, par son petit frère, des productions de High Klassified, ainsi que sa collaboration avec Kalash Criminel. Desty partage son expérience lors du concert de Loud à l'Olympia de Paris, un moment qu'il juge inoubliable. Son parcours atypique, passant de banquier à manager de DJ et bien plus, illustre sa capacité d'adaptation et son engagement dans l'industrie musicale. Il soulève les différences de mentalité entre la France et l'Amérique, soulignant l'importance de maîtriser les codes culturels locaux pour appréhender l'art qui y est produit. Du travail avec les marques à sa passion pour la transmission de ses connaissances, notre invité de la semaine explore avec finesse l'industrie qui l'anime.

Sintonía: "El manicero" - Candido"Here Comes Candi", "Almendra", "Negrito", "Back To Back", "Madrid" y "Moliendo Cafe", extraídas del álbum "Brujerías" de Candido (Tico,1971/Vampisoul 2004-CD 030). Para el mercado angloparlante se cambió el título por "Candido´s Latin McGuffa´s Dust"."Granny´s Samba", "Souled Out", "Viva Peraza" y "Al bajar el sol", extraídas del álbum "Wild Thing" (Skye,1968/Vampisoul 2003-CD 027) del también percusionista Armando Peraza. Escuchar audio

Yo les gens, c'est Tyler, aka Tyler le média ! C'est l'heure de faire le point sur les sorties rap français de la semaine ! Au programme : EP YANOH - Bara réédition, 4 titres supplémentaire, dont un feat avec NEGRITO ., projet qui tabasse, dès la premiere track avec lewandoski, RDG avec negrito, et john coffee petite douceur Hatik - Jungle Hermano salvatore - Toujours moi extrait du projet dont je vous ai parlé Jungeli - T'étais où (feat. Vegedream, Alonzo & Zaho) Kalash - So Coman Popey - MAINTENANT Après son single “French Bank”, son nouvel album, « À découvert », sorti le 5 janvier Aujourd'hui Popey dévoile le clip de “MAINTENANT”, un titre plus calme et introspectif illustré par Decibel Records. Booba - 6G Soolking - Tiki taka (feat. SCH) PLK - Chambre 140 (Part.3) 'EP "3$" de Desouza, la nouvelle voix des quartiers nord de Marseille. sully extrait ZKR - Mode Opératoire Volume 1 S.Pri Noir - La Cour des Miracles On en parle en détail dans ce nouvel épisode de Tyler le média, le podcast 100% rap français ! Alors, qu'attendez-vous ? Abonne-toi au podcast et lance l'écoute ! #TylerLeMedia #RapFrançais #SortiesMusique N'hésitez pas à me laisser un commentaire pour me dire ce que vous pensez de cet épisode ! Et rejoignez-moi sur les réseaux sociaux pour ne rien manquer de l'actualité rap français ! Facebook : @TylerLeMedia Twitter : @TylerLeMedia Instagram : @TylerLeMedia YouTube : Tyler Le Média A bientôt ! --- Send in a voice message: https://podcasters.spotify.com/pod/show/tyler-le-media/message

Titre : Negrito : son nouvel album "Les Débrouillards" en détail Description optimisée pour podcast : Dans ce nouvel épisode de [nom du podcast], nous recevons Negrito, l'un des rappeurs les plus populaires de France. Il nous parle de son nouvel album, "Les Débrouillards", qui sort le [date de sortie]. Au cours de l'interview, Negrito nous parle de : La conception de son nouvel album Ses collaborations avec des gros noms du rap français Ses projets futurs Ne manquez pas cet épisode passionnant pour en savoir plus sur le nouvel album de Negrito ! --- Send in a voice message: https://podcasters.spotify.com/pod/show/tyler-le-media/message

Toute l'actu rap français de la semaine, avec ma sélection des meilleures sorties singles, et des sorties albums à ne pas rater. Pense à t'abonner, partager tu connais, ça donne de la cefor de zinzin ! Merci

Cette semaine, RDV de 20h à 21h avec Fred et Negrito dans l'émission RAP de référence ! A suivre en live vidéo sur ton appli Skyrock, sur Skyrock.FM ou sur la chaîne YouTube de Skyrock ! Réagis un max sur les réseaux sociaux avec le hashtag #PlanèteRap

Cette semaine, RDV de 20h à 21h avec Fred et Negrito dans l'émission RAP de référence ! A suivre en live vidéo sur ton appli Skyrock, sur Skyrock.FM ou sur la chaîne YouTube de Skyrock ! Réagis un max sur les réseaux sociaux avec le hashtag #PlanèteRap

Cette semaine, RDV de 20h à 21h avec Fred et Negrito dans l'émission RAP de référence ! A suivre en live vidéo sur ton appli Skyrock, sur Skyrock.FM ou sur la chaîne YouTube de Skyrock ! Réagis un max sur les réseaux sociaux avec le hashtag #PlanèteRap

Cette semaine, RDV de 20h à 21h avec Fred et Negrito dans l'émission RAP de référence ! A suivre en live vidéo sur ton appli Skyrock, sur Skyrock.FM ou sur la chaîne YouTube de Skyrock ! Réagis un max sur les réseaux sociaux avec le hashtag #PlanèteRap

Cette semaine, RDV de 20h à 21h avec Fred et Negrito dans l'émission RAP de référence ! A suivre en live vidéo sur ton appli Skyrock, sur Skyrock.FM ou sur la chaîne YouTube de Skyrock ! Réagis un max sur les réseaux sociaux avec le hashtag #PlanèteRap

LA ZONE EPISODE 3 SAISON 1, ça arrive ! Bientôt un gros concours de Noël, rdv sur instagram tyler.lemedia SORTIES SINGLES: LE 6 sort son single "TREVOR". Bné 4keuss sort son single "Que Du Wakz #1". LARRY sort un double single "COEUR CRADE" ET "SAPE NWAR". Kerchak sort son single "T'aimerais ? (Feat. Ziak)". Rohff sort son single "Loyauté". Djadja & Dinaz sortent leur single "Aïcha". Negrito sort son single "Moment". Doria sort "L'Orphelin". Gambino sort son single "TRAFICANTE". Elh kmer sort son single "PI". Bolemvn sort son single "Bronx". Kepler sort son single "Everything dead". Fuego le 7 sort son single "Venus". Lemon haze sort son single "Harry Kane". PLK sort son single "Periph". Roshi sort son single "Canon". Take a mic sort son single "No skip 2". Benab sort son single "Beau jours". 404Billy sort son single "LA PLUS GRANDE DES ILLUSIONS" gros clash contre BENJAMIN EPPS IAM sort son album vinyl "HHHistory" le 11 décembre 2023. La version digitale sortira le 2 février 2024. Diddi Trix sort son album "Trix City 2" Jolagreen23 sort son album "Recherche et Destruction" Sventx sort son album "UN SEUL ŒIL" Mayo sort son album "YOSKI 2" Niro sort la réédition de son album "La recave" Mais aussi LACRIM avec un EP surprise et le nouvel album de KAARS Day One --- Send in a voice message: https://podcasters.spotify.com/pod/show/tyler-le-media/message

During some downtime in Atlanta Fantastic Negrito was doing a little genealogical digging when he started to follow a trail to his seventh generation grandparents. It turns out that in Virginia in the 1750s his grandparents, a White Scottish indentured female servant and an enslaved African man fell in love and started a family. This discovery prompted an outpouring of creativity from Fantastic Negrito. Negrito released an album based on this relationship in 2022 called "White Jesus Black Problems". Currently Negrito is out on the road screening the film. He'll be at the Dakota on Wednesday October 25 for a screening, q & a, and an acoustic performance.

During some downtime in Atlanta Fantastic Negrito was doing a little genealogical digging when he started to follow a trail to his seventh generation grandparents. It turns out that in Virginia in the 1750s his grandparents, a White Scottish indentured female servant and an enslaved African man fell in love and started a family. This discovery prompted an outpouring of creativity from Fantastic Negrito. Negrito released an album based on this relationship in 2022 called "White Jesus Black Problems". Currently Negrito is out on the road screening the film. He'll be at the Dakota on Wednesday October 25 for a screening, q & a, and an acoustic performance.

本期是《酸辣东南亚》系列的第 2 期。在上期节目也提到，菲律宾有 7000 多个岛屿，几乎每个岛屿也都有自己独特的文化。吕宋岛北部山区的部落，跟马尼拉相距也就一两百公里，但那里是另外一个世界。本期的壮游者是王泽远，他将带领我们去吕宋岛的北部山区看看那边的原住民风俗，包括原住民从狩猎到稻米的食物演变；还有二次葬、悬棺这样的丧葬文化；还有巫医、猎头和纹身等风俗，让我们去看看更多元的菲律宾。下期预告：9月21日(星期四)将推出《国王的红包》，我们将来到加里曼丹岛上的文莱，这是我们东南亚之旅的第二个国家，我们在这里赶上了“严格”的斋月，那么，在这个传说中富的流油的国家，王室与老百姓什么关系？社会福利如何？年轻人的发展机会有多少？我们请到了在文莱长大的朋友John来分享他的故事。|故事节点|03:56 “拼凑”起来的菲律宾？10:59 马来群岛的原住民从哪里来？ 14:00 什么是矮黑人（Negrito）？21:34 从狩猎到大米，食物主权的丧失28:21 无米饭，不成活！40:35 二次葬和交叉习俗47:00 巫医、通灵者、老女人和女性化的男人56:42 悬棺和洞葬61:12 他们为什么“猎头”？66:23 纹身和百岁纹身师75:07 为什么要去了解他们？|壮游者|王泽远:社会与行为健康学/食品研究博士，旅居40余国，目前在拍摄原住民食物相关的纪录片，参与联合国粮农组织世界原住民中心项目，业余写作和摄影爱好者。公众号：熙评 世界民族部落与历史文化。|主播|Yang:33 岁后就没有了要纹身念头的一名男子。现在是“平地抠饼”时间：壮游者是一档独立播客，很需要你的支持。1、商务合作请邮件至zhuangyouzhe@126.com,或者添加微信“zhuangyouzhe2018”2、请通过ZFB账号zhuangyouzhe@126.com对“壮游者”进行赞助；也可通过微信公众号“壮游者”文章(本期相关细节图片也在文章里呈现)下方的“喜欢作者”以及小宇宙节目下方的“赞赏”对单期节目进行赞助。3、请订阅、转发、评论和点赞节目，并在你使用的收听平台为“壮游者”专辑打五星好评。加听友群可微信添加"zhuangyouzhe2018"，与主播和听友直接交流。谢谢你，让我们有机会一起前行。

Gustavo Campana recordó hechos trágicos de la dictadura, como el de Iris Avellaneda, una sobreviviente de un infierno llamado “El Campito”, donde estuvo secuestrada y en ese lugar estuvo también su hijo Floreal “El Negrito” Avellaneda quien fuera asesinado y arrojado en los vuelos de la muerte. Eran familiares del delegado de Talleres Electrometálurgicos Norte Sociedad Anónima (TENSA), Floreal Edgardo Avellaneda, a quien los militares querían secuestrar pero logró escapar antes.   "El 16 de abril de 1976 Iris y el Negrito fueron trasladados a Campo de Mayo, Iris fue nuevamente torturada y sufrió un simulacro de fusilamiento. El Negrito murió producto de los tormentos, y su cádaver apareció en las costas uruguayas del río de la Plata. Tenía signos de haber sufrido terribles vejaciones físicas", describió. Campana mencionó sobre el final de su columna que 47 años después en Vicente López, donde hubo casi 390 desaparecidos, harán por primera vez en la Comisaría 4 ta de Villa Martelli la señalización del lugar como sitio de Memoria. Allí estará Iris, la única sobreviviente de esa trágica noche de abril del 76'.   Pase lo que pase, lunes a viernes de 7.00 a 10.00 Con Darío Villarruel, Florencia Ibáñez, Santiago Paz, Gustavo Campana, Nidia Aguirre, Fernando Pedernera y Andrea Baldivieso.

In this Roots Radio episode, co-hosts Lisa Bonta Sumii and Richie Nuñez feature singer/songwriter, Fantastic Negrito.Fantastic Negrito takes you on a journey, portraying a narrative of triumph over adversity. His journey is a representation of a musician from Oakland who experienced the zenith of securing a million-dollar record contract, plummeted into the abyss after a life-threatening car accident that resulted in a coma, and is now witnessing a resurgence that has brought him from the alleys of Oakland to international fame.This man's life story is as compelling as his music because his experiences shape his sound. The music, inspired by a life full of trials, is an expression of black roots music, woven with elements of slide guitar, drums, and piano. The tunes convey an atmosphere of urgency, desperation, and tension.Negrito earned nationwide recognition when he clinched the first NPR Tiny Desk contest in 2015. He followed up this success with Grammy wins for all three of his albums: The Last Days of Oakland (2017), Please Don't Be Dead (2019), and Have You Lost Your Mind Yet? (2021). The most recent album includes collaborations with fellow Tiny Desk winner Tank (Tank and the Bangas) and the Bay Area icon E-40.Negrito's journey has been full of exciting turns in recent years. His independent record label, Storefront Records in West Oakland, launched his two newest projects. White Jesus Black Problems (2022) and Grandfather Courage (2023) explore the forbidden love story of his ancestors — a white Scottish indentured servant and an enslaved African man on a Virginia tobacco plantation in the 1750s. White Jesus Black Problems is accompanied by a 42-minute video available for viewing on YouTube.Additionally, Negrito has initiated The Storefront Market, an outdoor community market located at Storefront Records. The tenth iteration of this market recently partnered with Thrive City at The Chase Center, home to The Golden State Warriors in San Francisco. This partnership offered a platform for various Bay Area artists and vendors to showcase their work in the city.Lisa Bonta Sumii, LCSW, CSW | Athlete Mindset podcast host:Lisa is a psychotherapist and mental performance consultant to high-performing athletes at the youth, collegiate, Olympic-hopeful, and professional levels. She is the first-ever Mental Health & Performance Coach for the Oakland Roots SC, a men's professional soccer team, in the USL. Lisa is the Founder & CEO of AthMindset, a diverse team of licensed mental health clinicians and mental performance consultants, who serve alongside her.Fantastic Negrito: Wikipedia | Twitter | Instagram | Spotify | YouTubeWrapping up:Athlete Mindset is part of the KazSource Podcast NetworkPresented by SportsEpreneur: a digital sports media brand for entrepreneurs engaged in sportscontent brings people together: KazCMSocial media and more:Lisa Bonta Sumii: LinkedIn | Twitter | AthMindset websiteRichie Nuñez: LinkedInSportsEpreneur:  TikTok | Instagram | TwitterRelated episodes to Fantastic Negrito | Oakland “Roots Radio”:Sports As An Outlet | Oakland “Roots Radio”Play Music, Live Music With Mara Hruby | Oakland “Roots Radio”Jimmie Bell: “I Got the Courage to Start Over” | Buckeye FocusedTwo current projects:We published a book! Check it out on Amazon: Altered State of AffairsShort-form video production: KazCMCredits:This podcast was produced by the team at KazCMBeat Provided By freebeats.io | Produced By White HotSportsEpreneurThe post Fantastic Negrito | Oakland “Roots Radio” appeared first on SportsEpreneur.

En The Unbroken Project nos gusta la música y en este episodio conversamos con Roberto El Negrito Moro acerca de la música colombiana y de su disco Anti Pop.  The Unbroken Project es una producción de Su Presencia Radio.

Bonjour à tous, c'est Tyler, et je suis de retour pour vous présenter les sorties musicales de la semaine. Cette semaine, j'ai été emballé par les singles de Kerloxx, Sicario feat Kalash Criminel, Negrito et Ossem. Kerloxx prend les commandes avec Commando

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. This episode on APEX EXPRESS highlights Khamsa, the Arabic word for “five,” is a multimedia art project showcasing Black, Muslim, Immigrant, and Refugee visual artists and musicians traversing the five stages of grief. In September 2022, Khamsa launched with an art exhibition at Aggregate Space Gallery in Oakland with a line-up of community events featuring musical performances from the project's hip hop artists and guest artists such as dancer Linkk and harpist Destiny Muhammad. Khamsa continues with an ongoing podcast series and a hip hop album released on October 23, 2022 through Simmons Music Group. Khamsa aims to address the different forms and contexts of grief, weaving both personal and universal experiences of loss. From the personal pain of losing a loved one, to the toll of Islamophobia and prejudice, Khamsa will draw in each and every one of us while bringing the stories and experiences of Black, Muslim, Immigrant, and Refugee artists to the forefront. Khamsa is a project to find harmony in our shared stories, bridging differences in cultures, beliefs, and history. Check out more about their work here: https://www.artogether.org/khamsa/ This episode was interviewed, produced, and edited by @Swati Rayasam.     Muslim, Black, Refugee rappers and artists launch healing project in West Oakland: Khamsa Project OAKLAND, CA – Khamsa, the Arabic word for “five,” is a multimedia art exhibition showcasing twenty Muslim, Black, Immigrant, and/or Refugee visual artists and musicians traversing the five stages of grief. Oakland-based organizations ARTogether and Gathering All Muslim Artists (GAMA) encourage the audience to explore different aspects of trauma's universality, striving to spark new narratives around grief and trauma, by using varied media and disciplines to present new perspectives on mental health. “The 5 stages of grief are not a linear process, we may spend some time in anger and then move to acceptance, spend some time there and move to depression,” says Abbas Mohamed, Executive Director of GAMA. “Our goal is not to remove grief from the community, because grief never goes away, but rather to equip the community with the perspectives needed to process and heal through the grief.” Weaving both personal and universal experiences of loss—from the personal pain of losing a loved one, to the toll of Islamophobia and prejudice—Khamsa is a project to find harmony in our shared stories, bridge differences in cultures, beliefs, and history, and heal through the grief. “Art plays an important role in healing our communities, especially for people of color.” Guled Muse, Executive Producer and Lead Artist, states. “I am truly excited that I was able to work with ARTogether and GAMA to collectively bring artists from different mediums, nationalities, and beliefs to explore their minds in how they process emotions and grief through music and visual arts.” Khamsa ran from September 2 – October 15, 2022 at Aggregate Space Gallery in Oakland. This program is made possible with support from the Doris Duke Foundation for Islamic Art's Building Bridges Program. Featured visual artists include Keyvan Shovir, Meriam Salem, Nabi Haider Ali, and Zara. Featured musical artists include Bryan C. Simmons, Cheflee, Mani Draper, Spote Breeze, and Sukina Noor. Khamsa Project Transcript Attachment    Khamsa Project Transcript: [00:00:00] Swati:  [00:00:33] Swati: Good evening everyone. And welcome to apex express. This is Swati Rayasam your very special guest host. Tonight I got the chance to sit down with Leva Zand and Guled Muse to talk about their recent project Khamsa which launched at the aggregate space gallery in west Oakland. Khamsa the Arabic word for five is a multimedia art project, showcasing Black, Muslim immigrant, and refugee visual [00:01:00] artists and musicians transversing the five stages of grief.  [00:01:03] Swati: I was so glad I was able to learn about not only Humsa but more about Leva and Glad's backgrounds and how in the process of putting together this show. They navigated their own grief and the multifaceted nature of grief, from the personal, such as the loss of a loved one to the societal toll of the COVID 19 pandemic, Islamophobia, or other forms of prejudice and violence.  [00:01:26] Swati: Stay locked in.  [00:01:28] Swati: Leva and Guled I'm so excited to have you. Welcome to APEX Express. I'm really thrilled to talk about your show, Khamsa, to talk about the music Guled that you've been working on, and Leva to talk a lot more about Art Together and kind of your, vision for using art as part of social change.  [00:01:45] Guled: Absolutely. For sure. And thank you so much for bringing us to the show. Truly appreciate it. My name is Guled Muse. Vallejo, Bay Area. I'm a music producer, curator, event, and content creator[00:02:00] had a lot of years, community organizing in San Francisco.  [00:02:04] Leva: My name is Leva Zand I was born and raised in Iran and I came to the US with my family in 2003 as refugees. My professional background was an international development. And I founded and I started Art Together in 2017 and I'm currently the executive director of the organization. [00:02:25] Swati: Awesome. And can you tell me a little bit more about what Art Together is? [00:02:29] Leva: Absolutely. The promise of Art Together is that we can do community building through art. Our original story is that during 2016 we were all very mad and sad and angry of election of Trump. To me, it was actually a shock because I didn't expect, and I realized that after, like being here for 15 years, I don't really know people enough. And also I experienced a sort of anger and rage in me that was very unique and new. [00:02:56] Leva: And that feeling stayed for a couple of months and I was like, I have to do [00:03:00] something about this. And it's very interesting because it seems like that election of Donald Trump was the moment that I felt American in a way that I felt like I have some skills. This is my community, this is my place, this is my people. I wanna bring those skills home. My goal was like, what is missing in the services that refugees and immigrants are receiving? [00:03:23] Leva: If you remember, we had lots of anti-refugee, anti-immigrant rhetoric back then. Muslim Ban and all of those. So I start researching what services available, what has changed since my family came here. And I realize not that much. There are amazing organizations who are providing services when refugees arrived, or social services, like mental health food or logistical support, like helping them finding housing or employment, but I couldn't find any community building program. I remember when we came here, me and my siblings speak English, but that was not the [00:04:00] case for my parents. And it took them many years to basically found their community. And knowing that, and also be familiar, that, language, is a barrier for new arrivals here for many of them. I was thinking like, what can be a medium that bring people together that they don't necessarily needs language or enter a room, a space that don't immediately feel like, oh, they don't know English, and the shame or isolation that ca comes with it. And that's why art came to mind basically. [00:04:28] Leva: It is something that everybody can enjoy, everybody can practice that you don't have to be artists to go enjoy music or theater or arts. So I started talking with a few friends of mine. And, we put together some concept of this Art Together, like how can art be used as community building? And then I started reaching out to, some service agencies, some resettlement agencies that, Hey, what do you think about this idea? Many of them welcome this idea of like how to use art to bring community together, so [00:05:00] that was the origin of story basically the first year. [00:05:02] Swati: Awesome. Yeah. Guled, if you could just give our listeners like a background, How did you become a musician? What was your inspiration? What's your vibe?  [00:05:12] Guled: As far as my music, it really just started with Rap City, back when I was like 10 years old when I first immigrated to this country and we got cable in the apartment. I remember, the channels we were just flipping through and BET was one of them. And more specifically Rap City. I remember it vividly because I remember like just that small television in the living room. We didn't have too much furniture. And, I remember seeing Black Star, Definition, the music video. And just seeing these brothers just spitting the way that they were was like, was absolutely fascinating. I've always had an experience with hip hop, but then it was much more like the commercial, like bad boy puffy, big willy style, men in black soundtrack. And from a global perspective you only get like what is being pushed to you, but [00:06:00] then really starting to understand regional hip hop, whether it was Outkast, whether it was, listening to hieroglyphics. It was something that fascinated me to the point where I started to participate in the culture as an mc, I was known as that little rapper in school. And, went on and just, things evolved. Being in college, doing a lot of events hip hop related in SF State. Shout outs to Professor Fisher, Donna, Lisa, the whole Africana studies department over there. Major love to them and the experience that they had provided me in being able to also participate in the educational aspects of teaching hip hop. [00:06:36] Guled: I remember moving to Oakland. I think that was the city that really provided the spirit inside of me. I was once outer shell of myself, just didn't know who I was and like really Oakland around that time just like really embraced me. And just being around a lot of creators, a lot of artists inspired me, but then there's so much politics within the rap game. There's a lot. [00:07:00] To the point where artists had to compromise the way that they would rap. The music that they would create. And I was seeing, an underground movement happening at the same time in Oakland, shout outs to Smart Bomb. They're doing phenomenal work. And they really inspired me to the point where, my colleagues and I, we created a website, a music project called Speak With Beats, where we were highlighting, beat makers and musicians from the Bay Area because in the Bay, we are very unique, due to the fact that we're siloed from a lot of other regions where we're not really inspired by what is hot at the moment. It's always been a thing, but now with the internet, everything sounds the same, right? Because you're being inspired by so many different artists from a click of a button. [00:07:44] Guled: But still, there's this unique aspect of people making original music and I wanted to reward them and to highlight these artists that I was just fans of before I was friends, like fans of, just to give them a platform was very important. [00:07:58] Guled: And that's where I [00:08:00] saw where my skillset was. It's transmuted from, like participating more as an mc now, just being much more behind the scenes and utilizing the organizing experience that I've had to empower my people, my colleagues, my friends who are just extremely talented and just to know that I see them.  [00:08:19] Swati: I love that. I love, that's such like a beautiful local Bay Area story. How did you two get into contact? How'd you find each other?  [00:08:27] Guled: It's funny that Leva mentioned like the 20 16, 20 17, moments of our politics. Around that time I was dealing with personal issues, to the point where I just wanted to just step away from a lot of things, including music, art, activism. I was just personally more or less burnt out. And all of this stuff started happening. During 20 15, 20 16, I was wanting to think about ways of like really pushing, the culture that I was witnessing and experiencing and supporting at that [00:09:00] time to like new heights, right? Because when it comes to beat making music, like the instrumental hip hop scene, folks are now getting the taste of it with the lo-fi Cafe Girl, but I wanted to take it, one step further because I seen like the process of how people were creating the music, the way that they were sampling the music, the way that they would just come up with the production out of thin air. And I wanted to merge it in a, in such a way where it was like classical music, like jazz music, right? Because people were just putting out beat tapes consistently. Didn't have no theme, no nothing whatsoever. So I was like, let me try to curate something that was going to affect people in a way that words cannot describe. [00:09:44] Guled: So that's where like the origins of the Khamsa project started coming to be, just bubbling. So around that time I stepped away from a lot, but that project always lingered. It always was there. And I would have not [00:10:00] brought this project into manifestation if it wasn't for my co-creator, my brother, Abaas Muhammad from the GAMA collective Gathering All Muslim Artists. [00:10:10] Guled: Major love to him. He was someone who really just inspired me to push this further because as somebody who was providing support, sometimes you need support, right? I remember, some of my peoples telling me, a therapist also needs a therapist, right? At that moment, he was a person who really helped me out, who just didn't want me to stop my artistry. he recognized it and he really supported me to the point where he brought me into the attention of art together. [00:10:40] Guled: And then just from there, that's where it really started and it's been a long time coming, it's been a long time coming. This project has been years in the making, but it's just started having a mind of its own and I can't thank art together enough. [00:10:54] Leva: Thank you. Thank you for saying that you came from your mind. Let me also share my side of a story. First of all, part [00:11:00] of our mission was supporting refugees and immigrants. Very soon we realized that the disparity in art community and also the exclusivity of art community here, especially for immigrants or refugees it's very hard to get into the art world here. So, I think it was 2018, that we start thinking about how can we support, art together and support artists, refugee and immigrants artists. [00:11:21] Leva: And by then there were a team of like few interns who were working volunteers so we decided to partner with, GAMA, gathering all Muslim artists and Oakland Art, Asian Cultural Center to put a group show together to celebrate refugee immigrants artists in Auckland. [00:11:38] Leva: So we put the show together, I think we showcased at the work of more than 30 of such artists at O A C C, March 16th, 2020. Four days before everything goes down . And, Basically Guled came to one of our meeting. We didn't have office gallery or any of those things back then. And he said, well, I need a [00:12:00] couple thousand dollars for this. And we were looking at the project and we were like, this can be a major project. [00:12:05] Leva: This can be a lot bigger than this. Just the music. So we told him that yes, we are in. Let's see if we can find resources for that. First we didn't get them, and then we applied for a major grant through Doris Duke Foundation, building varied bridges, which is about, bringing more Muslim artists and our Islamic arts to the community here. And back then Angira Huka was our program director and the project developed a lot through talking through meetings and gatherings. we were really trying that not let funding or that the direction of fund shaped the project. And that's always a challenge because funders are interested in specific things. So we took some liberty on that. We took some liberty to making sure Guled's Ideas is actually coming out and GAMA shout out to them. Great partner. and that's how this came together.  [00:12:56] Guled: Yeah. I wanted add as well too, I told Abbas, if I [00:13:00] wanted to pursue this project, like I had to provide compensation for the artists. I feel like it was really important, especially like in the hip hop community over here, there's a lot of pro bono work that goes on. I just wanted to break that culture of pro bono work because people are just working so many jobs while doing music and some of them, they just basically making music for free. [00:13:25] Guled: But just to have that component, to say once again that I see you, like I wasn't going to do this project with without that. So to be able to partner up with Art together, partner up with GAMA, partner up with the Doris Duke Foundation, it was really humbling. It was really one of those moments in my life that kind of reinvigorated my admiration and my aspirations in the arts. And since then, it was just like, it was history.  [00:13:56] Swati: Yeah. I think that it is so critical, for [00:14:00] both of you having worked in community spaces and actively involved in community spaces in different ways, it's so important that like when you create projects or when you pursue things, that you do it with that code of ethics, right? I know that what I am doing is building up folks who are behind me, who are with me, that We seek to create a world in art and in any other aspect that is less exploitative than the one we inherited, the forever pursuit of liberation through that. So, tell me a little bit about what the Khamsa project is and then what was it that inspired you or that kept, you kind of stuck on it.  [00:14:37] Guled: Yeah. It's grief, like there's multiple levels to it. Everybody has their own relation to it. But at that moment, once again, it was just like me losing myself, I was grieving my hopes or whatever that I was personally dealing with at that time. I wanted to create this music project but then have people step inside the music project, [00:15:00] inside the mind of it. [00:15:01] Leva: I got interested in the project because it was about shared human experience. It was a thing that you don't need to be from Somalia, Iran, America, Texas, I don't know. You name it. You don't have to be from any of those to experience grief. [00:15:15] Leva: So it's a shared human experience and that's basically what we are doing at art together to emphasize on things that we can share rather than things that dividing us. And also it is not just grief. It's not grief for life. It can be loss of land, loss of people lots, loss of home. All of those things are lost. [00:15:33] Leva: So it's not necessarily just life that we are losing and we are grieving for. So for me, that aspect was very interesting that this is a shared human experience. And of course the timing of it you know, COVID was happening and before that, the experience of gun violence in this country and what's happening for the Black community specifically here. [00:15:51] Leva: So all of this came together for me at least, it was like this is a shared human experience and this is something that everybody can come and enjoy and [00:16:00] understand and also process. Guled is talking a lot about the music aspect of that, but we also put lots of emphasize and work on the visual, part of it for your listeners who may not know, Khamsa project, we partnered with aggregated Gallery space, which is a gallery in West Oakland, and we basically turned the space, like people could walk and they could, there were stations that they could listen to music, but they were also seeing different form of art forms. We had abstract art. We had video art, digital art. We had fabric art. So all of them were in the one place that walking people through this stages of grief, we all experienced it in a different way and different stages. It's not a linear thing. But Khamsa itself was a project walking through grief while music is with you. And while you are looking at some of these visual arts, this is how I describe it. and also I like it that it's hard to describe because it was very intersectional. It was very different from like other exhibitions or other albums [00:17:00] that you go through because it was just very intertwined with each other.  [00:17:03] Guled: Yeah. the aspect of bridging the gap between different communities was an important aspect, as someone who identifies as Muslim, and I've been in a lot of Islamic art shows and it was always something that relates to politics. They're always, something relates to Islamic history. I really wanted something that was more human. So to be able to have my homies who created the music project at the same time, the visual artists, they were also doing their own thing, creating art for the gallery. The funniest aspect is that none of them riffed ideas off of each other. They were all working independently away from each other. So it was a way to look at this concept from different vantage points, from different identities, but we're all looking at the same thing. [00:17:51] Guled: And that's like kind of the commonality of us just being humans in general. Somebody who now sees the world different. Like what I saw is [00:18:00] like a lot of different groups, they would always share their culture. [00:18:04] Guled: So just like the music project was one component, it was gonna be an instrumental music project, but then, I needed that element of the mc and needed the element of just raw MCs that were in our local area who were just phenomenal to speak on grief, to speak on the state of the community. [00:18:22] Guled: And in the meantime, like just being able to have these visual artists express themselves in such a way was the idea. But things just started . As Leva said, it just started becoming this, when the exhibit got launched, it just became a safe space for people to go through that journey and heal each other. [00:18:42] Guled: Because there was a question in the exhibit where it says, how do you heal and grieve? And the last piece of the puzzle was the people. And they all shared some phenomenal answers and I feel like it's just in the end, became such a community project, like what makes the Bay Area so great, makes the Bay Area so unique.[00:19:00]  [00:19:00] Swati: Yeah. I think that's so beautiful. I am so intrigued by the fact that you had all of these visual, auditory, otherwise artists grappling independently with what is grief to them. Being at the exhibit, you know there were a lot of different examples of grief, right? [00:19:17] Swati: Grief around lost girlhood, grief around home, grief around relationships within family, within community, and all these different aspects. How did you stitch the visual, the auditory, and even the live performance? I'd love for one of you to talk about the live performance.  [00:19:36] Leva: I feel like we were working with immensely talented people. We had two amazing project manager, Abbas and Michelle Lin from Art Together. Shout out to her. I think they did a phenomenal job in coordination because it was not easy to coordinate between that many artists. [00:19:53] Leva: And so part of it was coordination and also, be intentional about every connection. This [00:20:00] project as Guled said was very intertwined with people who were there. Like it was a different experience if you would go there and people were there, and then if you go just watch or look at the arts or listen, it became a safest space for grief because people immediately felt connected to the message. And what I loved, loved about the project was that it brought people to, to see the exhibition and listen to music that we don't necessarily consider them gallery goers or exhibition goers. Right, aunties and uncles came and they were part of creating this space.  [00:20:34] Guled: Yeah, absolutely. I would to say strategically for this project, once again, special shout outs to Angira and, and Michelle for really holding us down, my brother Abbas was such an important part and Art together was such an important part to this project. Their wheelhouse was understanding the visual arts realm and the exhibits and galleries and what it takes for the artists to come up with their pieces. [00:21:00] Myself was on the music. What I really enjoyed about it so much about the music project was just like, once again, I'm just a fan of everybody. I'm a fan of everybody. It was just like, if you had a basketball team, who would you pick? It was my version of Oceans 11 , just like picking the best artists that I knew at that time, you know?  [00:21:21] Guled: When it came to the music production side, I wouldn't have, done this project also with one of my good brothers, Pat Mesiti Miller, phenomenal audio engineer, beat producer and also a curator as well. He would take things sonically to another level. So, once that was done, it was like two worlds coming together and I really feel like the Aggregate Space Gallery really brought these two worlds to merge. [00:21:50] Swati: Guled you know can you tell me a little bit about, Khamsa the music album component of your project and how you originated it. [00:21:58] Guled: Yeah. Right now the, yeah, the Khamsa Music [00:22:00] Project is a five track ep. Each one of the tracks represent the different five stages of grief. I initially wanted to create this more as an instrumental music project. Same way you can kind of feel jazz music, classical music, if you were thinking about, or processing an emotion, creating music that words can't describe, right? [00:22:21] Guled: Like such, like these types of experiences that you go through with grief. But however, as, as years went on, I just felt that the importance of having an mc was crucial. I felt like we needed a voice. We were losing too many hip hop artists, to gun violence. COVID affected us. George Floyd affected us, whenever experiences, critical moments in history happened like the way that hiphop responded was always powerful to me. Whether it was the death of Amadou Diallo and how a lot of the hiphop artists at that time spoke up against his death to Tupac, to Biggie, like they [00:23:00] were reflections of their time. And I just felt it was important the MCs, speak on the state of their consciousness, but also in return, being able to let the community know that they're with them. [00:23:11] Guled: Initially also, we were going to have interludes within each of these tracks, with a phenomenal artist, by the name of Sekina Noor, based out in London, with these MCs talking and rapping with each stage of grief, it was going to be her spoken word pieces during the interludes this divine feminine consciousness of what was going on in the way that we were processing this journey altogether. But yeah, just really touched base with all my homies from the Bay Area who are born and raised in Oakland Richmond, or who have had many years being in the bay, gotten in a lot of game from the Bay Area and these are all like my favorite artists I'm a fan of all of them. [00:24:00] And I guarantee three, four or five years from now you're gonna hear a lot more noise from these people.  [00:24:05] Swati: So in the process of reaching out to all of these artists that you respect all your friends, right? How did you go about curating each of these tracks did you pair the track or the theme to the artist? was that collaborative? [00:24:20] Guled: And what's funny is, cuz all these other MCs, I spoke with them, a long time ago, I told them, straight up like, Hey, listen, I'm not going to ask of this from you if I don't have a budget and as soon as Allah blessed me with the grant money from the Doris Duke Foundation, it was on.  [00:24:36] Guled: These were people that I've known for years, so I've kind of recognized their strengths except for D. Lee, D. Lee is just like one of those people who I met on the fly, and he's such a natural, he's just a phenomenal artist.  Denial [00:24:49] Guled: I was wanting to work with another artist for the track denial, but that didn't work out. But in the meantime, out of the blue, I remember I was just like listening to Water, [00:25:00] water for the Town Project, a project that's a compilation project of the Smart Bomb Collective. And it was a track with D.Lee, with his cousin, spoke Breeze and when I heard him, I was just blown back. I had to just like, you know, press it on repeat again. And I was just like, this is, he's great. You know? And so I had to reach out to my boy, spoke and spoke, reached out to D. Lee and we politiced. And what's funny is that he was the first person to deliver the track to me. And then the dope thing about it too was on the production side, you got pASDOO, who's a phenomenal producer who understands the science of sound.  [00:25:37] Guled: [00:26:00] As far as with the track anger with Mani Draper, you know, shoutouts to Grand National, Mani to me he's such a great artist. I feel like he was able to bring anger home, like if you listen to the track, it sounds like Grand Master Flash is the message. You know, like, just don't push me. And he, I feel like can represent that. And then the energy that he brought with the track, I just knew he would be the right fit. We have Brian Simmons, a phenomenal composer. He tours with fantastic Negrito and this music project that's on his label, he brought it home .   [00:27:00]  Bargaining [00:27:03] Guled: When I was thinking about who will be the right mc for bargaining, Spote Breeze just popped in my mind because of his albums, because of his music. He's a very, very layered, very complex lyricist, and I feel like the stage of bargaining was perfect for him. Cheflee is a genius, and Spote Breeze and Cheflee works together so well. And he brought it home not only providing the instrumental, but also he included the hook and the instrumental, so it was like a song that was writing itself and it just paired so well [00:28:00]  Depression [00:28:14] Guled: When it came to the track of depression, I reached out to my boy Nu Nasa, and Nu Nasa to me is one of the most positive, positive MCs. If you listen to the rest of his catalog of music, it's very uplifting. It's highly spiritual, and I've only known him artistically on that side. I wanted to see his shadow self something that was different. shout outs to aboveclouds from Virginia, he really brought that Boom Bap the style of Boom B ap was perfect.  Acceptance [00:28:46] Guled: [00:29:00] As far as with acceptance, my man, Gavin Anthony. He was somebody who I knew in my years being an mc. He was like, one of my OGs, one of my big brothers in the hip hop community. And he is not only a phenomenal lyricist, he's a phenomenal freestyler and his reflections and is just being like, older than me. [00:30:00] You know, I feel like he's been through the cycles of grief himself, so for him to talk about acceptance, it's kind of like this brotherly advice and just wisdom of somebody who's went through all of this and was able to accept. And I felt like it was a great piece to the puzzle. And then Sydequest really bringing the project home.  [00:30:18] Guled: [00:31:00] Each one of these tracks were challenging for the artists to process. So once again, all of these people I am a fan of, and I just thought like, what would happen if these folks were paired up together. and, The first time I heard it was two months after it got mixed. My boy pASDOO. He was also the audio engineer of this project. He was like, Hey, listen, you're not gonna listen to this project until the listening session. So we had a listening session at the Reef Studios on Oakland, OG Jaren and Brian C. Simmons spot. And when I first heard the project, I was just blown back, I didn't expect, the magic. [00:31:38] Guled: It was hair raising to be in the studio, listening to the songs blare out, the speakers to be around my people. It was definitely a dream come true. Like just sitting there and listening to it all. It felt like I was at a brief moment living my aspiring self. Just being there, [00:32:00] just seeing, just witnessing everything and just knowing that the art was coming from a very deep place. It just came out to being something that I thoroughly enjoy just as a fan and I felt like I put all my chips in one basket and got double in return.  [00:32:16] Swati: Yeah. No, it's a really seamless album. As you said, it had been years between when you talked about this project and when it finally got funded you were like, it's go time. And I think it speaks to the strength of the Oakland hip hop community to your music community that like, everybody was like, absolutely, let's go.  [00:32:38] Swati: You're tuned in to apex express at 94.1 KPFA and 89.3 KPFB in Berkeley and online@kpfa.org. Coming up we have two songs from Khamsa the album. The first Anger by Mani Draper. Co-produced by Mani Draper and Brian C. Simmons followed by [00:33:00] Something by spote Breeze produced by Cheflee    [00:33:03] Swati: [00:34:00] [00:35:00] [00:36:00] [00:37:00] [00:38:00] you just heard Something by Spote breeze produced by Cheflee and before that [00:39:00] was Anger by Mani Draper. Co-produced by Mani Draper and Brian C. Simmons from Khamsa at the album. Now, back to the interview.  [00:39:09] Swati: Going back to kind of what I think both of you said at different points that like this exhibition was really about breaking barriers in terms of who is considered somebody that goes to a gallery, goes to an art show, and also what art is appropriate and then even then, what belongs together. And I think particularly in the space of Islamic art, it's so important both that you married the visual of having, artists of color having, Islamic art, but then also really having this huge hip hop auditory component to explicitly have that conversation of blackness and muslimness and creation together.  [00:39:51] Guled: The thing is that this project was challenging for everybody. Like, for everybody. And when I've approached my homies about it, they're like, [00:40:00] you know, I have to really dig deep because there's trauma involved. We don't normally talk about it as much so for people to muster that up, even with the visual artists as well too, for them to really go into these spaces, that is hard, but they understood that the purpose of it was to really let people know that they're not alone, you know? To bring these world together cuz there was so much, these years, like from the moment this project was thought of to like, when the exhibit was happening, so much was going on in the world. And for people to be that vulnerable it takes a toll. [00:40:38] Guled: But some of the best art, I've ever seen came from those spaces and for them to become the mirror for people to reflect on their own sense of grief gives all this work a lot of meaning. Just the way that the people was also able to participate, in these events. I know you mentioned something about the event [00:41:00] program inside, some were planned and others weren't, one of them in particular, cuz there was just so much gun violence going on in Oakland, we had a shooting that occurred around that time in the mosque, that took the lives of, Asam Al-Awjri and Belal Esa, two people from the community, were lost to gun violence, and also the school shootings that were happening as well. Like even during that moment, while the exhibit was going, we had to curate spaces for that as well. And, just to kind of reflect back, even after the exhibit was done, some of that emotion, some of that energy, it still lingers with me to this day. [00:41:42] Guled: Yeah. Thank you for sharing that also I attended the closing ceremony and you know, Leva you gave this really beautiful speech around the crisis in Iran and what grief was bringing up for you in this space. I was wondering if you'd be open to speaking about that. [00:42:00]  [00:42:01] Leva: Yeah, it takes a lot to be comfortable with vulnerability and that is something that Khamsa and the space that it created, for it to be safe for me as the director of an organization, feel comfortable enough and feel safe enough to come and talking about what's going on in my community. [00:42:20] Leva: Right. And feel safe enough to just cry and talk.  [00:42:23] Swati: just to interject, could you give a very brief overview of what the crisis in Iran is from your perspective? [00:42:29] Leva: So what's happening in Iran is that people are tired of 40 years, four decades of autocracy and dictatorship, and a version of Islam, a version of religion that has been dictated to them no matter what they want or how they want to practice religion. [00:42:46] Leva: Unfortunately, what happened is that under this Islamic regime, I'm not calling it Islamic country because the regime itself is a dictatorship, and this is different from people. So like any fascism, they are harassing [00:43:00] people. They're killing people.  [00:43:01] Leva: I came to the US as refugee because as religious minority back in Iran, my family around their persecution, my uncle is in right now, a couple of my friends are in prison. My uncle is in prison just because he was teaching in a university to people like us, right? So the current uprising started after a young woman got killed under custody of police, morality, police, if you don't know, in Iran, there is morality police who is basically telling women in the streets how to wear hijab, how to practice their religion. [00:43:29] Leva: And people basically got tired of that so the uprising started with that, and very soon people got united that everyone wanted this regime to go. Unfortunately, what's happening is massive execution that has been regime's strategy in the last 40 years. Because again, they're killing and executing young people, young folks, without having any reason for that or any. Fair trial. So that is also grief. And it feels like for my community, we've been grieving for 40 years and that's [00:44:00] why I feel like sharing this stuff and sharing about this emotion is important. But yeah, Basically that's what's going in Iran, protests are still going, the mass execution, basically every day we're waking up to some execution news and we really hope that again we are so desperate and helpless from here. [00:44:17] Leva: That was a day that a big fire was happening in a prison that most of the political prisoners are there. And I had no idea how to process that but still be a professional person, go to work, go to the speech, do the speech, because again, that's my job. So having that space and feeling so comfortable for that many people to just see me crying.  [00:44:38] Leva: Again, the beauty of Khamsa I don't know if I would be able to be the same or talk the same way or tell the same story if it was in another exhibition or another art opening. The space itself I feel like gave me and of course people who were around and I will see them I feel comfortable enough with them. And this is not common in our communities, especially men Muslim men, because [00:45:00] I know many of them and they're friends of mine, it's not common to talk about this emotions, what's going on. And again, Shout out to Guled and the whole team who created that space. during that time, one of our staff member was going through a shooting. And again, as a whole, we felt like, my God, this is space Khamsa, was the right time, right place for all of us to be able to be vulnerable and still feel safe and connected.  [00:45:26] Swati: I really empathize with that feeling of desperation and hopelessness being in diaspora currently. But I think, you know, maintaining conversations around what is going on currently in Iran keeping tabs on what is going on, talking about it, talking about injustice and lending complexity to a narrative and not giving it to the regime, not giving it to the United States government, but really giving it to the people who have deserved it for all this time. [00:45:50] Leva: Absolutely. Absolutely. And again, this is also important for me personally, having many Muslim friends that I want them to also understand that this is not an uprising [00:46:00] against religion and the way that hijab was dictating on us we never had a choice. For me to be able to go to a school, I had to wear hijab, right? We never had a choice to practice what we wanted to do. So this is not an uprising against Islam, it's not about being Islamophobic. or don't want that. It's just people tired of fascism that govern them under the name of this religion. And that's why I feel like solidarity of Muslim community outside of Iran is crucial for them because the government in Iran can't say that, oh this anti-Islam, this is anti-religion movement. But thank you for bringing that up. Absolutely correct that we also have duty to keep this conversation going. [00:46:40] Swati: Yeah, definitely. And I think back to just really what the whole purpose of Khamsa is, right? In terms of humanizing people and bringing to light and bringing to immersive experience. [00:46:53] Swati: This really, scary emotion that all of us are feeling constantly and trying [00:47:00] to avoid. I mean, Guled, how has grief modified and changed over the lifetime of that project and what does it mean to you right now? [00:47:09] Guled: I feel like grief is like one of those, like eternal human tragedies, just when we are very well versed in what it is theoretically, like when it happens to you, you feel the effects, whether you far away, whether you're close to someone. It's like one of those truths, right? For me, just living with it, I remember seeing something really cool about Japanese art where they glue pieces together of like pottery with gold. Because even through all of that, amidst of all of the suffering and the trauma. You gain wisdom, you gain light, you gain hope. You gained this understanding of what it is to be human because day by day we're still like running around. You're just going from one place to another and not really sitting down with the experience, like what it is to live this life, in the third dimension . And I felt that art has always been a [00:48:00] way to bring something from the ether or from a different dimension, from a different place these things that really affect us to the core. [00:48:07] Guled: As far as with, my Muslim identity like Islam. You know, there's a really important fact that people have to understand is that, the Prophet Muhammad (Peace be upon him) there was a period of his time called the Year of Sorrow, where he lost his beloved uncle who protected him from his persecutors and his first wife who was holding him down, who supported him since day one. This is somebody who we revere as extremely holy, somebody who had divine revelations from the most high in a very personal way. But yet somebody of this stature still dealt with grief, he still dealt with that. So, the beautiful part about the Muslim artists is the fact that, there's people who identify with Islam you know, and from a different perspective. You could [00:49:00] be Shia, you can, speak on like the history of what happened to the grandson of the prophet Muhammad and his family, and the anger that community still feels to this day during Karbala, you can, speak on behalf of Leva's experience where , you have this regime that is pushing Islam in such a way where it's suppressing people when it's supposed to liberate us. [00:49:22] Guled: And I myself, even though I identify as Sunni, for Somali people in general, when I did the knowledge, you know, we have Sufism we have that spiritual component in our faith. And just knowing the spiritual wisdom behind the experiences that we deal with, in our day-to-day, is kind of way of God still communicating with us. Even outside of a book is God still communicating with us. So this project really, you know, after going through it, it really brought me closer to a higher power. But in the meantime, made me [00:50:00] realize like there's still so much that we have to do. Not even on the activism way, but to just even call somebody. Just tell them that you love them. Like how many of us are really doing that? Because we're chasing money. We, are putting our lives or putting our value towards things that are material, you know? It gave me such a deep reflection and for others to share their art this way and for the community to show up and provide their wisdom. It helped me a lot. It helped me a lot emotionally. It helped me a lot spiritually. It still has a mind of its own, it's still lingering. But I'm grateful and I'm blessed  [00:50:40] Leva: Thank you Guled for sharing. People processing grief very differently. I believe that, I think when I was a child, somebody told me that everybody who's living your life is taking a little piece of your heart with him. And there is a hole there that you have to learn to live with that hole and still survive. There are lots of holes in our hearts, and as we are [00:51:00] growing up, there are more and more of them. So it is actually, how are you gonna manage that? To me, over time, it became the celebration of life. It became the celebration of what we lost. [00:51:10] Leva: If it was a relationship, if it was land, if it was home, how can I cherish the moments because I cannot have them back. Coming to the realization of that, and also give it time, it's like we cannot say that, oh, I'm gonna give a five months timeline to this grief, and then I'm gonna be fine. No, every grief is different.  [00:51:28] Leva: For now I'm at the stage of my life that for me, it became more about celebration of life. Then go back and thinking about that piece of the hole that I have in my heart. It may change in a few years, but I am there. Right now . [00:51:44] Swati: That's such a beautiful sentiment. So for both of you, as we're closing, what projects are currently in the works or up next for either of you, or are you taking a very well deserved nap? [00:51:59] Guled: [00:52:00] As a matter of fact, right now I got the Khamsa Music project on all streaming platforms I have a Spotify playlist right now drop a Gem on them. It's a, It's a song from Mob Deep, one of my favorite hip hop groups. And it's a lot of just powerful hip hop music from different artists, from my own personal listening collection that got me by cuz hip hop taught me a lot. And I just feel like in this moment, I wanted to share that so people could, can get educated and learn and to also feel, and the same way that I really love hip hop. But in the meantime, you know, working with different artists and their music projects, Got some stuff under wraps, I'm still pushing. No matter how much, I'm, I'm trying to , I try I feel like this always still calls me and this still inspires me.  [00:52:50] Leva: We just opened Art Together's center in downtown Oakland. We started with a gallery. We really hope to make it a[00:53:00] new cultural hub for artists who may otherwise not have the opportunity.  [00:53:03] Leva: right now, Unfortunately, artists needs to be artists, they're social media manager, marketing person, project manager. So they have to be all of those things while also their brain is working on the art. I feel like organization like Art Together and specifically artist support program is coming handy because we are trying to take care of the logistic of the board and let the artist brain work the way that it's working. [00:53:27] Leva: Right? And that's why we are trying to have one or two major artistic project every year, the end result is going to be a public display of art, but we are here to support the logistical part of it and make it happen. This is unfortunately part of being an artist that you need to do everything and everything is harder for artists of colors and refugee immigrants, Black artists, everything is harder for them, so this is a mission for this space. I invite everyone to please come 1200 Harrison, downtown Oakland, close to Bart, make a visit. You wouldn't regret that. In terms of like major [00:54:00] projects, we are currently working with Toro Hatari, Japanese American artists for a participatory project that contains some installation coming out of workshops that spark conversation between refugees and non-refugee and locals, sharing experience and sharing a story. So we are excited about that one. That is our major art project for now. But our community art programs and many other stuff are going on. Look at our website, www art together.org. [00:54:28] Swati: Amazing. I am so glad, Leva, that you were all able to find a new home at 1200 Harrison, you said in downtown Oakland. And you know, Guled I think for the most part, all I can say is that we have to keep an eye on you. But, I really appreciate, both of you coming onto Apex Express. Is there anything else that you wanted to talk about before we closed out?  [00:54:50] Guled: So the Humsa album is on Bandcamp, on all streaming platforms this project was, an artist-led one. So all money is gonna go [00:55:00] towards, the folks that were involved. just [00:55:02] Guled: Shout out to Simmons Music Group or shout out to Brian Simmons. Shout out to Mani Draper,Nu Nasa, pASDOO. My brother D. Lee, definitely he's next up from East Oakland. Fire! Spote Breeze, Cheflee, my brothers Sydequest, Gavin Anthony, all my brothers. And the music project, major love town, major love to leva, major love to art together. Once again, it gives me reassurance to keep going. And in art and once again, . Major shoutouts to Abbas Muhammad GAMA Collective and shout out to all the listeners [00:55:40] Swati:  [00:55:40] Swati: Amazing. So that would be khamsaprojectartist.bandcamp.com/album/khamsathealbum. We'll drop that in the show notes for those of you who are curious.  [00:55:52] Leva: Everything that Guled says, plus I wanna name the visual artists who were part of this project Fahd Butt, Romina Zabihian, [00:56:00] Keyvan Shovir, Shaghayegh Cyrous, Gazelle Samizay, and Nabi Haider Ali, Meriam Salem, Fatima Zara. They were amazing visual artists. Shout out to Miles, Michelle, Angira, Velasani and everybody else who make this project possible. And thank you. Thank you for giving us this platform and opportunity to talk.  [00:56:21] Guled: See we have like a hundred people on this project. [00:56:24] Guled: Yeah. You say, I was like, this  [00:56:26] Swati: is, this is absolutely a community project.  [00:56:29] Guled: Yeah, definitely a community project.  [00:56:32] Swati: Awesome. Well, thank you both so much.  [00:56:35] Swati: To learn more about Khamsa a collaborative and very clearly community involved project by ArtTogether and Gathering All Muslim Artists Collective or GAMA visit www.art together.org/khamsa. That's KHAMSA. From there, you'll be able to find and purchase the album on Bandcamp, listen to the podcast and learn more about the project as a whole.  [00:56:58] Swati: Thank you [00:57:00] so much for joining us, please check out our website, kpfa.org/program/apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there, keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex express is produced by Miko Lee, jalena Keane-Lee, Paige Chung, and today Swati Rayasam.  [00:57:30] Swati: Thank you so much to KPFA staff for their support and have a great night.   [00:58:00]  The post APEX Express – 12.26.23 – Khamsa Project appeared first on KPFA.

1. Fresh La Peufra - Chop 2. Gazo x Central Cee - Die (IBO Mashup) 3. Leto Ft. Guy2bezbar - Trop Frais 4. Naza Ft. Negrito - Bibi 5. Negrito - Freestyle Booska Purge 6. Dieson Samba Ft. Negrito - Butin 7. Franglish Ft. Gazo - Big Drip 8. Tiakola Ft. Niska & Gazo - Mode Av 9. Naza Ft. Koba La D - Comme Ca 10. Soolking Ft. Niska - Balader 11. Franglish Ft. Tiakola & Leto - Biberon 12. Franglish Ft. Koba La D - La Calle 13. Negrito Ft. Franglish - Jolie 14. Koba La D Ft. Gazo - Daddy Chocolat 15. Sdm Ft. Maes - Passat 16. Rk - Lola 17. Naza Ft. Hornet La Frappe - Scenario 18. Gazo - Haine & Sex

The Saisiyat Indigenous people in Hsinchu and Miaoli counties have a famous story about magical “little people” or “dwarfs” called the Koko' ta'ay. The legend goes that tensions between the tribe and the “dwarfs” led to an incident that killed off the little people, and which called down a curse on the Saisiyat. While most dismissed these stories as a myth, new research seems to indicate that that there were, in fact, “Negrito” people, such as can still be found in small bands in the Philippines and elsewhere, on Taiwan at least 5000 years ago - which could see the history books rewritten and the Koko' ta'ay folklore recognized as being based on real experience!

En memoria a tantos animalitos que han marcado nuestra vida y nuestra labor, recordamos hoy algunas historias que nos han compartido nuestros amigos del programa, Camilo, Bruce, Jimmy, Muñeca, Woofy, Ruffo, Negrito, Kay, Taylor Marshall Frey y tantos que vienen a nuestro corazón. Agradecemos a todos los que se sumaron a la cadena de ayuda por Robin, que ya tiene un hogar en memoria a Camilo. Deseamos evitar que más perritos de una manada en Naucalpan sigan siendo atacados por gente sin escrúpulos y urgen hogares temporales para esos perritos que ya están esterilizados, también buscamos hogar para Lía. Súmate a las cadenas de ayuda que urge apoyar para sacar adelante diferentes casos de otros protectores TurDogs creamos para ti, la experiencia GUAU!nos preocupamos por ti y tus amados compañeros no humanos. Por eso tenemos nuestros programas de radio para difusión, concientización y cadenas de ayuda para rescatar, adoptar o reencontrarse familias con sus seres perdidos. Puedes ser parte de una cadena de ayuda, puedes ser parte del cambio, ayuda a difundir todas nuestras publicaciones y programas en nuestras redes sociales Visita: http://turdogs.mex.tl/ Únete a la causa https://www.facebook.com/Turdogs/ https://www.facebook.com/groups/386205398198104/?ref=share Nuestra tienda con causa https://www.facebook.com/TurDogsOnlineShop/ Nuestro canal de Telegram https://t.me/TurDogs Síguenos en Instagram https://www.instagram.com/invites/contact/?i=1mdcmtidatswg&utm_content=9a528e6 Síguenos en twitter @TurDogs TikTok @oliviafreyoficial #mascotas #perros #adoptanocompres #TurDogs #oliviafrey #radioenvivo --- Send in a voice message: https://anchor.fm/turdogs/message

Envía tus preguntas a dioses@genio.fm Si tienes una cafetería o quieres poner una...escucha este capítulo. Adiós Aunt Jemima…hola Gamesa Select. Se ha reconocido que los orígenes de la marca famosa para los hot cakes estaba llena de estereotipos que hoy ya son mal vistos. Quizá una nana negra de ninguna forma puede ser usada como referencia… ¿Cuántas marcas tendrían que hacer algo así? A su tiempo lo hizo “Negrito” que ahora se llama solamente “Nito”. ¿La cultura de la cancelación tendrá otra marca en la mira? Muchas marcas apoyan estereotipos ¿de forma intencional?: Calvin Klein, American Eagle… EL cambio de nombre de las marcas representa un riesgo, sin embargo…se hacen estudios para medir el impacto. Muchos recordarán cuando Nestlé y Coca-Cola tenían la marca Nestea…que fue sustituida pro Fuzetea. ¿Dónde queda la imagen de los latinos en la ruptura de estereotipos? ¿de quién es la culpa de usar familias noruegas para seguir representándonos? ¿funciona? ¿es nuestra culpa como consumidores? Eso nos lleva al otro tema: clichés de mujeres en la publicidad. Hablamos de un estudio que agrupa todos los clichés que seguimos consumiendo – sin mayor problema – y parece que están más normalizados de lo que creemos: mujer del hogar o madre modelo; la niña pequeña pasiva; la mujer observada; la mujer sexualizada; la cara bonita; la abuela mágica…¿cómo es que terminamos hablando de Multimedios? Un tema que incendia la mesa: Perfumes. ¿Por qué compras un perfume? Tenemos el estudio: la intensidad del aroma. ¡Pum! Entramos al detalle del estudio que nos comparte la división Worldpanel de Kantar México. Se honesto…¿comprarías lociones porque solo te gusta la marca? ¿cuál sería el olor de una loción marca Microsoft? ¿o una marca Apple? ¿una marca Disney? Ojo aquí: hablamos del Día Internacional del Café….lo que nos lleva a hablar detenidamente del negocio de las cafeterías ¿cómo hacer que tu negocio venda más? ¿Por qué hay cafeterías de barrio que triunfan? Te damos los consejos para que tu inversión en ese negocio sea un gran negocio. Además…damos una idea del millón que puede hacerte millonario. Es verdad. Síganos en nuestras redes para más consejos: YouTube: Los Dioses del Marketing Instagram: @losdiosesdelmkt Twitter: @losdiosesdelmkt LinkedIn: @LosDiosesdelMKT Facebook: Los Dioses del Marketing Los Dioses del marketing es una producción de Genio.soy

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A Dominican Puro, Caldwell's The King is Dead is built around a core of Corojo Ligero, Negrito and Habano Vuelta Abajo tobaccos which are nestled inside of Corojo binder and Negrito wrapper. You can read this review and many more at: https://boxpressd.app/articles

(Día del Niño en Costa Rica) «—Cocorí, anda a traerme leña —le había dicho [mamá Drusila]. »Pero recogiendo una rama por aquí y otra por allá, se había ido adentrando en el bosque, y ya era hora de emprender el regreso. »Cruzó los primeros matorrales en los límites de la selva. Se apresuró, receloso, porque el sol comenzaba a ocultarse en el horizonte y se iniciaba el concierto nocturno. —Croá, croá, qué susto me da. »El sapo le gritaba desde su pantano, y el grillo intervenía con su voz en falsete: —Cri, cri, cri, apúrate, Cocorí. »Las ramas se alargaban como garras para atraparlo y veía sombras pavorosas por todas partes. Y cuando un búho abrió su ojo redondo y le gritó: —Estucurú, ¿qué buscas tú? Cocorí arrancó despavorido a todo lo que le daban las piernas. Corriendo... no se detuvo hasta que se encontró a salvo junto a mamá Drusila..., que siempre le había prohibido que se aventurara en el bosque.... »Después de la comida, Cocorí salió a la playa.... »El mar, enfrente, era... dueño y señor de innumerables secretos que aguijoneaban la imaginación de Cocorí. Por eso corrió hacia el círculo de pescadores que, a la luz de la luna, referían sus aventuras heroicas en el mar y en la selva. »Acuclillado en el ruedo de hombres, escuchó una vez más al Pescador Viejo —sus barbas blancas bailaban con los vientos salinos— contar de los hombres rubios que vivían al otro lado del mar, de la dentellada fugaz del tiburón, de las anguilas eléctricas y de la iguana acorazada con su lengua de siete palmos. »—Dime, Pescador —preguntó el Negrito—: ¿quién es más fuerte, el Caimán o la Serpiente Bocaracá? »El Viejo se rascó las barbas, dubitativo, guiñó un ojo y, por último, respondió: »—Todo depende. Si el Caimán la muerde primero, gana el Caimán; pero si la Serpiente lo aprisiona entre sus anillos y comienza a destrozarlo con su abrazo..., ¡adiós, Caimán! »La conversación se alargó hasta que los párpados de Cocorí comenzaron a pesarle, y a duras penas se fue trastabillando de sueño hasta su casa.»1 Por algo será que esta obra clásica de la literatura infantil del siglo veinte, que recorrió el mundo luego de ganar el Premio Rapa Nui en Chile en 1947, se titula Cocorí. Fue escrita por el talentoso autor costarricense Joaquín Gutiérrez, ganador del prestigioso Premio Nacional de Cultura Magón. Quiera Dios, quien creó el bosque, la selva, el sapo, el pantano, el grillo, el búho, el mar, la luna, el tiburón, la anguila, la iguana, el caimán y la serpiente para el deleite de Cocorí y de todos los niños del mundo, que así como Joaquín Gutiérrez se ganó la aprobación del acreditado periódico La Nación a tal grado que lo nombraron la figura literaria más importante del siglo veinte,2 así también cada padre de familia haga las veces del Viejo Pescador y se proponga ganar la aprobación de su esposa y de sus hijos a tal grado que lo consideren la figura familiar más importante de su vida. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Joaquín Gutiérrez Mangel, Cocorí (San José: Editorial Costa Rica, 1998), pp. 11-14. 2 Wikipedia, s.v. «Joaquín Gutiérrez Mangel» En línea 22 abril 2011.

Born Xavier Amin Dphrepaulezz, by now much has been made of Negrito's own unique story—his early years growing up in an orthodox Muslim household, the doomed major label deal that turned him off of the music industry altogether, the near-fatal car cash that permanently damaged his guitar playing hand—as well as the remarkable redemption arc that began in 2015, when he won the first ever NPR Tiny Desk Contest. In the years that followed, Negrito would go on to take home three consecutive GRAMMY Awards for Best Contemporary Blues Album, tour with everyone from Sturgill Simpson to Chris Cornell, collaborate in the studio with the likes of Sting and E-40, launch his own Storefront Records label, perform at Lollapalooza, Glastonbury, Newport Folk, Bryon Bay Blues, and nearly every other major festival on the map, and found the Revolution Plantation, an urban farm aimed at youth education and empowerment. On this episode of Outside In, Fantastic Negrito talks with Jon about his father's fabricated existence, a most unexpected ancestry, Oakland, healing and being raised on the streets by a family of eclectic wolves.

Will God answer your prayer if you don't end with, "In Jesus' name, Amen?" Learn what praying in the name of Jesus really means. I taught this week on the call of Abraham and the development of God's missionary call through the nation of Israel as they were responsible to communicate the truth of God to the cultures around them. They were given that great commission. The great commission didn't start in Matthew 28. It started with Abraham in Genesis 12 —the first three verses there —Abraham, chosen by God to raise up a nation who would then be God's priests to the world so that they would be a blessing to all of the nations. They had a unique role in the great monotheistic religion. The Jews were supposed to reflect morality to the world. Israel was to witness to the name of God. When they talked about the name of God and witnessing to God's name, that does not mean that they were to let everybody know what they called God, "Yahweh." Their goal wasn't to cover the countryside with evangelists who just let everybody know what the right word for God was. It meant something different. ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ https://linktr.ee/jacksonlibon --------------------------------------------------- #realtalk #face #instagram #SDF #SYNDICAT #DESPUTES #amour #take #couple #dance #dancers #vogue #voguedqnce #garden #tiktok #psychology #beyou #near #love #foryou #money #ForYouPizza #fyp #irobot #theend #pups #TikToker #couplegoals #famille #relation #doudou #youtube #twitter #tiktokers #love #reeĺs #shorts #instagood #follow #like #ouy #oyu #babyshark #lilnasx #girl #happybirthday #movie #nbayoungboy #deviance #autotrader #trading #khan #academy #carter #carguru #ancestry #accords #abc #news #bts #cbs #huru #bluebook #socialmedia #whatsapp #music #google #photography #memes #marketing #india #followforfollowback #likeforlikes #a #insta #fashion #k #trending #digitalmarketing #covid #o #snapchat #socialmediamarketing¹

https://youtu.be/3cvQC-qG80w BIBI - NAZA X NEGRITOWill God answer your prayer if you don't end with, "In Jesus' name, Amen?" Learn what praying in the name of Jesus really means. I taught this week on the call of Abraham and the development of God's missionary call through the nation of Israel as they were responsible to communicate the truth of God to the cultures around them. They were given that great commission. The great commission didn't start in Matthew 28. It started with Abraham in Genesis 12 —the first three verses there —Abraham, chosen by God to raise up a nation who would then be God's priests to the world so that they would be a blessing to all of the nations. They had a unique role in the great monotheistic religion. The Jews were supposed to reflect morality to the world. Israel was to witness to the name of God. When they talked about the name of God and witnessing to God's name, that does not mean that they were to let everybody know what they called God, "Yahweh." Their goal wasn't to cover the countryside with evangelists who just let everybody know what the right word for God was. It meant something different. ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ https://linktr.ee/jacksonlibon -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- #realtalk #face #instagram #amour #take #couple #dance #dancers #vogue #voguedqnce #garden #tiktok #psychology #beyou #near #love #foryou #money #ForYouPizza #fyp #irobot #theend #pups #TikToker #couplegoals #famille #relation #doudou #youtube #twitter #tiktokers #love #reeĺs #shorts #instagood #follow #like #ouy #oyu #babyshark #lilnasx #girl #happybirthday #movie #nbayoungboy #deviance #autotrader #trading #khan #academy #carter #carguru #ancestry #accords #abc #news #bts #cbs #huru #bluebook #socialmedia #whatsapp #music #google #photography #memes #marketing #india #followforfollowback #likeforlikes #a #insta #fashion #k #trending #digitalmarketing #covid #o #snapchat #socialmediamarketing H

https://youtu.be/3cvQC-qG80w Naza , Negrito "Bibi" is French song released on 27 May 2022 in the official channel of the record label - "NAZA". Discover exclusive information about "Bibi". Explore Bibi lyrics, translations, and song facts. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

https://youtu.be/3cvQC-qG80w Naza , Negrito "Bibi" is French song released on 27 May 2022 in the official channel of the record label - "NAZA". Discover exclusive information about "Bibi". Explore Bibi lyrics, translations, and song facts. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

En 1979 el sello Nuestra publicó el álbum El Negrito del Sabor de Luigi Texidor, un trabajo que mostraba en solitario las virtudes que habían hecho famoso al cantante puertorriqueño. Ocho canciones cuyos arreglistas fueron Elías Lopes, Tito Valentín y Ray Santos. El productor fue Papo Lucca, quien también ejerció como director de grabación. Normal, Texidor era su amigo y Papo lo conocía hasta el punto de apoyarlo con músicos de la Sonora Ponceña. Esta es la historia de El Negrito del Sabor en La Hora Faniática.

durée : 00:59:33 - Dirty Swift : Dirty Mix - En soutient aux clubs qui doivent fermer, une spéciale clubbing poru que la fête continue...

Rdv avec le jeune rappeur Kanoé qui, du haut de ses 17 ans, entame sa 4ème année de carrière et propose son deuxième album Mauvaise graine. Prodige du rap, il a su se distinguer grâce à sa technique et son écriture très mature. À deux doigts de faire l'humanité, il cumule des collaborations prestigieuses avec notamment Jul, Naza, Negrito, Mister you… Pour cet épisode, c'est Mister you qui offre la question-mystère et Aimeric alias Krow, le billet d'humeur.

“El negrito de ojos claros” para unos, Ozuna para otros, Juan Carlos para los que lo conocían antes de la fama. Ozuna capturo la imaginación y los corazones del publico latino con su voz melodica y sus canciones románticas. En sólo dos años, su carrera dio un salto inimaginado que lo llevo de cantar en barras y janguear en las calles de Santurce a ser uno de los lideres de la nueva escuela. A pesar de su nueva fama y dinero, Ozuna no lograba desligarse de sus conexiones en el bajo mundo… y aunque todos lo veíamos como un artista exitoso, de pronto nos dimos cuenta que había otra cara de Ozuna que no conocíamos.Golpes a personal de seguridad, presencia en escena de asesinato, participación en video de contenido adulto que puso en duda su sexualidad, acusación de ser el autor intelectual de otro asesinato… esa es la cara de Ozuna que no conocíamos. Acompañanos en este episodio de Prosa Criminal a explorar la otra cara de ENOC.Fuentes:Music by DJ Sanchez - https://www.facebook.com/djricosanchez www.djricosanchez.comRecursos: https://www.youtube.com/watch?v=wKxuejSeAH8https://www.telemundopr.com/noticias/local/conocido-trapero-muere-baleado-en-barrio-obrero_tlmd-puerto-rico/225/https://www.primerahora.com/noticias/policia-tribunales/notas/hermano-de-tonka-reafirma-que-ozuna-estuvo-con-el-minutos-antes-de-su-asesinato/https://en.wikipedia.org/wiki/Ozuna_(singer)https://www.telemundopr.com/?s=kevin+fret+asesinadohttps://www.youtube.com/watch?v=QTFz0xkCSFUhttps://www.youtube.com/watch?v=C7pDMzRzZ5khttps://www.youtube.com/watch?v=cKLhiUtjzSo&t=51shttps://www.youtube.com/watch?v=bxFFcIlIhB4https://www.elvocero.com/ley-y-orden/matan-a-sospechoso-de-muerte-de-kevin-fret/article_e70be962-ac06-11e9-8af5-af6de4c56113.htmlhttps://www.telemundopr.com/noticias/puerto-rico/_operaci_n-cocodrilo_-contra-las-farc_tlmd-puerto-rico/1068/https://www.notiuno.com/noticias/confirman-ozuna-fue-al-fbi-por-alegada-extorsi-n-de-kevin-fret/article_56b42318-1e4c-11e9-9b3e-afd1c5baa056.htmlhttps://www.youtube.com/watch?v=ATTYZXWRjDg

Buenaaaas!Día de los padres mi gente!!! En conmemoración de este día traje a mi amor de negrito, mi papa!!! Entérate de sus travesuras, sus deseos y el regalo que me tiene!!!

This is the first of a series of talks we have to address the idea of the physical differences of human populations in Altera, mainly on shared ancestral lineages and populations being made up of admixtures. The discussions are meant to help compliment the "Old Kin and Humankind" map graphic. In this first discussion, we look at the 24 ancestral clusters identified for Altera, which are informed by real scientific genetic structure studies, in order to surface the fascinating connections but also differences contained within all of us. Other topics covered: race, categorizing population make-up, problems with sampling human populations, the changing face of America, demographic shifts and multiculturalism, genetic "purity" and Indigenous Australians, "African Pygmies" or the Twa and similar rainforest hunter-gathers, the "Negrito" peoples of Southeast Asia, and Masaman's ethno-racial map. Tired of learning geography and history in an uninspired world? Atlas Altera is a creative exercise that repaints the world while going hardcore on real geography, anthropology, linguistics, and history. For more content, visit www.atlasaltera.com or watch the video on YouTube.

Neste THE LISTENING, foi o último álbum de OZUNA que pudeste ouvir. ENOC - abreviatura da sua identidade artística 'El Negrito Ojos Claros' - é o quarto álbum de estúdio do cantor porto-riquenho, conta com 20 faixas e participações de grandes nomes como Sia, Doja Cat, Daddy Yankee, J Balvin, Karol G, Wisin ou Nicky Jam. Se perdeste ou queres voltar a ouvir, é só clicar no play...

La historia de un vendedor de golosinas que se convirtió en estrella de la música.

Una bienvenida al mundo de la Negrita Come Coco.

King Changó es una Banda de Latin Ska formada en Nueva York por José Andrés Blanco Aybar quien también fue conocido por su nombre artístico "Blanquito Man", de origen venezolano, el cuál nació el 31 de Mayo de 1971 en la ciudad de caracas. Tras su fallecimiento El 16 de noviembre de 2017, su hermano Luis Eduardo Blanco Aybar "Negrito Man" lidera el grupo. La banda debe su nombre al orishá afrocubano de la Guerra, dueño del trueno y el tambor Changó, rey de la religión Yoruba.

Yasmin nos cuenta la historia de su pequeño grandote, Negrito. Un perrito que odia las llantas, ¿Por qué? Averigüémoslo juntos. - Si quieres compartir tu historia con nosotros, escríbenos a: hola@kibosw.com *** www.kibosw.com *** --- Send in a voice message: https://anchor.fm/historias-de-mascotas/message

07 17-09-18 LHDW F1: Hicieron de menos al "negrito" y Hamilton va a por su 5º mundial