Podcasts about Bombs Away

Back with another live episode from one of my favorite clubs in the midwest, Bombs Away (we'll be back in December!!) We talk about drugs mainly cause Steven knows how to have a good time. Its a shorty but a goody, I hate that i typed that out. yall follow him on social media and be on the lookout for the fall dates. We bookin them out now!   Steven Socials https://www.instagram.com/steven.s.baer/ https://www.youtube.com/@stevenbaer7536 https://www.facebook.com/steven.baer.5   Social media links   https://www.patreon.com/Adrunkennightout https://www.facebook.com/ADRUNKENNIGHTOUT https://www.facebook.com/Kendalehamlett https://www.instagram.com/kenhamlett/ https://www.youtube.com/channel/UCzHOZjx8yWynzKQocYLcL3Q https://www.Bigblackshlongs.com   

- Big Pharma's Dirty Secret: Nutritional Deficiencies Caused by Prescription Drugs (0:00) - Biblical Questions and Answers: Salvation and God's Covenant (2:04) - Critique of Christian Institutions and Doctrines (5:36) - Interview with Kristen Megan: Industrial Hygienist and Exposure Scientist (7:01) - Song Premiere: "Bombs Away" (8:15) - Geopolitical Tensions and Economic Implications (18:17) - Special Report: Big Pharma's Nutritional Depletion Effects (26:26) - Bible Study: Understanding Salvation and God's Covenant (50:32) - Critique of Bible Translations and Historical Context (1:18:59) - Conclusion and Call to Action (1:23:14) - Spiritual Lessons and Biblical Translations (1:23:34) - Concept of Hell and Redemption (1:31:41) - Values and Morality (1:35:57) - Government Deception and Health Risks (1:41:13) - Incubation of Samples and Microscopic Analysis (1:46:49) - Government Experiments and Bio-Weapons (1:53:54) - Weather Modification and Health Impacts (2:05:03) - Mainstreaming of Geo-Engineering (2:06:18) - Government Accountability and Public Trust (2:14:30) - Personal Reflections and Future Plans (2:16:29) For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com

Lamar Wilkerson commits to IU, chooses Bloomington over Lexington - or maybe IU outbid Kentucky! Jasai Miles visited campus today! Colts might not have as many holes as previously thought! Chris Ballard might have some positional latitude to draft the best player available. https://mybookie.website/joinwithKENT Promocode: KENT Here is the link for the Our Lads Draft Guide! https://secure.ourlads.com/secure/print/subscribe.aspx?_gl=1*4dlm4a*_gcl_au*MTcyNzk1NzE2MS4xNzQ0MzcwMzg3*_ga*MTQ5Mjk2NzMyNC4xNzQ0MzcwMzg3*_ga_QZKHZCZVGL*MTc0NDM3MDM4Ny4xLjAuMTc0NDM3MDM4Ny42MC4wLjQ1MzU2MzU5OQ.. Here is the link for the world's greatest autobiographical book featuring only the mistakes the author has made: https://www.amazon.com/Oops-Art-Learning-Mistakes-Adventures/dp/173420740X Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow us on Twitter!https://twitter.com/OldEnglishPodGive our Insta a Follow!https://instagram.com/oldenglishdpod?igshid=YmMyMTA2M2Y=We have a Tik Tok!https://www.tiktok.com/@oldenglishdpod?_t=8bCjhHBzkV8&_r=1The Podcast is on Youtube!https://www.youtube.com/channel/UCUjJgw3ZcEVMpyLp2r4Z8pAWe are on Reddit!https://www.reddit.com/user/OldEnglishD-Pod?utm_source=share&utm_medium=ios_app&utm_name=iossmf

Randy and Chris are back in another episode of The Cheap Seats breaking down a wild start to the MLB season. The Yankees are blasting homers with "torpedo bats," the Dodgers look like a super team, and the Red Sox—well, they've got some bright spots. The guys also dive into Cooper Flagg's March Madness run, Masters predictions, NBA playoff vibes, and of course, the Pats' draft hopes. Come for the takes, stay for the banter.00:00 Introduction and Podcast Promotion01:32 Top MLB Storylines: Yankees' Torpedo Bats08:09 Dodgers' Dominance and Super Team Status11:30 Red Sox Analysis: Crochet Extension and Struggles18:59 MLB Odds and Predictions24:51 March Madness Update25:18 Duke's Dominance and Cooper's Performance26:05 Cooper Flag's Journey and Potential29:45 March Madness Bracket Talk31:11 Masters and Golf Season Excitement38:07 NBA Playoffs and Celtics' Performance48:59 NFL Draft PredictionsHosted By:Randy ForcierChris BedardPODCAST LINKS

We would love for you to check out this video, and all of the other videos on our channel, including our weekly live show, Dodgers Dawgs. We would also love it if you followed us on all the Social Media platforms. .✔ www.dodgersdaily.net✔ Twitter @dodger_daily ✔ Instagram dodger.daily✔ Facebook at dodger daily,✔ TikTok at dodgers_daily. Also, please consider donating to Dodgers Daily. This site will always remain free to the viewers, but it takes money and time to operate, so if you would like to show your appreciation by donation, any amount would be greatly appreciated. To do so follow the link below. Link to Donate:https://gofund.me/db54a295#dodgersprospects #dodgersDaily #dodgers #losangeles #lafans #doyers #baseball #mlb #beisbol #MiLB #rcquakes #okcdodgers #tulsadrillers #greatlakesloons #ShoheiOhtani #YoshinobuYamamoto #RokiSasaki #MookieBettsAll Minor League video is courtesy of MiLB. Visit https://www.milb.com/ and consider becoming a subscriber. It's very cheap and is now streaming on all major streaming platforms straight from the MLB app. An MiLB subscription gives you access to every Minor League game, almost all having video feeds.

The Trends Journal is a weekly magazine analyzing global current events forming future trends. Our mission is to present Facts and Truth over fear and propaganda to help subscribers prepare for What's Next in these increasingly turbulent times. To access our premium content, subscribe to the Trends Journal: https://trendsjournal.com/subscribe Follow Gerald Celente on Twitter: http://twitter.com/geraldcelente Follow Gerald Celente on Facebook: http://facebook.com/gcelente Follow Gerald Celente on Instagram: https://www.instagram.com/geraldcelentetrends Follow Gerald Celente on Gab: http://gab.com/geraldcelente Copyright © 2025 Trends Research Institute. All rights reserved.

Telemóveis no WC, uma ilha no Pacífico, um clímax bombástico e Astérix em Portugal!

-Bombs Away on St. Patty's Day, McKinney's St. Patrick's Day Festival, Lincoln Stars, AVCA First Serve-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers):Show sponsored by SANDHILLS GLOBALOur Sponsors:* Check out Hims: https://hims.com/EARLYBREAKAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Wilson Getchell of The Thirsty Curses returns with their newrelease “Music is a Scam” featuring “Bombs Away”, “Foot in the Door”,“Breakfast Schmekfast” and more! Wilson formed The Thursty Curses in '17 with arotating cast of musicians with Clayton Harris as the mainstay, called “The BigTakeover” considered too good to be this anonymous, plus an update on “HolyMoly”, “All Shook Up”, “To The Ends of The Earth” along with his solo releasesplus the stories behind his recent releases including in the new release “Reading and Writing” and “All That's Leftof Us Now”! Check out the latest from Wilson Getchell and The Thirsty Curses onall streaming platforms and www.thethirstycurses.comtoday! #wilsongetchell #thethirstycurses #raleighnorthcarolina#singersongwriter #musicisascam #bombsaway #footinthedoor #breakfastschmekfest#readingandwriting #allthatsleftofusnow #holymoly #allshookup#totheendoftheearth #thebigtakeover #newmusic #spreaker #iheartradio #spotify#applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow#mikewagnerwilsongetchell #themikewagnershowwilsongetchell#mikewagnerthethirstycurses #themikewagnershowthethirstycurses

Wilson Getchell of The Thirsty Curses returns with their newrelease “Music is a Scam” featuring “Bombs Away”, “Foot in the Door”,“Breakfast Schmekfast” and more! Wilson formed The Thursty Curses in '17 with arotating cast of musicians with Clayton Harris as the mainstay, called “The BigTakeover” considered too good to be this anonymous, plus an update on “HolyMoly”, “All Shook Up”, “To The Ends of The Earth” along with his solo releasesplus the stories behind his recent releases including in the new release “Reading and Writing” and “All That's Leftof Us Now”! Check out the latest from Wilson Getchell and The Thirsty Curses onall streaming platforms and www.thethirstycurses.comtoday! #wilsongetchell #thethirstycurses #raleighnorthcarolina#singersongwriter #musicisascam #bombsaway #footinthedoor #breakfastschmekfest#readingandwriting #allthatsleftofusnow #holymoly #allshookup#totheendoftheearth #thebigtakeover #newmusic #spreaker #iheartradio #spotify#applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow#mikewagnerwilsongetchell #themikewagnershowwilsongetchell#mikewagnerthethirstycurses #themikewagnershowthethirstycurses

Wilson Getchell of The Thirsty Curses returns with their new release “Music is a Scam” featuring “Bombs Away”, “Foot in the Door”, “Breakfast Schmekfast” and more! Wilson formed The Thursty Curses in '17 with a rotating cast of musicians with Clayton Harris as the mainstay, called “The Big Takeover” considered too good to be this anonymous, plus an update on “Holy Moly”, “All Shook Up”, “To The Ends of The Earth” along with his solo releases plus the stories behind his recent releases  including in the new release “Reading and Writing” and “All That's Left of Us Now”! Check out the latest from Wilson Getchell and The Thirsty Curses on all streaming platforms and www.thethirstycurses.com today! #wilsongetchell #thethirstycurses #raleighnorthcarolina #singersongwriter #musicisascam #bombsaway #footinthedoor #breakfastschmekfest #readingandwriting #allthatsleftofusnow #holymoly #allshookup #totheendoftheearth #thebigtakeover #newmusic #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerwilsongetchell #themikewagnershowwilsongetchell #mikewagnerthethirstycurses #themikewagnershowthethirstycursesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

This week, Mary Spencer, returns to the podcast again! Mary is a fantastic joke writer that has made some waves in the comedy scene the last few years. Mary is all over the place performing. She has performed at the Tree Town Comedy Festival and recently closed out her first show at Bombs Away! Comedy at the Comet in Cincinnati.Instagram : @carljohnsonisfunnyMary SpencerInstagram : @marycspencerMusicJesse PassageInstagram : @thebignapArtRachel HarperInstagram : @rachelrockstar

Couches, bedding, kitchenware; it turns out you can buy ANYTHING at Ikea, including bombs. So if you're need of high grade military weapons, you're in luck! And if you spot a thing that shouldn't be, send it in to janesays@civicmedia.us and we might use it on the show! So join us Monday through Friday at 11:51 a.m. for “This Shouldn't Be A Thing!” or search for it on Spotify, Apple or wherever you get your podcasts.  And thanks for listening!!

In this final episode of Season 4, we conclude the tale of the oil tanker SS Torrey Canyon. Sources:Green, Anna and Timothy Cooper. “Community and Exclusion: The Torrey Canyon Disaster of 1967.” The Journal of Social History, vol. 48, no. 4, 2015, pp. 892 - 909. Gundlach, Erich. R. “Oil Tanker Disasters.” Environment, vol. 19, no. 9, December 1977, pp. 16 - 27. Petrow, Richard. In the Wake of Torrey Canyon: The Great Oil Disaster - Its Causes, Consequences, and Lessons for the Future. David McKay Company, 1968.Published in Britain as The Black TideSheail, John. “Torrey Canyon: The Political Dimension.” The Journal of Contemporary History, vol. 42, no. 3, pp. 485 - 504. Uekotter, Frank. The Vortex. University of Pittsburgh Press, 2023. Support the show

Ep 173: The Reaver's camp is in turmoil, but there's still more the party must accomplish before its mission is complete. How will it all turn out? Listen now to find out! ----- Our spot for Battlebards uses music from Battlebards! We hope you like our use of: Capital City - Middlegate - Score Music by Shams Ahsan We're glad you're sharing our story; we really appreciate your support and hope you enjoy what we've created together. We're having fun sharing our adventure with you each week, and we'll only get better with time! If you like what you hear, please take the time to leave us a review on iTunes, since that bumps us up in the ratings and lets others join in the fun. For quick updates on a more real-time basis, follow us on Twitter (@stackodice) and on Instagram (@stackodice), where we'd love to hear from you. Or if you want to share a question or idea with us, drop us a line at stack.o.dice@gmail.com. Also, if you aren't on our Discord server yet, you should be! Check it out here: https://discord.com/invite/sUUJp78r3E Finally, we now have a Ko-fi page! If you wish to support our show with a little money, you can do that today. Please know that we'll use anything you contribute to improve the show. ----- We used some Creative Commons sound effects and music in this show. For the sake of attribution, we list them here. The following were taken from freesound.org, a fantastic resource for completely free sound effects. Sound effects that fall under the Attribution license: nylon flapping 1.wav is a copyright of Huggy13ear We also used some excellent Battlebards sound effects. If you like what you hear, check them out at battlebards.com. If you sign up for a Prime account, be sure to use our special code, stack, and you'll get a 20% discount on your subscription. Here are the sound effects we used in this episode: Celtic Battle, by Wes Otis Evocation Spell - Light of the Nephilim, by Ravi Nidmarthy Weather - Medium Wind, by Olivier Girardot Travel by Beast - Winged Beast, by Theophile Demarcq Evocation Spell - Memory Rot, by Marc Cholette Crypts of the Undead - Restless Souls - Score Music, by Phil Archer Red Dragon - On Ground - Down and Dirty, by Marcos Abrom And now, on with the show-- we're excited to tell a story with you.

Brad Evans & Ryan Horvat break down their favorite LONGSHOT NFL Week 15 prop bets. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Brad & Ryan break down their favorite long shot bets for NFL Week 14. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Show Notes Episode 470: Danger Zone Part 1-Able Archer 83 This week Host Dave Bledsoe said on Tuesday night he needed a little something to take the edge off, we dug him out of a dumpster in Bayside naked and screaming Friday morning. (In fairness, this is not unusual for him) On the show this week we kicked off a two parter about nuclear war in the 80's (You know, to lighten the mood!) with the story of Able Archer ‘83 and how it almost started a nuclear war.. Along the way we discover that Dave was beat up a lot in high school. (Nothing shocking there) Then we dive right into how the Cold War was chilling out until a certain someone got elected in 1980! (Our old friend is back!) We learn how Reagan freaked out the Soviets and caused them to think he might just nuke them for funsies.  (Mostly because he was saying he might nuke them for funsies.) and how this resulted in what was called an “escalation of tensions”. (We would call it a full bore freakout!) The end result would be the world teetering on the brink of nuclear annihilation for about a week and the West not even noticing. (So much for the CIA!) Our sponsor this week is Bombs Away, prefab fallout shelters: turn a hole into a post apocalyptic home! We open the only good secret agent and close with Kat Cher in a certain zone. Show Theme: Hypnostate Prelude to Common Sense The Show on Twitter: https://twitter.com/TheHell_Podcast The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Youtube:  https://www.youtube.com/channel/UCjxP5ywpZ-O7qu_MFkLXQUQ The Show on Instagram: https://www.instagram.com/whatthehellwereyouthinkingpod/ Our Discord Server: https://discord.gg/kHmmrjptrq Our Website: www.whatthehellpodcast.com Give us your money on Patreon  https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music:https://youtu.be/iFpk7s3wu4k?si=Jt_gOWYYsYJgbgjI Buy Our Stuff: https://www.seltzerkings.com/shop We are a proud member of the Seltzer Kings Podcast Network! http://seltzerkings.com/ Citations Needed: The President's News Conference January 29, 1981 https://www.presidency.ucsb.edu/documents/the-presidents-news-conference-992 The war game that could have ended the world https://www.bbc.com/future/article/20181108-the-wargame-that-could-have-ended-the-world Able Archer: The NATO exercise that almost went nuclear https://www.livescience.com/able-archer Nuclear Close Calls: Able Archer 83 https://ahf.nuclearmuseum.org/ahf/history/nuclear-close-calls-able-archer-83/ Able Archer 83: How the Cold War Caused a Near-Apocalyptic Misunderstanding https://www.mirasafety.com/blogs/news/able-archer-83-cold-war-nuclear-incident?srsltid=AfmBOorXrKulpcPZFqxYFv8J4HApP8X_F56QSmHEu1JpQ-d9SuyKKpfZ White House Diaries 11/18/83 https://www.reaganfoundation.org/ronald-reagan/white-house-diaries/diary-entry-11181983/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brad Evans & Ryan Horvat break down their favorite longshot NFL Week 10 prop bets! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ryan Horvat & Brad Evans break down their FAVORITE Longshot bets for NFL Week 8. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Brad Evans & Ryan Horvat break down their favorite LONG SHOT bets for NFL Week 7. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ben Maller talks about the Yankees beating up on the Guardians in Game 1 of the ALCS, advice to the Guardians on how to turn things around, Maller's Mountain of Money: Paul Simon Edition, and more!See omnystudio.com/listener for privacy information.

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Brad and Jared share their favorite longshot plays for fantasy football this week. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Brad Evans & Ryan Horvat share their favorite longshot bets for this weekend in the NFL. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Brad & Ryan discuss their favorite fantasy football streamers for Week 2 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's a heavyweight special today as we're joined by Ireland's top man in the showbiz division, undefeated Dublin banger Thomas ‘The Bomber' Carty. Carty was on with us three years ago as a 1-0 pro and since then his picked up some momentum. He's fought at the O2 in London, the Nottingham Arena, Wembley Arena and York Hall in the UK. And he's managed to fulfil part one of the pro dream by boxing on huge cards back home – twice at the 3Arena on the Katie Taylor v Chantelle Cameron cards, and a trip out west to fight alongside his Celtic Warrior brothers – and manager Dillian Whyte – in Castlebar, Co Mayo. He's also won a belt in the form of the BUI Celtic title and oh, he started a business too. Next up, on September 20, is another outing at Dublin's 3Arena, this time supporting another boxer who's getting a homecoming in the shape of Callum Walsh. Argentina's Jonathan Exequiel Vergara, who's won six and lost one so far, will be in the opposite corner on what's sure to be a fun night at the fights. With the 6ft 4in southpaw back on another major card at the 3Arena, we ask if there's any truth to the rumour that it's in the venue's contract that if there's no Carty, there's no party. We also look ahead to the undercard featuring the Craig O'Brien v Edward Donovan and Emmet Brennan v Kevin Cronin derby fights, and upcoming heavyweight slobberknockers featuring his sparring partners Anthony Joshua (v Daniel Dubois) and Tyson Fury (v Oleksandr Usyk II). Hosted on Acast. See acast.com/privacy for more information.

We think of the air war during the First World War as mostly about fighters and dogfights. But as the war progressed, the opportunities for aerial bombardment steadily increased. By 1917 bombing was a key weapon in the air arsenal of both sides. But how did they do it, and was it effective? Pete and Gary continue the stories of the men of the Royal Flying Corps, based on their new book, Laugh or Fly.Order the book now! https://www.pen-and-sword.co.uk/Laugh-or-Fly-Hardback/p/50848Visit Gallipoli with Pete and Gary! Go to https://phbt.uk/ for more information!Presenters: Peter Hart and Gary BainPublisher: Mat McLachlanProducer: Jess StebnickiBecome a member to listen ad-free and receive special bonus content for only £2 per month: https://plus.acast.com/s/pete-and-garys-military-historySupport the show with a one-off contribution: https://www.buymeacoffee.com/pgmhFind out everything Pete and Gary are doing at https://linktr.ee/pgmhFor more great history content, visit www.LivingHistoryTV.com, or subscribe to our YouTube channel at https://www.youtube.com/c/LivingHistoryTVTo walk in the footsteps of the soldiers of the First and Second World Wars, join one of our battlefield tours! Full details at https://battlefields.com.au/ Become a member at https://plus.acast.com/s/pete-and-garys-military-history. Hosted on Acast. See acast.com/privacy for more information.

This month marked 50 years since Richard Nixon resigned the presidency for the crimes of Watergate. The endless fascination with the break-in and the cover-up has obscured what may be more important in Nixon's legacy as Americans demand a more restrained foreign policy today: his contribution to the imperial presidency and the crimes he got away with. In the summer of 1974, Congress had a chance to hold the chief executive accountable for concealing the bombing of a neutral Cambodia during the Vietnam War. But this article of impeachment was voted down. In this episode, historian Carolyn Eisenberg takes us into the Nixon White House and the jungles of Southeast Asia to show how an American president and his national security advisor prolonged the war, misled the public, and caused appalling carnage in faraway places – but got away with it, with terrible consequences for our own time. Recommended reading: 'Fire and Rain: Nixon, Kissinger, and the Wars in Southeast Asia' by Carolyn Woods Eisenberg, winner of a 2024 Bancroft Prize

For our final Bombs Away, we're checking out Ryan Renold's movie Green Lantern. Don't worry we love comic books and will respect the source material as best as we can. This movie came out right before DC decided they wanted an extended universe of their own so it sits in kind of a weird timeline among WB's slate of superhero films. Ryan Renolds is Hal Jordan, a talented but reckless test pilot who is chosen by a dying alien named Abin Sur to inherit his ring and become a Green Lantern. None of the other Green Lanterns like him. The cast also includes Blake Lively, Peter Sarsgaard, Mark Strong, Angela Bassett, and Tim Robbins. Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

For our third Bombs Away, we're diving into the somewhat successful The Mummy (2017). This movie performed so poorly for Universal that they ended the Dark Universe franchise. It was the beginning of the universe and the end. The Dark Universe franchise was the MCU but for monsters. But if this movie indicates what a franchise full of classic Universal monsters could have been, it would have been blander than a bowl of oatmeal.The story follows Nick Morton (Tom Cruise), a U.S. Army sergeant and mercenary, who accidentally discovers the tomb of an ancient Egyptian princess, Ahmanet (Sofia Boutella), during a mission in Iraq. Ahmanet, who made a pact with the dark god Set and was mummified alive for her crimes, is awakened and brings with her a malevolent curse. Oh, also, Russell Crowe is there.This movie is somehow based on the 1999 movie The Mummy. You should watch that instead.Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

For our second Bombs Away, we're diving into The Adventures of Pluto Nash! It's an attempt to make Eddie Murphy a dang action hero! It wasn't successful. This 2002 American science fiction action comedy film is set in 2087 and follows former smuggler Pluto Nash, who now runs a nightclub on the Moon after buying it from Paulie from the Rocky movies. Despite a star-studded cast including Randy Quaid, Rosario Dawson, and Joe Pantoliano, this movie is considered one of the biggest box office bombs in cinematic history. Is it worthy of all the hate?Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

Welcome to our new series for June, Bombs Away! We discuss movies with a massive budget that bombed BIG at the box office. We're starting off with a cult classic: Waterworld. For those who don't know anything about the award-winning stunt show at Universal Studios, Waterworld is a post-apocalyptic action film released in 1995 starring Kevin Costner. The movie is set in a future where the polar ice caps have melted, covering the Earth in water and leaving humanity to struggle for survival in makeshift floating communities. Dryland is what they're searching for and Denis Hopper's villainous character, Deacon, is obsessed with finding it. Does this movie sink or swim all these years later?Remember to join our Discord for movie nights and further podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

"We always want to leave people feeling hopeful."How do you stay passionate and persistent in the face of hardship? How do you keep from feeling discouraged when the universe seems to be throwing obstacle after obstacle in your path? How do you hold onto positivity when negativity seems to be everywhere?Australian natives Sheppard might have the answer.Amy, Emma, and George Sheppard were thrust into the limelight with the massive success of their single, "Geronimo," and their album, Bombs Away.  From a multiplatinum certification to a slew of awards, they were riding a tidal wave of success...and then the world shut down. In this episode, Emmeline sits down with Sheppard to talk about the personal and professional challenges that the pandemic brought to the band, and how a vital perspective shift--and a relocation to Nashville, TN--ultimately gave the siblings the light they needed to create their beautiful new album, Zora. Designed with their own persistence in mind, Zora is a collection of pop songs that speak to the resilience of the human spirit--even when adversity seemed relentless. They talk about how their spouses have encouraged their musical journey, how Nashville's music scene has welcomed them, and how excited they are to finally go back on tour, bringing the new music of which they're so proud to legions of fans.They also share more about the collaborative process that brought these new songs to light and give Journey of an Artist a special look at two tracks off the new album. To learn more about Sheppard, or to follow their musical journey, visit their official website. You can also catch the band on tour during the entire month of June 2024!For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

On the 93rd episode of the Triple Threat Theater podcast, Dax and Rian watch the movies no one else wanted to. Films discussed on this episode: Town & Country (2001) The Adventures Of Pluto Nash (2002) Mars Needs Moms (2011) Follow Triple Threat Theater on social media: Twitter - @buy_borrow_burn Instagram - @triplethreattheaterpodcast Tumblr - triplethreattheater.tumblr.com

The Padres dropped their opener vs the Cardinals with another shaky performance from their starting pitcher. Fernando Tatis hit his 3rd homer in the last 4 games, proving his power has returned. Caitlin Clark drops 41 on LSU as Iowa advances to the Final Four. Ryan Phillips joins the show. Support the show: http://Kaplanandcrew.comSee omnystudio.com/listener for privacy information.

The Padres dropped their opener vs the Cardinals with another shaky performance from their starting pitcher. Fernando Tatis hit his 3rd homer in the last 4 games, proving his power has returned. Caitlin Clark drops 41 on LSU as Iowa advances to the Final Four. Ryan Phillips joins the show. Support the show: http://Kaplanandcrew.comSee omnystudio.com/listener for privacy information.

Antifreeze; Arpon; Aunt Hazel; Avocado; Basketball; Beyonce; Big Bag;Big Harry; Bird; Black Bitch; Black Goat; Black Olives; Bombs Away; Bozo; Bubble Gum; Burrito; Butter; Caballo; Caballo Negro; Caca; Café; Cajeta; Capital H; Cardio (white heroin); Carga; Caro; Cement; Certificada (pure heroin); Chapopote; Charlie; Charlie Horse; Chavo; Cheese; Chicle; Chiclosa; China; China Blanca (white heroin); China Cat; China White; Chinese Buffet (white heroin); Chinese Food; Chinese Red; Chip; Chiva; Chiva Blanca; Chiva Loca (heroin mixed with fentanyl); Chiva Negra; Chivones; Chocolate; Chocolate Balls; Chocolate Shake; Choko; Chorizo; Churro Negro; Chutazo; Coco; Coffee; Cohete; Comida; Crown Crap; Curley Hair; Dark; Dark Girl; Dark Kind; Dead on Arrival (DOA); Diesel; Dirt; Dog Food; Doggie; Doojee; Dope; Dorado; Down; Downtown; Dragon; Dreck; Dynamite; Dyno; El Diablo; Engines; Enrique Grande; Esquina; Esquinilla; Fairy Dust; Flea Powder; Food (white heroin); Foolish Powder; Galloping Horse; Gamot; Gato; George Smack; Girl; Globo (balloon of heroin); Goat; Golden Girl; Good and Plenty; Good H; Goofball (heroin mixed with methamphetamine); Goma; Gorda; Gras; Grasin; Gravy; Gum; H; H-Caps; Hairy; Hard Candy; Hard One; Harry; Hats; Hazel; Heaven Dust; Heavy; Helen; Helicopter; Hell Dust; Henry; Hercules; Hero; Him; Hombre; Horse; Hot Dope; Huera; Hummers; Jojee; Joy Flakes; Joy Powder; Junk; Kabayo; Karachi; Karate; King's Tickets; La Tierra; Lemonade; Lenta; Lifesaver; Manteca; Marias; Marrion; Mayo; Mazpan; Meal; Menthol; Mexican Brown; Mexican Food (black tar heroin); Mexican Horse; Mexican Mud; Mexican Treat; Modelo Negra; Mojo; Mole; Mongega; Morena; Morenita; Mortal Combat; Motors; Mud; Mujer; Murcielago; Muzzle; Nanoo; Negra; Negra Tomasa; Negrita; Nice and Easy; Night; Noise; Obama; Old Steve; Pants; Patty; Peg; P-Funk; Piezas; Plata; Poison; Polvo; Polvo de Alegria; Polvo de Estrellas; Polvo Feliz; Poppy; Powder; Prostituta Negra; Puppy; Pure; Rambo; Raw (uncut heroin); Red Chicken; Red Eagle; Reindeer Dust; Roofing Tar; Ruby; Sack; Salt; Sand; Scag; Scat; Schmeck; Scramble (uncut heroin); Sheep; Shirts; Shoes; Skag; Skunk; Slime; Smack; Smeck; Snickers; Soda; Speedball (heroin mixed with cocaine); Spider Blue; Sticky Kind; Stufa; Sugar; Sweet Jesus; Tan; Tar; Tecata; Thunder; Tires; Tomasa; Tootsie Roll; Tragic Magic; Trees; Turtle; Vidrio; Weights; Whiskey; White; White Boy; White Girl; White Junk; White Lady; White Nurse; White Shirt; White Stuff; Wings; Witch; Witch Hazel; Zapapote

Welcome back, we are talking about the cold war, nuclear weapons, and constipation.

Brandon and Tyson talk the Jets' wins over the Ducks and Blue Jackets

Brandon and Tyson talk the Jets' wins over the Ducks and Blue Jackets Learn more about your ad choices. Visit megaphone.fm/adchoices

After losing every Super Tuesday state except VT, Nikki Haley suspends her campaign, meanwhile, at Mar-a-Lago, Marjorie Taylor Greene tells a BBC reporter to eff off.  Watch my fab music vid here: https://www.youtube.com/watch?v=NWD-x3GIUFA

SKINK Radio 294 Presented By Bombs Away (Guestmix) Tune in on other platforms ▶︎ skink.ffm.to/skinkradio.oyd Connect with us https://skink.ffm.to/instagram https://skink.ffm.to/facebook https://skink.ffm.to/twitter https://skink.ffm.to/youtube https://skink.ffm.to/spotify Connect with Bombs Away: Spotify → https://open.spotify.com/artist/1YlyxjwYNSjBD0NAJGEfWB Soundcloud → https://soundcloud.com/bombs-away Instagram → https://www.instagram.com/bombsawaymusic/ Facebook → https://www.facebook.com/bombsawaymusic/ TikTok → https://www.tiktok.com/@bombsaway.music Connect with Showtek https://showtek.ffm.to/instagram https://showtek.ffm.to/facebook https://showtek.ffm.to/twitter https://showtek.ffm.to/tiktok https://showtek.ffm.to/spotify https://showtek.ffm.to/applemusic https://showtek.ffm.to/deezer

John on US hitting Iranian proxies in Iraq, Syria, the border crisis and Trump's federal case delayed. Then, Journalist Brian Stelter on consumer news exhaustion, Trump, and Taylor Swift. Next, Caller Zack in TN gives his thoughts on Fani Willis. And finally comedian Frank Conniff on Taylor Swift, new movies, and election 2024.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

BOY TUNEZ SPOTIFY: https://spotify.link/rD4A5e255Db BOY TUNEZ APPLE: https://music.apple.com/us/playlist/boy-tunez/pl.u-b6jNFLWEW7g YOUTUBE: Boyz Next Door Pod TWITTER: thebndpodcast/__kenlushh INSTAGRAM: boyznextdoorpod/blaccbrry/kenlushh If you have questions or confessions, feel free to hit us up on the gram or at askboyznextdoor@gmail.com!

BOMBS-AWAY!! PLUS, Colonel Conrad Reynolds, host of The Colonel of Truth, tells Shaun about an event he is attending in Wisconisn with MyPillow CEO Mike Lindell this weekend to Recall Vos! And attorney and author Kent Heckenlively shares his latest work with Alex Jones on Jeffrey Epstein and says understand Epstein is the Rosetta Stone on what is going on in our society today. Check out their newest book The Great Awakening: Defeating the Globalists and Launching the Next Great RenaissanceSee omnystudio.com/listener for privacy information.

Mainstream media is reporting that President Biden has made a decision on how to respond to the drone strike that claimed three US service members over the weekend. Will it be a direct strike on Iran? More bombs in Iraq? Syria? And will he bother to get authorization from Congress? Also today, John Bolton's "dire" warnings about Trump 2.0.

ARMCHAIR ORACLES “All My Time” from All My Time - Single (2018) RAYLAND BAXTER “79 Shiny Revolvers” from Wide Awake (2018) J MASCIS “Sky Is All We Had” from Elastic Days (2018) I WAS A KING “Bubble” from Slow Century (2019) VALLEY LODGE “I'm Your Man” from Fog Machine (2018) WES HOLLYWOOD “Nothing to See Here” from Dynamite (2018) GENUINE FAKES “Even With You” from Issues (2018) DAVE SHEININ “Lies” from First Thing Tomorrow (2018) PAINTED DOLL “Hidden Hand” from Painted Doll (2018) SWERVEDRIVER “The Lonely Crowd Fades in the Air” from Future Ruins (2018) JOHN DAVIS & MATTHEW CAWS “We Are in the Wild and We Are Home” from Single (2019) GENTLE HEN “She's Got It Bad” from Be Nice to Everyone (2018) THE BLANK PAGES “Into the Ether” from Single (2019) DUNCAN REID & THE BIG HEADS “Let's Skip to the Good Bit” from Bombs Away (2017) BREAKING LACES “Better Than Me” from Come Get Some (2012) RICHARD TURGEON “Into Your Arms” from Single (2018) JEREMY MESSERSMITH “Monday, You're Not So Bad” from Late Stage Capitalism (2018) HAZEL ENGLISH “Never Coming Home” from Single (2016) HIDEOUS TOWNS “Lion” from Disquiet Living (2016) DERBY “Streelight” from Posters Fade (2008) MIKAL CRONIN “Say” from MCII (2015) THE BETHS “Great No One” from Future Me Hates Me (2018) CREAMER “Drugs No More” from Creamer (2018) GREENBERRY WOODS “Are You in Love Again” from House (2018) SMASH PALACE “Heart of a Loving Man” from Right as Rain - EP (2018) YOUR GRACIOUS HOST “Never Been So Blind” from Boomerang (2017) WESLEY WOLFE “Cloud Cuckoo” from Numbskull (2014) GUIDED BY VOICES “Cohesive Scoops” from 100 Dougs EP (2018) HOT NUN “Anyway” from Born to Blaze - EP (2018) BOB MOULD “Sunshine Rock” from Sunshine Rock (2019)