Podcasts about canon 5d mark ii

I'm always looking for indie filmmaking models to study. I like to analyze how other filmmakers make successful indie films while doing through a new DIY method, self distributing their film or achieving critical and fan respect for their work.Well I found a film that checks all the boxes, For Lovers Only create by the Polish Brothers, Michael and Mark Polish (more on that film later). These filmmakers have been making films, on their terms, for over a decade now.Since premiering at Sundance with their debut feature, 1999's Twin Falls Idaho, the brothers have remained steadfast in their commitment to creating personal, character-driven films.How does one make money shooting a feature film on a DSLR? The film in question came from a screenplay that Mark Polish wrote more than a decade ago called For Lovers Only, about an American photographer who runs into an old flame while on assignment in Paris. The film follows the rekindled lovers around Paris, France in a series of quiet vignettes that gradually reveal more about the complications in the couples' lives.Related: DSLR Video Tips: How to Make Your DSLR Film or Video Look More CinematicInspired by the guerilla style of the French New Wave filmmakers of yesteryear, Mark and Michael Polish came up with a simple plan: they'd fly over to France with only a Canon 5D Mark II camera (which they already owned) and one actress (Castle star Stana Katic) in tow and just go out and shoot feature film. Oh did I mention it was in black and white?Michael Polish sat down with me for an amazing interview about his filmmaking life, Hollywood and what it means to be an artist.

Greg Baugues' Website - https://www.baugues.com/Greg Baughes' Twitter - https://twitter.com/greggyb?lang=enGreg Baughes' Instagram - https://www.instagram.com/greggyb/?hl=enTwilio - https://www.twilio.com/Laracon - https://laracon.net/PyCon - https://pycon.org/Fujifilm X100F - https://fujifilm-x.com/global/products/cameras/x100f/Fujifilm X100V - https://fujifilm-x.com/global/products/cameras/x100v/Canon EOS 20D - https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/support-dslr/eos-20d/eos-20dAdobe Lightroom - https://www.adobe.com/products/photoshop-lightroom.htmlPhoto Mechanic - https://home.camerabits.com/tour-photo-mechanic/Ricoh GR III - https://us.ricoh-imaging.com/product/gr-iii/Canon Selphy CP1300 - https://shop.usa.canon.com/shop/en/catalog/selphy-cp1300-black-wireless-compact-photo-printerFujifilm Instax - https://instax.com/camera/

Hoy vamos a hablar sobre esa recopilación de enlaces, vídeos, libros, podcast... lo que sea que haya visto, leído o escuchado durante la semana y que piense que merezca la pena compartir aquí. Reto fotos primavera.  Mandáis las fotos al correo, automáticamente entráis en el sorteo de 6 meses de premium. Ahora todos los que seais premium, tenéis un nivel de premium. Para aumentar de nivel tan sólo debéis mantener vuestra suscripción activa. A más nivel, mayor prioridad en soporte premium. Además, podéis acumular puntos, por renovar la suscripción y por interactuar con la web. Dentro de poco podréis intercambiar puntos por recompensas, como por ejemplo clases particulares, descuentos y otras cosas. Tenéis toda la información sobre vuestro nivel y los puntos que habéis acumulado en la sección de Recompensas. Ya sabéis que podéis contactar conmigo para dudas, preguntas, sugerencias, lo que haga falta a través del formulario de contacto que encontraréis en JOSEBARCELO.COM/contacto y que las responderé en un episodio del podcast de preguntas y respuestas. Los que seáis premium, desde el contacto premium que tiene preferencia y que ya sabéis que las respondo lo más rápido posible, incluso de forma inmediata en algunos casos. Como siempre, os dejo el resumen, esquema o escaleta del episodio para todos los suscriptores ¿Por qué es interesante el Crowdfunding para financiar proyectos fotográficos?Lo leí en Amateur PhotographerResumiendo: El Crowdfunding es una forma de financiación que utilizan tanto personas individuales como empresas para sus proyectos. En esta forma de financiación, los mecenas, las personas que pagana por ese proyecto, suelen llevarse algún tipo de recompensa a cambio en función de lo que pagan.Pero porqué dicen en Amateur Photographer que es interesante el Crowdfunding para fotografíaPara empezar, las tasas de un proyecto son de más o menos el 5% de las aportaciones, más un 3-5% por el procesado de los pagos.No es muchoY además, si no se llega a lo requerido por el proyecto, se anula sin coste alguno.Pero lo mejor, es que es una prueba real de si hay interés o no,sin hacer ningún gasto previoY cubriendo seguro los gastos de lanzamiento en caso de que se lleve a caboY en el caso de que no funcione, no te habrá costado nadaY puedes volver a lanzarlo en el futuroAdemás existe la posibilidad de que funcione tan bien, que puedas ampliar tus objetivos iniciales.Por ejemplo en lugar de imprimir mil copias de tu fotolibro, terminar imprimiendo diez mil! estando pagadas con antelación.Os lo dejo enlazado para que podáis leer algunos casos reales y trucos que nos dejan.Una charla TED en la que dos fotógrafas nos cuentan cómo integran la naturaleza con las personas a través de retratos muy curiosos.Además de ser muy peculiares, son retratos muy cuidados y muy bien hechos.Se trata de una charla de la finlandesa Riitta Ikonen y de la noruega Karoline HjorthOs lo dejo enlazado también para que le echéis un vistazo. Dura unos 10 minutos y es cuanto menos, curioso.Algunos trucos para introducirse en el retrato ambientadoEn Digital Photography SchoolDefinimos el retrato ambientado comoSon algunos consejos para introducirse que pueden ser de ayuda.Por ejemplo conocer algo más a la persona al diseñar la fotoElegir el lugar adecuado en función de cada personaOs dejo el enlace en las notas del episodioSeis lugares en los que utilizar un filtro de densidad neutraSi pensáis que no acabais de sacarle provecho a vuestro filtroEn Digital Photography School nos ponen seis ejemplos de dónde podemos utilizarloY si no sabéis utilizarlo, en el episodio 53 os hablé de ellosY en el curso de Nivel 3 os enseño cómo utilizarlos¿Qué es mejor para alguien que empieza, comprarse una cámara nueva básica o una cámara de alta gama vieja y usada?Estas son el tipo de cosas que me gustaEn F stoppers, un vídeo de Hyun Ralph JeongHace una comparación entre una Canon 5D Mark II y una M50 Mark IIEs decir,

On todays episode of Hollywood, How Did You Get Here? Tim talks to long time friend Vincent Laforet. Vincent is a Pulitzer Prize winning photographer and is largely credited for jump starting the success of the Canon 5D Mark II having shot the short film "Reverie" with it. Enjoy the episode! Please make sure to subscribe on your favorite podcast platform and leave us a review! "Hollywood, How Did You Get Here?" Is brought to you by G-Technology, a leading storage solution brand for the entertainment industry. Use code HOLLYWOOD for 10% off G-Technology drives when you shop on Filmtools.com Special thanks to our lighting sponsor Ledgo Technologies for supporting our show! Make sure to check out Ledgo on Instagram (@ledgo_led) for more

Cursos de Fotografía Online Los cursos de fotografía online de Aprender fotografía son la manera más fácil y más rápida de aprender a fotografiar a través de videotutoriales. Siempre disponibles 24 horas al día, 365 días al año. Tarifa plana con 200 clases, más de 65 horas de fotografía. Cada mes añadimos dos nuevos cursos. Incluye tutoría y soporte para dudas individualizado. Hola y bienvenidos al episodio 380 del podcast de Aprender Fotografía. Soy Fran Valverde y como siempre me acompaña Pere Larrègula. Recuerda que Aprender Fotografía es una plataforma de cursos de fotografía online para que aprendas fotografía de una manera fácil. El día 1 y el día 15 de cada mes hay curso nuevo. Hoy seguimos con la segunda parte de la entrevista a Marta F. Andrés. ¡Vamos allá! ¿En qué tipo de fotografía estás especializada? En Gales empecé en fotografía de moda. Después, en Chipre me decanté por la fotografía social, más familiar. Luego en Marruecos empecé con el blog, un blog de viajes en el que hago un post sobre cada sitio que visitamos. Tienes un proyecto personal con tu hija Sí. Le hago una fotografía cada semana. Ya llevamos dos años con este proyecto personal y lo he estado haciendo en blanco y negro. Es un proyecto que me ha enriquecido. Te hace recordarlo todo mucho mejor, me ha hecho aprender bastante. Ahora en la India sigo con el proyecto pero en color, aprovechando las circunstancias de este país. ¿Cuándo utilizas el blanco y negro? Es posible que una fotografía en color no me guste y al editarla en blanco y negro me encante. Hay situaciones en las que es mejor el blanco y negro. ¿Haces retratos? Desde que llegué a la India pensé que era un país fotogénico y sabía que haría muchos retratos. Además, en la mayoría de los casos son las mismas personas las que te piden que les hagas fotos. Colaboré con una ONG llamada Sunsita y les hice fotografías para que las utilizasen en el proyecto. ¿Has visto el trabajo de otros fotógrafos de allí? No he conocido a ningún fotógrafo de allí, pero mis fotos han tenido impacto sobre su gente y me han escrito diciéndome que qué manera tengo de ver su país. Recomiendo a cualquier fotógrafo que viaje a la India, sobre todo al sur que no es tan turístico. ¿Qué llevas en tu mochila de fotógrafa? Mi equipo es muy reducido. Tengo la Canon 5D Mark II, un 85mm y un 50mm que se me cayó. El que más uso es uno de 35mm. El 200mm y el 24-105mm en alguna ocasión también. ¿Con qué te quedas de la experiencia? Me quedo con las experiencias de las ONG’s, como en la de Sunsita y la de Vicente Ferrer que me han enriquecido mucho y con la gente y los colores. Hasta aquí el podcast de hoy. Gracias por estar ahí. ¡Hasta el próximo programa! Cursos de Fotografía Online Los cursos de fotografía online de Aprender fotografía son la manera más fácil y más rápida de aprender a fotografiar a través de videotutoriales. Siempre disponibles 24 horas al día, 365 días al año. Tarifa plana con 200 clases, más de 65 horas de fotografía. Cada mes añadimos dos nuevos cursos. Incluye tutoría y soporte para dudas individualizado.

El año ha empezado como acabó el anterior, metidos de lleno en una vorágine de presentaciones, viajes y movidas varias que nos impide ser todo lo regulares que quisiéramos con el "Ola K Ase". Pero aquí estamos de nuevo para intentar resolver vuestras dudas existenciales y fotográficas con sabiduría, sentido del humor y mala leche a partes iguales. Nos complace comprobar que cada vez más lectores se animan a enviarnos regalitos y cosas de comer, lo que nos acerca a nuestro sueño de convertir este espacio en algo parecido a un Sálvame Deluxe de la fotografía. Y sin más preámbulos os dejamos con el índice temporal de todos los temas que hemos tratado en este programa. Un índice por cierto que sólo usan los cobardes, los Photolarianos de verdad se tragan el vídeo entero. Es broma. Regalos de los lectores, canal de Telegram y auto-promociones varias (1:26) Cámara full frame con muchas exigencias (10:40) ¿Cambio de Fujifilm APS-C a Nikon Z6? (15:05) ¿Qué tal la DJI Osmo Pocket? (17:38) La mejor cámara APS-C con estabilizador en el cuerpo (20:55) Busco duplicador para mi Tokina 70-200 mm f4 (24:43) ¿Vale la pena pasar de Sony A6000 a la nueva A6400? (28:30) ¿Cual es el factor de recorte de los sensores de una pulgada? (32:32) ¿Es la Canon 5D Mark II mejor que la MArk IV? (38:11) ¿Compro ópticas para mi Lumix G80 o lo vendo todo y compro una Sony A7S II? (42:06) Voy de safari ¿Compro un tele de montura E o una Nikon P900? (46:06) Pedimos perdón a un lector enfadado (49:38) ¿Donde están los vídeo de Quesabesde? (52:32) Para naturaleza, ¿Sony A7 III o Fujifilm X-T3? (54:48) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos! 

Sean Boone talks with underwater imaging pro, Rusty Sanoian. Sponsor Backscatter Underwater Video & Photo Show Notes Rusty Sanoian Closed Circuit Rebreathers Tech Diving SS Andrea Doria CBC "Nature of Things" DPTV "Shipwrecks of the Great Lakes" BBC "Life" BBC "Million Dollar Otters" Cenotes in Mexico McAbee Beach Sea Otter Classic Monterey Bay Dive Center Mixed-Gas Diving Underwater Scooters Decompression Sickness/Deco Kiss Classic Rebreather Feather Duster Worms High Sierras Polaroid Light & Motion Tetra 5050 Olympus 5050 Panasonic PV-950 Sony DCR-VX2100 Canon 5D Mark II Sony EX1 15mm Fisheye Lens 3 Chip Camera Berkley White's Dolphin Video Gates Fathoms Lens Sony DCR-TRV900 Xit Tripods Komodo Video Mimic Octopus Komodo Panasonic LUMIX GH4 Sony a7R Mark II Super 35 DJI Phantom RAW Red Cameras Arri Cameras Amphibious Drone GUE Backplate Bikini Atoll Pulp Fiction Tropic Thunder The Abyss Hydroflex DIN to Yoke Adapter Benjamin Von Wong Rusty Sanoian

L-R: Ron Climbing Breakneck (P: Joe Azze), Getting the shot of getting the shot (P: Shana Feissner), Lesher at #TrailRoc 0 WTF (P: Chris Patterson), Ron at #TrailsRoc 0 SPF (P: Lesher), To any lengths (P: Ron) The Ascend Collective takes us behind the camera to tell us how they capture some of our favorite running memories. If you've looked at a photo from a trail race in New York and said "Whoa", chances are it was taken by Ascend Collective. From sweeping vistas a top Ontario County Park down into the pond at the GVH mudslog, Ascend has developed a reputation for catching amazing images of trail runners in their element. Episode LinksThe Ascend Collective - Use Code "RIO" for 20% off until 12/31 Also, Post your favorite Ascend photo on our Facebook Page with why you love it and on 12/23I'll pick a random entrant to win a FREE social media download!IAMLesherGoat Factory Media 0 SPF - Chris on power lines Anything to get the shot! (p: Anita Cornell) Two Complimentary StylesMichael Lesher captures sweeping vistasRon Heerkens frames the performer perfectly  Kendra Pohkis atop Ontario County at Goose Adventure Racing's Ontario Summit Trail Races Chris O'Brien careening downhill at Medved Madness Down in the muck at Medved Madness The only 5K Ron has ever shot. (Medved ALS 5K p: The Ascend Collective) Dam Good 2014 - The Light Shines Through Chris's Race report from Dam Good Corn Rows at Twisted Branch Trail Run Ron's favorite shot ever. Clayton climbing Whiteface Mountain. (P: Ascend) Mendon Ponds, The Culvert on 100 acre Pond like you've never seen it before. (p: Ascend)  Prime Lens definitionLesher -Fuji XT1F-Stop BagsRon -Canon 7D Mark IICanon 5D Mark II"Lowe Adventure Bag" Ron's gear bag. Just like him, it goes everywhere. (p: Katherine Varn Hawkins) New Victory Adventure Bag Chris's Ascend Application Photo Jason Mintz and Ellie Pell at Mendon 50k (p:Chris O'Brien) UD Groove Mono Belt Sponsors Josh Stratton LMT - A licensed massage therapist who knows the treatments that runners need. Located in Winton Place. Tell him you heard the podcast and use the code "Website" when booking during September for $15 off a 60 minute massage!  Rochester Running Company - A new running store located on Mt. Hope Avenue in College Town.  Focused on being a social hub for runners, RRCo offers free group runs, and a cool place to hang out. Additionally, their Facebook page is full of hustle and bustle with many pop up runs or running related activities constantly being discussed and organized.Stop in and let'em know you heard about it here. While you're there, pick up a fancy Podcast shirt.Rochester Running Company. Run Our City. Together. Special Guests: Michael Lesher and Ron Heerkens Jr.

  ¿Qué es el Backfocus y Frontfocus? En el podcast de hoy hablamos de un tema muy interesante, cómo solucionar los problemas de Backfocus o Frontfocus, pero para ello, debemos saber exactamente qué significan exactamente estos términos. El Backfocus o Frontfocus es un problema de ajuste de enfoque que puede darse tanto en la cámara (cuerpo) como en los objetivos. Cuando hablamos de Backfocus, nos estamos refiriendo a que tenemos un problema de foco hacia atrás, ya que nuestro equipo enfocará un poco más atrás de lo que realmente queremos tener en foco. El Frontfocus es todo lo contrario, es el mismo problema de foco pero esta vez hacia adelante. Por así decirlo, es un problema de enfoque que reside en nuestro equipo, que por delante o por detrás, enfoca de forma no acertada aquello que no queremos tener en foco. Cuando debemos realizar esta prueba Esta prueba es buena realizar siempre, y cuanto antes, para saber el estado de nuestro equipo, pero lo ideal es realizar esta prueba una vez hayamos recibido nuestra compra del equipo. Esto es importante ya que cuando realizamos una compra, tenemos un periodo de devolución y podremos hacer uso del mismo si vemos que nuestro equipo está afectado por Backfocus o Frontfocus. De todas formas, si se te ha pasado esta garantía de devolución sigue siendo bueno que realices esta prueba para ver si está afectado a a nitidez de tus imágenes. Realizando la prueba de calibración Estos problemas de foco se pueden detectar a través de una simple prueba que podremos realizar en casa, tan sólo necesitamos una carta de ajuste, con la que podremos saber con exactitud el desvío del foco y si sufrimos de problemas de foto trasero o delantero. Para hacer esta prueba necesitaremos: Trípode: Para evitar trepidaciones es aconsejable el uso de trípode o que esté en algún sitio estático a falta del mismo. Carta de ajuste: Podéis descargarla desde aquí. Es un recortable, que como explico en el podcast, crea los 45º necesarios para poder realizar esta prueba de forma correcta. Con ella sabremos con exactitud cuánto es el desvío de foco de nuestro equipo. ISO más bajo posible: Deberemos seleccionar el ISO más bajo posible para evitar que el ruido afecte a nuestra toma. La mayor apertura posible: Seleccionaremos la mayor apertura posible para intentar reducir la profundidad de campo y hacer más notable el área enfocada, aconsejamos usar objetivos muy luminosos. Buenas condiciones de luz: Es fundamental para esta prueba que se realice en un entorno bien iluminado para poder trabajar con ISO baja. Disparar a distintas distancias focales: Si tu objetivo tiene varias distancias focales, es aconsejable realizar más de una toma, probando las distintas distancias focales para verificar el buen estado del mismo. Activar el modo LiveView para enfocar: Para enfocar de forma más fina y correcta os aconsejo activar el modo LiveView amplificado, de esta forma nos aseguramos que estamos realizando un enfoque lo más preciso posible. Analizando el test realizado Una vez hemos realizado el test, tenemos que saber analizar los resultados, incluso deberemos repetir la prueba para concretar el problema que tenemos. Si tras realizar la prueba vemos que sufrimos de Back o Front focus, no sabremos exactamente si el afectado es el cuerpo o el objetivo que hemos utilizando en la misma, para ello, necesitaremos repetir la prueba pero con otro objetivo diferente. De esta forma, sabremos si el problema se encontraba en el objetivo o en el cuerpo. Si el problema está en el cuerpo: Posiblemente sea lo menos malo, ya que si nuestro cuerpo es quien tiene el problema de enfoque, hay muchos cuerpos que incluyen dentro de sus ajustes de menú un acceso para cambiar el microajuste de enfoque. Por ejemplo, mi cámara, la Canon 5D Mark II trae este ajuste en el menú, donde podremos corregir este defecto de facto para siempre. Si el problema está en el objetivo: Podremos seguir corriendo en el cuerpo el desvío, pero hay que tener en cuenta que hay que volver a modificarlo si volvemos a cambiar de objetivo, por este motivo, que el problema esté en el objetivo es algo bastante molesto o fastidioso y si detectamos este problema tras su compra, recomiendo la devolución del mismo. Ajuste por software Para aquellos profesionales que necesiten una mayor precisión en esta prueba, y sea un problema importante de solucionar, existe una aplicación de pago llamada FoCal que te permitirá corregir el problema de foco en un clic de la forma más precisa que conozco. El proceso es bastante sencillo, basta con conectar nuestra cámara (debe de estar soportada por el software) a nuestro ordenador y seguir los pasos que nos da la web. En un momento tendremos la cámara configurada a la perfección. Os dejo un video para que veáis este proceso.

En el podcast de esta semana aclararemos los conceptos de Megapixeles, resolución y tamaño. Tres conceptos que pueden llevar a error y que es conveniente aclarar para saber como trabajar correctamente con nuestras imágenes a la hora de una ampliación o reducción. Explicaremos como escalar correctamente una fotografía desde Photoshop. Empezamos con las noticias del sector, advirtiendo de los peligros de los filtros protectores, hace poco un amigo se ha cargado un objetivo debido a que el filtro que tenía puesto recibió un golpe y le ha entrado parte del polvo de cristal dentro del mecanismo del mismo, produciendo que su funcionamiento vaya mal. Ojo con este tema. Sergio, como coordinador TIC de un centro, nos pregunta por el servicio que le vendría mejor a la hora de almacenar las fotografías de su centro, necesita mucha capacidad y nos pregunta por Flickr, algo que descartamos viendo la tendencia económica de Yahoo. Le aconsejamos Google Fotos, un servicio estable de calidad y con almacenamiento ilimitado. Visto las noticias, pasamos al desarrollo de nuestro tema de hoy, empezamos con los megapixeles donde veremos que estos no tienen un tamaño definido, sino que depende de la distancia a la que los veamos para que empecemos a notar su presencia. Este concepto es uno de los que trae de cabeza a más de uno y es que un pixel no tiene un tamaño definido, puede variar según el soporte donde lo veamos. Ponemos como ejemplo, el visionado en pantallas de TV de distinto tamaño o la campaña publicitaria que sacó Apple con sus dispositivos iPhone 6. Continuamos con la resolución, que vienen definida por la condensación de puntos en una pulgada de tamaño. Lo que interpretaremos como ppp. Actualmente, las imprentas suelen trabajar con resoluciones entre los 240 ppp y 300 ppp para asegurar una impresión de calidad. Este valor, es el que define la resolución de nuestras imágenes, a mayor número de puntos por pulgada, mayor nitidez y definición. Por último, explicamos el tamaño de nuestras imágenes, y que si solamente cambiamos el tamaño, lo que estaremos haciendo en realidad es hacer los pixeles más grandes y empeorar la calidad de nuestra fotografía. Para hacer una ampliación correctamente debemos de usar la opción de remuestreo que incluye Photoshop en el menú Imagen > Tamaño de Imagen. Si abrimos un archivo RAW de mi cámara Canon 5D Mark II y accedemos a dicho menú nos encontraremos con la siguiente información Archivo RAW Canon 5d Mark II sin modificar Si multiplicamos la cantidad de pixeles que muestra esta imagen, 5616 x 3744 nos dará como resultado 21 millones de pixeles, que es precisamente la cantidad de megapixeles que tiene mi cámara: 21. En esta imagen, con una resolución de 240 ppp y estos píxeles, Photoshop nos indica que podemos trabajar a un tamaño de imagen 60x40 cm. Archivo RAW Canon 5d Mark II modificado a 300 ppp En este caso, lo que hemos realizado es una ampliación de la resolución a 300 ppp para poder mandarla correctamente a imprenta. Lo que hace realmente es ampliar la cantidad de pixeles de nuestras imágenes, por así decirlo, Photoshop tiene que inventar esos pixeles para no perder calidad de la imagen estirándolos, sino que crea, mediante un algoritmo matemático, pixeles correspondiente a nuestra imagen para poder hacer la ampliación sin generar tanta perdida. Archivo RAW Canon 5d Mark II ampliación En este caso, lo que queremos a parte de subir la resolución es ampliar nuestra imagen a 1 metro de anchura para su posterior impresión. De esta forma, lo que conseguimos es que Photoshop tenga que remuestrear la imagen hasta casi el doble de los pixeles originales que tenía nuestra fotografía, creando un archivo bastante pesado. De esta forma conseguiremos hacer una ampliación con muy buena calidad. Archivo RAW Canon 5d Mark II reducción Y por último os muestro el caso contrario, en caso de querer hacer una reducción a 20x13 lo que conseguiremos es que Photoshop elimine los pixeles innecesarios, remuestreando la imagen de la mejor forma posible. Importante: Recuerda  que cada vez que le damos a Photoshop la orden de disminuir o aumentar el tamaño de una imagen, estamos añadiendo o restando pixeles a la misma. Vamos, estamos manipulando la fotografía de un modo destructivo, lo que puede suponer un estropicio si no lo hacemos correctamente. Utilizaremos el remuestreo para evitar perder calidad a la hora de impresión respecto a la opción de agrandar los pixeles. Enlaces de Interés: Entrevista en el podcast de Mario Rubio Flickr: situación actual Google Fotos

The Switch to Manual Guys are back in the saddle with this first episode of 2016. It just so happens that Antonio and Tom were both out of the country and both decided to travel with only one camera and one lens. Antonio brought his trusted Fuji X100T and Tom brought his Canon 5D Mark II with a 40mm f/2.8 pancake-style portrait lens. Listen in to see how restricting themselves in this way forced them both to get creative just a single lens and with the manual controls of the camera. And don't miss the new feature as they both share a quote from a photographer they like and reflect on its meaning. In this episode Tom shares a quote by the great landscape photographer Ansel Adams while Antonio lifts up the urban street shooting master, Elliott Erwitt.  Oh, and some exciting news from Tom! (Apologies for the street noise on Antonio's side. He does live in New York so it's sometimes unavoidable)

Cinematographer Gale Tattersall talks about the democratization of affordable filmmaking gear heralded by the Canon 5D Mark II and it's use of the hit television series House MD, the role of the DP in interpreting the intent of the scriptwriter, and laments that too many cinematographers try to make everything too beautiful. This video interview with Gale was recorded several years ago but was never released as an episode of the Digital Convergence Podcast until now. The Video Business Success Coach Kris Simmons answers an email from a DCP listener who sent in a question about structuring and breaking down pricing for a video job. This episode is brought to you by:  VideoBlocks - an affordable, subscription-based stock media site that gives you unlimited access to premium stock footage. Start your 7 day feel trial today here: http://carlolson.tv/videoblocks Mentioned in the podcast: Gale Tattersall's website:http://www.galetattersall.com Rode SmartLav+http://carlolson.tv/smartlav Zoom iQ5, iQ6, and iQ7 mics for the iOS devices:http://carlolson.tv/zoommics Keith Moreau's websites:http://keithmoreau.com/http://www.artistsharing.com/http://www.techmovepodcast.com/ Take your business to the next level with KRE8 University: http://carlolson.tv/kre8 Become an associate producer of the Digital Convergence Podcast by your generous financial support: http://carlolson.tv/patron Send email or leave voice mail feedback: http://carlolson.tv/contact/ Thank you for supporting the Digital Convergence Podcast by your generous use of my affiliate links.

Today’s featured guest is Juan Pons.   Juan is a nature and wildlife photographer based in Bangor, Main - who is passionate about the conservation of our wildlife habitats and is member to multiple organizations with that same focus. With over 20 years of experience you can easily see the skills in his imagery is driven by the passion to conserve his subjects and their homes. Juan donates his work to non-profit organizations with the preservation mission. Lastly, Juan has been published in countless magazines such as Sierra Magazine, American Photo, and The Independent just to name a few. Born and raised in San Juan, Puerto Rico, Juan is a nature and wildlife photographer, whose passion is photographing our worlds magnificent wildlife and natural features. Juan is a strong supporter of wildlife and natural habitat conservation and is a member of several conservation organizations. Though private individuals purchase photos directly from him, Juan donates his images to non-profit organizations with nature and wildlife preservation missions. Juan never ceases to be amazed by the natural subjects he photographs and hopes that sharing his photographs will inspire others to appreciate and respect natural life. With more than 20 years experience in photography, Juan has also become a recognized expert on maximizing the capabilities of DSLRs when shooting video, and has published a new instructional DVD titled The Photographers Guide to Creating HD Video with the Canon 5D Mark II and 7D. Juan travels extensively capturing nature’s beauty, and also teaches during his own workshops and multitude events throughout the world on many photography topics. Click here to learn more about his workshops to Yellowstone and beyond. Juan’s work has been featured on numerous publications, including: Sierra Magazine, Nature Conservancy, Audubon Magazine, American Photo, Audubon North Carolina, Wildlife in North Carolina, The Independent, and many others. Juan is the co-host, with his friend Rick Sammon, The Digital Photography Experience podcast, a leading audio podcast that covers many photographic topics.

Tim Smith from Canon says that 4K is here to stay. Canon currently has two cameras that record 4K the EOS 1DC and the EOS C500. The 1DC records 4K within the camera with a form factor that that is very similar to a Canon 5D Mark II or 1D. The C500 has a larger form factor and is similar in size to the Canon C300. The C500 offers 4K recording to an external field recorder like the Convergent Design Odyssey 7Q.

Tim Smith from Canon says that 4K is here to stay. Canon currently has two cameras that record 4K the EOS 1DC and the EOS C500. The 1DC records 4K within the camera with a form factor that that is very similar to a Canon 5D Mark II or 1D. The C500 has a larger form factor and is similar in size to the Canon C300. The C500 offers 4K recording to an external field recorder like the Convergent Design Odyssey 7Q.

Rusty Sanoian travels to Komodo, Indonesia for this amazing Canon 5D Mark II underwater footage. More info at Backscatter.com.

The buzz is building for NAB. What is Canon going to announce? Wait, not one, but two cameras? planetMitch, Chris Fenwick, and special guest Paul Antico, all chat with me about we might expect from next week's NAB show in Las Vegas. Also, in the news we talk about the FCP X 10.0.4 update from Apple - and - ouch! - it breaks Red Giant Software's Magic Bullet Looks and probably a whole bunch of other plugins. We talk about Flickr, 500px, and Instagram. In the course of the conversation we invent three new phrases: data tainting, pixel gorillas, and 4K for free. You'll have to listen to the podcast to see what it all means :) Paul Antico talks about his progression from a "convergence" shooter with the Canon 5D Mark II (and now Mark III) to the FS100 to the C300. Chris talks about the question of whether one should switch to Avid. Of course, we do our usual artist picks and gear picks. Many thanks toCrumplePop for sponsoring the podcast. Until next week, that's a wrap!

With an APB out on Chris Fenwick (we think he's holed up in a KOA Campy Cabin in the mountains), planetMitch (planet5D.com), and Gabe Cheifetz (CrumplePop.com) and I take on the latest news and happenings in the world of video and photography. We lead off with a wrap-up of the excitement (and fall-out) of Canon's latest announcement: the Canon EOS 5D Mark III. planetMitch brings a balanced, reasoned response to the Nikon D800 demo video that apparently used Canon 5D Mark II footage. Gabe Cheifetz, of CrumplePop, talks about FCP X. I'm pleased to have CrumplePop as a sponsor of our podcast. I'm fanatical about their plugins and use them extensively in my training series. Gabe talks about their reaction to FCP X when it first came out, and the unexpected opportunity that arose from Apple's tight integration of Motion 5 and FCP X.

Episode 63 of the Digital Convergence podcast brings Chris Fenwick, planetMitch, Tony Reale (of NextWaveDV) and myself together in a lively discussion about learning the craft of filmmaking. Do you need to go to film school? Is a college degree necessary to make it in this business? What is the best way to learn? Does one size fit all when it comes to education? We also talk about the latest video and photography news. planetMitch talks about his recent weekend trip and meet up with Shane Hurlbut, the director of photography for the recently released feature film, Act of Valor. Much of the movie was filmmed with Canon 5D Mark II's. Chris Fenwick responds to a friendly rebuttal from one of our listeners on the noise reduction / sharpening issue we talked about in the last episode. I'm pleased to introduce CrumplePop as a new sponsor for the Digital Convergence podcast. I have been using their products for some time now. They make a lovely collection of plugins for Final Cut Pro. Thank you, CrumplePop, for sponsoring the Digital Convergence podcast. Thank you for listening to the show. Please rate the show on iTunes. Please keep your questions and comments coming!

This episode of the ConnVince MEdia podcast talks about the latest news, including the upcoming announcement of the successor of the Canon 5D Mark II, Audio for Nikon D800, Rode VideoMic, Redrock Micro's Limited Edition Nikon Gold Rig, two new Canon lenses (the 500mm f4 L IS and the 600mm f4L IS), and the Pocket Wizard Plus III Radio Triggers. We also discuss audio for the new Red Scarlet X Camera, and Set Etiquette on a professional set.

Episode 40 - Featuring Patrick Inhofer of Fini! Color Correction + Finishing and Tao Of Color - with host Carl Olson (http://16x9cinema.com) and co-host Chris Fenwick (http://chrisfenwick.com). In this episode we talk with colorist Patrick Inhofer of Fini! Color Correction + Finishing. Color grading and finishing are Patrick's passion. He has worked on a huge variety of projects including film, documentaries, television series, corporate videos. His work has appeared on HBO, NBC, ABC, Showtime, ESPN, Oxygen, AMC, Lifetime, TNT, TBS, and National Geographic Channel - to name just a few. With the advent of low-cost HDSLR video, many new filmmakers face a huge learning curve for not only production, but also editing and color correction, grading, and finishing. Where does a HDSLR digital filmmaker begin? What is the best way to learn colorist skills? How can the HDSLR DP shoot to get the best color results? Patrick Inhofer's Tao of Color website is an incredibly rich resource for learning the art and craft of a colorist. His course helps you hone your skills as a colorist by allowing your to look over his shoulders. Footage shot with a Canon 5D Mark II is provided so that you can practice wit the same material that Patrick uses in the course. You learn how Patrick grades and then you go and apply what you learn on the 5D footage.  Listening to Patrick in this podcast, you come to realize that he is not only a superb technologist, but is also a passionate artist.

Scooters. Wreck diving. 5D Mark II. The Backscatter folks take us scooter imaging with the Canon 5D Mark II in beautiful blue Caribbean water, and talk about how they got the shots. More info at Backscatter.com. Music by Luce. More info at LuceBand.com.

Scooters. Wreck diving. 5D Mark II. The Backscatter folks take us scooter imaging with the Canon 5D Mark II in beautiful blue Caribbean water, and talk about how they got the shots. More info at Backscatter.com. Music by Luce. More info at LuceBand.com.

Episode 31 - Featuring Red Giant Software, Letus Direct and Robert Benson - on the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA.  You can find us on the web at 16x9cinema.com and on Twitter as 16x9cinema. The Digital Convergence podcast is designed for visual artists, photographers, and cinematographers embracing new technology and techniques in practicing their craft. In this episode's first segment I talk with Sean Safreed - the co-founder of Red Giant Software. He talks about Red Giant's new plugin Colorista II as well as exciting new things coming from the genius developers of Red Giant Software. In the second segment of the show, I talk with Aaron Pinto - CEO of Letus Direct - a primary marketer and distributor of Letus products. Letus made a name for itself with it's line of 35mm adapters that allowed videographers to achieve shallow DOF and a filmic look with video cameras ranging from the consumer grade HV20 to the high end including the Sony EX1 and EX3. Aaron talks about a new line of products developed by Letus for the DSLR filmmaker. In the last segment of the show, I talk with Robert Benson from San Diego, California. He is an  accomplished commercial, advertising, and editorial photographer who has recently embraced filmmaking with a Canon 5D Mark II and motion graphics. Robert talks about a new wireless monitor he has created for the Canon 5D Mark II.  

Episode 22 with guest DJ Vegh - of PhotoShipOne and AZ Choper Cam - on the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. Featuring: DJ Vegh - Founder of PhotoShipOne and AZ Chopper Cam.What if you could mount a Canon 5D Mark II, 7D or T2i on an aerial platform to shoot unique above ground POV shots? You can! DJ Vegh has mastered the use of radio controlled electric-powered helicopters as an aerial platform for the photography and video. If take a look at some of DJ demo videos on Vimeo and his websites, you will be amazed by what can be accomplished with these aerial platforms. DJ is an accomplished photographer, videographer and post-production editor. He also holds a fixed-wing pilot license. With over ten years of experience in aerial video and still photography, it was only natural that he would make good use of his practical mechanical design and aviation experience to concoct an amazing platform for shooting HD and HD DSLR video. Dj was recently invited to use his aerial platform to shoot aerial scenes for Discovery channel's popular TV show Mythbusters. DJ talks about how he developed the PhotoShipOne system. What does it take to learn how to fly these RC copters? How long does it take to learn? How do you setup the camera for taking video? What lens is best? How do you achieve smooth fluid motion? How do you line and monitor the shot in-flight? How do you determine proper exposure? Who are using these platforms today? DJ talks about future plans for new "ships" that are much easier to fly, and the development of an iPad app to help a camera operator control the camera while it is in flight. This episode will appeal to the uber-geek in any video DSLR shooter.  

Episode 18 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. Featuring: Philip Bloom, Director of Photography, Cinematographer, Director, Editor, DSLR Video Pioneer No other name is more synonymous with DSLR video than Philip Bloom - a London, UK-based director of photography,  cinematographer, director and editor with over 20 years of experience. He embraced and popularized the use of 35mm adapters to achieve a filmic look with video. On the heels of that innovation, came the new video capable DSLR. Philip received his first Canon 5D Mark II in May of 2009. After spending several weeks learning how to use the 5D Mark II, he began shooting almost exclusively DSLR video for both commercial and personal projects. He chronicled in great detail his experiences with DSLR video on his website and blog www.philipbloom.net. On June 1, 2010, after just a little under 3 years of existence, his website surpassed 10 million views - a testament to the value of the information Philip shares so willingly to other aspiring DSLR cinematographers. In this interview, Philip and I go on a Mr. Toad's Wild Ride of a conversation covering a broad range of topics that you will find entertaining, informative, and inspiring. Philip's tireless passion for the art of cinematography and photography comes shining through. We talk travel, business, filmaking, toy camera photography, lighting and camera support systems, timelapse, DSLR meet-ups and workshops, and his plans for the future. This is Philip Bloom like you have never heard him before.    

Episode 17 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. Featuring: Israel Hyman - Izzy Video This episode features Israel "Izzy" Hyman - the creator and producer of the video how-to podcast IzzyVideo.com. This is how Izzy describes himself: "I am obsessed with video. To me, it’s an incredible art form. It has the visuals of photography, but when you add audio and physical movement, it takes the art form to a whole new level. While video seems complex at first, it isn’t. I have devoted the last several years to showing others how easy video is. It’s not the ‘black art’ that people sometimes pretend it is. Developing skills with video is as easy as learning the principles and then practicing them." Izzy's obsession with video comes through loud and clear in our conversation. It's clear that Izzy loves to teach and share what he has learned. We discuss gear a bit, including the Canon 5D Mark II that he recently started using. But then we dive into the gnarly issue of making money with video. Video producers and filmmakers often struggle doing client work - going from one gig to searching for the next. Izzy's approach to the business is different - and he's very open to sharing the "secrets" of his success being a content producer - and he does so in this episode of the 16x9 Cinema Digital Convergence podcast. A must-listen if you are this business to make money.  

Episode 16 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. Featuring: Shane Hurlbut, ASC In a recent conversation with Gale Tattersall, DP for Fox's House MD, Gale mentioned Shane Hurlbut - along with Rodney Charters and Philip Bloom - as one of the pioneers of using the Canon 5D Mark II in cinema. That's quite an honor to be recognized as a member of the triumvirate of video DSLR pioneers. In recognition of Shane's pioneering work with the Canon 5D Mark II, Canon inducted Shane as one of the first cinematographers into their Explorers of Light program. Shane's long list of accomplishments include working with director Rob Cohen on the feature films The Guardian, The Rat Pack and The Skulls. A partial list of other feature films that credit Shane as the cinematographer or director of photography include Into the Blue, Drumline, Swing Vote, The Greatest Game Ever Played, and Terminator Salvation. He has also worked on several commercial shoots and is an accomplished still photographer. In this episode of the 16x9 Cinema Digital Convergence podcast, Shane Hurlbut shares his passion for using DSLR video. He describes the Canon 5D Mark II as a game changer - one that's beat him up and heavily bruised him - but nonetheless he has successfully tamed the beast and embraced it as a serious tool for the cinematographer in feature films, short films, and commercial work. There are many self-appointed pontificators who arrogantly proclaim that the Canon 5D Mark II is not suitable for serious filmmaking. Shane proves them wrong by doing just that - using the 5D Mark II for serious filmmaking. Shane talks about how he uses the Canon 5D Mark II on feature films and commercials. He talks about his short film, "The Last 3 Minutes" and tells us why and how he did it. Shane candidly talks about his initial failures with DSLR video and the lessons he learned. He does not hold back from sharing what he has learned. His willingness to share is evident by his blog: Hurlblog - an incredible resource for all filmmakers - whether you use DSLR video or not. It was a pleasure talking with Shane. His enthusiasm for filmmaking and using the Canon 5D Mark II will motivate you to get out and shoot your next indie film!  

Episode 14 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. Art Howard identifies himself as a photographer. But he is much more than that. Art is an award winning cinematographer. Art shares a number of tips for photographers using the Canon 5D Mark II for video. According to his bio on DPExperience.com: "For 30 years, two time Emmy award winning photographer and producer Art Howard has helped viewers experience life through images from both poles, 49 states and 30 countries. His shooting experience started with 16 mm film cameras through 3/4 U-matic and up through HDCAM and DSLR. Art is firm believer in the combined power of sight and sound and shoots with both strong images and equally strong sound in mind. Taking the viewer to places like the Gulf war in Kuwait, -30 degree conditions in the Arctic, or the ocean floor 3000 feet below the surface he pushes constantly for new ways to tell the story. In 2000, Art broke new ground in the area od television technology by lensing the first ever High Definition program in the country for use in a public science museum. The program, seen at the North Carolina Museum of Natural Sciences and broadcast on WRAL-TV and HDNet, was recognized by the National Association of Television Program Executives for excellent in High Definition Television Production. It was the first time a “high def” program won the organization’s prestigious IRIS award. Art has won more than 50 nationally recognized awards, including two Emmy awards, 5 Telly awards, a Robert Kennedy Journalism award, and a National Press Photographers Association award. Art’s work has been featured on CBS, ABC, NBC, The Travel Channel, Discovery, National Geographic, and The Smithsonian and other museums throughout the country. He is a 20 year member of the National Press Photographers Association."  

Episode 10 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. Rick Sammon - dubbed by HDR photographer Trey Ratcliff as "one of the godfathers of the photographic industry" - joins the Digital Convergence podcast to talk about his latest projects. He talks about taking the plunge into video using his Canon 5D Mark II and 7D on an upcoming trip to China. Rick discusses some of the challenges that still photographers must adapt to as they transition to video - including camera stabilization and getting good sound. Rick talks about his new iPhone 24/7 Photo Buffet and future plans to support the iPad. We talk HDR basics - including shooting tips and post-production tips using Photomatix and Topaz Adjust. Rick talks about his passion for photographing people. He shares many of his memorable one-liners and tips. Talking with Rick was inspiring and fun.  

In response to what viewers like you have asked for, the Wasatch Team put a whole lot of miles on their boots, snowmobiles, and chairlifts to generate the hardest hitting episode yet. With locations varying from the streets of Ogden, to the 11,000 foot faces, Episode Four will leave you wishing the season were longer. Principle Cinematography shot on Canon 5D Mark II by Parker Alec Cross Colorist: Parker Alec Cross Featuring the talents of Parker Cross, Andy Earl, Daryl Young, JP Sokolowski, Uriel Ruvalcaba, Derek Olthuis, Stain Reichman, Cooper Hoffmeister, Ben Millsaps, Jason Hindman and Stosh Lemberes.

In response to what viewers like you have asked for, the Wasatch Team put a whole lot of miles on their boots, snowmobiles, and chairlifts to generate the hardest hitting episode yet. With locations varying from the streets of Ogden, to the 11,000 foot faces, Episode Four will leave you wishing the season were longer. Principle Cinematography shot on Canon 5D Mark II by Parker Alec Cross Colorist: Parker Alec Cross Featuring the talents of Parker Cross, Andy Earl, Daryl Young, JP Sokolowski, Uriel Ruvalcaba, Derek Olthuis, Stain Reichman, Cooper Hoffmeister, Ben Millsaps, Jason Hindman and Stosh Lemberes.

Episode 7 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA. The guest for this week's episode is Ron Dawson of Dare Dreamer Media. Ron is a filmmaker, author, blogger, business coach, social media marketing expert, and podcaster. He appeared in Cast 5 "The Epic Wedding" of Zacuto's FilmFellas video series. Ron, and his wife Tasra, are authors of the book "Refocus: Cutting-Edge Strategies to Evolve Your Film Business." Ron hosts the FStop Beyond and Crossing the 180 podcasts. In this episode, Ron was very gracious in taking a few minutes to talk with me. He talks about his love for filmmaking and photography for a good cause. He talks about how the Canon 5D Mark II has rekindled his love for filmmaking and was used in his recent work for a Pictage video series. Ron talks enthusiastically about his wife Tasra's Teen Identity project. Ron - who is very prolific in his work - opens up and candidly discusses balancing family and work. It was an amazing conversation and I'm grateful to Ron for taking time out from his busy schedule to talk with me. I hope you will find his conversation as inspiring as I did.  

Parker and the boys venture into the backcountry for the first time this season and do some man-boarding. Venturing into the relative safe zones of Cardiff Peak, Flagstaff Mountain, and Grizzly Gulch, the team gets a small sample of just how good the deep stuff is in the Central Wasatch. Jonesing for deeper and steeper lines, come watch as Andy Earl, Uriel Ruvalcaba, Derek Olthuis, Daryl Young, Stain Reichman, and Parker Alec Cross hunt for the goods and warm up their hiking legs for future episodes. Filmed entirely on the Canon 5D Mark II system, episode three is guaranteed to induce a hunger for the powder that can only be satisfied by staying tuned for future episodes. For product giveaway information, visit http://parkercrossroadstudios.blogspot.com

Parker and the boys venture into the backcountry for the first time this season and do some man-boarding. Venturing into the relative safe zones of Cardiff Peak, Flagstaff Mountain, and Grizzly Gulch, the team gets a small sample of just how good the deep stuff is in the Central Wasatch. Jonesing for deeper and steeper lines, come watch as Andy Earl, Uriel Ruvalcaba, Derek Olthuis, Daryl Young, Stain Reichman, and Parker Alec Cross hunt for the goods and warm up their hiking legs for future episodes. Filmed entirely on the Canon 5D Mark II system, episode three is guaranteed to induce a hunger for the powder that can only be satisfied by staying tuned for future episodes. For product giveaway information, visit http://parkercrossroadstudios.blogspot.com

Episode 3 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and videographer based in the Atlanta, Georgia, USA, area.  In episode 3, I talk with Trammell Hudson, creator of the Magic Lantern firmware update for the Canon 5D Mark II. Magic Lantern addresses some serious firmware limitations and turns your 5D Mark II into a 5D Mark "Free." Trammell talks about the features of Magic Lantern, exciting developments he currently working on for the next firmware update, and his thoughts on the art and craft of fimmaking. Trammell is a rare genius whose software prowess has helped users of the Canon EOS 5D Mark II push the camera into a more manageable video tool. But wait! There's more! Magic Lantern is not only for videographers, but has features that benefit still photographers. Trammell discusses those features, too.  

Avalanche danger keeps the boys grounded, and they improvise in the best way they know how: With some bagels, some BK, and a good 'ole fashioned backflip jump. Filmed entirely on the Canon 5D Mark II by Parker Alec Cross, Episode Two calms things down, while simultaneously reminding us how serious of a situation we have here in the Wasatch this season. Featuring the talents of Andy Earl and JP Sokolowski, as well as a cameo by Keola, a simple backflip was never so satisfying.

Avalanche danger keeps the boys grounded, and they improvise in the best way they know how: With some bagels, some BK, and a good 'ole fashioned backflip jump. Filmed entirely on the Canon 5D Mark II by Parker Alec Cross, Episode Two calms things down, while simultaneously reminding us how serious of a situation we have here in the Wasatch this season. Featuring the talents of Andy Earl and JP Sokolowski, as well as a cameo by Keola, a simple backflip was never so satisfying.

This is the premiere episode of 16x9 Cinema's Digital Convergence podcast. In this episode I talk with the founder and chief blogger of Planet5D.com - Mitch Aunger. Planet5D.com has amazing stats - over 1.4 million page views. It is clearly a first stopping point for many photographers looking to make the jump to video with the new Canon hybrid DSLR's like the Canon 5D Mark II and 7D. Mitch graciously talks with me about the how the website came about, his plans for the future, and his thoughts on the convergence of still photography and video.

At the Bonaire Digital Shootout, Backscatter's Jim Decker and Russ Sanoian took the Canon EOS 5D Mark II underwater in an Aquatica housing to test out the DSLR's HD video capabilities. And what incredible results! This footage has no image manipulation, was converted to ProResHQ for editing in Final Cut Pro, and encoded to AppleTV HD specifications in Compressor. What you see is a 5Mbps 1280x720 H.264 encoding of the original 40Mbps 1920x1080 H.264 footage. Editing and music by Jim Decker. Enjoy! For more information, contact http://Backscatter.com

The new DSLR Gorilla Kits from Zacuto create lightweight and affordable rigs for “on the go” camera operators.