Podcast appearances and mentions of Johannes Vermeer

Yeni bölümde 1 Mayıs İşçi Bayramı münasebetiyle "emek" üzerine konuşuyoruz. Kolektif emek, bireysel emek, görünen ve görünmeyen emek biçimleri... Anlamaya, anlamlandırmaya çalışıyoruz - pek tabii filmler ve kitapların rehberliğinde.Bölümde adı geçen tüm kitap ve filmlerin listesini ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@1kitap1film.us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ instagram hesabımızda bulabileceğinizi hatırlatalım.Bu bölüme sponsor olarak bizi destekleyen ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vitruta⁠⁠⁠⁠⁠⁠⁠⁠'ya katkılarından ötürü çok teşekkür ederiz. ⁠⁠⁠⁠⁠⁠⁠⁠vitruta.com⁠⁠⁠⁠⁠⁠⁠⁠'dan yapacağınız alışverişlerde, 1kitap1film kodu ile indirimsiz ürünlerde %20 indirim avantajından faydalanabilirsiniz. ⁠⁠⁠⁠⁠⁠⁠⁠vitruta.com⁠⁠⁠⁠⁠⁠⁠⁠'dan yapacağınız alışverişlerde geçerli olacak 1kitap1film özel avantaj kodunu, ürünü sepete ekledikten sonra çıkan sayfadaki “hediye kartı veya indirim kodu” alanına ödeme işlemi öncesinde tanımlayabilirsiniz.Kapak görseli: Johannes Vermeer, Het melkmeisje (1657)

Maj miesiącem najlepszym na miłość! A ona niejedno ma oblicze. Posłuchajcie jak Holendrzy romansowali w XVII wieku.Gabriel Metsu stworzył pendants (w odcinku tłumaczę, czym one są) "Mężczyzna piszący list" i "Kobieta czytająca list" pod koniec swojego krótkiego życia. Dzisiaj uznawane są nie tylko za jego dwa najlepsze obrazy, ale jako jedne z najwybitniejszych dzieł malarstwa holenderskiego w XVII wieku.Opowiadam, co łączy je z obrazami, które namalował Johannes Vermeer i Pieter de Hooch, jak można odczytywać symbolikę ukazanych na nich przedmiotów oraz o tym jak działała wymiana listów, zanim udało się stworzyć uniwersalny system pocztowy.Jeśli chcesz posłuchać więcej o rozmaitych obliczach miłości w sztuce, w maju 2025 prowadzę cykl spotkań online w Fundacji Art Transfer: https://bit.ly/4jSU4W4 ...❤️ Otulina o sztuce powstaje dzięki wsparciu Patronek i Patronów w serwisie Patronite. Bez Was tworzenie tego podcastu nie byłoby możliwe. Jeśli chcesz dołączyć do tego zacnego grona, zajrzyj tutaj: ⁠https://patronite.pl/otulina_o_sztuce⁠ ❤️

After sending its most famous work to be featured in Amsterdam's blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic Girl with a Pearl Earring had been displayed. The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece. A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts was exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north. "The submissions continue to come, it will never end with her," Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl. A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman's identity. "I bring together the original The Girl with a Pearl Earring and the face of a Wayang puppet," artist Rob de Heer told the AP, standing in front of a screen in the museum's foyer where all of the winning submissions are displayed. De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949. His surrealist work is followed in the rolling display by a piece featuring the original girl's face superimposed on an antique tea tin. Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series "Bob's Burgers" and created a girl in the show's cartoon style. This article was provided by The Associated Press.

¿Puede un artista expresar amor a través de una obra? ¿Puede una persona enamorarse de una pintura? Una mirada enamorada, es el último libro de Jorge Burel. Un trabajo muy particular que dedica a describir su admiración por “La Encajera”, una de las obras más famosas del artista plástico neerlandés Johannes Vermeer, y que sirve como reflexión sobre la atención que le dedicamos al arte y a la contemplación de la belleza. Precisamente, conversamos En Perspectiva con el autor, Jorge Burel.

SummaryThis conversation explores the U.S. Army's investment in cybersecurity compliance for small businesses, the importance of mentorship in the defense industry, and the unique career path of Sabrina McIntyre at KPMG. Sabrina discusses her transition from art to cybersecurity, the challenges of navigating compliance standards, and her advocacy for women in the field. The episode also touches on the intersection of art and cybersecurity, the vision for a cybersecurity museum, and fun personal insights from Zabrina's life.TakeawaysThe U.S. Army is investing in small business cybersecurity compliance.Certification programs can help defense contractors meet compliance.Creating a secure environment for small businesses is essential.Mentorship programs are crucial for small business growth.Zabrina's career path showcases the value of diverse experiences.Understanding compliance standards like PCI DSS is challenging but necessary.Being open to new opportunities can lead to fulfilling career paths.Women in Cybersecurity is making strides in community building.Creativity is important in the cybersecurity field.Cybersecurity education should be accessible to all.titlesInvesting in Cybersecurity for Small BusinessesNavigating Compliance in the Cybersecurity LandscapeZabrina McIntyre: A Unique Career JourneyEmpowering Women in CybersecuritySound Bites"Certification program for defense contractors""Largest federal government mentor-protege program""Cybersecurity maturity model is crucial""Be your own best advocate in your career""If you can see it, you can be it""We need more creative people in cybersecurity""Cybersecurity should be accessible to everyone""Umbrellas don't work in Seattle" Chapters00:00 Introduction to the Next Generation Commercial Operations Program02:51 The Importance of Cybersecurity Compliance for Small Businesses05:45 Zabrina McIntyre's Role at KPMG08:54 Zabrina's Unique Career Path11:51 Navigating Cybersecurity Standards14:48 Advice for Aspiring Cybersecurity Professionals17:58 Women in Cybersecurity: Building Community20:59 The Intersection of Art and Cybersecurity24:04 Zabrina's Vision for a Cybersecurity Museum27:02 Lifestyle Polygraph: Fun Questions with Zabrina30:09 Key Takeaways and Closing Thoughts 

Send us a textSupport the showWhatsApp: +66 (Thailand) 06 3359 0002Emails: Arseniobuck@icloud.com ////// arseniobuck2014@outlook.comInstagram: https://www.instagram.com/thearsenioseslpodcast/Second Instagram: https://www.instagram.com/arsenioseslpodcastt/ Facebook: https://www.facebook.com/ArseniosESLPodcast/ Youtube: https://www.youtube.com/channel/UCIzp4EdbJVMhhSnq_0u4ntA

There's no time like this time for Standard TimeIn most of Canada and the US, our clocks are “falling back” an hour as we switch to Standard time for the winter and as usual we're hearing mutterings about abandoning the time change.. Chronobiologists like Malcolm von Schantz, who study our internal circadian rhythms, are saying that if we do ditch the practice, we should revert to standard time instead of having permanent daylight time, because morning light is very important to regulating our circadian rhythms, as is having darkness in the evening time. Von Schantz recently co-authored a letter with the British Sleep Society, published in the Journal of Sleep Research, calling for the UK government to end to the practice.Sorry beavers and Polar bears – the unique Canadian animals are not what you thinkBiologists have investigated which animals, by range and evolutionary history, are most unique in Canada as part of an attempt to get a more accurate picture of Canadian biodiversity. The research, led by Arne Mooers from Simon Fraser University, highlights animals such as the mudpuppy, the osprey, the virginia opossum, and the two-tailed frog. At the top of the list is the spiny softshell turtle, which branched away from its family tree 180 million years ago. The research was published in the journal The Canadian Field-Naturalist. A corpse in a well makes a macabre myth realA story recorded in a 12th century Norse saga of a violent attack on a castle has been validated with the discovery and identification of human remains. The story goes that the invaders dropped a dead man into the castle well in order to poison its water supply before departing. That man's remains have now been found. Dr. Anna Petersén, an archeologist at the Norwegian Institute of Cultural Heritage Research, worked with a team to identify and date the remains of this 800 year old skeleton. Their study, published in the journal iScience, revealed he was between 30 - 40 years old, and had blonde hair and blue eyes.A wide range of animals take a tippleIndulgence in alcohol is seen as a largely human vice, but biologists have collected evidence that a much wider range of animals from insects to apes will seek out ethanol, often in fermented fruit, and will, on occasion, overindulge. Dr. Matthew Carrigan, an associate professor of biology at the College of Central Florida says that some birds that fly into windows have been found to have high levels of ethanol, and intoxicated fruit flies will make poor mating choices. The study was published in Trends in Ecology and Evolution.Tapping into science for a greater appreciation of artistic masterpiecesRecent studies of two of the world's most famous paintings by Dutch artists have provided surprising insights into the depths of their art. A new analysis of the entire sky in Vincent van Gogh's painting, The Starry Night, which includes 14 swirling eddies shows how the artist intuitively understood the nature of turbulence, an incredibly complex phenomenon of fluid dynamics. Francois Schmitt, an oceanographer and research director at France's National Centre for Scientific Research and his team published their research in the journal Physics of Fluids. To figure out what it was about Johannes Vermeer's painting, Girl with the Pearl Earring, that viewers find so captivating, the Mauritshuis museum where the artwork hangs in The Hague commissioned a neuroscientific study. Andries van der Leij, the research director of Neurensics — a consumer neuroscience company — and lecturer at the University of Amsterdam, said they found that people's eyes were automatically drawn to the girl's eyes, mouth and pearl earring in a way that drew them in for an emotional experience.

Han van Meegeren, surnommé "le faussaire de Vermeer", est un peintre néerlandais célèbre pour avoir dupé le monde de l'art dans les années 1930 et 1940. Déçu par les critiques de son propre travail, il décide de se venger en créant des faux tableaux dans le style de Johannes Vermeer, un maître flamand du 17e siècle. Utilisant des techniques sophistiquées, il parvient à tromper les experts et à vendre ses œuvres comme des originaux, y compris au maréchal nazi Hermann Göring. Accusé de trahison après la Seconde Guerre mondiale, il évite la peine de mort en révélant qu'il avait vendu des faux, devenant ainsi une figure célèbre de l'histoire de l'art. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Joining Lisa and Sasha in the Today Radio studios are the planners of Differdange's Fashion Week Luxembourg, sneaker savvy Today Radio presenter Steven Miller, and Laura da Silva – a fashion-forward nurse, tattoo artist and advocate for breast cancer support and awareness. Starting with a review of the week's global news with Sasha Kehoe, we discuss:  US Election Just one month away and Melania Trump has declared her support for a woman's right to control her own body, including abortion. https://www.theguardian.com/us-news/2024/oct/02/melania-trump-memoir-defends-abortion-rights JD Vance, Donald Trump's pick for vice-president, has indicated he would support a national abortion ban https://edition.cnn.com/2024/07/17/politics/kfile-jd-vance-abortion-comments/index.html Pelicot Trial Rape Case in France The horrific mass rape trial of 71 year old Gisèle Pelicot continues, creating debate about the culture of male domination in France and across borders https://www.france24.com/en/live-news/20240927-french-rape-trial-sparks-timid-debate-about-masculinity Teleworking no longer Amazon now requires all employees to return to the office, sparking debate amongst many companies to rethink their working from home / office balance for maximum productivity  / employee satisfaction, especially when long commutes are a feature of working in Luxembourg for many. Grand Duke Abdication Hereditary Grand Duke Guillaume will officially assume the role of Lieutenant Representative on 8 October, as appointed by his father the Grand Duke.  In September Grand Duke Henri and Grand Duchess Maria Teresa moved to their Fischbach residency allowing their son, Hereditary Grand Duke Guillaume and his family to take over Berg Castle in Colmar-Berg. https://today.rtl.lu/news/luxembourg/a/2207770.html Real Art vs Posters Scientists in the Netherlands using eye-tracking and MRI scans found an enormous difference between genuine works and posters. A neurological study revealed that real works of art in a museum stimulate the brain in a way that is 10 times stronger than looking at a poster. Commissioned by the Mauritshuis Museum in The Hague, home to Johannes Vermeer's Girl with a Pearl Earring, the independent study used eye-tracking technology and MRI scans to record the brain activity of volunteers looking at genuine artworks and reproductions. https://www.theguardian.com/science/2024/oct/03/real-art-in-museums-stimulates-brain-much-more-than-reprints-study-finds Fashion Week Luxembourg  Livia Smith, Communication Strategist for Luxembourg Fashion Week talks about its growth from the starting point six years ago,  with Fabiola Puga still at the helm. This year there will be twelve national and international designers. Luxembourg Fashion Week hopes to become part of the cultural fabric of the hospitality and economy of Luxembourg. Livia also talks about her own use of fashion to help create confidence for someone who is naturally shy. Max Felten,  Chief Economist and City Manager of Differdange returns to talks about why Differdange will, once again, host Luxembourg Fashion Week. Natalia Wrona, in charge of the promotion for Differdange City Management, explains the three different locations this year, including one at the International School in Differdange, celebrating all children, with two autistic children taking to the catwalk. AquaSud Differdange is another of the three locations for the Fashion Week, and Céline Moreira, their Communication Manager, explains the difficulty in using an aquatic setting for a fashion show! Céline also talks about the link to Pink October and how emphasising the beauty in diversity. A theme throughout today's discussion is the power of self-acceptance,  and promotion of a positive body image regardless of challenges. Laura da Silva overcame breast cancer ten years ago. Now, she spends her time between nursing at CHL and running her own business as an image consultant and tattoo artist, helping other women who have gone through breast cancer. She travels around with a pink chair, which is a reminder to those who have dealt with cancer that there is a lot of waiting and sitting, for both the patient, but also for their friends and family. https://www.instagram.com/luxembourgfashionweek My colleague, Steven Miller, a presenter at Today Radio is renowned in the office for his sneaker collector. Steven started his collection at the age of 15, peaking at 550 in 2017. He talks about sneaker collecting as an alternative investment, where ‘sneakerheads' of this world are happy to spend thousands on one pair. Steven also loves Japanese streetwear designers, specialising in  minimalist but thoughtful creations. Collector of sneakers since age 15 (peaking at 550 pairs in 2017) Completed a course in ‘Sneaker Essentials' with the Fashion Institute of Technology in New York in 2020; covering everything from history and design to  manufacturing and retail Favoured fashion subject is Japanese designers and streetwear Advocate for pre-loved/owned clothing and the Japanese art of ‘Sa-shiko' (mending/repair) Please do subscribe via Apple and / or Spotify. It would be great if you could rate and review too — as it helps others find the podcast. Tune in to The Lisa Burke Show on Today Radio Saturdays at 11am, Sundays at noon, and Tuesdays at 11am.

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which book contains the character 'Toad'? Question 2: The painting "Girl with a Pearl Earring" by ‎‎Johannes Vermeer is a part of which art movement? Question 3: Which author wrote 'The Communist Manifesto'? Question 4: Which author wrote 'Im Schatten des Grossherrn'? Question 5: Which Shakespeare character urges her husband to kill the king? Question 6: What is the name given to a method of painting that uses dabs of pure color that were intended to mix in the eyes of viewers rather than on the canvas? Question 7: Which author wrote 'Starship Troopers'? Question 8: In which book does 'Bilbo Baggins' appear? Question 9: Which book contains the character 'Holly Golightly'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

"Maintenant Vous Savez" c'est également deux autres podcasts qui décryptent la culture avec "Maintenant Vous Savez - Culture" et la santé avec "Maintenant Vous Savez - Santé". Quatre fois par semaine, nous vous proposons de découvrir les meilleurs épisodes.  Elle fait partie de ces œuvres d'art qu'on reconnaît tous quand on la voit, ou qu'on évoque son nom : la jeune fille au turban aussi appelée La Jeune Fille à la perle. Pour cause, c'est l'un des tableaux les plus emblématiques de l'histoire de l'art. Une huile sur toile peinte à la fin de l'âge d'or de la peinture néerlandaise, en 1665. L'homme derrière cela est Johannes Vermeer, connu pour ses représentations du quotidien de la ville de Delft comme La Laitière ou La Liseuse à la fenêtre. Est-ce ce qui a fait le succès du tableau ? Comment le mystère de ce tableau a-t-il fait pour ne jamais être révélé ? Se pourrait-il que cette femme n'ait jamais existé ?  Ecoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast écrit et réalisé par Jonathan Aupart. Première diffusion : 5 août 2022 À écouter aussi : Sylvester Stallone, Fabrice Luchini, Cameron Diaz... qui sont ces célébrités passées par le porno ? Qu'est-ce que le toying, cette pratique mal considérée dans le graffiti ? Le fantôme de l'opéra existe-t-il vraiment ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Zak and Lianne explore the mysterious life and masterful works of Johannes Vermeer, featuring his debt-ridden family, use of optical devices, and limited yet powerful body of work. Add to that his role in one of art history's most famous, and still UNSOLVED, art heists. Then, we'll chat about a Russian artist intent on dissolving works by Picasso in acid! Follow us on Instagram! @notarthistorians Sources: https://artshortlist.com/en/journal/article/10-things-to-know-about-johannes-vermeer https://edition.cnn.com/style/article/most-famous-paintings/index.html https://web.archive.org/web/20121105004640/http://www.highbeam.com/doc/1G1-73409194.html https://www.semanticscholar.org/paper/Vermeer-and-His-Milieu-Montias/7addad6bd91899b668c01238668e25dfaae39734 http://www.essentialvermeer.com/vermeer's_life.html#parents http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/vermeer_theft_05.html#:~:text=At%201%3A24%20a.m.%20on,the%20other%20guard%20was%20elsewhere. Steadman, Philip (2017). Vermeer and the Problem of Painting Inside the Camera Obscura. Berlin/Munich/Boston: Walter de Gruyter. pp. 76–86. ISBN 978-3-11-054721-4. https://www.bbc.com/culture/article/20170425-why-vermeers-paintings-are-less-real-than-we-think https://www.sonyclassics.com/timsvermeer/ https://www.newyorker.com/culture/persons-of-interest/the-artist-holding-valuable-art-hostage-to-protect-julian-assange https://www.artnews.com/art-news/news/julian-assange-prison-rembrandt-picasso-artworks-russian-artist-1234696352/ https://www.artsy.net/artist/andrei-molodkin "Danse Macabre" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Meditación predicada en el retiro mensual de julio, publicada en la página web del Opus Dei. Imagen de Johannes Vermeer en la National Gallery of Scotland, Dominio Público.

National Galleries of Scotland are offering a free descriptive gallery tour and art workshop for blind and partially sighted people centred on Johannes Vermeer's 'A Young Woman Standing at a Virginal'. The event takes place on Wednesday 15 May from 10.15am to 3.30pm. This piece comes Scotland as part of National Treasures, a programme celebrating the National Gallery's bicentenary. To celebrate 200 years of the National Gallery, 12 of the UK's most iconic and well-loved paintings from the gallery's outstanding collection are being lent to 12 venues across the UK. Amelia talked to Meg Faragher from the National Galleries of Scotland to learn more. Learn more by going to the National Galleries of Scotland Website - https://www.nationalgalleries.org/event/visually-impaired-programme-live-gallery-vermeer-edinburgh Image shows RNIB Connect Radio logo. RNIB written in bold black capital letters upon a white background and underlined with a bold pink line. Below the line, 'Connect Radio' is written in a smaller font in black. 

In the 1930s and 1940s, a Dutch painter named Han van Meegeren pulled off one of the most audacious art frauds in history. With a combination of ingenious techniques and an uncanny ability to mimic the style of the 17th-century master Johannes Vermeer, van Meegeren forged a series of "newly discovered" Vermeer paintings that fooled the art world's top experts. Van Meegeren employed a wide range of deceptive methods to create forgeries so convincing that they commanded record-breaking prices from prestigious museums and collectors, including the notorious Nazi leader Hermann Göring. In this episode, discover story of van Meegeren's forged Vermeers, exploring the meticulous methods he used to craft his deceptions, the psychological allure that made experts so susceptible to his cons, and the ironic twist that saw him touted as a patriot for duping the Nazis out of millions. We'll also examine the lasting impact of van Meegeren's forgeries on the art world, exposing vulnerabilities in authentication processes and raising profound questions about the nature of artistic genius, deception, and the enduring power of a masterful forgery.

Nous sommes en 1610, à Harlem. Cette année-là, Frans Hals intègre la guilde de Saint-Luc, cette organisation corporative réglementant les activités des peintres ainsi que des graveurs, des sculpteurs et des imprimeurs. Quelques mois plus tard, il obtient ses premiers succès. Il séduit par son audace, par la liberté de son trait, un côté farceur aussi. La fin de son parcours sera plus sombre : il a des ennuis d'argent, sa peinture est moins appréciée. Après sa mort, son œuvre rentre dans une sorte de purgatoire d'où les Impressionnistes la feront sortir. Vincent van Gogh dira : « J'ai surtout admiré les mains de Hals, des mains qui vivaient, mais qui n'étaient pas « terminées », dans le sens que l'on veut donner maintenant par force au mot « finir ». Et les têtes aussi, les yeux, le nez, la bouche, faits des premiers coups de brosse, sans retouches quelconques. Peindre d'un seul coup, autant que possible, en une fois ! Quel plaisir de voir ainsi un Frans Hals ! » Allons- y voir à notre tour … Invitée : Anne Hustache, historienne de l'art. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

WEBSITE: https://micahchristensen.com   GUEST INSTAGRAM: https://www.instagram.com/beardedroman/   _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/     ANTHONYS FINE ART AND ANTIQUES  https://anthonysfineart.com  _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/   

WEBSITE: https://micahchristensen.com   GUEST INSTAGRAM: https://www.instagram.com/beardedroman/   _________________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     HEIN ATELIER  https://heinatelier.com/     ANTHONYS FINE ART AND ANTIQUES  https://anthonysfineart.com  _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrapedartist  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:   https://www.instagram.com/THEUNDRAPEDARTIST/   https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/   https://www.youtube.com/@theundrapedartist __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com    https://www.facebook.com/jeffrey.hein.16/   https://www.instagram.com/jeff_hein_art/   https://www.instagram.com/jeff_hein_studio/   

Vermeer created stunning works and he is widely celebrated as one of the greatest painters of the Dutch Golden Age. This painting, Woman Holding a Balance is a work intended to encourage temperance and moderation being mindful that divine judgment is looming in the end. Related episodes: The Unbelievable Story of Han van Meegeren Jan van Eyck | The Arnolfini Portrait Arts Madness 2024 links: The Brackets Spotify Playlist Prediction Form Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

How do we use our perceived disabilities and turn them into assets? In this episode, Host CJ Miller interviews Photo Realism Artist and Art Educator Leonard Buscemi (Lenny) on a unique gridding system that has propelled his students to win state and national awards. Born with ADD and dyslexia, Lenny was raised in a "disability-aware" household and forced to discover fresh ways to navigate his artistic skills. He's developed a precise method of gridding to create stunning works of photorealism, leading to a life-long passion for helping those with mental handicaps and disabilities. While waiting for his father during a sales call, Lenny found a book with an art activity where you draw as you look at a grid overlay on an original image. Later, he read about Johannes Vermeer and the use of a camera obscura. A camera obscura is a box, tent, or room with a small hole in one side or the top. Light from an external scene passes through the hole. The artist used a projector to trace the image. Lenny was experimenting with these techniques when his teacher emphasized the imp His art mentor often said, "It doesn't matter how you get to the result with artwork. It's the result that matters. You don't walk around a museum and say, "How did they do that." Lenny discusses how to make a grid for painting to help his students with their process. He found a way to use the system without leaving marks on the art and recommends starting with black-and-white projects before moving on to color.  Lenny references the book by Betty Edwards, "Drawing from the Right Side of the Brain," as good reference material. He recommends breaking the art process down into bite-sized pieces. CJ and Lenny discuss the importance of honoring art students by displaying their work at home and in schools to encourage creativity. He believes in positive reinforcement. Lenny says, "Inspiration is for amateurs. It's about doing the work." Lenny paraphrases Romans 8:28, "All things work together for those who love the Lord." According to the art educator, "We can experience bad things and say they destroyed us, or we could say that they created character in us so we can assist others." 

Han van Meegeren vervalste kunstwerken zó goed, dat zelfs de beste experts ze niet van echt konden onderscheiden. ⁠Maarten⁠ en ⁠Tom bespreken hoe hij onder meer werken van Johannes Vermeer namaakte. En Maarten heeft nog een verrassing in petto.

Met vandaag: Het rapport Niets gezien, niets gehoord en niets gedaan | Boek over Johannes Vermeer en Antoni van Leeuwenhoek | Basiliek van de Heilige Agatha en Barbara | AIVD Presentatie: Mieke van der Weij, Chris Kijne, Coen Verbraak, Jeroen Wollaars

Met vandaag:  Spanning loopt op in kabinetsformatie | Ambassadeurs Mali en Niger over werken in  landen met een militair regime | Hongarije weer dwarsligger op EU-top | Wat als Johannes Vermeer en Antoni van Leeuwenhoek beste vrienden waren geweest?  | Presentatie: Coen Verbraak

Chapter 1 What's Vermeer's Hat Book by Timothy Brook"Vermeer's Hat: The Seventeenth Century and the Dawn of the Global World" is a book written by Timothy Brook. It was first published in 2008. The book explores the global connections and influences on the world during the 17th century through the examination of various objects depicted in the paintings of the Dutch artist Johannes Vermeer. The objects, such as a hat, a porcelain bowl, a map, and a silver coin, serve as a starting point to delve into the interconnectedness of cultures and economies in this era of expanding trade and colonialism. The book provides insights into how these objects reveal the global networks and flows of goods, ideas, and people during the 17th century.Chapter 2 Is Vermeer's Hat Book A Good BookThe book "Vermeer's Hat: The Seventeenth Century and the Dawn of the Global World" by Timothy Brook is generally well-received and considered a good book. It offers a unique perspective on the 17th century and the impact of globalization through the analysis of five objects depicted in paintings by the Dutch artist Vermeer. The book combines art history, global history, and cultural analysis to provide insights into the connections between different parts of the world during this period. Many readers appreciate the interdisciplinary approach and find the book informative, engaging, and thought-provoking. However, personal reading preferences may vary, so it is recommended to read reviews or sample the book before making a final judgment.Chapter 3 Vermeer's Hat Book by Timothy Brook Summary"Vermeer's Hat: The Seventeenth Century and the Dawn of the Global World" is a book by Timothy Brook that explores the global connections and cultural exchanges that took place during the 17th century, as seen through the artworks of Dutch painter Johannes Vermeer. The book focuses on a series of paintings by Vermeer and uses them as a starting point to examine the interconnectedness of the world during this period.The title of the book refers to one of Vermeer's most famous paintings, "Girl with a Pearl Earring," in which the subject is wearing a turban coiled with a blue and white drape. This hat, according to the author, symbolizes the global trade and cultural exchange that was taking place during Vermeer's time.Throughout the book, Brook takes readers on a journey across the globe, exploring the different regions and cultures that were involved in these global exchanges. From the ports of China to the mines of Bolivia, the author uncovers the complex network of trade routes that spanned the continents during the 17th century.Brook also delves into the ways in which these global connections influenced art, science, and trade. He discusses how the commodities, such as spices, textiles, and ceramics, that were exchanged during this period had a significant impact on the material culture of the time. Moreover, he explores how the exchange of ideas and knowledge across borders shaped the way people thought about the world.Through his analysis of Vermeer's paintings, Brook showcases how the global connections of the 17th century can be traced back to even the smallest details of everyday life. For example, he examines the presence of Chinese porcelain in Vermeer's paintings as a representation of the East Indies trade and European fascination with exotic goods.Overall, "Vermeer's Hat" provides a captivating exploration of the global connections and cultural exchanges that shaped the 17th century. Through Vermeer's artworks, the book illuminates the interconnectedness of the world during this period and highlights the lasting impact of these exchanges on art, trade, and society. Chapter 4 Vermeer's Hat Book...

Sutapa Biswas talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Biswas was born in Santinekethan, India, in 1962, and her work in painting, drawing, photography and video explores race and gender within the context of colonialism and its legacies. Made over five decades since the early 1980s, her art is both rigorously consistent in its themes and thrillingly diverse in mood and mode—by turns poetic, activist and even satirical. She discusses her studies in art and art history with Griselda Pollock, among others, at the University of Leeds in the 1980s, where she challenged the Eurocentric framing of the course, and made crucial early pieces including the painting Housewives with Steak-knives (1983-85). She reflects on her family history, and the traumatic journey to the UK from India, and how this haunts her work today. She discusses the influence of artists including Leonor Fini, Johannes Vermeer and Mary Kelly, film-makers like Satyajit Ray and Jean Cocteau, and writers including Marcel Proust. And she answers our usual questions, including the ultimate: what is art for?Women in Revolt! Art and Activism in the UK 1970-1990, Tate Britain, London, until 7 April 2024; The Time of Our Lives, Drawing Room, London, 25 January-21 April 2024; Photographing 80s Britain: A Critical Decade, Tate Britain, London, 21 November 2024-5 May 2025. Hosted on Acast. See acast.com/privacy for more information.

Dutch painter Han van Meegeren has often been described as a dapper man, with, quote, “a small, birdlike frame constantly aflutter, and irreverent sense of humor.” His life story is anything but small. It's not just about art; it's about deception, fortune, Bakelite, and … Nazis. And, it has an unexpected twist at the end. Welcome to a new season of forgery and forgers, here on Criminalia. Executive Producers: Maria Trimarchi and Holly FreyProducer & Editor: Casby BiasSee omnystudio.com/listener for privacy information.

Alvaro Barrington talks to Ben Luke about his influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. For Barrington—who was born in Caracas, Venezuela, in 1983, but grew up in Grenada and Brooklyn—painting is the bedrock of a practice that incorporates installation, sculpture and found objects, textiles, the written word and community events. He weaves together broad references, drawing on his personal and cultural background, and hugely diverse influences—particularly from art history, literature, political thought, and music—to create arresting and often exuberant constellations of imagery and materials. He discusses his early interest in the Akira manga, his admiration for artists as diverse as Louise Bourgeois, Jeff Koons and Johannes Vermeer, the significance of Audre Lorde's essay Poetry is Not a Luxury, and why he feels the hip-hop legend Tupac is the most significant artist of the last 40 years. He gives insight into life in the studio, and reflects on the importance of his move to London from New York in the 2010s. Plus, he answers our usual questions, including the ultimate: what is art for?Alvaro's work will be at the Notting Hill Carnival on 27 and 28 August. Grandma's Land, Sadie Coles HQ, London, 2 September-21 October; They Got Time, Thaddaeus Ropac, Paris Pantin, 18 October-27 January 2024; Nicola Vassell, New York, November-December, dates to be confirmed; Tate Britain commission, Tate Britain, London, spring 2024. Alvaro discusses Vermeer at the Rijksmuseum, Amsterdam, on the The Week in Art's Vermeer Special. Hosted on Acast. See acast.com/privacy for more information.

What you'll learn in this episode:   How art history and jewelry history interact How Jan's experience as a historian helped her write her first book, and what she learned from self-publishing Why sweetheart jewelry became popular during World War II, and why few people today know what it is How Jan draws on her theater background to connect with and educate museum goers How museum education and jewelry history developed into their own fields   About Jan Krulick-Belin   Jan Krulick-Belin, a museum and art consultant and art and jewelry historian, has more than forty years of experience at such institutions as the Corcoran Gallery of Art, Denver Art Museum, Beaumont (Texas) Art Museum, and Smithsonian Institution. Retired as director of education at the Phoenix Art Museum, she still works with museums, art organizations, and private collectors and served as guest curator at the Sylvia Plotkin Judaica Museum, Phoenix.   Additional Resources  Facebook: www.facebook.com/JanKrulick Website: www.jankrulick.com Amazon: www.amazon.com/author/jankrulickbelin Twitter: @JanKrulickBooks   Photos Available on TheJewelryJourney.com    Transcript As an art and jewelry historian and museum educator, Jan Krulick-Belin was uniquely qualified to follow the surprising journey she went on to write her first book, “Love, Bill: Finding my Father Through Letters from World War II.” Bringing together her knowledge of World War II-era culture and  her research skills, writing the book was a labor of love. She joined the Jewelry Journey Podcast to talk about her tips for self-publishing; what sweetheart jewelry is and why it became so popular during World War II; and what it was like to be at the forefront of the museum education field. Read the episode transcript here.    Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    One of the eternal questions is whether one has to be a jewelry historian to appreciate the background of jewelry. Do you have to be a jeweler to appreciate jewelry? My guest, Jan Krulick-Belin, can answer all our questions. She is an independent museum educator and a jewelry historian. She is also the author of a book called “Love, Bill: Finding my Father Through Letters from World War II.” She most likely would not have been able to diligently research or write the book without being a historian. Being a historian was important to her becoming a museum educator, jewelry historian and an author. She'll weave the pieces for us together in today's jewelry journey. Jan, welcome to the podcast.   Jan: Thanks, Sharon. It's great to be with you again.   Sharon: I'm glad you could make it this time. I know you've been traveling all over the world. Every year, you go somewhere exotic and wonderful.   Jan: We try.   Sharon: I know you came back from the Netherlands for the Vermeer exhibit.   Jan: The Johannes Vermeer exhibition, which was a once-in-a-lifetime exhibit that was amazing to have been able to bring together. I think it was 28 of the 36 or 37 known or attributed works by Johannes Vermeer. There will never be anything like it again, so I was happy to go. I'm also very fascinated by Dutch painting and have actually lectured on jewelry in Dutch paintings.   Sharon: Were you able to learn anything this time around?   Jan: I had the opportunity, as I said, to see a lot of his paintings together in one place, side by side, and I had the luxury to really look at them longer than most other opportunities. I think the way they did the exhibition, they encouraged looking. There was no audio guide. You weren't allowed to go through on a tour. There was very little labeling. It was all about looking carefully. To me, looking is part of learning.   Sharon: As a jewelry historian and an art historian, which one was more important in this exhibit?   Jan: Probably the art historian part of it comes first because I think the focus of the exhibition was to understand this artist's work, what made it different than other work at the same time period during the Dutch Golden Age. What was his focus? His interest in light? His interest in painting about love and relationships and religion or nonreligion? His interest in optics? All of those things came into play in understanding his work. I think the art history brain was working a little harder than the jewelry history brain.   Sharon: Do you think of art history as your vocation or your avocation, and jewelry history as an avocation?   Jan: That's a good one. I'm trained academically as an art historian and a museum educator. That is what I spent most of my professional career doing. Jewelry history, as a field, came a little bit later, almost towards the end of my formal work in the museum setting. It was something I've always been interested in and attracted to. My mother loved jewelry. As a little girl, I can always remember diving into her jewelry drawers when she wasn't paying attention. The attraction to jewelry has always been there.   In the last few years, working my last job as education direction at the Phoenix Art Museum, the museum did fundraisers every year which involved an art and antique show. That's where I met some important people in the jewelry business who had booths there. In conversation with them, they told me about a program that was run every summer back east called Jewelry Camp. I think Sharon could smile because that's where we first met. I decided that when I stopped working full-time, I would take the opportunity and attend. That was the beginning of diving into this offshoot of art history.    It's all related. Art history involves not only paintings and sculptures, but the decorative arts. Jewelry is one of those decorative art forms, and I think they go hand-in-hand. It was an avocation at first, but now I'm lecturing in both, so I guess it's now become a vocation. It's gone around full circle.    Sharon: Do you think that once you write a book on jewelry and jewelry history, it will become more of a vocation?   Jan: Oh gosh, that's a good question. The book you mentioned, my first and only book, had absolutely nothing to do with either one of these two things. People kept saying, “What's your next book?” and I thought, “Oh, God.” It was such a process getting one book out that I thought, “That's it,” but I have been playing around with an idea. I've been doing research towards it. I'm not sure yet if I'll ever bring it to fruition, but it does relate to art history and jewelry history, so it's more in my wheelhouse. It's more of an art historical, jewelry historical fiction. We'll see how it turns out. It is based on an actual diamond that existed and disappeared shortly before World War II, when it was stolen in Paris. I'm playing with the idea. Maybe finally I can bring in all the things I've done professionally and for fun into my writing.   Sharon: That's a fascinating book. I can't wait to read it. It sounds like an interesting subject. You talked about the fact that you couldn't have written the first book you wrote, “Love Bill.” You went through all your father's—who you never met, who died when you were six.   Jan: Six, yes.   Sharon: How did being a historian play into that?   Jan: Number one, for the audience members who aren't familiar with the book, being a historian and understanding basic research skills and diving into primary source documents and that type of thing was necessary. It never started out as a book. I joke about it when I speak to groups; I'm kind of an accidental author.    My dad did die when I was only six years old. A year or so before my mother passed, she mentioned that she had saved all the love letters he had written her from World War II and that she had been saving them for me. That was an interesting occurrence in and of itself because my mom hardly ever talked about my father growing up. I don't know if it was grief or if she didn't want to get into it. As I wandered down this lengthy path of family and family secrets, there were things she did not want me to find out about. Obviously, had I read all the letters in her presence before she passed, the questions and answers that she didn't want to talk about probably would have had to come out. She gave me the letters when we were moving her into assisted living, and she made me promise I wouldn't read them until after she was gone. It took about another five years for me to gather up the courage and the emotional want to sift through the letters.    It really started out as a journey of understanding who my father was. The more I got into it, my interest in visiting all the places he was stationed during the war grew, as well as my interest in trying to track down a very close friend he made while he was stationed in Morocco in North Africa at the very beginning of the Americans' involvement in the war. I had all these crazy ideas of, “Oh, I'm going to find this man and his family,” blah, blah, blah. As I was going on this actual journey and doing the research to try to find this person and to learn more about my father's time in the army and all of that—research, as I said—I was telling people the story. As the events were getting more and more interesting and crazy and incidental and miraculous, everybody was telling me what a great book it would be.    It's all fun when people tell you, “Oh, you should write a book. It's the easiest thing in the world to sit down and do.” In my professional career, I've done lots of writing, but not a book. I started warming to the idea. I have two nieces who are very special to me. They obviously never met their grandfather, and I decided it would be something I would do and give them a little bit of their legacy, as well as finally understanding my own legacy more. So, it did turn into a book and learning about that world and how you go about self-publishing and marketing and all of that. That was a whole new world for me. I always say now I divide my life into my author, World War II journey, and the other is my art and jewelry history world.   Sharon: You talked about something that I would have done if I had been writing this book, and that is putting it down and saying, “I can't do it. Forget it.”   Jan: I can be a wonderful procrastinator. I think there is that element in all of us. In this time period, the journey began when I stopped working full time in the museum world. I was picking up projects and doing consulting. When somebody asked me to do a project, it was much easier to say yes to that because that was familiar, and then I could push the book aside. But after a number of years of constantly pushing it aside, every time I went back to it, I noticed that I'd lose my train of thought and my voice would change, and the author's voice is so important in writing a book. So, I finally said, “O.K., that's it. I'm not going to take any new projects. I'm going to do it,” and that's what I did.    It's like anything else. It's a discipline. I literally sat down at my desk in the morning, just like I was going to work, from 8:30 or 9 in the morning until 5. I said, “O.K., if I get a page today, great. If I get 10 or 15 pages, even better.” That's what people were telling me in the author world. A lot of writers I was meeting at author groups I got involved with here in the Phoenix area, they said you just push, and it's not easy.   I do remember I had a wonderful professor in graduate school who actually was the founder of the museum education program at George Washington University, which I attended. One time I said to her, “This is hard,” when she gave a writing assignment. She goes, “Why did you ever think writing was easy?” It was like, “Boom!” It was a revelation to me. I just assumed that people who sat down and wrote books and articles and doctoral theses and all of that, they could just whip it out. It's not like that. I was able to take a deep breath and go, “O.K., that's what editors are for, so just do the best you can.” That's what I did. I just pushed through.   Sharon: I remember when we first met, we were having breakfast and you told us about the idea for the book. I thought, “Oh, yeah, when I see it, I'll believe it,” and you've written the book.   Jan: Yeah, it took a few years from the time we first met, but as I said, I just decided to do it at one point. You realize when you're up in the middle of the night and you can't shut off your brain and you have all these ideas going. It wouldn't let me go.    In a way, I feel like my dad was sitting on my shoulder. The one thing I learned about him in working on the project was that he always wanted to be a writer himself. His dream was to own a bookstore. There's this little part of me who felt like he was a part of the process. He was there guiding me. So many strange and wonderful things happened during that whole journey. I felt like he was there opening doors for me, things that were coincidental or almost miraculous, the things that would happen. I followed that path and those signposts until I finally had this finished project. It was exciting. Of all the things I've accomplished in my whole career at all levels, I think I'm proudest that I've published a book and it's done well in terms of critical review.   Sharon: I give you a lot of credit.    Jan: Thank you.   Sharon: Do you think that's related to your interest in sweetheart jewelry? First, explain what that is, then, does that have a connection?   Jan: The idea of sweetheart jewelry really started during World War I, but by World War II, it became a full-blown thing. During World War II, a lot of precious materials and metals and things like that were rationed for the war effort, things like pearls and crystals and rhinestones and diamonds. All of these things were unavailable due to the war and shortages, and there were enemy countries we couldn't trade with anymore for some of those raw materials.    So, there was a new type of jewelry. Women's clothing was rationed. Women were wearing very simple, very straight, very—shall we say—boring clothing during the war, and they felt that they needed to glam it up and jazz it up a bit. The type of jewelry that became very popular was whimsical and made with fun materials like plastics, Bakelite, wood, metals, fabrics, textiles. They were also buying and making and designing things with patriotic imagery. It was part of boosting morale in this country during the war. It was a way to lift your own spirits and look a little more glamorous or more fun in your dress. A lot of these things, because they were fairly inexpensive, were sold to raise money for the war effort. On the flip side, you could buy things here in the States, but GIs overseas were also able to pick up things that would say, “My sweetheart,” or “Mom,” those kinds for things, for the women in their lives back home.    It's a really interesting type of jewelry. This time period was short-lived in a way, but it said a lot about who we were in America during the war and how we felt and what we thought about those servicemen overseas. Some of them are really fun. Maybe a GI would buy a pin for his girlfriend, and it was a picture of a soldier with a heart that would say, “I'm taken,” just to remind men who were left behind in the States that she's got somebody overseas. There are some wonderful themes. You'll see a lot of “V for Victory” pins.    So, it was something I started learning about. My very first piece of sweetheart jewelry I found was actually by accident. I didn't know what it was. It turned out it was what I now know is called a MacArthur Heart. It was a pin that actually wound up on the cover of Life Magazine. It was a large heart with a keyhole, and it was suspended from a skeleton key. It was red Bakelite, and as I said, it wound up on a model on the cover of Life Magazine in the early 40s. They said, “General MacArthur holds the key to our future and the key to our hearts and minds.”    I found it at a flea market; I didn't know what it was. Someone at Jewelry Camp said, “Hey, that thing is really important. Do you know what it is?” I said, “A heart? I don't know.” That's what happened. So, I started looking it up, and I was fascinated by this whole area of jewelry. I have really started collecting it. Once I got involved in working on my dad's story and on the book, I was even more into all things World War II. It was like two parts of my world and my life coming together in one thing, which was an interesting occurrence. I still collect it. Each of the different branches of the armed services had their own, even including the women's armed services divisions. They each had their own type of sweetheart jewelry, and I've collected a lot. Dad was in the Army Air Corps, so I do focus a lot on Army Air Corps-related sweetheart jewelry, but other stuff as well if it is interesting or fun or something I don't have already.   Sharon: Do you find that, since most people don't know what it is, you find it at flea markets or antique stores?   Jan: All of the above. Once eBay came along, you can find a lot of things on eBay that required you to hunt in flea markets and antique malls and antique stores. A lot of people don't know what they are, so quite often if I scan a case and see one, I will educate the person who has the booth because they don't know what it is. You can find it anywhere else you'd go look for antique jewelry.    Sweetheart jewelry was also made by some of the high-end houses. Cartier is known for making a handful of very famous sweetheart jewels that they designed and sold around the war. Again, fine materials were difficult to come by, but when France was occupied by Germany, Cartier did a very subversive brooch called the Caged Bird Brooch. It is a little bird in a cage, and the colors of the stones on the bird were red, white and blue, the colors of the French flag. When France was liberated, they developed what they called the Freed Bird Brooch, which is the cage door swung open and the bird looks like it's about to come out. Tiffany made some wonderful pieces as well. Gips did a great bracelet. They also made cuffs that had gold and silver stars on them.    We know during the war and still to this day, we talk about a gold star family. During the war, you would fly a banner in your window. You would have a blue star on the banner for each service person in your family overseas or serving in the armed services. A silver star would mean somebody was wounded in action, and a gold star meant you lost somebody who was killed in action. So, Tiffany made a cuff bracelet with gold stars on it. It wasn't only the cheaper variety and costume jewelry, but that was more prevalent and much more pervasive during this time period.    Sharon: Did people know what they were buying?   Jan: Oh, yes. It was definitely a conscious decision. As I said, it was a way to support the war effort. It was a way to show the pride you had if you had a loved one in the service overseas. As I said, the GIs were able to buy this stuff. There was a lot of stuff being sold at canteens on the bases, particularly in the Pacific theater. There was a lot of mother-of-pearl jewelry that would say “Mother” on it or “Sweetheart.” There was wooden stuff or even trench art. Soldiers were making jewelry from artillery shells or whatever things they could get their hands on and sending them back home just send their love and say, “I'm here. I'm O.K. We're doing our part.” It was very common knowledge then; not so much now.   Sharon: Now, people don't know what it is.   Jan: I have a lecture on it because it is something that people are very interested in once you start telling them about it. I've had people come up to me and show me stuff they've had, that their mothers or grandmothers or aunts had and left, and they didn't know what it was. I said, “Well, that's a piece of sweetheart jewelry.” They had no idea what it was.    Sharon: That's interesting. We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

Johannes Vermeer's 1664 masterpiece "The Concert" was stolen from the Isabella Stewart Gardner Museum in 1990. That real - still unsolved - case is at the heart of Daniel Silva's new thriller, The Collector. Despite his initial reluctance, art restorer and former Israeli intelligence officer Gabriel Allon is enlisted to hunt down the painting, along with an unexpected collaborator. In today's episode, Silva speaks with NPR's Scott Simon about his distaste for art theft and his reasons for turning villains into protagonists.

What's the value in traveling to the Louvre to see the Mona Lisa in person when today, anyone with an internet-friendly device can have access to a high-resolution image? Why go to Amsterdam for a Johannes Vermeer exhibit when Dall-e AI can create credible fakes in just minutes? Yet, people flock to experience art up close, and New York Times critic-at-large, Jason Farago, has theories why. Jason catches up with Martha about blockbuster art events, safeguarding cultural treasures in Turkey and Ukraine, favorite places to see art, and why you should trust your own senses as you explore the world of art. See omnystudio.com/listener for privacy information.

An exhibition in Amsterdam of the Dutch painter Johannes Vermeer's works has been sold out for months. But what's in it for the museum hosting the collection? Adam and Cameron discuss the economics of high art and blockbuster art shows. Also on the podcast: The economics of professional basketball. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are only 36 Vermeer paintings in the world today and one was stolen from the Isabella Stewart Gardner Museum in 1991. The case remains unsolved to this day. In this episode, Emily Fiedler and I discussed the museum heist along with the Vermeer painting that has been missing for the last 30 years. Check out my other podcast Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

2 John 1:7-13Rev. Erik Veerman5/7/2023The Truth about DeceptionOur sermon text this morning is 2 John verses 7-13. You can find that on page 1214 In the church Bibles.Last week we considered the first half of this short letter. Even though it's written to the elect Lady, we discussed how John was likely writing to a specific church. Given the letter's emphasis and language, that understanding makes sense.John opens the letter with a warm salutation. It's very focused on truth and love. And it turns out that truth and love are the main themes of the first half. He calls on them to walk in truth and love. Not just truth, alone, and not just love, alone, but both truth and love. God's truth and agape love, which comes from God's unconditional covenant love for his people.And that brings us to verse 7… where John makes a shift to now address a specific situation. False teachers, whom he calls deceivers, had been traveling around spreading false beliefs about Jesus. In these verses, he gives this church guidance about their teaching and what they should do about it.Let's now come to God's Word.StandReading of 2 John 7-13.PrayerA few years ago, a famous Vermeer painting was on display at the High Museum of Art. So, we went to see it. It's named The Girl with a Pearl Earing. It's probably Johannes Vermeer's most famous painting. He painted it in 1665. It's worth something like $100 million dollars. One of the reasons is that there are only 36 known Vermeer paintings in the world.In fact, back in 1937, a new painting was found. They named it Supper at Emmaus. Art critics were amazed. One well known famous expert called it “the masterpiece of Johannes Vermeer.” A famous art society purchased it for a very large sum of money – millions in today's dollars.The interesting thing is that over the next few years, 5 more Vermeer paintings were found. And all of them found by the same person. Han van Meegeren. But it all came crashing down. Van Meegeren had sold one of the paintings to a high-ranking Nazi official. Because of that, the Dutch government arrested him. At which point he confessed that that they were all forgeries. Van Meegeren had duped all the art experts. The paint was authentic to the period. He had perfected the style. He slightly baked the paintings in an oven and rolled them on a roller to make the paintings appear old with cracks.It's known as one the greatest art forgeries in history. In a word, Van Meegeren was a deceiver. The thing is, the paintings looked so real. People swore that they were authentic. When you compared the brush strokes, the colors, the style, the lighting and shadows on the painted faces, the background, and the paper, it all looked authentic, but it was a great deception.And that is the warning that the apostle John is giving this church. There were teachers who claimed to be Christians. They sounded good, looked good, and had an aura of authenticity. In fact, many of the words they spoke were probably true. But in the end, they were merely deceivers peddling false teaching…. Or to use John's words, their “wicked works.” verse 11.And I would say, this is still very relevant to us today. Every generation, false teachers arise who claim to be teaching truths about Jesus or the Bible or Christianity, yet the heart of their teaching is a false Gospel.These verses answer two questions for us:1. How do we determine when someone's teaching is true or false? And just to be sure, John is not talking about secondary matters. No, John is referring to essential matters. How do we evaluate when someone's teaching undermines the heart of Christianity? That's the first question.2. The second question is, how should we relate to these false teachers? You see, John doesn't just give them a warning about false teaching, but he also gives them clear guidance. So, what should they do? That's the second question these verses answer.To give us some organization this morning, we'll take those questions in that order. First, how do we identify false teaching? And second, how should we deal with false teachers?Identifying False TeachingThe reason John had just emphasized walking in truth and love is because these teachers were not walking in truth and love. They claimed to be a part of the church, but their teaching contradicted their claim.So, how should we determine whether someone's teaching strikes at the heart of Christianity? That's what we are talking about: a perversion of the central truths of Christianity. Beliefs that invalidate the teaching and the teacher. Notice the words that John uses to describe them at the end of verse 7. They are deceivers and antichrists. In fact, those words are not plural. He writes, “such a one is the deceiver and the antichrist.” He's basically calling them the devil. He's not saying there's just one deceiver, he's already said there are many. Rather, their deception originates from the great enemy of the faith. They are each the anti-Christ. He could not use a stronger word to describe them.That word, in fact summarizes their false teaching: anti-Christ. Opposed to Christ. Their teaching undermines the Christian faith – Christ himself. This is the main problem with their teaching.Look down at verse 7. It says, “many deceivers have gone out into the world, those who do not confess the coming of Jesus Christ in the flesh.” Right there, he hones in on exactly the problem. These teachers do not confess that Jesus is the Christ. In other words, they do not believe that the man Jesus is the promised Messiah. Oh, they believed in Jesus, the man. They believed he was a good teacher. After all, they identified themselves as part of the church. But they did not believe in Jesus' deity.We talked a little bit about this in 1 John. At the time, Gnosticism was on the rise. That was a human philosophy that focused on higher spirituality. To a gnostic, all matter was evil, which included our bodies. For that reason, they did not believe that Jesus was the Christ in the flesh. How could God become something evil – flesh and blood. That was their line of thinking. Therefore, they rejected Jesus as the promised Messiah. They rejected the incarnation, God becoming flesh. They did not believe that Jesus was the son of God in the flesh.Let's go back up to verse 3. In the salutation, John gave a preview of this central issue. Notice in that verse 3 blessing, he emphasizes that Jesus is the Christ and that he is God the Father's Son. That's very intentional because the truth and love of God centers around Jesus as the Son of God - God in the flesh. If you take that part away, you strip the Gospel of its power. In other words, redemption from sin requires Jesus' fullness as God. In order for the death of Jesus on the cross to be effective as a payment for sin, Jesus needed to be fully and truly God. He also needed to be fully and truly man. Being the mediator between God and man for our sin requires a God man. Able to atone for us as a perfectly righteous man, and able pay the depth of the penalty for sin, as God himself. That is the heart of the Gospel.Notice in verse 9… that is the teaching of Christ himself. It says, “Everyone who goes on ahead and does not abide in the teaching of Christ, does not have God.” Jesus himself testified over and over that he was God's son, in the flesh. He demonstrated that. It's why the religious leaders hated him. Jesus claimed to be God, claimed to be the Christ. Therefore, to them, he was a blasphemer and deserved death.Let me put it this way, when someone claims to be teaching the truth of God, but denies or twists an essential element of the Gospel, that teaching is not just false in that one area, rather the whole Gospel is undermined.Let's set aside forged paintings. Let me give you a real example.You've probably never heard of Charles Taze Russell. He grew up in the 1850s and 60s in a Presbyterian church in Pennsylvania. As a teenager, he was described as loving the Bible. When he was 18, he started a Bible study with his father. But soon thereafter, Charles Russell began questioning central tenants of the Christian faith, including questioning the validity of the Trinity – God the Father, God the Son, and God the Holy Spirit. He still considered himself to be a Christian, but he denied that the Holy Spirit was God and he denied that Jesus was God in human flesh. To be sure, he believed in Jesus the man – a special created man, at that, just not Jesus' divine nature. Russel began teaching these things. He also started a magazine and an association called The Watchtower Bible and Tract Society. Maybe you've heard of that. These false teachings began to spread rapidly. By the 1880s, 16 million copies of his literature had been published. He became very well known all throughout the eastern and northeastern United States. The movement grew. Even after Russell's death, his disciples and other false teachers continued on. In 1931, The Watchtower Society was renamed the Jehovah's Witnesses. It continues today with about 8 million adherents. They have a presence in Tucker.The teachings of the Jehovah's Witnesses are the modern-day parallel to the deceivers in John's day. They claim to have the truth, but they do not believe that Jesus is the incarnate eternal Son of God. Rather, they believe Jesus is a created being with special powers given but not the eternal God. For that reason, as John puts it, “they do not have God.” They are deceivers. Their works are wicked. That is strong language! That's because it is anti-Christ, as John says. The apostle Paul said it this way in Galatians 1, “if we or an angel from heaven should preach to you a gospel contrary to the one we preached to you, let him be accursed.” He repeated that twice in Galatians 1.The Jehovah's Witnesses are just one example today. How can these deceivers be identified? The answer is if any part of their teaching undermines the person or work of Christ. • That would include denying either Jesus as truly God or truly man. • A false teacher would also include anyone who denies the need for the atoning sacrifice of Christ on the cross• …or who denies the bodily resurrection of Jesus • …or who denies that Jesus Christ is the only way to salvation.• it would also include any kind of denial of the Trinity.Any one of those denials, just one, would go against the teaching of Jesus himself and the apostles as recorded in the Scriptures.And what does the apostle John warn? He writes, “watch yourselves,” verse 8, “so that you may not lose what we have worked for.” They were in a fragile time. The church was in the first few decades of growth. John was the last living disciple of Jesus. And the New Testament was not yet available. In other words, this antichrist teaching threatened to unravel the work which had begun. That is what John is referring to. These false teachers, often unknowingly, were being used by the devil to attack the church. Besides the content of their teaching being heresy, it threatened the unity and spread of the church, which they had worked for.So, this was a matter of utmost importance. In summary: These teachers were denying core beliefs about Jesus and true faith in him, and they therefore threatened the church.Dealing with False TeachersAnd the natural next question is this: what should they do about it?That is the second question this morning. How should they, how should we, deal with these false teachers?Well, John answers that. But before considering what he says, a little context would be helpful. In that time, it was very common for pastors to travel around to different congregations in their region. Small churches didn't have the means to have full-time pastors. These churches were scattered around in villages and towns. Remember, this was before the New Testament was complete. They had some New Testament letters and Gospel accounts but it was limited. At that time, the teaching of Jesus and the apostles was passed down orally. Apostles like John, Peter, and Paul taught their disciples, who would then teach the people. In other words, there were more congregations than there were trained pastors and elders. So, they shared. It was a common thing for a teacher to come into town. The church was expected to greet them and provide for their needs.And by the way, that happens today all over the world. Especially in rural settings. In fact, the seminary that I went to, RTS, has a campus in Jackson, Mississippi. Jackson is a decent size town, but when you get outside the city, it becomes very rural very fast. It's not like Atlanta. And one of the ways that the seminary supports the smaller churches in the area is to send their divinity students to preach. It both helps the small churches and gives the students experience.So, there's nothing wrong with the idea of preachers or teachers travelling around. The issue was the content of their teaching.That background helps us understand verse 10. It says, “If anyone comes to you and does not bring this teaching, do not receive him into your house or give him any greeting.” They should not be supporting these travelling false teachers. The word “house” could either be hosting them (not giving them a place to stay), or it could be referring to the houses where they worshipped. Whatever the case, the church was not to accommodate them. Don't help them. Don't even greet them with the customary greeting as a brother. Doing either would be supporting their deception. Instead, they were to make a very clear statement that these teachers were not teaching the truth about Jesus nor his Gospel.Now, maybe you're thinking, “ok, but how is that loving? After all, John just said to walk in truth and love. But now he's telling them to not do loving things!” That's a legitimate question. I think the answer is, it would be unloving to receive them. By doing so would cause confusion among the believers. Remember, these were false teachers travelling around. He's not talking about your regular person on the street who is not a Christian, or who may have beliefs contrary to true faith. For them, the call would be to sit down and teach the truth of the Gospel… to reveal Jesus in the fulness of who he is and in the Gospel of grace.But for the teachers, they were propagating false beliefs. In the book of James, chapter 3, it says, “Not many of you should become teachers, my brothers, for you know that we who teach will be judged with greater strictness.” That is a humbling and dauting reality for any teacher of God's Word and truth.Perhaps the Holy Spirit would use the rejection to shake them. To reveal to them their wicked words that they may come to know the true truth of Christ. But the main purpose in rejecting these deceivers is to protect and love the church and clearly call out their deception.What would that look like today?Well, here's one example. Maybe you've seen the two Jehovah's Witnesses women who are often on Main Street. They are there a couple of times per month. Sometimes right outside our office. If I were to invite them in and let them use our office as a base of operations, that would be a problem. In other words, if we support them in any way, we are participating in their false teaching. Now, that's different than wanting to talk to them and open up God's Word and share the truth in a loving way.Another example would be platforming false teachers. That could be inviting a false teacher to teach or preach. It could be endorsing them, or encouraging people to read their books or listen to their podcasts and sermons. We should not do those things. Instead, we should give clear guidance on what is faithful and true versus unfaithful and false.In fact, over the last few months, our youth group has been studying just that. They've been guided through false teaching in the broader American church. That has included a comparison and a contrast of faithful Biblical teaching verses teaching that has gravely strayed from the truth. The thing is, to go back where we started, false teaching can look and sound authentic. It can be packaged in the latest cultural words and ideas that may come across as winsome and relevant and good, but which merely lead people astray.Do not receive them or greet them or platform them. Call out their wicked works.ConclusionBeloved, instead, “abide in the teaching of Christ,” end of verse 9. Believe in Jesus as the “Son of the Father,” verse 3. Confess that “Jesus Christ has come in the flesh,” verse 7.Why?• Because as the author of Hebrews put it, “He is the radiance of the glory of God and the exact imprint of his nature, and he upholds the universe by the word of his power.”• As we learn in Colossians 1, “For…all things were created through him and for him. And he is before all things, and in him all things hold together. And he is the head of the body, the church. He is the beginning, the firstborn from the dead, that in everything he might be preeminent.” And then it says this: “For in him all the fullness of God was pleased to dwell.”• As John writes in his Gospel. “In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God.” And “The Word became flesh and dwelt among us”• As Jesus himself declared, “I and the Father are one.”• As the Angel declared in Luke 1 at Jesus birth, “Fear not, for behold, I bring you good news of great joy that will be for all the people. For unto you is born this day in the city of David a Savior, who is Christ the Lord”• As the Lord himself revealed in Revelation 1 “I am the Alpha and the Omega… who is and who was and who is to come, the Almighty.”• Really, all of the book of Revelation declares that Jesus is reigning as Lord. Seated on the throne. The heavenly hosts declared day and night, “Holy, holy, holy, is the Lord God Almighty, who was and is and is to come!” He is the great victor. The multitude rejoiced over the lamb who was slain but who is now reigning. They sang, “Hallelujah! For the Lord our God the Almighty reigns.” On his heavenly robe and thigh, written “King of kings and Lord of Lords”This is who we worship! Christ Jesus, the eternal God who has come to us in the flesh. As the apostle Paul writes in 1 Tim 2, “For there is one God, and there is one mediator between God and men, the man Christ Jesus.” He is our hope, our mediator, he has accomplished in his death as God and man, redemption.Beloved, May we lay hold of the precious truth of our Savior. May we reject anything that maligns him or twists the truth about him or his Gospel. Instead, may we believe and confess him in truth and love. Amen

Transcriptie: ⁠https://www.eenbeetjenederlands.nl/podcast/johannes-vermeer Steun de podcast! ⁠https://www.eenbeetjenederlands.nl/steun-de-podcast/⁠ Aflevering 46: Johannes Vermeer ‘Het Meisje met de Parel', ‘Brieflezende vrouw in het blauw', ‘Het Melkmeisje'… allemaal wereldberoemde schilderijen van Johannes Vermeer, een Nederlandse schilder uit de 17e eeuw. In deze aflevering vertellen we je meer over hem en zijn werk en zijn weg naar roem: van ondergewaardeerde schilder tijdens zijn leven naar een van de meest beroemde Nederlandse schilders, samen met Rembrandt en Van Gogh. Een Beetje Nederlands De podcast voor iedereen die beter Nederlands wil leren luisteren! Voor mensen op niveau B1/B2. Afleveringen over allerlei onderwerpen in duidelijk en helder gesproken Nederlands. Iedere aflevering heeft een transcriptie om mee te lezen. Leer met deze podcast Een Beetje Nederlands! Learn Dutch with this podcast for intermediate learners (level B1/B2). This podcast lets you listen to a range of different subjects in clear and slowly spoken Dutch. Every episode comes with a free transcript on the website. Learn a little Dutch with Een Beetje Nederlands!

In tonight's Sleep Hypnosis with Jessica, we are taking a trip to the Rijksmuseum in Amsterdam, where there is currently a huge exhibit of paintings by Johannes Vermeer. We will bring our fresh eyes to one of Vermeer's most famous works, The Milkmaid.   As always, tonight's episode will start with a relaxing introduction from Jessica, before we sink into tonight's Sleep Hypnosis. Want more Sleep Magic? Join Sleep Magic Premium ✨ Enjoy 2 bonus episodes a month plus all episodes ad-free, access to Jessica's complete back catalog of over 60 episodes, and show your support to Jessica.  To Subscribe 

...In podcast 128 heb ik jullie iets verteld over Delft. Vandaag neem ik je weer mee naar die stad, want dit is de plek waar de beroemde schilder Johannes Vermeer heeft gewoond en gewerkt in de 17e eeuw. Dit was een tijd van grote welvaart in Nederland. Vermeer staat bekend om het heldere licht in zijn schilderijen, en een prachtige kleur blauw. In het Rijksmuseum is van februari tot juni dit jaar een grote tentoonstelling over Vermeer. Er zijn 28 van zijn 37 schilderijen tentoongesteld...Welkom  bij de podcast 5-minuten Nederlands, aflevering 132. Als je de tekst van de podcast wilt lezen, kijk dan op de website https://petjeaf.com/5-minutennederlands. Als je de teksten van eerdere podcasts wilt ontvangen of vragen hebt, stuur dan een email naar 5minutennl@gmail.com.Mijn naam is Caroline, ik ben taaldocent op de universiteit en woon in Leiden. In deze podcasts vertel ik iets over mijn leven, over wat ik de afgelopen dagen heb beleefd of iets over de Nederlandse taal en cultuur.  Support the show

Historiquement Vôtre réunit des personnages qui ont vécu toute leur vie dans la même ville : le peintre Johannes Vermeer né dans la petite ville de Delft, à l'ouest des Pays-Bas, une ville où il a passé toute sa vie, une ville qu'il a peinte aussi, avant de s'orienter vers un autre exercice qui va devenir sa spécialité : la scène de genre emplies d'éclat et de poésie. Puis l'américaine Emily Dickinson, une écrivaine et poétesse inconnue de son vivant, aujourd'hui reconnue dans le monde entier - elle qui ne l'était que de son quartier dans la petite ville d'Amherst dans le Massachusetts où elle a passé toute sa vie. Et l'une des familles de fiction les plus célèbres du monde qui squatte le petit écran depuis 34 ans ! 34 ans qu'ils n'ont pas pris une ride sur leur teint jaune, 34 ans qu'ils vivent dans la même ville de Sprinfield : les Simpson. 

Stéphane Bern, entouré de ses chroniqueurs historiquement drôles et parfaitement informés, s'amuse avec l'Histoire – la grande, la petite, la moyenne… - et retrace les destins extraordinaires de personnalités qui n'auraient jamais pu se croiser, pour deux heures où le savoir et l'humour avancent main dans la main. Aujourd'hui, le peintre Johannes Vermeer né dans la petite ville de Delft, à l'ouest des Pays-Bas, une ville où il a passé toute sa vie, une ville qu'il a peinte aussi, avant de s'orienter vers un autre exercice qui va devenir sa spécialité : la scène de genre emplies d'éclat et de poésie. 

Next to the Mona Lisa, Johannes Vermeer's Girl With a Pearl Earring is quite possibly the most famous portrait of all time. The 17th-century painting inspired a movie starring Scarlett Johansson and last year, was the target of climate activists protest, and it's on view right now as part of the Rijksmuseum's once-in-a-lifetime exhibition of works by the Dutch master. This week, while the Art Angle is on hiatus, we're re-airing an episode about the centuries-old secrets of Vermeer that are just now coming to light. You've seen it. A woman in a blue turban set against a black background looking over her shoulder like you just called her name. She's wearing a heavy pearl earring in one ear, and her skin is so luminous it looks like she swallowed a light bulb. Yes, we're talking about Girl with a Pearl Earring, one of the most famous paintings in the world. It's been reproduced countless times on mugs, t-shirts, and pillows. It has inspired poems, novels, and movies. But the artist who created Girl with a Pearl Earring? He remains shrouded in mystery. Strangely little is known about Johannes Vermeer. He lived in Holland in the 17th century and died in 1675 at the age of 43. He made fewer than 36 paintings. And audiences around the globe are fascinated by his portrayals of quiet domesticity. It's always been assumed he worked in the same kind of solitude that he often depicted in his paintings. But new research is challenging that assumption. Over the past several years, museums have used cutting-edge technology to get under the surface of Vermeer and learn more about how he actually worked. To discuss Vermeer's many secrets and the artist we thought we knew, Artnet News's former executive editor Julia Halperin spoke with Washington, D.C.-based contributor Kriston Capps.

Talk Art special episode!! We meet awesome artist RYCA to explore his new collaboration with Stella Artois Unfiltered to reimagine an iconic pub sign as a nude artwork to raise awareness and support for pubs struggling with rising energy bills!!!RYCA is one of 11 contemporary artists who's original artworks will be sold at online auction, with all profits going to Hospitality Action.'The Pub Renaissance', a new art collection curated by Stella Artois, features work from renowned artists including Reuben Dangoor and Heath Kane.The campaign is in direct response to the threat facing pubs across the country. Amid the cost of living crisis, many are struggling to pay their bills as energy prices continue to skyrocket - latest data from charity, Hospitality Action, has revealed applications for financial support are up by almost a third (29 per cent) on the previous year. The nude signs are available for online auction for a limited time only at The Auction Collective. All profits will be donated to Hospitality Action to assist pubs with rising energy bills and Stella Artois will match funds raised, up to £50,000. Inspired by the recent launch of Stella Artois Unfiltered, the eleven-piece collection celebrates the beauty of living life 'au naturel' - just like the naturally unfiltered beer itself.The cheeky series includes ‘The Cricketers' reimagined by Reuben Dangoor to star a batsman with a strategically placed bat, a new view of 'Queen Victoria' by Samuel Rees-Price, and a brand-new portrait of HRH King Charles for 'The Kings Head' by Heath Kane. Spanning a variety of signs from across the UK, the full collection includes: ● Reuben Dangoor x The Cricketers● Bernadette Timko x Duke of Wellington● Emma Wesley x The Bricklayers Arms● Becki Gill x Britannia● Samuel Rees Price x Queen Victoria ● Alice Tye x The Plough● Mattia Guarnera x Horse & Jockey● Natasha Klutch x George & Dragon● RYCA x Robin Hood● Enigma x The Cannon● Heath Kane x King's Head The original works will be sold via The Auction Collective, with online auction closing on 5th April. So... Buy nude art. Help pubs.Follow@RYCA_Artist #StellaPubSigns #ad #RYCALearn more by visiting@StellaArtoisUKRyan Callanan (a.k.a. RYCA, born 1981) draws on his disparate experiences in 3D design, commercial printing, and street art to make paintings, prints, hand-etched signs, and sculptures that riff on pop culture. Common themes include Star Wars, 1980s acid house culture, song lyrics, and art historical figures such as Johannes Vermeer and Andy Warhol. RYCA has exhibited extensively in London and has had shows in Brighton, New York, Miami, and Hong Kong. Hosted on Acast. See acast.com/privacy for more information.

Fibin Director Stephen D'Arcy - Book review - Art of Darkness: Goth Music - Johannes Vermeer exhibition 2023 - Amsterdam - Craig Walker & The Cold

En Johannes i en G

Programa 3x109. Quin desastre de vida la del dissortat Johannes Vermeer! Ja

Johannes Vermeer is best known today for painting The Girl with the Pearl Earring. Part of the allure of this painting is the pose, she seems a little caught off guard looking over her shoulder at the viewer.  Or maybe she is turning away from the viewer. The pose has a little bit of ambiguity and the painting is rendered so beautifully that many refer to The Girl with the Pearl Earring as the Mona Lisa of the North. Related episodes: Johannes Vermeer | The Concert The Unbelievable Story of Han van Meegeren Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (the teacher who gets the most shoutouts on this form by Feb 27 will get a $50 Amazon gift card) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Link to full transcript at https://www.fluentfiction.org/... Fluent Fiction - Dutchwww.FluentFiction.org/Dutch Delft's Magical Journey Story Transcript: Nl: Olaf en Pien droomden al maanden van hun reis naar Delft. En: Olaf and Pien had been dreaming of their trip to Delft for months. Nl: Nu waren ze eindelijk in de beroemde stad, klaar om de plaatsen te verkennen waarover ze hadden gelezen en die ze op foto's hadden gezien. En: Now, finally, they were in the famous city, ready to explore the places they had read about and seen in pictures. Nl: Ze hadden maar twee dagen om de meest iconische bezienswaardigheden van Delft te bekijken, dus ze stonden vroeg op om niets te missen. En: They had only two days to take in the most iconic sights of Delft, so they were up early to make sure they didn't miss anything. Nl: De eerste plek die ze bezochten was het Vermeer Centrum, het oude woonhuis van de kunstenaar Johannes Vermeer. En: The first place they visited was the Vermeer Centrum, the old home of the artist Johannes Vermeer. Nl: Bij binnenkomst stonden ze versteld van de kleurrijke kunstwerken aan de muren en het gevoel terug te gaan in de tijd. En: As they entered, they were amazed by the colorful works of art on the walls and the feeling of stepping back in time. Nl: Olaf en Pien kenden allebei de schilderijen van Vermeer, maar ze in het echt zien was een heel andere ervaring. En: Olaf and Pien were both familiar with the paintings of Vermeer, but seeing them in person was an entirely different experience. Nl: "Het is zo mooi," zei Pien met grote ogen van verwondering. En: "It's so beautiful," Pien said, her eyes wide with wonder. Nl: "Het is bijna alsof de schilderijen tot leven komen", voegde Olaf eraan toe. En: "It's almost like the paintings are coming to life," added Olaf. Nl: Na een rondleiding door het Vermeer Centrum begaven Olaf en Pien zich naar het centrale plein van Delft. En: After touring the Vermeer Centrum, Olaf and Pien made their way to the main square of Delft. Nl: Ze hadden in hun gids over het plein gelezen, maar het was nog mooier dan ze hadden gedacht. En: They had read about the square in their guidebook, but it was even more beautiful than they had imagined it would be. Nl: De geplaveide straten en de felle kleuren van de gebouwen gaven het plein een sprookjesachtig gevoel. En: The cobblestone streets and the bright colors of the buildings made the square feel like it was in a fairytale. Nl: Het hoogtepunt van hun dag was een bezoek aan Museum Prinsenhof, waar ze een aantal van de beroemdste werken van Vermeer te zien kregen. En: The highlight of their day was a visit to the Prinsenhof Museum, where they got to see some of Vermeer's most famous works. Nl: Olaf en Pien waren allebei verbaasd over de mate van detail in de schilderijen en ze vergeleken ze met de echte plekken die ze eerder op de dag hadden gezien. En: Olaf and Pien were both amazed by the level of detail in the paintings, and they compared them to the real places they had seen earlier in the day. Nl: Voor beiden was duidelijk dat Vermeer de essentie van Delft in zijn kunstwerken had gevangen. En: It was clear to them both that Vermeer had captured the essence of Delft in his works of art. Nl: Op hun laatste dag in Delft besloten Olaf en Pien een tochtje te maken over de grachten. En: On their last day in Delft, Olaf and Pien decided to take a boat ride down the canals. Nl: Terwijl ze voortdreven, bewonderden ze de prachtige architectuur en de rust van de stad. En: As they floated along, they admired the beautiful architecture and the peacefulness of the city. Nl: Het was een perfecte manier om hun reis af te sluiten, en ze waren het er beiden over eens dat hun ervaring in Delft magisch was geweest. En: It was a perfect way to end their trip, and they both agreed that their experience in Delft had been a magical one. Nl: Toen ze thuiskwamen, deelden ze de foto's die ze hadden gemaakt en de verhalen die ze hadden gehoord. En: When they arrived back home, they shared the photos they had taken and the stories they had heard. Nl: Olaf en Pien hadden al veel van de wereld gezien, maar Delft was de meest bijzondere plek die ze ooit hadden bezocht. En: Olaf and Pien had seen a lot of the world, but Delft was the most special place they had ever visited. Nl: Ze waren het er allebei over eens dat het de mooiste stad ter wereld was en dat geen schilderij het ooit recht zou kunnen doen. En: They both agreed that it was the most beautiful city in the world, and that no painting could ever do it justice. Vocabulary Words: Olaf : Olaf Pien : Pien reis : trip Delft : Delft Vermeer Centrum : Vermeer Centrum Johannes Vermeer : Johannes Vermeer schilderijen : paintings centrale plein : main square geplaveide straten : cobblestone streets Museum Prinsenhof : Prinsenhof Museum beroemd : famous detail : detail echte plekken : real places grachten : canals architectuur : architecture rust : peacefulness foto's : photos verhalen : stories wereld : world recht : justice dromen : dreaming verkennen : explore iconische : iconic verbaasd : amazed verwondering : wonder sprookjesachtig : fairytale gevangen : captured essentie : essence tochtje : boat ride magisch : magical schilderij : painting

This weekend, we learn about AI-generated art. Type any sentence, such as “Sea otter with a pearl earring by Johannes Vermeer” into a website, and you'll get an uncanny visual approximation created entirely by AI — with no input from humans. Our gaming critic Tom Faber joins Lilah to explore what impact it could have on human creativity. Then, we talk about deep winter cooking with the chefs behind our food column: Honey and Co. Itamar Srulovich and Sarit Packer give us tons of ideas, from soup to shanks to citrus salads.-------We love hearing from you! You can email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links: – Tom's magazine cover, ‘The Golden Age of AI-generated art is here', including AI-generated images: https://on.ft.com/3CIlY3V – You can make your own AI art at openai.com/dall-e-2. FT readers have submitted some great ones here: https://on.ft.com/3iztEOV – Honey and Co's latest recipe, a delicious tomato and rice soup with basil oil: https://on.ft.com/3GDpg9w – Cabbage stuffed with beef, rice and prunes: https://on.ft.com/3W1xJZP – Winter jams, spreads and chutneys: https://on.ft.com/3kdK4ge– A collection of citrus recipes, from treacle-cured salmon to lemon fizz: https://on.ft.com/3X8zNk9 – Their cookbooks are called Honey and Co the cookbook, Honey and Co at home, Golden (which has baking recipes), and Chasing Smoke: cooking over fire around the levant– Tom is on Twitter @_TomFaber. Itamar and Sarit are on Instagram @honeyandco.-------Special offers for FT Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial can be found here: http://ft.com/weekendpodcast-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam GiovincoRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

You've seen it. A woman in a blue turban set against a black background looking over her shoulder like you just called her name. She's wearing a heavy pearl earring in one ear, and her skin is so luminous it looks like she swallowed a light bulb. Yes, I'm talking about Girl with a Pearl Earring, one of the most famous paintings in the world. It's been reproduced countless times on mugs, t-shirts, and pillows. It has inspired poems, novels, and movies. But the artist who created Girl with a Pearl Earring, he remains shrouded in mystery. Strangely little is known about Johannes Vermeer. He lived in Holland in the 17th century and died in 1675 at the age of 43. He made fewer than 36 paintings. And audiences around the globe are fascinated by his portrayals of quiet domesticity. It's always been assumed he worked in the same kind of solitude that he often depicted in his paintings. But new research is challenging that assumption. Over the past several years, museums have used cutting edge technology to get under the surface of Vermeer and learn more about how he actually worked. To discuss Vermeer's many secrets and the artist we thought we knew, Executive Editor, Julia Halperin, spoke with Kriston Capps, a Washington DC based contributor to Artnet News.

A painting thought to be by Johannes Vermeer isn't a Vermeer after all. The 17th-century Dutch master left behind few works, so take even one away and it's a big deal. New technology is allowing experts to see art in a different way and help make these judgments. Jeffrey Brown visited the National Gallery of Art in Washington for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Johannes Vermeer was one of the greatest painters of the Dutch Golden Age. Unlike many of his contemporary painters, however, he didn't leave a large body of work behind.  The paintings he did create have left experts in both art and technology wondering if he didn't have a secret that helped him with his craft. A technical secret, not an artistic one. Learn more about Vermeer and the question as to if he and other painters used optical devices to help themselves paint, on this episode of Everything Everywhere Daily. Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Darcy Adams Associate Producers: Peter Bennett & Thor Thomsen   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Search Past Episodes at fathom.fm Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/everything-everywhere-daily-podcast/ Everything Everywhere is an Airwave Media podcast." or "Everything Everywhere is part of the Airwave Media podcast network Please contact sales@advertisecast.com to advertise on Everything Everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's talk about the dirty secret most professional artists don't want you to know about. Before you go any further, it's important to note that this episode isn't about shaming or challenging anyone's talents or skills as a portrait artist. It's about giving you the inspiration you need to try a new medium of art with a skill that can be developed with time and practice.  Using photography, projectors, and tracing is a secret most portrait artists won't talk about, but it's been used by artists in some form since as early as the 1600s, if not earlier.   In this episode, I share how famous artists such as Johannes Vermeer, who painted The Girl with a Pearl Earring, and Norman Rockwell, an American painter known for his illustrations, also used photography and projection to create portraits.  I am convinced that watercolor is the medium for creating portraits, and if you've never done so before, my Watercolor Portrait Academy gets into more details. You can watch me paint, and you can learn how I use these techniques to create amazing portraits.  Knowing this taboo technique is a game-changer for so many people. A few things I think you'll need to know about watercolor and this artist's secret is:  There is no shame in using these techniques to create your own portraits You can totally elevate your skill level and confidence Using these techniques is a creative art of its own  “By calling out these other artists is not to shame anybody [...], but to let you know there's no shame in doing this. There's no shame in using photography and your art.” -Miriam Schulman   Episode mentioned you'll want to check out also:  How Portraits Can Turn Passion into Profits  Check out Miriam's Favorite Art Supplies   Miriam's free resources  Schulman Art Instagram  For full show notes, go to schulmanart.com/196  ++++++++++++++++++++