Podcasts about folsom prison

In this special bonus episode of ONE HEAT MINUTE, Kris Tapley and I visit with the "grim reaper" of HEAT, the slickest of the slick, KEVIN GAGE, to recall his path to Waingro, interviewing serial killers at Folsom Prison, shooting at gun ranges, and so much more.One Heat Minute ProductionsWEBSITE: oneheatminute.comPATREON: One Heat Minute Productions PatreonTWITTER: @OneBlakeMinute @OHMPodsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Day I Chose Recovery Over Death — and Never Looked Back (Ep 192) In this raw and deeply inspiring episode of Genuine Life Recovery, Sean Beem shares the powerful story of how he escaped a life shaped by trauma, addiction, violence, depression, and hopelessness — and found lasting freedom through recovery, faith, and purpose. Raised around alcoholism, drugs, biker culture, and chaos, Sean's life spiraled into years of partying, arrests, anxiety, and self-destruction. By age 27, despite living in beautiful Hawaii, he found himself sitting on a beach contemplating suicide, convinced he could never escape addiction or the pain inside his mind. But one decision changed everything. Sean opens up about the moment he walked into his first AA meeting, the people who helped save his life, and how over 26 years of sobriety transformed him into a mentor, husband, man of faith, and correctional officer helping others trapped in addiction and trauma find hope again. This conversation dives deep into mental health, childhood wounds, recovery, faith, prison culture, healing, codependency, renewing the mind, and the life-changing power of helping other people. If you feel stuck, broken, overwhelmed, or beyond redemption, this episode is proof that healing is possible — and your story is not over yet.  Powerful Podcast Highlights The moment he sat on a beach in Hawaii ready to end his life How one AA meeting changed the course of his entire future Growing up surrounded by addiction, violence, and trauma Why recovery is about healing the mind — not just quitting substances What working inside Folsom Prison taught him about hope and human brokenness How faith, sobriety, and helping others gave his life purpose Why no one heals alone — and asking for help changes everything The powerful truth: your past does not have to become your future  

Before YouTube. Before millions of subscribers. Before Friday Night Tights — Gary Buechler had a story almost nobody knew. It starts at Folsom Prison, a neighbor's jar of pennies, and a double-murderer cellmate who wouldn't leave him alone. His memoir is called Waiting For. That title alone should tell you something. He sat down with AJ in The Basement and held nothing back. Watch to the end. NERDROTIC LINKS https://www.youtube.com/@nerdrotic https://x.com/nerdrotics https://www.instagram.com/nerdrotic Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 366! Een geheime code voor de Vakantiekoning tijdens zijn vlucht met het regeringsvliegtuig naar Suriname. Bekijk de video via YouTube https://www.youtube.com/watch?v=Chmf_oMZEzw en ook via Spotify. Het einde van een tijdperk en de RVD maakt een leuke video. De Koninklijke piloot - hij heet in de cockpit Alex Kingsma - vliegt voor het laatst in een Boeing 737 van de KLM. Innsbruck Watch Party: Vakantiekoning met PH-GOV naar huis na skiën in Lech. De Noorse luchtmacht onderschept een antiek vliegtuig uit Rusland, Philip neemt ons mee op een Muzikale Reis. Menno heeft een app-groep opgericht, over Vliegend Erfgoed. Nu al 48 leden! Wil je lid worden, stuur een mail naar info@tmhc.nl Een Amerikaanse vrouw is zeer fanatiek vliegtuigen aan het spotten op LAX: ze ziet ook een KLM-toestel. Eindelijk de rubriek New Airline! Uit Somalië, met de Fokker 50. En nog veel meer. Commentaar en tips stuur je naar info@tmhc.nl en je kunt lid worden van de Vliegend Erfgoed app-groep. Muziek uit de Muzikale Reis: "Folsom Prison" - Johnny Cash. "Staying Alive" - Bee Gees. "Mr Bluesky" - Electric Light Orchestra. (00:00) Vakantiekoning as The Real Mr Bluesky - DJ Turbulence (00:20) Muzikale Reis met Russische Ilyushin (07:31) Hé Waar Is De PH-GOV? - Innsbruck viewing party (09:57) Geheime code van de Vakantiekoning (12:36) USAF-baantje voor weduwe van Charlie Kirk (14:52) Trump vindt Jutta Leerdam leuk (15:18) Oproep voor Jutta (17:47) Dure tickets door Iran (19:13) Philip Elbers exit (20:25) Philip ziek door Indigo-broodje (21:14) Unieke 747-tanker opgeblazen (22:12) New Airline: Rayaan Air uit Somalië (22:21) Vliegend Erfgoed app-groep: word lid! (25:07) Uniek: Fokker F-28 in actieve dienst (26:27) Fanatiek vliegtuigen spotten op LAX (29:19) Bellingcat ontdekt Telegraaf-blunder (31:45) Afsluit (32:27) Dat Wassum! DAT WASSUM!

Twitter: @podgaverock Insta: @podgaverock Special Guest Host: Billy Griffen Johnny Cash, The Tennessee Two “Folsom Prison Blues” from the 1955 album "Johnny Cash With His Hot and Blue Guitar" released on Sun. Written by Johnny Cash and produced by Sam Phillips. Also, from the 1968 album "At Folsom Prison" produced by Bob Johnston and released on Columbia. Personel: Johnny Cash– vocals, guitar Luther Perkins - guitar Marshall Grant - bass WS Holland - drums (1968 version only) Cover: Performed by Josh Bond and Neal Marsh Intro Music: "Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton. Other Artists Mentioned: Gram Parsons "Ohh Las Vegas"

Johnny Cash- At Folsom Prison  (Columbia)Release Date: May 6, 1968Recorded live inside California's Folsom State Prison, At Folsom Prison marked a dramatic resurgence in the career of Johnny Cash. Performing before an audience of inmates, Cash delivered a raw, electric set filled with dark ballads, prison songs, humor, and empathy. The album opens with his iconic introduction—“Hello, I'm Johnny Cash”—launching into a thunderous version of “Folsom Prison Blues.” Throughout the performance, Cash balances rebellion and compassion, addressing themes of guilt, regret, labor, faith, and redemption. The recording captures an unfiltered atmosphere rarely heard on live albums at the time. The project revitalized Cash's career, reached #1 on the country charts, and redefined the live album format. Decades later, it remains one of the most culturally significant recordings in American music history. (S5-Ep8)

From a cell in Folsom Prison to becoming one of the most influential voices in pop culture commentary, Gary Buechler (AKA Nerdrotic)joins Kennedy to share his harrowing journey of redemption. They discuss his new book, Waiting for Nerdrotic, and his inspiring story of resilience.  Kennedy Now Available on YouTube: ⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@KennedySavestheWorld⁠⁠⁠⁠ Follow on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@kennedy_foxnews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join Kennedy for Happy Hour on Fridays! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/playlist?list=PLWlNiiSXX4BNUbXM5X8KkYbDepFgUIVZj⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Twitter: @podgaverock Insta: @podgaverock Special Guest Host: Billy Griffen Johnny Cash, The Tennessee Two “Folsom Prison Blues” from the 1955 album "Johnny Cash With His Hot and Blue Guitar" released on Sun. Written by Johnny Cash and produced by Sam Phillips. Also, from the 1968 album "At Folsom Prison" produced by Bob Johnston and released on Columbia. Personel: Johnny Cash– vocals, guitar Luther Perkins - guitar Marshall Grant - bass WS Holland - drums (1968 version only) Cover: Performed by Josh Bond and Neal Marsh Intro Music: "Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton. Other Artists Mentioned: Warren Haynes Garth Brooks “Two of A Kind, Working On A Full House” Allman Brother Band “Soulshine” Tom Waits “Goin Out West” Derek Trucks Robert Duvall The Godfather Rubbin's Racing Days of Thunder Tom Cruise F1 Apocalypse Now Will Ferrell Kicking and Screaming Vince Vaughn Four Christmas's Eastbound and Down John Favreau The Beatles Eric Clapton Derek and the Dominos “Layla” Wilt Chamberlain Stranger Things Finn Wolfhard The Quiet Place Fantastic Four Paul Mescal Babygirl Nicole Kidman Barry Keoghan Ringo Starr John Lennon Paul McCartney George Harrison Peaky Blinders Sons of Anarchy Johnny Cash “I've Been Everywhere” Old Crow Medicine Show “Wagon Wheel” Everclear “Santa Monica” Jaws Iron Butterfly “In A Gadda Da Vidda” Deep Purple “Smoke on the Water” Elvis Carl Perkins Jerry Lee Lewis Mumford & Sons Gordon Jenkins “Crescent City Blues” Barbara Mahr Inside the Walls of Folsom Prison Johnny Cash “A Boy Names Sue” Little Brother Montgomery Roy Orbison Eddie Vedder Kris Kristoffersen Waylon Jennings Willie Nelson “Whiskey River” Hank Williams, Sr Leadbelly Bob Dylan John Prine JJ Cale Gram Parsons ZZ Top “La Grange” Kings of Leon Pearl Jam Sturgill Simpson Charley Crockett The Highwaymen The Band Richard Manuel Garth Hudson Bob Dylan and The Band “The Basement Tapes” Bob Dylan and The Band “Yazoo Street Scandal” Bob Dylan and The Band “Orange Juice Blues” Everlast House of Pain “Jump Around” Cypress Hill 8 Bit Arcade Tetris Jerry Lee Lewis Robbie Robertson Gin Blossoms Flatt and Scruggs Brooks and Dunn Phish “Possum” International Submarine Band Flying Burrito Brothers Merle Haggard Keb Mo Sawyer Hill The Pug Uglies

Back on this day in 1968 Johnny Cash performed at Folsom Prison. He was known to engage with imprisoned fans.

Have you ever wondered how pivotal moments in music history have shaped the sounds we love today? Join host Buzz Knight and Harry Jacobs as they take you on a captivating journey through the significant events that occurred in music during the week of January 13th. On this episode of takin' a walk, we delve deep into the legacy of Johnny Cash's legendary performance at Folsom Prison in 1968, exploring its profound influence on artists like Bruce Springsteen and the broader landscape of American music. But that's just the beginning! We also discuss the emotional power of Pete Townsend's Rainbow Concert in 1973, a heartfelt effort to support Eric Clapton during his struggles with addiction. This episode is filled with music history insights that highlight the intertwining of music and societal issues. You'll learn about Ed Sullivan's surprising request for The Rolling Stones to alter the lyrics of "Let's Spend the Night Together" in 1967, a moment that sparked discussions on censorship and artistic expression. The conversation takes a humorous turn as we touch on Paul McCartney's unexpected arrest in Japan in 1980, alongside the infamous dismissal of Johnny Rotten from the Sex Pistols. We even dive into a tragic yet fascinating piece of Boston music history with the Great Molasses Flood of 1919, reminding us of the sometimes bizarre intersections between life and art. Throughout this episode of takin' a walk, we celebrate the stories behind iconic songs and the legendary musicians who created them. Whether you're a fan of classic rock history, jazz music, or the vibrant sounds of indie artists, this episode offers a treasure trove of music storytelling that will inspire and entertain you. Don't miss out on our engaging discussions that reveal the cultural impact of music and the resilience of artists. So lace up your shoes, hit play, and let’s take a walk through time, exploring how these unforgettable moments have shaped our music journey. Tune in for a delightful blend of comedic advice, inspiring music stories, and the emotional healing through music that resonates through generations. This is more than just a podcast; it's a celebration of music history that you won’t want to miss!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

James og Reni Willett, et ungt ægtepar med en lille pige, tager på et roadtrip med nogle hårde folk fra The Aryan Brotherhood. De myrdes hver især på brutal vis. Men hvorfor skulle de dø? Og kan mordene kobles til Manson-disciplen, Lynette Fromme? Hør også om en mand, som snyder politiet via en falsk identitet, og så er Manson blevet sendt til Folsom Prison. Gæst: Peder Byberg. Vært: Kristoffer LindSee omnystudio.com/listener for privacy information.

Show #1131 Beardo's Birthday Bash 2025 01. Elvin Bishop & Charlie Musselwhite - What The Hell Is Going On? (3:06) (100 Years Of Blues, Alligator Records, 2020) 02. Johnny Cash - Cocaine Blues (2:45) (At Folsom Prison, Columbia Records, 1968) 03. Ten Years After - Real Life Blues (4:35) (Pure Blues, Chrysalis Records, 1995) 04. Tracy Nelson - Seesaw (3:47) (The Soul Sessions, Rounder Records, 2009) 05. Little Feat - Forty-Four Blues / How Many More Years (6:32) (Little Feat, Warner Bros Records, 1971) 06. Hour Glass - B.B. King Medley (7:11) (Duane Allman-An Anthology, Capricorn Records, 1972) 07. James Harman - Helsinki Laundromat Blues (9:39) (Mark Hummel's Blues Harp Meltdown Vol. 1, Mountain Top Productions, 2001) 08. Tom Waits - The Soul Of A Man (3:30) (God Don't Never Change, Alligator Records, 2016) 09. Hans Theessink - Where The Southern Crosses The Dog (4:33) (Journey On, Blues Groove Records, 1997) 10. Tedeschi Trucks Band - The Storm (6:35) (Made Up Mind, Masterworks, 2013) 11. Ann Peebles - I'm Gonna Tear Your Playhouse Down (2:46) (45 RPM Single, Hi Records, 1972) 12. Washboard Chaz Blues Trio - On The Street (2:38) (On The Street, self-release, 2010) 13. Tino Gonzales & Los Reyes Del K.O. - We All Lose (5:09) (Funky Tortillas, Blues Boulevard, 2009) 14. Curved Air - Hide And Seek (6:17) (Air Conditioning, Warner Bros Records, 1970) 15. Dorothy Ellis - Drill Daddy Drill (3:01) (45 RPM Single, Federal Records, 1952) 16. Fleetwood Mac - Oh Well (Pts.1+2) (8:53) (45 RPM Single, Reprise Records, 1969) 17. Bobby Bland - Member's Only (4:10) (Member's Only, Malaco Records, 1985) 18. Carlos Del Junco & The Blues Mongrels - My Favourite Uncle (4:12) (Mongrel Mash, Big Reed Records, 2011) 19. Cassandra Wilson - Last Train To Clarksville (5:16) (New Moon Daughter, Blue Note Records, 1995) 20. Elles Bailey - Hell Or High Water (3:43) (Road I Call Home, Outlaw Music, 2019) 21. Mick Clarke - New Star Over Texas (4:28) (Tell The Truth, BGO Records, 1991) 22. Thorbjørn Risager & The Black Tornado - Long Forgotten Track (4:25) (Too Many Roads, Ruf Records, 2014) 23. Sue Foley - Dallas Man (3:30) (Pinky's Blues, Stony Plain Records, 2021) 24. Frank Zappa - Little Umbrellas (3:04) (Hot Rats, Bizarre/Reprise Records, 1969) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

BIO:The Reverend Dr. Starlette Thomas is a poet, practical theologian, and itinerant prophet for a coming undivided “kin-dom.” She is the director of The Raceless Gospel Initiative, named for her work and witness and an associate editor at Good Faith Media. Starlette regularly writes on the sociopolitical construct of race and its longstanding membership in the North American church. Her writings have been featured in Sojourners, Red Letter Christians, Free Black Thought, Word & Way, Plough, Baptist News Global and Nurturing Faith Journal among others. She is a frequent guest on podcasts and has her own. The Raceless Gospel podcast takes her listeners to a virtual church service where she and her guests tackle that taboo trinity— race, religion, and politics. Starlette is also an activist who bears witness against police brutality and most recently the cultural erasure of the Black Lives Matter Plaza in Washington, D.C. It was erected in memory of the 2020 protests that brought the world together through this shared declaration of somebodiness after the gruesome murder of George Perry Floyd, Jr. Her act of resistance caught the attention of the Associated Press. An image of her reclaiming the rubble went viral and in May, she was featured in a CNN article.Starlette has spoken before the World Council of Churches North America and the United Methodist Church's Council of Bishops on the color- coded caste system of race and its abolition. She has also authored and presented papers to the members of the Baptist World Alliance in Zurich, Switzerland and Nassau, Bahamas to this end. She has cast a vision for the future of religion at the National Museum of African American History and Culture's “Forward Conference: Religions Envisioning Change.” Her paper was titled “Press Forward: A Raceless Gospel for Ex- Colored People Who Have Lost Faith in White Supremacy.” She has lectured at The Queen's Foundation in Birmingham, U.K. on a baptismal pedagogy for antiracist theological education, leadership and ministries. Starlette's research interests have been supported by the Louisville Institute and the Lilly Foundation. Examining the work of the Reverend Dr. Clarence Jordan, whose farm turned “demonstration plot” in Americus, Georgia refused to agree to the social arrangements of segregation because of his Christian convictions, Starlette now takes this dirt to the church. Her thesis is titled, “Afraid of Koinonia: How life on this farm reveals the fear of Christian community.” A full circle moment, she was recently invited to write the introduction to Jordan's newest collection of writings, The Inconvenient Gospel: A Southern Prophet Tackles War, Wealth, Race and Religion.Starlette is a member of the Christian Community Development Association, the Peace & Justice Studies Association, and the Koinonia Advisory Council. A womanist in ministry, she has served as a pastor as well as a denominational leader. An unrepentant academician and bibliophile, Starlette holds degrees from Buffalo State College, Colgate Rochester Crozer Divinity School and Wesley Theological Seminary. Last year, she was awarded an honorary doctorate in Sacred Theology for her work and witness as a public theologian from Wayland Baptist Theological Seminary. She is the author of "Take Me to the Water": The Raceless Gospel as Baptismal Pedagogy for a Desegregated Church and a contributing author of the book Faith Forward: A Dialogue on Children, Youth & a New Kind of Christianity.  JennyI was just saying that I've been thinking a lot about the distinction between Christianity and Christian supremacy and Christian nationalism, and I have been researching Christian nationalism for probably about five or six years now. And one of my introductions to the concept of it was a book that's based on a documentary that's based on a book called Constantine Sword. And it talked about how prior to Constantine, Christians had the image of fish and life and fertility, and that is what they lived by. And then Constantine supposedly had this vision of a cross and it said, with this sign, you shall reign. And he married the church and the state. And ever since then, there's been this snowball effect of Christian empire through the Crusades, through manifest destiny, through all of these things that we're seeing play out in the United States now that aren't new. But I think there's something new about how it's playing out right now.Danielle (02:15):I was thinking about the doctrine of discovery and how that was the creation of that legal framework and ideology to justify the seizure of indigenous lands and the subjugation of indigenous peoples. And just how part of that doctrine you have to necessarily make the quote, humans that exist there, you have to make them vacant. Or even though they're a body, you have to see them as internally maybe empty or lacking or less. And that really becomes this frame. Well, a repeated frame.Jenny (03:08):Yep. Yeah. Yeah. And it feels like that's so much source to that when that dehumanization is ordained by God. If God is saying these people who we're not even going to look at as people, we're going to look at as objects, how do we get out of that?Danielle (03:39):I don't know. Well, definitely still in it. You can hear folks like Charlie Kirk talk about it and unabashedly, unashamedly turning point USA talk about doctrine of discovery brings me currently to these fishing boats that have been jetting around Venezuela. And regardless of what they're doing, the idea that you could just kill them regardless of international law, regardless of the United States law, which supposedly we have the right to a process, the right to due process, the right to show up in a court and we're presumed innocent. But this doctrine applies to people manifest destiny, this doctrine of discovery. It applies to others that we don't see as human and therefore can snuff out life. And I think now they're saying on that first boat, I think they've blown up four boats total. And on the first boat, one of the ladies is speaking out, saying they were out fishing and the size of the boat. I think that's where you get into reality. The size of the boat doesn't indicate a large drug seizure anyway. It's outside reality. And again, what do you do if they're smuggling humans? Did you just destroy all that human life? Or maybe they're just fishing. So I guess that doctrine and that destiny, it covers all of these immoral acts, it kind of washes them clean. And I guess that talking about Constantine, it feels like the empire needed a way to do that, to absolve themselves.Danielle (05:40):I know it gives me both comfort and makes me feel depressed when I think about people in 300 ad being, they're freaking throwing people into the lion's den again and people are cheering. And I have to believe that there were humans at that time that saw the barbarism for what it was. And that gives me hope that there have always been a few people in a system of tyranny and oppression that are like, what the heck is going on? And it makes me feel like, ugh. When does that get to be more than just the few people in a society kind of society? Or what does a society need to not need such violence? Because I think it's so baked in now to these white and Christian supremacy, and I don't know, in my mind, I don't think I can separate white supremacy from Christian supremacy because even before White was used as a legal term to own people and be able to vote, the legal term was Christian. And then when enslaved folks started converting to Christianity, they pivoted and said, well, no, not all Christians. It has to be white Christians. And so I think white supremacy was birthed out of a long history of Christian supremacy.Danielle (07:21):Yeah, it's weird. I remember growing up, and maybe you had this experience too, I remember when Schindler's List hit the theaters and you were probably too young, but Schindler's listed the theaters, and I remember sitting in a living room and having to convince my parents of why I wanted to see it. And I think I was 16, I don't remember. I was young and it was rated R and of course that was against our values to see rated R movies. But I really wanted to see this movie. And I talked and talked and talked and got to see this movie if anybody's watched Schindler's List, it's a story of a man who is out to make money, sees this opportunity to get free labor basically as part of the Nazi regime. And so he starts making trades to access free labor, meanwhile, still has women, enjoys a fine life, goes to church, has a pseudo faith, and as time goes along, I'm shortening the story, but he gets this accountant who he discovers he loves because his accountant makes him rich. He makes him rich off the labor. But the accountant is thinking, how do I save more lives and get them into this business with Schindler? Well, eventually they get captured, they get found out. All these things happen, right, that we know. And it becomes clear to Schindler that they're exterminating, they're wiping out an entire population.(09:01):I guess I come to that and just think about, as a young child, I remember watching that thinking, there's no way this would ever happen again because there's film, there's documentation. At the time, there were people alive from the Great war, the greatest generation like my grandfather who fought in World War ii. There were other people, we had the live stories. But now just a decade, 12, 13 years removed, it hasn't actually been that long. And the memory of watching a movie like Schindler's List, the impact of seeing what it costs a soul to take the life of other souls like that, that feels so far removed now. And that's what the malaise of the doctrine of Discovery and manifest destiny, I think have been doing since Constantine and Christianity. They've been able to wipe the memory, the historical memory of the evil done with their blessing.(10:06):And I feel like even this huge thing like the Holocaust, the memories being wiped, you can almost feel it. And in fact, people are saying, I don't know if they actually did that. I don't know if they killed all these Jewish peoples. Now you hear more denial even of the Holocaust now that those storytellers aren't passed on to the next life. So I think we are watching in real time how Christianity and Constantine were able to just wipe use empire to wipe the memory of the people so they can continue to gain riches or continue to commit atrocities without impunity just at any level. I guess that's what comes to mind.Jenny (10:55):Yeah, it makes me think of, I saw this video yesterday and I can't remember what representative it was in a hearing and she had written down a long speech or something that she was going to give, and then she heard during the trial the case what was happening was someone shared that there have been children whose parents have been abducted and disappeared because the children were asked at school, are your parents undocumented? And she said, I can't share what I had prepared because I'm caught with that because my grandfather was killed in the Holocaust because his children were asked at school, are your parents Jewish?(11:53):And my aunt took that guilt with her to her grave. And the amount of intergenerational transgenerational trauma that is happening right now, that never again is now what we are doing to families, what we are doing to people, what we are doing to children, the atrocities that are taking place in our country. Yeah, it's here. And I think it's that malaise has come over not only the past, but even current. I think people don't even know how to sit with the reality of the horror of what's happening. And so they just dissociate and they just check out and they don't engage the substance of what's happening.Danielle (13:08):Yeah. I tell a friend sometimes when I talk to her, I just say, I need you to tap in. Can you just tap in? Can you just carry the conversation or can you just understand? And I don't mean understand, believe a story. I mean feel the story. It's one thing to say the words, but it's another thing to feel them. And I think Constantine is a brilliant guy. He took a peaceful religion. He took a peaceful faith practice, people that literally the prior guy was throwing to the lions for sport. He took a people that had been mocked, a religious group that had been mocked, and he elevated them and then reunified them with that sword that you're talking about. And so what did those Christians have to give up then to marry themselves to empire? I don't know, but it seems like they kind of effed us over for eternity, right?Jenny (14:12):Yeah. Well, and I think that that's part of it. I think part of the malaise is the infatuation with eternity and with heaven. And I know for myself, when I was a missionary for many years, I didn't care about my body because this body, this light and momentary suffering paled in comparison to what was awaiting me. And so no matter what happened, it was a means to an end to spend eternity with Jesus. And so I think of empathy as us being able to feel something of ourselves in someone else. If I don't have grief and joy and sorrow and value for this body, I'm certainly not going to have it for other bodies. And I think the disembodiment of white Christian supremacy is what enables bodies to just tolerate and not consider the brutality of what we're seeing in the United States. What we're seeing in Congo, what we're seeing in Palestine, what we're seeing everywhere is still this sense of, oh, the ends are going to justify the means we're all going to, at least I'll be in heaven and everyone else can kind of figure out what they're going to do.I don't know, man. Yeah, maybe. I guess when you think about Christian nationalism versus maybe a more authentic faith, what separates them for youAbiding by the example that Jesus gave or not. I mean, Jesus was killed by the state because he had some very unpopular things to say about the state and the way in which he lived was very much like, how do I see those who are most oppressed and align myself with them? Whereas Christian nationalism is how do I see those who have the most power and align myselves with them?(16:48):And I think it is a question of alignment and orientation. And at the end of the day, who am I going to stand with even knowing and probably knowing that that may be to the detriment of my own body, but I do that not out of a sense of martyrdom, but out of a sense of integrity. I refuse. I think I really believe Jesus' words when he said, what good is it for a man to gain the world and lose his soul? And at the end of the day, what I'm fighting for is my own soul, and I don't want to give that up.Danielle (17:31):Hey, starlet, we're on to not giving up our souls to power.The Reverend Dr.Rev. Dr. Starlette (17:47):I'm sorry I'm jumping from one call to the next. I do apologize for my tardiness now, where were we?Danielle (17:53):We got on the subject of Constantine and how he married the sword with Christianity when it had been fish and fertile ground and et cetera, et cetera. Yeah, that's where we started. Yeah, that's where we started.Starlette (18:12):I'm going to get in where I fit in. Y'all keep going.Danielle (18:14):You get in. Yeah, you get in. I guess Jenny, for me and for you, starlet, the deep erasure of any sort of resemblance of I have to look back and I have to be willing to interrogate, I think, which is what a lot of people don't want to do. I grew up in a really conservative evangelical family and a household, and I have to interrogate, well, one, why did my mom get into that? Because Mexican, and number two, I watched so slowly as there was a celebration. I think it was after Bill Clinton had this Monica Lewinsky thing and all of this stuff happened. My Latino relatives were like, wait a minute, we don't like that. We don't like that. That doesn't match our values. And I remember this celebration of maybe now they're going to become Christians. I remember thinking that as a child, because for them to be a Democrat in my household and for them to hold different values around social issues meant that they weren't necessarily saved in my house and my way because they hadn't fully bought into empire in the way I know Jenny muted herself.(19:31):They hadn't fully bought into empire. And I slowly watched those family members in California kind of give way to conservatism the things that beckoned it. And honestly, a lot of it was married to religion and to what is going on today and not standing up for justice, not standing up for civil rights. I watched the movement go over, and it feels like at the expense of the memory of my grandfather and my great-grandfather who despised religion in some ways, my grandfather did not like going to church because he thought people were fake. He didn't believe them, and he didn't see what church had to do with being saved anyway. And so I think about him a lot and I think, oh, I got to hold onto that a little bit in the face of empire. But yeah, my mind just went off on that rabbit trail.Starlette (20:38):Oh, it's quite all right. My grandfather had similar convictions. My grandmother took the children to church with her and he stayed back. And after a while, the children were to decide that they didn't want to go anymore. And I remember him saying, that's enough. That's enough. You've done enough. They've heard enough. Don't make them go. But I think he drew some of the same conclusions, and I hold those as well, but I didn't grow up in a household where politics was even discussed. Folks were rapture ready, as they say, because they were kingdom minded is what they say now. And so there was no discussion of what was going on on the ground. They were really out of touch with, I'm sending right now. They were out of touch with reality. I have on pants, I have on full makeup, I have on earrings. I'm not dressed modestly in any way, shape, fashion or form.(21:23):It was a very externalized, visible, able to be observed kind of spirituality. And so I enter the spaces back at home and it's like going into a different world. I had to step back a bit and oftentimes I just don't say anything. I just let the room have it because you can't, in my experience, you can't talk 'em out of it. They have this future orientation where they live with their feet off the ground because Jesus is just around the corner. He's right in that next cloud. He's coming, and so none of this matters. And so that affected their political participation and discussion. There was certainly very minor activism, so I wasn't prepared by family members to show up in the streets like I do now. I feel sincerely called. I feel like it's a work of the spirit that I know where to put my feet at all, but I certainly resonate with what you would call a rant that led you down to a rabbit hole because it led me to a story about my grandfather, so I thank you for that. They were both right by the way,Danielle (22:23):I think so he had it right. He would sit in the very back of church sometimes to please my grandmother and to please my family, and he didn't have a cell phone, but he would sit there and go to sleep. He would take a nap. And I have to think of that now as resistance. And as a kid I was like, why does he do that? But his body didn't want to take it in.Starlette (22:47):That's rest as resistance from the Nat Bishop, Trisha Hersey, rest as act of defiance, rest as reparations and taking back my time that you're stealing from me by having me sit in the service. I see that.Danielle (23:02):I mean, Jenny, it seems like Constantine, he knew what to do. He gets Christians on his side, they knew how to gather organically. He then gets this mass megaphone for whatever he wants, right?Jenny (23:21):Yeah. I think about Adrian Marie Brown talks a lot about fractals and how what happens on a smaller scale is going to be replicated on larger scales. And so even though there's some sense of disjoint with denominations, I think generally in the United States, there is some common threads of that manifest destiny that have still found its way into these places of congregating. And so you're having these training wheels really even within to break it down into the nuclear family that James Dobson wanted everyone to focus on was a very, very narrow white, patriarchal Christian family. And so if you rehearse this on these smaller scales, then you can rehearse it in your community, then you can rehearse it, and it just bubbles and bubbles and balloons out into what we're seeing happen, I think.Yeah, the nuclear family and then the youth movements, let us, give us your youth, give us your kids. Send us your kids and your youth to our camps.Jenny (24:46):Great. I grew up in Colorado and I was probably 10 or 11 when the Columbine shooting happened, and I remember that very viscerally. And the immediate conversation was not how do we protect kids in school? It was glorifying this one girl that maybe or maybe did not say yes when the shooters asked, do you still believe in God? And within a year her mom published a book about it. And that was the thing was let's use this to glorify martyrdom. And I think it is different. These were victims in school and I think any victim of the shooting is horrifying. And I think we're seeing a similar level of that martyrdom frenzy with Charlie Kirk right now. And what we're not talking about is how do we create a safer society? What we're talking about, I'm saying, but I dunno. What I'm hearing of the white Christian communities is how are we glorifying Charlie Kirk as a martyr and what power that wields when we have someone that we can call a martyr?Starlette (26:27):No, I just got triggered as soon as you said his name.(26:31):Just now. I think grieving a white supremacist is terrifying. Normalizing racist rhetoric is horrifying. And so I look online in disbelief. I unfollowed and blocked hundreds of people on social media based on their comments about what I didn't agree with. Everything he said, got a lot of that. I'm just not interested. I think they needed a martyr for the race war that they're amping for, and I would like to be delivered from the delusion that is white body supremacy. It is all exhausting. I don't want to be a part of the racial imagination that he represents. It is not a new narrative. We are not better for it. And he's not a better person because he's died. The great Biggie Smalls has a song that says you're nobody until somebody kills you. And I think it's appropriate. Most people did not know who he was. He was a podcaster. I'm also looking kind of cross-eyed at his wife because that's not, I served as a pastor for more than a decade. This is not an expression of grief. There's nothing like anything I've seen for someone who was assassinated, which I disagree with.(28:00):I've just not seen widows take the helm of organizations and given passion speeches and make veil threats to audiences days before the, as we would say in my community, before the body has cooled before there is a funeral that you'll go down and take pictures. That could be arguably photo ops. It's all very disturbing to me. This is a different measure of grief. I wrote about it. I don't know what, I've never heard of a sixth stage of grief that includes fighting. We're not fighting over anybody's dead body. We're not even supposed to do it with Jesus. And so I just find it all strange that before the man is buried, you've already concocted a story wherein opposing forces are at each other's throats. And it's all this intergalactic battle between good and bad and wrong, up and down, white and black. It's too much.(28:51):I think white body supremacy has gotten out of hand and it's incredibly theatrical. And for persons who have pulled back from who've decent whiteness, who've de racialize themselves, it's foolishness. Just nobody wants to be involved in this. It's a waste of time. White body supremacy and racism are wastes of time. Trying to prove that I'm a human being or you're looking right at is a waste of time. And people just want to do other things, which is why African-Americans have decided to go to sleep, to take a break. We're not getting ready to spin our wheels again, to defend our humanity, to march for rights that are innate, to demand a dignity that comes with being human. It's just asinine.(29:40):I think you would be giving more credence to the statements themselves by responding. And so I'd rather save my breath and do my makeup instead because trying to defend the fact that I'm a glorious human being made in the image of God is a waste of time. Look at me. My face is beat. It testifies for me. Who are you? Just tell me that I don't look good and that God didn't touch me. I'm with the finger of love as the people say, do you see this beat? Let me fall back. So you done got me started and I blame you. It's your fault for the question. So no, that's my response to things like that. African-American people have to insulate themselves with their senses of ness because he didn't have a kind word to say about African-American people, whether a African-American pilot who is racialized as black or an African-American woman calling us ignorance saying, we're incompetence. If there's no way we could have had these positions, when African-American women are the most agreed, we're the most educated, how dare you? And you think, I'm going to prove that I'm going to point to degrees. No, I'll just keep talking. It will make itself obvious and evident.(30:45):Is there a question in that? Just let's get out of that. It triggers me so bad. Like, oh, that he gets a holiday and it took, how many years did it take for Martin Luther King Junior to get a holiday? Oh, okay. So that's what I mean. The absurdity of it all. You're naming streets after him hasn't been dead a year. You have children coloring in sheets, doing reports on him. Hasn't been a few months yet. We couldn't do that for Martin Luther King. We couldn't do that for Rosa Parks. We couldn't do that for any other leader, this one in particular, and right now, find that to beI just think it just takes a whole lot of delusion and pride to keep puffing yourself up and saying, you're better than other people. Shut up, pipe down. Or to assume that everybody wants to look like you or wants to be racialized as white. No, I'm very cool in who I'm, I don't want to change as the people say in every lifetime, and they use these racialized terms, and so I'll use them and every lifetime I want to come back as black. I don't apologize for my existence. I love it here. I don't want to be racialized as white. I'm cool. That's the delusion for me that you think everyone wants to look like. You think I would trade.(32:13):You think I would trade for that, and it looks great on you. I love what it's doing for you. But as for me in my house, we believe in melanin and we keep it real cute over here. I just don't have time. I think African-Americans minoritized and otherwise, communities should invest their time in each other and in ourselves as opposed to wasting our breath, debating people. We can't debate white supremacists. Anyway, I think I've talked about that the arguments are not rooted in reason. It's rooted in your dehumanization and equating you with three fifths of a human being who's in charge of measurements, the demonizing of whiteness. It's deeply problematic for me because it puts them in a space of creator. How can you say how much of a human being that's someone? This stuff is absurd. And so I've refuse to waste my breath, waste my life arguing with somebody who doesn't have the power, the authority.(33:05):You don't have the eyesight to tell me if I'm human or not. This is stupid. We're going to do our work and part of our work is going to sleep. We're taking naps, we're taking breaks, we're putting our feet up. I'm going to take a nap after this conversation. We're giving ourselves a break. We're hitting the snooze button while staying woke. There's a play there. But I think it's important that people who are attacked by white body supremacy, not give it their energy. Don't feed into the madness. Don't feed into the machine because it'll eat you alive. And I didn't get dressed for that. I didn't get on this call. Look at how I look for that. So that's what that brings up. Okay. It brings up the violence of white body supremacy, the absurdity of supremacy at all. The delusion of the racial imagination, reading a 17th century creation onto a 21st century. It's just all absurd to me that anyone would continue to walk around and say, I'm better than you. I'm better than you. And I'll prove it by killing you, lynching you, raping your people, stealing your people, enslaving your people. Oh, aren't you great? That's pretty great,Jenny (34:30):I think. Yeah, I think it is. I had a therapist once tell me, it's like you've had the opposite of a psychotic break because when that is your world and that's all, it's so easy to justify and it makes sense. And then as soon as you step out of it, you're like, what the what? And then it makes it that much harder to understand. And this is my own, we talked about this last week, but processing what is my own path in this of liberation and how do I engage people who are still in that world, who are still related to me, who are, and in a way that isn't exhausting for I'm okay being exhausted if it's going to actually bear something, if it's just me spinning my wheels, I don't actually see value in that. And for me, what began to put cracks in that was people challenging my sense of superiority and my sense of knowing what they should do with their bodies. Because essentially, I think a lot of how I grew up was similar maybe and different from how you were sharing Danielle, where it was like always vote Republican because they're going to be against abortion and they're going to be against gay marriage. And those were the two in my world that were the things that I was supposed to vote for no matter what. And now just seeing how far that no matter what is willing to go is really terrifying.Danielle (36:25):Yeah, I agree. Jenny. I mean, again, I keep talking about him, but he's so important to me. The idea that my great grandfather to escape religious oppression would literally walk 1,950 miles and would leave an oppressive system just in an attempt to get away. That walk has to mean something to me today. You can't forget. All of my family has to remember that he did a walk like that. How many of us have walked that far? I mean, I haven't ever walked that far in just one instance to escape something. And he was poor because he couldn't even pay for his mom's burial at the Catholic church. So he said, let me get out of this. And then of course he landed with the Methodist and he was back in the fire again. But I come back to him, and that's what people will do to get out of religious oppression. They will give it an effort and when they can. And so I think it's important to remember those stories. I'm off on my tangent again now because it feels so important. It's a good one.Starlette (37:42):I think it's important to highlight the walking away from, to putting one foot in front of the other, praying with your feet(37:51):That it's its own. You answer your own prayer by getting away from it. It is to say that he was done with it, and if no one else was going to move, he was going to move himself that he didn't wait for the change in the institution. Let's just change directions and get away from it. And I hate to even imagine what he was faced with and that he had to make that decision. And what propelled him to walk that long with that kind of energy to keep momentum and to create that amount of distance. So for me, it's very telling. I ran away at 12. I had had it, so I get it. This is the last time you're going to hit me.Not going to beat me out of my sleep. I knew that at 12. This is no place for me. So I admire people who get up in the dead of night, get up without a warning, make it up in their mind and said, that's the last time, or This is not what I'm going to do. This is not the way that I want to be, and I'm leaving. I admire him. Sounds like a hero. I think we should have a holiday.Danielle (38:44):And then imagine telling that. Then you're going to tell me that people like my grandfather are just in it. This is where it leaves reality for me and leaves Christianity that he's just in it to steal someone's job. This man worked the lemon fields and then as a side job in his retired years, moved up to Sacramento, took in people off death row at Folsom Prison, took 'em to his home and nursed them until they passed. So this is the kind a person that will walk 1,950 miles. They'll do a lot of good in the world, and we're telling people that they can't come here. That's the kind of people that are walking here. That's the kind of people that are coming here. They're coming here to do whatever they can. And then they're nurturing families. They're actually living out in their families what supposed Christians are saying they want to be. Because people in these two parent households and these white families, they're actually raising the kind of people that will shoot Charlie Kirk. It's not people like my grandfather that walked almost 2000 miles to form a better life and take care of people out of prisons. Those aren't the people forming children that are, you'reStarlette (40:02):Going to email for that. The deacons will you in the parking lot for that one. You you're going to get a nasty tweet for that one. Somebody's going to jump off in the comments and straighten you out at,Danielle (40:17):I can't help it. It's true. That's the reality. Someone that will put their feet and their faith to that kind of practice is not traveling just so they can assault someone or rob someone. I mean, yes, there are people that have done that, but there's so much intentionality about moving so far. It does not carry the weight of, can you imagine? Let me walk 2000 miles to Rob my neighbor. That doesn't make any sense.Starlette (40:46):Sounds like it's own kind of pilgrimage.Jenny (40:59):I have so many thoughts, but I think whiteness has just done such a number on people. And I'm hearing each of you and I'm thinking, I don't know that I could tell one story from any of my grandparents. I think that that is part of whiteness. And it's not that I didn't know them, but it's that the ways in which Transgenerational family lines are passed down are executed for people in considered white bodies where it's like my grandmother, I guess I can't tell some stories, but she went to Polish school and in the States and was part of a Polish community. And then very quickly on polls were grafted into whiteness so that they could partake in the GI Bill. And so that Polish heritage was then lost. And that was not that long ago, but it was a severing that happened. And some of my ancestors from England, that severing happened a long time ago where it's like, we are not going to tell the stories of our ancestors because that would actually reveal that this whole white thing is made up. And we actually have so much more to us than that. And so I feel like the social privilege that has come from that, but also the visceral grief of how I would want to know those stories of my ancestors that aren't there. Because in part of the way that whiteness operates,Starlette (42:59):I'm glad you told that story. Diane de Prima, she tells about that, about her parents giving up their Italian ness, giving up their heritage and being Italian at home and being white in public. So not changing their name, shortening their name, losing their accent, or dropping the accent. I'm glad that you said that. I think that's important. But like you said though, if you tell those stories and it shakes up the power dynamic for whiteness, it's like, oh, but there are books how the Irish became White, the Making of Whiteness working for Whiteness, read all the books by David Broer on Whiteness Studies. But I'm glad that you told us. I think it's important, and I love that you named it as a severing. Why did you choose that word in particular?Jenny (43:55):I had the privilege a few years ago of going to Poland and doing an ancestry trip. And weeks before I went, an extended cousin in the States had gotten connected with our fifth cousin in Poland. We share the fifth grandparents. And this cousin of mine took us around to the church where my fifth great grandparents got married and these just very visceral places. And I had never felt the land that my ancestors know in my body. And there was something really, really powerful of that. And so I think of severing as I have been cut off from that lineage and that heritage because of whiteness. And I feel very, very grateful for the ways in which that is beginning to heal and beginning to mend. And we can tell truer stories of our ancestry and where we come from and the practices of our people. And I think it is important to acknowledge the cost and the privilege that has come from that severing in order to get a job that was not reserved for people that weren't white. My family decided, okay, well we'll just play the part. We will take on that role of whiteness because that will then give us that class privilege and that socioeconomic privilege that reveals how much of a construct whitenessStarlette (45:50):A racial contract is what Charles W. Mills calls it, that there's a deal made in a back room somewhere that you'll trade your sense of self for another. And so that it doesn't, it just unravels all the ways in which white supremacy, white body supremacy, pos itself, oh, that we're better. I think people don't say anything because it unravels those lies, those tongue twisters that persons have spun over the centuries, that it's really just an agreement that we've decided that we'll make ourselves the majority so that we can bully everybody else. And nobody wants to be called that. Nobody wants to be labeled greedy. I'm just trying to provide for my family, but at what expense? At who else's expense. But I like to live in this neighborhood and I don't want to be stopped by police. But you're willing to sacrifice other people. And I think that's why it becomes problematic and troublesome because persons have to look at themselves.(46:41):White body supremacy doesn't offer that reflection. If it did, persons would see how monstrous it is that under the belly of the beast, seeing the underside of that would be my community. We know what it costs for other people to feel really, really important because that's what whiteness demands. In order to look down your nose on somebody, you got to stand on somebody's back. Meanwhile, our communities are teaching each other to stand. We stand on the shoulders of giants. It's very communal. It's a shared identity and way of being. Whereas whiteness demands allegiance by way of violence, violent taking and grabbing it is quite the undoing. We have a lot of work to do. But I am proud of you for telling that story.Danielle (47:30):I wanted to read this quote by Gloria, I don't know if you know her. Do you know her? She writes, the struggle is inner Chicano, Indio, American Indian, Molo, Mexicano, immigrant, Latino, Anglo and power working class Anglo black, Asian. Our psyches resemble the border towns and are populated by the same people. The struggle has always been inner and has played out in outer terrains. Awareness of our situation must come before interchanges and which in turn come before changes in society. Nothing happens in the real world unless it first happens in the images in our heads.(48:16):So Jenny, when you're talking, you had some image in your head before you went to Poland, before it became reality. You had some, it didn't start with just knowing your cousin or whatever it happened before that. Or for me being confronted and having to confront things with my husband about ways we've been complicit or engaged in almost like the word comes gerrymandering our own future. That's kind of how it felt sometimes Luis and I and how to become aware of that and take away those scales off our own eyes and then just sit in the reality, oh no, we're really here and this is where we're really at. And so where are we going to go from here? And starlet, you've talked from your own position. That's just what comes to mind. It's something that happens inside. I mean, she talks about head, I think more in feelings in my chest. That's where it happens for me. But yeah, that's what comes to mind.Starlette (49:48):With. I feel like crying because of what we've done to our bodies and the bodies of other people. And we still can't see ourselves not as fully belonging to each other, not as beloved, not as holy.It's deeply saddening that for all the time that we have here together for all the time that we'll share with each other, we'll spend much of it not seeing each other at all.Danielle (50:57):My mind's going back to, I think I might've shared this right before you joined Starla, where it was like, I really believe the words of Jesus that says, what good is it for someone to gain the world and lose their soul? And that's what I hear. And what I feel is this soul loss. And I don't know how to convince other people. And I don't know if that's the point that their soul is worth it, but I think I've, not that I do it perfectly, but I think I've gotten to the place where I'm like, I believe my interiority is worth more than what it would be traded in for.(51:45):And I think that will be a lifelong journey of trying to figure out how to wrestle with a system. I will always be implicated in because I am talking to you on a device that was made from cobalt, from Congo and wearing clothes that were made in other countries. And there's no way I can make any decision other than to just off myself immediately. And I'm not saying I'm doing that, but I'm saying the part of the wrestle is that this is, everything is unresolved. And how do I, like what you said, Danielle, what did you say? Can you tune into this conversation?Jenny (52:45):Yeah. And how do I keep tapping in even when it means engaging my own implication in this violence? It's easier to be like, oh, those people over there that are doing those things. And it's like, wait, now how do I stay situated and how I'm continually perpetuating it as well, and how do I try to figure out how to untangle myself in that? And I think that will be always I,Danielle (53:29):He says, the US Mexican border as like an open wound where the third world grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds. Two worlds merging to form a third country, a border culture. Borders are set up to define the places that are safe and unsafe to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary is it is in a constant state of transition. They're prohibited and forbidden arts inhabitants. And I think that as a Latina that really describes and mixed with who my father is and that side that I feel like I live like the border in me, it feels like it grates against me. So I hear you, Jenny, and I feel very like all the resonance, and I hear you star led, and I feel a lot of resonance there too. But to deny either thing would make me less human because I am human with both of those parts of me.(54:45):But also to engage them brings a lot of grief for both parts of me. And how does that mix together? It does feel like it's in a constant state of transition. And that's partly why Latinos, I think particularly Latino men bought into this lie of power and played along. And now they're getting shown that no, that part of you that's European, that part never counted at all. And so there is no way to buy into that racialized system. There's no way to put a down payment in and come out on the other side as human. As soon as we buy into it, we're less human. Yeah. Oh, Jenny has to go in a minute. Me too. But starlet, you're welcome to join us any Thursday. Okay.Speaker 1 (55:51):Afternoon. Bye. Thank you. Bye bye.Kitsap County & Washington State Crisis and Mental Health ResourcesIf you or someone else is in immediate danger, please call 911.This resource list provides crisis and mental health contacts for Kitsap County and across Washington State.Kitsap County / Local ResourcesResourceContact InfoWhat They OfferSalish Regional Crisis Line / Kitsap Mental Health 24/7 Crisis Call LinePhone: 1‑888‑910‑0416Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/24/7 emotional support for suicide or mental health crises; mobile crisis outreach; connection to services.KMHS Youth Mobile Crisis Outreach TeamEmergencies via Salish Crisis Line: 1‑888‑910‑0416Website: https://sync.salishbehavioralhealth.org/youth-mobile-crisis-outreach-team/Crisis outreach for minors and youth experiencing behavioral health emergencies.Kitsap Mental Health Services (KMHS)Main: 360‑373‑5031; Toll‑free: 888‑816‑0488; TDD: 360‑478‑2715Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/Outpatient, inpatient, crisis triage, substance use treatment, stabilization, behavioral health services.Kitsap County Suicide Prevention / “Need Help Now”Call the Salish Regional Crisis Line at 1‑888‑910‑0416Website: https://www.kitsap.gov/hs/Pages/Suicide-Prevention-Website.aspx24/7/365 emotional support; connects people to resources; suicide prevention assistance.Crisis Clinic of the PeninsulasPhone: 360‑479‑3033 or 1‑800‑843‑4793Website: https://www.bainbridgewa.gov/607/Mental-Health-ResourcesLocal crisis intervention services, referrals, and emotional support.NAMI Kitsap CountyWebsite: https://namikitsap.org/Peer support groups, education, and resources for individuals and families affected by mental illness.Statewide & National Crisis ResourcesResourceContact InfoWhat They Offer988 Suicide & Crisis Lifeline (WA‑988)Call or text 988; Website: https://wa988.org/Free, 24/7 support for suicidal thoughts, emotional distress, relationship problems, and substance concerns.Washington Recovery Help Line1‑866‑789‑1511Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resourcesHelp for mental health, substance use, and problem gambling; 24/7 statewide support.WA Warm Line877‑500‑9276Website: https://www.crisisconnections.org/wa-warm-line/Peer-support line for emotional or mental health distress; support outside of crisis moments.Native & Strong Crisis LifelineDial 988 then press 4Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resourcesCulturally relevant crisis counseling by Indigenous counselors.Additional Helpful Tools & Tips• Behavioral Health Services Access: Request assessments and access to outpatient, residential, or inpatient care through the Salish Behavioral Health Organization. Website: https://www.kitsap.gov/hs/Pages/SBHO-Get-Behaviroal-Health-Services.aspx• Deaf / Hard of Hearing: Use your preferred relay service (for example dial 711 then the appropriate number) to access crisis services.• Warning Signs & Risk Factors: If someone is talking about harming themselves, giving away possessions, expressing hopelessness, or showing extreme behavior changes, contact crisis resources immediately.Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

The MOTM has been a long tradition on the Lambcast, well before I came along and took the reins. We are starting some innovations on the practice and they commence this week. The MOTM will now be focused on a different genre or theme each month. My hope is that it will make it easier for people with films they want to talk about to remember to submit their choices. I will also submit a number of options so that the community will have a minimum number of movies to vote for. This new process has just started, and Biopics were the genre for September. This week's episode is the first product of the changes, the winner by just a couple of votes, so this month we are going to “Walk the Line”. Howard Casner, who has never been to Reno, Matthew Simpson, who is not named Sue and Tony Cogan, who is as far from Folsom Prison as you can get, join us for this show. 

The Blue Wiggle has been doing financial crimes so now the rest of the Wiggles need to do a Folsom Prison-style live album after they lock him up. And Jelly Roll needs to be careful that the Wiggles don't pull him back into a life of crime. Full episode on Patreon: https://www.patreon.com/posts/138216396

We can't get together to record due to the summer being over and everything happening at once so we got together with our good friend Jon and talked a little Minnesota State Fair because Johnny Cash is the first person to ever sell out a concert there!    Listen up! This ep is funnier than I thought and has an all time "next album" joke that won't make you mad you stuck it through to listen to it! 

A rollicking episode about strange paranormal encounters, interdimensional portal areas, understanding the alien mind, and even serial killers. Joining Gene on this episode is Ronald Meyer, a seasoned paranormal experiencer, with encounters ranging from out-of-body experiences and cryptid sightings to non-dual awakenings. He is the owner of Centre Communications, a film production company, and has produced and directed feature films in Hollywood. In September 2023, Centre Communications premiered the feature film "The Mysteries of Bradshaw Ranch: Aliens, Portals, and the Paranormal" at a conference in Vernal, adjacent to Skinwalker Ranch. During the movie's production, the crew encountered intelligent alien entities and other paranormal phenomena. His partner in crime is Mark Reeder, whose novels can be found at Lulu Publishing (hard copies) and at Amazon (ebooks). He's also kicked around the universe long enough to have more than a few bumps and bruises. Roughed up and battered like his hat, he's still looking for the exit. Our special guest cohost is Paul Dale Roberts, aka The Demon Warrior, a Fortean investigator who looks into all things paranormal from ghosts to demons to cryptids to UFOs. He has investigated paranormal hot spots like Area 51; Skinwalker Ranch; Stonehenge; Bridge over River Kwai in Thailand; Napoleon Bonaparte's tomb; Bodie, CA (Ghost Town); Black Dahlia grave site; Alcatraz; San Quentin Prison and Folsom Prison; Edinburgh Castle; Notre Dame in Paris, France; and others.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.

From 2005 - Michael Streissguth, author of "Johnny Cash at Folsom Prison: The Making of a Masterpiece."

Penn, Matt, and Reddi are joined by Michael Goudeau with a big life update he's taking with all the positivity and humor you'd expect. Surprise guest Dr. Rich Ross is also back to talk secret octopus hunts, Penn's essay for the New York Times, an update on the closed Dylan Museum, a dog that runs really fast, playing Folsom Prison, and more.

The absolute broheem clocking back in for another fantastic installment. Nothing but swirled out love songs this week for my listening populous. A look into next episode, today I found a new UK Import Frank Sinatra record as well as Johnny Cash at Folsom Prison. I know some of these records are getting worn out but I'm the Captain Kirk around here and that's what I felt like blasting this episode so bing bong. Hope someone out there enjoyed it, until next time.. I remain your favorite C-List internet disc jockeyYour Host with the Most,DJ Witwicka Juan Don

Johnny Cash is one of the most iconic American singer-songwriters of the 20th century - with 68 albums to his name and over 1,000 songs written. He also lived quite a fascinating life, full of controversy, activism, and plenty of relationship drama. Part 2 of this two-part series goes into Johnny's recovery from drugs and alcohol, his marriage to June Carter, prison performances, later life, and health issues leading to his death.Listen to the accompanying playlist on Spotify at https://open.spotify.com/playlist/1tuC01xOM6z9qCF2Yg1Br2?si=LfTvHplERqykjKrj5JJoJw . Support the show

Johnny Cash is one of the most iconic American singer-songwriters of the 20th century - with 68 albums to his name and over 1,000 songs written. He also lived quite a fascinating life, full of controversy, activism, and plenty of relationship drama. Part 1 of this two-part series goes into his early life and rise to fame, up until his relationship with June of the famous Carter Family.Listen to the accompanying playlist on Spotify at https://open.spotify.com/playlist/1tuC01xOM6z9qCF2Yg1Br2?si=LfTvHplERqykjKrj5JJoJw . Support the show

Max dons his all-black outfit as he reviews the compilation album, "By Special Request" from Johnny Cash. Will he Walk the Line of a good review, or is it straight to Folsom Prison?Follow along with the songs we discuss with this week's Spotify Playlist.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

Dan and Andy provide a review of a recent show they attended at the Ames Center in Burnsville, MN. The Folsom Prison Experience starring Jay Ernest (Johnny Cash) and Kat Perkins (June Carter) was an excellent show! Right from the start when "doors open" you will know you are not in "Kansas" any longer. The sights. The sounds. The feel will be like you are at Folsom Prison on January 13th 1968. Don't mess with the guards or the warden. They have a job to do! Even the ever serious DJ/emcee Hugh Cherry has a job to do and won't let you forget it. Oh, and don't be late for "Roll Call" or you could end up in the hole! Sports and Songs Podcast Links: https://www.facebook.com/sportsandsongs1 https://twitter.com/SportsandSongs1 https://www.instagram.com/sportsandsongs/ https://www.sportsandsongspodcast.com/

Johnny Cash - the Man in Black - was almost more myth than man. But what it is undeniably true is the power of this week's record: At Folsom Prison.With his career hanging in the balance, Cash delivered a performance that deftly walked the line (pun fully intended) of addressing the harsh realities of his audience with moments of levity.Cash and the Tennessee Three are on fire, and the set lists contained timeless classics from his catalog to that point. And yet, the most storied track may be one that isn't his, but from an inmate at Folsom...Check out the episode, and like, subscribe, and share the show with folks who should know the story behind this iconic album!Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

On this day in 1968, Johnny Cash performed at Folsom Prison. 

Johnny Cash had a hard scrabble life before finding success in country music songs that focused on the underdogs of society. By 1968 he had hit tough times and needed a hit to revive his career. The boys get together to discuss sweating bullets on stage, authoritative delivery, and the bottom three strings on the guitar.Join our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/7DzFaovQlKgQ1B0oJxxZiW?si=c15becb42d924143And...check out Phil's "Prison Set" discussed in the episode here: https://open.spotify.com/playlist/3UtwnmMg8UBslkoEXKGvlo?si=a89ab9141cba462fListen to At Folsom Prison here:https://open.spotify.com/album/4TJIdlY9hGSSTO1kUs1neh?si=sgj7h4pIRCqy3IFfFKQ7qwIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsJoin us on Patreon to continue the conversation and access 30+ hrs of bonus shows!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Ryan Adam - Heartbreaker

When Valentino Rodriguez started his job at a high-security prison in Sacramento, California, informally known as New Folsom, he thought he was entering a brotherhood of correctional officers who hold each other to a high standard of conduct.Five years later, Rodriguez would be found dead in his home. His unexpected passing  would raise questions from his family and the FBI. Before he died, Rodriguez was promoted to an elite unit investigating crimes in the prison. His parents and his widow say he had been hoping for the position for a long time. But once inside the unit, the job consumed him. From day one, his fellow officers began to undermine and harass him. Stressed and fed up with how he was being treated, Rodriguez reached a breaking point. He left the prison, but his experiences there still haunted him—so he went in for a meeting with the warden. He didn't know it would be his last.This week on Reveal, we partner with KQED reporters Sukey Lewis and Julie Small and the On Our Watch podcast to explore what this correctional officer's story shows about how the second-largest prison system in the country is failing to protect the people who live and work inside it.This is an update of an episode that originally aired in March 2024. Listen to the whole On Our Watch series here. Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/weekly Instagram

Randy Newman is one of the most misunderstood and under-celebrated musicians of the modern era. Reknowned Music Journalist/Author Robert Hilburn's new book, A Few Words in Defense of Our Country is the definitive Randy Newman biography and Bob joins us to spotlight the genius and the legend of a great American musician and storyteller.Robert Hilburn was the music critic for the Los Angeles Times for 35 years and he's written books about John Lennon, Paul Simon, Bruce Springsteen and Johnny Cash. Bob tells us that Newman (much like Simon) had to be convinced to have his legacy chronicled. Randy grew up in a legendary musical family in which tooting your horn (metaphorically) was frowned upon. His uncles composed movie scores and they taught Randy to let the work be your voice.We hear about Randy's challenging childhood, the pressure he felt to succeed in music and how success, once achieved, incurred his father's envy. Throughout his career, Randy's best childhood friend, Lenny Waronker (who became a record exec) believed in him, opened doors and cheered his efforts.Diving further into Randy's work flow, creative struggles and anxiety-taming efforts, Bob illuminates Randy's genre-bending and cultural interrogating musical achievements.We also delve, with Bob, into the influence once held by music critics in the golden ages of both print media and the music industry. We discuss the futures of recorded music and journalism and Bob tells us about his favorite interview ever… with Bob Dylan… and that one time he went to Folsom Prison with Johnny Cash.Plus, Weezy recommends the original Apple TV+ movie, Blitz and Fritz is currently into the new series Rivals, streaming on Hulu and other platforms.Path Points of Interest:Robert HilburnRobert Hilburn on WikipediaA Few Words In Defense of Our Country: The Biography of Randy Newman by Robert HilburnRobert Hilburn Amazon Author PageRobert Hilburn on XAmanda PetrusichBlitz on Apple TVRivals - On Several Platforms

The warden at a troubled prison in northern California is retiring this month, and the governor has just given the former chief deputy warden there a big promotion. KQED reporters Julie Small and Sukey Lewis investigated this prison for their podcast On Our Watch, and they have an article out this week that tells the emotional story of a pair of whistleblowers who work there and the challenges they faced. Guest: Julie Small, KQED The co-founders of failed Fresno startup Bitwise Industries have been sentenced to prison for wire fraud.  Reporter: Kerry Klein, KVPR  Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode we're joined – all the way from sunny Southern California – by L.A. Times legend Robert Hilburn. Bob beams in to discuss his new biography of the peerless Randy Newman, but we start by asking him about the early childhood memories (of his native Louisiana) that he shares with Randy himself. From there he takes us from the Eureka moment of hearing a then-unknown Elvis Presley on the radio for the first time – through his teen years in suburban SoCal – to his early freelance pieces for the Times. Which include his account of accompanying Johnny Cash to Folsom Prison in January 1968... Bob's famously influential 1970 review of Elton John at West Hollywood's beloved Troubadour club gives us a chance to discuss the halcyon days of singer-songwriters and leads directly on to Randy Newman, whose "Troub" debut in the same year Bob also reviewed. We talk at length about the satirical genius behind 'Sail Away', 'Short People' and 'I Love L.A.', revisiting the 50-year-old Good Old Boys in depth and listening to clips from John Hutchinson's 1983 audio interview with Randy. Pieces discussed: Doug Weston: A Man Who Had a Passion for Art of the Troubadour, Elton John @ the Troubadour, Randy Newman @ the Troubadour, Randy Newman audio interview, Thelonious Monk, The Problems of Being Roger McGuinn, Felton Jarvis: Nashville Producer and Cornershop.

The Texas Syndicate (TS) is a powerful and influential prison gang that originated in California's Folsom Prison in the early 1970s. It was formed by Hispanic inmates from Texas to protect themselves against other established prison gangs, such as the Aryan Brotherhood and the Black Guerrilla Family. Unlike other gangs that formed along ethnic lines, the Texas Syndicate was built on regional loyalty, particularly among Texan inmates, which gave it a unique identity.The Texas Syndicate operates with a strict hierarchical structure, including roles like president, vice president, generals, lieutenants, and soldiers. The gang follows a rigid code of conduct that demands absolute loyalty, secrecy, and participation in all gang activities, including drug trafficking, extortion, and murder. Betrayal or disobedience is met with severe consequences, often fatal.The gang quickly expanded its influence from California to Texas, where it found a stronghold in the state's prison system and beyond. The Texas Syndicate is heavily involved in various criminal enterprises, such as drug trafficking, often working closely with major Mexican drug cartels, and extortion, both within and outside prison walls.The Syndicate has had violent rivalries with other prison gangs like the Mexican Mafia and the Texas Mexican Mafia, while also forming strategic alliances, such as with the Aryan Brotherhood, when it benefits them. Despite numerous law enforcement crackdowns and internal power struggles, the Texas Syndicate has demonstrated remarkable resilience and adaptability, allowing it to maintain its influence and operations.Culturally, the Texas Syndicate reflects the broader issues of marginalization and identity within the Hispanic community, especially in the context of the American prison system. Today, it remains a significant force in the criminal underworld, showing an ability to adapt to new challenges and continue its operations both inside prisons and on the streets.(commercial at 9:44)to contact me:bobbycapucci@protonmail.com

I had a chance to sit down with Lisa, a woman I knew when we were littles in Citrus Heights, California, where it was freakin' HOT! (I just returned from there; I'm still hot.) She's a forensic toxicologist.Lisa became inspired by forensics shows on TV to pursue the field. You're gonna learn about fruit DNA and some "information" about horses I will let you discover.She references this movie on Netflix, How to Fix a Drug Scandal. (In the episode, we refer to it as How to Solve a Drug Problem. Oops).If you want to read about the guy who robbed me working at Blockbuster Video in 1995, I couldn't find the link to The Sacramento Bee, but his name was Michael Lee Monfort. He served some of his time at Folsom Prison, where I would eventually work for a bit. He died awhile ago but had he still been at Folsom Prison when I was hired, he would have been transferred.The Golden State Killer was caught in 2018 using DNA technology thanks to genealogy websites. (I didn't think to ask Lisa to elaborate because I already knew what she was talking about!)Do you have an interesting career you think people should know about it? Email me at ProfessionalAnomalies@gmail.com!Follow me on all social media at @anomaliespod.Twitter/XInstagramFacebook (but cannot remember the Facebook password because I'm Erica)Find new and old episodes and don't forget to subscribe!Apple PodcastsSpotify(and on any other podcast platform you use!)

Adam Hartshorn joins us to discuss Johnny Cash's “At Folsom Prison.”  Plenty of other discussion including Harley t-shirts, breakdance circles, Couer d'Alene Lake, Provo (the good and the bad), cautionary tales, knowing your audience, “I'm On A Train,” Jack Clement, and Wayne laments “should we have done San Quentin instead?”Check out Adam Hartshorn at: https://www.adamhartshorn.com/Check out Johnny Cash at:   https://www.johnnycash.com/Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

On July 27th, 1903, thirteen convicts at California's Folsom Prison, led by Richard "Red" Gordon, attacked prison guards, took hostages, emptied the armory and made a dash for freedom. Some would be captured and punished for the murders they committed along the way, some would be killed themselves, and others would forever elude authorities.My guest is Josh Morgan, author of "The Folsom Prison Bloody 13: The Big Escape of 1903". He joins me to share details of this epic escape and it's aftermath. The book is officially out on June 3rd.Pre-order the book on Amazon here: https://www.amazon.com/Folsom-Prison-Bloody-13-Escape/dp/1467155934More about the author and his book here: https://www.joshmorganauthor.com/

On July 27th, 1903, thirteen convicts at California's Folsom Prison, led by Richard "Red" Gordon, attacked prison guards, took hostages, emptied the armory and made a dash for freedom. Some would be captured and punished for the murders they committed along the way, some would be killed themselves, and others would forever elude authorities. My guest is Josh Morgan, author of "The Folsom Prison Bloody 13: The Big Escape of 1903". He joins me to share details of this epic escape and it's aftermath. The book is officially out on June 3rd. Pre-order the book on Amazon here: https://www.amazon.com/Folsom-Prison-Bloody-13-Escape/dp/1467155934 More about the author and his book here: https://www.joshmorganauthor.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Seeing Them Live, Charles and Doug welcome members of the eclectic New York City band Mad Meg: Ilya Popenko, Dan Vexler, Jason Laney, and Igor Reznik. The conversation starts with an introduction to Mad Meg's unique sound, characterized by a blend of various music genres and fronted by Ilya's distinct vocals. The band members recount their formation story within the Russian-speaking community of New York City, with Jason humorously describing his determined efforts to join the band despite not speaking Russian. The discussion then shifts to the band's concert experiences, highlighting an unusual and memorable performance at a women's correctional facility in Lithuania. Charles praises the energy of the live recording from this concert, drawing a comparison to Johnny Cash's iconic Folsom Prison performance. The band members reflect on the spontaneous nature of the prison show, which was organized in just a few days due to a canceled gig, and the exceptional audio quality captured by their sound engineer, Augustine.The episode also delves into the band's live performance history in New York City, specifically their residency at New Blue 151, where they have built a strong local following. They talk about their 2022 album, Who Deserves Balloons and Medals, which was notable for having videos accompanying many of the songs. Ilya shares insights into the creative process behind these videos, emphasizing the importance of maintaining artistic control and integrating visual elements to expand the dimensions of their music.The band's creative versatility extends beyond their music to filmmaking. Ilya, a skilled filmmaker, directed several of Mad Meg's music videos and completed a feature-length documentary about Jeffrey Lewis and the antifolk scene in New York. This film, which premiered at SlamDance Film Festival and was nominated for Best Documentary, showcases Ilya's multifaceted talents and the band's commitment to creative storytelling across different mediums.Throughout the episode, the members of Mad Meg share anecdotes and behind-the-scenes stories, offering listeners a deep dive into their artistic journey and the dynamic synergy that fuels their innovative work. This conversation not only highlights the band's musical achievements but also their ability to merge music with compelling visual narratives, making for an engaging and multifaceted artistic experience.BANDS MENTIONED: Adrian Baloo, Blonde Redhead, Frank Zappa, Genesis, Iron Maiden, Johnny Cash, King Crimson, Kino, Lounge Lizards, Mad Meg, Nine Inch Nails, Rolling Stones, Social Distortion, The BearsVENUES MENTIONED: 930 Club (Washington, D.C.), Gramercy Theatre (New York City), Happy Ending (Lower East Side, New York City), New Blue 151 (New York City), Penevėžys Women's Correctional Facility (Lithuania) PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This week, you get ME! I decided to take you through a timeline of the eight different state jobs I've worked so you can one, get a sense of why I turned into a professional anomaly, and two, because you might learn there is a government job out there for you! I didn't even give you all the deets! But, I talk about working inside Folsom Prison (twice!), working for the Cemetery and Funeral Bureau, the Department of Consumer Affairs, and so on. I'll be back next week with an all new episode interviewing others (in case you're tired of hearing from yours truly).Find me on all the of the socials at @anomaliespod.Email me at professionalanomalies@gmail.com! (Especially if you have any questions about working for the government!)

Dave McArthur and Clint Lanier discuss the 1968 album At Folsom Prison while sipping beer in brown bottles. There might also be some discussion of Live at San Quentin due to a totally understandable and forgivable mishap. Dave McArthur assures you that he later listened to At Folsom Prison and it was a bona fide banger and classic that slaps for sure!

In this conversation, Tim from Mark Pro discusses the benefits and differences of their recovery device. Mark Pro is not a TENS unit but rather falls into the category of NMES (neuromuscular electrical stimulation). Unlike TENS units, Mark Pro creates large muscle contractions that improve blood flow and lymphatic drainage, aiding in muscle recovery. The conversation also touches on the problems with icing, the importance of waste removal, and the need for proper recovery in youth sports. Tim emphasizes the role of sleep, hydration, nutrition, and active recovery in optimizing recovery and preventing overuse injuries. The conversation explores the use of Mark Pro as a pre-warmup and its benefits for young athletes. It also addresses the challenges faced in softball and the pushback from naysayers. The discussion highlights alternatives to icing and shares success stories in professional sports. Finally, it delves into the feedback received from parents and players. The conversation covers various topics related to youth sports, including parental investment, the challenge of finding reliable information, the importance of rest and recovery, vetting trusted resources, upcoming events and demos, educating athletes and parents, the role of nutrition in athletic performance, the challenges of eating healthy on the road, the importance of protein intake, the need for education in youth sports, and the focus on education and recovery. The walkout song chosen by the guest is ‘Folsom Prison’ by Johnny Cash. Please email us for any questions or feedback. Help us grow!!! TheSlidePodcastShow@gmail.com Make sure to leave us a review!!!! Website: www.theslidepodcastshow.com All Links: https://linktr.ee/theslidepodcastshow Youtube: https://www.youtube.com/@theslidepodcastshow Facebook: https://www.facebook.com/TheSlidePodcast Instagram: https://www.instagram.com/theslidepodcastshow/ TikTok: https://www.tiktok.com/@theslidepodcastshow?lang=en LinkedIn: https://www.linkedin.com/company/theslidepodcast YouTube: https://www.youtube.com/@theslidepodcastshow X: https://twitter.com/theslidepod

California State Prison, Sacramento – also known as New Folsom Prison – is considered one of the state's most dangerous. It's one of several facilities in California that house the most violent offenders, and corrections officers there use force at a rate that's nearly 40% higher than in other prisons. It's also a notoriously difficult environment for prison workers, who face high rates of work-related mental health issues, as well as hazing and abuse if they report official misconduct. A new season of KQED's award- winning podcast “On Our Watch” looks at the pattern of abuse, cover-up and corruption at New Folsom and traces the stories of whistleblowers who tried to bring it to light. We learn more from the KQED reporters behind the investigation. Guests: Julie Small, criminal justice reporter, KQED; reporter, "On Our Watch" Sukey Lewis, criminal justice reporter, KQED; host/reporter, “On Our Watch”; co-founder, the California Reporting Project Valentino Rodriguez Sr., father of Valentino Rodriguez Jr. - a whistleblower who worked at New Folsom Prison

Frank Shamrock, the former UFC Champion and #1 ranked pound for pound fighter in the world joins Paul on the podcast. Frank told Paul about his tumultuous upbringing regarding family, being in foster homes and spending time in juvenile detention. Things turned around when he was emancipated then married at 17 and when his son arrived. That fell apart and Frank fell backwards and ended up in Folsom Prison. He told Paul about his time in prison and Paul learned of two famous inmates who were in prison when Frank was there.  Frank has been a voracious reader from a young age and he has traveled the globe teaching and studying martial arts. Frank discussed training his body and mind, his fighting style and how he approached each opponent. They finished by talking about what the future may hold for Frank as well as talking about his son and daughter and a new addition to the family.

Walk the Line is a film directed by James Mangold based on Johnny Cash's book of the same name. The film follows Johnny's life from his early days on a Arkansas cotton farm to his rise of fame at Sun Records. It also showcases the love story between Johnny and June Carter.   Timecodes: 00:00 - DMP Ad :30 - Introduction :46 - The Film Facts 7:52 - The Pickup Line 9:00 - Johhny's childhood 14:08 - Actors portraying villains 18:47 - Stars trying to kick drugs 25:40 - Actors process to get into character 39:19 - Head Trauma 39:51 - Smoochie, Smoochie, Smoochie 40:12- Driving Review 42:10 - To the Numbers   References from the episode: Mid Mangold direct the last Indian Jones film? - Yes Where was Phedon Papamichael? Athens Greece What is the Etymology of stupid? Sweat gloss     Next week's film will be The Sixth Sense (1999)   Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Don't forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Email at christi@dodgemediaproductions.com Need help editing or producing your podcast, let us help you. Also, you can get 2 months free on Libsyn click here: https://signup.libsyn.com/?promo_code=SMOOCHIE

When Valentino Rodriguez graduated from the academy to become a correctional officer for the California Department of Corrections and Rehabilitation, he was promised a brotherhood. At his graduation, the new officers took an oath to protect the innocent, be honest and hold each other accountable. But when he started his job at the high-security prison in Sacramento, informally known as New Folsom, he found the opposite. He told his wife and father about misconduct in the prison and harassment, threats and mistreatment of incarcerated people. KQED reporters Sukey Lewis and Julie Small learned of Rodriguez's experience after he was found dead, just six days after reporting the misconduct he witnessed. Their series, On Our Watch, follows Rodriguez's case and his father's investigation into his son's death.  This episode opens with Lewis and her reporting team meeting the Rodriguez family at their home and Rodriguez's wife, Mimy. They tell the reporters about who Rodriguez was and his journey through New Folsom. In the prison, Rodriguez earned a spot as a member of an elite unit investigating crimes committed in the prison. But his colleagues made it clear they didn't think he deserved the promotion and demeaned his work. As the job weighed on Rodriguez and his mental health, his father, Val Sr., started to see him change.    After his son's death, Val Sr. collects all the evidence he can on his son's experience in the prison and shares it with Lewis and Small. This includes a copy of Rodriguez's cellphone that he used for work, with proof of the misconduct he reported from members of his unit. Through this personal record of Rodriguez's life, along with disciplinary records obtained through a recent transparency law passed in California, Lewis and Small find a pattern of misconduct that goes deeper than Rodriguez's experience.  In our last segment, Reveal host Al Letson sits down with Lewis and Small to discuss any accountability taken by prison officials. Only two of the men who harassed Rodriguez were disciplined, but none of the supervisors with knowledge of the harassment seem to have faced consequences. The reporters talk about other cases of misconduct they uncovered from public documents from the state corrections department, and they share how Rodriguez's father and wife have been since their reporting became public.  Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/newsletter Connect with us on Twitter, Facebook and Instagram

03.18.24 Inflation Has the "Folsom Prison Blues" ---------------------Hello, I'm Jerome CashI hear inflation comin', it's rolling round the bend.And I ain't seen it tumblin' since I don't know when.I'm stuck in Biden's Prison, inflation draggin' on.Biden pushes on demand with old-fashioned Democrat economic policies constraining commerce and unrestrained spending. Adding in Yellen's global minimum corporate tax releases inflation that is beyond transitionary according to repentant Treasury Secretary Janet Yellen.As a result, Powell will not ease as quickly as the market wants, but he will give it QT relief.Far from Folsom Prison, That's where Jay wants to stay,so he'll blow that QT whistle, Blow our Blues away.----------------------------Song: Folsom Prison Blues (1955)https://www.youtube.com/watch?v=s_NLlOiD1Wo Johnny Cash

Johnny Cash was a prolific hitmaker in the mid 50's to early 60's.  In the late 60's  he released a couple of live albums which had crossover appeal:  "Johnny Cash at Folsom Prison," and "Johnny Cash at San Quentin."  By 1969, Johnny Cash had become an international musical success, selling more records than the Beatles at the time.Cash had left his original label, Sun Records, back in 1958.  However, he had left an extensive catalogue of songs with Sam Phillips at Sun.  Given his success and the upcoming Johnny Cash TV show, Sun Records decided it would be a good time to release a compilation of his earlier hits from 1954 through 1958.  This compilation was released on two albums, "Original Golden Hits, Volume I" and "Original Golden Hits, Volume II," which reached numbers 4 and 3 on the US Country charts respectively.  Cash would go on to fame in TV and film in the 70's, and would continue recording up until his death in 2003.While not strictly rock music, the Man in Black was an icon of American music and an inspiration for many in country, rock, and pop genres.  It is also a special memory for Wayne, as he listened to this  8-track as he traveled with his father out of California to Alabama.Wayne takes us through this greatest hits album for today's podcast. Home of the BluesThe inspiration for this song was the "Home of the Blues" record shop on Beale Street in Memphis, Tennessee.  The store which was open from the late 40's until the mid 70's was a place he used to hang out, buy records, and meet other musicians. Hey PorterThis is Cash's first recorded song.  The setting is just after World War II, and the song focuses on a man returning home from overseas who feels elated to be returning to his native South, the last leg of which is by train.  Note that there is no percussion in this song, but Cash played his guitar with dampened strings to acquire a percussive effect.I Walk the LineJohnny Cash's first number 1 hit on the Billboard country charts eventually crossed over to the US pop charts, reaching number 17 and selling over 2 million copies in the United States.  The lyrics reflect temptations and the need to be accountable for your actions.  The frequent key changes make this song distinctive.Get RhythmThis was the B-side to "I Walk the Line."  It was re-released in 1969 as an A-side, and went to number 60 on the Billboard pop chart.   ENTERTAINMENT TRACK:Main theme from the television series “Fat Albert”The origin of Bill Cosby's animated series was an animated primetime television special that first aired on NBC on November 12, 1969.  STAFF PICKS:Birthday by Underground SunshineRob starts off the staff picks with a cover of the Beatles song by a group from Wisconsin.  The band had been around for a few years, but this cover helped them attain greater success.  Their cover made it to number 26 on the Billboard Hot 100.  Down on the Corner by Credence Clearwater RevivalLynch's staff pick is one of the best known songs by CCR.  The song talks about a band called "Willy and the Poor Boys" playing in the street for spare change.  It went to number 3 on the Billboard Hot 100 by the end of 1969.  I Can't Get Next to You by The Temptations Bruce gets us all moving with the number 1 single from David Ruffin, Melvin Franklin, Otis Williams, Eddie Kendricks, and Paul Williams - better known as The Temptations.  This was the second of four number 1 hits from the group, and was written by Norman Whitfield and Barrett Strong for the Motown label. I'm Tired by Savoy BrownWayne's staff pick charted at number 74 on the top 100, and has a very heavy electric blues feel.  Three members of this group out of London would go on to form Foghat.  The group's name came from American Blues label Savoy Records - a name that had an elegant sound.  "Brown" was added as an extremely plain word that contrasted nicely with the elegance of "Savoy." INSTRUMENTAL TRACK:Treat by SantanaSantana would produce a number of excellent instrumental hits during his decades in the rock scene, and this one is from his debut album. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Trial Of The Big Beef SextetEpisode 424 is not your typical heartwarming holiday story, but takes place on Thanksgiving day, 1927, when a pack of Folsom prisoners enact a long-laid plan to make a big break from the big house. Needless to say, it doesn't end particularly well for any of them when two guards and ten prisoners meet their deaths as a result.Ad-Free EditionBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.

Etiquette, manners, and beyond! This week, Nick and Leah are enjoying a well-deserved break, but they'll be back next week with an all-new episode. In the meantime, here's one of their favorite episodes from the archives in which they tackle following dress codes on invitations, copying roommates' décor, clearing plates in restaurants, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.)Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.comEPISODE CONTENTS AMUSE-BOUCHE: Dress codes A QUESTION OF ETIQUETTE: Unsolicited advice QUESTIONS FROM THE WILDERNESS: What do I do about a roommate who is copying my décor? What do you do if someone accidentally drinks out of your wine or water glass? VENT OR REPENT: Speakerphones in the bathroom, Clearing plates in restaurants CORDIALS OF KINDNESS: Thanks for the New Year's cheer, Thanks for the flowers THINGS MENTIONED DURING THE SHOW Dwight Yoakam on Wikipedia Johnny Cash at Folsom Prison on Wikipedia "Single White Female" trailer Otohime episode YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITSHosts: Nick Leighton & Leah BonnemaProducer & Editor: Nick LeightonTheme Music: Rob ParavonianTRANSCRIPTEpisode 122See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Etiquette, manners, and beyond! This week, Nick and Leah are enjoying a well-deserved break, but they'll be back next week with an all-new episode. In the meantime, here's one of their favorite episodes from the archives in which they tackle following dress codes on invitations, copying roommates' décor, clearing plates in restaurants, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.) Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.com EPISODE CONTENTS AMUSE-BOUCHE: Dress codes A QUESTION OF ETIQUETTE: Unsolicited advice QUESTIONS FROM THE WILDERNESS: What do I do about a roommate who is copying my décor? What do you do if someone accidentally drinks out of your wine or water glass? VENT OR REPENT: Speakerphones in the bathroom, Clearing plates in restaurants CORDIALS OF KINDNESS: Thanks for the New Year's cheer, Thanks for the flowers THINGS MENTIONED DURING THE SHOW Dwight Yoakam on Wikipedia Johnny Cash at Folsom Prison on Wikipedia "Single White Female" trailer Otohime episode YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITS Hosts: Nick Leighton & Leah Bonnema Producer & Editor: Nick Leighton Theme Music: Rob Paravonian TRANSCRIPT Episode 122 Learn more about your ad choices. Visit megaphone.fm/adchoices

Enjoy four new stories here- Anne Greene's 2nd Life- In 1650 a young woman is accused of infanticide and hanged at Oxford- but survives despite the attentions given her by the physicians Jackie Gleason & The Aliens' America's beloved comic befriends President Nixon in Florida and is treated to a rare view at 4 alien bodies in a secret broom at a Florida Air Force Base Steve McQueen Meets the Blob- the iconic actor Steve McQueen shows up in Phoenixville PA for his first movie role and later joins the cast of the Magnificent 7 in trying to upstage each other Johnny Cash Heads for Folsom prison in 1969 to record a live album which turned his flagging career around just when he needed it most Learn more about your ad choices. Visit podcastchoices.com/adchoices