Podcasts about toon boom

1 free 3-month license of Toon Boom Harmony Premium: https://forms.gle/WKDzQEUdQPFav8vJ9 This chat is with Oscar-nominated Australian stop motion animator Lachlan Pendragon. Pendragon is best known for his stop motion film, An Ostrich Told Me the World Is Fake and I Think I Believe It, which went on to receive international recognition last year and ended up making the shortlist of Oscar nominated films. In their chat, Pendragon shares what the journey to the Oscars was like, as well as what it took to make his film. Tune in to Ibele and Pendragon to hear: *How Pendragon funded the film *What the stop motion industry is like in Australia *How becoming Oscar-nominated changes your career ~[SPONSORED MESSAGE]~ This episode is sponsored by Toon Boom Animation. For over 30 years, Toon Boom Animation has led the global market in preproduction and 2D animation software, serving clients in 140+ countries, who are doing another give-away of their software to one of my listeners - this time a 3-month license of Harmony Premium - a value of over $500! To enter the draw, simply fill out your name and email in the form in the description of this podcast. Toon Boom's Harmony is used by the largest gaming and animation studios around the world. It is an all-in-one, end- to-end 2D animation software that allows animators to create cut-out and paperless animation in every style. You can start your free trial by visiting www.toonboom.com or enter this draw for a free 3-month license of Harmony Premium: https://forms.gle/WKDzQEUdQPFav8vJ9 ~ Social Links: *Check out Pendragon's website: https://lachlanpendragon.com/ *Check out Pendragon's Nouns Short here: https://www.youtube.com/watch?v=nFAKu0Tspew&ab_channel=NounsFest *Follow Pendragon on Instagram: https://www.instagram.com/lachlanpendragon/ *Here's a link to apply to the next round of Nouns shorts: https://nounsfest.tv/apply/

ENTER TO WIN: 1 free 3-month license of Toon Boom Storyboard Pro: https://forms.gle/ZPpjsVC1W6yD3ebQ7 This chat features Oscar nominated director Andrew Chesworth who is known for his work in 2D and 3D animation. His most recent short, The Brave Locomotive has received over seven million views on YouTube. In this chat Chesworth shares how he got into animation, the environment that allowed him to hone his skills, how he managed his short film, and what's next for him. Tune into Ibele and Chesworth to hear: *A complete budget breakdown of The Brave Locomotive *How Chesworth accomplished his dream of working at Disney *How Chesworth came to work on the Oscar nominated film One Small Step ~[SPONSORED MESSAGE]~ This episode is sponsored by Toon Boom Animation, who for over 30 years has led the global market in preproduction and 2D animation software, serving clients in 140+ countries. Toon Boom's Storyboard Pro is one of the leading storyboarding software used by professional story artists, directors, and other creatives around the world. It combines drawing, scripting, camera controls, animatic creation, sound, and other tools. You can start your free trial by visiting https://www.toonboom.com or enter this draw for a free 3-month license of Storyboard Pro: https://forms.gle/ZPpjsVC1W6yD3ebQ7 ~~ Social Links: *Follow Chesworth on Instagram: https://www.instagram.com/andrew_chesworth *Follow Chesworth on YouTube: https://www.youtube.com/@achesworth *Watch The Brave Locomotive on YouTube: https://www.youtube.com/watch?v=l8mScKWj3kQ&ab_channel=AndrewChesworth

Stacey Has worn many hats over his extensive career in animation, from directing, animation supervising and rigging to name just a few. In this episode Stacey joins Josh and Simon to chat about how he got his start in the industry and some of the many shows he has worked on. We also talk about his traveling and working abroad leading teams in China, India, Italy and Qatar. And we find out what it was like to upskill the Mukpuddy crew in Toonboom Harmony. Follow Josh @joshuamartian_art on Instagram and @joshuamartian on Twitter Follow Simon (Crane) @sickyfondue on Instagram and Twitter  Follow Sisko the Dog @mr.siskodog on Instagram Follow Mukpuddy Animation @Mukpuddy on Instagram, Facebook, Twitter and TikTok Watch Full Episodes of 'The Barefoot Bandits' and 'The Adventures of Tumeke Space' on ⁠⁠⁠⁠⁠⁠⁠Mukpuddy's Youtube channel⁠⁠⁠⁠⁠⁠⁠ Watch 'Night Eyes' and other Mukpuddy original series on TVNZ+ (New Zealand region only) ⁠⁠⁠⁠⁠⁠https://www.tvnz.co.nz/shows/night-eyes/⁠⁠⁠⁠⁠⁠ The opinions expressed by the hosts 100% reflect those of Mukpuddy Animation and any disagreements should be taken up with management.   Send your feedback, comments or questions for our upcoming guests to mukpod@mukpuddy.com

Camille Selvon is an award-winning digital media expert and head of the animation department at The University of Trinidad and Tobago, who was instrumental in the development of CXC CAPE Curriculum in Animation. She is the Founding Director of the Animae Caribe Festival, contributing immensely to the development of the region's animation and new media sector. Her regional leadership in the industry is recognized globally, having spoken at many international platforms, most notably the recent Inter-American Development Bank Annual General Meeting. As the project lead for The IDB-funded TTAP Factory (Trinidad & Tobago Animation Production), she manages the studio for the creation of digital content, and global outsourcing opportunities for graduates of the UTT Animation program and small and micro studios. Over the years she has built up a critical mass of international and regional networks of professionals in the industry ranging from, Disney Pixar, EA Games, Toon Boom, and Cartoon Network. Join me today to learn how this unique leader transformed the animation industry by making emphasis on the inclusion in the representation of ethnic minorities in international animation.

The topic for this episode came from a Facebook post I made asking for topics:  Could you talk about doubts in this career path, I've had a bit of a career related dilemma because I thought I'd hit some really good milestones recently... and I've only recently found out about rigging and the fact that it's a whole new skill set required for industry. Also I've been using Animate for years rather than Toonboom. These two revelations have really disheartened me from this career path, and I was wondering if you guys had any advice? Do you have any tips about what would make the mountainous stuff we need to learn as animators a little less overwhelming? We have plenty of thoughts! Figure this was a good episode to close out the year on.   Are there any topics you would like use to cover on the shows in 2023? #RubberOnionPodcast@RubberOnion everywhere Patreon iTunes

Find Hubert: https://www.bonjam.ca/Learn 2D Animation: https://www.cgspectrum.com/career-pathways/2d-animatorMaxine speaks with Hubert Lapointe, Online Educator/Creative Director and Founder at Bon Jam Animation, about how to work as a freelance animator, including how to determine your rate, whether to charge hourly or daily, and marketing yourself on social media. Plus, Hubert gives some great tips on how to succeed in e-learning. This episode is chock-full of actionable tips and is not to be missed, especially for those who are considering starting to work as a freelancer!Hubert Lapointe is an online educator, Creative Director and Founder at Bon Jam Animation and mentor of 2D Animation at CG Spectrum. His experience ranges from Toonboom software instructor to animation supervisor, to director and finally studio founder at Bon Jam Animation. He has worked at studios like Oasis Animation, Bardel Entertainment, Shed, and Happy Camper Media and has credits on shows like Rick and Morty, The Ollie and Moon Show for Netflix, and primetime children TV series Jon Le Bon.

Film Florida Podcast Episode 99- Storyboard artist, producer and director Mark Simon has amassing over 5,000 production credits in his 30+ years of experience working in the entertainment industry. Mark has pitched and sold more than 35 production and distribution deals for his original concepts, and worked with Disney, Nickelodeon, The Golf Channel, HSN and other networks pitching in-house productions. Mark was part of the Toon Boom animation team which won the 2012 Prime Time Engineering Emmy for the Storyboard Pro software. He was also inducted into the DAVE SCHOOL (Digital Animation & Visual Effects School) Hall of Fame in 2012. Sell Your TV Concept Now, Inc. is one of three companies he owns. It was inspired by countless requests over the years from both industry insiders and interested outsiders wanting to tap into Mark's pitching techniques and success record. His & Storyboard, Inc. company, the largest supplier in the Southern U.S., provides storyboards, illustrations, cartoons and storyboard comic book illustration to the entertainment and publishing industries, including clients such as Disney, Universal, Viacom, Sony, HBO, Nickelodeon, FOX, Steven Spielberg, USA Networks, ABC Television and many others. A&S Animation, Inc., Mark's animation consultation, development and production house, has produced animated shorts for iconic Disney characters and won more than 100 international awards. Mark is also the author of thirteen popular entertainment industry texts such as Producing Independent 2D Character Animation and Storyboards: Motion In Art, and has written articles for AWN.com (Animation World Network), Animation Magazine and others. Audio editing by Rob Hill.

新海誠さんが動画コンテ作成に使っているToonBoom Storyboard Pro 映画「すずめの戸締まり」の興行収入が公開から3日間で18億円超 YouTube ハンドルを登録しましたか？ Adobe/Macromediaに対抗するためにリリースされた「Microsoft Expression」でAdobe一強ではなくなった（米司法省から承認を得られた） FigmaとWebflowが連携したら凄いコラボになる Photoshopライブは、12月17日（土）午前に開催

La Universidad Nacional de La Matanza cuenta, en su oferta educativa, con la Tecnicatura en Animación y Arte Digital, se dictan cursos y capacitaciones en animación e ilustración: Manga y animé, Motion graphics, Toon Boom. Lo explica todo Alicia Rosenthal, animadora, diseñadora, desarrolladora web y docente de la UNLAM. Una opción innovadora que abre caminos en el rubro.

新海誠さんが動画コンテ作成に使っているToonBoom Storyboard Pro Unreal Engine ノンゲームの事例セミナー／Unreal Engineを使用したアニメ制作に必要なワークフローやツール 本日は、Podcast配信「500回目」／500回記念はありませんが、400回記念の時に公開した10個の「今日のワード」を教えます！

Dr. Kiki is an American neurophysiologist and the go to science communicator when it comes to video making. Originally starting out with a PhD in "bird brains" she soon moved to be a science communicator hosting the "This week in science" live and podcast format, running her own boutique video production company as well as serving as vice President of Public Relations at for the non-for-profit Science Talk. In this episode Dr. Kiki and I talked about what different video formats exist and how researchers and research institutions can decide which type is the best for their purpose and their target group. The types of videos that we covered are: Live videos Produced videos Long form videos Short form videos Informational videos Explainer/ Educational videos Entertainment videos If you want to go into easy animation here come three suggestions from Kiki: Videoscribe, Toonboom, and BioRender. Enjoy the show with Dr. Kiki. --- The Science Communication Accelerator Podcast aims to empower scientists, universities, and research organizations to engage publicly and share more science on social media. To do so, the podcast aims to create a knowledge hub for digital science communication by publishing engaging and inspiring episodes with experts in the field of social media and science communication. Please reach out if you are looking for a sparring partner to create your organizational communication or branding strategy (Julius.wesche@scicomx.com). You find me also on Twitter, on Linkedin, and on Instagram.

Dr. Kiki is an American neurophysiologist and the go to science communicator when it comes to video making. Originally starting out with a PhD in "bird brains" she soon moved to be a science communicator hosting the "This week in science" live and podcast format, running her own boutique video production company as well as serving as vice President of Public Relations at for the non-for-profit Science Talk. In this episode Dr. Kiki and I talked about what different video formats exist and how researchers and research institutions can decide which type is the best for their purpose and their target group. The types of videos that we covered are: Live videos Produced videos Long form videos Short form videos Informational videos Explainer/ Educational videos Entertainment videos If you want to go into easy animation here come three suggestions from Kiki: Videoscribe, Toonboom, and BioRender. Enjoy the show with Dr. Kiki. --- The Science Communication Accelerator Podcast aims to empower scientists, universities, and research organizations to engage publicly and share more science on social media. To do so, the podcast aims to create a knowledge hub for digital science communication by publishing engaging and inspiring episodes with experts in the field of social media and science communication. Please reach out if you are looking for a sparring partner to create your organizational communication or branding strategy (Julius.wesche@scicomx.com). You find me also on Twitter, on Linkedin, and on Instagram.

Our 75th episode is a milestone achievement as we excitedly welcome animation industry professional and veteran, Michael D'Ambrosio to the show to answer some questions and give his insights. As an Annie nominated animation editor, Michael has worked on celebrated series such as The Tom & Jerry Show, The Mr. Men Show, Hi Hi Puffy Ami Yumi and many more.https://www.imdb.com/name/nm2834193/http://www.renegadeanimation.com/

Dave Bossert & Aljon Go talk to Mark Simon, Producer/Director/Story Artist about his career in film, television, and storyboarding. They also touch on the latest film and pop-culture Disney, Marvel, and Star Wars news. Mark Simon counts more than 30 years of experience working in the entertainment industry as a producer and director for live-action and animation, writing and lecturing, and amassing over 5,000 production credits. Mark is currently storyboarding the hit series The Walking Dead and provides full animatics for the series. He also produced the animation for Fox's film Tooth Fairy 2, starring Larry the Cable Guy, and is the animation producer on Universal's current release of the Little Rascals movie. Timmy's Lessons In Nature, the animated shorts which Mark Simon developed, directed, and produced, won Grand Prize in Nickelodeon's first-ever Nicktoons Film Festival. He was also head of the story on WB's Hong Kong Phooey feature starring Eddie Murphy and on the animated feature, Barbie: Video Game Hero. Mark was part of the Toon Boom animation team which won the 2012 Prime Time Engineering Emmy for the Storyboard Pro software. He was also inducted into the DAVE SCHOOL (Digital Animation & Visual Effects School) Hall of Fame in 2012. Learn more about Mark Simon at Storyboard & Animatics, Inc. (storyboards-east.com). Follow the team! Skull Rock Podcast | Facebook - Aljon Go (@aljongo) • Instagram & Dave Bossert (@dave_bossert) • Instagram - Email us: aljon@skullrockpodcast.com | dave@skullrockpodcast.com. Pre-order a signed copy of Dave's new book - Claude Coats: Walt Disney's Imagineer—The Making of Disneyland: From Toad Hall to the Haunted Mansion and Beyond - CLAUDE COATS IMAGINEER (theoldmillpress.com) Outro music "The Pirate King" composed by Jared Rehnquist/Untold Journey - Creative Commons Attribution 4.0 International License. --- Send in a voice message: https://anchor.fm/skullrockpodcast/message Support this podcast: https://anchor.fm/skullrockpodcast/support

I'm a 2D animator working with hand-drawn and digital cut-out techniques for TV, film and all the bits in between. In early 2017 I launched Toon Boom Trainer, an online training business focused on industry skills gaps. In 2020 this business became Adam's Animation Academy as part of my goal to serve a wider animation audience and improve the learning experience.I've lived in Manchester since 2013, working at CHF Entertainment and Brown Bag Films. My most recent production is a preschool show with Irish company, Mooshku. since launching Toon Boom Trainer, I've worked with universities such as Edge Hill and Manchester School of Art, as well as in-house for studios like King Bee and Aardman Animations. I work directly with Toon Boom on their projects such as the recent Career Camps in Dublin and London, as well as a rigger for hire on their high profile production assignments.In 2012 I worked on a children's TV series in Dublin, Ireland for Geronimo Productions. I used Adobe Flash (now Adobe Animate) to create high-quality character animation whilst keeping to that ever important weekly output (a minimum of 1 minute completed animation per week).With my animation career, I've also completed work for Baby Cow Productions, Houghton Mifflin Harcourt, Kavaleer, Aon (Manchester United F.C), Chevrolet, Colonel Blimp, Jimmy Carr, BBC, HIT Entertainment and more. Please read my CV for the full details!In 2011 I worked at RMIT Melbourne as their 'animator in residence' and on a hand-drawn feature production (Titeuf Le Film) in 2010 in Dundee, Scotland. I've also lectured at universities in the UK and Australia.Website: https://www.adamoliver.comCV: https://www.adamoliver.com/c-vAcademy: https://www.adamsanimationacademy.comLinkedIn: https://www.linkedin.com/in/adamoliveranimationTwitter: https://twitter.com/UKanimatorFacebook: https://www.facebook.com/adamoliverillustrationInstagram: https://www.instagram.com/adamtheanimatorYouTube: https://www.youtube.com/channel/UCZL6yAsdQ19TAAfSJZkF1gg

Andrew talks about his career path in animation from student to "Celebrity Death Match" to becoming studio director at Guru studios. Despite his self described limited drawing experience he still managed to create dynamic animations that saw him progress through the ranks, how? Stop motion and 3D animation are where Andrew really excelled and others took notice! Now Andrew offers mentorship to his animation team and shares with us advice on "best practices" taking an animation test for Guru Studios and much more!Download Maya and Toonboom cheat Sheets at www.dtipodcast.com ________________________________For all things Drawn To It Podcast go to www.dtipodcast.com to check out the full versions of our videos, audio releases, Inspiration clips and coming in December our new podcast "Producers Without A Clue"!

This episode features co-creators Andrew Koehler and Benjamin Martian of Adult Swim’s Tigtone. They discuss the origins of the show in college, the 15-year journey it took to get on television, and the most ridiculous joke they put into Season 2 (which just premiered on Adult Swim). You’ll also learn: *The unconventional way Tigtone is animated using live-action faces *The underlying motive Benjamin and Andrew had to pursue Tigtone for so long *Their number one piece of advice for aspiring series creators. ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. In fact, they just released a brand new course teaching how to animate Moho. Moho, formerly known as Anime Studio, is a 2D animation software that's main selling point is its ability to easily build and animate with rigged puppet characters. It’s balance of ease of use and powerful features makes it a popular option for hobbyists, and while it’s not an industry standard yet, it has been used on some major productions such as the Oscar nominated feature films Song of the Sea, and The Breadwinner. The course just came out last week and includes 38 video lessons with over 5 hours of content. So make sure to check it out. *Moho Course: www.bloopanimation.com/moho-animation/ *Bloop Animation’s course library: www.bloopanimation.com/courses ~ Social Links: *Watch Tigtone Season 2 on Adult Swim: https://www.adultswim.com/videos/tigtone *Watch the original first episode 1 of Tigtone here: https://www.youtube.com/watch?v=k-J3nJerAyQ *Follow Andrew on Instagram: https://www.instagram.com/andrewjkoehler/?hl=en *Follow Andrew on Twitter: https://twitter.com/aandrewkoehlerr?lang=en *Follow Benjamin on Instagram: https://www.instagram.com/benjamartian/?hl=en *Follow Benjamin on Twitter: https://twitter.com/Benjamartian

This episode features Warner Brothers Character Designer Olivia Amoah, who walks through her career journey from animation student, to intern, to first full-time contract, to how she was hired to work on Looney Tunes. You’ll also learn: *Why the hiring manager put her on Looney Tunes when she applied for a totally different position *The rollercoaster journey she went on straight out of school *Olivia’s plans to start her own animation/art business on the side ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. In fact, they just released a brand new course teaching how to animate Moho. Moho, formerly known as Anime Studio, is a 2D animation software that's main selling point is its ability to easily build and animate with rigged puppet characters. It’s balance of ease of use and powerful features makes it a popular option for hobbyists, and while it’s not an industry standard yet, it has been used on some major productions such as the Oscar nominated feature films Song of the Sea, and The Breadwinner. The course came out today, and it includes 38 video lessons with over 5 hours of content. Bloop always launches new courses at a discounted price for the first few days, so make sure to get it before Friday when the prices go up for good. *Moho Course: https://www.bloopanimation.com/moho-animation/ *Bloop Animation’s course library: https://www.bloopanimation.com/courses More about Olivia Amoah: This episode features Warner Brothers Character Designer Olivia Amoah, who walks through your career journey from animation student, intern, first full-time contract, to how she was hired to work on Looney Tunes. *Follow Olivia on Instagram: https://www.instagram.com/groovydrop/ *Reach out to Olivia through LinkedIn: https://www.linkedin.com/in/liv-amoah/

This episode features Aaron Long, BoJack Horseman Director and current Supervising Director on Adult Swim's Tuca and Bertie. He shares how he got his first job animating on TripTank fresh out of Max the Mutt Animation School in Toronto, and how he worked his way up to Director on BoJack. You’ll also learn: *The number one skill Aaron worked the hardest at to get where he is now *The ins and outs of producing and animating his independent series Sublo and Tangy Mustard *The biggest piece of advice that Aaron followed throughout his journey ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Aaron Long: Aaron graduated from Max the Mutt College of Animation, Art & Design in 2012. Since then he has worked as animator, storyboard artist, writer, animation director, and director on a number of animation series including TripTank, Greatest Party Story Ever, Bojack Horsesman, Tuca and Bertie, and his independent series Sublo and Tangy Mustard. *Check out Aaron’s YouTube: https://www.youtube.com/channel/UC7lcnjujJaRfbpYyHce-gbQ 8Check out Aaron’s Instagram: https://www.instagram.com/_aaron_long/ *Watch the first episode of Sublo and Tangy Mustard: https://www.youtube.com/watch?v=pSFyIy9FbK8&t=124s *Watch Fester Fish: https://www.youtube.com/watch?v=B-1IXGpD244 *Watch TripTank: https://www.youtube.com/watch?v=IrBJDlY952Q *Watch stuff by Masaaki Yuasa: https://www.youtube.com/watch?v=IrBJDlY952Q

This episode features the talented producer Kat Alioshin, who’s career has focused on bringing stop motion projects to life. She’s worked on Coraline, The Nightmare Before Christmas, and Monkey Bone to name a few. In this chat Kat shares her career journey, as well as the number one way she’s made connections pay off over the years. You’ll also learn: *The surprising differences between producing Commercial, TV, and Feature film projects *The reason she focuses on bringing stop motion projects to life *A behind-the-scenes look at her upcoming independent feature film, The Inventor ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Kat: Kat Alioshin is a producer who’s helped bring many stop motion projects to life including, The Nightmare Before Christmas, Coraline, Bump in the Night, and Monkey Bone. Kat got her start back in the 80s handing out flyers to the infamous Spike and Mike Animation Festival shows. Currently she is producing an independent feature film titled, The Inventor, and running the We Know Jack Show podcast. *The Inventor Film Site: https://www.theinventorfilm.com/ *The Inventor Kickstarter: https://www.kickstarter.com/projects/77077682/the-inventor *Animation Outlaws: https://www.animationoutlaws.com/ *We Know Jack Show Podcast: https://www.weknowjackshow.com/

This episode features storyteller, stop motion animator, and Founder of #MoStopMo, David Rocco Facchini, who shares how to pursue a career in narrative projects. You’ll also learn: *How to take control of your neanderthal brain to tell more captivating stories *The secret to bringing attention to your narrative projects *How to get involved in the #MoStopMo stop motion mentorship program ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about David: David Rocco Facchini is a storyteller and stop motion animator from Chicago, Illinois. He has directed and produced projects for Second City, The US Department of Health and Human Services, television, feature film, and immersive experiences. He is also the Founder of #MoStopMo, an organization dedicated to fostering community around stop motion. Check out #MoStopMo: https://www.mostopmo.com/ Check out David's website: https://www.dellaroccostudios.com/

This chat features stop motion animator Ian Boone, who shares the story of how he got an internship at Laika, twice, and then got to work on Amazon Prime’s Tumble Leaf. He also shares: *Tips to animate what a character is thinking *A simple switch in mindset that will improve your animation performance 10x *The simple trick that will get you animating twice as fast ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Ian: Ian is a stop motion animator from Louisville Kentucky. Ian was an animator on JibJab Bro’s Ask the Storybots, and Amazon Prime’s Tumbleleaf. Currently he is animating on Henry Selick’s Wendell and Wild. On top of this, he is very proud to have used his stop motion skills to further environmental advocacy through the Save the Dells Arizona and Raptors and the Solution projects. Besides stop motion, Ian loves to play the banjo. Watch Ian’s reel on Vimeo: https://vimeo.com/325098136 Follow Ian on Instagram: https://www.instagram.com/ianbooneanimation/ Check out Ian’s YouTube: https://www.youtube.com/channel/UCr8xDo7TSmHDNR0hg_8nSrA

This episode features animator Christian Lie on how he found success on YouTube and decided to change the trajectory of his career towards animation. He also shares: *His personal study schedule as he learns the principles of animation *The formula he uses to get views on YouTube *How he got his start by sharing rock music history through video essays ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Christian Lie: Christian Lie is an independent animator and character designer who got his start in 2013 by sharing rock music history video essays on YouTube. Since then, his channel has blown up to over 250,000 subscribers and hit nearly 20 million collective views this year. Recently, Lie began the Character Design podcast to learn as much as he can from other artists as changes the trajectory of his career towards animation. *Send Christian an email: chrishaug [ at ] artwork.com *Check out Christian’s YouTube Channel: https://www.youtube.com/channel/UCgIlmfJhLLBwTYvL4r-2hhg *Christian on twitter: https://twitter.com/lielikesmusic?lang=en *Christian on Instagram: https://www.instagram.com/lielikesmusic/ *Christian’s Character Design Podcast: https://open.spotify.com/show/22CvfBPxXeME3RZLCSnffz

This episode features story artist and illustrator Aaron Hazouri who sheds light into the harsh reality of pursuing work as a storyboard artist in LA. He also shares: *How much networking really matters in landing a job *The real reason he stopped pursuing storyboard work in LA *What studios will never tell you about their job postings ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Aaron Hazouri: Aaron Hazouri is a story artist and illustrator working in the animation and children's publishing industries. He holds a bachelor's degree in multimedia and has over a decade of experience in professionally telling stories and creating art. Follow Aaron on Instagram: https://www.instagram.com/cartoonistaaron/?hl=en Check out Aaron’s website: http://www.aaronhazouri.com/ Look up Aaron on Facebook: https://www.facebook.com/aaron.hazouri

This episode features legendary stop motion animator Anthony Scott who shares how he made a career out of the wonderful world of stop motion animation. He also shares: *How he went from being a janitor to animating Jack Skellington on The Nightmare Before Christmas *The old-school tool Anthony still uses that trumps all of today’s stop mo tech *The best path new animators can take to get into today’s core group of stop motion professionals ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Anthony Scott: Anthony Scott has animated on nearly every stop motion feature film including The Nightmare Before Christmas, James and the Giant Peach, Corpse Bride, Coraline, The Little Prince, and the upcoming Wendell and Wild. *Check out Anthony’s website: http://anthonyscott.net/ *Follow Anthony’s work on Instagram: https://www.instagram.com/anthonyscott.animation/ *Learn more about this podcast: https://terryibele.com/animation-industry-podcast/

This episode features Jackie Davis, the webcomic artist behind Underpants and Overbites. In our chat she shares how she figured out how to make a sustainable income off webcomics. You’ll also learn: *The not-so-talked about details of what quitting your job to pursue your passion is actually like *How Jackie deals with self-doubt *How Jackie smashed the perfectionist attitude while still making great art ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Jackie Davis: Jackie Davis is the amazing human behind Underpants and Overbites, which is an autobiographical watercolour webcomic about her tiny life in Rochester, New York. Follow Underpants and Overbites on Instagram: https://www.instagram.com/underpantsandoverbites Check out Jackie’s Website: http://www.underpantsandoverbites.com/ Support Jackie on Patreon: https://www.patreon.com/underpantsandoverbites

This episode features Lauren Orme, an animator and studio owner based in Cardiff, South Whales. She shares the story of how she started running Cardiff Animation Nights in 2014, which evolved into the Cardiff Animation Festival. You’ll also learn: *How the festival evolved during the 2020 pandemic *The steps to start an animation festival from the ground up in your hometown *How she’s learned to pick films that will draw in paying audiences ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Lauren Orme: Lauren Orme is an award-winning animator and director based in Cardiff, South Wales. She runs animation studio and production company Picl Animation. Lauren's animated short films have been screened at festivals around the world, and her 2019 film Cymru Wales and BFI Network-funded short Creepy Pasta Salad was shortlisted for the 2020 Best Short Animation BAFTA. Lauren is Festival Director of Cardiff Animation Festival, and has been running events since 2014 when she founded Cardiff Animation Nights. Cardiff Animation Festival: *Cardiff Animation Nights Twitter: https://twitter.com/AnimationNights *Cardiff Animation Nights Facebook: https://www.facebook.com/Cardiffanimation *Cardiff Animation Nights Instagram: https://www.instagram.com/animationnights/?hl=en Cardiff Animation Nights: *Cardiff Animation Festival Twitter: https://twitter.com/CardiffAnimFest *Cardiff Animation Festival Facebook: https://www.facebook.com/CardiffAnimationFestival/ *Cardiff Animation Instagram: https://www.instagram.com/cardiffanimfest/?hl=en Website: *Cardiffanimation.com: http://cardiffanimation.com/ Lauren's Social Media: *Twitter: https://twitter.com/LaurenOrmeFilms *Instagram: https://www.instagram.com/laurenormefilms/

This episode features Lauren Orme, an animator and studio owner based in Cardiff, South Whales. She shares the story of how she started running Cardiff Animation Nights in 2014, which evolved into the Cardiff Animation Festival. You’ll also learn: *How the festival evolved during the 2020 pandemic *The steps to start an animation festival from the ground up in your hometown *How she’s learned to pick films that will draw in paying audiences ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Lauren Orme: Lauren Orme is an award-winning animator and director based in Cardiff, South Wales. She runs animation studio and production company Picl Animation. Lauren's animated short films have been screened at festivals around the world, and her 2019 film Cymru Wales and BFI Network-funded short Creepy Pasta Salad was shortlisted for the 2020 Best Short Animation BAFTA. Lauren is Festival Director of Cardiff Animation Festival, and has been running events since 2014 when she founded Cardiff Animation Nights. Cardiff Animation Festival: *Cardiff Animation Nights Twitter: https://twitter.com/AnimationNights *Cardiff Animation Nights Facebook: https://www.facebook.com/Cardiffanimation *Cardiff Animation Nights Instagram: https://www.instagram.com/animationnights/?hl=en Cardiff Animation Nights: *Cardiff Animation Festival Twitter: https://twitter.com/CardiffAnimFest *Cardiff Animation Festival Facebook: https://www.facebook.com/CardiffAnimationFestival/ *Cardiff Animation Instagram: https://www.instagram.com/cardiffanimfest/?hl=en Website: *Cardiffanimation.com: http://cardiffanimation.com/ Lauren's Social Media: *Twitter: https://twitter.com/LaurenOrmeFilms *Instagram: https://www.instagram.com/laurenormefilms/

This episode features animator and studio co-founder Liam Gilbey who shares what it took to create a studio with his classmates right out of school. You’ll also learn: *How the studio got their first client (and continues to do so) *How operations and finances are run *How animation students can start their own successful studio out of school too ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Liam Gilbey: Liam Gilbey is a graduate of Norwich University of the Arts where he studied animation. Currently he is an animator, motion designer and studio co-founder of Cut the Mustard. *Follow Liam’s studio, Cut the Mustard on Instagram: https://www.instagram.com/cutthemustard_animation/ *Check out Cut the Mustard’s website: https://www.cutthemustardanimation.com/our-work *Companies House where all UK businesses have addresses registered: https://www.gov.uk/government/organisations/companies-house

W dzisiejszym odcinku rozmawiamy z Javvie - ilustratorką, animatorką i reżyserką ze studia Pigeon. Opowie nam o pracy nad serialem "Przytul mnie", życiu animatora i poradzi co robić, jeśli interesuje Was ta ścieżka kariery. Ponadto: po co studentom animacji sól, ile paznokci ma kciuk i czemu zburzyli bobrowi tamę, czemu?! ;-; ✔Odwiedź Javvie: https://www.instagram.com/javvku/?hl=pl ✔Strona Studia Pigeon: https://www.studiopigeon.com/pl/ ✔Ciut na fb: https://www.facebook.com/ciut.zine/?ref=page_internal ✔Ciut na insta: https://www.instagram.com/ciut.zine/?fbclid=IwAR2ivalFuvD-pZGIsrn_KJMsGS1YLey51WEib6UA01ckflxUY94T5S3_UMU ______________________________________________________ ✍Linki do rzeczy wspomnianych w podcaście: ✔Toonboom: https://www.toonboom.com/ ✔Lista animacji zrobionych w Toon Boomie: https://www.toonboom.com/company/customer-productions ✔Dokument o animatorach w Japonii: https://www.youtube.com/watch?v=Tvj-XnVKQI8 ✔Czy Calart/szkoła animacji jest warta zachodu: https://www.youtube.com/watch?v=aePrBozF9Q4 ______________________________________________________ ✍Kursy i szkoły animacji wspomniane w podcaście: ✔The Animation Workshop: https://animationworkshop.via.dk/ ✔Schoolism: https://www.schoolism.com/school.php ✔Animation Mentor: https://www.animationmentor.com/ ✔Gobelins: https://www.gobelins-school.com/ ______________________________________________________ ❤Nasza strona na facebooku: https://fb.me/kreskowkast ❤Patronite: https://patronite.pl/kreskowkast Tip and Donation: https://tipanddonation.com/kreskowkast ✯Odwiedź El: Yt: https://www.youtube.com/channel/UCyWOpWGbNaRMGnRxw4bPv_g/about Fb: https://www.facebook.com/elvizja/ ✯Odwiedź Trikster: Strona: https://www.trikster.pl/ Fb: https://www.facebook.com/jestemtrikster/ ✍W podcaście wykorzystano: *utwór Cartoon Game Theme Loop autorstwa Mrthenoronha (https://mrthenoronha.bandcamp.com/alb...) *nagranie oklaski-1 (https://freesound.org/people/Borys_Kozielski/sounds/369069/)

This episode of the Animation Industry Podcast features Alan Castaños, a Mexican 2D Freelance Animator, who shares his insights into the animation industry in Mexico. You’ll also learn: *How to land gigs on the freelancing site Upwork *The top 3 things that will make your clients happy *How many projects you need to take on per year to realistically survive in freelance ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at https://www.bloopanimation.com/animationindustry. You can check out their complete course library at https://www.bloopanimation.com/courses. *Free ebook on making a short film: https://www.bloopanimation.com/animationindustry *Bloop Animation’s course library: https://www.bloopanimation.com/courses ~~ More about Alan Castaños: Alan Castaños is an experienced freelance 2D Animator working out of Mexico. He has animated music videos and other projects for clients in the United States and around the world. He is a graduate of Universidad de las Américas Puebla. *Check out Alan’s Artstation: https://alanthemexican.artstation.com/ *Follow Alan on Instagram: https://www.instagram.com/alanthemexicano/ *Email Alan: thatmexicanuzer -at- yahoo.com *Los Bvndidos, the band Alan animates for: https://www.instagram.com/losbvndidos/ *Pixelatl Conference: https://pixelatl.com/es-MX

This episode of the Animation Industry Podcast features animator and game developer Jess Stilwell (who’s also a fellow classmate of mine at Sheridan College!), who shares her journey into indie game development. You’ll also learn *Three free software tools to start making your own indie game *How Jess is developing an audience for her game before it launches *Why you shouldn’t develop your “passion project” as your first game ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Jess Stilwell: Jess is currently a second-year student in Sheridan College's Bachelor of Animation program. She has also been developing two indie games over the last few years and plans on releasing progress work very soon. You can follow Jess' work on her Instagram: https://www.instagram.com/rnagolor You can find more information about this podcast here: https://terryibele.com/animation-industry-podcast/

This episode features Joseph Karwal, a fourth-year animation student at CalArts. He shares what he did to get accepted into the program, what it’s like, and the career opportunities it’s created for him. You’ll also learn: *What kind of mentality you need to create an accepted portfolio *The nitty-gritty details of what the program actually teaches you *His top 5 tips for producing student films that get noticed ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Joseph Karwal: About to graduate from the Character Animation program at CalArts, Joey Karwal went on exchange to study animation at Gobelins L'Ecole De L'Image last year where he helped with the film Blind Eye, and is general is doing pretty okay. *Follow Joey on Instagram: https://www.instagram.com/jo_karts/ *Check out Joey’s portfolio: https://joeykarwal.tumblr.com/

This episode features Disney Director John Musker who’s known for Moana, Treasure Planet, The Princess and the Frog among other films. He shares how he got his start at Disney and worked his way up to become a director. You’ll also learn: *John’s strategy for getting into Disney *A first-hand experience of what working at Disney was like during the 80s and 90s *John’s 9 pieces of advice for those pursuing animation ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about John Musker: John Musker is an accomplished animator, director, producer, and writer. He directed Disney’s Moana, Treasure Planet, and The Great Mouse Detective among other films. In 2019 John is currently retired and traditionally animating his own short film. Learn more about this podcast at https://terryibele.com/animation-industry-podcast/

This episode of the Animation Industry Podcast features Stop Motion Animator and Professor, Erik Goulet who shares how he founded the first stop motion film festival in the world. You’ll also learn: *What will make your stop motion film stand out (Erik has seen hundreds!) *A brief overview of what’s been fueling the stop motion industry these last few decades *Erik’s 3-phase master plan to build up the stop motion industry in Montreal ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Erik Goulet: Erik Goulet has been active in the film industry since 1990. Since then he’s worked for several Montreal production companies before joining Softimage as a 3D product specialist from 1998 to 2008. He currently teaches stop motion animation at Concordia University, the same university from which he also graduated himself, in animation. His passion for stop motion techniques pushed him to create the world's first stop motion film festival in 2009; the Montreal Stop Motion Film Festival (now known as Festival Stop Motion Montreal). Erik has also been constructing armatures since 1988 and his diverse expertise, ranging from armature construction to animation, has made him a stop motion staple in Montreal. Get in touch with Erik by visiting http://www.stopmotionmontreal.com/ Learn more about this podcast at: https://terryibele.com/animation-industry-podcast/

This episode of the Animation Industry Podcast features Jonni Phillips, an independent filmmaker, animator, and cartoonist. She shares the nitty-gritty details of how she creates her absurdly wonderful, and absolutely unique mixed-media animation style. You will also learn: *What CalArts’ Experimental Animation Program is like *How she developed Rachel and Her Grandfather Control the Island with Frederator Studios *How she made Wasteland and The Final Exit of the Disciples of Ascensia ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Jonni Phillips: Jonni Phillips is an independent filmmaker, animator, and cartoonist. She is known for her original pilot with Frederator studios called Rachel and Her Grandfather Control the Island, as well as her feature length anthology series Wasteland, which includes such film pieces as The Earth is Flat, Goodbye Forever Party, and The Final Exit of the Disciples of Ascensia. Jonni is a graduate of the CalArts Experimental Animation Program. Jonni’s Twitter: https://twitter.com/jonniphillips Jonni’s Instagram: https://www.instagram.com/jonniphillips/ Jonni’s YouTube: https://www.youtube.com/user/justkiddenanim8ion Jonni’s Website: https://www.jonniphillips.com/ Rachel and Her Grandfather Control the Island Pilot: https://youtu.be/hFufqL0yKbM

This episode of the Animation Industry Podcast features Toronto Stop Motion Department Inc. Founders Philip Eddolls and Evan DeRushie, and Production Manager Annick Counihan. They share how the studio came to be and how they’ve managed to grow the business over the last year. You’ll also learn: *3 opportunities you have to get into stop motion in Toronto right now *The most difficult part about starting a stop motion focused studio *What a budget break-down looks like for a stop motion project ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at www.bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: www.bloopanimation.com/courses ~~ More about Stop Motion Department: Stop Motion Department is a Toronto based studio founded by two stop-motion creators: Philip Eddolls and Evan DeRushie. Philip and Evan have individually created award winning short films, music videos and commercials, but together they worked as character animators for broadcast series with Cuppa Coffee Animation, and notably on the major motion picture "The Little Prince" (2015). Then after wrapping on “The Little Prince”,they formed the idea for a functional stop-motion studio in Canada and in October 2018, Stop Motion Depo Inc. was founded. Last November they moved into a 2000 sqft. warehouse studio space with multiple shooting stages, workshop, office and bathroom. Since then, SMD has produced and directed five interstitials for the PBS Kids show “Lets Go Luna!”, a three spot campaign for HSBC, and numerous other commercial spots for social media, all while ramping up their crew to begin production on a 20-minute short film in March of 2019. Animation for the film is ongoing, with a release planned for the year 2020. Check out Stop Motion Dept.’s website: https://www.stopmodept.com Follow Stop Motion Dept. on Instagram: https://www.instagram.com/stopmotiondept/ Learn more about this podcast: https://terryibele.com/animation-industry-podcast/

This episode of the Animation Industry Podcast features Sean Glaze (otherwise known as Lord Spew on the internet). He shares how he lands gigs at Adult Swim, Cartuna, and more. You’ll also learn: *How he ended up storyboarding on Teen Titan Go! *The 3 career benefits of developing your own style in your spare time *5 ways to make your animations catch your audience off guard (in a good and bad way) ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at https://www.bloopanimation.com/animationindustry. You can check out their complete course library at https://www.bloopanimation.com/courses. *Free ebook on making a short film: https://www.bloopanimation.com/animationindustry *Bloop Animation’s course library: https://www.bloopanimation.com/courses ~~ More about Sean Glaze: Sean Glaze (or Lord Spew on the internet) is a Los Angeles-based 2-D animation Generalist who makes his own unique brand of raunchy, hyper, ‘guilty pleasure" cartoons using his all-in-one production team skillset. He specializes in writing, directing, voice acting, storyboarding, designing, animating, composing, sound designing, and editing his own shorts, which are released across social media as well as television. Sean currently storyboards on "Teen Titans Go" and has worked on storyboarding, writing, and animating for networks like Warner Bros, Netflix, Disney XD, Amazon, FOX, Comedy Central, Viceland, Cartoon Network, and Adult Swim. Sean has also Art Directed/created the main style of an Adult Swim pilot called "Chuck Deuce" with Shadow Machine. He continues to develop and pitch shows and web content frequently. But the main thing that ties his body of work together is his desire to add humor to every step of the process. As he says, it can always get funnier! Sean’s Twitter: https://twitter.com/LordSpew Sean’s Instagram: https://www.instagram.com/lordspew/ Sean’s website: https://lordspew.com/ Sean’s email: fistheadglaze[at]gmail.com

In this episode Naseer Pasha, a Toronto-based 2D Animator shares what he did to break into 2D animation. You’ll also learn: *What it was like working on Netflix’s Castlevania *How to understand your dollar-value as an animator (when taking on a new role or freelance) *A model for making the best choice when faced with tough decisions ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at www.bloopanimation.com/animationindustry. You can check out their complete course library at bloopanimation.com/courses. *Free ebook on making a short film: www.bloopanimation.com/animationindustry *Bloop Animation’s course library: bloopanimation.com/courses ~~ More about Naseer Pasha: Naseer Pasha is a Toronto-based 2D animator who is also the author of a graphic novel called, Two Mistakes 2 Many, and he’s working on an independent short film called Legend: A Dragonball Tail. He’s also worked on Netflix’s Castlevania, and was the animation lead on Battle Born and Extinction of the PS4 and the PC. Between all this, he takes on an awful lot of freelance. Follow Nas on Twitter: https://twitter.com/reMENgeance Learn more about this podcast at https://terryibele.com/animation-industry-podcast/

This episode of the animation industry podcast features Neil Sanders, an Illustrator, Animator, Lecturer, and Honcho of LoopdeLoop. He shares how to create something everyday and where that can lead to in your career. You will also learn: *What the animation market is like in Australia *Three benefits that come when you post every day *How to submit your short animated loop for LoopdeLoop’s bi-monthly animation challenge ~[Sponsored Message]~ This episode is sponsored by Bloop Animation, which is an animation learning platform packed with premium online video courses for aspiring animation filmmakers. They have courses for all major animation programs like Maya, Animate CC, Toon Boom, Blender, TVPaint, and many others, as well as some non-software courses like a storyboarding course, Animation foundations course, and even one about making graphic novels, which covers absolutely everything you need to know from start to finish. The courses are all in video-form, so there’s no deadlines or application process, you simply pick a course and start learning in seconds. They even offer a free ebook titled “Making an animated short”, which covers their entire process, step-by-step, of how they made one of their films, from coming up with the idea, to storyboarding, animation and all the way to exporting the film. You can get that book for free at https://www.bloopanimation.com/animationindustry. You can check out their complete course library at http://bloopanimation.com/courses. *Free ebook on making a short film: https://www.bloopanimation.com/animationindustry *Bloop Animation’s course library: http://bloopanimation.com/courses ~~ More about Neil Sanders: Animator, Illustrator, Lecturer, and Honcho of LoopdeLoop Neil Sanders is well known for his wobbly looping animations on Instagram. He also animated the intro animations of Fallout 4, worked on the Tonk’s Island pilot for Nickelodeon, and did the backdrop animation for the Chainsmokers last tour. Besides all this, helps out on a lot of projects at Rubber House with Ivan Dixon and Greg Sharp. *Follow Neil's work on Instgram: https://www.instagram.com/theboogley/ *Check out LoopdeLoop here: http://loopdeloop.org *Watch Tonk's Island Pilot here: https://www.youtube.com/watch?v=R5wk4OYAAAQ Learn more about this podcast at terryibele.com/animation-industry-podcast/

This episode of the Animation Industry Podcast features Tracy Strong, 2D Effects Animator at Pipeline Studios on the steps to build a career out of 2D effects. You will also learn: *The 3 specific things to include in your portfolio if you want to get into 2D Effects (it’s not what you think) *What 90% of the job of a Special Effects Animator actually entails *Why being told you’re great at art can actually make you fail in animation Originally from Newfoundland Canada, Tracy graduated from Max the Mutt Animation School where she went on to work as a generalist at a small studio, doing jobs ranging from rigging, character animation, design and compositing. She hopped around from studio to studio until landing as a special effects animator for Pipeline Studios in Hamilton. On top of this, she’s also become the master of Toon Boom Harmony animation software and runs a YouTube Channel called Stylus Rumble where you can find over 130 tutorials of everything from how to animate fire effects to making the shading of a little grape dude look great - all in Toon Boom. Follow Tracy on Instagram: https://www.instagram.com/stylusrumble/ Follow Tracy on Twitter: https://twitter.com/stylusrumble?lang=en Check out Tracy’s Toon Boom Tutorials on YouTube: https://www.youtube.com/channel/UCP7U2uqSXXcDCkMdqXsq_jQ Check out Phil’s Design Corner on YouTube: https://www.youtube.com/channel/UCvedReHaxA4VXPPPCvAUWaQ Learn more about this podcast at terryibele.com/animation-industry-podcast/

We pay a visit to Eliza Ivanova and she talks with us about how she developed her sketching style, studying in her home country of Bulgaria, the program Toon Boom, balancing working at Pixar with her personal art, sketchbook talk, and we end up talking more about process and materials than we ever have! We also talk about her “crab kids”, spirit-crushing teachers, her online haters(fun fact: both Josh and Eliza have both been called pretentious C’s!), how dreams can generate ideas(and violence), and discussing illustrative vs. non-narrative work. Check out her book, Raw Material, Vol. 1, and keep an eye out for Vol. 2 when it comes out!

What goes into making the cartoons we grew up watching and continue to enjoy into adulthood? Guest Michael Rosenbaum (Socratica Kids) is super nerdy about animation and has been a good friend of Dumb Nerds host Cassi Jerkins for over 8 years. They bonded over performing improv and puppetry together. They now work together on the YouTube channel, Socratica Kids, that makes science videos for kids using puppets and animation. Michael has been drawing since he was a kid and now does animation. He goes into great detail about how he was drawn to cartoons as a kid and continued to be while other kids we're getting into the "Backstreet Boys", to learning software like Toon Boom to become an animator. He also knows a lot about Disney, their animation department and how many animation companies like Pixar have exploded over the years to make great films we adore like “Toy Story” and more. Enjoy!   See acast.com/privacy for privacy and opt-out information.

Adam Phillips (@chluaid) talked with us all about creating his amazing Brackenwood series, working at Disney, Bob's Burgers and switching from Flash to Toon Boom and his book! He opened up about some health issues, education, his views on working from home, experience with popularity on the internet and the ill-fated Kickstarter for the Dashkin game. Check out his Patreon page which is going to help him return to Brackenwood for more films! Please Rate & Review us on iTunes Be sure to check out Adam Phillips around the internet: Adam's Twitter Adam's Patreon Adam's Website Adam's Newgrounds   And you can now check us out on SoundCloud! Topics & Timestamps: (3:22) Inspiration (5:38) "Chluaid" (7:58) Disney days (10:00) Factory accident (12:37) Talking Lobo (14:58) Studio vs Freelance (19:07) Bob's Burgers (25:35) Australian animation scene (27:16) Getting out of the office (29:46) Heart surgery (34:24) Dashkin game (41:53) Adam's book "Animate to Harmony" (44:54) Ween music video (51:34) Patreon (54:51) Newgrounds (1:00:34) Bitey (1:04:05) Audience Questions... (1:04:21) Mike Boas (1:09:51) Jesse J Jones (1:11:48) Christopher Murphy (1:16:43) Joe Wayne (1:19:13) Alex Dudley (1:22:16) Ronald Chaparro (1:24:06) Timothy Bergeron (1:31:28) Lamont Wayne (1:32:31) Nathan Viney (1:34:16) Kaishu Mannella   Check out Adam Phillips's films: https://www.youtube.com/watch?v=Efa1uX6fOmc https://www.youtube.com/watch?v=PtuVA4NOm0I https://www.youtube.com/watch?v=Efa1uX6fOmc https://www.youtube.com/watch?v=9HJVXuZRwVQ   Check out more of your hosts: Stephen BrooksRob Yulfo Preorder Stephen's Animation Tutorial Book: And please Rate/Review us on iTunes  Subscribe on SoundCloud  ... and Rate/Review us on Stitcher while you're at it! (=

This week we have a very special interview with animator Harry Partridge (see below for a small selection of his works). We talk about YouTube comments, using Flash and ToonBoom, how following his own path helped him find success, money and "batboobs." We had so much fun recording this episode and I think there's a lot here for new and experienced Indie animators to learn from... so enjoy the show! Please Rate & Review us on iTunes Be sure to check out Harry's YouTube Channel and follow him on Twitter! And you can now check us out on SoundCloud! Topics & Timestamps: (3:50) Flash & ToonBoom (7:30) Where you learned animation (13:48) With Animation You Can (16:36) Go Animate (19:15) YouTube & Twitter comments (24:38) Social Issues & the changing landscape (26:52) Rifftrax (32:32) YouTube copyright and recent changes (35:30) Talking Money and that CartoonBrew post (42:20) Audience Questions... (42:38) Lamont Wayne: "YouTube's changes in their policies and compensation and how that's affected him and the other Newgrounds animators." (46:18) Alex Dudley: "A lot of animators have found great success in making fan animations and parodies. What does one need to do to get their original creations a chance to reach that same success, or is it even possible at this point?" (48:53) Christian Kelly: "Do you ever feel bad that there is so much art to appreciate with all the time and hard work put into it but, not enough time to appreciate it all?" (51:02) Joel Townsend: "Your song about animation, you said you wanted to make movies but you turned to animation instead. Is that really true? How old were you when you made that switch?" (53:45) Ronald Chaparro: "Starbarian update?" (55:42) James T Nethery: "how does Harry stay sane when his fans are constantly bothering him over social media about when the next cartoon will come out? Does that push him to animate faster or does he ignore it and keep going at the same pace he always does?" (1:01:24) Sam Albro: "How does he balance his level of polish with the demands of the online audience?" (1:05:42) Alex Harvey: "What's your view on the 2D feature animation climate? Do you think that it could make a successful comeback, with both Brad Bird and Laika's Travis Knight mentioning that their interested in doing 2D features, and now the Dragon's Lair campaign? Would you want to ever make a 2D animated feature? Also, please can you send him a big hello from everyone on the Animation BA course here at UCA Farnham for me! ;D" (1:09:99) Alex Fox: "When the next few episodes of Starbarians are finally completed and released will you release a Kickstarter or Patreon as you've kinda mentioned about it on Newgrounds?" (1:12:52) Sam Freeman: "What would you say to your old university tutors now that you have more recognition in the animation community then they do?"   Check out more of your hosts: Stephen Brooks Rob Yulfo   Preorder Stephen's Animation Tutorial Book: And please Rate/Review us on iTunes  Subscribe on SoundCloud  ... and Rate/Review us on Stitcher while you're at it! (=

You probably already know by now that Adobe has decided to rebrand "Flash CC" as "Animate CC." This took pretty much everybody by surprise but heavy users, like myself, were hoping for a move just like this and I'll tell you why. But first, here's what I know so far about Adobe Animate CC: The most important point: If you have the Creative Cloud desktop application, Animate CC will be listed in January 2016. Previous version of Flash Pro will continue to be available (just as they are now). Basically, it is my belief that Adobe sees the "Flash is Dead" meme taking on a little more traction than they would like and are trying to distance themselves from the name so that the SWF version of the Flash brand can die on its own and the program itself (the thing that I've been using to make animation for many years and have rarely exported to SWF anyway) can live on. I say this because from the features list it doesn't look like Adobe Animate CC is much more than a name change and a slightly more animation-focused upgrade to the existing Flash CC 2014 - and that's a good thing! I want "Flash" to keep updating and improving... I don't really care what they call it (aside from the fact that my book coming out in March was written with "Flash" in the title, but you let me worry about that... an exciting change might be in order!). Now to those updates I mentioned a moment ago... Here are 8 welcomed animation-specific updates coming to "Adobe Animate CC" We're getting a new brush to play with in the form of a vector art brush system. Like in Illustrator, You can make custom brushes and can modify the path of a stroke after its drawn... you can even ANIMATE the path of a brush stroke (so says the release video). If this means easier handwriting animation... that'll make explainer videos a bit easier, won't it They're implementing a colored onion skinning system (like Toon Boom) Adobe Stock is continuing its CC implementation across all program updates meaning you can browse its vector art library and pick one to drag and drop on the stage without ever leaving the program They're focusing their video output to HTML5 and 4K video support... although they'll still support SWF and AIR (they're Adobe, afterall) We're getting the bone-tool back! I mean, I only used it once but some people love it You'll be able to rotate the canvas just like other drawing apps Drop H.264 videos right onto your Timeline to use as a guide layer. Updated Motion Editor gives you granular control over motion tween properties like color effects, transformations and many more So all in all, the changes are definitely more focused on animation this time around as in years passed it seemed like most of the effort had been going to web design. I know that there are a lot of people already onto Toon Boom products and that's fine... but for heavy Flash users like myself this is a welcomed change! Any time a program as versatile as Flash has been it's going to have its fair share of bugs. I can't say for sure yet, but I believe that by focusing down to an animation-specific audience the build can get more stable and streamlined. There's a reason that Flash has been in the lead for so many years and its because that compared to other programs you can use for animation, it's not as daunting to pick up. And as you can see from the various TV shows, commercials, animated shorts, and even films (!)... it is powerful enough to let you create amazing things as you grow as an artist! It's about the "Brand" and the "Focus" Again, I believe that changing the name of Flash CC to Animate CC, is a branding decision... one to distance themselves from the name "Flash" which in Adobe's view might have become too toxic. Really, whenever people talk about Flash who aren't in the animation industry they're usually talking about Flash players and SWFs in internet browsers... there's been reports on that type of playback being a resource hog and having security threats. But for us... for animators... Flash has been distant from that in our minds for a loooooong time now. It's a tool that lets us create the moving illustrations we have in our minds as a form of expression. If anything, it makes more sense to me to open a program called Animate in order to Animate, so why not change the name? And yes, I actually have Toon Boom Animate... Pro 2 actually... and it's a fine program. But even Toon Boom decided that they were going to do away with that after only a couple iterations and pare back to the Harmony pipeline. I'm not questioning either company's decision here, just pointing out that this stuff happens all the time and what matters is "what's under the hood." I'm going to get my hands on Adobe Animate CC as soon as I can and take it for a daily test drive and report back with first-hand knowledge, but as for right now... it looks like the only thing that's changing is the name. Long live Adobe Animate CC! This segment was used in episode #109 of the RubberOnion Animation Podcast (click to listen to the entire episode)  

Another week FULL of stories and interesting topics... and I get a fantastic migraine during the recording this week, because why not? But that doesn't stop us from recording an amazing episode for you all! Because we saw teaser trailers, Brad Bird's would-be take on "The Spirit," a 3D printed animated short, Toon Boom finally going subscription, and two new series (technically one new and one reboot)! Let me know the pain was worth it and leave a comment in this blog post (= CLICK HERE to go to the full blog post & leave a comment! (19:29)   'World's first' 3D printed animated short CHASE ME (26:24)   THE BRAVE LOCOMOTIVE by Andrew Chesworth partly finished opening sequence (35:13)   Brad Bird’s 1980 pencil trailer for THE SPIRIT (42:32)   MTV resurrects Celebrity Deathmatch for new season (47:30)   New HOW TO TRAIN YOUR DRAGON series this summer on Netflix (56:08)   ToonBoom introduces subscription plan for Harmony (1:04:33)   RAPID FIRE!!!!!!!!!!! (1:34:17)   ... special Rapid Fire link from Mathias Schulenberg - THUNDERBIRDS ARE GO fxguide breakdown (1:37:32)   Shoutouts! Benjamin Shelley, Andrew Kaiko, & our own Pat Ryan! Check out more of your hosts:Stephen Brooks (@RubberOnion)Rob Yulfo (@RobYulfo)Pat Ryan (@TheBadPatRyan)And please Rate/Review us on iTunes & Rate/Review on Stitcher while you're at it (=

Andrew and Jesse talk about Toonboom vs. Flash.

Jokes: Counting Skills A teacher asked little Johnny if he knows the numbers 1 to 10. "Yes! Of course! My pop taught me even more than 10." "Good. What comes after three? "Four," answers the boy. "What comes after six?" "Seven." "Very good," says the teacher. "Your dad did a good job. Now, what comes after ten?" "Jack." On Our Mind: NMSA 2010 Whither Wi-Fi? Will TodaysMeet be used? iTunes Rankings Helping others: Hello fellow middle school science teachers. This is a reminder to please complete this survey. My gratitude to the hundreds of teachers who have already done so. I am conducting a study of middle school science teachers and their teaching about the ocean. I need your help! Your answers to my survey questions will contribute to what we know about the current state of ocean literacy education in the United States. All other challenges to the world ocean aside, the intricacies of the current oil spill crisis are reason enough to ensure that our citizenry is ocean literate. If you have at least one year of experience teaching middle school science, would you please take my survey? It will take 15-20 minutes to complete and your answers are completely confidential and anonymous. The survey can be accessed by clicking on the following Internet link: https://purdue.qualtrics.com/SE?SID=SV_87zwywgq8dNRqn2 Middle School Science Minute by Dave Bydlowski (k12science on Twitter Headrush - MythBusters for Kids Team America Rocket Contest From the Twitterverse: Advisory: Voki - Voki is a free service that allows you to create personalized speaking avatars and use them on your blog, profile, and in email messages. Inspirational Quotes - Here, I’ll share 20 of my favorite inspirational quotes. I won’t include any commentary because the quotes speak for themselves. I hope they resonate with you as much as they have with me :) University of Virginia’s Honor Code: Use this video in connection with the “Coat of Arms” materials from NMSA’s Treasure Book to build an Advisory activity! Tech Tools: Markup IO Draw on any webpage. Share your ideas. Mark. Share. Done. Draw on any webpage with MarkUp to quickly share your thoughts. Try it now by choosing a shape to trace. Get MarkUp to use it any time. http://markup.io/ Yudu “Read online publications and self publish digital magazines, eBooks and more.” Here’s one thing that I like about it - you can create your own library of books. I started with a couple of books by Richard Byrne (Free Tech for Teachers)- Google for Teachers and Google for Teachers II. 10 Sites to create Comics from Tech Learning “Creating Digital Comics has been one of my favorite thing to do with students when trying to integrate technology. While this can be done with any number of applications, such as Comic Life or Toon Boom, there are many online alternatives (mostly free) that offer a nice solution as well.” http://www.techlearning.com/blogs/33632 Webspotlight: School study sees benefits in economic integration "This study turns that wisdom on its head to some extent. It says, actually, it's who you are going to school with." http://www.washingtonpost.com/wp-dyn/content/article/2010/10/14/AR2010101407051.html Effort Targets 'Soft Bigotry of Low Expectations' Researchers and policymakers agree that teachers’ expectations of what their students can do can become self-fulfilling prophecies for children’s academic performance. http://www.edweek.org/ew/articles/2010/10/13/07nua_ep.h30.html?tkn=VVSFYFZRTFCluQuL2iUL74zLUE%2FrRBupwKqS&cmp=clp-edweek Edutopia Parent Guide Need to register to get the guide. http://www.edutopia.org/pdfs/edutopia-home-to-school-guide.pdf EdWeek focuses on Will Richardson http://www.edweek.org/tsb/articles/2010/10/12/01richardson.h04.html?intc=fall_tsbem ISTE 2010: Crap Detection - Teaching Students to Research Presenter: Dr. Howard Rheingold Events & Happenings: Calendar of Events:

This tutorial covers the basics you need to know to create your own cut out characters.

Cloning and duplicating is very easy to do but I wanted to cover this because it is a great feature that seems over looked. Using cloning or duplicating will save you alot of time and also possible memory. 

This tutorial is on camera movement in toon boom studio 4.5. It covers attaching a camera to a Peg element and also to a drawing element

This tutorial covers different tricks with imported videos in toon boom studio 4.5

This tutorial covers how to have Toon Boom Studio synch your mouths to your audio and how to fine tune it.

This tutorial covers the basics in keyframe animation. This information is essential to understanding animation in Toon Boom Studio 4.5

Produced with Toonboom V3, nearly ready to start again, this time with a soundtrack in place. have been playing with Animate, a new program on offer from Toonboom. It has an updated drawing interface which I'm liking... more on that later

Today's show kicks off with the Macworld Staff, as well as the iProng Magazine staff, talking about the day. Segments include Toon Boom, an interview with Paul at Rogue Amoeba, Andreas Hass of Axiotron, Bruce Gee from GeeThree.com, an interview with Andy Taylor, CEO of MacSpeech.