Podcast appearances and mentions of stanley kowalski

Connor and Dylan are joined by Grammy Award nominee Brent Comer (The Outsiders, Les Misérables). Celebrating over a year playing Darrel Curtis in the Tony-winning Best Musical, Brent opens up about how his experience with the show has changed over time, ways he's keeping it fresh, and gives insight into his relationship with co-star (and friend of the pod) Jason Schmidt. We get into Outsiders lore, including Patrick Swayze's OG impact as Darrel, Tulsa, and the language of violence in the musical. Brent also reveals his favorite part of every single performance of The Outsiders. Star Wars, The White Lotus, and The Last of Us are discussed at length, as well as Brent's love of documentaries. Respect is put to Miley's “More to Lose” (the LIVE version, mama!), and Ransom Canyon on Netflix is teased. You've been warned. Are you curious about tattoos, Angelina Jolie, and the Broadway season at LARGE? Brent as Stanley Kowalski, George Seurat, or Sweeney Todd??? Stay until the end, y'all. Brent is a meme king, fitness legend, and Broadway star. DO NOT miss him in The Outsiders on Broadway.Follow Brent on Instagram & TiktokFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

GGACP celebrates the birthday of unpopular Stooge "Curly Joe" DeRita (b. July 12, 1909) by revisiting this hilarious interview with comedian, voice actor and Three Stooges expert Billy West. In this episode, Billy discusses bad sight gags, one-joke comedians, the legend of “Grandpa” Al Lewis, the genius of Frank Welker and the magnificence of the Buddy Rich and Paul Anka rants. Also, Larry Fine plays Stanley Kowalski, Lou Jacobi inspires Dr. Zoidberg, Jay Leno messes with James Mason's head and Jerry Lewis meets SpongeBob SquarePants. PLUS: The Mad Russian! Peg Leg Bates! Dueling Peter Lorres! Ren & Stimpy turn 30! The brilliance of Larry Storch! And the triumphant return of the Jackie puppet! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this sparkling new episode of Muffy Drake, Bobo explores the Stanislavsky Method & Stanley Kowalski as it relates to the 4th wall in theatre... Then, we re-pop the cork on a relationship that's gone flat and suddenly is bubbling once again in our featured story: CHAMPAGNE Written & Narrated by Xavier Combe Sound Design by Jim Hall 

“Stella! Hey, Stella!”Tennessee Williams' Pulitzer Prize-winning play A Streetcar Named Desire took Broadway by storm in 1947. Four years later, director Elia Kazan decided to adapt the play for the big screen, bringing together many members of the original Broadway cast like Marlon Brando, Kim Hunter, and Karl Malden. After a tumultuous pre-production filled with casting conflicts and clashes over censorship, Kazan was finally able to begin filming on location in New Orleans in 1950. The end result was a critical and commercial smash, earning 12 Oscar nominations. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Kazan's A Streetcar Named Desire.Here's a hint at what we talk about:In this episode, we dive deep into Marlon Brando's electrifying performance as Stanley Kowalski and how it paved the way for method acting in film. We also discuss how Elia Kazan's stage experience enabled him to open up the world of the play through evocative cinematography and set design. Additionally, we analyze Vivien Leigh's complex portrayal of Blanche DuBois and debate whether the film adaptation fully captures the darkness of Tennessee Williams' original story.Here are a few other points in our discussion: Our initial reactions to revisiting this classic film The jazzy, atmospheric score by Alex North Memorable scenes like Brando screaming "Stella!" and the final scene Differences between the film and Williams' original play The talented supporting cast like Kim Hunter and Karl Malden We have a great time unpacking this landmark dramatic film, so tune in to hear our thoughts. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatchor check out our new Watch page to get links for all the films we've discussed on our shows! Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

“Stella! Hey, Stella!”Tennessee Williams' Pulitzer Prize-winning play A Streetcar Named Desire took Broadway by storm in 1947. Four years later, director Elia Kazan decided to adapt the play for the big screen, bringing together many members of the original Broadway cast like Marlon Brando, Kim Hunter, and Karl Malden. After a tumultuous pre-production filled with casting conflicts and clashes over censorship, Kazan was finally able to begin filming on location in New Orleans in 1950. The end result was a critical and commercial smash, earning 12 Oscar nominations. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Kazan's A Streetcar Named Desire.Here's a hint at what we talk about:In this episode, we dive deep into Marlon Brando's electrifying performance as Stanley Kowalski and how it paved the way for method acting in film. We also discuss how Elia Kazan's stage experience enabled him to open up the world of the play through evocative cinematography and set design. Additionally, we analyze Vivien Leigh's complex portrayal of Blanche DuBois and debate whether the film adaptation fully captures the darkness of Tennessee Williams' original story.Here are a few other points in our discussion: Our initial reactions to revisiting this classic film The jazzy, atmospheric score by Alex North Memorable scenes like Brando screaming "Stella!" and the final scene Differences between the film and Williams' original play The talented supporting cast like Kim Hunter and Karl Malden We have a great time unpacking this landmark dramatic film, so tune in to hear our thoughts. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatchor check out our new Watch page to get links for all the films we've discussed on our shows! Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

1957 - . En medio de la euforia, Kerouac se convence de que el único capaz de interpretar al alter ego de Neal Cassady, representado por Moriarty, era quien había encarnado a Stanley Kowalski en “Un tranvía llamado deseo”, Marlon Brando, y le escribe una carta. En la voz, Bárbara Espejo.

The Play Podcast - 060 - A Streetcar Named Desire, by Tennessee Williams Host: Douglas Schatz Guest: Thomas Keith The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. A Streetcar Named Desire is one of the towering masterpieces of American theatre, distinguished for its frank depiction of sexual compulsion, its lyrical language, and its poignant portrait of mental fragility, as well as the bitter clash between two of the greatest dramatic characters – the damaged and defiant Blanche Dubois and the unrestrained masculine power that is Stanley Kowalski. As a new production opens in London's West End, I'm delighted to be joined by Tennessee Williams expert, Professor Thomas Keith, to help survey this giant of a play.

Irish actor Paul Mescal, known for his role in Normal People, is nominated for Best Actor at this year's Oscars for his role in Aftersun. He is currently starring as Stanley Kowalski in a production of A Streetcar Named Desire in the West End. Speaking with the Today programme - in his first interview since being nominated for the Best Actor Oscar - the Irish actor told Martha Kearney about the challenges he, and his family, have been going through. (Image, Paul Mescal, Credit, BBC)

WTOP Entertainment Reporter Jason Fraley marks the 75th anniversary of the Broadway debut of Tennessee Williams' "A Streetcar Named Desire" on Dec. 3, 1947 starring a breakthrough Marlon Brando as Stanley Kowalski. Jason spoke with filmmaker Steven Riley about his 2015 documentary "Listen to Me Marlon" to discuss Brando's career on stage and screen. (Theme Music: Scott Buckley's "Clarion")

Max Williams is a working actor, writer, director, and athlete with roots in theatre and a passion for contributing to our creative community. A dual citizen of both the US and Canada, his experience includes a recurring role on HBO's 'Winning Time' as Jack Nicholson. He has starred in Alan Spencer's dark comedy 'Bullet in the Face' on IFC and recurred on 'Bosch,' 'Brooklyn Nine-Nine' and 'Agents of Shield,' among many others. Pre-Covid, Max earned a wild, six-week run in Los Angeles at the Odyssey Theatre playing Stanley Kowalski in, 'A Streetcar Named Desire.' Acting awards include the 2020 Diamond Award for Best Actor in a TV Movie for his starring role in Lifetime's 'Psycho Escort' and a multiple award-winning performance as 'The Monster' in 'For Old Times Sake.' Max's first 3D Virtual Reality experience, 'Corva & Gracia,' which he wrote, directed and co-produced, is scheduled for release in 2023. Max's first love was ice hockey, which he went on to play professionally. He lives in Los Angeles and is committed to animals, nature, and artists with an ambition to make the world a more honest place.  

Professor Stanley Kowalski is a PH. D., UNH Franklin Pierce's International Technology Transfer Institute Director, a Senior Lecturer, and even a class of 2005 alum. Get to know more about his background and why he entered the legal field.  Profiles is a special series of The Legal Impact where we get to know the Powerhouse people at UNH Franklin Pierce School of Law. Produced and Hosted by A. J. Kierstead Learn about out legal clinics: https://law.unh.edu/academics/clinics  Get an email when the latest episode releases and never miss our weekly episodes by subscribing on Apple Podcast, Google Play, Stitcher, and Spotify! UNH Franklin Pierce School of Law is now accepting applications for JD, Graduate Programs, and Online Professional Certificates at https://law.unh.edu 

When I saw Ray Liotta had died, I was shocked and saddened. I was a fan of his work and he seemed like a good human. In his honor, I listened to an interview he did with Marc Maron on the WTF podcast a few years ago and enjoyed learning more about him and his journey. It did make me think, though. And it did make me wish for change in the way we do show biz. Apparently, Liotta had no real interest in acting when the opportunity to do it presented itself to him. He got talked into auditioning for a show because of a cute girl and stuck around because a teacher encouraged him. Nothing too crazy there. I've definitely heard this sort of story before. But it's the reason that Liotta theorized that his teacher encouraged him that got me thinking. Liotta had always been a jock and, it sounds like, a fairly macho guy. His teacher responded to him because they didn't get a lot of guy's guys there in the college theatre department. He saw a kindred male spirit and a kind of rare bird that they needed on the stage. Liotta really wasn't that keen on acting in the beginning but he got to play some very juicy roles at his university and it's not just because he was good. I'm guessing Liotta's college decided to do A Streetcar Named Desire because they had a guy who could play Stanley Kowalski. They did Taming of the Shrew probably because they had a guy who could do a macho Petruchio. Liotta got to learn how to act by doing some of the best roles in the canon and the college got to do some shows on its list. All very reasonable. Many a school will choose their season based on who they have in casting pool. I get it on all levels. To keep reading Men Most Macho in Theatre visit the Songs for the Struggling Artist blog. This is Episode 314 Song: Macho Man Image of Ray Liotta via Wikicommons To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: https://ratethispodcast.com/strugglingartist Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or buy me a coffee on Kofi: http://ko-fi.com/emilyrainbowdavis or PayPal me: https://www.paypal.me/strugglingartist Follow me on Twitter @erainbowd Instagram and Pinterest Tell a friend! Listen to The Dragoning here (it's my audio drama) and support via Ko-fi here: https://ko-fi.com/messengertheatrecompany As ever, I am yours, Emily Rainbow Davis

In 1945, when World War II finally ended and while Europe's artistic centres smouldered, in New York City an artistic renaissance, in music, painting, theatre, and literature, burst forth out of the city's bohemia. Most of this work was generated in a single neighbourhood of Manhattan: Greenwich Village. World War II in America was a time of national unity, a singleness of purpose where non-conformity had no place in military or civilian life. Yet somehow as soon as the war ended, a full-blown non-conformist bohemia exploded in New York. Membership of this bohemia, for men at least, was signified by wearing an undergarment – the T-shirt – in public. Today that means nothing. In 1945, in a society that was still mobilized with military single-mindedness, it was shocking. In this series for The Essay, Michael Goldfarb explores the how and why of this extraordinary eruption through the stories of some of T-shirt Bohemia's key figures: Marlon Brando, Jackson Pollock, James Baldwin, Charlie Parker and Jack Kerouac. In this episode, he focuses on Marlon Brando and Stanley Kowalski whose T-shirts were designed by Lucinda Ballard, for the original production of Streetcar Named Desire.

Recognized by Opera News as “one of the finest singers of his generation,” American bass-baritone Ryan McKinny has earned his reputation as an artist with something to say. His relentless curiosity informs riveting character portrayals and beautifully crafted performances, reminding audiences of their shared humanity with characters on stage and screen. This season, McKinny brings his agile stage presence and comedic skill to performances of Mozart's Le nozze di Figaro on both U.S. coasts. He first appears as the titular Figaro in a Richard Eyre production at New York City's Metropolitan Opera, with an all-star cast that includes Golda Schultz, Lucy Crowe, Isabel Leonard, and Adam Plachetka. He then makes his Seattle Opera debut reprising the role in a Peter Kazaras production, under the baton of Alevtina Ioffe. In between productions – and coasts – McKinny joins collaborative pianist Kathleen Kelly for a recital at the Lied Center of Kansas, featuring works by Schumann, Debussy, Mahler, and Kurt Weill. In summer 2022, he joins the Boston Symphony at Tanglewood as the title character in Don Giovanni, with Andris Nelsons on the podium. He concludes the season with the Philadelphia Orchestra at Saratoga Performing Arts Center, appearing as soloist in Beethoven's Ninth Symphony with conductor Yannick Nézet-Séguin. Offstage, McKinny continues to adapt the beauty of his art form to the film screen, collaborating on a documentary with Jamie Barton and Stephanie Blythe. Through his work with Helio Arts, he commissions artists to write, direct, and film original stories, leveraging his personal power to help elevate new voices and visions in the classical performing arts world. During the pandemic, he has partnered with artists like J'Nai Bridges, Russell Thomas, John Holiday, and Julia Bullock to create stunning and innovative performances for streaming audiences at Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, On Site Opera, and the Glimmerglass Festival. McKinny's recent debut as Joseph De Rocher in Jake Heggie and Terrence McNally's Dead Man Walking at Lyric Opera of Chicago was hailed by the Chicago Tribune as an “an indelible performance...an acting tour de force buttressed by a warmly inviting voice.” He has also appeared as the title character in Don Giovanni (Washington National Opera, Lyric Opera of Chicago, Houston Grand Opera), Escamillo in Carmen (Semperoper Dresden, Deutsche Oper Berlin, Staatsoper Hamburg, Houston Grand Opera), and Mozart's Figaro (Washington National Opera, Wolf Trap Opera, Houston Grand Opera). McKinny made a critically acclaimed Bayreuth Festival debut as Amfortas in Parsifal, a role he has performed around the world, including appearances at Argentina's Teatro Cólon, Deutsche Oper am Rhein, and Dutch National Opera. Other Wagnerian roles include Kurwenal in Tristan und Isolde (Deutsche Oper Berlin, Houston Grand Opera, Canadian Opera Company), Biterolf in Tannhäuser and Kothner in Die Meistersinger von Nürnberg, both at the Metropolitan Opera, Wotan in Opéra de Montréal's Das Rheingold, Donner/Gunther in Wagner's Ring cycle (Washington National Opera, Boston Symphony Orchestra, Houston Grand Opera), and the titular Dutchman in Der fliegende Holländer (Staatsoper Hamburg, Milwaukee Symphony, Glimmerglass Festival, Hawaii Opera Theater). McKinny is a frequent guest artist at Los Angeles Opera, where he has sung Count Alamaviva in Le nozze di Figaro, Don Basilio in Il barbiere di Siviglia, and Stanley Kowalski in Previn's A Streetcar Named Desire, opposite Renée Fleming as Blanche DuBois, and at Santa Fe Opera, where he has appeared as Jochanaan in Salome and Oppenheimer in Doctor Atomic. An alumnus of the Houston Grand Opera Studio, Mr. McKinny has made a number of important role debuts on the HGO mainstage, including the iconic title roles of Don Giovanni and Rigoletto. McKinny is a long-time artistic collaborator of composer John Adams and director Peter Sellars, having appeared in Sellars productions of Adams' Girls of the Golden West (San Francisco Opera, Dutch National Opera) and Doctor Atomic (Santa Fe Opera), in addition to Adams' Nixon in China with the Los Angeles Philharmonic. He has also performed under Sellars' direction in Stravinsky's Oedipus Rex (Sydney Festival), Tristan und Isolde (Canadian Opera Company), and Shostakovich's Orango with the London Philharmonia and Los Angeles Philharmonic, the latter comprising Esa-Pekka Salonen's final concerts as music director. Other recent orchestral engagements include Beethoven's Symphony No. 9 and a double bill of Michael Tilson Thomas' Rilke Songs and Mahler's Des Knaben Wunderhorn with San Francisco Symphony, Mahler's Symphony No. 8 and Bernstein's Mass with Gustavo Dudamel and the Los Angeles Philharmonic, Beethoven's Symphony No. 9 with Cleveland Orchestra and National Symphony, Rossini's Stabat Mater at Grant Park Music Festival, Britten's War Requiem with Marin Alsop and Baltimore Symphony Orchestra, and Oedipus Rex with Chicago Symphony. McKinny benefited from early educational opportunities at the Aspen Music Festival, where he sang his first performance of Winterreise accompanied on the piano by Richard Bado, and at the Wolf Trap Opera Company, where he sang Barone di Kelbar in Verdi's Un giorno di regno, Le Gouverneur in Rossini's Le comte Ory and Figaro in Le nozze di Figaro. McKinny made his Carnegie Hall debut in Handel's Messiah with the Musica Sacra Orchestra while still a student at the Juilliard School. The first recipient of Operalia's Birgit Nilsson Prize for singing Wagner, McKinny has also received the prestigious George London-Kirsten Flagstad Award, presented by the George London Foundation to a singer undertaking a significant Wagnerian career. McKinny represented the United States in the 2007 BBC Cardiff Singer of the World Competition, where he was a finalist in the Rosenblatt Recital Song Prize, and he was a Grand Finalist in the 2007 Metropolitan Opera National Council Auditions, captured in the film The Audition.

Career Q&A with Joel Edgerton. Moderated by Jenelle Riley, Variety. Joel Edgerton currently stars as John Connolly in BLACK MASS alongside Johnny Depp. He was honored for his performance as Tom Buchanan in “The Great Gatsby,” Baz Luhrmann's 2013 screen adaptation of F. Scott Fitzgerald's classic novel. Edgerton won Australian Film Institute (AFI) and Film Critics Circle of Australia (FCCA) Awards and was nominated for an Australian Film Critics Association Award, all in the category of Best Supporting Actor. Edgerton more recently directed, wrote, produced and starred in the psychological thriller “The Gift,” also starring Jason Bateman and Rebecca Hall. The independent film delivered tremendously, with a 93% Rotten Tomatoes score and an opening weekend of $12 million. He also starred opposite Christian Bale in Ridley Scott's biblical epic “Exodus: Gods and Kings.” Edgerton's upcoming credits include starring roles in Jeff Nichols' sci-fi thriller “Midnight Special,” and Gavin O'Connor's Western “Jane Got a Gun,” with Natalie Portman and Ewan McGregor. He is currently reunited with Nichols on the fact-based drama “Loving,” about the couple whose challenge to Virginia's interracial marriage ban led to a landmark Supreme Court case. In 2012, Edgerton gained international attention with his role in Kathryn Bigelow's award winning true-life drama “Zero Dark Thirty.” That same year, he starred opposite Jennifer Garner in Peter Hedges' “The Odd Life of Timothy Green,” and in “Wish You Were Here,” winning an FCCA Award for Best Actor. His other recent film credits include the drama “Felony,” which he also wrote and produced and which premiered at the 2013 Toronto International Film Festival; Gavin O'Connor's drama “Warrior,” with Tom Hardy and Nick Nolte; the horror thriller “The Thing,” the prequel to John Carpenter's cult classic; and David Michôd's “Animal Kingdom,” for which he won AFI and FCCA Awards for Best Supporting Actor. Edgerton had earlier starred in such films as “The Square,” directed by his brother Nash Edgerton; the Australian feature “Acolytes”; “Whisper,” with Josh Holloway”; the crime thriller “Smokin' Aces”; the drag comedy “Kinky Boots”; and George Lucas's blockbusters “Star Wars: Episode II – Attack of the Clones” and “Episode III – Revenge of the Sith,” playing the young Owen Lars, who would become Uncle Owen to Luke Skywalker. He also lent his voice to Zack Snyder's animated feature “Legend of the Guardians: The Owls of Ga'Hoole” and the Oscar nominated animated short “The Mysterious Geographic Explorations of Jasper Morello,” performing the title role. Born in New South Wales, Australia, Edgerton attended the Nepean Drama School in western Sydney. He went on to appear in various stage productions, most notably with the Sydney Theatre Company in “Blackrock,” “Third World Blues” and “Love for Love”; and the Bell Shakespeare, where he appeared in “Henry IV.” In 2009, he returned to the stage to star as Stanley Kowalski, alongside Cate Blanchett's Blanche DuBois, in the Sydney Theatre Company's acclaimed production of “A Streetcar Named Desire.” The pair also performed the play to sold-out audiences at the Kennedy Center in November of that year, followed by a run at the Brooklyn Academy of Music (BAM) in December. On Australian television, he is known for playing the role of Will in the long-running series “The Secret Life of Us,” for which he was nominated for an AFI Award.

This episode might be chock-full of discomfort around child abuse, but it's got plenty of other stuff too! Adam correctly predicts that Treat Williams once played Stanley Kowalski, Amy's AIM screen name has a near-catastrophic impact on Eric's episode ratings, and KT's true name is surfaced, revealing them to be even more problematic than Chris Pratt himself. Plus, the most intriguing prediction segment yet! Enjoy! Want to watch along? Everwood is available to stream on HBO Max -- check it out! Also, follow us on Twitter at @EverwoodPod! And stay tuned for the next episode of Everwood? Neverwouldn't!, which could drop soon, a year from now, or never. Bye!

Russ Camarda has been a professional director/actor/acting coach/cinematographer and editor for the past two decades.In FILM Russ has produced, 6 independent feature films, Directed 2, Starred in and edited 5 of them.“Send No Flowers” co-starring in it as well with Sean Young and Tony LoBianco. The film recently secured distribution with Multicom Entertainment Group. “The Night Never Sleeps” co-starring in it as well with Armand Assante, Eric Roberts and Robert Clohessy. The film recently secured distribution with Multicom Entertainment Group.Also the features “Night for Day” , “Lower than the Angels” , “The Video Guys”and the Documentary“Come Hell or High Water” filmed in New Orleans in the immediate aftermath of Hurricane Katrina .IN THEATER he has he has received accolades for performing characters ranging from Stanley Kowalski to Marc Antony from Brick in “Cat on a Hot Tin Roof”, Alfieri in “A View from the Bridge” to Richard III.As a actor and Stage Director his work has been seen in many theaters throughout the NYC-Tri-State area. Russ has directed productions at many area theaters such as Genesis Rep, The Abingdon Theater, The 13th Street Repertory, The Pulse Ensemble Theater, and The Stage Theater. Russ has been trained in acting techniques ranging from Meisner to Method to Practical Aesthetics--the System developed by David Mamet and William H. Macy. Experience which informs all of his work both behind and in front of the camera. On stage and off.Support the show (https://www.patreon.com/quidditasfactor)

In this ENCORE presentation of a classic GGACP episode, Gilbert and Frank talk to comedian, voice actor and fan favorite Billy West about bad sight gags, one-joke comedians, post-stroke Stooges, the legend of "Grandpa" Al Lewis, the genius of June Foray and Frank Welker and the magnificence of the Buddy Rich and Paul Anka rants. Also, Larry Fine plays Stanley Kowalski, Lou Jacobi inspires Dr. Zoidberg, Jay Leno messes with James Mason's head and Jerry Lewis meets SpongeBob SquarePants. PLUS: The Mad Russian! Peg Leg Bates! Dueling Peter Lorres! Ren & Stimpy turn 30! The brilliance of Larry Storch! And the triumphant return of the Jackie puppet! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the transition from stage to screen, "A Streetcar Named Desire" retained its long-running Broadway cast with a single exception: the role of Blanche Dubois, which passed from Jessica Tandy to Vivien Leigh. Like Blanche, Leigh was the odd woman out. A symbol of the glories of the studio system, married to the symbol of English stage acting, her classical training ran contrary to that of her Method-trained co-stars. Thus to the clash of wills between Blanche and Stanley Kowalski was added a clash of acting styles— and the struggle between the death of Old Hollywood and the birth of Brando and the New. Which principle— Blanche's fantasy or Stanley's realism— makes for superior art? Can the conflict between magic and truth ever be resolved? And is all realism a form of cruelty? Wes & Erin discuss Tennessee Williams's "A Streetcar Named Desire."

In the transition from stage to screen, A Streetcar Named Desire retained its long-running Broadway cast with a single exception: the role of Blanche Dubois, which passed from Jessica Tandy to Vivien Leigh. Like Blanche, Leigh was the odd woman out. A symbol of the glories of the studio system, married to the symbol of English stage acting, her classical training ran contrary to that of her Method-trained co-stars. Thus to the clash of wills between Blanche and Stanley Kowalski was added a clash of acting styles— and the struggle between the death of Old Hollywood and the birth of Brando and the New. Which principle— Blanche's fantasy or Stanley's realism— makes for superior art? Can the conflict between magic and truth ever be resolved? And is all realism a form of cruelty? Wes & Erin discuss Tennessee Williams's A Streetcar Named Desire.  Subscribe: (sub)Text won't always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Nick Ketter for the audio editing on this episode.

Book Vs Movie: “A Streetcar Named Desire” The Tennessee Williams Play Song Vs the Elia Kazan Movie The Margos are feeling very fragile and need to take long, hot baths when discussing one of the greatest dramas of the 20th Century--A Streetcar Named Desire. The play by Tennessee Williams thrilled the Broadway stage in 1947 starring young buck Marlon Brandon who went full method with Kim Hunter, Jessica Tandy, and Karl Malden.  The play is Williams's follow up to the incredible success of The Glass Menagerie in 1944 which was greatly based on his own life story. Williams grew up in an unhappy home and had family members with mental health issues. The writing was his escape and many of his characters tend to be lost souls who are searching for meaning and/or companionship.  In post-World War 2 America, musicals were making the most money in New York theater but when A Streetcar Named Desire--audiences stood in lines for hours to watch  Brando and his masculinity on full display. He was a fan of Stella Adler and her acting technique which as first scared Jessica Tandy (playing Blanche Dubois--an “aging” southern belle who is looking for help in a time of crisis.”) Her husband, fellow thespian Hume Cronyn convinced this type of drama will change theater forever.  Taking place in New Orleans in 1947, Blanche Dubois is a woman who has just lost her family home in Laurel, Mississippi, and moves in with her younger sister Stella (Kim Hunter) and her brutish husband Stanley Kowalski. Brando plays Stanley as a cross between man & animal who resents his sister-in-law moving into their tiny home.  The tension between Blanche & Stanley fuels most of the scenes and has consequences for everyone in their lives culminating in violence.  The film was directed by Elia Kazan based mostly on his Broadway production though because of the Hays Code, many changes had to be made to make it “appropriate” for a 1950s movie audience. (There were no rating systems back then and movies were meant for a more general audience.) Most of the hyper-sexuality was toned down and were under the guise of symbolism to get their point across.  It's one of the top dramas of all time and we really enjoyed digging into the changes with the film (which started with the casting of Vivien Leigh as Blanche who was thought to be more commercial than Jessica Tandy.)  So between the play and the movie--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: The life of Tennessee Williams New York theater in the 1940s & 1950s and how it changed acting forever  The backstory and controversial life of Elia Kazan The cast: Marlon Brando (Stanely Kowalski,) Vivien Leigh (Blanche DuBois,) Stella Kawalsky (Kim Hunter,) and Karl Malden as Mitch Mitchell.   Clips used: Blanche meets Stanley A Streetcar Named Desire trailer “Napoleonic Law”  “Stella!” Mitch confronts Blanche Music by Alex North Book Vs Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs Movie: “A Streetcar Named Desire” The Tennessee Williams Play Song Vs the Elia Kazan Movie The Margos are feeling very fragile and need to take long, hot baths when discussing one of the greatest dramas of the 20th Century--A Streetcar Named Desire. The play by Tennessee Williams thrilled the Broadway stage in 1947 starring young buck Marlon Brandon who went full method with Kim Hunter, Jessica Tandy, and Karl Malden.  The play is Williams’s follow up to the incredible success of The Glass Menagerie in 1944 which was greatly based on his own life story. Williams grew up in an unhappy home and had family members with mental health issues. The writing was his escape and many of his characters tend to be lost souls who are searching for meaning and/or companionship.  In post-World War 2 America, musicals were making the most money in New York theater but when A Streetcar Named Desire--audiences stood in lines for hours to watch  Brando and his masculinity on full display. He was a fan of Stella Adler and her acting technique which as first scared Jessica Tandy (playing Blanche Dubois--an “aging” southern belle who is looking for help in a time of crisis.”) Her husband, fellow thespian Hume Cronyn convinced this type of drama will change theater forever.  Taking place in New Orleans in 1947, Blanche Dubois is a woman who has just lost her family home in Laurel, Mississippi, and moves in with her younger sister Stella (Kim Hunter) and her brutish husband Stanley Kowalski. Brando plays Stanley as a cross between man & animal who resents his sister-in-law moving into their tiny home.  The tension between Blanche & Stanley fuels most of the scenes and has consequences for everyone in their lives culminating in violence.  The film was directed by Elia Kazan based mostly on his Broadway production though because of the Hays Code, many changes had to be made to make it “appropriate” for a 1950s movie audience. (There were no rating systems back then and movies were meant for a more general audience.) Most of the hyper-sexuality was toned down and were under the guise of symbolism to get their point across.  It’s one of the top dramas of all time and we really enjoyed digging into the changes with the film (which started with the casting of Vivien Leigh as Blanche who was thought to be more commercial than Jessica Tandy.)  So between the play and the movie--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: The life of Tennessee Williams New York theater in the 1940s & 1950s and how it changed acting forever  The backstory and controversial life of Elia Kazan The cast: Marlon Brando (Stanely Kowalski,) Vivien Leigh (Blanche DuBois,) Stella Kawalsky (Kim Hunter,) and Karl Malden as Mitch Mitchell.   Clips used: Blanche meets Stanley A Streetcar Named Desire trailer “Napoleonic Law”  “Stella!” Mitch confronts Blanche Music by Alex North Book Vs Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

1957- Debuta en las librerías la historia del viaje sin retorno de Dean Moriarty, Sal Paradise y los demás personajes, seudónimos todos para habitantes reales de la galaxia beat. La novela aparece ante los lectores como un grito urgente y no demoran las ofertas para adaptarla al cine. En medio de la euforia, Kerouac se convence de que el único capaz de interpretar al alter ego de Neal Cassady, representado por Moriarty, era quien había encarnado a Stanley Kowalski en "Un tranvía llamado deseo", Marlon Brando y le escribe una carta. En la voz, Bárbara Espejo.

At long last, Little Miss Movies can watch the "Streetcar Named Marge" episode of The Simpsons because we've now rode A Streetcar Named Desire. What does a 10-year-old think of Blanche DuBois and Stanley Kowalski? Take a listen and find out!  Haven't pre-ordered Christina's upcoming bio on Jane Russell? Do that NOW over at Larry Edmunds Bookshop! Series art and logo by Gabo. Visit him at: https://www.instagram.com/galvosaur/ Original Series music by Gibby and the V's.

Episode 50 of Street Dreams Eileen Drexler's heart was filled with anxiety. She could feel her blood pressure rising as waves of pain kept assaulting her skull. She was trying to remember what happened and what her part was in this bloody mess. Had she killed her boyfriend Stan Kowalski when they were embroiled in a fierce physical struggle? If so, that she must've struck him with the hammer in self defence. She kept on applying CPR while these thoughts rushed through her head. Where was her daughter, Pixie? Aileen called out for Pixie, but did not receive a response. Was it possible Pixie had assaulted Stan? She and Stan certainly did not get along and there was no love lost between them. Stan Kowalski did his best to tolerate Aileen's teenage daughter, but found that he wasn't able to relate to her on any level. Whenever Stan would attempt to reprimand or discipline Pixie in any way, she would tersely remind him that he was not her father. Stan Kowalski presented with an impressive physique. He was 5'11" tall and weighed 220 pounds. Stan had been steadily and rapidly losing his hair. so he now just shaved his head. He sported a black moustache, a goatee and an earring in his left ear lobe. His biceps bulged out of the tight black T-shirts that he liked to wear. Stan was never an academic and dropped out of school, half way through grade ten. His lack of a secondary education caused Stan much consternation and embarrassment. Stan compensated for his lack of scholastic credentials by taking good care of his body. He worked hard at any construction jobs that came his way. When he was between assignments in the construction industry, Stan would pick up handyman jobs from clients who paid him under the table. When one totalled up the under the table cash payments that Stan received from his customers, he made a satisfactory income. Stan was also naturally gifted when it came to electronics. He possessed a natural gift for repairing and refurbishing old computers. This skill became a third source of revenue for Stan Kowalski. A secondary benefit to many of his jobs was physical in nature. They heavy lifting required on his construction projects produced well-developed muscles throughout Stan's body. Although this type of work yielded a great deal of muscle mass to his physique, Stan desired more muscular definition. In order to produce a ripped, cut up body, Stan had developed a workout regimen that was designed to produce muscular definition. This physical training routine could be practised in the rec room of Aileen Drexler's home. Stan would often admire his impressive physique when he looked in the mirror and could probably say that he now had developed a body very similar to his namesake, Stanley Kowalski, played by Marlon Brando in the famous play A Streetcar Named Desire.

We're kicking off season 2 with a superstar talent that I met a few years ago on Twitter. Chris Newman is an actor and producer, known for Batman v Superman: Dawn of Justice (2016), The Five-Year Engagement (2012) and Love and Honor(2013).  Chris was born and grew up in Troy, Michigan. Always performing for friends but otherwise shy, he began his acting career in college, on a dare. Soon, Chris caught "the acting bug" and never looked back, starring in productions of "Brighton Beach Memoirs", "Agatha Christie's Mousetrap" and Neil Simon's "The Good Doctor". He would later go on to play Stanley Kowalski in "A Streetcar Named Desire" and Lt. Daniel Kaffee in "A Few Good Men", to name a few.  Following his success in theatre, Chris turned his attention to film and studied at the Dramatic Arts Studio, under the tutelage of Christopher Bondy. Chris earned roles in the films I already mentioned, as well as Solomon and Injustice For All.Chris and I chat about his acting career, how to stay balanced with work and family, superpowers and more!!! You definitely won't want to miss this episode!For more information about Chris, you can check out his IMDB page here!! Or you can connect with him on Twitter @Chris80Newman, on Instagram @chrisnewman_actor or on FB!! "Live with Squacky" is mixed and mastered by everybody's favorite voiceover tech "Uncle" Roy Yokelson of Antland Productions.  "Live with Squacky" is sponsored in part by Mid-Atlantic Voiceover, LLC and Antland Productions. For more information about the host, Val Kelly, visit her website at Val Kelly VoiceOver. For more information about the upcoming #MAVO2021 Online voiceover conference taking place on November 12-14, 2021, visit Voice-Over Conference | Mid-Atlantic Voiceover LLC | United States  Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

What a Creep Season 8, Episode 4 Marlon Brando Marlon Brando is one of the most celebrated actors of all time.  His performances as Vito Corleone, Stanley Kowalski, and Terry Malloy earned him multiple awards. He is considered a hero to artists to this day and his use of “the method” changed the way actors and the audience looked at acting as an art form. Marlin Brando was an actor’s actor. He was also a mega creep who terrorized actors, directors and assaulted his co-star of Last Tango in Paris (along with director Bernardo Bertolucci). The Trigger Warnings for this episode are sexual assault, domestic abuse, and mental health. (Please take care when listening) Sources for this episode: Marlon Brando Wikipedia Daily Mail "Last Tango in Paris Actress Felt Raped by Marlon Brando" The Guardian: The Last Tango in Paris Rape Scene Was Not Consensual Washington Post: The Last Tango Paris Rape Scene Causes Controversy The Guardian: "Marlon Brando Was Idol He Turned to be a Monster" The documentary “Listen to Me Marlon” (2015) Uproxx: Marlon Brando's Creepy 1966 Letter to a Stewardess" EW: The 15 Most Fascinating Revelations About Marlon Brando... Yahoo: The 10 Craziest Stories About Marlon Brando Brando Unzipped by Darwin Porter Somebody by Stefan Kanfer Be sure to follow us on social media! But don’t follow us too closely … don’t be a creep about it! Subscribe to us on Apple Podcasts Twitter: https://twitter.com/CreepPod @CreepPod Facebook: Join the private group!  Instagram @WhatACreepPodcast Visit our Patreon page: https://www.patreon.com/whatacreep Email: WhatACreepPodcast@gmail.com  We’ve got merch here! https://whatacreeppodcast.threadless.com/# Our website is www.whatacreeppodcast.com  Our logo was created by Claudia Gomez-Rodriguez follow her on Instagram @ClaudInCloud

HEY, STELLA!!!! Marlon Brando explodes onto the silver screen as the alcoholic, abusive, barbarian of a man, Stanley Kowalski in the seminal play from Tennessee Williams. This play, and then movie, put both of those colossal talents on the map, which is crazy to think about given what household names they became. It all started here. So . . . does it live up to the hype? Why IS this film so famous? Let’s find out!

Kim Coates is a Canadian-American actor who has worked in both Canadian and American films and television series. He has worked on Broadway portraying Stanley Kowalski in A Streetcar Named Desire and in the lead role of Macbeth performed at the Stratford Shakespeare Festival. He also starred as Alexander “Tig” Trager in the FX series Sons of Anarchy. Key Points 1. Follow Your Bliss Life is too short to live every day doing things that you dislike. If you love something, do it, end of story. If you want to be an actor, act. If you want to be a musician, play music. If you want to start a business, do it! Don’t let anyone or anything hold you back from pursuing what you love. Follow your bliss, and the rest will fall into place. 2. Be Willing to Wait Until You Are Ready Once you have committed to a path, whether it is business, acting, athletics etc. be willing to wait until you are ready to take the big leap. For Kim, he continued to master his craft of acting on stage for 8 years before he took the leap into television. For you, it may mean working an apprenticeship for a few years before you start your business, it may mean playing local gigs with your band for a few years before you quit your job and try touring. Don’t rush things. Excellence takes time. 3. Failure is Not an Option Success is simple, you simply have to remove the possibility of failure from your mind. When failure is no longer an option, success is inevitable. Once you have started following your bliss and prepared yourself for the leap, it is time to burn your boats and leave yourself no choice but to succeed. Whether that is moving to a new city, quitting your job, or investing all of your dispensable cash into a business, when you give yourself no way out, you will succeed. 4. Keep Your Head on Straight Once you start to see success, it is easy to let it go to your head. You have to be diligent in making sure that you keep your head on straight. Stay away from the masses living the rock star lifestyle who will end up ruining their career within a few short years. If you want longevity in whatever path you select, you have to continually grow and avoid things that are detrimental to your public image and success. 5. A Real Man Listens More and Talks Less  You were given two ears and one mouth for a reason, use them in that proportion.

The Family is in prison, calm and peaceful and awaiting their trial with absolutely zero thoughts of even attempting a jailbreak. Also: What did Stanley Kowalski say when he met Christopher Nolan? Listen to find out! - In-game music - Incompetech & Tabletop Audio - Twitch theme song - "Adventure Meme" by Kevin Macleod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/- Podcast theme song - "8 Bit Win!" by the HeatleyBros Royalty Free Music: https://youtu.be/vX1xq4Ud2z8

The Family is in prison, calm and peaceful and awaiting their trial with absolutely zero thoughts of even attempting a jailbreak. Also: What did Stanley Kowalski say when he met Christopher Nolan? Listen to find out! - In-game music - Incompetech & Tabletop Audio - Twitch theme song - "Adventure Meme" by Kevin Macleod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/- Podcast theme song - "8 Bit Win!" by the HeatleyBros Royalty Free Music: https://youtu.be/vX1xq4Ud2z8

Kim Coates is a Canadian-American actor who has worked in both Canadian and American films and television series. He has worked on Broadway portraying Stanley Kowalski in A Streetcar Named Desire and in the lead role of Macbeth performed at the Stratford Shakespeare Festival. He also starred as Alexander “Tig” Trager in the FX series Sons of Anarchy. Key Points 1. Follow Your Bliss Life is too short to live every day doing things that you dislike. If you love something, do it, end of story. If you want to be an actor, act. If you want to be a musician, play music. If you want to start a business, do it! Don't let anyone or anything hold you back from pursuing what you love. Follow your bliss, and the rest will fall into place. 2. Be Willing to Wait Until You Are Ready Once you have committed to a path, whether it is business, acting, athletics etc. be willing to wait until you are ready to take the big leap. For Kim, he continued to master his craft of acting on stage for 8 years before he took the leap into television. For you, it may mean working an apprenticeship for a few years before you start your business, it may mean playing local gigs with your band for a few years before you quit your job and try touring. Don't rush things. Excellence takes time. 3. Failure is Not an Option Success is simple, you simply have to remove the possibility of failure from your mind. When failure is no longer an option, success is inevitable. Once you have started following your bliss and prepared yourself for the leap, it is time to burn your boats and leave yourself no choice but to succeed. Whether that is moving to a new city, quitting your job, or investing all of your dispensable cash into a business, when you give yourself no way out, you will succeed. 4. Keep Your Head on Straight Once you start to see success, it is easy to let it go to your head. You have to be diligent in making sure that you keep your head on straight. Stay away from the masses living the rock star lifestyle who will end up ruining their career within a few short years. If you want longevity in whatever path you select, you have to continually grow and avoid things that are detrimental to your public image and success. 5. A Real Man Listens More and Talks Less  You were given two ears and one mouth for a reason, use them in that proportion.

Born in New York City and a graduate of The Neighborhood Playhouse, Richard Neil was a principal member of Chopstick Theatre in Charleston, S.C. He toured extensively, performing classic roles, such as Stanley Kowalski in A Streetcar Named Desire. He has appeared in two of Bill Viola's signature pieces, "Ocean Without A Shore" and "Man With His Soul." He starred opposite Makoto Fujita in the Japanese actor's last film, Takashi Koizumi's Best Wishes For Tomorrow. Richard is a busy voice and motion capture actor, most notably as Aratak in Sony's "Horizon Zero Dawn: The Frozen Wilds." He is the brother of documentary filmmaker, Ellen Weissbrod.Richard Neil, best known for his work as Aratak in the best-selling video game ‘Horizon Zero Dawn: The Frozen Wilds' and for such films and TV series as “Veronica Mars” and “Eli Stone” The hit movie PRODIGY, in which he plays the lead role. In PRODIDGY, on VOD this month, a psychologist engages a dangerous, young genius in a battle of wits -- unaware of the supernatural power the girl possesses, or that her life hangs in the balance.

Born in New York City and a graduate of The Neighborhood Playhouse, Richard Neil was a principal member of Chopstick Theatre in Charleston, S.C. He toured extensively, performing classic roles, such as Stanley Kowalski in A Streetcar Named Desire. He has appeared in two of Bill Viola's signature pieces, "Ocean Without A Shore" and "Man With His Soul." He starred opposite Makoto Fujita in the Japanese actor's last film, Takashi Koizumi's Best Wishes For Tomorrow. Richard is a busy voice and motion capture actor, most notably as Aratak in Sony's "Horizon Zero Dawn: The Frozen Wilds." He is the brother of documentary filmmaker, Ellen Weissbrod.Richard Neil, best known for his work as Aratak in the best-selling video game ‘Horizon Zero Dawn: The Frozen Wilds' and for such films and TV series as “Veronica Mars” and “Eli Stone” The hit movie PRODIGY, in which he plays the lead role. In PRODIDGY, on VOD this month, a psychologist engages a dangerous, young genius in a battle of wits -- unaware of the supernatural power the girl possesses, or that her life hangs in the balance.

Colonel Kurtz, Don Vito Corleone, Stanley Kowalski, Lieutnant Ken Wojech. One man links all these characters and today we talk about the final character in that list in a film that someone seems to be trying really hard to hide. Welcome to They Don't Make 'Em Like They Used To

From the Best of State of the Arts (Originally broadcast August 7, 2014) - Stage and comedic improv Actress/Director/Teacher Kimberly Lewis is interviewed about her current co-starring role as “Charlotte Hay” in the Wasatch Theatre Venture madcap farce Moon Over Buffalo at the Grove Theatre Center in Burbank, CA. The Live Arts Calendar highlights the world premiere musical comedy The Max Factor Factor , a love story about the perils of two leading men/movie stars during Hollywood’s Golden Age at the NoHo Arts Center in North Hollywood, CA; a co-op production from New Musicals Inc. and Hollywood’s Celebration Theatre. Classic theatre and film actor Dan Kaemon discusses his co-starring role as “Stanley Kowalski” in Tennessee Williams’ A Street Car Named Desire for North Hollywood’s Group Repertory Company at the Lonny Chapman Theatre. Lewis and Kaemon reveal embarrassing career moments.

From the Best of State of the Arts (Originally broadcast August 7, 2014) - Stage and comedic improv Actress/Director/Teacher Kimberly Lewis is interviewed about her current co-starring role as “Charlotte Hay” in the Wasatch Theatre Venture madcap farce Moon Over Buffalo at the Grove Theatre Center in Burbank, CA. The Live Arts Calendar highlights the world premiere musical comedy The Max Factor Factor , a love story about the perils of two leading men/movie stars during Hollywood’s Golden Age at the NoHo Arts Center in North Hollywood, CA; a co-op production from New Musicals Inc. and Hollywood’s Celebration Theatre. Classic theatre and film actor Dan Kaemon discusses his co-starring role as “Stanley Kowalski” in Tennessee Williams’ A Street Car Named Desire for North Hollywood’s Group Repertory Company at the Lonny Chapman Theatre. Lewis and Kaemon reveal embarrassing career moments.

Stage and comedic improv Actress/Director/Teacher Kimberly Lewis is interviewed about her current co-starring role as “Charlotte Hay” in the Wasatch Theatre Venture madcap farce Moon Over Buffalo at the Grove Theatre Center in Burbank, CA. The Live Arts Calendar highlights the world premiere musical comedy The Max Factor Factor , a love story about the perils of two leading men/movie stars during Hollywood’s Golden Age at the NoHo Arts Center in North Hollywood, CA; a co-op production from New Musicals Inc. and Hollywood’s Celebration Theatre. Classic theatre and film actor Dan Kaemon discusses his co-starring role as “Stanley Kowalski” in Tennessee Williams’ A Street Car Named Desire for North Hollywood’s Group Repertory Company at the Lonny Chapman Theatre. Lewis and Kaemon reveal embarrassing career moments.

Stage and comedic improv Actress/Director/Teacher Kimberly Lewis is interviewed about her current co-starring role as “Charlotte Hay” in the Wasatch Theatre Venture madcap farce Moon Over Buffalo at the Grove Theatre Center in Burbank, CA. The Live Arts Calendar highlights the world premiere musical comedy The Max Factor Factor , a love story about the perils of two leading men/movie stars during Hollywood’s Golden Age at the NoHo Arts Center in North Hollywood, CA; a co-op production from New Musicals Inc. and Hollywood’s Celebration Theatre. Classic theatre and film actor Dan Kaemon discusses his co-starring role as “Stanley Kowalski” in Tennessee Williams’ A Street Car Named Desire for North Hollywood’s Group Repertory Company at the Lonny Chapman Theatre. Lewis and Kaemon reveal embarrassing career moments.