Podcasts about canadian museum

This episode of Burn It All Down was recorded in front of a live audience on May 26, 2025, at the North American Society for Sports History's annual conference, which took place at the Canadian Museum of History in Gatineau.We're back, one more time, for another one-off live show. We are not resuming weekly shows at this point. If you are interested to bringing BIAD to your location for a live show, please contact us through our website: https://www.burnitalldownpod.com/EPISODE SUMMARY:This week, Shireen, Lindsay, Amira, Brenda, and Jessica talk about sports in this moment of upheaval.  They discuss athlete activism (or the lack thereof), what we can learn about right now from what has come before, what all of these means on an international level, and how sports intersects and affects the so-called “culture wars” directly.And, as always, you'll hear the Burn Pile and Torchbearers, starring Nikola Čorbová, the first woman to finish the brutal 138-mile Himalaya XTRI triathlon.EPISODE NOTES: We want to thank Dr. Russell Field and everyone at NASSH for bringing us together for this live show. This episode was produced by Martin Kessler. Shelby Weldon is our social media and website specialist. For show notes, transcripts, and more info about BIAD, check out our website: http://www.burnitalldownpod.comNOTE: We will have a transcript for this episode available on our site as soon as we can, though not as quickly as we used to. We are not the well-oiled machine we used to be; things take more time these days.For BIAD merchandise: https://teespring.com/stores/burn-it-all-downFind us on Blueskey: https://bsky.app/profile/burnitalldownpod.com; Facebook: https://www.facebook.com/BurnItAllDownPod/; and Instagram: https://www.instagram.com/burnitalldownpod/.

Some institutions become such an essential part of a community that people take their presence for granted, trusting they'll always be there in times of need. But what happens when the institution itself is in crisis? In this final episode of the season we look at the history of the Collingwood General and Marine Hospital, beginning with a day in 1942, when the hospital faced just such a moment, and the people of Collingwood came together in a remarkable way, showing the strength and spirit of our community. Following the story we invite our listeners to join us over the summer months for our one-of-a-kind children's programming in July and August ... spaces fill up quickly so plan accordingly. We also invite you to check out our latest travelling exhibit from the Canadian Museum of Immigration at Pier 21 “A History Exposed: The Enslavement of Black People in Canada.” There is a reminder to keep an eye out (or an ear open) for our Summer Short Stories to tide you over until Season 5 begins in September. And finally a word of thanks to all who continue to make this podcast a reality (not the least of which is you the listeners!) As always, we would love to hear from you. Comments, questions, suggestions for story ideas? Let us know by dropping us a line museum@collingwood.ca or leaving us a message 705-445-4811. See you all in September!Episode Picture:Undated postcard of the Collingwood General and Marine Hospital and Nurses Home [Collingwood Museum Collection2105.6.2]Research:Evening Telegram June 24, 1942Enterprise Bulletin, June 25, 1942https://www.collingwoodtoday.ca/then-and-now/then-and-now-collingwoods-hospital-retains-marine-tribute-for-over-135-years-8528877Enterprise Bulletin, July 31, 1953CGMH Annual Report, 1963https://yourfuturehospital.com/about/about-page.php?id=1https://www.collingwoodtoday.ca/local-news/health-minister-visits-collingwood-hospital-for-funding-announcement-9947056https://cgmh.on.ca/news-article/tomorrow-is-built-today-cgmh-and-cgmh-foundation-launch-bold-vision-for-the-future-Links:“The Country Doctor Who Organized a Town” Season 3, Episode 6https://creators.spotify.com/pod/show/cwoodstories/episodes/The-Country-Doctor-Who-Organized-a-Town-e2f4shm“Miss Dawson's Babies” Season 4, Episode 7https://creators.spotify.com/pod/show/cwoodstories/episodes/Miss-Dawsons-Babies-e2vh39n

Curating Dinosaurs II Curate Harder! On this episode we welcome Jordan Mallon, a long-time collaborator of Dave's and, against the odds, a long-time listener of Terrible Lizards. While we talk about Jordan's research and career in this pod, and his work on dinosaur sizes and ecology, this one also serves as something of a sequel to our previous episode. That's because he is also the curator of the Canadian Museum of Nature in Ottawa, the national natural history museum of Canada. It's a much more typical collection than the one we talked about last time out, so join us to learn more about how museum's work, the importance of the behind-the-scenes jobs that people do, and   Links:   Support us and get extra content: https://www.patreon.com/terriblelizards   A short interview Jordan did with Dave years ago: https://archosaurmusings.wordpress.com/2017/03/06/buried-treasure-jordan-mallon/   A blogpost by Dave on his paper with Jordan on giant T. rex. https://archosaurmusings.wordpress.com/2024/07/24/on-the-trail-of-giant-tyrannosaurus-rex/   Jordan's webpage at the Canadian Museum of Nature https://nature.ca/en/our-science/science-experts/jordan-mallon/

Guest: Sara England, curator of temporary and travelling exhibitions at the Canadian Museum of Immigration at Pier 21

It started with a little hole at the base of an Eastern White Cedar (Thuja occidentalis) tree, and a couple of seeds. Who had collected and consumed the contents of the seeds? What about the feathers? And the boney remnants of bill?Join me as I go deep down a Deer Mouse (Peromyscus maniculatus) hole. To learn more : Mammal Tracks and Sign by Mark Elbroch and Casey McFarland. Stackpole Books, 2019.Natural History of Canadian Mammals by Donna Naughton. Canadian Museum of Nature and University of Toronto Press, 2012.Bird Feathers by David Scott and Casey McFarland. Stackpole Books, 2010.Animal Skulls by Mark Elbroch. Stackpole Books, 2006.

In which we overview the story of the Black Nova Scotia once known as Africville, as well as briefly discussing Jeffrey Colvin's novel Africaville, which was inspired by the events. --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana) --- Further Readings Colvin, Jeffrey. Africaville: A Novel, HarperCollins, 2019. McRae, Matthew. "The Story of Africville," Canadian Museum for Human Rights, Feb. 23, 2017. Remember Africville. Directed by Shelagh Mackenzie, National Film Board, 1991.

Rothesay artist Carol Taylor and Xavier Gelinas curator of political history at the Canadian Museum of History in Gatineau talk about her work and the idea of it being preserved in the Canadian Museum of History for future generations.

In July 2024, I went to Ottawa and Gatineau to tour several museums. The first museum I visited was The Canadian Museum of History. It was a transformative experience. Support: patreon.com/canadaehx Merch: https://www.ohcanadashop.com/collections/canadian-history-ehx Donate: buymeacoffee.com/craigu Donate: canadaehx.com (Click Donate) E-mail: craig@canadaehx.com Twitter: twitter.com/craigbaird Threads: https://www.threads.net/@cdnhistoryehx Tiktok: https://www.tiktok.com/@cdnhistoryehx YouTube: youtube.com/c/canadianhistoryehx Want to send me something? Craig Baird PO Box 2384 Stony Plain PO Main, Alberta T7Z1X8 Learn more about your ad choices. Visit megaphone.fm/adchoices

Santiago Guzmán is an award winning playwright and dramaturge. He is also a director and actor. They spoke with host Jeff Douglas about what this means to him and the impact being the artist in residence for the Canadian Museum of Immigration at Pier 21 could have.

There are *at least* 60,000 known species of them, and depending on how you slice it, you could say that one out of every 15 species ON EARTH is a weevil. Why then are so many people so in the dark about what they are, and what they're after? This episode of the podcast is here to remedy that lack of info, with special gues Dr. Bob Anderson of the Canadian Museum of Nature.

Welcome to MuseNews, the BCMA's monthly museum sector news podcast. Each month we recap some of the latest news, happenings, and announcements from museums, galleries, and heritage organizations across BC and beyond. Join Leia and Ryan as we explore the latest MuseNews! October 2024 News: Federal funding kicks off initial upgrades of Vancouver's Space Centre Kamloops Art Gallery to begin search for new executive director as Chrumka bows out Artists re-interpret Chung Collection on the 25th anniversary of its donation to UBC Vernon museum collection includes numerous Indigenous records and objects it wants to return Jim Hughson among loaded list of BC Sports Hall of Fame inductees Residential school memorial created in Port Hardy dedicated at Canadian Museum of History Victoria Chinatown Museum to be made permanent Proposed Inner Harbour attraction would present Indigenous, settler experiences 'side by side' Greater Vernon Cultural Centre user fees will be set by RDNO, museum and art gallery Fort St. John Museum hosts record-breaking Halloween party PHOTOS: Halloween Haunt hits B.C. Aviation Museum in North Saanich Aldergrove museum handing out treats for 6th Halloween If you have news you want to share on this program, please email us at bcma@museum.bc.ca.

Flying at high speed and low level, RCAF pilot Allen French was at the sharp end of potential nuclear bombing missions during the Cold War. Born at the dawn of the baby boomer era, Allen delves into his early inspirations, his father's service in the Royal Canadian Air Force, and the pivotal moments that led him to join the Air Force. From training on the Canadair CT-114 Tutor to flying the iconic F-86 Sabre and CF-104 Starfighter, Allen shares firsthand accounts of Cold War tensions, nuclear deterrence strategies, and the challenges of high-speed, low-level navigation across Europe. Around 50% of over 200 Canadian Starfighters were lost in accidents. You'll hear about Allen's near-death experience at a West German airbase and many other personal anecdotes that bring history to life. Thanks to Bernardo Scheliga who put me in contact with Allen. He and Allen are volunteers at the Canadian Museum of Flight. You can find details here  https://canadianflight.org/ Episode extras https://coldwarconversations.com/episode369 All our air power episodes in one convenient playlist https://open.spotify.com/playlist/4QVY3bWNLFSd62iBkPzRh9?si=31342ec59eb54762   The fight to preserve Cold War history continues and via a simple monthly donation, you will give me the ammunition to continue to preserve Cold War history. You'll become part of our community, get ad-free episodes, and get a sought-after CWC coaster as a thank you and you'll bask in the warm glow of knowing you are helping to preserve Cold War history. Just go to https://coldwarconversations.com/donate/ If a monthly contribution is not your cup of tea, We also welcome one-off donations via the same link. Find the ideal gift for the Cold War enthusiast in your life! Just go to https://coldwarconversations.com/store/ Support the project! https://coldwarconversations.com/donate/ Follow us on Twitter https://twitter.com/ColdWarPod Facebook https://www.facebook.com/groups/coldwarpod/ Instagram https://www.instagram.com/coldwarconversations/ Youtube https://youtube.com/@ColdWarConversations Love history? Join Intohistory https://intohistory.com/coldwarpod   Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new exhibit that examines the enslavement of Black people in Canada will open at the Canadian Museum of Immigration at Pier 21 on Emancipation Day next week. It's called A History Exposed, and the guest curator behind it is Afua Cooper, a Dalhousie University professor and the Killam Research Chair of Black History and African Diaspora Studies. She spoke with Mainstreet's Alex Guye.

Christ Kennedy from Moncton, New Brunswick asks: If someone had the means to, how close could we bring the Moon to the Earth while still keeping it in orbit around us? And fast would a month fly by?Answer from Brett Gladman, a professor of astronomy at the University of British Columbia,Matoli Degroot from Manitoba asks: Do animal species in the wild get bigger over time, since the bigger males would end up mating more than the smaller ones?Answer from Danielle Fraser, head of paleobiology at the Canadian Museum of Nature in Ottawa.Bill Sullivan from Hamilton, Ontario asks: Why does the hair on my head turn grey while hair on the rest of my body does not change colour?Answer from Frida Lona-Durazo, a postdoctoral fellow in computational genetics at the University of Montreal, who's studied the genetics of hair colour.Dan from Quebec City asks: We know that the Earth's crust is built of plates that float on the molten centre of the Earth. What is the force that moves those plates?Answer from Alexander Peace, an assistant professor in the School of Earth, Environment and Society at McMaster University in Hamilton, Ont.Frances Mawson from Heckmans Island in Nova Scotia asks: Prey animals like deer are intermittently forced to flee from various predators. When danger has passed, they pause for a moment and then resume browsing. How can they recover so quickly? Answer from wildlife ecologist and Western University professor Liana Zanette.Richard Lukes from Winnipeg asks: As a hydro generating station generates energy, what is the effect on the downstream water? Has the temperature of the water been lowered? If so, then could hydropower help to cool the oceans and combat global warming?Answer from Jaime Wong, an Assistant Professor in the Faculty of Mechanical Engineering at the University of Alberta.Luc in Edmonton asks: With more people planting native grasses and plants around their houses and businesses in cities, will the bird population in these cities change or increase?Answer from Sheila Colla, an Associate Professor in the Faculty of Environmental & Urban Change at York University and York Research Chair in Interdisciplinary Conservation Science.John Ugyan from Kelowna, British Columbia asks: If atoms are 99.99% empty, why do our eyes see matter as if it was 100% solid? Answer from condensed matter physicist, Cissy Suen. who's a joint PhD student from UBC's Quantum Matter Institute and the Max Planck Institute for Solid State Research in GermanyDebbie Turner in Fenelon Falls, Ont. asks: How does climate change affect animals that hibernate?Answer from Jeffrey Lane, an associate professor in the department of biology at the University of Saskatchewan.Greg Hollinger from Owen Sound, Ontario asks: Since the planets orbit the sun in a plane, does their combined gravity pull on and distort the shape of the sun?Answer from Roan Haggar, a postdoctoral fellow at the University of Waterloo's Centre for Astrophysics.

The drive to belong to an in-group and the tendency to observe differences in others are core parts of the human condition. But differentiating can (and often does) turn deadly when it morphs into othering. Jason, Rob, and Asher try not to other one another as they explore the roots and consequences of othering, and the ins and outs of belonging as a key organizing principle of society.Warning: This podcast occasionally uses spicy language.Sources/Links/Notes:Wes Tank rapping Fox in SocksThe Sneetches and Other Stories by Dr. SeussDefinition of othering from the Canadian Museum for Human RightsStereotype Content ModelSusceptibility to otheringOthering and Belonging InstituteBook by john a. powell and Stephen Menendian - Belonging Without Othering: How We Save Ourselves and the WorldCrazy Town episode 51 on colonization and the mindset of extractionSeeing White podcastRacial Equity InstituteColonial roots and other drivers of genocide in RwandaTrump's reprehensible remarks about immigrants and about liberalsThe dystopian, othering politics of Balaji Srinivasan (article by Gil Duran in The New Republic)Christian Picciolini's Ted Talk about how he stopped othering and helps more people do the sameMarnita's TableNeedham Resilience NetworkSupport the Show.

It's on every continent, and in every terrestrial ecosystem. It's beneath our feet on most hikes and it's often overlooked: lichens! In this episode, Dr. Troy McMullin, the chief lichenologist at the Canadian Museum of Nature, gives an insightful overview of what lichens are, describes their many interesting strategies, and shares why you should care. We dive into their unique symbiotic partnership, their range of amazing structures, and how they are an important part of our future here on Earth. Grab a jeweler's loupe, put on your adventure shoes, and immerse yourself in a tiny world of awe and wonder. Troy McMullin Biography Lichens: The Macrolichens of Ontario and the Great Lakes Region of the United StatesThe Secret World of Lichens: A Young Naturalist's GuideGrab your Learning from Nature merch!Follow Lily on Instagram: @lilylearnsfromnature Thank you Pine Peak Productions for helping to evolve Learning from Nature to the next level! Support the Show.

Information Morning's Jerry West visits the Canadian Museum of Immigration at Pier 21 to explore an exhibit documenting Operation Parasol. He speaks with Jan Raska, the curator of the exhibit, and Arta Rexhepi, who arrived in this country as a Kosovar Refugee at age 13. 

Join me as I chill with paleontologist Dr. Jordan Mallon! More specifically, Jordan is a paleobiologist that specializes in paleoecology, functional morphology, horned dinosaurs and other areas of interest. He is an adjunct research professor at Ottawa's Carleton University as well as a research scientist with the Canadian Museum of Nature. Jordan has a ton of experience working out in the field on dig sites and has even had the honour of naming three different prehistoric creatures! The podcast kicks off with Jordan recalling how he first fell in love with dinosaurs at a young age, before diving into some of the history of paleontology as a science. Which leads to some very interesting facts about fossils, holotypes and taphonomy. I then learn why it's so important to relocate old quarries from the 20th century, which may contain crucial, overlooked data. Jordan gives a glimpse into how vastly different North America used to be, while also discussing how so many large beasts might've been able to coexist. He also breaks down how fossilized dinosaur feathers are now allowing scientists to calculate what colour some of these animals actually would have been! Plus facts about microsites, dental batteries, the late-cretaceous extinction event and lots of other stuff, in this dino-riffic episode! Recorded on April 3rd, 2024 Audio/Visual Production by Brian Reilly Edited (poorly) by Oliver George Additional editing and graphics by Maverick Reilly ARCADE- Oliver: 26 / Guests: 14 (Jordan kicked butt!) ©2024 Just Chill with Oliver George

Danielle Paradis speaks to Martin Sommerkorn, one of the lead writers on the Polar Regions chapter of the Intergovernmental Panel on Climate Change report and Amanda Savoie, a Marine biologist at the Canadian Museum of Nature. As one of the lead writers, Martin talks about the Arctic and Antarctic, highlighting the urgency for global action to lessen the burning of fossil fuels. From melting ice caps to biodiversity loss, the podcast discusses the multifaceted impacts of climate change on these fragile ecosystems.   Credits: The show is written and recorded by me, Danielle Paradis, audio edited by Jesse Andrushko and Danielle Paradis, produced by Mark Blackburn, theme music by Angela Amraualik, cover art by Anne Qammaniq-Hellwig   You can email me, dparadis@aptn.ca    Learn more about The Place That Thaws: https://www.aptnnews.ca/theplacethatthaws/ Hear more APTN News podcasts: https://www.aptnnews.ca/podcasts/ If you like this podcast, consider donating to support Indigenous news here: https://www.aptnnews.ca/contribute/   Sources for this episode: IPCC report on the Ocean and Cryosphere in a changing climate: Polar regions https://www.ipcc.ch/srocc/chapter/chapter-3-2/

Today, we're delving into the legacy of former Canadian Prime Minister Brian Mulroney with Stuart Murray, who shares firsthand memories from Mulroney's 1984 election campaign. We discuss Mulroney's leadership, his efforts to unite Canada, and the controversies surrounding his government's decisions. Despite criticism, Mulroney was known for bold thinking, evidenced by his free trade agreement with the US and Mexico, which polarized opinions. We also explore Mulroney's personal relationships with global leaders and his post-political advocacy work. Stuart's passion for human rights extends to his vision of Winnipeg as a hub for international human rights education, with the Canadian Museum for Human Rights at its forefront. Join us as we reflect on Mulroney's legacy and imagine Winnipeg's potential as a beacon for human rights advocacy. Stay tuned for more insightful discussions on "You May Also Like...". Learn more about your ad choices. Visit megaphone.fm/adchoices

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward's hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London's Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.Edward's distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography's Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York's annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world. In episode 224, Edward discusses, among other things:His transition from film to digitalStaying positive by ‘moving through grief to land on meaning'Making compelling images and how scale creates ambiguityDefining the over-riding theme of his work early onThe environmental impact of farmingWhether he planned his careerWhy he started a lab to finance his photographyAnd how being an entrepreneur feeds into his work as an artistVertical IntegrationExamples of challenging situations he has facedThe necessity for his work to be commoditisedHis relative hope and optimism for the future through positive technologyThe importance of having a hopeful component to the workHow he offsets his own carbon footprint Referenced:Joel SternfeldEliiot PorterStephen ShoreJennifer BaichwalNicholas de Pencier Website | Instagram“The evocation of the sense of wonder and the sense of the surreal, or the improbable, or ‘what am I looking at?', to me is interesting in a time where images are so consumed; that these are not for quick consumption they're for… slow. And I think that when things reveal themselves slowly and in a more challenging way, they become more interesting as objects to leave in the world. That they don't just reveal themselves immediately, you can't just get it in one quick glance and you're done, no, these things ask you to look at them and spend time with them. And I discover things in them sometimes that I never saw before. They're loaded with information.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

Episode 13 looks at antisemitism in Winnipeg media, concealed under the guise of far-left "intersectionality" and claims that it's only anti-Zionism, not antisemitism. Even with Justin Trudeau shoveling millions of dollars annually into the newspaper, the Winnipeg Free Press needs every reader and advertiser they can get. But when the pages are filled with slanted reporting and mean-spirited opinions that insult the public, it's a losing battle. 3.00 - To stem the tide, WFP editor Paul Samyn emailed a mea culpa to readers on Jan. 24. This was after blatant failures to flag a sexist column by Tom Brodbeck about former Premier Heather Stefanson ("for that we apologize"); an unhinged attack on unvaccinated Manitobans that "provided us with no immunity against the criticism that came our way"; and ongoing complaints about coverage of the Gaza War. You'll hear how his "adjusting the mix on our letters page" instead opened the door last Saturday to Hamas-supporting leftists- who laugh about the paper being their useful idiots. Samyn assured readers their feedback was "helping the Free Press be stronger, a trusted place you can turn to for defining the news of the day and debating the issues of our time." In less than 48 hours, he was forced to eat his words. 11:00 Part 2- Three columns in the Winnipeg Jewish Review provided a scathing rebuke to a review by Jen Zoratti of an event hosted by Gail Asper exposing the sexual violence of Hamas on Oct. 7. First, Marty Gold reads some of the unbelievably rancid comments from Zoratti. Then, he recaps the op-ed of Jessica Cogan, herself a feminist, who was at the program on January 24 at the Canadian Museum for Human Rights. "I am left wondering how Ms. Zoratti could have left that program with the viewpoint that she did, without even a shred of compassion for the victims discussed that evening... she goes on to scold us for the way we are being forced to "bear witness". Does Ms. Zoratti live under a rock?"  "Ms. Zoratti then accuses the Jewish Community, including Jewish women, of exploiting "women's bodies to drive a political agenda and justify violence." This is victim-blaming of the highest order. In what gender studies classes did Ms. Zoratti learn this approach?" Cogan asked, "Would Ms. Zoratti go to an event hosted by the Muslim, Black, or Indigenous communities and have the audacity to "what about" them? Tellingly, Ms. Zoratti had no hesitation in doing so to the Jewish Community. Again, it speaks for itself." Samyn may have to issue another mea culpa, since "The one glaring omission from Ms. Zoratti's opinion was any hint of compassion or empathy towards the Israeli victims or the members of Winnipeg's Jewish community who assembled that evening." 22:54 Part 3- We tell you how Larry Pinsky, a Winnipeg lawyer, went even further in his op-ed, Holocause Remembrance And October 7: How Do You Fix A Problem Like Zoratti? "Ms. Zoratti, who usually is held out in the paper as an entertainment columnist... denigrated the survivors and victims of the mass sexual assaults and other crimes committed by Hamas and their co-conspirators." "Ms. Zoratti paid lip service to believing that these vile crimes were committed, using the word "ostensibly" (and) takes aim at the solemn presentation of the proof of Hamas's crimes... She said that the solemn evening veered into "agitprop". " "While Ms. Zoratti might have a political agenda, and while she might want to gas light in the tradition of her Marxist forbearers, the facts are the facts... To top off this tripe, Ms. Zoratti abused her presence at this earnest evening to accuse Israel of apartheid." 31:32 Part 4- WJR editor Rhonda Spivak piled on another problem for Samyn, after Faith reporter John Longhurst tweeted "great column" to Zoratti. "(He) has set back interfaith relations... How does Longhurst  propose to repair that which he has damaged?" And, we wonder, how will his boss? Comments/Support via Interac: martygoldlive@gmail.com

In this podcast episode, Nicole O'Byrne talks to James Naylor, Rhonda L. Hinther, and Jim Mochoruk about their book, For a Better World: The Winnipeg General Strike and the Workers' Revolt, published by UMP in September 2022. Canada's largest and most famous example of class conflict, the Winnipeg General Strike, redefined local, national, and international conversations around class, politics, region, ethnicity, and gender. The Strike's centenary occasioned a re-examination of this critical moment in working-class history, when 300 social justice activists, organizers, scholars, trade unionists, artists, and labour rights advocates gathered in Winnipeg in 2019. Editors Naylor, Hinther, and Mochoruk depict key events of 1919, detailing the dynamic and complex historiography of the Strike and the larger Workers' Revolt that reverberated around the world and shaped the century following the war. For a Better World interrogates types of commemoration and remembrance, current legacies of the Strike, and its ongoing influence. Together, the essays in this collection demonstrate that the Winnipeg General Strike continues to mobilize—revealing our radical past and helping us to think imaginatively about collective action in the future. James Naylor is the author of The Fate of Labour Socialism: The Co-operative Commonwealth Federation and the Dream of a Working-Class Future (2016). He is a professor of history at Brandon University. Rhonda L. Hinther is a professor in the Department of History at Brandon University, and an active public historian. Prior to joining BU, she served as Director of Research and Curation at the Canadian Museum for Human Rights and, before that, as Curator of Western Canadian History at the Canadian Museum of History. She is the co-editor of Civilian Internment in Canada: Histories and Legacies. Jim Mochoruk has taught at the University of North Dakota since 1993. His books include Formidable Heritage: Manitoba's North and the Cost of Development, 1870 to 1930. Image Credit: UMP If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.

The Canadian Museum of Immigration at Pier 21 in Halifax is teaming up with two freelance photographers from Montreal to create an exhibit that humanizes those who have been on the move in recent international migrations. Photographer Darren Ell and curator Dan Conlin join host Jeff Douglas to talk about Crossing Lines, which opens on Wednesday.

OIC, RSA, Canadian Museum for Human Rights https://www.middleeastmonitor.com/20231214-oic-condemns-israels-decision-to-seize-properties-in-jerusalem/ https://www.standard.co.uk/news/london/march-for-palestine-protest-london-royal-society-of-arts-israel-tzipi-hotovely-b1127102.html https://winnipeg.ctvnews.ca/pro-palestinian-demonstrators-march-on-canadian-museum-for-human-rights-1.6681745 #peoplearerevolting twitter.com/peoplerevolting Peoplearerevolting.com movingtrainradio.com

Episode 298: Last week, we learned how Chinese immigrants have significantly contributed to Western Canada's development since 1788, playing critical roles in trade, gold rushes, and railway construction. Despite their contributions, they faced severe discrimination and exploitation, particularly during the railway construction in the early 1900s. Post-railway completion, they suffered rights losses and were subject to a prohibitive head tax, escalating to $500, which failed to deter immigration. Enduring nativist racism and accusations of moral and social threats, their plight culminated in the dark chapter of Canadian history on July 1, 1923, as the Chinese Exclusion Act came into law. Sources: Federal Exclusion Act - Province of British Columbia Chinese Immigration Act, 1923 | Canadian Museum of Immigration at Pier 21 Chinese Head Tax in Canada (Plain-Language Summary) 1872 - Indigenous and Chinese Peoples Excluded from the Vote When Chinese in Canada Were Numbered, Interrogated, Excluded What was the Chinese Exclusion Act in Canada? 3 things you might not know - Beyond Chinese Immigration records – Library and Archives Canada Blog Douglas Jung The Chinese head tax and the Chinese Exclusion Act | CMHR  Formal apology to Chinese Canadians Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 297: The history of Chinese immigration to Canada is a story marked by adversity. Chinese labourers played a pivotal role in building the Canadian railway under harsh conditions, yet faced institutional discrimination, including the Chinese Exclusion Act of 1923, which limited immigration and separated families for years. Despite these challenges, the Chinese community's resilience has left an indelible mark on Canadian culture. Today, we honour their contributions and recognize the need to confront our history's shadows, striving for a more inclusive Canadian identity that values people of all backgrounds. Sources: Was 'old-stock Canadians' coded language — or a simple screw-up? | CBC News 1872 - Indigenous and Chinese Peoples Excluded from the Vote The Fraser River Gold Rush and the Founding of British Columbia Chinese Head Tax in Canada (Plain-Language Summary) Indigneous People Chinese Immigration Act, 1923 | Canadian Museum of Immigration at Pier 21 Federal Exclusion Act - Province of British Columbia Sir John A. Macdonald – Dictionary of Canadian Biography Biography – CHU LAI – Volume XIII (1901-1910) – Dictionary of Canadian Biography Chinese Head tax: George Yee's story Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings & welcome back to the podcast. This episode we are joined by Ian MacGregor - President of North West Capital Partners - a family office that invests in undiscovered & under valued assets. Prior to North West Capital, Ian MacGregor was the founder, president, chief executive officer and chairman of North West Refining, a 50-percent partner in the North West Redwater Partnership - a $25-billion bitumen refining complex in Alberta's Industrial Heartland. Mr. MacGregor was also the founder of  Enhance Energy Inc.  Ambyint and Shackleton Exploration & is currently developing a real estate development Carriag Ridge located  halfway between the City of Calgary and Banff. Ian is the founder of the Canadian Museum of Making, a 20,000-square-foot internationally recognized museum with a world-class collection of African metalwork and machinery dating back to the Industrial Revolution, as well as an extensive collection of early oil field equipment.  Ian received his B.Sc. in mechanical engineering from the University of Calgary in 1971.Among other things, we sat down and discussed Refineries, Museums & Real Estate: A Few Lessons from 50 Years in Business.This podcast episode is sponsored by Connate Water Solutions.Do you need cost effective water sourcing options to supply your next drilling or completions program?Connate Water Solutions is a specialized hydrogeology company focused on water well drilling, testing and water management services in Western Canada and Texas.Contact info@connatewater.com or www.connatewater.com for more details.This podcast is sponsored by Headracingcanada.comLooking for high performance ski gear this winter? In partnership with 4x-Olympian Manny-Osborne Paradis, Headracingcanada.com is offering the lowest prices possible through its online storefront, by passing brick and mortar savings to customers. Check out  Headracingcanada.com for more info on high performance gear for the upcoming ski season.      Support the show

Everyone knows empathy is a vital skill to master when it comes to leadership, but what tactics do established leaders use to balance humanity and expectation? What are the 3 H's to grounding your leadership skills. In this episode, Dr. Danika Goosney answers these questions and more. What You'll Learn: 1. Using data to advocate for diversity, equity and inclusion in the STEM field. 2. The 3 grounding H's of leadership: humanity, humility and humor. 3. Linking the connection between empathy and trust. 4. Conducting an energy audit to observe work trends and assess priorities. 5. Balancing transparency, oversharing, authenticity and professionalism. 6. Reframing situations from a different lens to paint the whole picture. 7. What actually makes for a good mentor. 8. Maximizing impact with data by telling a good story and knowing the audience. 9. 3 ways to maintain resilience as an individual and a leader. Who is Danika? Dr. Danika Goosney, appointed as Vice-President at NSERC in 2019, holds a first-class honors Bachelor of Science and a PhD from the University of British Columbia, where she earned the Governor General's Gold Medal. With a background in microbiology and immunology, she pursued postdoctoral training at the Scripps Research Institute before contributing to Vancouver-based biotech firms. Over nearly a decade at CIHR and later at the Social Sciences and Humanities Research Council, she played pivotal roles in research, knowledge translation, and ethics. Dr. Goosney is nationally recognized for her positive leadership in equity, diversity, and inclusion in STEM, advocating for open science and science literacy, while also passionately mentoring those seeking careers in science policy and public service. She now serves as Director and Chief Executive Officer, Canadian Museum of Nature. Follow Danika: LinkedIn: https://www.linkedin.com/in/danika-goosney-ph-d-a361b42/ More of Do Good to Lead Well: Website: https://craigdowden.com/ LinkedIn: https://www.linkedin.com/in/craigdowden/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/craig-dowden/message

The recently opened Chinese Canadian Museum in Vancouver celebrates the contributions and sacrifices of Chinese Canadian communities across the country. The museum's CEO Dr. Melissa Lee joins Christoph Clodius to talk about their new role, the Director of Development. She explains the responsibilities of the person who will be hired for this position, as well as the requirements and qualities they are looking for. She also shares about the Chinese Canadian Museum's mandate, mission, and startup culture centered on energetic interaction and inclusivity.

In 1972, when Dr. Jan L. Perkowski (pictured) published a report on the strange happenings in Wilno, Ontario, it made international headlines and forever tied the small Eastern Ontario community to Vampire stories. The town has been eager to shake this reputation – focusing instead on its history as the first Polish settlement in Canada. But the vampire lore endures and any online search or local mention of “Wilno” will quickly come up with endless references to vampires. But, there is so much more to the story. In the episode, we share the lesser-reported eyewitness accounts that Perkowski gathered from the locals. They are terrifying and odd. Blending old-world superstitions and beliefs with modern life. Want to read Dr. Perkowski's report for yourself? Download it here from The Canadian Museum of History. If you enjoyed this episode, you might also like: Episode 104 – Vampire Hunting

The Canadian Museum of Immigration at Pier 21 has announced its artist-in-residence for 2023 and it's poet, playwright, artist and ecologist shalan joudry from Bear River First Nation. Guest host Preston Mulligan spoke to shalan about her work and the role.

Welcome to the Juras-Sick Park-Cast podcast, the Jurassic Park podcast about Michael Crichton's 1990 novel Jurassic Park, and also not about that, too.  Find the episode webpage at: Episode 65 - Epilogue: San Jose. In this episode, my terrific guest Dr. Jordan Mallon returns to the show to chat with me about: 65 million years ago, the end-Cretaceous extinction event, mammals claiming the earth, the Repenomamus (a mammal) eating a psittacosaurus!, the other animals that weren't dinsoaurs, during the Mesozoic, fieldwork results from summer 2023, skin impressions in champsosaurs, charismatic megafauna, microraptors eating mammals, the Canadian Museum of Nature, the styracosaurus holotype, the edmontosaurus which is Canada's oldest dinosaur mount, a huge triceratops skull collected in 1929 from southern Sastachewan, an exceptional pteranodon specimen, Russell's "Dinosauroid" named Herman,  the CMN's Open House in Gatineau, QC when the collections are open to the public, Tiktaalik the lobe-finned fish, Dr. Peter Dodson and horned dinosaurs, taking career advice from movies in the 90s, Terminator 2: Judgement Day, the ending to Jurassic Park, and much more! Plus dinosaur news about: A New Titanosaurian Sauropod from the Upper Cretaceous of Jiangxi Province, Southern China A new avialan theropod from an emerging Jurassic terrestrial fauna Featuring the music of Snale https://snalerock.bandcamp.com/ Intro: Sacrifice to the Inhuman Creature, and Late Bloomer and  Outro: Buzzsaw Party Boy. The Text: This week's text is Epilogue: San Jose, spanning from pages 397 – 399. Synopsis: Several days have passed since the InGen Incident, and Costa Rica doesn't know what to do with the Americans they've rescued from Isla Nublar. At a hotel where the Americans are being kept, Dr. Marty Guitierrez visits to speak with Dr. Grant to ask some questions. But the reality is, after what happened at Jurassic Park, nobody is going anywhere anytime soon! Discussions surround: Cloning dinosaurs, The Ending, the sequels we don't get, and what's so great about dinosaurs. Corrections: Side effects:  May turn you into a blubbering mess.    Find it on iTunes, on Spotify (click here!) or on Podbean (click here). Thank you! The Jura-Sick Park-cast is a part of the Spring Chickens banner of amateur intellectual properties including the Spring Chickens funny pages, Tomb of the Undead graphic novel, the Second Lapse graphic novelettes, The Infantry, and the worst of it all, the King St. Capers. You can find links to all that baggage in the show notes, or by visiting the schickens.blogpost.com or finding us on Facebook, at Facebook.com/SpringChickenCapers or me, I'm on twitter at @RogersRyan22 or email me at ryansrogers-at-gmail.com.  Thank you, dearly, for tuning in to the Juras-Sick Park-Cast, the Jurassic Park podcast where we talk about the novel Jurassic Park, and also not that, too. Until next time!  #JurassicPark #MichaelCrichton

The Canadian Museum of Immigration at Pier 21 is hosting a new exhibition starting Tuesday. It's called Hearts of Freedom: Stories of Southeast Asian Refugees. Host Jeff Douglas spoke with the exhibit's creator, Stephanie Phetsamay Stobbe, to learn what it's all about.

Welcome to Witness to Yesterday. This summer, we will be reissuing our top 10 episodes. We hope you enjoy revisiting these with us. The Witness to Yesterday team is working hard, and we're excited to bring you the next new season in September, 2023. Thank you for listening. Original Episode Description: Patrice Dutil discusses the uses of the War Measures Act in twentieth century Canada with Xavier Gelinas, the curator of political history at the Canadian Museum of History in Gatineau and the co-author of Lost Liberties: The War Measures Act, published by the Canadian Museum of History. The discussion examines the origins of this legislation and its application during the First World War, the Second World War and during the October Crisis of 1970. The motivations of the various governments are examined as are the chief victims of the WMA: relatively new immigrants, Japanese Canadians during 1942-45 and dissidents. The WMA is also considered for what it reveals about Canadian political culture. Finally, the difficulties in rendering judgment are explored. This podcast was produced by Jessica Schmidt. If you like our work, please consider supporting it: https://bit.ly/support_WTY. Your support contributes to the Champlain Society’s mission of opening new windows to directly explore and experience Canada’s past.

What role does youth engagement play in leadership development? What role does it play in building relationships and meaningful careers? Host Sam Bird speaks with veteran youth engagement expert Jocelyn Formsma, CEO of the National Association of Friendship Centres (NAFC) about how her extensive experience on youth councils led to her on path to leading a national organization.     In addition to leading the NAFC, Jocelyn is a Board Member of the Indigenous Bar Association, Advisor to the Ontario Indigenous Youth Partnership Project and on the Board of Trustees for the Canadian Museum of Human Rights.   Our theme music is from Minou-Pimatiswen by Nigel Irwin and the Chippewa Travellers. Supplemental music provided by Nagamo Publishing.  If you enjoyed this episode, we'd love for you to share it with others and give it a five-star rating. Don't forget to subscribe to our podcast and sign-up to our newsletter to be notified about our next podcast series. Miigwech for joining us on this journey. Young People Know is a co-production between Indigenous 150+ and the Mastercard Foundation EleV program. To learn more about the Mastercard Foundation EleV Program, and the voices and visions of Indigenous young people visit their website EleV: Taking Flight Together and sign up for their newsletter.  You can also follow EleV on their socials: Instagram Facebook Twitter Linked In To learn more about Indigenous 150+ and the Indigeous 150+ media training opportunities please visit our website and sign up for our newsletter. New announcements coming soon! You can also follow Indigeous 150+ on our socials: Instagram Facebook Twitter Linked In Don't forget to subscribe and be notified when we drop our next series! A transcription of Episode 5 is available here. Baamaapii!

“I always say that insect taxonomists will never get really rich but you will see parts of the world where nobody else gets a chance to go to. It's a great chance to explore the world” This special episode with Dr. Robert Anderson of the Canadian Museum of Nature brings us across the globe and through several decades of research in a fascinating corner of the beetle world. Bob shares the origin story of his fascination with insects, how he became Major League Baseball's official entomologist, and even a musical secret about the prolific carabid beetle expert George Ball. This interview is a reflection on nearly 4 decades of entomology, and you won't want to miss a minute.  Bob Anderson's papers can be found in Zookeys, Zootaxa, The Canadian Entomologist, and many other publications. Papers mentioned in this episode include: A taxonomic monograph of the Middle American leaf-litter inhabiting weevil genus Theognete Champion (Coleoptera: Curculionidae; Molytinae; Lymantini)[2010 - Zookeys]: https://www.mapress.com/zootaxa/2010/f/z02458p127f.pdf A new species of Toxorhinus Lacordaire (Coleoptera: Curculionidae: Dryophthorinae; Rhynchophorini) from Ecuador [2023 - Zootaxa]: https://doi.org/10.11646/ZOOTAXA.5270.2.9 A revision of the North American genus Proctorus (Coleoptera, Curculionidae, Ellescini) with descriptions of two new species Coauthor: Jake H. Lewis [2022 - Zookeys]: https://doi.org/10.3897/zookeys.1131.90392 A transcript of this episode can be found here: Bob Anderson - Transcript Episode image courtesy of Bob Anderson. The weevil pictured is Cylindrocopturinus catherineae, the beautiful weevil he named after his wife Check out our website: www.newspeciespodcast.net Be sure to follow New Species on Twitter (@PodcastSpecies) and like the podcast page on Facebook (www.facebook.com/NewSpeciesPodcast) Music in this podcast is "No More (Instrumental)," by HaTom (https://fanlink.to/HaTom) If you have questions or feedback about this podcast, please e-mail us at NewSpeciesPodcast@gmail.com If you would like to support this podcast, please consider doing so at https://www.patreon.com/NewSpeciesPod

Just ahead of National Indigenous Peoples Day, two new exhibits have been installed at museums in Halifax. CBC's Brett Ruskin visited " Revealing Chignecto", which is on display at the Canadian Museum of Immigration. And Mainstreet host Jeff Douglas went down to the Museum of Natural History to check out another called "Honouring Our Ancestors".

The establishment of Canada's first Chinese Canadian Museum showcases how cultural institutions can uphold and honour the diversity of our communities. It shows the importance of representation in shaping our shared history. In this episode, Dr. Melissa Karmen Lee shares the significance of the Chinese Canadian Museum and her passion for startup organizations in the cultural space. As a female leader, Dr. Lee discusses the importance of setting an example for her two daughters as a working mom. She also discusses her strategies for building great organizations from a human-centred perspective. Tune in to hear how all about this historical cultural initiative.

Dr. Mallon is the head of Palaeobiology and Research Scientist at Canadian Museum of Nature in Ottawa, Canada. He specializes in dinosaur ecology and systematics. He recieved his Ph.D. from University of Calgary and was a post-doctoral fellow at the Canadian Museum of Nature in Ottawa, Ontario. In this conversation, we talk about the history of research on dinasaurs, what we used to know, what we know now, how our previous assumptions and knowledge has changed, how we go about daiting dinasaur fossils, how dinasaurs (which went extinct around 66 million years ago) relates to the age of the earth, and what do we do with "death" (among dinasaurs) happening long before the sin of Adam. https://nature.ca/en/our-science/science-experts/jordan-mallon/ Twitter Handle @Jordan_Mallon

The history of mokuhanga in Canada is small, yet strong. There are Canadian mokuhanga printmakers who have helped grow the art form in Canada and throughout the world, such as Walter J. Phillips (1884-1963), David Bull, Elizabeth Forrest, Barbara Wybou, to name but a few. But what if there was a tradition of printmaking you could never think have a connection with Japanese mokuhanga, thriving and growing in the Canadian Arctic?  Norman Vorano is the Associate Professor of Art History and Head of the Department of Art History and Conservation at Queen's University in Kingston, Ontario, Canada. In 2011 Norman published a book, with essays by Asato Ikeda, and Ming Tiampo, Inuit Prints: Japanese Inspiration.  This book opened me to the world of how various print traditions, so far away from each other, could influence one another. In this case, the Inuit of the Canadian Arctic in what is now known as Kinngait, have built one of the most thriving and economically sustainable print traditions in the world. But what I didn't know is that mokuhanga and the Japanese print tradition had a huge part to play in their early success.  I speak with Professor Norman Vorano about Inuit history and culture, how the Inuit print tradition began, how an artist from Toronto made his way to the Arctic, then to Japan, then back to the arctic, changing everything. Norman also speaks on how the work of sōsaku hanga printmaker U'nichi Hiratsuka influenced the early Inuit printmakers, and we discuss tools, pigments, and the globalization of art.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Norman Vorano PhD - is Associate Professor of Art History and Head of the Department of Art History and Conservation at Queen's University in Kingston, Ontario, Canada. For more information about Inuit printmaking and their association with mokuhanga you can get Norman's book, Inuit Prints: Japanese Inspiration (2011). For additonal information about Inuit printmaking and mokuhanga, Norman lectured on the subject for The Japan Foundation Toronto in 2022. The online lecture can be found, here.  A few topics that Norman and I really didn't have a chance to explore, but alluded too, was process. As wood is scarce in the Arctic, stone carving (soapstone), and linocuts are and were used. Also there is a chain within Inuit printmaking much like the hanmoto system of mokuhanga in Japan, where the Print Studio chooses images drawn by others in the community and those images are carved and printed by carvers and printers associated with the Print Studio in the Kenojuak Cultural Center in Kinngait, and then sold to the public.  Queens University at Kingston - is a public research university located in Kingston, Ontario, Canada. What began as a school for the Church of Scotland in 1841 has developed into a multi faculty university. More info can be found on their website, here.  Canadian Museum of History - one of Canada's oldest museums the CMH focuses on Canadian and world history, ethnology, and archeology. The museum is located in Gatineau, Québec, Canada. More info can be found on their website, here.  The Eastern Arctic of Canada - is a portion of the Arctic archipelago, a chain of islands (2,400 km or 1,500 mi) and parts of Québec and Labrador, located throughout the northern portion of the country of Canada. The Eastern portion discsussed in the episode is comprised of Baffin Island (Qikiqtaaluk - ᕿᑭᖅᑖᓗᒃ),  and Kinngait (Cape Dorset).  Kinngait (ᑭᙵᐃᑦ) - is located on Dorset Island at the southern part of Baffin Island in the territory of Nunavut, Canada. It was called  Cape Dorset until 2020, when it was renamed “high mountain” in the Inuktitut language.  Distant Early Warning Line (DEW)- was a radar system located in the Arctic regions in Canada, the Aleutian Islands of Alaska, the Faroe Islands, Greenland and Iceland. Its purpose was to help detect any aggression, militarily, from the then Soviet Union. This system was overseen by the Royal Canadian Air Force and the United States Air Force. It ceased activity in 1993.  The Canadian Guild of Crafts - also known as La Guilde, was established in 1906 in Montréal, Quebec, Canada. It has focused its work on preserving First Nations crafts and arts. It began working with James Houston (1921-2005) in 1948, having the first Inuit exhibition in 1949 showcasing Inuit carving and other crafts. It exists and works today. More information can be found, here. James Archibald Houston - was a Canadian artist who worked and lived in Kinngait (Cape Dorset) until 1962. He worked with La Guilde and the Hudson's Bay Company, bringing Inuit arts and crafts to an international community starting in 1948 through to the Cape Dorset co-operative of the 1950's. His work in helping to make Inuit art more commerical for the Inuit people has been documented in Norman Vorano's book, Inuit Prints: Japanese Inspiration (2011), as well as several articles from La Guilde, which can be found, here. Drum Dancer (1955) - chalk on paper West Baffin Eskimo Co-Operative - is the co-operative on Kinngait (Cape Dorset) established in 1959 and created by the Department of Natural Resources and Northern Development represented by Don Snowden and Alexander Sprudz, with James Houston. It focuses on drawings, prints, and carvings. More info can be found on their website, here.  The Department of Indian Affairs and Northern Development - in 2019 it was replaced by the Department of Indigenous Services Canada. The ISC is a government department whose responsibility is to colaborate and have an open dialogue with First Nations, Inuit and Métis peoples in Canada.  Terry Ryan (1933-2017) - was an artist and the arts director of the West Baffin Eskimo Co-Op in 1960 and General Manager in 1962. His work with the Cape Dorset Print Studio, bringing artists from all over Canada, helped to push the studio's work throughout the world. There is a fine Globe and Mail article about Terry Ryan's life and accomplishments, which can be found here.  Kenojuak Cultural Center - is located in Kinngait, and was opened in 2018 with a space of 10,440 sq ft. The KCC is a community center and space for sharing. It has a large printmaking studio, meeting spaces and exhibition spaces for work as well as a permanent gallery. It is associated with the West Baffin Eskimo Co-Operative.  Early Inuit Art - for more information regarding early Inuit art on record, from first European contact, La Guilde discusse this very topic in their article Going North: A Beautiful Endeavor, here. Grand-Mère, Québec - is a city in the province of Québec in Canada. Located in the region of Maricie, with a population of around 14,000. It was founded in 1898 and is made famous for the rock formation which shares its name. Grand Mère means ‘grandmother.' It is known for hunting and fishing tourism.  The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson  1882–1974), Frank Johnston (1888–1949), Arthur Lismer  (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group because of their individual relationships with the other member of the group. More info can be found, here. A fine article on the CBC by Cree writer Matteo Cimellaro, discusses the role The Group of Seven played in Canadian nationalism and the exclusion of First Nation's voices in their work. This can be found, here.      Tom Thompson - The Jack Pine (1916-1917)   Moosonee, Ontario - is a town located in Northern Ontario, Canada. It was first settled in 1903, and is located on the Moose River. It's history was of trapping, and is a gateway to the Arctic. English and Cree is spoken.   Moose Factory, Ontario - is a town first settled in 1673, and was the first English speaking town in Ontario. Much like Moosonee, Moose Factory has a history of fur trading, in this case by the Hudsons Bay Company. Like Moosonee there is a tourist industry based on hunting and fishing. The population is predominantly Cree.    Cree (ᓀᐦᐃᓇᐤ) - are a Canadian First Nation's people who have lived on the land for centuries. Their people are divided into eight groups through region and dialect of language:   Attikamekw James Bay Cree Moose Cree Swampy Cree Woods Cree Plains Cree Naskapi and Montagnais (Innu)   For more information regarding history, tradition of the Cree people of today, Heritage Centre: Cree Nations, and the Cree Nation Government website can get you started.    John Buchan (Lord Tweedsmuire, 1875-1940) - was the 15th Governor General of Canada serving from 1935-1940 (his death). He was born in Scotland, but committed himself to Canada when taking to his position as Governor General. He was also a writer of almost 30 novels.    sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.    Un'ichi Hiratsuka (平塚 運一) - (1895-1977) - was one of the important players of the sōsaku hanga movement in mokuhanga. Hiratsuka was a proponent of self carved and self printed mokuhanga, and taught one of the most famous sōsaku hanga printmakers in Shikō Munakata (1903-1975). He founded the Yoyogi Group of artists and also taught mokuhanga at the Tōkyō School of Fine Arts. Hiratsuka moved to Washington D.C in 1962 where he lived for over thirty years. His mokuhanga was multi colour and monochrome touching on various subjects and is highly collected today.      Mara Cape, Izu (1929)   Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shikō is famous for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.      Castle ca 1960's   Venice Bienale  - is a contemporary art exhibition that takes place in Venice, Italy and which explores various genres of art, architecture, dance, cinema and theatre. It began in 1895. More info, here.   Sao Paolo Biennal - is held in Sao Paolo, Brazil and is the second oldest art bienale in the world. The Sao Paulo Biennal began in 1951. It's focus is on international artists and Brazilian artists. More info can be found, here.    German Expressionism - was produced from the early twentieth century to the 1930's and focused on emotional expression rather than realistic expression. German Expressionists explored their works with colour and shape searching for a “primitive aesthetic” through experimentation. More info can be found,  here, on Artsy.net    Vasily Kandinsky (1866-1944) : Poster for the First Exhibition of The Phalanx, lithograph 1901.  Yanagi Sōetsu (1889-1961) - was an art critic, and art philosopher in Japan, who began writing and lecturing in the 1920's. In 1925 he coined the term mingei (rural crafts), which he believed represented the “functional beauty” and traditional soul of Japan. While on paper an anti-fascist, Yanagi's early views on the relationship of art and people, focusing on the group and not the individual, going back to a Japanese aesthetic; veering away from Western modernity, was used by Japanese fascists leading up to and during the Pacific War (1941-1945). For more information about Yanagi and the mingei movement in Japan during war time check out The Culture of Japanese Fascism, Alan Tasman ed. (2009) mingei movement - began with the work of Yanagi Sōetsu in the 1920's. The movement wanted to return to a Japanese aesthetic which honoured the past and preserved the idea of the “everyday craftsman,” someone who went away from industrialization and modernity, and fine art by professional artists. It was heavily influenced by the European Arts and Crafts Movement (1880-1920) as conceived by Augustus Pugin (1812-1852), John Ruskin (1819-1900), and William Morris (1834-1896).    Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.”   Stuben Glass Works - is a manufacturer of glass works, founded in 1903 in New York City. It is known for its high quality glass production working with talented glass designers.    Ainu - are a First Nations peoples with a history to Japan going back centuries. They traditionally live in the northern Japanese island of Hokkaido as well as the northern prefectures of Honshū.  There are approximately 24,000 Ainu in Japan. Made famous for the face, hand and wrist tattooing of Ainu women, as well as animist practices, the Ainu are a distinct culture from the Japanese. There has been some attempts by the Japanese goverment to preserve Ainu heritage and language but the Ainu people are still treated as second class citizens without the same rights and prvileges of most Japanese. More information about the Ainu can be found at the World Directory of Minorities and Indigenous People, here.    baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations.    Keisuke Serizawa (1895-1984) - was a textile designer who was a Living National Treaure in Japan. He had a part in the mingei movement where he studied Okinawan bingata fabric stencil dying techniques. He also used katazome stencil dying technqiues on paper in the calendars he made, beginning in 1946.      Happiness - date unknown: it is an ita-e (板絵) work, meaning a work painted on a piece of wood, canvas, metal etc.    National Museum of Ethnology (Minpaku) - is a research institute and public museum located on the old Expo '70 grounds in the city of Suita, Osaka Prefecture. It provides a graduate program for national and international students, doctorate courses, as well as various exhibitions. More information can be found on their website, here.    Prince Takamado Gallery -  is a gallery located in the Canadian Embassy in Tōkyō. It has a revolving exhibition schedule. It is named after Prince Takamado (1954-2002), the third son of Prince Mikasa Takahito (1916-2016). More info can be found, here.   Carlton University - is a public resesarch university located in Ottawa, Ontario, Canada. It was founded in 1942 in order to provide a serivce for returning World War II veterans. More information about the university can be found, here.     Kenojuak Ashavak (1927-2013) - was an Inuit graphic designer and artist born in Ikirisaq, Baffin Island. She moved to Kinngait (Cape Dorset) in 1966. Kanojuak Ashavek has made some of the most iconic imagery of Inuit art in Canadian history. One of her images, The Enchanted Owl was the subject of a TV Ontario short from TVO Today, and can be found here. The famous National Film Board of Canada documentary (1963) about her and her work can be found, here.       Luminous Char, stonecut and stencil, 2008. © Dorset Fine Arts   Inuit Prints: Japanese Inspiration -  was an Inuit print exhibtion at the Prince Takamado Gallery held at the Canadian Embassy in Tōkyō in 2011. It later toured across Canada.    Osaki washi - is a paper making family located in Kōchi, Japan. His paper has been provided to Inut printmakers for many years. The print by Kenojuak Ashavak, and printed by Qiatsuq Niviaksi,  was the one aluded to in Norman's interview as hanging on the washi makers wall.    Norman discusses, near the end of the interview, about how Inuit leaders were stripped of their power. The Canadian government instituted more policing in post war Canada, especially during the Cold War. The RCMP and other government officials used colonial practices such as policing, culturally and criminally, to impose Canadian practices from the South onto the Inuit.      Pitaloosie Saila - Undersea Illusion,  lithograph 2012     Lukta Qiatsuk (1928-2004)       Owl -  Stonecut print on paper, 1959. Canadian Museum of History Collection, © Dorset Fine Arts. Kananginak Pootoogook (1935-2010)       Evening Shadow: stone cut and stencil, 2010 © Dorset Fine Arts   Eegyvudluk Pootoogook (1931-1999)     Eegyvudluk Pootoogook w/ Iyola Kingwatsiaq , 1960, photo by Rosemary Gilliat Eaton, Library and Canadian Archives.      Our First Wooden Home: lithograph, 1979.     Osuitok Ipeelee (1922-2005)       Eskimo Legend: Owl, Fox, and Hare - stencil print, 1959 Canadian Museum of History Collection © Dorset Fine Arts.    Iyola Kingwatsiak (1933-2000)       Circle of Birds: stencil on paper, 1965   © Popular Wheat Productions opening and closing musical credit - From Professor Henry D. Smith II, lecture entitled, The Death of Ukiyo-e and the Mid-Meiji Birth of International Mokuhanga, as told at the 4th International Mokuhanga Conference in Nara in November, 2021.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  All photos of Inuit artists and works of Inuit artists have been either provided by Norman Vorano, or have been sourced from elsewhere. These are used for educational purposes only. Any issues please reach out.   

In this podcast episode, Greg Marchildon interviews Steve Schwinghamer, the co-author along with Jan Raska of Pier 21: A History published by the University of Ottawa Press as part of its Mercury series in 2020. Between 1928 and 1971, Pier 21 was the main gateway for immigrants arriving in Canada and was transformed as the site for the Canadian Museum of Immigration. Th author is an historian in the Exhibitions, Research and Collections department of the Museum. Steve Schwinghamer is also an affiliate of the Centre for Oral History and Digital Storytelling at Concordia University and the Gorsebrook Research Institute at Saint Mary's University in Halifax. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this podcast episode, Greg Marchildon interviews Steve Schwinghamer, the co-author along with Jan Raska of Pier 21: A History published by the University of Ottawa Press as part of its Mercury series in 2020. Between 1928 and 1971, Pier 21 was the main gateway for immigrants arriving in Canada and was transformed as the site for the Canadian Museum of Immigration. Th author is an historian in the Exhibitions, Research and Collections department of the Museum. Steve Schwinghamer is also an affiliate of the Centre for Oral History and Digital Storytelling at Concordia University and the Gorsebrook Research Institute at Saint Mary's University in Halifax. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History's Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History's Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History's Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History's Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Please support the show at https://www.patreon.com/friendlyatheistpodcast. Donors now get access to a new BONUS episode. Jessica and I sat down to talk about several stories from the past week involving religion and politics. — Please join our Discord server! — Singer Amy Grant was condemned for hosting her niece's same-sex wedding at her family farm. (0:43) — A prominent Black atheist leader was accused of ethical violations. (12:00) — Bucksport, Maine chose to take down a Nativity scene before allowing an atheist sign to go up. (21:02) — Christian hate-preacher Jonathan Shelley needs a new home because “nobody really wants to lease to us.“ (26:07) — SPONSOR: God Pod! Check it out and subscribe! (32:18) — Catholic MAGA cultist Frank Pavone was (finally) kicked out of the priesthood. (33:33) — Two Christian schools can no longer shield their identities after requesting censored field trips to the Canadian Museum for Human Rights. (40:25) — “The Church at Planned Parenthood” will have to pay heavy fines for blocking an abortion clinic. (48:45)

Desmond was convicted after refusing to leave her seat in a segregated movie theater in Nova Scotia in 1946. But she also established the first beauty salon for Black women her area, and founded a beauty school for Black women.   Research:  Bingham, Russell. "Viola Desmond". The Canadian Encyclopedia, 16 April 2021, Historica Canada. www.thecanadianencyclopedia.ca/en/article/viola-desmond. Accessed 09 August 2022. Bishop, Henry V. “Viola (Davis) Desmond (b. 1914 — d. 1965): Stand For Justice.” Nova Scotia Archives. https://archives.novascotia.ca/desmond/background/ Canadian Museum for Human Rights. “One woman's resistance: Viola Desmond's Story.” https://humanrights.ca/story/one-womans-resistance Flynn, Karen. “Remembering Viola Desmond.” Origins: Current Events in Historical Perspective. 11/2021. https://origins.osu.edu/milestones/remembering-viola-desmond?language_content_entity=en "Fred Christie Case (Christie v York)". The Canadian Encyclopedia, 06 June 2020, Historica Canada. www.thecanadianencyclopedia.ca/en/article/fred-christie-case. Accessed 12 August 2022. Henry, Natasha. "Racial Segregation of Black People in Canada". The Canadian Encyclopedia, 08 September 2021, Historica Canada. www.thecanadianencyclopedia.ca/en/article/racial-segregation-of-black-people-in-canada. Accessed 10 August 2022. Parks Canada. “Viola Desmond National Historic Person (1914-1965).” https://www.pc.gc.ca/en/culture/clmhc-hsmbc/res/information-backgrounder/Viola_Desmond Reynolds, Graham and Wanda Robson. “Viola Desmond: Her Life and Times.” Roseway Publishing. 2018. Robson, Wanda. “Sister to courage : stories from the world of Viola Desmond, Canada's Rosa Parks.” Wreck Cove, N.S. : Breton Books. 2010. The Halifax Chronicle. “Dismisses Desmond Application.” 5/19/1947. page 14. Via Nova Scotia Archives. https://archives.novascotia.ca/desmond/archives/?ID=28 "Viola Desmond." Encyclopedia of World Biography Online, Gale, 2022. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631009722/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=1380ef8c. Accessed 8 Aug. 2022. Walker, Barrington. “The African Canadian Legal Odyssey: Historical Essays.” Toronto: University of Toronto Press. 2012. See omnystudio.com/listener for privacy information.

A Debate Over How The Universe Began Even though it's commonly accepted today, the Big Bang theory was not always the universally accepted scientific explanation for how our universe began. In fact, the term ‘Big Bang' was coined by a prominent physicist in 1949 to mock the idea. In the middle of the 20th century, researchers in the field of cosmology had two warring theories. The one we would come to call the Big Bang suggested the universe expanded rapidly from a primordial, hot, and ultra-dense cosmos. Conversely, the so-called ‘Steady State' theory held that the universe, at any given point in time, looked roughly the same. The story of how the Big Bang became the accepted theory of physics is also a story of two men. One, Fred Hoyle, was a steady state supporter who thought the universe would last forever. Meanwhile, George Gamow, the major public advocate of the Big Bang, begged to differ. They debated in the pages of Scientific American and in competing popular books, as both dedicated scientists and earnest popularizers of their field. And while Gamow ended up winning the debate, for the most part, the two men managed to come together in one way: They accidentally explained the origins of every element of matter by being part right, and part wrong. The truth, it turned out, would lie in the middle. Ira talks to physicist and science historian Paul Halpern about this story, detailed in his book, Flashes of Creation: George Gamow, Fred Hoyle, and the Great Big Bang Debate.   The World According To Sound: Listening To Black Holes Collide In this piece, you can actually listen to gravitational waves, the ripples in spacetime made by the tremendous mass of colliding black holes. It is possible to hear them, because their wavelengths have been shifted all the way into the human range of hearing by MIT professor Scott Hughes. Drawn together by their immense gravity, nearby black holes will swirl faster and faster until they are finally absorbed completely into one another. When the pitch rises, it means the force of gravity is increasing as the black holes collide. Not all black holes come together at the same rate or release the same amount of gravitational waves, so each combining pair has its own particular sonic signature. Some black holes collide quickly. Others slowly merge. Some produce relatively high pitches, because of the intensity of the gravitational waves, while others have a low bass rumbling. Some even make the sound of a wobbling top as the two black holes swirl around each other, before eventually meeting and becoming totally absorbed into one another.   A Maggot Revolution In Modern Medicine In a bloody battle during World War I, two wounded soldiers were stranded on the battlefield in France, hidden and overlooked under some brush. Suffering femur fractures and flesh wounds around their scrotum and abdomen, they lay abandoned without water, food, or shelter for a whole week. At the time, outcomes for these kinds of wounds were poor: Patients with compound femur fractures had a 75 to 80% mortality rate. By the time the soldiers were rescued and brought to a hospital base, orthopedic surgeon William Baer expected their wounds to be festering, and their conditions fatal. But much to his surprise, neither showed any signs of fever, septicaemia, or blood poisoning.   Read more at sciencefriday.com.   Trying To Determine Forest Health? Look To The Lichens There aren't very many old-growth forest left in North America. And while it would be wonderful to be able to preserve all of them, resources to protect those forest patches are also in limited supply. So if you're forced to choose between two areas of old-growth forest, how do you prioritize which of these islands of biodiversity to focus on? One of the standard ways to identify significant patches of forest is to look at the size of the trees. But new work published this week in the journal Frontiers in Ecology and the Environment suggests that examining the lichens in a forest plot may give a better picture of the ecological health of an area. Because lichens feed from the air flowing over them, they're quite sensitive to changes in moisture, nutrients, and pollution, and need long, continuous periods undisturbed. Troy McMullin, a research scientist in lichenology at the Canadian Museum of Nature in Ottawa, Ontario, joins Ira to talk about the stories lichens can tell about the forest ecosystem.   Transcripts are available on sciencefriday.com.