Podcasts about st lawrence river

On the banks of the St Lawrence River in Quebec stands a 100-year-old lighthouse. While initially built to help boats navigate one of Canada's most difficult waterways, the Point-de-Père site now also holds a different responsibility: it is a key reference for measuring sea levels around the entire North America continent. But this is all set to change. With the development of new satellite technology, the tricky task of measuring sea levels is being updated - which could mean mountains around North America get brand new official heights. In this episode we revisit a question from CrowdScience listener Beth, who wondered about the elevation signs she saw scattered along a mountainous road, indicating how high above sea level she was. As sea levels rise, will all the elevation signs need repainting? And how do you measure sea level, anyway? The height of an enormous pile of rock like Ben Nevis, or Mount Everest feels unchangeable. But we measure them relative to the nearest patch of sea, which is where our story becomes complicated. Unlike water in a bath, sea level is not equal around the world. In fact, nothing on earth - not the sea, the shore or the mountains - is stable or constant, so the question of what you measure from and to becomes incredibly tricky. But that hasn't stopped scientists risking life and fingers to use an ever-evolving array of technologies to find answers. Join host Marnie Chesterton as she dives into the mechanics of the latest sea level technology, and how it could make a big difference to understanding our unpredictable world. Presenter: Marnie Chesterton Producer: Julia Ravey and Marnie Chesterton Editor: Cathy Edwards Production Co-ordinator: Ishmael Soriano and Jana Holesworth Studio Manager: Emma Harth(Image: Elevation Sign Post, Rocky Mountain National Park. Credit: Stephanie Beverungen via Getty Images.)

(Feb 25, 2025) As a wildcat strike at New York state prisons enters its second week, the debate is moving to the Capitol; a new program aims to improve communication between law enforcement and drivers on with autism; and we'll meet a young man from the southern Adirondacks who just got into waterfowl hunting last season. 

Dr. Susan Barber Skinner is a health psychologist, licensed mental health counselor, and author of Path to Hope: A Playbook for Creating Resilience, Optimism, and Active Hope. She is the founder of Hope Springs Healing Arts Studio, an online space dedicated to fostering holistic well-being through mindfulness, creativity, and therapeutic programs. Susan holds a PhD in health psychology and a master's degree in clinical mental health counseling. A seasoned health psychologist, she has dedicated her career to understanding the intricate interplay between mental health and overall well-being. This understanding forms the foundation of her unique approach to fostering holistic healing. In addition to her clinical work, Susan is a certified meditation teacher, trained in The Interdependence Project's Meditation Teacher Training Program. This commitment reflects her dedication to mindfulness practices and the profound impact they can have on mental and emotional wellness. Susan is also artist, infusing her work with the transformative power of creative expression. Whether guiding participants through the strokes of a paintbrush or the rhythmic dance of weaving, Susan believes in the therapeutic potential of artistic endeavors as a means of self-discovery and healing. As the 12 Step Program Coordinator at the Dominican Retreat Center, in Niskayuna, New York, Susan extends her expertise to the realm of addiction recovery, providing support and guidance to individuals navigating the path of healing and self-discovery. Upcoming Events: Hopeful Moments - Lives on Facebook and Instagram every day starting December 1, 2024 November 25, December 9, December 23, 2024: Big Celebrations= Big Emotions Via Zoom January 26, 2025 Masterclass: A Hope Filled Vision for 2025 February 2025 Online Retreat with Kimberly Reiter - Breaking the Loop Fun Facts: I live on the St Lawrence River in Waddington NY and love watching ships pass through on their way to the Atlantic Ocean. The opposite shore of the river is in Canada. I also love retro crafts - the kitchier-er the better. Website  Facebook  Instagram 

BECOME A JIGHEAD HERE: https://rebrand.ly/bf8612 Subscribe to J&B on YouTube: https://www.youtube.com/channel/UCQgjclBaAYEl0Xrw9JKYNQg Subscribe to American Vet Fishing on YouTube: https://www.youtube.com/@american_vet_fishing8741 BUY HEAT YOUR MEAT: https://heatyourmeat.net/ Call the J+B Hotline! 1+ (413) 324-8519 Or email jigsandbigs413@gmail.com (Questions, comments, FTG, Stories from the bait shop, Broke on the Boat submissions, and more) Check out our LINKTREE: https://linktr.ee/jigsandbigs Thanks to our Show Partners! - Hookset Hoodlums - https://www.hooksethoodlums.com - Use code JIGSANDBIGS10 for 10% off at checkout!!! - Dark Horse Tackle - https://darkhorsetackle.com?sca_ref=4963595.Ulm8078KDd [Save 15% off your first box in a Weekend Warrior or Dabble Pack month-month subscription using code JIGSANDBIGS15 at checkout or put together a BYOB and use the code JANDBBYOB25! - Omnia Fishing - https://omnia.direct/OmniaE-GiftCard [Save 15% off your FIRST order at Omnia Fishing!] - A-Bay Lure - https://abaylure.com [Use code Jigsandbigs to save 20% on your entire order] - Bay House Apartment - https://shorturl.at/fpRX8 - The Ship Motel - https://theshipmotel.com/ - Reaction Tackle - https://www.reactiontackle.com/JIGSANDBIGS - Three Belles Outfitters - https://rebrand.ly/zsdnchi - Torege Polarized Sunglasses - https://rebrand.ly/i2cqymx [Use code jigsandbigs10 to save 10% at checkout!]

This week Joe explains his experience out on the STL River and some of the dangerous conditions he faced. Bobby talk about some nice little upgrades he's made on his boat, plus talks about on of the brands he's reviewing [Omega Boat Steps Quadzilla]. A tip for inexperienced boat operators that find themselves dealing with big water wakes! An FTG for those of you that just can't seem to commit, and a Broke on the Boat as BRB builds his dream fishing vessel, one part at a time! Jigs & Bigs Podcast October 2024 Nationwide Bass Slot Tournament (Benefiting BCRF)! on Fishing Chaos https://share.fishingchaos.com/tournament/yluwAGUf0irG9efyGzYY Jigs & Bigs Podcast October 2024 Nationwide Multi Species Scavenger Hunt on Fishing Chaos https://share.fishingchaos.com/tournament/lIJ8lI4W4G1Sx1JVrcPL BECOME A JIGHEAD HERE: https://rebrand.ly/bf8612 Subscribe to J&B on YouTube: https://www.youtube.com/channel/UCQgjclBaAYEl0Xrw9JKYNQg Subscribe to American Vet Fishing on YouTube: https://www.youtube.com/@american_vet_fishing8741 BUY HEAT YOUR MEAT: https://heatyourmeat.net/ Call the J+B Hotline! 1+ (413) 324-8519 Or email jigsandbigs413@gmail.com (Questions, comments, FTG, Stories from the bait shop, Broke on the Boat submissions, and more) Check out our LINKTREE: https://linktr.ee/jigsandbigs Thanks to our Show Partners! - Hookset Hoodlums - https://www.hooksethoodlums.com - Use code JIGSANDBIGS10 for 10% off at checkout!!! - Dark Horse Tackle - https://darkhorsetackle.com?sca_ref=4963595.Ulm8078KDd [Save 15% off your first box in a Weekend Warrior or Dabble Pack month-month subscription using code JIGSANDBIGS15 at checkout or put together a BYOB and use the code JANDBBYOB25! - Omnia Fishing - https://omnia.direct/OmniaE-GiftCard [Save 15% off your FIRST order at Omnia Fishing!] - A-Bay Lure - https://abaylure.com [Use code Jigsandbigs to save 20% on your entire order] - Bay House Apartment - https://shorturl.at/fpRX8 - The Ship Motel - https://theshipmotel.com/ - Reaction Tackle - https://www.reactiontackle.com/JIGSANDBIGS - Three Belles Outfitters - https://rebrand.ly/zsdnchi - Torege Polarized Sunglasses - https://rebrand.ly/i2cqymx [Use code jigsandbigs10 to save 10% at checkout!]

The Daily Quiz - Geography Today's Questions: Question 1: The country of Cape Verde is on which continent? Question 2: What is the capital of Chile? Question 3: Which of these colors would you find on the flag of Georgia? Question 4: Hong Kong is a city in which country? Question 5: Which of these cities is in Uruguay? Question 6: Which gulf is at the western end of the Northwest Passage through the Arctic Ocean? Question 7: In which country is the city of Wellington? Question 8: Which of these colors is included on the flag of Albania? Question 9: What major city is on an island in the St Lawrence River? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to EP. 213 of the Rapala #WeAreCollegiateBass Podcast!  The special guests on this episode are Cooper Gilroy & Hayden O'Barr from the University of Alabama.  Gilroy & O'Barr won the latest MLF College Series event on the St. Lawrence River.  Tune in to hear the two anglers talk about the victory, the history of their program, and goals for the team this upcoming season!

Fresh off a second place finish in the BPT event on the st lawrence river the guys chop it up with John Hunter on the front side of there toyota series event on the horizon. 

Michael Neal talks about his recent win in the Bass Pro Tour on the St. Lawrence River.  

Send us a Text Message.Fantasy Fishing is BACK! The crew of Andy, Justin, Deakin, Boomer, Brennan and Bailey are back to preview the next Bassmaster Elite Series event on the St. Lawrence River in New York and give our Bassmaster Fantasy Fishing picks!

Dave Kranz creator of the WeFishASA podcast would like you to listen to this week's podcast. Dan Johnston talks about line and line management. Joe Bucher gives us a fall preview of northern states fishing. Michael Neal tell us about his tournament win on the  St Lawrence River 100,000.00 win! 

(Aug 14, 2024) Gov. Kathy Hochul visited Canton's fire department to thank first responders for their repairs and rescue efforts in the aftermath of last Friday's flooding; the Timbuctoo Institute brings about 50 students of color from New York City up to the Adirondacks each summer; and with the major leagues of fishing returning to the St. Lawrence River in August, we revisit a story about how Bassmaster Elite anglers prepare and practice to win the big weigh-in.

(Fantasy Fishing Preview) Get ready for the Bassmaster Elite Series at which is one of the World's Greatest Smallmouth Bass Fisheries! Will this be the last Bassmaster Elite Series event with Front Facing Sonar? Check out ChaddyBoys Deals - https://bit.ly/CBSpring24 ————————————————————————— ▼ SAVE MONEY & SUPPORT HELLABASS ▼ Get 15% off at ARSENAL Fishing w/ code: HELLABASS15 http://bit.ly/ArsenalShop Get 15% off at OMNIA Fishing w/ code: OMHBHGF54 https://omnia.direct/HBOmnia Get 10% of at PowerHouse Lithium w/ code HB10 - https://bit.ly/HB-PHL Get HellaBass Merch - https://bit.ly/HellaMerch --- Support this podcast: https://podcasters.spotify.com/pod/show/hellabass/support

Jacques Cartier was the first European explorer known to have sailed up the St. Lawrence River which connects the Great Lakes to the North Atlantic Ocean. In 1535, the land along the waterway was inhabited by the Iroquois Amerindians. Enjoy this Encore Presentation!  Check out the YouTube version of this episode at https://youtu.be/AkQIolttAqM which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Jacques Cartier books available at https://amzn.to/3IkZgBF Iroquois books available at https://amzn.to/42Oal6k  THANKS for the many wonderful comments, messages, ratings and reviews. All of them are regularly posted for your reading pleasure on https://patreon.com/markvinet where you can also get exclusive access to Bonus episodes, Ad-Free content, Extra materials, and an eBook Welcome Gift when joining our growing community on Patreon or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook GIFT. SUPPORT this series by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages & helps us create more quality content. Thanks! Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus                                                            Mark's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/MarkVinet_HNA  Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://parthenonpodcast.com/history-of-north-america TikTok: https://tiktok.com/@historyofnorthamerica Books: https://amzn.to/3j0dAFH                                                                              Linktree: https://linktr.ee/WadeOrganization LibriVox: Mariner of St. Malo, A Chronicle of the Voyages of Jacques Cartier by S. Leacock, read by read by R. CotterSee omnystudio.com/listener for privacy information.

Ken Carter, a Montreal-born stunt driver, escaped poverty to spend his life entertaining crowds with his daredevil antics. Seeking to outdo the worlds most famous stuntman, Evel Knievel, he planned to launch a rocket powered Lincoln over the St Lawrence River. A feat that shocked even Evel Knievel himself. Eventually Ken's quest for glory cost him everything.GET LIVE SHOW TICKETSLeave us a message: https://www.speakpipe.com/canadianpoliticsisboringSocials: twitch.tv/canadianpoliticsisboring/aboutInstagram: https://bit.ly/3yc6ujzTwitter: https://bit.ly/2Wp9IDoOur Merch Store: https://bit.ly/3sTWR7ZThis podcast is hosted two idiots and created purely for entertainment purposes. By accessing this Podcast, I acknowledge that the CIB Podcast makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast. The information, opinions presented in this Podcast are for general entertainment and humor only and any reliance on the information provided in this Podcast is done at your own risk. However, if we get it badly wrong and you wish to suggest a correction, please email canadianpoliticsisboring@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Last week, the U.S. Congress grilled several top university professors about antisemitism on their campuses—and the scrutiny on these institutions has never been more intense. The hearings were, in some ways, the culmination of years of backlash against so-called "elitist" institutions, attacks and assumptions by right-wing critics who have long complained that universities coddle their student bodies, over-emphasize safe spaces and no longer teach young people to think critically—let alone welcome dissenting opinions. These subjects are familiar territory to Jeffrey Sachs, who teaches about politics, authoritarianism and the Middle East at Acadia University in Wolfville, Nova Scotia. Sachs has analyzed the data on campus free speech and written extensively about how there is not, in fact, a "free speech crisis" in universities. He gives us insight into that world, recaps the high-profile Congress hearings and discusses the role of religion in places of worship. Credits Bonjour Chai is hosted by Avi Finegold and Phoebe Maltz Bovy. Zachary Kauffman is the producer and editor. Michael Fraiman is the executive producer. Our theme music is by Socalled. The show is a co-production from The Jewish Learning Lab and The CJN, and is distributed by The CJN Podcast Network. Support the show by subscribing to this podcast, donating to The CJN and subscribing to the podcast's Substack.

Part 2 of our discussion Live on the St Lawrence River concludes with a robust talk about how the guys planned on adapting their approach to the changing weather.  Points of discussion include: How Fall/Winter season affects muskie behaviour/patterning Adapting strategies for variable winds Livescope/technology discussion Casting in cold weather Head over to their shop in person or online at ezokofishing.com and Let EZOKO turn those fishing trips into epic stories!

This week we have a double dose of goodness. The newest Bassmaster Elite Series Champion Patrick Walters, hot off setting the record for the biggest winning weight of smallmouth bass joins the show and of course we have Jake's Take. Bassmaster Videographer and friend of the show, Jake Latendresse returns with the ultimate behind-the-scenes Bassmaster break down of everything that REALLY happened on and off the water at the Bassmaster Elite Series on Lake Champlain and the St Lawrence River.

Dave Kranz creator of the WeFishASA podcast wants you to listen to this week's podcast. Dan Johnston talks about whether fishing is getting better?  Jay Yelas Executive Director for Cast for kids.org gives an update on what they have going on.  Patrick Walters tells us about his win with 105 pounds of smallmouth at the St Lawrence River.

This week we have a double dose of goodness. The newest Bassmaster Elite Series Champion Patrick Walters, hot off setting the record for the biggest winning weight of smallmouth bass joins the show and of course we have Jake's Take. Bassmaster Videographer and friend of the show, Jake Latendresse returns with the ultimate behind-the-scenes Bassmaster break down of everything that REALLY happened on and off the water at the Bassmaster Elite Series on Lake Champlain and the St Lawrence River.

Welcome back to another Bassmaster Fantasy Fishing episode! The Bassmaster Elite Series heads to the St. Lawrence River to see how can catch the biggest bag of smallmouth bass! Who do you think will win? Will the 100lb mark be beaten again and a new record set for the biggest bag of smallmouth bass ever caught?Thanks for listening! Please leave us a rating and review.Want to rock some Serious Angler, Business from the Bass Boat or Serious Dangler merch? Click the link to shop: https://seriousanglernetwork.com/----------DISCOUNT CODES/SHOW PARTNERS: • Check out the lineup of X2Power AGM and Lithium batteries at https://x2powerbattery.com/! • Looking to shop the best fishing electronics on the market the supplies to best rig your boat/kayak? Need expert service to rig your boat for you? Check out Bass Fishin Electronics at https://www.bassfishinelectronics.com/• Do you have a bait you like that just isn't perfect? Become a tackle tinkerer with the help of our friends at Do-It Molds! Click this link to get set up: https://store.do-itmolds.com/?AffId=26• Omnia Fishing: Use code "SERIOUSFIRST" for 15% off your FIRST order on Omnia and then for anything future orders use code "SERIOUS10" for 10% off your entire order at (www.omniafishing.com)• Hobie Eyewear (20% Off): Use This Link: https://shrsl.com/2w5mb & use code “SERIOUS20” ----------Listen and follow the other shows on the Serious Angler Podcast Network:• Business from the Bass Boat on Apple Podcasts: https://podcasts.apple.com/us/podcast/business-from-the-bass-boat/id1498266771• Business from the Bass Boat on Spotify: https://open.spotify.com/show/5bcNUjUIrzHhDdhYbf0Y8F?si=igWWXGVSQYKJqK8-uOn1DA&nd=1• Lure Lab on YouTube: https://www.youtube.com/channel/UC9v-l3kxscyEo1VaR496YuA• Lure Lab on Instagram: https://www.instagram.com/lurelabpodcast/• Lure Lab on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-lure-lab-fishing-tackle-podcast/id1647356424• Lure Lab on Spotify: https://open.spotify.com/show/492TVeCHB214CzMUg1NHwX?si=d598629bef024663• Serious Angler on Apple: https://podcasts.apple.com/us/podcast/serious-angler-bass-fishing-podcast/id1481348744• Serious Angler on Spotify: https://open.spotify.com/show/0YM9ZUVNL9NRT4aUmKe4m4?si=e4507da9ef8e43f9----------Follow Along On Serious Angler Social Media:• Instagram: www.instagram.com/seriousangler/• Facebook: www.facebook.com/SeriousAngler• YouTube: https://www.youtube.com/c/SeriousAnglerBassFishing• Tik Tok: https://www.tiktok.com/@seriousangler• Twitter: https://twitter.com/SeriousAngler• Have a question? Email us at theseriousangler@gmail.com----------Follow Our Personal Social Media:• Adam's Instagram: https://www.instagram.com/adam_deakin_/• Andy's Instagram: https://www.instagram.com/fullfishingguideservice/• Andy's YouTube Channel: https://www.youtube.com/channel/UCkuwh_ttyk2uI6CKFHKNtAA• Andy's Facebook: https://www.facebook.com/FullFishingGuide• Bailey's YouTube Channel: https://www.youtube.com/channel/UCOpM5fxOcUciqLsIB8dK7Ag• Bailey's Instagram: https://www.instagram.com/bailey_eigbrett/• Bailey's Facebook: https://www.facebook.com/BaileyEigbrettFishing----------Want to get on some BIG Lake Erie Smallmouth Bass? Get in touch with Andrew and book a trip! • Facebook page: https://www.facebook.com/Fullfishingguideservice• Andrew's Email: fullfishingguideservice@gmail.com----------#bassmaster #bassfishing #fishingpodcastPlease leave us a rating and review!Support the show

Matt is on the road and catches up with Jody White, the winner of the Bassmaster Open on the St. Lawrence River.  From working in the fishing media to winning tournaments, this episode covers it all.  This show originally aired on July 26th, 2023.  

On Episode 137 of the Inside Bassmaster Podcast presented by Black Rifle Coffee Company, hosts Ronnie Moore and Kyle Jessie bring Opens EQ angler Kyle Patrick onto the show to preview the 6th stop of the 9-event season. The Opens head to Waddington, NY for the St. Lawrence River. Patrick funds himself in 10th in the points race as they head to his home state. #bassmaster #podcast #fishing

(Jul 7, 2023)

AGLCA's Director, Kim Russo, shares one of her favorite areas on the Great Loop, the Thousand Island. This area along the St Lawrence River near where it meets Lake Ontario straddles the U.S./Canada border and includes scenic cruising, quaint towns, and castles you can tour. Here are some additional resources about the Thousand Islands: Great Loop LIfestyle Video on the Thousand Islands: https://youtu.be/zd7nnNql_6Y Great Loop Cruising Info Video-Oswego, NY to Clayton, NY: https://youtu.be/K7WDyzsUDLw Great Loop Cruising Info Video-Clayton, NY to Wellesley Island, NY: https://youtu.be/MyZSdkvMcyk Great Loop Cruising Info Video-Welleslay Island, NY to Kingston, ON: https://youtu.be/cEgULevp7do The Great Loop is the boating adventure of a lifetime. Loopers follow the 6,000-mile route in their own boats, cruising up the east coast, into the Great Lakes, through the inland rivers, and through the Gulf of Mexico. Learn more at www.greatloop.org.

In this special episode of the podcast jD, Pete, and Tim sit down with Gord Sinclair for a broad conversation about touring with the Hip, the future of Rock music, and his new record In Continental Divide. Stay tuned for the big announcement following this episode. If you know you know. RateThisPodcast.com/ghtthTranscript0:00:00 - Speaker 1Well, we're really, really thrilled that you could take some time with us today. This is a pretty exciting And this is my pleasure. 0:00:07 - Speaker 2I appreciate it I. 0:00:09 - Speaker 1Don't know if you know what the premise of our podcast is, but I want to give you a. Snip it so you get a. You get an understanding of who these two gentlemen that you're, that you're with, are sure. 0:00:21 - Speaker 3Maybe you should tell them at the end JD, let's get the Way. 0:00:28 - Speaker 1No way, no way, i'm sorry out. So I did a podcast called meeting Malcolm s and it was about pavement and I met these two guys in Europe last year Going to see pavement a bunch of times and we got talking about music And I really love the way they talk about music, the thoughtfulness and the way they understand it and so, naturally me being a very big, tragically hip fan your, your name came up and Them being from Southern California, one by way of Malaga, spain, and one by way of Portland, portland, oregon. Now They hadn't, they hadn't had much experience with you. So I thought, dreamt up this idea of the podcast taking them through your discography, one record at a time, so that The listeners can experience, can experience what it's like to hear your music for the first time. Again, cool. 0:01:27 - Speaker 3It's been. It's been a journey man, it's been really. 0:01:31 - Speaker 2What do you guys up to now like record-wise? is it still work in progress or we have just released up to here. 0:01:39 - Speaker 1So Okay. Here's a fun fact for you. Did you know that if you take your entire catalog and Release them, starting on May 2 4 weekend, and release one a week for the summer, it ends on Labor Day? 0:01:58 - Speaker 2Oh, no, I didn't know that you're your catalog. 0:02:01 - Speaker 1Your catalog is perfect for the summer man. 0:02:03 - Speaker 2Okay, great, well, that's, that is kind of appropriate. For sure We're, you know, sir It. We're unlike Southern California. We kind of lived for the for the three or four months where You can actually sit outside and play guitar with it, your fingers falling off, you know. 0:02:21 - Speaker 4That's, that's definitely me. in Portland, oregon, we had the the soggy a spring I could remember in my 22 years here. 0:02:28 - Speaker 2Yeah, yeah, that's a great town. We we played Portland a bunch, the Aladdin theater, remember that place. 0:02:36 - Speaker 4Yeah, it's an awesome theater. 0:02:37 - Speaker 2Yeah, it's great Yeah. 0:02:39 - Speaker 4Yeah, it was. It was a cool room. It was fun to play that. We'd love to have you back there with your your current gig. So it would be yeah well, it would be great. 0:02:48 - Speaker 2It would be great. Things have changed for the live music business. Unfortunately, Do it for the most true. 0:02:56 - Speaker 1Yeah, so for now, the tour, the tour that you're doing In Toronto and like Southern Ontario, yeah, is that? is that what we're expecting to see for now, or will there be more dates in the future? 0:03:10 - Speaker 2I mean it's still. It's still up in the air. I I'm certainly not averse to doing more dates, but we, you know, yeah, but, but we'll, but we'll wait and see. You know it's it's it's not an easy proposition. Taking the show on the road, i mean the expenses are kind of through the roof from, just in terms of putting the boys up. That's why we're staying pretty close to home. To start, not only on my band leader now, but I'm also a father. My, my youngest son, is Playing bass in the group and he's got a day job, so I got to get him back. It would be irresponsible for for me to have him run away to the circus like I did, you know. But what it needs to be seen, you know it remains to be seen. 0:04:03 - Speaker 1So how is that turn? turning around to your left or right and seeing your son, you know, in your familiar spot? 0:04:08 - Speaker 2It's, it's, it's, it's pretty great, i gotta say it's pretty great. He's a On his own. He is an amazing musician. All my, all my kids can play, but but he, this one's got a particular Ear and talent Guitar and piano or his principal instruments. He's not really a bass player But he can play just about anything. He's just one of these kids that can hear a melody on the radio or on record and sit down the piano and play it back to you. So, on that regard, it's really, really great to see him actually playing the. The flip side of it is as a He's a singer, songwriter in his own right and it's in the process of finishing a record that he did while he was at university, mcgill. And it's tough, you know, it's tough for young kids starting out today to get that, to get that leg up. You know that opportunity to that a group like ours had, you know where we, you know We were able to start playing gigs while we were in school, you know, and and kind of built it up from there very, very, very organically. We got better as we played more and and and as we played more, more people came and Then we got more gigs and it sort of snowballed from there and, like we like most, we started as a cover band And, crazily enough, like back in the 80s when we were playing, they didn't really want original artists in the clubs in Canada. So we would, you know, we would we were playing mostly kind of B sides of old stone songs and pre things and Kinks and stuff like that and then thrown in on, and so when we played at our song we said, oh that's, you know, that's from an old Damn record from from 1967, just absolutely bullshitting our way because there's some clubs that you had to write down your set list, make sure you weren't playing original material, bizarre. So. So now it's yeah, it's just a different scene. I'd love to see him working and playing, making it, taking a go at it. 0:06:18 - Speaker 4Yeah, i kind of feel like this day and age to Make it in a band and get on an actual tour That's further away than your closest region, it's like, it's almost like becoming a professional athlete. Yeah, you know, it's just like your chance. Yeah, getting that notoriety and getting embraced and carried through it, it's, it's just tougher. I have a close, close cousin of mine is in a band here in Portland and They're going at it so hard and you know they're lucky to get, i don't know, the six, six or eight West Coast swing. Yeah, and happy about it, but I tell you the cost for them and all that. Just like you said, it's, it's, it's, it's a tough, that's a tough go. 0:06:58 - Speaker 2Yeah, it's, it's. It's very much the same here. It's like anything, you know it, that You put a group together, you just, you get that, jones, you know, you do it for the love of it, and if you see a little glimpse of light at the end of the tunnel, it's enough to keep you going. Right, the one gig leads to the next, the next, but, but, boy, if you get continued roadblocks thrown up against you, it's a little demoralizing. And certainly up in Canada the live music scene Was in a tough spot even before COVID, and COVID really, just, you know, cut the head off the vampire It was. It was just made it so, so difficult, particularly at the at the early stage gigs, like in most downtown cores They've been. You know, the small rooms where it would be your first gig when you came to Winnipeg, or your first gig when you came to London, ontario, those rooms don't exist anymore. Yeah, you know, in fact I was talking to my agent a little while ago and Again, it's been a while since I've been out to Western Canada But he was saying that there's not really a gig in Vancouver and Calgary, you know, you know, in a 500 seat capacity and that's, and that's tough when you're just coming through town for the first time. I mean it's tough is on a regional level. If you're a young band story or a colonial, let alone From Kingston, ontario, you know, which is a real shame. I mean, the great thing about being from Canada, you know I The biggest obstacle to touring in this country Is actually our greatest assets, the sheer size of the country. You know, once you, once you kind of break out of your region and play in the crap little clubs around your hometown, then you've got eight, ten, twelve hours in some cases driving in between The, the gigs and you learn really early and really really quickly How to play. You know an empty room on a Tuesday night and a shithole on a Wednesday night With the object of getting to a win, a peg, you know, for Friday and Saturday night and maybe selling some tickets. You either You either fall in love with the lifestyle and the guys in your group or the gals in your group is the case. Maybe you're you bust up before you get you out of our problem, yeah, ontario. And so you get a lot of hearty souls that are doing it and then in the meantime, during all the traveling, you just develop this rapport with your bandmates and if you're a composer at all, it's great. You have so much time sitting in the band or sitting hotel room. You, just you're right, shoot the shit and Become what you become. It's true for musicians, it's true for crew people in this country as well. You know, you look at any international group and their crews are populated by Canadians. Because they have that experience, you learn how to travel. You know, get along with people in a confined space of a Band or tour bus, and it's a real asset that we have. The, fortunately, is getting more and more difficult. 0:10:17 - Speaker 3It's a bummer, because I love you guys you guys own your, i mean, and I we know this. I know this because We've pretty much gone through the, the majority of the discography, at least for the hip, and You guys really honed your skills of those Tuesday, wednesday night shittles, yeah, that you're playing To get you know, you can either take those is like Oh man, there's, there's five people here. What do we do? Like let's, let's, let's, let's treat it like a really tight rehearsal. Yeah, you know, whatever, and it it shows, at least from my perspective, on those records, those early records, and like to you guys just peak and just, you know, coast at 35,000 feet, so to speak. But it's funny you mentioned about the touring scene because I live in Malaga, i grew up in Southern California but I live in Malaga, spain and I We had a record come out last year and we're getting ready to do a second record And it's in the city center. They don't want anything original, they want stones, beatles, you know, maybe a couple Zeppelin tunes thrown in. They don't, they don't want they, they want cover bands, that's all they want. 0:11:39 - Speaker 2Yeah yeah, it's, it's tough, it's, it's a funny time And in a lot of ways I think it's a kind of a dangerous time from a cultural perspective. I mean, i, i'm a Stones fan and I'm a Beatles fan and I'm Zeppelin fan, you know, got it second hand from older brothers and sisters, you know. But but I, honestly, you know, i honestly believe that every generation needs their own stones. They need their. They need, like I grew up on the clash, right, you know, and the jam and and that was I was able to define Myself away from older brothers and sisters because of the tunes that I was like. And then, you know, and I've been Quite honestly, i've been waiting around for the next Nirvana and honest believing in my heart that's somewhere in the world, in some mom and dad's basement, there is the next Nirvana, working it and learning how to do it. I just, i really honestly believe it. I mean, again, i we're very fortunate Over the course of our career, touring, you know, we have Mums and dads that are bringing their kids to the, to our shows, and now those kids are, you know, so great, right, stealing to the hip and stuff, which is awesome. But but I worry, we're For Canada anyway, where that next hip is actually gonna come from. You know, and it's again, i think it's a cultural thing and, and you know, into your point about the Learning how to play the empty rooms, i mean That's what allowed us to. We were back and forth across Canada a number of times before we got the opportunity to Make that left turn and British Columbia and start playing in the United States, and it was literally like starting over. So by that point we were playing like larger clubs and doing really, really well. And then You know, you go down to Seattle and you're back to, you know, 20 to 50 people and and It's actually it's really informed our career. You know, we learned really early on to play to each other, it totally, and and how to play on stage and we always had this mantra we learned to play The hockey rinks like they were clubs and we learned to play the clubs like they were hockey rinks. You know, and Cool, cool. 0:14:08 - Speaker 4I love it. 0:14:08 - Speaker 2And we were really. We were also really really fortunate that we would go to a region like the Pacific Northwest In the States and, you know, at the club live and you could look out and you could see familiar faces, the folks that were really into it, like maybe it actually bought the records and you can see them in the first couple rows and and It was the same when we started in Canada. So we would change up the set every night. You know, try to throw in as many different tunes and we wouldn't open with the same tune, we wouldn't close with the same tune and to make it look like we were Not even look like we were trying, we were really trying to entertain these folks. You know, and you guys are all music fans and there's nothing worse than you know, you catch an act and you catch the, the acclater and the tour and it's like Hello Cleveland on the teleprompter. You know yes, agreed, agreed 100% and it's kind of like If you avoid phoning it in, consciously avoid phoning it in, then you're not phoning it in and You're not thinking about your laundry or the fight you just had with your partner. While you're out on the road You're actually engaged with your fellow musicians and particularly with the crowd. And, yeah, it's important to me as a music fan, you know, i just think it's really when there's still groups out there, you know, at the rink level, that do that, you know. 0:15:29 - Speaker 4Yeah, yeah, to comment quickly about your, your wish for the new Nirvana, like I think it's happening in in these sub capsules, like these regional areas. You know, i, i, i hear about bands doing a West Coast tour and doing in small clubs, smallish clubs, but also doing house parties along the way. And When I first heard this one band, i followed when I first heard they were doing, you know, in between, let's say, san Francisco and Eugene, they're doing house parties in Arcada, california, or Eugene, you know, south of Eugene or in Ashland is like. So they're doing house parties, like people are showing up and getting shit-faced and rocking out and in. To me It was kind of brilliant. It was very old-school feeling like you know, i remember stuff like this happening in the 80s, but at the same time I'm like, Well, if that's a way to hustle and get more fans to support you know, your, your venue climb, then that's that's just amazing. So I think it's happening with, you know, some of these kind of post-punk, kind of yeah, yeah, art rock bands. You know it's, it's happening, but it's it's so, it's so capsule-based, yeah. 0:16:45 - Speaker 2Yeah. 0:16:46 - Speaker 4So to break out of that, it's pretty tough. 0:16:48 - Speaker 2Yeah, i mean that that's my understanding of it as well that the first show I've got is part of a festival in our hometown called Spring Reverb and we again, it's a very, very local promoter who who's, you know? God bless them there. They're all in on live performance and they're they're they're like the Don Quixote's of music in this particular region And they'll do whatever it takes and there's tons of groups on the bill That I haven't heard before. It's and it's an exciting, you know, and it's a. It's a really, really good thing. But I think for your average music consumer, my age, it's like No one's trying to Pitch new music to me in any way. You know which is a real kind of drag. I, i have the dough to buy the records, but I don't know which ones to buy. You know, and it's I Still it's a. It's a bit of a problem. 0:17:47 - Speaker 4I'd love to send you a list. I'm bugging these two guys all the time. Hey, you gotta. You know. I told these guys all the time Hey, please, listen to this. There's one band in particular. I told them three times listen to it. Just make me a playlist. Maybe I'll listen to it later. 0:18:02 - Speaker 2And it's cool. It's never been easier to produce a record, like again when I started. Recording was expensive and you had to have a deal to do it and Someone had to invest the money in it, which, again, was maybe part of the advantage that we had that we did have some resources behind us with our first, even with our first DP, private resources and but you know that that patronage system is, i mean, kind of goes back to the Mozart days where you know folks that had the resources were able to Have house concerts, just happened to be in Palaces, right, right, but right, it's a good thing. I mean. I think you know the kids will find a way. It's just, it's just how, how to take it to the next level. I mean we, when we first started touring the States You know it was still regional radio was a real big deal. It was just before Ronald Reagan and the clear channel days kind of ruined it so many ways where you And it's a real shame as a music fan and as an artist you know you could be stiffen in one market, but then you go to like Austin, texas, for us it's like holy crap, where did all these people come from? And then you find out that a local DJ's got an affection for the band and they're kind of, they're kind of paving the road for you in advance And it was such a great. It was a great time. It was a great time for music. 0:19:48 - Speaker 3It's about what's played to you, gord, because I mean I just want to you talk. You mentioned the Clear Channel thing, but it's about what you're exposed to. Like you said, the DJ, that it's got a, that's got a. You know, it's got an affinity for your band. I know, joke. I'm in California right now because I'm visiting family out here And I saw two of my best friends. One flew out from Texas, the other one lives out and he's got to play some Mexico but he works the train. And so we all met up and on separate occasions I told him about this podcast and we listened to, to some hip tunes and they're like who the fuck are these guys? And and like immediate fans. Strangely enough, and because we have the same like taste in music, the three of us we grew up we played in bands the others were five, but never, never were exposed to it. Yeah, Yeah. Never had it. 0:20:44 - Speaker 2Yeah, we would get that a lot over the course of our career. You know, we've always benefited from really passionate fans that that they would, they would get it, and just the old fashioned word of mouth thing, you know, we would come back through town like 18 months later and they, they would have brought all their friends and maybe got turned into some more corded music, but then they would see the band play live and it would all make sense Like live music is supposed to. It's just like, oh, i didn't even think of that song on the record, but when they play it it's like, ah, you know, that's my new favorite song. And then it grew just really, really organically. You know, we, we never really had the benefit in the United States of a single that was big enough to open up like a national type of market, but we, we, we maintained this ability to tour around this, the circumference of the country, you know, and, um, yeah, and you know, wherever they had a professional hockey team, we would do pretty good, you know, right? 0:21:56 - Speaker 4So And I will say, though, i read, i read, i read you know something about you guys playing the, the Fillmore in the nineties in San Francisco, and there was some comment. It was like, yeah, they always do, they always have a big crowd here because every Canadian in California comes to the show, you know. so it's, it's hard to, it was hard to get tickets because all the Canadians would show up. So, you know, i love, i love the story of how everything happened organically and you guys kind of started from playing small clubs and what have you, and cover songs and how it. that rise is just totally remarkable And it's, you know, it's obviously worthy of of sharing, which we're we're doing now. I I gotta fast forward and ask about this. this uh, air stream, though, and you guys recording and you tell us about that. So cool. We have our own fantasy in our minds right now. Well, it was really it was a. 0:22:54 - Speaker 2Again, it's a kind of a a, a, a, a, a, a, a, a, a, a, a. It's a COVID based reality that that I faced, sure, the group myself, we, we own a recording studio in in Bath, ontario. It's a residential studio. So, um, COVID, it was really super busy because you know, artists, musicians, could, you could test up and and you'd live there. You didn't have to go anywhere and and as long as our, our engineer, um, you know, was safe. It was, so I I couldn't get into it, you know, like I just couldn't. It was booked out and and, um, i had, uh, you know, i'd I'd put out a record called taxi dancers previously And it's one of those things like I had tunes left over from writing with the hip and stuff. She got years and years to do that and then. But COVID was great for me as a, as a songwriter. I was locked down in my home with my family and um, and I was writing and using the guitar and and and writing lyrics as my means of journalism journaling really And I wrote this record fairly quickly. My buddy James, who played with me a bunch, i produced a bunch of records for his band, uh, peterborough, called the Spades, and so we've just always had a really close relationship, And he is an engineer and producer in Peterborough, um, and had this great idea this summer, before COVID, and he bought up an Airstream trailer And he rigged it up so that he was able to strip down his gear from his studio space and transplant everything into the airstream and go completely mobile So he could record live shows and, you know, any sort of situational stuff which I thought was a genius idea. And then COVID hit and it kind of you know, it kind of went on the back burner and then we got talking and said, you know I got enough tunes for a record And you know he played with me on the first one and engineered, so we want to try to do it again. And so he literally recorded it in my house. We parked the airstream in the driveway and ran a snake underneath my garage door and plugged in And it was kind of great. I hoofed my family out and it was just. It was just James and Jeff Housechuck and I are a drummer And we kind of stripped things down. We learned all the songs as a three piece, you know, with me playing the bass and then and then tracked kind of pretty much live And Jeff and I would play together and put the bed tracks down to like a scratch guitar, scratch, vocal and kind of did it like that. It was really kind of wicked and and not only in office is recording is, you know. We learned the songs and we kind of had all the beds done in like three, four days. It was just bang bang bang, kind of like that It was. It was a lot of fun, like kind of old school recording. You know We trying to almost emulate it doing its 16 track. You know, really minimal overdubs and just to get that sound. You know we spent the majority of our time miking up the drum kit, you know, so that we could. You know the Jeff Housechuck the drummer is just a fantastic player, jazz guy, and he decided to slum it with us rock and rollers And he brought that, that complexity and the touch where you could actually hear the notes on the drums. 0:26:48 - Speaker 4Yeah, yeah. 0:26:49 - Speaker 2I could hear it. That's great. We actually ran into him. Ironically, james and I were supporting the group classic Canadian story. but our very first show of the tour that we were doing supporting the troops got snowed out. We got to the bottom of George and Bay and the road was closed. It was drifted in. and so we drove back down to Toronto and went to this great club called the Rex Jazz Club And and Jeff was playing with this organ trio you know like real kind of like just fantastic player and had a couple beers with him after and said, hey, do you want to want to do this If I ever make another record? he said yeah, tommy, and the rest is kind of his. Yeah, it's wicked, yeah actually the phone. 0:27:34 - Speaker 3Yeah, Yeah, No, like, for example, the song over and over. I think it is Yeah. Yeah you can tell. I mean you can tell throughout the record, but like that one in particular. Like, however, because once you lay down your initial, you know your drums and bass, your guitar, your bones you start playing with arrangements. And that I was wondering, like thinking about your process, you know how you go about recording and once you get stuff down, but the way you explain the Airstream that had to have promoted like some level of like creativity, like where you see something you're like let's do this, let's try this, because you're not sitting in a traditional studio, yeah, you know, with four walls, yeah, and a window and like do you know what I'm saying? Does that? Yeah? 0:28:29 - Speaker 2no, 100% That's. That's exactly what we were able to do, you know, within the confines of the house, like I have a small home studio, i have an open house, so I got curtains everywhere to kind of allow, you know, for not only privacy but to kind of the dead and the sound and stuff. We had to be creative with what we were doing and trying to figure out where we're going to put drums and what we're going to do with bass. And it was literally because of the way Jeff played And my natural affinity for records that were done in the 70s that we wanted to, instead of getting the big, boomy Bob Rock kind of like we're going to play in the cabin, smash, smash, smash drum kit, we wanted to, like Jeff plays with jazz sticks, that's, you know it's with. Well, let's put them in this curtained off room where everything's totally dead and and do the do the Jeff Emmerich, you know and kind of play and play and play and move the mic and move the stand until we got the kit sounding perfectly. And then in the meantime, you know, we're rehearsing And James is playing with us, and then we, you know, we get tempos down and stuff and, and you know, do a scratch acoustic guitar and vocal. So we know the arrangement And then Jeff or James would go out into the air stream and we counted off and Jeff and I would play together, you know. And the bass amp is elsewhere in the house So there's no chance of it bleeding in, but we didn't have walls or rooms or anything like that. And again, it was the same process. Most of the bass is not DI, it's, it's. I've got an old, you know, portaflex B15 from 1965, the James Jamerson right And it was kind of like you stick the right mic in front of it And it sounds like, it sounds like Motown, you know, and and that's that's kind of the way we get it And obviously I knew the tunes real well And Jeff is just such a good enough player. That was like, oh, you know, you kind of get it in one or two takes and go out and listen to it. And then again is a cool thing that we go to the driveway, to the air stream, which was really our control room, and you listen to it all stripped away or it's just bass and drums And it's kind of like, oh, it's got even without a lyric and without a guitar or even a music Or even a melody. It's like, oh, this sounds pretty wicked. It's kind of the inverse of being a songwriter where I've always believed if you can sing a song around a campfire, and it can, and it can exist on that level and subsist on that level. And it's like, oh, okay, this is a decent song. And we kind of combined those two ethos and to make this record And it was again, it was just because of the circumstances of making it that you know, we all had to be tested up And we, you know, it was just the three of us and we were also living together and eating together and drinking beer together and playing pool pool table in one part of my house And it was great. It's like it's the band camp, you know it's the hardest way to kill time 0:31:49 - Speaker 1you know, sure, gord, i have a question from somebody on Twitter. We let them know that we were meeting with you And he said it's Craig Rogers from Twitter. And he said, curious if he curious of Gord finds himself writing on guitar or bass more often, or a mixture both with this album and when he wrote for the hip. His bass playing is very melodic, so does he have a chord progression in mind first and then works out a baseline, or does the bass melody come first? 0:32:17 - Speaker 2I primarily write on on guitar, for sure, you know, certainly with the hit, even the songs I would bring to the hip, i would have written riffs and started out on acoustic guitar, not all the time Like they were. on occasion I would try to do something on bass. Bass is kind of tough to sit around on your own. Keep yourself entertained. You know you can play along and stuff. But certainly like my main contributions writing with the hip because we had developed that cooperative songwriting style where you know no one in the group would bring a finished idea to the band. You know we would basically throw out a riff, be it a guitar riff, in some cases a bass riff, and we would start playing together And Gord would start putting a melody on top and a lyric on top And it was great that way. As the bass player you'd like oh here are all these holes all like add melody in here. Or in a lot of cases it was from the middle of songs while you were jamming or sound checks. You know we were always playing And but yeah, it was great fun. I miss making music with those guys big time because it was as a songwriter. It's different now, like you, never when you're, when I was in the hip, you never had to finish an idea And even if you had writers, if you were stuck with something, we would get together frequently And someone always had something new and fresh And that would, you know, cause a light bulb to come on And it would suggest a change that maybe the guy that brought the briefing hadn't thought of it Meanwhile, gord just being Gord, he would be riffing on top and his melody would suggest a change that he would make. And it was great. I loved being in that band And I miss it because it's like you know, like, yeah, you start, i still start the same way, i start with the riff, but man, it takes a lot longer, you know, to come up with complimentary parts and the lyrics and stuff. And again, i credit Gord. I really, you know, i tried to bring some heft to the lyrics that I was writing for this project and my previous one as well, cause he's, you know, he set a pretty high bar as a songwriter you know and can't really you can't really put out a solo record I've said this a few times, but it's absolutely true Like you can't write. Yummy, yummy, yummy. I've got love in my tummy, you know, and feel good about yourself with some of the lyrics that Gord has, Yeah. So yeah, the writing's a, it's a. It's a, it's a fun, it's a fun process. I'm not a sit down and write every day kind of guy. I don't do the Stephen King and lock myself in my studio for 2,500 words a day. You know, I kind of sit around and watch hockey playoffs or baseball playoffs and with the guitar in my lap and noodling all the while, and then you're like, oh, and The cascade begins from there. You know, kind of not really paying attention to either, and It's amazing if you're receptive to the idea, It'll come from somewhere. It's, it's great fun, It's great fun. 0:35:47 - Speaker 1Gordon, i'm so thrilled that you laid down in 2020, you laid down get back again. Yeah, so it was. So we have a like a proper studio version of that song, because I gotta tell you, that was one of the hip songs that I came to early on and in my young hip career, and I was like whoa, this is something that's not on the record. It's like this is like a bootleg, or this is so cool And I gotta I gotta wonder, though, how did it never end up on a record like that? It's such a phenomenal song. 0:36:17 - Speaker 2It's, it's a funny one. I mean that it was That's. It's an old song. I mean that was back from the day when we were we were kind of clubbing it, he just kind of in southeastern Ontario and and we were all learning how to write and we were Writing a little bit together. You know Gord Downey and I would and Paul were living together at a student house But yeah, and it it was kind of a mainstay when we would play live and it was in the running, you know for for up to here for sure as a song. But interestingly enough we We recorded a demo version of it. That was just dynamite. Like You know, the performance across the board is great, particularly by Gord, like he just sang the song beautifully. And it was one of those circumstances where the The, the guy that was helping us the demo, said, oh, that was really really great, one more time just like that and we'll run tape. And we're like, oh, what do you mean? you weren't running tape? and oh, tried it again and collectively we were so disappointed. You know that I don't know we never, we never seemed to Capture that vibe that we had on this unrecorded Demo. You know this is again, we were really young, we were still learning how to play in the studio where it sounded like us and Again it sounds old-fashioned and everything, but it was back in the day We recorded live like we would, you know, put the bass somewhere and you know, drums are in a booth and gorge in a booth And we were learning how to do it, but still get that feeling like with headphones on that, we know, you know It sounds like awesome. We're listening to each other Again and then, yeah, it just never. It just never made the cut. After that, i guess I mean there is a version of it somewhere, at least I thought we had reported it for up to here There is some kind of version of it somewhere. We're finding it Odd with. We've always been signed to Universal in various shapes or forms. We were signed to MCA back in the day. But the tracking down on old tapes, a little demo stuff And studio stuff, is proving very, very challenging from an archival point of view. Like stuff is You'd think it'd be, you know, t, hip or Or it would be alphabetized or the Dewey decimal system or something, but it seems pretty random and stuff is in different storage area Areas and our drummer John has just been. He's just been like a dog on a bone tracking down Material and just relentless trying to find stuff. We kind of process kind of started for us with Road apples and but we were still. We were only able to manage to find Two-thirds of the tapes. You'd think they'd all be somewhere together. You know, when we heard about that fire on the universal lot we hit the panic button like right. You know, wow is our? do you think some our stuff is in there? and then read the list in the paper and there was our name. You know, in between Mel Torme and the down Trop family singers, you know it's like oh crap, i hope we do, because that, that, because, to your point, that's exactly the kind of stuff that we were looking for. Turns out there were dupes and some of its backup in Canada. Definitely Yeah, it's a. 0:40:11 - Speaker 3I just I'd be remiss if I didn't ask a gear question What, what, what, what, what? what type of guitar do you do you like to sit in? Because when you're sitting watching a ball game and you're just noodling or you're just whatever like what's your go-to? 0:40:26 - Speaker 2I, honestly, i've got a. I've got a few favorites, in fact, like there's a song on this, this latest record called change your mind, i I bought a. I bought an old Martin D18, saw it. I bought it sight unseen because it's just always wandered one and down. I Picked it up and Literally pulled it out of the case and it became my main guitar for about a week and that was that that. I Written that song on it within Got probably a day or two, you know it. Just it felt right, sounded right. 0:41:08 - Speaker 1What's that? there's sort of like a dreamy stony sound on that song. 0:41:11 - Speaker 2Yeah, and I would credit the guitar. You know, i guess I I Have a lot of, i've got a lot of instruments laying around the house and I will, you know, i will, i'll trick myself and I'll keep one guitar With a capo on the second fret, you know, and thereby changing the key of the song. But you just, in certain cases, different chord shapes and different you know, composite chords, like you know, a D over G or whatever to sound different in a different key or it'll trigger something melodically and then that will Send it in a different direction. So I I kind of rotate them in and out. You know I I Got an old the first kind of cool guitar about was an old J 160, you know mid 50s old beaver of a guitar, and it's always out on a stand somewhere and I'll Pick it up and I'm playing. Right now I'm going out and playing this old, the ES 125, like a, like a hollow-bodied arched top, electric and And it's been laying around and it's just, you know It sounds kind of got a little more sound to it. Yeah, i just kind of believe in the magic of it. You know that it's just like oh, this, you know it's rules right and sounds right in the. The tones of these older instruments, to my ear anyway, are so nuanced that that each one has a different character and Suggests different things, you know, and some chords sound better on them than others. And yeah, it's so, so it's cool. I like I say, i trick myself and I mix it up. 0:42:50 - Speaker 3That's the per. That's the perfect answer. Had you said this is the guitar, that's trick Bs and me bulls it me right on that school Yeah my question was more what kind of beer we were you drinking where you were recording and the Not as young as I used to be, so I. 0:43:13 - Speaker 2There's always a case of the in this kicking around here, for sure, but I'm more of a light beer guy now. Unfortunately, i just I can't afford to Drink the loaf of bread like I used to when I was a young man. Live to tell it. 0:43:29 - Speaker 4I'm right there with you. Yeah, i'm right there with you, gord. 0:43:33 - Speaker 2Yeah, I'm pretty much a logger and a Guinness guy. 0:43:36 - Speaker 4Yeah, sorry. 0:43:49 - Speaker 1Well, I'd love to talk more about the. I'd love to talk more about the. The record sure. You gotta ask the video to man and we haven't touched. We haven't even touched on the video. 0:43:59 - Speaker 2Yeah, I'm glad you like it. I, i yeah, that's a friend of my, my youngest son's It's aspiring filmmaker and videographer and, obviously, videos on what there used to be. I'm like I'm a survivor of the MTV era where You just saw your recoupable account go up and up and up with your record company because you'd spend more money making videos And you would make the record. But it's. But he's a creative young guy having feral is his name and I I Was reading the newspaper And there was an article I can't think this one Facebook change just named in Metta, and Mr Zuckerberg had proclaimed that the future of the world, the future of reality, is going to be virtual reality. And They ran a little clip of the journalists were testing it out with the, with those goggles or that, whatever that is. I said, wow, this is the future of reality. The graphics are kind of shitty, you know, and and And I bounced it off heaven and I want to make this video about these tech guys that are kind of changing the way we interact with each other and getting rich in the process. And could we make a virtual reality kind of video for this song about kind of love in the VR world? and and man he ran with it. He was like I know exactly what you're talking about. 0:45:34 - Speaker 3And it's clear who everybody is. It's very clear who everybody is. 0:45:37 - Speaker 2He ran into a little problem with the record. Here it was, it was clear, still in the legal department And hit the panic button real quick. But we just, i think. 0:45:52 - Speaker 4You know, it's a good thing when that happens And it was fun. 0:45:55 - Speaker 2The song I think Google Guy has a bit of a sense of humor to it And yeah, i got when all that stuff was going on, when they were talking about how their algorithm there were purports to bring people together was actually the algorithm itself was based on making people butt heads, because there was more engagement when the conversation was contentious, as opposed to fluffy, puffy stuff. And that young woman, francis Hogan, really kind of went official with it. She kind of blew the whistle on these, these guys, and I thought right away to myself like oh, what would what would Joe Strummer do with a concept like this? You know, like you wouldn't know all have very much and try to call the guy out. And it was actually the last song I wrote for the record And it came real, real quick because I kind of got my dander up just a little bit. I'm not a social media guy. I understand how people do it. It's a great way to stay in touch with friends all over the world and stuff, and I get it. But God, imagine if you're Instagramming or Facebooking with your pals. But there was a artificial intelligence kind of trying to get you guys to fight about something you may have said to each other in high school and dragging that your relationship through them. 0:47:21 - Speaker 3I'm sure it's already there. 0:47:22 - Speaker 2Exactly, you know. I mean, i'm in a. I was in a band with my high school friends and, oh my God, we fought about crap that was 35 years old. You know, sometimes it was kind of anyway, yeah, so I yeah anyway, i glad you liked the video. It was fun to do. I'm going to do a follow up. He's one of them for call Yeah, but I don't know, i haven't seen it, yet I'm dying. He's okay. I'll be anxious to check that out. 0:47:56 - Speaker 4I enjoyed the video and the song and the song. Honestly it brought me. There's this kind of 80s feel to it, like it's it's interesting kind of the juxtaposition of I don't know had money for nothing Yeah yeah, and then what? Yeah, I'm not, i'm not sure, yeah it's. Yeah, it's reminded me of I don't know a couple of things, but anyways, the the video is great, and it was just I love the personification of the characters, and it's just. I just really related it. I was, i was in, i was in Italy recently. We were staying with family and I'm kind of a handy guy, so I was helping them do some stuff and I said, well, can you work and we get this? you know, we needed something in particular. My aunt there says, well, we could just order it on Amazon, and sure enough it was there the next day. And I'm like I mean Italy and Jeff, jeff, still knocking on the front door delivering, yeah yeah, it's not so I conveniently unbelievable. 0:48:57 - Speaker 2I totally understood. And obviously the pandemic Unbelievable fall for those companies because all the stores are closed, you know, but Massive. You know I'm from a small, small ish city. You know we got 150,000, 200,000 people here. You know, if the if you don't support your local hardware store owner, who may very well be your neighbor down the street, you know it's, it's kind of like the kind of the 100 mile Right Diet approach to living. You know where you live in a community and if you got a couple Extra bucks for things like I get it like people go to the big box stores to buy 10,000 rolls of toilet paper and junk like that. But but you know I go to the local record store and my local stereo shop and my local guitar store and we shop at a small little market And it's important, you know it's. It's important if, if the pandemic taught us anything, it was to kind of value community Because we would support each other more. And meanwhile, that's what I love to do. Devon's portrayal of the of. They call themselves founders. I understand the founders in the orbiting space station above, above the world, that slowly falling apart. And frankly, that's what I try to articulate in the, in the lyric of the songs, that we all know the reason, and the reason is really us. It's up to us, you know, to build community and to support community And and everyone wants to save a buck. I understand that stuff, but at what cost, you know. And what cost? Yeah, in many cases, like mm. Hmm, there's a lot of each cylinder vans all over North America as we speak, idling in people's driveways dropping off stuff that they ordered on Amazon last night, you know, and there's a cost to that, ever, you know. And that's what I was trying to articulate anyway, yeah, yeah. 0:51:21 - Speaker 4What I notice nowadays on, i mean, i'm in Portland, we're in the city, you know, downtown Portland is about three miles away, and what I notice is, when we don't have any deliveries, like, i'll just stop, i'm mostly home. I'll stop in the house and think, boy, it's actually been quiet today. You know it's. You have to wait for the white, the white noise to go away in order to I have a Kingston question for you. 0:51:45 - Speaker 1These gentlemen we are recording, we're doing a live finale for this podcast in Toronto on September 1st. So Pete is coming from Spain and Tim is coming from Portland and we're doing it at the rec room in Toronto. We're doing like a live podcast. There's going to be a standup comedian, There's going to be a hip tribute band, et cetera. But as part of their coming to Toronto, I've booked us a day in Kingston and I booked an Airbnb just yesterday. What are some? what are some hip, hip must see spots, Some you mentioned a record store earlier, a guitar store. What are some cool spots that we should go when we're? Yeah, I got to hit the store. 0:52:29 - Speaker 2You know what there's there's. so there's so many of it like this. First off, about Kingston. You know I'm born and bred and raised here. I went to university here and you know, like most young men, like Rob Baker and I, grew up across the street from each other And all through high school together and you know, gordon, Paul and I lived together in university And John was a little bit younger than us behind us, but all went to the same high school Parents, on to each other, and nonetheless, like most young men, we couldn't wait to shape the dust off this one horse town off our boots. You know, move on, or big city, and as it turned out, you know, our career took this home, over Europe and North America and traveling all the time And we kept coming back home And because it was home, you kind of learn to fall in love with where you're from By leaving it, you know, and you kind of realize, oh, there's no better place to come back to. And it still is a really, it's a really special place. Even even with the, the dearth of of live music venues and various cities and stuff, we still have five, six places in town that run live entertainment nightly. You know, and I think that's a big reason Kingston is as it is is produce so many great recording artists, you know Sarah Harmer, headstones and the Glorious Suns, and because they all came up the way I came up, you know, you kind of start playing in downtown Kingston and you play the bigger bar and the bigger bar after that. So there's, there's some great live music venues. The place I'm playing in town is called the, called the the Brune factory, which is kind of a multi multimedia approach to live. It's a film place, it's comedy, it's an office building for the local promoter during the day And it's, it's great. It's very DIY in town, you know it's. Also Kingston is an interesting place because it's a university town, a very large, very good university here. So we kind of punch above our weight for for restaurants and actually activities to do. We have a local symphony orchestra to symphony halls. You know it's just there's, it's a, it's a really special place And it's also it's right at the confluence of Lake Ontario and the St Lawrence River. So it's where the Great Lakes kind of funnel all down and the area just east of us is the start of the Thousand Islands, which is again it's we kind of take it for granted. But you guys coming from out of town, you know it's worth jumping on a, on a boat, and you've never seen anything like it. It's, it's just absolutely spectacular, you know, and it's, yeah, it's just really, really cool. There's so many great rooms. You know, the club that we played our first gig was called the the toucan, but it still exists, you know, and it's still still there. It's not a great place to see music or play music, but it's still running live. It's pretty wicked. There's another place called the mansion. That that they're again. They're fighting the good fight. They're trying to bring acts in all the time and get people a place to play. You know, and it's in, it's kind of great. It's kind of a great place to be. I feel very comfortable here. You guys are like it. 0:56:15 - Speaker 3If people, if they have places to play there and there's places that they make available, i mean there's. there's no doubt that's why the city thrives. 0:56:25 - Speaker 2I really think so as well, because people, obviously they people get used to live music being a viable option. You know, that was something that we experienced as young musicians First time we went to Europe. You know, it was again like starting over. But we got to the Netherlands And it was like that was. It was the case of like, where are all these people come from? how do they? but it's because the the nature of the culture and it was back in the CD days, when they were Ridiculously expensive, you know. So you'd have to pony up whatever 30, 40 Gelder's they were called back then so people would literally would go see a band play live before they would pull me up for the record, which was perfect for a group like us, because you know they huh, there are all these Magnificently tall people standing there and all speaking English, hang them boards, every word, yeah, it was great. It's all like. That's all about the amazing thing. I am such a such a believer. It's just so important. 0:57:36 - Speaker 1I I totally feel the song sometimes. Yeah, did you write that? like thinking, live in mind, like, like that feels like a live song. 0:57:46 - Speaker 2Yeah, i Did it's, it's, It's for sure, it's. There's an anger to it for sure, and it's it's not the easiest thing when you're sitting by yourself in a pandemic to To write an uptempo song. But like I, like I was seeing earlier, i was using that experience, i would close the sliding doors of our family room and, and, like everybody, there were moments during when I was locked down or where I was Wasn't quite myself. You know I was feeling. You know, being locked down in the middle of the winter in Canada is You get some dark days for sure, not only Physically dark days, but but the mood kind of translates on you and that's that's really what that song's about. And and I Attempted to turn that frown upside down and kind of went back to the old punk rock me, and It's basically like a confessional more than anything, because it was true, sometimes I felt like I was losing my mind, you know, and and sometimes you know, weed, weeds legal up here and and and so maybe sometimes I'm they've, you know, smoked a bomber a little too early in the day, you know, or maybe a little Bailey's in my morning coffee just to take the edge off. Even quite confessional about that as well. Much sugar in, yeah. 0:59:23 - Speaker 3That's really cool of you sharing my songs with us Share. 0:59:28 - Speaker 1I mean, for me it's been. It's been 38 years of you sharing songs with me, so I really appreciate that and Love that you made time for us today, well. 0:59:39 - Speaker 2I appreciate that. I appreciate that I'm a music fan as well and I and I I Made music with guys I know really well, guys I love, you know, and and We always took it really, really seriously and we always never took whatever success we may have achieved, we never took that for granted, you know, and we knew it was because of the people that liked our music and that supported the group and we, you know, with the past, you know Gordon Lightfoot. It was also such a huge believer in live performance and the love and respect for his audience. you know We came up, you know, very much the same way, just like getting our getting in front of people and, you know, and thanking them. You know, and being truly grateful and trying to allow the music to reflect our growth as people and but our commitment to making really good music and you know I'm I Love it I'm still trying to do it on my own. You know, i'd give anything to have gourd still here and be working my, my normal day job, you know. But but In no small way he still is. You know, he wouldn't have wanted any of us to stop playing, you know, and to stop making music and Yeah, and so I'm kind of doing it to honor him, but it's also it's because it's the only thing I know how to do. I kind of They caught into my, it's my, my yearly cycle of like, oh I'm, you should be making a record soon. I think the song start pouring out. Anyway, i'd go on, but I appreciate you guys for doing this and listening as it is intently, as I Listen to music like that's the way I listen to it too, you know I turn it up. 1:01:31 - Speaker 3Yeah, pleasure's our pleasure We've. 1:01:34 - Speaker 4we've got great time, so thank you so much. 1:01:37 - Speaker 2I'll get a list of places to see in Kingston, and there's some that would be great. It's a pretty, it's a pretty special. It's a pretty special little town. You'll, you'll get the vibe right away. You know, september is a great time of year. Kids are just coming back to school and the and the sailors are still hanging around. It's a touristy town. So there's a. There's a good, it's a good vibe here. It's a nice place to visit. I can't wait. Yeah, i can't wait awesome, awesome. 1:02:02 - Speaker 1Well, thank you so much Thanks for a pleasure, guys. 1:02:06 - Speaker 2I really really appreciate your time. It's fun. 1:02:08 - Speaker 3Yeah, thank you boys. 1:02:10 - Speaker 2Okay, take care, we'll see you real soon. Yeah, thank you. Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this special episode of the podcast jD, Pete, and Tim sit down with Gord Sinclair for a broad conversation about touring with the Hip, the future of Rock music, and his new record In Continental Divide. Stay tuned for the big announcement following this episode. If you know you know. RateThisPodcast.com/ghtthTranscript0:00:00 - Speaker 1Well, we're really, really thrilled that you could take some time with us today. This is a pretty exciting And this is my pleasure. 0:00:07 - Speaker 2I appreciate it I. 0:00:09 - Speaker 1Don't know if you know what the premise of our podcast is, but I want to give you a. Snip it so you get a. You get an understanding of who these two gentlemen that you're, that you're with, are sure. 0:00:21 - Speaker 3Maybe you should tell them at the end JD, let's get the Way. 0:00:28 - Speaker 1No way, no way, i'm sorry out. So I did a podcast called meeting Malcolm s and it was about pavement and I met these two guys in Europe last year Going to see pavement a bunch of times and we got talking about music And I really love the way they talk about music, the thoughtfulness and the way they understand it and so, naturally me being a very big, tragically hip fan your, your name came up and Them being from Southern California, one by way of Malaga, spain, and one by way of Portland, portland, oregon. Now They hadn't, they hadn't had much experience with you. So I thought, dreamt up this idea of the podcast taking them through your discography, one record at a time, so that The listeners can experience, can experience what it's like to hear your music for the first time. Again, cool. 0:01:27 - Speaker 3It's been. It's been a journey man, it's been really. 0:01:31 - Speaker 2What do you guys up to now like record-wise? is it still work in progress or we have just released up to here. 0:01:39 - Speaker 1So Okay. Here's a fun fact for you. Did you know that if you take your entire catalog and Release them, starting on May 2 4 weekend, and release one a week for the summer, it ends on Labor Day? 0:01:58 - Speaker 2Oh, no, I didn't know that you're your catalog. 0:02:01 - Speaker 1Your catalog is perfect for the summer man. 0:02:03 - Speaker 2Okay, great, well, that's, that is kind of appropriate. For sure We're, you know, sir It. We're unlike Southern California. We kind of lived for the for the three or four months where You can actually sit outside and play guitar with it, your fingers falling off, you know. 0:02:21 - Speaker 4That's, that's definitely me. in Portland, oregon, we had the the soggy a spring I could remember in my 22 years here. 0:02:28 - Speaker 2Yeah, yeah, that's a great town. We we played Portland a bunch, the Aladdin theater, remember that place. 0:02:36 - Speaker 4Yeah, it's an awesome theater. 0:02:37 - Speaker 2Yeah, it's great Yeah. 0:02:39 - Speaker 4Yeah, it was. It was a cool room. It was fun to play that. We'd love to have you back there with your your current gig. So it would be yeah well, it would be great. 0:02:48 - Speaker 2It would be great. Things have changed for the live music business. Unfortunately, Do it for the most true. 0:02:56 - Speaker 1Yeah, so for now, the tour, the tour that you're doing In Toronto and like Southern Ontario, yeah, is that? is that what we're expecting to see for now, or will there be more dates in the future? 0:03:10 - Speaker 2I mean it's still. It's still up in the air. I I'm certainly not averse to doing more dates, but we, you know, yeah, but, but we'll, but we'll wait and see. You know it's it's it's not an easy proposition. Taking the show on the road, i mean the expenses are kind of through the roof from, just in terms of putting the boys up. That's why we're staying pretty close to home. To start, not only on my band leader now, but I'm also a father. My, my youngest son, is Playing bass in the group and he's got a day job, so I got to get him back. It would be irresponsible for for me to have him run away to the circus like I did, you know. But what it needs to be seen, you know it remains to be seen. 0:04:03 - Speaker 1So how is that turn? turning around to your left or right and seeing your son, you know, in your familiar spot? 0:04:08 - Speaker 2It's, it's, it's, it's pretty great, i gotta say it's pretty great. He's a On his own. He is an amazing musician. All my, all my kids can play, but but he, this one's got a particular Ear and talent Guitar and piano or his principal instruments. He's not really a bass player But he can play just about anything. He's just one of these kids that can hear a melody on the radio or on record and sit down the piano and play it back to you. So, on that regard, it's really, really great to see him actually playing the. The flip side of it is as a He's a singer, songwriter in his own right and it's in the process of finishing a record that he did while he was at university, mcgill. And it's tough, you know, it's tough for young kids starting out today to get that, to get that leg up. You know that opportunity to that a group like ours had, you know where we, you know We were able to start playing gigs while we were in school, you know, and and kind of built it up from there very, very, very organically. We got better as we played more and and and as we played more, more people came and Then we got more gigs and it sort of snowballed from there and, like we like most, we started as a cover band And, crazily enough, like back in the 80s when we were playing, they didn't really want original artists in the clubs in Canada. So we would, you know, we would we were playing mostly kind of B sides of old stone songs and pre things and Kinks and stuff like that and then thrown in on, and so when we played at our song we said, oh that's, you know, that's from an old Damn record from from 1967, just absolutely bullshitting our way because there's some clubs that you had to write down your set list, make sure you weren't playing original material, bizarre. So. So now it's yeah, it's just a different scene. I'd love to see him working and playing, making it, taking a go at it. 0:06:18 - Speaker 4Yeah, i kind of feel like this day and age to Make it in a band and get on an actual tour That's further away than your closest region, it's like, it's almost like becoming a professional athlete. Yeah, you know, it's just like your chance. Yeah, getting that notoriety and getting embraced and carried through it, it's, it's just tougher. I have a close, close cousin of mine is in a band here in Portland and They're going at it so hard and you know they're lucky to get, i don't know, the six, six or eight West Coast swing. Yeah, and happy about it, but I tell you the cost for them and all that. Just like you said, it's, it's, it's, it's a tough, that's a tough go. 0:06:58 - Speaker 2Yeah, it's, it's. It's very much the same here. It's like anything, you know it, that You put a group together, you just, you get that, jones, you know, you do it for the love of it, and if you see a little glimpse of light at the end of the tunnel, it's enough to keep you going. Right, the one gig leads to the next, the next, but, but, boy, if you get continued roadblocks thrown up against you, it's a little demoralizing. And certainly up in Canada the live music scene Was in a tough spot even before COVID, and COVID really, just, you know, cut the head off the vampire It was. It was just made it so, so difficult, particularly at the at the early stage gigs, like in most downtown cores They've been. You know, the small rooms where it would be your first gig when you came to Winnipeg, or your first gig when you came to London, ontario, those rooms don't exist anymore. Yeah, you know, in fact I was talking to my agent a little while ago and Again, it's been a while since I've been out to Western Canada But he was saying that there's not really a gig in Vancouver and Calgary, you know, you know, in a 500 seat capacity and that's, and that's tough when you're just coming through town for the first time. I mean it's tough is on a regional level. If you're a young band story or a colonial, let alone From Kingston, ontario, you know, which is a real shame. I mean, the great thing about being from Canada, you know I The biggest obstacle to touring in this country Is actually our greatest assets, the sheer size of the country. You know, once you, once you kind of break out of your region and play in the crap little clubs around your hometown, then you've got eight, ten, twelve hours in some cases driving in between The, the gigs and you learn really early and really really quickly How to play. You know an empty room on a Tuesday night and a shithole on a Wednesday night With the object of getting to a win, a peg, you know, for Friday and Saturday night and maybe selling some tickets. You either You either fall in love with the lifestyle and the guys in your group or the gals in your group is the case. Maybe you're you bust up before you get you out of our problem, yeah, ontario. And so you get a lot of hearty souls that are doing it and then in the meantime, during all the traveling, you just develop this rapport with your bandmates and if you're a composer at all, it's great. You have so much time sitting in the band or sitting hotel room. You, just you're right, shoot the shit and Become what you become. It's true for musicians, it's true for crew people in this country as well. You know, you look at any international group and their crews are populated by Canadians. Because they have that experience, you learn how to travel. You know, get along with people in a confined space of a Band or tour bus, and it's a real asset that we have. The, fortunately, is getting more and more difficult. 0:10:17 - Speaker 3It's a bummer, because I love you guys you guys own your, i mean, and I we know this. I know this because We've pretty much gone through the, the majority of the discography, at least for the hip, and You guys really honed your skills of those Tuesday, wednesday night shittles, yeah, that you're playing To get you know, you can either take those is like Oh man, there's, there's five people here. What do we do? Like let's, let's, let's, let's treat it like a really tight rehearsal. Yeah, you know, whatever, and it it shows, at least from my perspective, on those records, those early records, and like to you guys just peak and just, you know, coast at 35,000 feet, so to speak. But it's funny you mentioned about the touring scene because I live in Malaga, i grew up in Southern California but I live in Malaga, spain and I We had a record come out last year and we're getting ready to do a second record And it's in the city center. They don't want anything original, they want stones, beatles, you know, maybe a couple Zeppelin tunes thrown in. They don't, they don't want they, they want cover bands, that's all they want. 0:11:39 - Speaker 2Yeah yeah, it's, it's tough, it's, it's a funny time And in a lot of ways I think it's a kind of a dangerous time from a cultural perspective. I mean, i, i'm a Stones fan and I'm a Beatles fan and I'm Zeppelin fan, you know, got it second hand from older brothers and sisters, you know. But but I, honestly, you know, i honestly believe that every generation needs their own stones. They need their. They need, like I grew up on the clash, right, you know, and the jam and and that was I was able to define Myself away from older brothers and sisters because of the tunes that I was like. And then, you know, and I've been Quite honestly, i've been waiting around for the next Nirvana and honest believing in my heart that's somewhere in the world, in some mom and dad's basement, there is the next Nirvana, working it and learning how to do it. I just, i really honestly believe it. I mean, again, i we're very fortunate Over the course of our career, touring, you know, we have Mums and dads that are bringing their kids to the, to our shows, and now those kids are, you know, so great, right, stealing to the hip and stuff, which is awesome. But but I worry, we're For Canada anyway, where that next hip is actually gonna come from. You know, and it's again, i think it's a cultural thing and, and you know, into your point about the Learning how to play the empty rooms, i mean That's what allowed us to. We were back and forth across Canada a number of times before we got the opportunity to Make that left turn and British Columbia and start playing in the United States, and it was literally like starting over. So by that point we were playing like larger clubs and doing really, really well. And then You know, you go down to Seattle and you're back to, you know, 20 to 50 people and and It's actually it's really informed our career. You know, we learned really early on to play to each other, it totally, and and how to play on stage and we always had this mantra we learned to play The hockey rinks like they were clubs and we learned to play the clubs like they were hockey rinks. You know, and Cool, cool. 0:14:08 - Speaker 4I love it. 0:14:08 - Speaker 2And we were really. We were also really really fortunate that we would go to a region like the Pacific Northwest In the States and, you know, at the club live and you could look out and you could see familiar faces, the folks that were really into it, like maybe it actually bought the records and you can see them in the first couple rows and and It was the same when we started in Canada. So we would change up the set every night. You know, try to throw in as many different tunes and we wouldn't open with the same tune, we wouldn't close with the same tune and to make it look like we were Not even look like we were trying, we were really trying to entertain these folks. You know, and you guys are all music fans and there's nothing worse than you know, you catch an act and you catch the, the acclater and the tour and it's like Hello Cleveland on the teleprompter. You know yes, agreed, agreed 100% and it's kind of like If you avoid phoning it in, consciously avoid phoning it in, then you're not phoning it in and You're not thinking about your laundry or the fight you just had with your partner. While you're out on the road You're actually engaged with your fellow musicians and particularly with the crowd. And, yeah, it's important to me as a music fan, you know, i just think it's really when there's still groups out there, you know, at the rink level, that do that, you know. 0:15:29 - Speaker 4Yeah, yeah, to comment quickly about your, your wish for the new Nirvana, like I think it's happening in in these sub capsules, like these regional areas. You know, i, i, i hear about bands doing a West Coast tour and doing in small clubs, smallish clubs, but also doing house parties along the way. And When I first heard this one band, i followed when I first heard they were doing, you know, in between, let's say, san Francisco and Eugene, they're doing house parties in Arcada, california, or Eugene, you know, south of Eugene or in Ashland is like. So they're doing house parties, like people are showing up and getting shit-faced and rocking out and in. To me It was kind of brilliant. It was very old-school feeling like you know, i remember stuff like this happening in the 80s, but at the same time I'm like, Well, if that's a way to hustle and get more fans to support you know, your, your venue climb, then that's that's just amazing. So I think it's happening with, you know, some of these kind of post-punk, kind of yeah, yeah, art rock bands. You know it's, it's happening, but it's it's so, it's so capsule-based, yeah. 0:16:45 - Speaker 2Yeah. 0:16:46 - Speaker 4So to break out of that, it's pretty tough. 0:16:48 - Speaker 2Yeah, i mean that that's my understanding of it as well that the first show I've got is part of a festival in our hometown called Spring Reverb and we again, it's a very, very local promoter who who's, you know? God bless them there. They're all in on live performance and they're they're they're like the Don Quixote's of music in this particular region And they'll do whatever it takes and there's tons of groups on the bill That I haven't heard before. It's and it's an exciting, you know, and it's a. It's a really, really good thing. But I think for your average music consumer, my age, it's like No one's trying to Pitch new music to me in any way. You know which is a real kind of drag. I, i have the dough to buy the records, but I don't know which ones to buy. You know, and it's I Still it's a. It's a bit of a problem. 0:17:47 - Speaker 4I'd love to send you a list. I'm bugging these two guys all the time. Hey, you gotta. You know. I told these guys all the time Hey, please, listen to this. There's one band in particular. I told them three times listen to it. Just make me a playlist. Maybe I'll listen to it later. 0:18:02 - Speaker 2And it's cool. It's never been easier to produce a record, like again when I started. Recording was expensive and you had to have a deal to do it and Someone had to invest the money in it, which, again, was maybe part of the advantage that we had that we did have some resources behind us with our first, even with our first DP, private resources and but you know that that patronage system is, i mean, kind of goes back to the Mozart days where you know folks that had the resources were able to Have house concerts, just happened to be in Palaces, right, right, but right, it's a good thing. I mean. I think you know the kids will find a way. It's just, it's just how, how to take it to the next level. I mean we, when we first started touring the States You know it was still regional radio was a real big deal. It was just before Ronald Reagan and the clear channel days kind of ruined it so many ways where you And it's a real shame as a music fan and as an artist you know you could be stiffen in one market, but then you go to like Austin, texas, for us it's like holy crap, where did all these people come from? And then you find out that a local DJ's got an affection for the band and they're kind of, they're kind of paving the road for you in advance And it was such a great. It was a great time. It was a great time for music. 0:19:48 - Speaker 3It's about what's played to you, gord, because I mean I just want to you talk. You mentioned the Clear Channel thing, but it's about what you're exposed to. Like you said, the DJ, that it's got a, that's got a. You know, it's got an affinity for your band. I know, joke. I'm in California right now because I'm visiting family out here And I saw two of my best friends. One flew out from Texas, the other one lives out and he's got to play some Mexico but he works the train. And so we all met up and on separate occasions I told him about this podcast and we listened to, to some hip tunes and they're like who the fuck are these guys? And and like immediate fans. Strangely enough, and because we have the same like taste in music, the three of us we grew up we played in bands the others were five, but never, never were exposed to it. Yeah, Yeah. Never had it. 0:20:44 - Speaker 2Yeah, we would get that a lot over the course of our career. You know, we've always benefited from really passionate fans that that they would, they would get it, and just the old fashioned word of mouth thing, you know, we would come back through town like 18 months later and they, they would have brought all their friends and maybe got turned into some more corded music, but then they would see the band play live and it would all make sense Like live music is supposed to. It's just like, oh, i didn't even think of that song on the record, but when they play it it's like, ah, you know, that's my new favorite song. And then it grew just really, really organically. You know, we, we never really had the benefit in the United States of a single that was big enough to open up like a national type of market, but we, we, we maintained this ability to tour around this, the circumference of the country, you know, and, um, yeah, and you know, wherever they had a professional hockey team, we would do pretty good, you know, right? 0:21:56 - Speaker 4So And I will say, though, i read, i read, i read you know something about you guys playing the, the Fillmore in the nineties in San Francisco, and there was some comment. It was like, yeah, they always do, they always have a big crowd here because every Canadian in California comes to the show, you know. so it's, it's hard to, it was hard to get tickets because all the Canadians would show up. So, you know, i love, i love the story of how everything happened organically and you guys kind of started from playing small clubs and what have you, and cover songs and how it. that rise is just totally remarkable And it's, you know, it's obviously worthy of of sharing, which we're we're doing now. I I gotta fast forward and ask about this. this uh, air stream, though, and you guys recording and you tell us about that. So cool. We have our own fantasy in our minds right now. Well, it was really it was a. 0:22:54 - Speaker 2Again, it's a kind of a a, a, a, a, a, a, a, a, a, a, a. It's a COVID based reality that that I faced, sure, the group myself, we, we own a recording studio in in Bath, ontario. It's a residential studio. So, um, COVID, it was really super busy because you know, artists, musicians, could, you could test up and and you'd live there. You didn't have to go anywhere and and as long as our, our engineer, um, you know, was safe. It was, so I I couldn't get into it, you know, like I just couldn't. It was booked out and and, um, i had, uh, you know, i'd I'd put out a record called taxi dancers previously And it's one of those things like I had tunes left over from writing with the hip and stuff. She got years and years to do that and then. But COVID was great for me as a, as a songwriter. I was locked down in my home with my family and um, and I was writing and using the guitar and and and writing lyrics as my means of journalism journaling really And I wrote this record fairly quickly. My buddy James, who played with me a bunch, i produced a bunch of records for his band, uh, peterborough, called the Spades, and so we've just always had a really close relationship, And he is an engineer and producer in Peterborough, um, and had this great idea this summer, before COVID, and he bought up an Airstream trailer And he rigged it up so that he was able to strip down his gear from his studio space and transplant everything into the airstream and go completely mobile So he could record live shows and, you know, any sort of situational stuff which I thought was a genius idea. And then COVID hit and it kind of you know, it kind of went on the back burner and then we got talking and said, you know I got enough tunes for a record And you know he played with me on the first one and engineered, so we want to try to do it again. And so he literally recorded it in my house. We parked the airstream in the driveway and ran a snake underneath my garage door and plugged in And it was kind of great. I hoofed my family out and it was just. It was just James and Jeff Housechuck and I are a drummer And we kind of stripped things down. We learned all the songs as a three piece, you know, with me playing the bass and then and then tracked kind of pretty much live And Jeff and I would play together and put the bed tracks down to like a scratch guitar, scratch, vocal and kind of did it like that. It was really kind of wicked and and not only in office is recording is, you know. We learned the songs and we kind of had all the beds done in like three, four days. It was just bang bang bang, kind of like that It was. It was a lot of fun, like kind of old school recording. You know We trying to almost emulate it doing its 16 track. You know, really minimal overdubs and just to get that sound. You know we spent the majority of our time miking up the drum kit, you know, so that we could. You know the Jeff Housechuck the drummer is just a fantastic player, jazz guy, and he decided to slum it with us rock and rollers And he brought that, that complexity and the touch where you could actually hear the notes on the drums. 0:26:48 - Speaker 4Yeah, yeah. 0:26:49 - Speaker 2I could hear it. That's great. We actually ran into him. Ironically, james and I were supporting the group classic Canadian story. but our very first show of the tour that we were doing supporting the troops got snowed out. We got to the bottom of George and Bay and the road was closed. It was drifted in. and so we drove back down to Toronto and went to this great club called the Rex Jazz Club And and Jeff was playing with this organ trio you know like real kind of like just fantastic player and had a couple beers with him after and said, hey, do you want to want to do this If I ever make another record? he said yeah, tommy, and the rest is kind of his. Yeah, it's wicked, yeah actually the phone. 0:27:34 - Speaker 3Yeah, Yeah, No, like, for example, the song over and over. I think it is Yeah. Yeah you can tell. I mean you can tell throughout the record, but like that one in particular. Like, however, because once you lay down your initial, you know your drums and bass, your guitar, your bones you start playing with arrangements. And that I was wondering, like thinking about your process, you know how you go about recording and once you get stuff down, but the way you explain the Airstream that had to have promoted like some level of like creativity, like where you see something you're like let's do this, let's try this, because you're not sitting in a traditional studio, yeah, you know, with four walls, yeah, and a window and like do you know what I'm saying? Does that? Yeah? 0:28:29 - Speaker 2no, 100% That's. That's exactly what we were able to do, you know, within the confines of the house, like I have a small home studio, i have an open house, so I got curtains everywhere to kind of allow, you know, for not only privacy but to kind of the dead and the sound and stuff. We had to be creative with what we were doing and trying to figure out where we're going to put drums and what we're going to do with bass. And it was literally because of the way Jeff played And my natural affinity for records that were done in the 70s that we wanted to, instead of getting the big, boomy Bob Rock kind of like we're going to play in the cabin, smash, smash, smash drum kit, we wanted to, like Jeff plays with jazz sticks, that's, you know it's with. Well, let's put them in this curtained off room where everything's totally dead and and do the do the Jeff Emmerich, you know and kind of play and play and play and move the mic and move the stand until we got the kit sounding perfectly. And then in the meantime, you know, we're rehearsing And James is playing with us, and then we, you know, we get tempos down and stuff and, and you know, do a scratch acoustic guitar and vocal. So we know the arrangement And then Jeff or James would go out into the air stream and we counted off and Jeff and I would play together, you know. And the bass amp is elsewhere in the house So there's no chance of it bleeding in, but we didn't have walls or rooms or anything like that. And again, it was the same process. Most of the bass is not DI, it's, it's. I've got an old, you know, portaflex B15 from 1965, the James Jamerson right And it was kind of like you stick the right mic in front of it And it sounds like, it sounds like Motown, you know, and and that's that's kind of the way we get it And obviously I knew the tunes real well And Jeff is just such a good enough player. That was like, oh, you know, you kind of get it in one or two takes and go out and listen to it. And then again is a cool thing that we go to the driveway, to the air stream, which was really our control room, and you listen to it all stripped away or it's just bass and drums And it's kind of like, oh, it's got even without a lyric and without a guitar or even a music Or even a melody. It's like, oh, this sounds pretty wicked. It's kind of the inverse of being a songwriter where I've always believed if you can sing a song around a campfire, and it can, and it can exist on that level and subsist on that level. And it's like, oh, okay, this is a decent song. And we kind of combined those two ethos and to make this record And it was again, it was just because of the circumstances of making it that you know, we all had to be tested up And we, you know, it was just the three of us and we were also living together and eating together and drinking beer together and playing pool pool table in one part of my house And it was great. It's like it's the band camp, you know it's the hardest way to kill time 0:31:49 - Speaker 1you know, sure, gord, i have a question from somebody on Twitter. We let them know that we were meeting with you And he said it's Craig Rogers from Twitter. And he said, curious if he curious of Gord finds himself writing on guitar or bass more often, or a mixture both with this album and when he wrote for the hip. His bass playing is very melodic, so does he have a chord progression in mind first and then works out a baseline, or does the bass melody come first? 0:32:17 - Speaker 2I primarily write on on guitar, for sure, you know, certainly with the hit, even the songs I would bring to the hip, i would have written riffs and started out on acoustic guitar, not all the time Like they were. on occasion I would try to do something on bass. Bass is kind of tough to sit around on your own. Keep yourself entertained. You know you can play along and stuff. But certainly like my main contributions writing with the hip because we had developed that cooperative songwriting style where you know no one in the group would bring a finished idea to the band. You know we would basically throw out a riff, be it a guitar riff, in some cases a bass riff, and we would start playing together And Gord would start putting a melody on top and a lyric on top And it was great that way. As the bass player you'd like oh here are all these holes all like add melody in here. Or in a lot of cases it was from the middle of songs while you were jamming or sound checks. You know we were always playing And but yeah, it was great fun. I miss making music with those guys big time because it was as a songwriter. It's different now, like you, never when you're, when I was in the hip, you never had to finish an idea And even if you had writers, if you were stuck with something, we would get together frequently And someone always had something new and fresh And that would, you know, cause a light bulb to come on And it would suggest a change that maybe the guy that brought the briefing hadn't thought of it Meanwhile, gord just being Gord, he would be riffing on top and his melody would suggest a change that he would make. And it was great. I loved being in that band And I miss it because it's like you know, like, yeah, you start, i still start the same way, i start with the riff, but man, it takes a lot longer, you know, to come up with complimentary parts and the lyrics and stuff. And again, i credit Gord. I really, you know, i tried to bring some heft to the lyrics that I was writing for this project and my previous one as well, cause he's, you know, he set a pretty high bar as a songwriter you know and can't really you can't really put out a solo record I've said this a few times, but it's absolutely true Like you can't write. Yummy, yummy, yummy. I've got love in my tummy, you know, and feel good about yourself with some of the lyrics that Gord has, Yeah. So yeah, the writing's a, it's a. It's a, it's a fun, it's a fun process. I'm not a sit down and write every day kind of guy. I don't do the Stephen King and lock myself in my studio for 2,500 words a day. You know, I kind of sit around and watch hockey playoffs or baseball playoffs and with the guitar in my lap and noodling all the while, and then you're like, oh, and The cascade begins from there. You know, kind of not really paying attention to either, and It's amazing if you're receptive to the idea, It'll come from somewhere. It's, it's great fun, It's great fun. 0:35:47 - Speaker 1Gordon, i'm so thrilled that you laid down in 2020, you laid down get back again. Yeah, so it was. So we have a like a proper studio version of that song, because I gotta tell you, that was one of the hip songs that I came to early on and in my young hip career, and I was like whoa, this is something that's not on the record. It's like this is like a bootleg, or this is so cool And I gotta I gotta wonder, though, how did it never end up on a record like that? It's such a phenomenal song. 0:36:17 - Speaker 2It's, it's a funny one. I mean that it was That's. It's an old song. I mean that was back from the day when we were we were kind of clubbing it, he just kind of in southeastern Ontario and and we were all learning how to write and we were Writing a little bit together. You know Gord Downey and I would and Paul were living together at a student house But yeah, and it it was kind of a mainstay when we would play live and it was in the running, you know for for up to here for sure as a song. But interestingly enough we We recorded a demo version of it. That was just dynamite. Like You know, the performance across the board is great, particularly by Gord, like he just sang the song beautifully. And it was one of those circumstances where the The, the guy that was helping us the demo, said, oh, that was really really great, one more time just like that and we'll run tape. And we're like, oh, what do you mean? you weren't running tape? and oh, tried it again and collectively we were so disappointed. You know that I don't know we never, we never seemed to Capture that vibe that we had on this unrecorded Demo. You know this is again, we were really young, we were still learning how to play in the studio where it sounded like us and Again it sounds old-fashioned and everything, but it was back in the day We recorded live like we would, you know, put the bass somewhere and you know, drums are in a booth and gorge in a booth And we were learning how to do it, but still get that feeling like with headphones on that, we know, you know It sounds like awesome. We're listening to each other Again and then, yeah, it just never. It just never made the cut. After that, i guess I mean there is a version of it somewhere, at least I thought we had reported it for up to here There is some kind of version of it somewhere. We're finding it Odd with. We've always been signed to Universal in various shapes or forms. We were signed to MCA back in the day. But the tracking down on old tapes, a little demo stuff And studio stuff, is proving very, very challenging from an archival point of view. Like stuff is You'd think it'd be, you know, t, hip or Or it would be alphabetized or the Dewey decimal system or something, but it seems pretty random and stuff is in different storage area Areas and our drummer John has just been. He's just been like a dog on a bone tracking down Material and just relentless trying to find stuff. We kind of process kind of started for us with Road apples and but we were still. We were only able to manage to find Two-thirds of the tapes. You'd think they'd all be somewhere together. You know, when we heard about that fire on the universal lot we hit the panic button like right. You know, wow is our? do you think some our stuff is in there? and then read the list in the paper and there was our name. You know, in between Mel Torme and the down Trop family singers, you know it's like oh crap, i hope we do, because that, that, because, to your point, that's exactly the kind of stuff that we were looking for. Turns out there were dupes and some of its backup in Canada. Definitely Yeah, it's a. 0:40:11 - Speaker 3I just I'd be remiss if I didn't ask a gear question What, what, what, what, what? what type of guitar do you do you like to sit in? Because when you're sitting watching a ball game and you're just noodling or you're just whatever like what's your go-to? 0:40:26 - Speaker 2I, honestly, i've got a. I've got a few favorites, in fact, like there's a song on this, this latest record called change your mind, i I bought a. I bought an old Martin D18, saw it. I bought it sight unseen because it's just always wandered one and down. I Picked it up and Literally pulled it out of the case and it became my main guitar for about a week and that was that that. I Written that song on it within Got probably a day or two, you know it. Just it felt right, sounded right. 0:41:08 - Speaker 1What's that? there's sort of like a dreamy stony sound on that song. 0:41:11 - Speaker 2Yeah, and I would credit the guitar. You know, i guess I I Have a lot of, i've got a lot of instruments laying around the house and I will, you know, i will, i'll trick myself and I'll keep one guitar With a capo on the second fret, you know, and thereby changing the key of the song. But you just, in certain cases, different chord shapes and different you know, composite chords, like you know, a D over G or whatever to sound different in a different key or it'll trigger something melodically and then that will Send it in a different direction. So I I kind of rotate them in and out. You know I I Got an old the first kind of cool guitar about was an old J 160, you know mid 50s old beaver of a guitar, and it's always out on a stand somewhere and I'll Pick it up and I'm playing. Right now I'm going out and playing this old, the ES 125, like a, like a hollow-bodied arched top, electric and And it's been laying around and it's just, you know It sounds kind of got a little more sound to it. Yeah, i just kind of believe in the magic of it. You know that it's just like oh, this, you know it's rules right and sounds right in the. The tones of these older instruments, to my ear anyway, are so nuanced that that each one has a different character and Suggests different things, you know, and some chords sound better on them than others. And yeah, it's so, so it's cool. I like I say, i trick myself and I mix it up. 0:42:50 - Speaker 3That's the per. That's the perfect answer. Had you said this is the guitar, that's trick Bs and me bulls it me right on that school Yeah my question was more what kind of beer we were you drinking where you were recording and the Not as young as I used to be, so I. 0:43:13 - Speaker 2There's always a case of the in this kicking around here, for sure, but I'm more of a light beer guy now. Unfortunately, i just I can't afford to Drink the loaf of bread like I used to when I was a young man. Live to tell it. 0:43:29 - Speaker 4I'm right there with you. Yeah, i'm right there with you, gord. 0:43:33 - Speaker 2Yeah, I'm pretty much a logger and a Guinness guy. 0:43:36 - Speaker 4Yeah, sorry. 0:43:49 - Speaker 1Well, I'd love to talk more about the. I'd love to talk more about the. The record sure. You gotta ask the video to man and we haven't touched. We haven't even touched on the video. 0:43:59 - Speaker 2Yeah, I'm glad you like it. I, i yeah, that's a friend of my, my youngest son's It's aspiring filmmaker and videographer and, obviously, videos on what there used to be. I'm like I'm a survivor of the MTV era where You just saw your recoupable account go up and up and up with your record company because you'd spend more money making videos And you would make the record. But it's. But he's a creative young guy having feral is his name and I I Was reading the newspaper And there was an article I can't think this one Facebook change just named in Metta, and Mr Zuckerberg had proclaimed that the future of the world, the future of reality, is going to be virtual reality. And They ran a little clip of the journalists were testing it out with the, with those goggles or that, whatever that is. I said, wow, this is the future of reality. The graphics are kind of shitty, you know, and and And I bounced it off heaven and I want to make this video about these tech guys that are kind of changing the way we interact with each other and getting rich in the process. And could we make a virtual reality kind of video for this song about kind of love in the VR world? and and man he ran with it. He was like I know exactly what you're talking about. 0:45:34 - Speaker 3And it's clear who everybody is. It's very clear who everybody is. 0:45:37 - Speaker 2He ran into a little problem with the record. Here it was, it was clear, still in the legal department And hit the panic button real quick. But we just, i think. 0:45:52 - Speaker 4You know, it's a good thing when that happens And it was fun. 0:45:55 - Speaker 2The song I think Google Guy has a bit of a sense of humor to it And yeah, i got when all that stuff was going on, when they were talking about how their algorithm there were purports to bring people together was actually the algorithm itself was based on making people butt heads, because there was more engagement when the conversation was contentious, as opposed to fluffy, puffy stuff. And that young woman, francis Hogan, really kind of went official with it. She kind of blew the whistle on these, these guys, and I thought right away to myself like oh, what would what would Joe Strummer do with a concept like this? You know, like you wouldn't know all have very much and try to call the guy out. And it was actually the last song I wrote for the record And it came real, real quick because I kind of got my dander up just a little bit. I'm not a social media guy. I understand how people do it. It's a great way to stay in touch with friends all over the world and stuff, and I get it. But God, imagine if you're Instagramming or Facebooking with your pals. But there was a artificial intelligence kind of trying to get you guys to fight about something you may have said to each other in high school and dragging that your relationship through them. 0:47:21 - Speaker 3I'm sure it's already there. 0:47:22 - Speaker 2Exactly, you know. I mean, i'm in a. I was in a band with my high school friends and, oh my God, we fought about crap that was 35 years old. You know, sometimes it was kind of anyway, yeah, so I yeah anyway, i glad you liked the video. It was fun to do. I'm going to do a follow up. He's one of them for call Yeah, but I don't know, i haven't seen it, yet I'm dying. He's okay. I'll be anxious to check that out. 0:47:56 - Speaker 4I enjoyed the video and the song and the song. Honestly it brought me. There's this kind of 80s feel to it, like it's it's interesting kind of the juxtaposition of I don't know had money for nothing Yeah yeah, and then what? Yeah, I'm not, i'm not sure, yeah it's. Yeah, it's reminded me of I don't know a couple of things, but anyways, the the video is great, and it was just I love the personification of the characters, and it's just. I just really related it. I was, i was in, i was in Italy recently. We were staying with family and I'm kind of a handy guy, so I was helping them do some stuff and I said, well, can you work and we get this? you know, we needed something in particular. My aunt there says, well, we could just order it on Amazon, and sure enough it was there the next day. And I'm like I mean Italy and Jeff, jeff, still knocking on the front door delivering, yeah yeah, it's not so I conveniently unbelievable. 0:48:57 - Speaker 2I totally understood. And obviously the pandemic Unbelievable fall for those companies because all the stores are closed, you know, but Massive. You know I'm from a small, small ish city. You know we got 150,000, 200,000 people here. You know, if the if you don't support your local hardware store owner, who may very well be your neighbor down the street, you know it's, it's kind of like the kind of the 100 mile Right Diet approach to living. You know where you live in a community and if you got a couple Extra bucks for things like I get it like people go to the big box stores to buy 10,000 rolls of toilet paper and junk like that. But but you know I go to the local record store and my local stereo shop and my local guitar store and we shop at a small little market And it's important, you know it's. It's important if, if the pandemic taught us anything, it was to kind of value community Because we would support each other more. And meanwhile, that's what I love to do. Devon's portrayal of the of. They call themselves founders. I understand the founders in the orbiting space station above, above the world, that slowly falling apart. And frankly, that's what I try to articulate in the, in the lyric of the songs, that we all know the reason, and the reason is really us. It's up to us, you know, to build community and to support community And and everyone wants to save a buck. I understand that stuff, but at what cost, you know. And what cost? Yeah, in many cases, like mm. Hmm, there's a lot of each cylinder vans all over North America as we speak, idling in people's driveways dropping off stuff that they ordered on Amazon last night, you know, and there's a cost to that, ever, you know. And that's what I was trying to articulate anyway, yeah, yeah. 0:51:21 - Speaker 4What I notice nowadays on, i mean, i'm in Portland, we're in the city, you know, downtown Portland is about three miles away, and what I notice is, when we don't have any deliveries, like, i'll just stop, i'm mostly home. I'll stop in the house and think, boy, it's actually been quiet today. You know it's. You have to wait for the white, the white noise to go away in order to I have a Kingston question for you. 0:51:45 - Speaker 1These gentlemen we are recording, we're doing a live finale for this podcast in Toronto on September 1st. So Pete is coming from Spain and Tim is coming from Portland and we're doing it at the rec room in Toronto. We're doing like a live podcast. There's going to be a standup comedian, There's going to be a hip tribute band, et cetera. But as part of their coming to Toronto, I've booked us a day in Kingston and I booked an Airbnb just yesterday. What are some? what are some hip, hip must see spots, Some you mentioned a record store earlier, a guitar store. What are some cool spots that we should go when we're? Yeah, I got to hit the store. 0:52:29 - Speaker 2You know what there's there's. so there's so many of it like this. First off, about Kingston. You know I'm born and bred and raised here. I went to university here and you know, like most young men, like Rob Baker and I, grew up across the street from each other And all through high school together and you know, gordon, Paul and I lived together in university And John was a little bit younger than us behind us, but all went to the same high school Parents, on to each other, and nonetheless, like most young men, we couldn't wait to shape the dust off this one horse town off our boots. You know, move on, or big city, and as it turned out, you know, our career took this home, over Europe and North America and traveling all the time And we kept coming back home And because it was home, you kind of learn to fall in love with where you're from By leaving it, you know, and you kind of realize, oh, there's no better place to come back to. And it still is a really, it's a really special place. Even even with the, the dearth of of live music venues and various cities and stuff, we still have five, six places in town that run live entertainment nightly. You know, and I think that's a big reason Kingston is as it is is produce so many great recording artists, you know Sarah Harmer, headstones and the Glorious Suns, and because they all came up the way I came up, you know, you kind of start playing in downtown Kingston and you play the bigger bar and the bigger bar after that. So there's, there's some great live music venues. The place I'm playing in town is called the, called the the Brune factory, which is kind of a multi multimedia approach to live. It's a film place, it's comedy, it's an office building for the local promoter during the day And it's, it's great. It's very DIY in town, you know it's. Also Kingston is an interesting place because it's a university town, a very large, very good university here. So we kind of punch above our weight for for restaurants and actually activities to do. We have a local symphony orchestra to symphony halls. You know it's just there's, it's a, it's a really special place And it's also it's right at the confluence of Lake Ontario and the St Lawrence River. So it's where the Great Lakes kind of funnel all down and the area just east of us is the start of the Thousand Islands, which is again it's we kind of take it for granted. But you guys coming from out of town, you know it's worth jumping on a, on a boat, and you've never seen anything like it. It's, it's just absolutely spectacular, you know, and it's, yeah, it's just really, really cool. There's so many great rooms. You know, the club that we played our first gig was called the the toucan, but it still exists, you know, and it's still still there. It's not a great place to see music or play music, but it's still running live. It's pretty wicked. There's another place called the mansion. That that they're again. They're fighting the good fight. They're trying to bring acts in all the time and get people a place to play. You know, and it's in, it's kind of great. It's kind of a great place to be. I feel very comfortable here. You guys are like it. 0:56:15 - Speaker 3If people, if they have places to play there and there's places that they make available, i mean there's. there's no doubt that's why the city thrives. 0:56:25 - Speaker 2I really think so as well, because people, obviously they people get used to live music being a viable option. You know, that was something that we experienced as young musicians First time we went to Europe. You know, it was again like starting over. But we got to the Netherlands And it was like that was. It was the case of like, where are all these people come from? how do they? but it's because the the nature of the culture and it was back in the CD days, when they were Ridiculously expensive, you know. So you'd have to pony up whatever 30, 40 Gelder's they were called back then so people would literally would go see a band play live before they would pull me up for the record, which was perfect for a group like us, because you know they huh, there are all these Magnificently tall people standing there and all speaking English, hang them boards, every word, yeah, it was great. It's all like. That's all about the amazing thing. I am such a such a believer. It's just so important. 0:57:36 - Speaker 1I I totally feel the song sometimes. Yeah, did you write that? like thinking, live in mind, like, like that feels like a live song. 0:57:46 - Speaker 2Yeah, i Did it's, it's, It's for sure, it's. There's an anger to it for sure, and it's it's not the easiest thing when you're sitting by yourself in a pandemic to To write an uptempo song. But like I, like I was seeing earlier, i was using that experience, i would close the sliding doors of our family room and, and, like everybody, there were moments during when I was locked down or where I was Wasn't quite myself. You know I was feeling. You know, being locked down in the middle of the winter in Canada is You get some dark days for sure, not only Physically dark days, but but the mood kind of translates on you and that's that's really what that song's about. And and I Attempted to turn that frown upside down and kind of went back to the old punk rock me, and It's basically like a confessional more than anything, because it was true, sometimes I felt like I was losing my mind, you know, and and sometimes you know, weed, weeds legal up here and and and so maybe sometimes I'm they've, you know, smoked a bomber a little too early in the day, you know, or maybe a little Bailey's in my morning coffee just to take the edge off. Even quite confessional about that as well. Much sugar in, yeah. 0:59:23 - Speaker 3That's really cool of you sharing my songs with us Share. 0:59:28 - Speaker 1I mean, for me it's been. It's been 38 years of you sharing songs with me, so I really appreciate that and Love that you made time for us today, well. 0:59:39 - Speaker 2I appreciate that. I appreciate that I'm a music fan as well and I and I I Made music with guys I know really well, guys I love, you know, and and We always took it really, really seriously and we always never took whatever success we may have achieved, we never took that for granted, you know, and we knew it was because of the people that liked our music and that supported the group and we, you know, with the past, you know Gordon Lightfoot. It was also such a huge believer in live performance and the love and respect for his audience. you know We came up, you know, very much the same way, just like getting our getting in front of people and, you know, and thanking them. You know, and being truly grateful and trying to allow the music to reflect our growth as people and but our commitment to making really good music and you know I'm I Love it I'm still trying to do it on my own. You know, i'd give anything to have gourd still here and be working my, my normal day job, you know. But but In no small way he still is. You know, he wouldn't have wanted any of us to stop playing, you know, and to stop making music and Yeah, and so I'm kind of doing it to honor him, but it's also it's because it's the only thing I know how to do. I kind of They caught into my, it's my, my yearly cycle of like, oh I'm, you should be making a record soon. I think the song start pouring out. Anyway, i'd go on, but I appreciate you guys for doing this and listening as it is intently, as I Listen to music like that's the way I listen to it too, you know I turn it up. 1:01:31 - Speaker 3Yeah, pleasure's our pleasure We've. 1:01:34 - Speaker 4we've got great time, so thank you so much. 1:01:37 - Speaker 2I'll get a list of places to see in Kingston, and there's some that would be great. It's a pretty, it's a pretty special. It's a pretty special little town. You'll, you'll get the vibe right away. You know, september is a great time of year. Kids are just coming back to school and the and the sailors are still hanging around. It's a touristy town. So there's a. There's a good, it's a good vibe here. It's a nice place to visit. I can't wait. Yeah, i can't wait awesome, awesome. 1:02:02 - Speaker 1Well, thank you so much Thanks for a pleasure, guys. 1:02:06 - Speaker 2I really really appreciate your time. It's fun. 1:02:08 - Speaker 3Yeah, thank you boys. 1:02:10 - Speaker 2Okay, take care, we'll see you real soon. Yeah, thank you. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Eight people, including two small children, died in the St. Lawrence River near the Mohawk Territory of Akwesasne last week, while trying to cross from Canada into the U.S. Matt Galloway talks to Marjorie Skidders, editor of the Indian Time Newspaper in Akwesasne; and François Crépeau, a professor at McGill University's Faculty of Law, who served as the United Nations Special Rapporteur on the Human Rights of Migrants from 2011 to 2017.

(bell and breath)(sound of campfire)I invite you to slow down, or maybe stop, what you're doing and listen to a campfire storyWe're sitting in the snow, by the Preston River in Duhamel, Québec. The snow absorbs the sound here but it is also slightly amplified by the cottage and frozen trees. It's raining so you also hear drops of water, snow and ice falling in between the fire crackles. Sometimes, when I get discouraged about the ecological crisis, I build a campfire like this to lift my spirits and re-energize.Campfires are also a great place to tell and listen to stories that engage your emotions. Today's story is an excerpt  from my conversation with climate photographer Joan Sullivan from e96 – the liminal space between what was and what's next.The story begins with Joan taking photos in the winter by the St-Lawrence River near Rimouski :If you've ever stood on the shores of a winter river that has no ice, it's kind of, you know, gray, right? That particular day, it wasn't gray, but in general, a winter river is just sort of meandering through a gray-ish landscape. It's banal. It's not visually dramatic. And it occurred to me that very day that the worst possible thing is that it becomes normal to see a river without ice. It's becoming normal and it is not normal. So I didn't know what to do. I'm all alone, you know? I just take my camera and I tried to take a photo of this orange, you know, metaphorically on Fire River, but my hands were shaking, you know, it was like, click, click, click. And, and, you know, each image was blurred. And, and I just deleted them all. So I started again. I tried to hold the camera, you know, close to my chest, to like, steady it, and my hands were shaking, and it was the strangest thing. It's never happened to me in 30 years of photography that I couldn't stop my hands. And it's suddenly dawned on me that I, my hands, weren't shaking up because of the cold, but because of an anger, you know, this deep, profound anger about our collective indifference in the face of climate breakdown. Wait, we're just carrying on with our lives as if you know, la la la and nothing, nothing's bad's happening. So there was this sense of rage. I mean, like, honestly, it's surprising how strong it'd be in a violent rage just sort of coming outta me. I wanted to scream, and I just, you know, took my camera and just moved it violently, right? Left up, down the, and almost, I suppose, it was almost like I was like drowning in the water. You know, my arms are just doing everything. And I was holding down the shutter the whole time, you know, 20, 30, 40 photos at a time. And I did it over. And oh, I was just, I was just, I was just beside myself. And you know, you at some point, you just stop and you're staring out at the river. And I just felt helpless. I just didn't know what to do…(River sound continues in background)Thank you, Joan, for this story and your work as an artist. You can listen to the whole 8 minute story on the conscious podcast e96. The question for this episode is drawn from Joan's story : What can we do about our collective indifference? *The campfire for this episode was recorded on December 30th, 2022 at our cottage in Duhamel, Québec. The story is an excerpt  from my conversation with climate photographer Joan Sullivan from e96 – the liminal space between what was and what's next. You can hear the entire story  here :-) The YouTube video version of this episode  includes footage from our cottage and from Joan's Je suis fleuve photo series.For more information on her work see https://www.joansullivanphotography.comI am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible). *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

The Last of Mr. Benjimen Witnesses at an inquiry into a ship wreck relate the weird and contradictory final moments of one of the passengers. Rick Kennett has five books on Amazon - two novels: The Devil and the Deep Blue Sea and Presumed Dead. A novella: In Quinn's Paddock. And two collections: The Dark and What It Said and Thirty Minutes for New Hell, which now includes an additional new story, The Gods in their Galleries. And in addition to the anthology War of the Worlds, Battleground Australia he has also had stories in two more, Damnation Games and The Ghosts & Scholars Book of Follies and Grottoes. "The Last of Mr Benjimen" is loosely based on the sinking of the steamer Empress of Ireland in Canada's St Lawrence River in 1914 after a collision that by all rights should never have happened. ---- Story Submission ---- Got a short story you'd like to submit? Submission guidelines can be found at http://www.TallTaleTV.com ---- About Tall Tale TV ---- My name is Chris Herron, and I narrate audiobooks. In 2015, poor control of my diabetes left me legally blind for the better part of a year. The doctors predicted an 80% chance I would never see again, but I changed the way I was living and through sheer willpower beat the odds. During this time I couldn't read or write. Two things that I had been turning to for comfort since I was a small child. With the sheer amount of stress I was under, this was devastating. My wife took me by the arm, lead me into the local library, and read out titles of audiobooks to me. I chose the audiobook versions of books I had loved such as the Disc World series, Name of the Wind, Harry Potter, and more. They brought my favorite stories to life in ways I never thought possible and helped me through the darkest time of my life. Once my vision recovered, I maintained a love for audiobooks. I decided I would turn my focus from being a writer to becoming a narrator. I devised Tall Tale TV as a way to help out all the amazing authors in the writing communities I had come to love before my ordeal. I created Tall Tale TV to help aspiring authors by providing them with a promotional audiobook video. A way to showcase their skills with the written word. They say the strongest form of advertisement is word of mouth, so I provide a video to a platform of readers to help get people talking. Help them spread the word. Click the share button and let the world know about this author. ---- legal ---- All images used in this video are either original or Royalty and Attribution free. Most stock images used are provided by http://www.pixabay.com or https://www.canstockphoto.com/. Image attribution will be declared only when required by the copyright owner. All stories on Tall Tale TV have been submitted in accordance with the terms of service provided on http://www.talltaletv.com or obtained with permission by the author. Common Affiliates are: Amazon, Smashwords

This week I am talking about how to become Penny! LOL. I get asked this question A LOT. As in, how did I become an instructor, how do I get to sail offshore, how do I get people to pay me to teach them, etc. So many questions about my sailing path, so here it is! Where it all started... I am one of the lucky ones. I started my sailing journey (apparently) at about a year old when I was tucked under my grandfather's arm and shot off into the St Lawrence River on our laser. There are variations of this story including me being tied off to the mast, but I doubt that! Anyway, I was baptized by the salt water at an early age and moved up the ranks bailing the bilges of the boats I was sailing on. I spent my summers sailing in the Gaspe with our neighbour, Betty Cornell. She had two beautiful wooden boats that needed A LOT of bailing between tides. I soaked up every bit of knowledge from her and my grandfather and eventually began formal sailing lessons with the Canadian Yachting Association at the ripe old age of 5. I absolutely loved dinghy sailing and I worked my way up to Silver Sail V before switching over to coaching. At first my interest in earning money outweighed my interest in actually coaching, but eventually I discovered a love for teaching others. I loved the challenge of trying to explain something to someone in different ways. It kept my skills as a sailor growing. The path to success At the age of 15 I volunteered to coach for a summer because I was too young to officially be hired. I also started exploring keelboat sailing at this age and realized I enjoyed going home dry and unbruised. So, by 17 I completed my Bareboat Skipper certification (Intermediate Cruising), and by 21 I was an Advanced Cruising Instructor living on a 40' CS Merlin (Great Habit) up in Georgian Bay. My summers were spent cruising around Beckwith Island, Giants Tomb Island, Beausoleil Island(s), and so many other beautiful places. I was teaching for Harbour West Sailing Adventures, and in order to get our boats from Hamilton up to Georgian Bay each season, we would offer an Advanced Cruising boat delivery course. We would start off in Hamilton, head out to Lake Ontario, then south through the Welland Canal and down to Lake Erie. Lake Erie was always fun with the shipping. fishing, UXOs and shipwrecks, nevermind if the winds picked up. We would head West along the length of Lake Erie then head north to the Lake St Clair and through the St Clair River. Navigating up that river at night will cause seizures! So many navigational aids all blinking at different intervals. Then we would arrive in Lake Huron and make our way North-East to Georgian Bay. Our home base in Georgian Bay was the Midland City Harbour, so we would go past Tobermory and Flowerpot Island, and we'd give the inmates at the Penetanguishene Correctional Facility. All the extras... I am a lifelong learner. I have always really enjoyed learning new things, so when I jumped into the world of keel boating, naturally I also jumped into navigation. When I was 17 I completed my Coastal Navigation course and 20 when I took Celestial Navigation. Now Coastal Navigation has continued to be used over the years, however Celestial has not, so I'll be redoing that course this winter with a colleague Lars. As I've always been around water, swimming is also a big part of my life. I completed all of my swimming levels and became a swim coach and lifeguard when I was 16. For some of the youth sailing camps I would coach sailing in the morning and then coach swimming in the afternoon! It was a great program to get kids comfortable on the water. I also take a first aid course every two years and I was a ski patroller for a few winters (to help get through the cold months!)

Hot off a win at the Toyota Series event on the St. Lawrence River, Spike Stoker joined the show for a rundown of his success. Stoker dishes some slick Carolina rig tips, plus dives into how a long practice helped him develop a game plan and learn northern fishing.

There are people who dedicate their time and personal resources to do amazing things for nature. Philip Ling is one such person. He's hard at work converting a set of stone buildings from the 1800s located on the shore of the St. Lawrence River into a state-of-the-art research and training facility. More than that, he's bringing together local and traditional knowledge and the best science has to offer to chart new paths to connect people to nature in sustainable and positive ways.Link below to hear Philip Ling in conversation with Lawrence Gunther on The Blue fish Radio Show:

Welcome back to bass u live. This week we feature the Bassmaster ROY and St Lawrence River champion Jay Przekurat. What season for this 23 year old angler from Wisconsin. Listen in to learn how he got to where he is today!

Take a listen as the gang (Brian Carter,Bass Geek & Derik Hudson) sit down & talk with local (CVILLE) angler Martin Villa. Martin gives us a look at what it was like being a rooking on the MLF Pro Series.The we dive in and take a look back at how he turned around his season to get to the Tittle event on the St. Lawrence River. The we Wrap it all up with look at an awesome finish on the St.Lawrence River & what it was like finishing 5th over a heck of a filed of some great anglers.

Ken Duke and GDP join the podcast tonight to talk all things bassin. With KD we recap how this years icast show was and then breakdown the st lawrence river elite series event.

(Jul 18, 2022) We take a break from a rainy day in the North Country with a summery hike along the St. Lawrence River on Wellesley Island. Also: The city of Plattsburgh is sorting out contracts with its major first responder unions, with the firefighters still to come.

The Inside Bassmaster Podcast is back for 2022 with hosts Ronnie Moore and Kyle Jessie. In Episode 84, Moore and Jessie breakdown the 7th stop of the Bassamster Elite Series season at the St. Lawrence River.The duo give their Fantasy Fishing opinions for the St. Lawrence River/Lake Ontario and also discuss how the smallmouth should be setup for this event.To watch the video version of this podcast, visit Bassmaster.com and the Bassmaster YouTube. #bassmaster #podcast #fishing

On Thursday Night Live, we will be diving into the next Bassmaster Elite Series event on the St. Lawrence River! We will give our Bassmaster Fantasy Fishing picks, hot takes and much more! Join our Bassmaster Fantasy Fishing group and win a $250 gift card to Omnia Fishing: https://bassmasterfantasy.com/GroupHome.aspx?groupId=8674 Thanks for watching! Comment, Like and SUBSCRIBE! DISCOUNT CODES: NEW!! Get $40 off your X2Power AGM/Lithium battery by using code "serious40" at https://x2powerbattery.com/! Your battery will be shipped to your local Batteries Plus. Omnia Fishing: 15% off your first order, use code "SERIOUS" AND for 10% off after your first order use code "SERIOUS10" at (www.omniafishing.com) Hobie Eyewear (20% Off): Use This Link: https://shrsl.com/2w5mb & use code “SERIOUS20” Queen Tackle (20% Off): Use code “seriousangler20” at (https://www.queentackle.com/) Follow Along On Serious Angler Social Media: Instagram: www.instagram.com/seriousangler/ Facebook: www.facebook.com/SeriousAngler YouTube: https://www.youtube.com/c/SeriousAnglerBassFishing Tik Tok: https://www.tiktok.com/@seriousangler Have a question? Email us at theseriousangler@gmail.com ---------------- We can't choose the weather so why worry about it? Wear Blackfish and never have any worries about weather getting the best of you. Check em out at https://blackfishgear.com/ Want affordable, lightweight and high-performance Lithium batteries? Check out Amped Outdoors at: https://ampedoutdoors.com/ Want to order tackle from people that ACTUALLY fish and receive shipping you can TRUST? Order from the folks at Omnia Fishing! Use code "SERIOUS" to save yourself 15% and FREE shipping with orders over $50! https://www.omniafishing.com/ Have any boating or kayak needs? Give Morgan Marine a call and they will get you set up! Click the link below: https://www.morganmarine.net/ Are you looking to get yourself into the most efficient and highest rated fishing kayak? Check out Hobie Kayaks at: https://www.hobie.com/kayaks/ -------------- Follow Our Personal Social Media: Bailey's Instagram: https://www.instagram.com/bailey_eigbrett/ Adam's Instagram: https://www.instagram.com/adam_deakin_/ Andy's Instagram: https://www.instagram.com/fullfishingguideservice/ Facebook: https://www.facebook.com/BaileyEigbrettFishing Facebook: https://www.facebook.com/FullFishingGuide ----- Want to get on some BIG Lake Erie Smallmouth Bass? Get in touch with Andrew and book a trip! Here is his Facebook page: https://www.facebook.com/Fullfishingguideservice Andrew's Email: fullfishingguideservice@gmail.com Want assistance with Social Media, Website Creation, Podcasting, Content Creation and MORE? Check out Serious Angler Media Services! Email Bailey at baileyeigbrett97@gmail.com ----- #StLawrenceRiverFishing #FantasyFishing #BassFishing --- Support this podcast: https://anchor.fm/serious-angler/support

On 29 May 1914, the magnificent passenger liner Empress of Ireland sank in the St Lawrence River with the loss of over a thousand people. A full two years after the Titanic disaster, this was a vessel with adequate lifeboats and watertight compartments, and yet she foundered in just fourteen minutes after a collision with a Norwegian collier - ss Storstad - which punched an enormous hole into her side allowing 60,000 gallons of water in. More passengers died in this tragedy than eitherTitanic or Lusitania, both of which have featured in our Maritime Disasters series. She was one of the first two passenger liners built especially for the Canadian Pacific Line's growing emigrant trade from Liverpool to Canada, her sister ship being the Empress of Britain and they provided a weekly service for emigrants, starting in the Spring of 1906. With so many years of service behind her the Empress of Ireland has an important position in the history of thousands of Canadians today. To find out more Dr Sam Willis spoke with Dan Conlin, curator at the Canadian Museum of Immigration at Pier 21 in Halifax, Nova Scotia. See acast.com/privacy for privacy and opt-out information.

From 1900 until 1914 almost 100,000 passengers in ocean liners, crossed the Atlantic to Canada, mainly from Great Britain. The main port of entry and embarkation to and from Canada was Quebec City, on the St Lawrence River. Many of the ocean-going passenger ship were huge, not quite rivaling the Titanic, but able to transport almost 1,500 passengers back and forth across the Atlantic. On the morning of May 29, 1914, a thick river fog formed quickly on the surface of the St Lawrence and extending almost 100 feet in the air. River fog can form when the sun heats the air just above the surface of the river all day long. The air near the river becomes much cooler on clear nights especially in the spring because the water is still rather chilly from the winter season, so it condenses into a fog cloud. That happened on the morning of May 29 just as the Ocean Liner, Empress of Ireland steamed on the river. Visibility had rapidly decreased and it was hard to see other river traffic as it headed for the open sea. In short order it was struck another ship The Storstad. In this horrific maritime disaster, over a thousand passengers on route from Quebec to Liverpool were lost in just fifteen minutes—the length of time it took for the ocean liner to sink to the bottom of the Saint Lawrence River. There was a misunderstanding between the two captains about their respective ships' positioning and direction, leading to the fatal collision. The Storstad hit The Empress of Ireland broadside, tearing a 350 square foot hole in her hull. With water pouring in at 60 gallons per second, the ship sank rapidly. Hundreds of sleeping passengers were trapped, and the second- and third-class passengers had much less of a chance at survival than the first-class passengers, as first class was higher up on the ship. Out of 1,477 passengers, only 465 survived. And out of 138 children that were on board, only four survived. Overshadowed by the breakout of World War I two months later, known as Canada's Titanic, the tragedy of The Empress was almost swept under the rug. Today, The Empress of Ireland is accessible to divers, at only 130 feet below the surface. It has been visited by those experienced enough to dive in such cold temperatures hundreds of times since the ship's rediscovery in the mid-1980s. See acast.com/privacy for privacy and opt-out information.

In the final part of our series on Jacques Cartier, we explore up the St. Lawrence River - reaching modern-day Quebec City and Montreal. Map and resources: https://explorerspodcast.com/jacques-cartier/ The Explorers Podcast is part of the Airwave Media Network: airwavemedia.com Interested in advertising on the Explorers Podcast? Email us at sales@advertisecast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

If you are a hard-core angler, you have come to the right place. This is a weekly podcast that will interview some of the top local and regional anglers in North America. Anglers who consistency finish near the top in both Largemouth and Smallmouth bass fishing tournaments. Travis and his guest will discuss techniques and strategies used to help these anglers stay so consistent and help you become a better angler and gain an edge on your body of water. This interview I chat with Jim Barczak who lives in Wisconsin.  He has a great track record fishing tournaments and dominates the waters of NE Wisconsin.  He moved to the western part of the state and fished a lot of Minnesota waters now.  He talks about some of his favorite techniques to fish those MN lakes and goes into great detail some of his secrets to getting on fish! The Reel Shot is where I recommend you purchase your tackle! Use my Code SmallmouthCrush15 and get 15% your first order today!https://bit.ly/2YtVLRLSMALLMOUTHCRUSHNEW VIDEOS UPLOADED WEEKLY and the WORLD FAMOUS LIVE STREAM with Co Host Epic Eric---------------------------------------Sunday – 2:00 PM Est The SmallmouthCrush PodcastMonday - 8:00 PM Est LIVESTREAMFishing Videos throughout the week---------------------------------------Follow on Instagram @SmallmouthCrush https://www.instagram.com/smallmouthcrush/Follow The Bass Lab Tackle Freak Himself Epic Eric @epicericoffical https://www.instagram.com/epicericofficial/SmallmouthCrush VIP Members LIVE Show - WOW CHECK THIS OUT!! Special LIVE Show once per month!Get special access to a member's only LIVE once a month - Secret Tips and Techniques and information we only share with our VIP Members!Join Today!https://smallmouthcrush.com/product-category/vip-membership-live/Are you interested in booking a One on One session with SmallmouthCrush?  Now you can set up a personal online meeting to talk anything fishing related.  Do you want to learn how to search for fish on your body of water or perhaps you have a tournament coming up on a specific body of water that you want to break down.  This is the place to get all your questions answered!Click here to SUBSCRIBE to my channel:http://bit.ly/SmallmouthCrushYouTubeChannelCheck out some of these Money Saving Codes!The Reel Shot is where I recommend you purchase your tackle! Use my Code SmallmouthCrush15 and get 15% your first order today!https://bit.ly/2YtVLRLSMALLMOUTHCRUSHWant to save money on Tackle and get sponsorship pricing?  Click the link below and use code CRUSH50 to get 50% off your membership!https://club.outdoorsponsors.com/Who is SmallmouthCrush?Travis Manson was born and raised in Wisconsin. He started fishing from the bank at a young age and spent most of his childhood with a rod in his hand.  Travis is primarily a self-taught angler that is always learning and experiencing this amazing sport of fishing.  He started out fishing for walleyes and fishing in local walleye tournaments, but then in his mid 20's, he caught the BASS BUG and has been hooked ever since.  He competed at the highest level in bass fishing on the Bassmaster Elite Series for a number of years.  He is a full time fishing guide offering trips on the Chesapeake Bay for largemouth bass(year round) and trophy smallmouth bass guided trips in Upstate New York on Lake Ontario and the St Lawrence River. His Youtube Channel is named after his passion for the smallmouth bass and will be used as a platform for "how-to" videos, on the water instruction, crazy on and off the water topics on the day in the life of a fishing addict!  Hope you enjoy, and until next time we will see you on the water!

A Win For Upper St. Lawrence River MuskieBlue Fish Canada is pleased to introduce you to four of the advocates behind the push to end the development of Blind Bay on the Upper St. Lawrence River. Each tells their portion of the advocacy that successfully ended plans to commercially develop prime Muskie spawning habitat. Together Host Lawrence Gunther explores with the four guests what needs to come next.Guests include:John Peach, Upper St. Lawrence Riverkeeper and Executive Director of Save the RiverJeff Garnsey 3rd generation Muskie guide and Chair of Save The RiverDr. John Farrell, Professor of Aquatic and Fisheries Science & Director, Thousand Islands Biological StationJake Tibbles Executive Director Thousand Island Land Trust

In today's episode of the Letter from Ireland podcast, we take a trip up along the St. Lawrence River in Canada with two stories linked to that part of the world. First, we stop off at Grosse Île just outside Quebec City and then we hear the story of two musical sisters and their Irish-descended family who were brought up not too far from the city of Montrèal in Quebec. Along with lots of chat and music along the way!

If you are a hard-core angler, you have come to the right place. This is a weekly podcast that will interview some of the top local and regional anglers in North America. Anglers who consistency finish near the top in both Largemouth and Smallmouth bass fishing tournaments. Travis and his guest will discuss techniques and strategies used to help these anglers stay so consistent and help you become a better angler and gain an edge on your body of water. This interview I chat with Ed Casey who lives in Maryland and has fished tournament for many many years.  He has a great track record on his home body of water Chesapeake Bay, but loves catching those smallmouth in Upstate New York. He gives up some great information in this episode!The Reel Shot is where I recommend you purchase your tackle! Use my Code SmallmouthCrush15 and get 15% your first order today!https://bit.ly/2YtVLRLSMALLMOUTHCRUSHNEW VIDEOS UPLOADED WEEKLY and the WORLD FAMOUS LIVE STREAM with Co Host Epic Eric---------------------------------------Sunday – 2:00 PM Est The SmallmouthCrush PodcastMonday - 8:00 PM Est LIVESTREAMFishing Videos throughout the week---------------------------------------Follow on Instagram @SmallmouthCrush https://www.instagram.com/smallmouthcrush/Follow The Bass Lab Tackle Freak Himself Epic Eric @epicericoffical https://www.instagram.com/epicericofficial/SmallmouthCrush VIP Members LIVE Show - WOW CHECK THIS OUT!! Special LIVE Show once per month!Get special access to a member's only LIVE once a month - Secret Tips and Techniques and information we only share with our VIP Members!Join Today!https://smallmouthcrush.com/product-category/vip-membership-live/Are you interested in booking a One on One session with SmallmouthCrush?  Now you can set up a personal online meeting to talk anything fishing related.  Do you want to learn how to search for fish on your body of water or perhaps you have a tournament coming up on a specific body of water that you want to break down.  This is the place to get all your questions answered!Click here to SUBSCRIBE to my channel:http://bit.ly/SmallmouthCrushYouTubeChannelCheck out some of these Money Saving Codes!The Reel Shot is where I recommend you purchase your tackle! Use my Code SmallmouthCrush15 and get 15% your first order today!https://bit.ly/2YtVLRLSMALLMOUTHCRUSHWho is SmallmouthCrush?Travis Manson was born and raised in Wisconsin. He started fishing from the bank at a young age and spent most of his childhood with a rod in his hand.  Travis is primarily a self-taught angler that is always learning and experiencing this amazing sport of fishing.  He started out fishing for walleyes and fishing in local walleye tournaments, but then in his mid 20's, he caught the BASS BUG and has been hooked ever since.  He competed at the highest level in bass fishing on the Bassmaster Elite Series for a number of years.  He is a full time fishing guide offering trips on the Chesapeake Bay for largemouth bass(year round) and trophy smallmouth bass guided trips in Upstate New York on Lake Ontario and the St Lawrence River. His Youtube Channel is named after his passion for the smallmouth bass and will be used as a platform for "how-to" videos, on the water instruction, crazy on and off the water topics on the day in the life of a fishing addict!  Hope you enjoy, and until next time we will see you on the water!#fishing #bassfishing #livestream #youtube #fishingshow #fishingtackle

Full shownotes at www.80dayspodcast.com/quebec | Support: www.patreon.com/80dayspodcast Merch store: https://www.teepublic.com/stores/eightydayspodcast?ref_id=25321 In this episode of 80 Days: An Exploration Podcast, we'll be talking about the only walled city north of Mexico on the American Continent - Quebec City. The capital city of Canada's Quebec province, the city is located on the St Lawrence River, around 500 kilometres from the Eastern coast of Canada, and around 700km northeast of New York City. Founded in July 1608 by Samuel de Champlain, a French explorer, Quebec City originated as Stadacona, a Iroqious Native American settlement, before the arrival of Europeans. A base for the French exploration and colonisation of what would become New France, Quebec remains a hub of French-Canadian culture and history, with French serving as the primary language, as throughout the wider province of Quebec. In 1775, American troops led by Benedict Arnold attempted to invade and take over Quebec City in the Battle of Quebec to “liberate” the region from the British. The siege was unsuccessful, however, and Quebec did not become the 14th colony; instead, it remained under British rule until Canada became its own country in 1867. Today, the city is home to just over half a million residents, making it the eleventh-largest city in Canada, similar in urban population to Albuquerque, New Mexico or Dublin, Ireland. The city's curious name was taken from the native term for “where the river narrows'' after its location on the banks of the St Lawrence River. Your hosts, as always, are Luke Kelly @thelukejkelly in Ireland, Mark Boyle @markboyle86 in the UK, and Joe Byrne @anbeirneach in Ireland . (Theme music by Thomas O'Boyle @thatthomasfella)

Jacques Cartier was the first European explorer known to have sailed up the St. Lawrence River which connects the Great Lakes to the North Atlantic Ocean. In 1535, the land along the waterway was inhabited by the Iroquois Amerindians. Check out the YouTube version of this episode at https://youtu.be/AkQIolttAqM which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Denary Novels by Mark Vinet are available at https://amzn.to/33evMUj Surf the web safely and anonymously with ExpressVPN. Protect your online activity and personal info like credit cards, passwords, or other sensitive data. Get 3 extra months free with 12-month plan by using our custom link at http://tryexpressvpn.com/markvinet Want a FREE audiobook of your choice? Get your Free audiobook with a 30 day Free membership by using our customized link http://www.audibletrial.com/MarkVinet Join our growing community on Patreon at https://patreon.com/markvinet or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook welcome GIFT of The Maesta Panels by Mark Vinet. Support our series by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/33evMUj (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages, supports & helps us to create more quality content for this series. Thanks! Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/TIMELINEchannel Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://anchor.fm/mark-vinet Linktree: https://linktr.ee/WadeOrganization LibriVox: Mariner of St. Malo, A Chronicle of the Voyages of Jacques Cartier by S. Leacock, read by R. Cotter

Jeff and Paul fished this epic body of water with some of the Monsterbass crew and it was everything we thought it would be. Check out MONSTERBASS the #betterbox and use code SAVE15 to get your first box for $10.  LINK BELOW Brand Ambassador/Pro Staff/Affiliate: Okuma: https://bit.ly/2Ns0HV6 Monsterbass: https://bit.ly/3ASUNkd Waterland Co: https://www.waterlandco.com/ USE CODE BURLY15 FOR 15% OFF Super K Jigs: https://superkjigs.com/ USE CODE BURLY15 for 15% OFF Aqua-Vu: www.aquavu.com/?ref=burlyfishing Want to send us products/gear to review!? P.O. Box 262 Lowell, MI 49331 Follow BurlyFishing: https://www.youtube.com/channel/UC2gb8TiUrLsEnqzD6mfFw_g Podcast: https://megaphone.link/WPCM8184128441 Instagram: instagram.com/burlyfishing and instagram.com/paul_j_glass Facebook: facebook.com/burlyfishing Subscribe to my channel: https://bit.ly/3cPZPRG Tik Tok: www.tiktok.com/@burlyfishing Learn more about your ad choices. Visit megaphone.fm/adchoices

Takumi Ito joins the show this week. Hot off his Bassmaster Elite Series win at the St Lawrence River. This amazing angler and his infectious excitement about angling and his life long dream of becoming a Bassmaster champion is truly incredible and inspiring.