Podcasts about Red Krayola

Regresamos a las compilaciones “Born bad”, recos piratas de bandas y artistas de los años 50 y 60 com singles de sonido o actitud macarra, lasciva, viciosa. Canciones que no eran bien vistas por la sociedad más puritana y que años después se convirtieron en el alimento de bandas como los Cramps.(Foto del podcast; The Standells)Playlist;(sintonía) THE RUMBLERS “Boss”JIM LOWE “Green door”THE GROUPIES “Primitive”THE SPARKLES “No friend of mine”THE STANDELLS “Barracuda”KASENETZ KATZ SUPER CIRCUS “Quick Joey Small (Run, Joey, Run)”THE SONICS “He’s waitin’”THE WAILERS “Dirty robber”THE THIRD BARDO “I’m five years ahead of my time”PAUL REVERE and THE RAIDERS “Hungry”THE NOVAS “The Crusher”TOMMY JAMES and THE SHONDELLS “Hanky Panky”THE BOSTWEEDS “Faster Pussycat kill”R LEWIS BAND “Get off the road”THE RIVINGTONS “The bird is the word”THE RIVINGTONS “Papa-oom-mow-mow”THE TRASHMEN “Surfin’ bird”THE FLOWER CHILDREN “Mini skirt blues”RED KRAYOLA “Hurricane fighter blues”Escuchar audio

On this episode of Songs of Our Lives, it's more eaze! It took us a year, but we finally made this episode happen and the wait was well worth it. We could have chatted for hours about both of her new records - ---__--____ ‘s “Night of Fire” and the solo splendor of “lacuna & parlor,” but there was so much more to talk about. We go long on a song about a dog that is absolutely crushing, the distressing genius of The Red Krayola, Robert Ashley's all-timer of all-timers, Astrid Sonne, Parsley Sound, Sufjan, and so much more!Listen to all of more eaze's picks HEREmore eaze “lacuna & parlor”---__--____ “Night of Fire”Songs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

On this episode of Songs of Our Lives, it's David Grubbs! I often ask myself, is there anything David can't do? I'm pretty sure the answer is no. We talked a fair bit about his new record with Loren Connors, “Evening Air,” before going down all sorts of rabbit holes about Mayo Thompson and The Red Krayola, the expansive magic of The Modern Lovers, Van Dyke Parks walking the line of something bananas and genius, Myriam Gendron breaking us to bits, Isaac Hayes, Bob Dylan, and so much more!Listen to all of David's picks HERELoren Connors & David Grubbs “Evening Air”David Grubbs on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

Mayo Thompson is the founding member of The Red Krayola, an experimental rock group that has existed in various formations since 1966. He's collaborated with The Raincoats, Pere Ubu, and the Fall as a record producer, is an active visual artist, and has recently published his second novel, “After Math,” a sequel to 2020's “Art, Mystery” (both available via Drag City Publishing). Mayo joins Low Profile to discuss the unconventional processes of several Red Krayola albums, his lone solo album “Corky's Debt to His Father” and its recent live embodiment, his experience as a writer, a long-standing collaborative relationship with the conceptual collective known as Art and Language, and working with others including Lora Logic, featured on the previous episode.  The interview is conducted by a panel featuring returning cohosts Dylan Shearer and Jack Habegger teaming up with Markly to tackle this heavyweight guest. The unedited interview is available for supporters at patreon.com/lowprofile in this episode: The Red Krayola “People Get Ready, The Train's Not Coming” (00:02) The Red Crayola “Hurricane Fighter Plane”  (08:30) The Red Crayola “Freeform Freakout no. 3” (15:05) The Red Crayola “Transparent Radiation” (16:32) Mayo Thompson “The Lesson” (18:25) The Red Crayola “Coconut Hotel” (25:03) The Red Krayola with Art and Language “Ergastulum” (34:02) Mayo Thompson and the Corky's Debt Band (live) “Worried Worried” (35:53) The Red Krayola with Art and Language “The Milkmaid” (39:13) The Red Krayola “If S Is” (45:57) The Red Krayola “Bad Medicine” (51:43) The Red Krayola “Breakout” (55:12) Low Profile is supported by you on Patreon and also receives in-kind support from these independent Olympia businesses:  Schwart'z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company. Instagram: @lowpropodcast Facebook Community: Low Profile Listener Hub Support this show: patreon.com/lowprofile Illustration by Jack Habegger Scherler Sundays (live episode tapings + free concerts) is happening again in Olympia for Summer 2024, visit scherlerbeer.com for updates!

In 1970, Mayo Thompson released his only solo record to date. It's a strange thing to write 50 years later, especially given the Texas-born musician's wildly prolific career as the sole consistent member of the eclectic and enigmatic Red Krayola. Ignored in many circles upon its release, Corky has grown in stature over the decades, which -- much like the Red Krayola -- has achieved the status of cult icon. Thompson has begun playing the album live in recent years, as he chart the course for a potential sequel, half a century later. Transcript available here. Hosted on Acast. See acast.com/privacy for more information.

In today's flashback, an outtake from Episode 327, my conversation with Frederick Barthelme. This episode first aired on November 5, 2014. Barthelme studied fiction with John Barth at The Johns Hopkins Writing Seminars in the mid-seventies, and from 1977-2010 he taught fiction writing and directed the Center for Writers at the University of Southern Mississippi. He is the author of sixteen books of fiction and nonfiction including Moon Deluxe, Second Marriage, Tracer, Two Against One, Natural Selection, The Brothers, Painted Desert, Bob the Gambler, Elroy Nights, and Waveland. His collected stories will be published in January 2024, by Arcade Publishing. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 136 of Pudding On The Wrist finds your host, Frozen Lazuras, drinking in the kitchen and spinning choice cuts from Alice Coltrane, The Red Krayola, More Klementines, Wendy Carlos, Chuck Berry, Parallèles, Grim, and so many more.

David Grubbs - Squirrel Bait, Codeine & The Red Krayola - in conversation with David Eastaugh American composer, guitarist, pianist, and vocalist. He was a founding member of Squirrel Bait, Bastro, and Gastr del Sol. He has also played in Codeine, The Red Krayola, Bitch Magnet and The Wingdale Community Singers. Grubbs then formed a hardcore punk band called Squirrelbait Youth that later evolved into the influential Louisville, Kentucky group Squirrel Bait, releasing a 12" EP and an album on Homestead Records. Grubbs's next group was the post-punk power trio Bastro, which released an EP and two albums on Homestead

Jim O'Rourke is a composer and producer living in Japan after spending most of his life in Chicago. His solo and collaborative works range from pop songwriting to electronic and avant-garde, being one of the first musicians to use a computer for live improvisations. His albums have been released on Table of the Elements, Drag City, Mego, and his own label Moikai. As a producer he has worked with Joanna Newsom, Wilco, US Maple, Stereolab and countless others. He has been a member of Sonic Youth, Loose Fur, Illusion of Safety, Boxhead Ensemble and Gastr Del Sol. O'Rourke's collaborators include Christian Fennesz, John Fahey, Tony Conrad, Loren Connors, Keiji Haino and the Red Krayola. As a film composer he has made contributions to School of Rock, Werner Herzog's Grizzly Man and a smattering of Japanese films. Jim chats from his home studio The Steam Room with Markly and guest host Dylan Shearer about his formative years, musicians he admires, his current works and aspirations, his take on the world of streaming music, responds to listener questions, and discusses why he no longer writes songs with lyrics or tours. Includes an introduction from Sean O'Hagan of Stereolab, High Llamas and Microdisney.Find this episode's website at lowprofilepodcast.com to dive even deeper.Special thanks to Forrest for editing in the music selections for this program, to Lani Morrison for this episode's illustration, and to Eli Moore and Miles Rozatti for helping with cleaning up the remote audio.If you enjoy this show and want to help support it, you can join the community of patrons at patreon.com/lowprofile. For a flexible monthly donation, most people go for 3 to 5 dollars a month, you'll receive access to things like advance release episodes, behind the scenes footage, insights into my research for this program, first dibs on merchandise, and unedited interview recordings. Plus you'll be helping to make this oral history project sustainable, and if you join up I'll also send you a sticker and a button as a thank you. Again, that link is patreon.com/lowprofile This show also receives in-kind support from several Olympia businesses including Rainy Day Records, San Francisco Street Bakery, Schwartz's Deli, Old School Pizzeria, and Scherler Easy Premium Shitty American Lager from 3 Magnets Brewing Company. Artists and musicians! Want vinyl records but can't afford to order 1000 and wait 8-12 months? Check out our friends at Lathecuts.com. They will make you vinyl singles in quantities as low as 50 as quickly as 3-4 weeks. All of their pricing is ala carte and they can help pick a package that fits your budget. Email Mike at Lathecuts@yahoo.com and Mention Low Profile to get a 10% overrun on your order for free!

A cura di Fabio Barbieri. Musiche: Pere Ubu, Seeds, Sonic Youth, Red Krayola, Siouxsie And The Banshees, Minutemen, Cat Power, Strand Of Oaks, Doves, Radiohead, Toro Y Moi, Beck, Magnetic Fields, Mogwai. Lettura: Daniel Goleman.

Unexpected sounds on vinyl:Barry Gray and His Spacemakers,The Avantis, Jan Davis, Maximillian,The Balloon Farm, The Lifeguards,Lords of London, Lothar & The Hand People,The Chariots, The Poets, Travel Agency,Red Krayola, The Rotary Connectionand more way-out sounds!As broadcast live 7-16-22 6160kc sw

In this episode, I sit down with David Grubbs. We discuss his early years, his time in seminal bands such as Squirrel Bait, Bastro, and Gastr del Sol, as well as his extensive solo and collaborative catalog. We also discuss his work as an author and professor. Playlist: Gastr Del Sol - The Harp Factory On Lake Street (title track from CD on Table of the Elements) Gastr Del Sol - Dictionary of Handwriting (from Mirror Repair LP on Drag City) Bastro - Shot Me A Deer (from 7" on Homestead) Squirrel Bait - Kid Dynamite (from Skag Heaven LP on Homestead) David Grubbs - interview Gastr Del Sol - Dry Bones In The Valley (from Upgrade & Afterlife CD on Drag City) David Grubbs - Banana Cabbage (from Banana Cabbage, Potato Lettuce, Onion Orange CD on Table of the Elements) David Grubbs - The Bonsai Waterfall (from Prismrose LP on Blue Chopsticks) David Grubbs and Ryley Walker - The Madman From Massachusetts In An Empty Bar (from A Tap On The Shoulder LP on Husky Pants) The Underflow - I'll Try Anything Twice (from s/t CD on Corbett vs. Dempsey) Gastr del Sol ‎– The Wrong Soundings (from Crookt, Crackt, Or Fly LP on Drag City) Books: Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (2014) Now that the audience is assembled (2018) The Voice in the Headphones (2020) Other band references: Circle X - https://www.discogs.com/artist... The Endtables - https://www.discogs.com/artist... The Babylon Dance Band - https://www.discogs.com/artist... Happy Cadavers - https://www.discogs.com/artist... Maurice - https://www.discogs.com/artist... Malignant Growth - https://www.discogs.com/artist... Codeine - https://www.discogs.com/artist... Bitch Magnet - https://www.discogs.com/artist... This Heat - https://www.discogs.com/artist... John Fahey - https://www.discogs.com/artist... Tony Conrad - https://www.discogs.com/artist... Red Krayola / Mayo Thompson - https://www.discogs.com/artist... Ake Hodell - https://www.discogs.com/artist/184431-Åke-Hodell Ryley Walker - https://www.discogs.com/artist... Mats Gustafsson - https://www.discogs.com/artist... Ken Vandermark - https://www.discogs.com/artist... Labels: Drag City - https://www.dragcity.com Blue Chopsticks - https://www.dragcity.com/products?filter_label=BC Husky Pants - https://huskypantsrecords.band... Videos: Gastr del Sol - The Wrong Soundings (1995/09/23) Gastr del Sol - Dictionary Of Handwriting (1995/09/23) Gastr del Sol - Ursus Arctos Wonderfilis (1995/09/23)

Jamie is joined by pal-of-the-show Aaron Thorpe (@paradoomer) to discuss Lizzie Borden's 1983 feminist sci-fi film "Born In Flames." Ten years after a "war of liberation" that established a social democratic government in the United States, things are still not great for women, especially queer, black, working class women! In a story that remains relevant to this day, the film follows the radical organizers of the Women's Army as they fight for true equality. Outro song - "Born In Flames," Red Krayola

In this episode, we continue our chat with Mark Refoy, talking about his time in Spacemen 3 and Spiritualized, and we examine I Love You from the final Spacemen3 album Recurring. Photo of Mark with the first Spiritualized lineup courtesy of Phil Nicholls (https://www.instagram.com/philnichollsphotography/). Spacemen 3 at Subterania, 22 August 1989, part 1: https://www.youtube.com/watch?v=IKys-TmhrbA Spacemen 3 at Subterania, 22 August 1989, part 2: https://www.youtube.com/watch?v=XIKO6oBt-KM Spacemen 3 at the Reading Festival, 25 August 1989: https://soundcloud.com/stef-j-c/spacemen-3-live-reading-festival25th-august-1989 Art & Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola (includes link to the video of the event): https://www.lissongallery.com/news/art-language-letters-to-jackson-pollock-bar-event Buy J Spaceman And J Coxon Play The Red Krayola Live 1967: https://honestjons.com/shop/artist/J_Spaceman_And_J_Coxon/release/J_Spaceman_And_J_Coxon_Play_The_Red_Krayola_Live_1967 Synthetic Dreams podcast with Pete Kember: https://www.buzzsprout.com/1674871/8550939-sonic-boom-aka-pete-kember?play=true New Cheval Sombre album at Sonic Cathedral: https://www.soniccathedral.co.uk/2021/05/28/cheval-sombres-new-album-days-go-by-is-out-now/ Will Carruthers on Twitter with details of his online gig: https://twitter.com/willcarruthers/status/1394609050671849475 Bob Marley's musical influence on I Love You, Mr Brown: https://www.youtube.com/watch?v=amGI5T0JGDc Bob Marley's lyrical influence on I Love You, Duppy Conqueror: https://www.youtube.com/watch?v=7Yy29XUsceU This podcast's site: http://spacemen3.co.uk/pod/ Twitter: https://twitter.com/SpacemenP Instagram: https://www.instagram.com/spacemenpod/

O episódio desta semana conta com Arto Lindsay, Hank Wood, Red Krayola, Deerhoof, Margo Guryan, Fred Neils, entre outros.   Com Gonçalo Formiga & Zé Maldito dos Cave Story

We are going to listen to a series of songs that will have us look within ourselves to either be self reflective or perhaps acknowledge shortcomings we might have. Or we might confront certain fears or concerns we may carry around in our minds. Or we simply might lose ourselves in a daydream or a projection of something unusual. This is inner reflection though perhaps not with a goal of self realization. Subconscious or unconscious thoughts can be powerful and may be a prevalent factor in how we live day by day or how we interact with others. This is music of our inner dilemma. Also:Listen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/You may also enjoy Becky Ebenkamp's "Bubblegum & Other Delights" show. Join the fun at her WFMU New York page link and access the media player at:https://www.wfmu.org/playlists/OD?fbclid=IwAR0Efrmj-ts-uSiGq5qK7EETHFTXdtsiaXTYq-ng-7QDUkJxC-X0QfHB-EII'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ I Take This Time (Live 6/24/84) by Arthur Russell on Sketches for World of Echo June 25 1984 Live At Experimental Intermedia (Audika) 3′00″ Egypt Strut by Salah Ragab and the Cairo Jazz Band on Egyptian Jazz (Art Yard) 7′39″ Uzan Dara (Love Barge) by Joe Maneri, Udi Hrant, and Friends on The Cleopatra Record (Canary Records) 10′14″ Al Sabah by The Three Kwakabani Brothers and Hassan Al Zabeede on Music from Yemen Arabia (Sanaani, Laheji, Adeni and Samar) (Sub Rosa) 17′59″ The Code Noir/Amina by Irreversible Entanglements on Who Sent You? (International Anthem) 27′20″ Variations sur un theme de Monteverdi I by Art Ensemble of Chicago on Les Stances a Sophie (Nessa) 30′16″ A Single Remark by Todd Anderson-Kunert on Past Walls and Windows (Room40) 33′35″ Indefatigable Purple by Félicia Atkinson and Jefre Cantu-Ledesma on Limpid as the Solitudes (Shelter Press) 40′42″ Prism Mirror Lens by The Sunburned Hand of the Man on Headless (Cardinal Fuzz) 44′00″ Victory Garden by Red Krayola on The Parable of Arable (International Artists) 48′07″ Horse Sings From Clouds, 1977 by Pauline Oliveros on Attention Patterns (Important) Check out the full archives on the website.

Following on from our conversation about Bowie’s final album, this episode of albumtoalbum whizzes us back 53 years to his first, the eponymous debut, released in Britain on June 1 1967. Of course, any other artist in the world might be nervous about releasing an album - a debut album! - on the same day as The Beatles dropped their long-awaited follow up to Revolver, but that's showbusiness baby. Still, one can only imagine the sense of panic felt in the Decca boardrooms, when puce-faced executives heard just exactly what their newest star would be releasing in competition with the Beatles' masterpiece. And history proves that for record buyers hotfooting it to their local disc emporioum, pounds shillings and pence burning a hole in their kaftans, Sgt Pepper beat Uncle Arthur and company hands down, in face of stiff competition from other new releases, which included The Parable of Arable Land by the Red Krayola, the debut album by The Bee Gees and Mr Spock’s Music from Outer Space. Hardly surprising, but still disappointing, when the album barely grazed the charts, reaching 125 in the UK and something even less impressive in the US.  ’Aarrghh, that Anthony Newley stuff, how cringey,' recalled a Tin Machine era Bowie in 1990. 'No, I haven’t much to say about that in its favour. Lyrically I guess it was striving to be something, the short story teller. Musically it’s quite bizarre. I don’t know where I was at. It seemed to have its roots all over the place, in rock and vaudeville and music hall and I don’t know what. I didn’t know if I was Max Miller or Elvis Presley’ Max Miller and or Elvis Presley don’t really come to mind when listening to it now. Instead he was consciously creating songs that would span his palette of interests at the time, solid songs that turned out to stand him in good stead for the next year or so as his interests veered towards theatre, mime, Buddhism and the emerging singer-songwriter genre.  Here, he flits magpie-like, alighting on this style or that, immersing himself in the art of crafting songs. He’s moved away from the rough RnB of his first few years and is experimenting with characters and scenarios that owe something to the general mood of acid-tinged weirdness of the times. But as we can see, these mini capsules of narratives and characters were like Bowie opening up his playbox for the first time, and donning the first of many many costumes to come. From the slightly Syd Barret esque Uncle Arthur to the chilling spoken word murder ballad of Please Mr Gravedigger, these songs aspire to pretty broad palette, veering between enchanting, entertaining, unsettling and ephemeral.  This album is 60s London at its height, Britpsych and sci fi pop jostling with folky sensibilities, Anthony Newley-infused story songs with a Weimar-era Berlin side eye.  So in order to look at it further, I’m glad to welcome on board the man behind the best Bowie blog ever, Chris O Leary, whose essays on each song and album in his blog Pushing Ahead Of The Dame have become to Bowie what Ian McDonald’s Revolution In The Head was to the Beatles - intelligent, enjoyably opinonated, well researched beautiful slices of prose that manage to conjure fresh perspectives and insights into Bowie’s work. Chris’s blog has been revised and edited into two brilliant volums, Rebel Rebel and Ashes to Ashes and if you haven’t yet read them or the blog, I strongly recommend you do either immediately after listening to this podcast.  As ever, please do share and recommend this podcast where you can and follow the lovely O'Leary on Twitter if you don't already at @bowiesongs 

Over the course of the last four decades, Kentucky-born David Grubbs’ musical activity has ranged from hardcore punk to the fine arts. In addition to his work as a solo artist, David is noted for his groundbreaking avant-pop group Gastr Del Sol and his collaborative efforts with a diverse group of influential musicians including The Red Krayola, Pauline Oliveros, Will Oldham, Tony Conrad, Royal Trux and John Fahey. In the 1980s Lousville KY punk scene he was a founding member of the band Squirrel Bait (look for their new jeans). David has also published three books in the past decade: “Records Ruin the Landscape,” about John Cage and early experimental music, and two book-length poems, “Now That The Audience Is Assembled” and “The Voice in the Headphones,” all available from Duke University Press. He’s a Professor of Music at the City University of New York, and his latest album is an improvised collaboration with the Tokyo based Taku Unami. I spoke with David about all of this and more in late July. If you haven’t yet, you can subscribe to this show wherever you get podcasts. If you have any friends who might enjoy this show, please let them know! You can also support the show by making flexible contributions at patreon.com/lowprofile, where you can also find giveaways and bonus content. And it never hurts to leave a rating or review on iTunes.

Although best known as a producer, Clive Langer's short-lived group Clive Langer & the Boxes put out an exceptional EP on Radar Records in 1979 and a full-length on F-Beat the following year. In this episode, we also talk to Mr. Langer about his time with the Liverpool-based Deaf School, the seminal punk group Big In Japan, and his later production work alongside Alan Winstanley. ---Despite seminal releases from Nick Lowe and Elvis Costello, Radar Records has not retained the same sort of cultural cache as concurrent labels like Stiff, Bomp!, or Ork. Despite its short lifespan (1978-1981) and relative obscurity today, a deeper look into Radar’s discography reveals a fascinating blend of cutting-edge British punk and new wave (Yachts, Bram Tchaikovsky), ahead-of-their-time American imports (Good Rats, Pezband, Pere Ubu), and new material from rockabilly and psychedelic pioneers (Ray Campi, Red Krayola). One off-singles from Richard Hell and the Soft Boys, as well as French pioneers Métal Urbain, are still indispensable today. The end result is a body of work much more consistent and cohesive than other labels were able to manage. For every Radar album that broke into the mainstream—namely the “big four” of Jesus of Cool, Labour of Lust, This Year’s Model, and Armed Forces—there are several albums equally-deserving of a modern reappraisal. Clive Langer & the Boxes' I Want The Whole World is one of those releases.

David Foster Wallace, "Una cosa divertente che non farò mai più", minimum fax, 1998 soundtrack: Naked City, "Three Preludes, Op. 74: III. Allegro drammatico"; Miles Davis, "Feio"; Jooklo Duo, "Free Serpents #3"; Jooklo Duo, "Heavy Bop"; Naked City, "Bonehead"; Miles Davis, "Miles Runs The Voodoo Down"; Red Krayola, "Hurricane Fighter Plane".

Sandy Yang is one of my oldest friends (in terms of having known each other - not age haha). She is an artist, graphic designer, singer, guitarist, drummer and all around stand-up person. Her work with The Red Krayola, Lady Noise and on her own is innovative, thought-provoking and unique and her musical taste is as broad and eclectic as can be making her the perfect first guest for the new format of SFTF. Sandy gave me five songs to check out: "Ark of the Covenant" by The Congos "Final Day" by Young Marble Giants "Sketch for Summer" by The Durutti Column "Merry Christmas Mr. Lawrence" by Ryuichi Sakamoto "Clear Vision" by L-Seven I also provided her with a song for us to discuss: "Clean Up Woman" by Betty Wright Hope you enjoy the songs and our conversation.

Ficción basada en el tema Hurricane Figther Plane de Red Krayola, disco The Parable of Arable Land, año 1967

In this episode, of Lisson ON AIR Art & Language (Michael Baldwin and Mel Ramsden) talk with Lisson Gallery’s Hana Noorali and Ossian Ward about its 40-year collaboration with the Red Krayola, a proto-punk band founded in Houston by Mayo Thompson. They discuss the largely improvised performances, the themes that went into these recordings – covering everything from conceptual art and activism to politics and philosophical thought – as well as how the first songs were written in residency at Robert Rauschenberg’s studio on Captiva Island, Florida, but only after Michael was detained by the CIA for carrying sensitive communist propaganda. Combining text from these tracts, as well as from their Index 01, exhibited at Documenta 5 in Kassel in 1972, Art & Language provided the lyrics that were sung or chanted by, among others, Michael Baldwin, Ian Burn, Kathryn Bigelow, Charles Harrison, Pauline Harrison, Sandra Harrison, Christine Kozlov, Lynn Lemaster, Philip Pilkington, Mel Ramsden and Mayo Thompson. Having released many albums with Red Krayola since 1976, Art & Language continue to develop this extension of their practice in advance of a performance in New York this September. Track List: The Red Krayola with Art & Language, Gross and Conspicuous Error #8, 1976 Art & Language, Mayo Thompson, Jesse Chamberlain Source: https://www.youtube.com/watch?v=gSJ7XwawZOc The Red Crayola with Art & Language, Keep All Your Friends from Kangaroo?, 1981 Art & Language, Allen Ravenstine, Ben Annesley, Gina Birch, Lora Logic, Mayo Thompson, Epic Soundtracks Source: https://www.youtube.com/watch?v=c_Ga7COGUn0 The Red Crayola with Art & Language, Portrait of V.I Lenin in the Style of Jackson Pollock, pt.1&2 from Kangaroo?, 1981 Art & Language, Allen Ravenstine, Ben Annesley, Gina Birch, Lora Logic, Mayo Thompson, Epic Soundtracks Source: https://www.youtube.com/watch?v=PzlW3q1g9gY The Red Crayola with Art & Language, Sighs Trapped by Liars, from Sighs Trapped by Liars, 2007 Art & Language, Elisa Randazzo, Sandy Yang-singers, Tom Watson, Mayo Thompson, Jim O'Rourke, Noel Kupersmith, John McEntire-drums Source: https://www.youtube.com/watch?v=8JrbXylij9k The Red Krayola with Art & Language from Gross & Conspicuous Errors, 1976 Art & Language, Kathryn Bigelow, Mayo Thompson, Jesse Chamberlain Source: https://www.youtube.com/watch?v=v6cnevh5bPc The Red Krayola with Art & Language from Gross & Conspicuous Errors, 1976 Art & Language, Kathryn Bigelow, Mayo Thompson, Jesse Chamberlain Source: https://www.youtube.com/watch?v=nwT892J7STs Art & Language, Postscript To SDS' Infiltration, Music-Language: Corrected Slogans, 176 Art & Language, Jesse Chamberlain, Mayo Thompson, Colin Bateman, Thomas Duffy, Wieslaw Woszczyk, Sandra Harrison, Pauline Harrison, and Lynn Lemaster. Source: https://www.youtube.com/watch?v=dH0_WE_kkp0 The Red Krayola with Art & Language from Gross & Conspicuous Errors, 1976 Art & Language, Mayo Thompson, Jesse Chamberlain Source: https://www.youtube.com/watch?v=nwT892J7STs Lisson...ON AIR is written and presented by Hana Noorali

Instigating, provocative, thought inspiring, and individualistic. These are just a few words used to describe our latest broadcast of musical entrepreneurship and quest for an ever-expanding love for freedom of speech. This time around we feature some very cool tunes that respect your right to dig music as an art and not as a commodity. We focus on choice cuts from the Dead Kennedys plus Jello Biafra’s work with the other bands like LARD, DOA, Nomeansno, the Melvins, and Guantanamo School of Music. Throw in some MC5, NY Dolls, Red Krayola, and the good old Rolling Stones. That’s a winning recipe any way you slice it, so tune into Euphoric Musicality Radio for a show that is like no other show and proud of it! For playlist visit: www.euphoricmusicalityradio.ca/episodes Like us on Facebook: https://www.facebook.com/euphoricmusicalityradio Follow us on Twitter: https://twitter.com/euphmusicradioFollow us on Instagram: https://instagram.com/euphoricmusicalityradio E-mail: euphoricmusicalityradio@gmail.comWebsite: www.euphoricmusicalityradio.ca Credits:EMR Host: CurtisEMR Producer Lesley  

May 1963-1978

Séptimo Capitulo de Autómata, emitido el Jueves 02 de Noviembre del 2017 por Radio Ser FM, con música de: Red Krayola, Girls, Six Finger Satellite, Gray, Vago Sagrado, Sinkane, Gonjasufi, Cavern of Anti-Matter y Asunción.

“THE TUESDAY TAPES”MARTEDÌ 24 MAGGIO 20161) NIRVANA > Polly (Chroph edit)2) ALIEN ALIEN > Uhura3) THE WOLFGANG PRESS > Time4) JUSTUS KÖHNCKE > Timecode 5) BRONX DOGS > Enviro6) TALKING HEADS > Born Under Punches7) WORLD OF TWIST > Sons of the Stage 8) RED KRAYOLA with ART & LANGUAGE > Parents Get Cross9) YOUTHLESS > Attention10) BEYOND THE WIZARD SLEEVE > Creation11) MADHOUSE > 6 12) VICKY D > This Beat Is Mine (Kon edit)13) MINA CAPUTO > Bette Davis Eyes

“THE TUESDAY TAPES”MARTEDÌ 24 MAGGIO 20161) NIRVANA > Polly (Chroph edit)2) ALIEN ALIEN > Uhura3) THE WOLFGANG PRESS > Time4) JUSTUS KÖHNCKE > Timecode 5) BRONX DOGS > Enviro6) TALKING HEADS > Born Under Punches7) WORLD OF TWIST > Sons of the Stage 8) RED KRAYOLA with ART & LANGUAGE > Parents Get Cross9) YOUTHLESS > Attention10) BEYOND THE WIZARD SLEEVE > Creation11) MADHOUSE > 6 12) VICKY D > This Beat Is Mine (Kon edit)13) MINA CAPUTO > Bette Davis Eyes

Today's episode features up and coming gallerist Tif Sigfrids of the Tif Sigfrids Gallery and her good friend Tom Watson, guitarist extraordinaire, formerly of the legendary art rock ensemble Red Krayola and currently the guitarist for Mike & the Missingmen. Join us for a freewheeling discussion of art, music and what it all means in this big crazy world of ours! Intro is the Meat Puppets Teenagers and the Outro is George III by Red Krayola.

It's the dawn of a new era for Beginnings, and on today's show we talk to writer and musician David Grubbs. Starting in Louisville, Kentucky with the bands Squirrel Bait and Bastro, David has since released seven albums with Gastr del Sol, 12 full-length solo albums and has appeared on more than 150 records including recordings by Tony Conrad, Pauline Oliveros, Matmos, Will Oldham, the Red Krayola. David also has a PhD in English and currently holds a position at Brooklyn College. His most recent album The Plain Where the Palace Stood was released earlier this year on Drag City.Early in June, after walking 10 blocks in the wrong direction in 90 degree weather, Andy sat down with David in his Brooklyn apartment to talk about Senagalese music, the 4th wall in music performance, Hi-Q/Quiz Bowl, rationality and religious feeling, academic axe-grinding, and getting over yourself. Check out our new website for Beginnings, subscribe on iTunes and see some live dates: Andy will be in conversation with J.J. Sedelmaier on July 30th at UCB East, and the next live episode will be August 6th with Ari Shaffir and more!

Programme de Martha Rosler pour webSYNradio : Sept heures en compagnie de Abbie Hoffman, Harry Partch, Patsy Cline, Captain Beefheart, The Fugs, Red Krayola, Joan Baez, Hazel Dickens, Florence Reese, Violeta Parra, Janis Joplin, Sarah Vaughan, Eric Dolphy, Tracey Chapman, Nico, Ralph Stanley & The Clinch Mountain Boys, Keith Whitley, Jackson Mac Low and Anne Tardos, Thelonious Monk, J. S.Bach, Bob Marley, Amanda Palmer, Pauline Oliveros, Allen Ginsberg, Otis Redding, Evan Wilson, Sam Cooke, John Cale, Rolf Schulte and Philharmonia Orchestra, Arnold Schönberg, Lord Buckley, Shir hashirim,Ray Charles, Umm Kulthum, Aretha Franklin, Prince, Bill Withers, Bessie Smith, The Penguins, Yaakov Yosef Stark, Pt.Himangshu Biswas, Emil Gilels, W.A. Mozart, Bertolt Brecht, Joan Armatrading, Neko Case, Frankie Lymon & The Teenagers, Cobra Skulls, Hot Edgard Varése, Bukka White, Frank Zappa & the Mothers of Invention, Billy Bragg, Jimi Hendrix …

Big Tone and Bob Freeman talk to Ro Hurley and Chris Otto from the San Francisco Tea Party protest of Obama's Tax plan. Intro song "Time" by The Last Poets. Segue song "Free Piece" by The Red Krayola. Closing song "The Revolution Will Not Be Televised" by Gil Scott Heron.