Podcast appearances and mentions of david mich

Il est venu le temps de rattraper une nouvelle fois notre retard dans 24FPS, le podcast ciné avec ou sans spoiler, via les films vus en mars, avril et mai 2026 ! Voici les 29 films abordés sans spoiler dans cette émission par Julien et Jérôme : Manhood de Daniel Lombroso (à partir de 0:03:37) War Machine de Patrick Hughes (à partir de 0:09:00) #Skyking de Patricia E. Gillespie (à partir de 0:13:40) Christy de David Michôd (à partir de 0:18:56) Normal de Ben Wheatley (à partir de 0:23:59) The Bride! de Maggie Gyllenhaal (à partir de 0:28:38) Pirouette Fatale (Pretty Lethal) de Vicky Jewson (à partir de 0:35:43) Peaky Blinders - L'Immortel de Tom Harper (à partir de 0:40:59) Love Language de Joey Power (à partir de 0:46:25) They Will Kill You de Kirill Sokolov (à partir de 0:50:25) The Peril At Pincer Point de Jake Kuhn & Noah Stratton-Twine (à partir de 0:57:30) Mike & Nick & Nick & Alice de BenDavid Grabinski (à partir de 1:01:21) Sparks de Fergus Campbell (à partir de 1:07:26) Wedding Nightmare - Deuxième Partie de Matt Bettinelli-Olpin et Tyler Gillett (à partir de 1:11:55) Basic de Chelsea Devantez (à partir de 1:19:31) Le Réveil De La Momie de Lee Cronin (à partir de 1:24:36) DreamQuil de Alex Prager (à partir de 1:38:13) Good Luck, Have Fun, Don't Die de Gore Verbinski (à partir de 1:41:58) Chasing Summer de Josephine Decker (à partir de 1:57:24) Exit 8 de Genki Kawamura (à partir de 2:01:55) Louis Theroux - Plongée Dans La Manosphere (à partir de 2:14:55) Super Mario Galaxy Le Film de Aaron Horvath & Michael Jelenic (à partir de 2:38:50) Le Crime du 3e Étage de Rémi Bezançon (à partir de 2:46:21) The Criminals de David Mackenzie (à partir de 2:49:54) Apex de Baltasar Kormákur (à partir de 3:02:00) Over Your Dead Body de Jorma Taccone (à partir de 3:06:28) Mortal Kombat II de Simon McQuoid (à partir de 3:12:10) Michael de Antoine Fuqua (à partir de 3:20:38) Projet Dernière Chance de Phil Lord & Christopher Miller (à partir de 4:01:10) Bonne écoute, et n'hésitez pas à dire ce que vous avez pensé des publicités au format long au cinéma ! Crédits musicaux : Two of Us des Beatles, issu de l'album Let It Be (1970), et Pata Pata de Miriam Makeba (1967)

Disponible depuis le 6 mars dernier sur Netflix, WAR MACHINE (à ne pas confondre avec le film éponyme de David Michôd, déjà sur Netflix depuis 2017) est un "PREDATOR-Like" qui assume totalement sa filiation avec le chef d'oeuvre de John McTiernan. Le film de Patrick Hughes est évidemment très loin d'atteindre les mêmes cimes, mais sa candeur vis-à-vis de ses références le place déjà au-dessus des récents films qui ont tenté de relancer la franchise. De toute évidence, le projet contient des grosses limites mais pour Vincent Guignebert et Stéphane Moïssakis, c'est toujours mieux que cette merde de PREDATOR BADLANDS !Retrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/#warmachine #predator #alanritchson Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La chronique cinéma d'Anne-Marie Baron « Christy » de David Michôd (2026) Biopic, Drame

For this Out Takes, we celebrated the recent success of Leela Varghese at the 2026 AACTA Awards for  ‘Lesbian Space Princess’ and ‘I’m The Most Racist Person I Know’ (which were two of our favourite queer films of 2025) by revisiting our interview with her from last year along with our review of LSP which is available to watch locally on Netflix now. We also reviewed ‘Christy’, the latest film from Aussie director David Michôd that stars Sydney Sweeney in the lead role that chronicles the rise of former professional boxer Christy Martin and her incredibly tumultuous life in and outside of the ring, including accepting her sexuality, along with her abusive and coercive relationship with her coach that led to an attempted murder on her life. We also had an encore presentation of an excerpt from our interview from March 2025 with actor Arka Das and the founder of the Indian Film Festival and film producer Mitu Bhowmick Lange to discuss ‘My Melbourne’ which features four unique stories that celebrate diverse voices and talents from four Indian filmmakers who worked with emerging creatives from underrepresented backgrounds to create a multicultural Australian film about identity and belonging based on authentic migrant experiences and is available to watch now on SBS on Demand. The post Christy, Lesbian Space Princess, I’m the Most Racist Person I Know and My Melbourne appeared first on Out Takes.

That's right, it's time for the annual tradition of "actor completely changes themselves physically for a role."This time, it's Sydney Sweeney breaking a sweat and lacing up the gloves for CHRISTY135 Minutes, Rated RWritten by David Michôd, Mirrah Foulkes, Katherine FugateDirected by David MichôdSynopsis:Christy Martin never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim.But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death. Based on remarkable true events, Christy Martin's story is one of resilience, courage, and the fight to reclaim one's life.So... do her punches land a knockout blow or will it be a TKO for this biopic?Listen to find out.~~~~~ Hosted on Acast. See acast.com/privacy for more information.

Podsumowanie 16. edycji American Film Festival, w którym klasycznie omawiamy te najbardziej interesujące film z programu festiwalu. W odcinku rozmawiamy o:★ Father, Mother, Sister, Brother, reż. Jim Jarmush★ Na wschód od Wall, reż. Kate Beecroft★ Od nowa, reż. Max Walker-Silverman★ OBEX, reż. Albert Birney★ Natchez, reż. Suzannah Herbert★ Kopnęłabym cię, gdybym mogła, reż. Mary Bronstein★ Zgiń kochanie, reż. Lynne Ramsay★ Christy, David Michôd★ Smithereens, reż. Susan Seidelman★ Czerwona linia, reż. Sidney LumetRozmawiają Janek i Marcin

In this exclusive interview, we sit down with boxing icon Christy Martin, writer-director Mirrah Foulkes, and producer David Michôd to discuss Christy, the powerful new biopic exploring Martin's extraordinary rise, survival, and legacy.We dive into the true story behind the “Coal Miner's Daughter,” the emotional process of revisiting Christy's past, the filmmaking challenges of adapting real-life trauma, and why this film aims to honor both the fighter and the woman behind the gloves.A must-watch for boxing fans, cinephiles, and anyone moved by stories of resilience and reinvention.Become a supporter of this podcast: https://www.spreaker.com/podcast/keeping-it-reel-with-filmgordon--4671407/support.

For this week's main podcast review, Katie Johnson, Josh Parham, Joselyn Safadi, Dan Bayer & Daniel Howat join me to discuss the latest film from David Michôd, "Christy," starring Sydney Sweeney, Ben Foster, Merritt Wever, and Katy O'Brian. Based on former professional boxer Christy Martin, the film chronicles Martin's rise to becoming America's most well-known female boxer in the 1990s, and later her abusive relationship with her husband/trainer. The film premiered at the 2025 Toronto International Film Festival to positive reviews for Sweeney and Foster's performances, but what did we think of it? Please tune in as we discuss that, the direction, writing, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Christy" is an American biographical sports drama film about the former professional boxer Christy Martin, played by Sydney Sweeney (she also served as one of the film's producers), directed by David Michôd and co-starring Ben Foster. The film chronicles Martin's rise to becoming America's most well-known female boxer in the 1990s, and later her husband's attempt to murder her in 2010. The film had its world premiere at the 2025 Toronto International Film Festival, where it received positive reviews for Sweeney and Foster's performances. Michôd, Sweeney and Foster were all kind enough to spend a few minutes speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on November 7th by Black Bear Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Fresh off the electric vibes of the 2025 Toronto International Film Festival, Daniel dives into the cinematic whirlwind of the 2025 Toronto International Film Festival, spotlighting three premieres that captured the festival's diverse energy. From bold character studies to gripping true stories, these films showcase TIFF's knack for launching unforgettable narratives. We're talking Saipan, the fiery sports drama unpacking the infamous 2002 World Cup showdown between Roy Keane (Éanna Hardwicke) and Mick McCarthy (Steve Coogan). Eleanor the Great, directed by Scarlett Johansson, centers on a 94-year-old woman who, after a loss, shares a fabricated story that spirals into unexpected consequences, touching on grief and connection. Then, Sydney Sweeney steps into the ring as boxing trailblazer Christy Martin in David Michôd's Christy, a biographical gut-punch exploring her rise from small-town dreamer to women's boxing icon, shadowed by abuse and resilience. Rounding out the trio is Paul Greengrass's pulse-pounding The Lost Bus, starring Matthew McConaughey and America Ferrera as a rogue driver and devoted teacher racing against the 2018 Camp Fire's deadly blaze to save 22 kids on a school bus. The rest of our TIFF coverage will follow over the coming days, highlighting the good and the bad of the biggest film festival in North America.  If you have any questions or comments, or would like to recommend a movie we cover next please reach out to us on social media. We're on Facebook, X (formerly known as Twitter) and Instagram.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week's episode packs a punch as we dive into Top 5 Juniors in Movies and TV, followed by a deep dive into the intense war thriller Warfare (2025). No kids' TV show this week — we're keeping it strictly grown-up.

Erinnert ihr euch noch an die Periode des VerbalVerkehr, wo es Standard war, dass wir uns gegenseitig von Filmen und Serien erzählt haben, die wir nicht beide gesehen haben? Diese Folge ist ein bisschen so. Jan Henryk hat Gareth Edwards Debüt-Film Monsters (2010) gesehen und David Michôds realistischeren Mad Max-Riff The Rover (2014) und erzählt Ludwig davon, wie die so sind. Die (für die Podcast-Version herausgeschnittenen) Songs in dieser Sendung: Pet Shop Boys - It's a Sin Friends In Real Life - Surf Rock Anthem (lofi study beats remix) (feat. Ceschi) Diese Sendung lief zuerst bei ALEX Berlin.

Émission du 2 avril 2025 (00:00) - La scène de la semaine "Taxi 2" de Gérard Krawczyk(01:44) - Le générique d'ouverture(02:48) - Le sommaire(06:16) - News Nos meilleurs films avec des voitures :(22:27) - "Mad Max : Fury Road" de George Miller(28:20) - "The Rover" de David Michôd(33:39) - "Holy Motors" de Leos Carax(43:23) - "Les Muppets, le film" de James Frawley(50:46) - "Taxi" de Gérard Pirès (57:06) - La carte blanche : Quel serait notre film de voitures ultime ? (1:02:52) - Quiz "Les bagnoles au cinéma" (1:11:56) - Les Recos de l'équipe (1:15:23) - Le générique de fin Nos recos de la semaine ⤵️Le film "Le Couperet" de Costa-Gavras : https://www.filmotv.fr/film/le-couper...Le jeu vidéo "WWE 2K25" de 2K Sports : https://www.fnac.com/a21260609/WWE-2K...La Formule 1 : https://www.formula1.com/La série "The Boys" d'Eric Kripke : https://www.primevideo.com/-/fr/detai...La vidéo "LE PLUS GROS PROJET DE MA VIE ( Objectif 500 km/h )" de Sylvain Lyve : • LE PLUS GROS PROJET DE MA VIE ( Objec... Retrouvez The Cinema Show sur ⤵️Facebook : / rcmcinemashowInstagram : / thecinemashow_rcmTwitter : / thecinemashow1 #cinema #radiocampusmontpellier #thecinemashow #tcs #rcm #podcast #radio #film #critique #analyse #movie #débat #quiz #horsserie #madmax #madmaxfuryroad #georgemiller #tomhardy #charlizetheron #therover #davidmichod #guypearce #robertpattinson #holymotors #leoscarax #denislavant #lesmuppets #jamesfrawley #muppet #voiture #car #roadmovie #bagnole #vitesse #taxi #gerardpires #marseille #samynaceri #fredericdiefenthal

Glöm inte att ge betyg och prenumerera. Dagens gäst är regissören Caroline Ingvarsson, aktuell med Håkan Nesser adaptationen ”Levande och Döda i Winsford”. Vi pratar om början av hennes karriär och influenserna från Australien, där hon jobbat med bland annat David Michôd som gjort Animal Kingdom. Hon berättar om skillnaderna mellan film sets i Australien, Sverige och Polen. Om vikten av att vara bestämd som regissör och om hur fikabordet kan vara platsen där du snabbast lär dig mest om allt på en inspelning.

On this episode, we discuss the profoundly demented CBS Radio Mystery Theater Episode "The Slave" (https://www.cbsrmt.com/episode/303-the-slave.html). Meanwhile, Dan explains how cool he was in high school, Lawrence ponders masturbatory possibilities, Ronald gets genuinely angry at the episode, and Rahul masters the Quantum Realm. Recommendations Gene Clark's “No Other” and other solo projects They Thirst by Robert R. McCammon The X-Files (1993, created by Chris Carter) Catch 22 (2019, created by Luke Davies and David Michôd) Cautions Gothghull Hollow by Anna Stephens Lou (2022, Directed by Anna Foerster) Plugs The Canon Ball Podcast (https://podcasts.apple.com/us/podcast/the-canon-ball/id1202558454) The Thrawnderdome (https://feeds.acast.com/public/shows/thrawnderdome) Alex Jones' Testimony (https://youtu.be/n06s_J6hUno and https://youtu.be/7DSLP5nGvjQ) A butt plug Rahul's 40k porn parody, which does not exist, “The Emperor and I”

On this episode, we reflect on a year and a half of podcasting. And talk about poop. Also, Ronald triumphs, Rahul compares and contrasts Beyonce and Taylor Swift, and Lawrence gives Johnny No-Hinges the perfect Christmas present. And, another cameo from Lawrence's racist book. Recommendations: Chainsaw Man (2022, dircted by Ryu Nakayama) Soft & Quiet (2022, directed by Beth de Araujo) Mo (2022, created by Mohammed Amer and Ramy Youssef) Cautions: The Devil's Own (1997, directed by Alan J. Pakula) Code of Silence (1985, directed by Andrew Davis) Catch 22 (2019, created by Luke Davies and David Michôd) Plugs: Video of dude eating horse poop (https://youtu.be/iXRK1-FV_98) Doing a podcast with your buds

We continue our series going through the entire catalog of A24's films. On this episode we are looking at 2014's The Rover directed by David Michôd. The film stars Guy Pearce as a man tracking down a group of thieves that stole his car in post apocalyptic Australia. He finds Robert Pattinson, the brother of one of the thieves left for dead and uses him to find the group. Joining the show is Matthew Simpson, the host of the Awesome Friday podcast who was last heard on the show back on episode 200: Movies That Made Us. Our double bill pairings include Personal Shopper (Dakota), Life (Rachel) and The Proposition (Matthew). If you haven't heard our deep dive into the origins of A24, listen to episode 108: A History of A24 Films and our last episode in this series episode 205: A24 Retrospective – Obvious Child. Listen to Awesome Friday and follow them on Twitter and Instagram as well as Matthew's personal Twitter account. Listen to Rachel, who joined a round table discussion on The Movie Podcast, to interview Brendan Fraser about his latest film The Whale. Follow Rachel on Twitter and check out her website for more great reviews. Listen to Contra Zoom on Anchor, Apple Podcasts, Spotify, Google Play, Overcast, RadioPublic, Breaker, Podcast Addict and more! Please rate and review the show on Apple Podcasts or Spotify. Send us a screenshot of your 5 star rating and review to contrazoompod@gmail.com and we will send you free stickers! Thank you Eric and Kevin Smale for the original theme songs, Jimere for the interlude music and Stephanie Prior for designing the logo. Support the show on Ko-fi by sending us a tip! Follow the show on Twitter, Instagram, YouTube and Facebook and visit our official website. --- Send in a voice message: https://anchor.fm/contrazoompod/message

Returning to the podcast today, we have a fan favorite in the form of Mr. Jordan Harper. One of my dearest friends, this podcast's very first guest, and my Pandemic Movie Club, and Game Night crew buddy, Jordan is the Edgar award-winning author of She Rides Shotgun, Love & Other Wounds, The Last King of California - releasing in September in the UK - and Everybody Knows, which will be available everywhere in 2023.Additionally, a screenwriter and producer of such shows as The Mentalist, Gotham, and Hightown, Jordan crafted one of the most beautiful pilots for L.A. Confidential, which CBS stupidly did not pick up, but was so acclaimed he screened and did a virtual panel on the show at the ATX TV Festival. A Missouri native - and yes, that will come up in today's conversation, Jordan currently lives in L.A. along with his talented screenwriter girlfriend Megan Mostyn-Brown, and adorable dog Ellroy.Welcoming Jordan back to celebrate the release of The Last King of California next week in the UK, in this rich, thoughtful, fresh conversation, we explore a trio of films that center on criminal families (of the blood variety), including James Foley's At Close Range, David Michôd's Animal Kingdom, and Debra Granik's Winter's Bone.Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveLogo: KateGabrielle.comOriginally Posted on Patreon (9/14/22) here: https://www.patreon.com/posts/71974209

Career Q&A with Joel Edgerton. Moderated by Jenelle Riley, Variety. Joel Edgerton currently stars as John Connolly in BLACK MASS alongside Johnny Depp. He was honored for his performance as Tom Buchanan in “The Great Gatsby,” Baz Luhrmann's 2013 screen adaptation of F. Scott Fitzgerald's classic novel. Edgerton won Australian Film Institute (AFI) and Film Critics Circle of Australia (FCCA) Awards and was nominated for an Australian Film Critics Association Award, all in the category of Best Supporting Actor. Edgerton more recently directed, wrote, produced and starred in the psychological thriller “The Gift,” also starring Jason Bateman and Rebecca Hall. The independent film delivered tremendously, with a 93% Rotten Tomatoes score and an opening weekend of $12 million. He also starred opposite Christian Bale in Ridley Scott's biblical epic “Exodus: Gods and Kings.” Edgerton's upcoming credits include starring roles in Jeff Nichols' sci-fi thriller “Midnight Special,” and Gavin O'Connor's Western “Jane Got a Gun,” with Natalie Portman and Ewan McGregor. He is currently reunited with Nichols on the fact-based drama “Loving,” about the couple whose challenge to Virginia's interracial marriage ban led to a landmark Supreme Court case. In 2012, Edgerton gained international attention with his role in Kathryn Bigelow's award winning true-life drama “Zero Dark Thirty.” That same year, he starred opposite Jennifer Garner in Peter Hedges' “The Odd Life of Timothy Green,” and in “Wish You Were Here,” winning an FCCA Award for Best Actor. His other recent film credits include the drama “Felony,” which he also wrote and produced and which premiered at the 2013 Toronto International Film Festival; Gavin O'Connor's drama “Warrior,” with Tom Hardy and Nick Nolte; the horror thriller “The Thing,” the prequel to John Carpenter's cult classic; and David Michôd's “Animal Kingdom,” for which he won AFI and FCCA Awards for Best Supporting Actor. Edgerton had earlier starred in such films as “The Square,” directed by his brother Nash Edgerton; the Australian feature “Acolytes”; “Whisper,” with Josh Holloway”; the crime thriller “Smokin' Aces”; the drag comedy “Kinky Boots”; and George Lucas's blockbusters “Star Wars: Episode II – Attack of the Clones” and “Episode III – Revenge of the Sith,” playing the young Owen Lars, who would become Uncle Owen to Luke Skywalker. He also lent his voice to Zack Snyder's animated feature “Legend of the Guardians: The Owls of Ga'Hoole” and the Oscar nominated animated short “The Mysterious Geographic Explorations of Jasper Morello,” performing the title role. Born in New South Wales, Australia, Edgerton attended the Nepean Drama School in western Sydney. He went on to appear in various stage productions, most notably with the Sydney Theatre Company in “Blackrock,” “Third World Blues” and “Love for Love”; and the Bell Shakespeare, where he appeared in “Henry IV.” In 2009, he returned to the stage to star as Stanley Kowalski, alongside Cate Blanchett's Blanche DuBois, in the Sydney Theatre Company's acclaimed production of “A Streetcar Named Desire.” The pair also performed the play to sold-out audiences at the Kennedy Center in November of that year, followed by a run at the Brooklyn Academy of Music (BAM) in December. On Australian television, he is known for playing the role of Will in the long-running series “The Secret Life of Us,” for which he was nominated for an AFI Award.

The boys review "The King," a Netflix original epic war film directed by David Michôd and written by David Michôd and Joel Edgerton

Writer/director David Michôd

Alexander Janthur ist kommunikativ, aufgeschlossen und ein guter Gesprächspartner. Wir sprechen in dieser Folge über seine Geschichte als Gründer, Unternehmensstrukturen, die aktuelle Pandemie und Arbeitsprozesse. Da mein Gast genauso technikaffin ist wie ich, tauschen wir uns außerdem über technische Entwicklung und Fortschritt aus. Alexander ist in Ost-Berlin aufgewachsen und machte sein Abitur 1989, als die Wende kam. Er stammt nicht aus einer Unternehmerfamilie. Trotzdem hatte er bereits während seines Politikwissenschaftsstudiums an der FU Berlin einen Gründungswunsch. Als Co-Gründer von Turbine Kreuzberg führt er die Firma gemeinsam mit Peter Breuer, Florian Möller und Christopher Möhle. Das Unternehmen entstand durch eine Fusion von Alexanders erster Agentur Votum mit Intermatix, der damaligen Firma von Peter Breuer. Mein Gast hat seine Ein-Mann-Agentur zu einem Unternehmen mit 90 Mitarbeitenden gewandelt. Turbine Kreuzberg erwartet in diesem Jahr einen Umsatz von 10 Millionen Euro. Diese Folge wurde in HQ Remote aufgenommen www.podcast-inkubator.de Erwähnungen: Block Chain (kontinuierlich erweiterbare Liste von Datensätzen in einzelnen Blöcken) Späti (Kiosk) Diese 0 auf 1 Folgen werden erwähnt: #018 – Jens Schmelzle von farmee – Neue Abenteuer nach einem erfolgreichen Exit #023 – Moritz Preißer – Granny GmbH – Berlin, Popkultur und die Zukunft von Marken Zeitstempel: 3:20 Raus aus der Alltags-Routine 5:00 Wer ist Turbine Kreuzberg? 12:00 Gründungsimpulse 24:15 Akquise und Projekte 29:47 Von Votum zu Turbine Kreuzberg 35:30 Technische Entwicklung 52:00 Neue Technologien und Blockchain 1:08:07 Pandemie 1:16:40 Gute und schlechte Entscheidungen 1:25:00 Arbeitsweisen 1:34:20 Unternehmensstrukturen 1:42:57 Freiräume und Arbeitspensum Zitate: 12:06 Alexander Janthur: „Die Entscheidung Politikwissenschaften zu studieren hat in zwei großen Lebensbereichen die entscheidenden Grundlinien gelegt. Einerseits habe ich während des Studiums mit Kommilitonen die Agentur gegründet bzw. angefangen Projekte zu machen. Andererseits habe ich meine Lebenspartnerin kennengelernt.“ 23:35 Alexander Janthur: „Meinen Geschäftspartner habe ich kennengelernt, da habe ich einen Photoshop-Kurs besucht. Ich habe Projekte mit hohem Grafikanteil akquiriert und hab ihn gefragt, ob er nicht Lust hat bei den Projekten mit einzusteigen und nach Ende der Projekte, auch in die Agentur. So waren wir dann zu zweit.“ 29:47 Alexander Janthur: „Wir sind immer mit Projekten gewachsen, die letztendlich eine Konfektionsgröße zu groß waren für uns.“ 1:08:49 Alexander Janthur: „März, April, Mai 2020 war schon ein Moment der Wahrheit.“ 1:11:30 Alexander Janthur: „Die Pandemie war ein Ereignis was keiner vorher so erlebt hat. Wir sind mit einer positiven Annahme ins letzte Jahr gestartet und mit einer Wachstumsidee, dann kam die Pandemie.“ 1:14:00 David: „Mich hat es ein bisschen genervt ins Home Office zu gehen, denn in der Unternehmenskultur von L'Agence ist der erste Satz: „Wir sind gern zusammen.““ 1:15:28 Alexander Janthur: „Ich habe höchsten Respekt vor allen im Kollegium, die in der Pandemie einen Spagat zwischen Arbeit und Kinderbetreuung machen mussten. Es ist eine Leistung, die man nicht genug würdigen kann.“ 1:17:50 Alexander Janthur: „Wenn wir etwas machen und verantworten, dann sollten wir zu 100% dahinterstehen. Wenn nicht dann ist es nicht der richtige Weg und dann muss man nach einer Alternative suchen.“ 1:42:57 Alexander Janthur: „Ich glaube mein Freiraum wird größer, wenn ich ihn mir nehme. Natürlich heißt das raus aus der Komfortzone.“ 1:54:00 Alexander Janthur: „Meinem jüngeren Ich würde ich sagen, mehr Selbstvertrauen in die eigenen Schritte zu haben und weniger Überlegungen. Ich würde sagen, genauso machen und noch 10% draufpacken.“

Listen as we discuss this period piece starring Timothée Chalamet, Joel Edgerton, Robert Pattinson, and Lily-Rose Depp, and directed by David Michôd. We talk about the various strengths and weaknesses of the film all while drinking on some honey wine. A fun show as always, so check it out!

This week, the BeefBois look at Aussie director David Michôd's 2019 historical/shakespearean epic The King. Also! Oscar talks about The Haunting (1963) and Andrew talks about Law Abiding Citizen (2009) and The Mitchells vs. the Machines (2021). Here's the critical article Oscar brings up, if you're curious. THE KING SPOILERS from 1:13:40 to 1:26:50 Email Us: beefstationpod@gmail.com (Tell us what movies you want to hear us talk about!) Next time on Beef Station: Fight Club (1999)

"Some creatures are weak, but they survive because they're being protected by the strong for one reason or another. You may think that, because of the circles you move in or whatever, that you're one of the strong creatures, but you're not, you're one of the weak ones." This week we're going to work out where we fit in within the podcasting kingdom, and we're lucky enough to be joined by special guest Adam Palcher from Deep Dive Film School. We are heading down under for our second entry in the Unsung Gems 2 round to spend some time with extended family in David Michôd's 2010 film, “Animal Kingdom”, winner of the Australian Film Institute's Best Film award. Come hang with us as we chat about the Oscar nominated performance from Jacki Weaver, the career changing performance from Ben Mendelsohn, and we give our "Movie Brothers Rushmore Mountain". DEEP DIVE FILM SCHOOL'S INSTAGRAM DEEP DIVE FILM SCHOOL'S FACEBOOK OUR WEBSITE OUR SOCIAL MEDIA Music: Umbels Support Us #threefilmspod #indiepodcast #animalkingdommoviereview #animalkingdommovieessay #animalkingdommovie #afishcalledwandafilm #animalkingdomfilmreview #animalkingdomfilmessay #filmreviews #moviereviews #filmessays #movieessays #movies #films #videopodcast #animalkingdom #animalkingdommovie #benmendehlson #guypearce #jackiweaver #joeledgerton #australianfilm #australia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/threefilmspod/message

This week, the Beefboiz discuss John Krasinski's brand new Horror/Thriller A Quiet Place Part 2 (2021). Also! The boys give their quick review of David Michôd's crime drama Animal Kingdom (2010), and Oscar talks about HBO miniseries Mare of Easttown (2021). Quiet Place Part 1 spoilers after 37:20 Quiet Place Part 2 spoilers from 52:00 to 1:18:45. Click here for the Beef Station BeefPosting Facebook Group! Email Us: beefstationpod@gmail.com (Tell us what movies you want to hear us talk about!) Next time on Beef Station: The King (2019) - it's on Netflix! (Michôd-fest babyyyy)

In which the Mister joins me in reviewing THE KING (2019), currently streaming on Netflix. Directed by David Michôd, with a script by David Michôd and Joel Edgerton; the story follows Hal (Timothée Chalamet) who begrudgingly accepts the throne after his father King Henry V (Ben Mendelsohn) dies. The young king is thrust into one of the most powerful positions of power at the time and must delicately maneuver the wars his father left behind, the politics of the palace and the possible treachery of all those that surround him while leading the country to victory and prosperity. The relationship between Hal and his most trusted confidante, Falstaff (Joel Edgerton) is lovely, nuanced and believably played by both actors. The film is rated R and clocks in at 2 h 20 m. Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://anchor.fm/jokagoge/support

Australian Psycho is our new miniseries built around the darker side of Australian cinema exploring psycho killers and dangerous blokes. We kick things off by discussing the modern crime classic Animal Kingdom from director David Michôd starring Ben Mendelsohn, Joel Edgerton, Guy Pearce and Jacki Weaver in an Oscar-nominated rolelJoin our Patreon for just $5 to get access to our spin-off TOTAL RESPECT.... During the Screenagers miniseries, we're going year by year picking our favourite films from when we were in high school. SIGN UPFuture art for TOTAL REBOOT comes from TIM BENGOUGHFINDING DESPERADO - Subscribe on APPLE PODCAST or SPOTIFY or listen on ABCSUBSCRIBE to the official NETFLIX podcast hosted by Alexei Toliopoulos THE BIG FILM BUFFET See acast.com/privacy for privacy and opt-out information.

In this episode we take a look at Animal Kingdom. A 2010 Australian crime drama film written and directed by David Michôd and starring Ben Mendelsohn, Joel Edgerton, Guy Pearce, James Frecheville, Luke Ford, Jacki Weaver, and Sullivan Stapleton. After his mother overdoses, 17-year-old Joshua "J" Cody (James Frecheville) asks his estranged grandmother, Janine "Smurf" Cody (Jacki Weaver), for help, and she invites him to move in with her. Smurf is the affectionate matriarch of a Melbourne crime family that uses her home as a base. Her home is also being watched by cops who are looking for her oldest son, Andrew "Pope" Cody (Ben Mendelsohn), who is in hiding. The volatile middle brother, Craig (Sullivan Stapleton), deals drugs successfully enough to have bought the house for his mother. The youngest brother, Darren (Luke Ford), follows the lead of his siblings, while family friend "Baz" (Joel Edgerton) leads the gang, which specialises in armed robbery.

We must be crazy to do it, but in this episode of Adapt or Perish we're taking to the skies with Joseph Heller's Catch-22! In this episode we discuss: Joseph Heller's original 1961 novel. The 1970 movie, directed by Mike Nichols, written by Buck Henry, and starring Alan Arkin, Art Garfunkel, Martin Sheen, and Orson Welles. The 1973 TV pilot, starring Richard Dreyfuss. Watch it (or don't) on YouTube. The 2019 miniseries, written and developed by Luke Davies and David Michôd, produced and directed by George Clooney, Grant Heslov, and Ellen Kuras, and starring Clooney, Christopher Abbott, Kyle Chandler, and Hugh Laurie. Footnotes: Moonrise Kingdom (2012), written and directed by Wes Anderson The Many Voices of Frank Welker Scott Pilgrim vs. the World (2010), directed by Edgar Wright Bad Times at the El Royale (2018), written and directed by Drew Goddard Adapt or Perish is on Patreon! If you'd like to support the show, we've got some great benefits available including a patron-only community and a bonus show, Adapt or Perish Plus! You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

Richard Morrison, General Manager of IMAX Melbourne, and Christian Kloukinas, Village Cinemas Senior Film Programmer, join the team to talk about the impact of lockdown on cinema. They also contribute reviews to two epic films; THE GOOD, THE BAD AND THE UGLY dir. Sergio Leone, (1966) and THE KING dir. David Michôd, (2019). With presenters Flick Ford and Sally Christie. Website: https://www.rrr.org.au/explore/programs/primal-screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

On the podcast this week, Steven and Sean are violently getting our treasured car back while talking about the post-apocalyptic David Michôd film, The Rover. An announcement: Ahem. After seeing this movie, we’ll no longer be taking any criticisms of Robert Pattinson as a person or an actor. Well, assuming he doesn’t do anything crazy like star in another Twilight movie. That’s the only time we’ll accept that now. Otherwise, he’s one of the best. Onward to the film! This gritty, sparse, powerful film. The Rover may be slow moving, but it’s not light on the action or the drama. It’s a moving story about a man and his search for... a car. Doesn’t get much more intense than that, friends. Don’t worry, though, because we’re going to break down all the actual goodness in this film. From insane car crashes to intense gunfights to the tensest of interpersonal drama, this one has a whole lot going for it. This all includes a phenomenal pair of performances by Guy Pearce and Robert Pattinson. Plus, this is one of those films you can impress really your movie-loving friends with. We loved the stark and grainy look of The Rover, which coupled very well with a heavy and perfect soundscape. It ticks all of our boxes. (Recorded on April 1, 2020) Links and Show Notes: More Movies Please! - Libsyn Give us a rating and review on Apple Podcasts!: https://podcasts.apple.com/us/podcast/more-movies-please/id1500339297 More Movies Please! - Instagram More Movies Please! - Twitter The Rover - IMDb The Rover trailer - YouTube Heat - IMDb What do guns really sound like? - YouTube Kill Bill: Vol. 1 and Kill Bill: Vol. 2 - IMDb Scoot McNairy - IMDb Archer Elevator Mawp - YouTube Superior orders - Wikipedia Reservoir Dogs - IMDb The Story Behind Heath Ledger’s Joker Transformation - UPROXX ‘The Rover’ Cinematographer Talks Filming Pearce and Pattinson - IndieWire The Lighthouse on More Movies Please! - Apple Podcasts An incredible Brussels sprouts recipe that everyone should try Seriously, if you think you don’t like Brussels sprouts, then you probably just haven’t had the right Brussels sprouts. Good Time - IMDb

Consulta en diazvillanueva.com La ContraFilmoteca con la selección de las mejores películas de este espacio: https://diazvillanueva.com/la-contrafilmoteca En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, tenemos las siguientes películas. - "La vida de Brian" (1979) de Terry Jones - "El rey" (2019) de David Michôd - "La solución final" (2012) de Frank Pierson - "El profesional (Léon)" (1994) de Luc Besson Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... @diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM

Petite précision : l'épisode a été enregistré fin 2019, ce qui explique que certains de nos propos semblent lointains. On discute de ces films qui entrent en collision avec l'actualité sociale et politique. Films cités Joker, Todd Philips Black Panther, Ryan Coogler Sorry we missed you, Ken Loach Hors normes, Olivier Nakache et Eric Toledano Recommandations Sophie : la série Watchmen créée par Damon Lindelof Antoine : The King de David Michôd sur Netflix Charlotte : les films documentaires de Raymond Depardon Où nous trouver : https://lpdlg.wordpress.com/ https://discord.gg/KPXcfGZ https://twitter.com/pieds_g?s=09 https://www.instagram.com/lpdlgpodcast/ Crédits musicaux générique : Lemon – Double Dragon @double-dragon-fr

Left to their own devices, Adam and Ian sit down to rip Netflix a new one and chat about what makes a good film adaptation. What follows is not necessarily endorsed by the rest of the CenterForLit crew…Support the podcast by shopping BiblioFiles!Referenced Works: – Henry V by William Shakespare –The King (2019), directed by David Michôd – The Hollow Crown (2012-2016) – War and Peace (2016), directed by Tom Harper – Lord of the Rings (2001-2003), directed by Peter Jackson – Cinderella (2015), directed by Kenneth Branagh – Murder on the Orient Express (2017), directed by Kenneth Branagh – All Is True (2018), directed by Kenneth BranaghWe love hearing your questions and comments! You can contact us by emailing adam@centerforlit.com, or you can visit our website www.centerforlit.com to find even more ways to participate in the conversation.

Audycja Kocham Dziwne Kino jest konsekwencją dziesiątek, a może nawet i setek godzin, które spędziliśmy na rozmowach o kinie, filmach i naszych kinowych fantazjach. Chcielibyśmy, żeby była naturalnym uzupełnieniem dla Festiwalu Filmowego Kocham Dziwne Kino oraz miejscem, gdzie rozmawiamy o kinie kultowym i campowym, pierwszoligowym i b‑klasowym, amatorskim i niezależnym. W dziewiętnastym tygodniu nadawania postanowiliśmy przyjrzeć się filmom krótkometrażowym od australijskiego kolektywu filmowców Blue-Tongue Films. Skupiliśmy się na twórczości Nasha Edgertona, ale też wspominamy o tych, w których maczał palce David Michôd – twórca fantastycznego „Rover”. Te kilka pozycji, które przybliżymy to prawdziwy misz-masz gatunkowy. Od pełnych akcji sensacyjnych miniaturek, poprzez dramaty i filmy pasujące do cyklu „Alfred Hitchcock przedstawia”, na horrorach z kosmitami kończąc. Dzisiejszy Dzień Babci jest również dniem kiedy Dawid, na antenie, ogłasza nabór do 9. edycji Festiwalu Kocham Dziwne Kino. Posłuchajcie!

L'année 2019 touche bientôt à sa fin mais il y a encore des films, et pas des moindres, à aborder pour 24FPS, le podcast ciné avec ou sans spoiler ! Voici les 10 films abordés sans spoiler par Jérôme et Julien dans cet épisode : Retour à Zombieland de Ruben Fleischer (à partir de 0:07:05) Wounds de Babak Anvari (à partir de 0:34:00) Dolemite Is My Name de Craig Brewer (à partir de 0:46:35) Hors Normes de Eric Toledano et Olivier Nakache (à partir de 1:00:20) Doctor Sleep de Mike Flanagan (à partir de 1:07:55) Le Roi de David Michôd (à partir de 1:45:11) L'Oiseau-Tempête de Wash Westmoreland (à partir de 1:59:15) À Couteaux Tirés de Rian Johnson (à partir de 2:11:50) Midway de Roland Emmerich (à partir de 2:45:25) The Irishman de Martin Scorsese (à partir de 3:10:00) Bonne écoute, et n'hésitez pas à partager les titres des œuvres que vous regardez sur votre téléphone ! Crédits musicaux : Master Of Puppets de Metallica, issu de l'album Master Of Puppets (1986), et Sweet Virginia des Rolling Stones, issu de l'album Exile On Main St. (1972)

En este episodio de HartoCinema, nos metimos con The King, que cuenta un episodio en la historia europea que resultó ser una telenovela de poder, familia, malos consejos, y malas decisiones. Con un cast impresionante, y un Robert Pattinson casi imposible.

Il re (The King) è un film del 2019 diretto da David Michôd e scritto da Michôd e Joel Edgerton.Ispirato all'Enrico V di William Shakespeare, il film racconta le gesta e la vita del giovane e ribelle principe Enrico V d'Inghilterra, interpretato da Timothée Chalamet. Fanno parte del cast anche Joel Edgerton, Robert Pattinson, Ben Mendelsohn, Sean Harris e Lily-Rose Depp.È stato presentato in anteprima mondiale al Festival del cinema di Venezia il 2 settembre 2019 ed è stato distribuito in streaming digitale il 1º novembre 2019 sulla piattaforma Netflix.Per supportare il nostro lavoro: https://linktr.ee/QuaggaPodcasting Instagram: https://www.instagram.com/quagga_podcasting/ Facebook: https://www.facebook.com/QuaggaPodcasting Sigla: The Range - Rafael Krux (https://freepd.com/music/The%20Range.mp3)

In the latest attempt to adapt Shakespeare for modern audiences, Australian director David Michôd (The Rover) directs Timothée Chalamet in The King, a sort-of rewriting of Shakespeare's Henry IV Part 1 & 2 and Henry V. The film is set in the original time period, but Shakespeare's language has been gutted, while his structure is preserved, in favour of modern English with the occasional "ye olde" touch. The script, written by Joel Edgerton (who stars as Falstaff) and Michôd, turns Falstaff into one of the stars of Henry V (instead of showing his death...) who goes to Agincourt with Hal. In this episode, we try to make sense of why Netflix's The King was made, who it's for, how it hews closely to some aspects of Shakespeare and veers wildly away from it, and why it made us so angry. For show notes, visit: https://21stfolio.com/2019/12/09/ep-27-the-king/‎ Host: Alex Heeney (@bwestcineaste) Guests: Mary Angela Rowe (@lapsedvictorian), Laura Anne Harris (@lauraanneharri1), and Caitlin Merriman (@CaitlinSnark) Editor: Edward von Aderkas Follow the 21st Folio on Twitter @21stFolio, or visit our website at http://21stfolio.com Find out more about Seventh Row at seventh-row.com

In the latest attempt to adapt Shakespeare for modern audiences, Australian director David Michôd (The Rover) directs Timothée Chalamet in The King, a sort-of rewriting of Shakespeare's Henry IV Part 1 & 2 and Henry V. The film is set in the original time period, but Shakespeare's language has been gutted, while his structure is preserved, in favour of modern English with the occasional "ye olde" touch. The script, written by Joel Edgerton (who stars as Falstaff) and Michôd, turns Falstaff into one of the stars of Henry V (instead of showing his death...) who goes to Agincourt with Hal. In this episode, we try to make sense of why Netflix's The King was made, who it's for, how it hews closely to some aspects of Shakespeare and veers wildly away from it, and why it made us so angry. For show notes, visit: https://seventh-row.com/2019/12/09/ep-22-the-king/ Host: Alex Heeney (@bwestcineaste) Guests: Mary Angela Rowe (@lapsedvictorian), Laura Anne Harris (@lauraanneharri1), and Caitlin Merriman (@CaitlinSnark) Editor: Edward von Aderkas Follow the 21st Folio on Twitter @21stFolio, or visit our website at 21stfolio.com Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

Dashran Yohan and Jin Soh review The King, directed by David Michôd, starring Timothée Chalamet, Joel Edgerton and Robert Pattinson.

In Chapter 8 of our beloved An Experiment in Criticism, C.S. Lewis discourages the literarily proficient from reading for ideas. We haven’t spent much time wrestling with that as a crew, and it recently gave us some pause. How could you do us like that, Clive? In this episode of BiblioFiles, we discuss “On Misreading by the Literary” and mull over whether or not it negates the entire CenterForLit project. Referenced Works:– An Experiment in Criticism by C.S. Lewis; Chapter 8: “On Misreading by the Literary”– “Ode on a Grecian Urn” by John Keats– Mystery and Manners by Flannery O’Connor– The Weight of Glory by C.S. Lewis– I and Thou Martin Buber– The King directed by David Michôd (Netflix, 2019)We love hearing your questions and comments! You can contact us by emailing adam@centerforlit.com, or you can visit our website www.centerforlit.com to find even more ways to participate in the conversation.

Tariq and Lester discuss the historical drama starring Timothy Chalamet, Joel Edgerton and Robert Pattinson directed by David Michôd.Hear they're takes on the films merits, faults and hilarious mistakes. Twitter Facebook Instagram @themoviebrewWebsite  EmailArtwork by Forest Fire CreationsMusic by Jake Brett aka Tamarin

Joel Edgerton talks about historical drama The King, which he co-wrote with David Michôd and also stars in, about a wayward English prince played by Timothée Chalamet who is crowned King Henry V after his tyrannical father's death. Lauren Carroll Harris presents a package on how nostalgia is shaping the television landscape, and director Sophie Hyde reveals a pretty indie Top Shelf of film.

Joel Edgerton talks about historical drama The King, which he co-wrote with David Michôd and also stars in, about a wayward English prince played by Timothée Chalamet who is crowned King Henry V after his tyrannical father's death. Lauren Carroll Harris presents a package on how nostalgia is shaping the television landscape, and director Sophie Hyde reveals a pretty indie Top Shelf of film.

Entre las películas a comentar hoy destacan 'Martin Eden' y 'The Painted Bird', ambas aspirantes al León de Oro, y 'The King', la película de época de David Michôd con Timothée Chalamet de protagonista. Por primera vez en su historia, La Sexta Nominada y PremiosOscar.net ha estado presente en el Festival de Venecia, la casilla de salida extraoficial de la temporada de premios. Con la ayuda de Rubén Murillo Rosa, cada día (de los seis que estaremos en la Biennale antes de que Daniel Martínez Mantilla se vaya a Toronto) hemos publicado un podcast en el que repasaremos las películas que veamos y los detalles más interesantes de la jornada.

The Total Tutor Neil Haley will interview Golden Globe Award Winner Meg Tilly of War Machine. An absurdist war story for our times, writer-director David Michôd (Animal Kingdom) recreates a U.S. General's roller-coaster rise and fall as part reality, part savage parody - raising the specter of just where the line between them lies today. His is an exploration of a born leader's ultra-confident march right into the dark heart of folly. At the story's core is Brad Pitt's sly take on a successful, charismatic four-star general who leapt in like a rock star to command NATO forces in Afghanistan, only to be taken down by a journalist's no-holds-barred exposé. The Netflix original film is inspired by the book The Operators: The Wild & Terrifying Inside Story of America's War in Afghanistan by the late journalist Michael Hastings. Joining Pitt in War Machine is a highly decorated cast including Tilda Swinton, Sir Ben Kingsley, Anthony Michael Hall, Topher Grace, Will Poulter, Lakeith Stanfield, Emory Cohen, John Magaro, RJ Cyler, Alan Ruck, Scoot McNairy and Meg Tilly. Ian Bryce and Plan B's Dede Gardner, Jeremy Kleiner and Brad Pitt serve as producers. James Skotchdopole serves as executive producer. The film will be released on Netflix on May 26, 2017.   Meg Tilly is a Canadian-American actress and novelist. For her role in the 1985 film Agnes of God, she won a Golden Globe Award and was nominated for the Academy Award for Best Supporting Actress.