Podcast appearances and mentions of erich korngold

I can think of no more appropriate way to end this difficult year than with another episode lauding my late friend, the sublime American lyric tenor Jerry Hadley. I am of the firm belief that Jerry was one of the finest singers this country has ever produced. Everyone has their favorite among his performances, which display an eclecticism rare among opera singers, but I believe that his artistry found its fullest and truest expression in his performances of Viennese operetta. His bright, sunny vocal timbre, his capacity for vocal shading and dynamics, his sense of both humor and pathos, his ringing high notes, as well as of precision and acuity of his German diction make him an ideal interpreter of this music. The majority of the music heard on this episode comes from two albums of operetta arias that Jerry recorded in 1995 under the baton of Richard Bonynge. This is supplemented by two duets with Australian soprano Deborah Riedel from a series of English-language versions of Lehár operettas also conducted by Bonynge, as well as various live performances of Jerry in the music of Johann Strauss II and Erich Korngold. While Lehár is the most prominently featured composer, we also heard excerpts from work by Emmerich Kálmán, Carl Millöcker, Ralph Benatzky, Leo Fall, and that king of operetta tenors himself, Richard Tauber, who was also quite a capable composer. The episode concludes with reminiscences of my close friendship with Jerry, crowned by a magisterial live performance of “Dein ist mein ganzes Herz.” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

In this episode of One Symphony with conductor Devin Patrick Hughes, Devin has an inspiring conversation with bass virtuoso and composer Kebra Seyoun Charles. From their early exposure to African drumming and gospel music to becoming a celebrated classical musician, Charles shares their unique journey and vision for the future of classical music through their "Counter Classical" style. Charles's work embodies a fresh perspective on classical music's future, one that honors tradition while embracing innovation and inclusivity. Their approach shows that classical music's evolution doesn't require abandoning its foundations, but rather expanding its boundaries to embrace diverse influences and experiences. As they put it, "Classical music is so beautiful and so ephemeral and it can't be contained." Charles explores growing up in a musical household and how that led to their disvoery of the film composer, Erich Woflgang Korngold. They also discuss the autobiographical ballet project, Enby, that's based on their experience as a nonbinary person developing in the world.  Kebra-Seyoun Charles is able to give prominence to the dance qualities in all forms of music. Kebra-Seyoun has performed alongside esteemed improvisers and composers such as Jon Batiste, at Carnegie Hall, and Tyshawn Sorey, at the New England Conservatory. Kebra-Seyoun was also featured in “Slugs' Saloon” at the Institute of Contemporary Art in Boston, an interactive installation created by famed jazz musician and composer Jason Moran. Kebra-Seyoun Charles is also a passionate chamber musician. Playing with groups like East Coast Chamber Orchestra, A Far Cry, Palaver Strings, and the Sphinx Virtuosi afford Kebra the opportunity to showcase virtuosity while still playing within an ensemble. A prime example of this is their tenure on the 2019 Emmy award-winning Broadway production “Hadestown”. Thank you for joining us on One Symphony. Thanks to Kebra-Seyoun Charles for sharing their amazing spirit and music-making. You can find  more info at https://www.kscharles.com. Recordings from the episode include:  Koussevitsky: Concerto for Double Bass, First Movement. Featuring Kebra-Seyoun Charles on Double Bass. Performed with the Boston Philharmonic Youth Orchestra, Benjamin Zander conducting. Dating in NY. Composed by Kebra-Seyoun Charles. Featuring Charles on bass and musicians from the Juilliard School.  The third movement from Andres Martin's Bass Concerto. Performed by Charles with the New World Symphony under the direction of Chad Goodman. First movement from Erich Korngold's Piano Quintet, op. 15. Performed by the ARC Ensemble from the Royal Conservatory, Toronto.  Erich Korngold's Cello Concerto in One Movement. Featuring Victor Julien-Laferrière on cello performing with the Frankfurt Radio Symphony. Conducted by Marie Jacquot. “Another Breakup Song.” Composed by Kebra-seyoun Charles. Featuring Charles on bass. Kayla Williams on viola, Joseph Brent on mandolin, Sommer Alteir on violin, and Kabir Adiya-Kumar on percussion.  “Galaxy,” composed by Xavier Foley. Featuring Kebra-seyoun Charles and Xavier Foley on bass accompanied by the Sphinx Virtuosi.  Holdberg Suite. Composed by Edvard Grieg. Performed by the Palaver Strings featuring Kebra-Seyoun Charles on bass.  You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music.   

Esta semana o maestro João Maurício Galindo respondeu perguntas dos ouvintes da Rádio Cultura FM sobre o que diferencia um "Lied" de uma canção popular, contou se é verdade que a flauta doce, após o Barroco, praticamente desapareceu do repertório erudito durante o Classicismo e o Romantismo, falou um pouco sobre a vida e obra de Erich Korngold, comentou também sobre as críticas de Stravinski a Villa-Lobos, e por fim, explicou como diferenciar as expressões "música erudita" e "música clássica". Descubra as respostas no resumo do "Pergunte ao maestro" desta semana. O programa ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pergunte ao Maestro⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, vai ao de segunda a sexta-feira, às 10h e às 15h da tarde pela ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rádio Cultura FM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ de São Paulo, 103,3.

Two new exhibitions are now on view at the Madison-Morgan Cultural Center in Madison, Georgia; that of Atlanta's congressman John Lewis, and the prolific painter and multimedia artist Benny Andrews. Andrews produced a series of portraits called the John Lewis Series, currently on loan from the National Center for Human and Civil Rights. The works are being shown through next April as part of the Andrews Family Legacy Project and a permanent exhibition of art, writings and other archival collections from Benny, George “The Dot Man,” Raymond and other members of the remarkable Andrews family. The Atlanta Music Project's Summer Series is a training camp where young musicians can learn alongside professional players, including world-class virtuosos. AMP's co-founder, Dantes Rameau, and artist-in-residence Titus Underwood discuss the upcoming Summer Series and Underwood's masterclass. We also hear from WABE music contributor Dr. Scott Stewart in our series “Music in Media.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This interview first aired on Thursday the 8th of June, 2022 on ONE FM 98.5 Shepparton. One FM Breakfast announcer Terri Cowley talks to the music director of the Goulburn Valley Concert Orchestra Steven Sargant about their upcoming annual concert. Goulburn Valley Concert Orchestra (GVCO), supported by Riverlinks, will once again present its annual concert as an afternoon performance at 2pm on Saturday the 17th of June at Westside Performing Arts Centre in Mooroopna. The concert carries the sub-title, ‘Local Luminaries' and will shine a light on some of the wonderful artists with which we share our community. This year's concert will showcase a range of musical styles from the symphonic mastery of Dmitri Shostakovich to the cinematic excellence of Ennio Morricone and Erich Korngold, and will finish with the master of American popular melody, George Gershwin. We are also excited to present another premier performance of an original composition, commissioned by GVCO and composed by Eric Andersen. Eric has also teamed up with fellow GVCO composer/arranger Wade Gregory to furnish arrangements for guest Artists ‘Fortessima' who will join GVCO bringing their special vocal style. To purchase tickets head to https://riverlinksvenues.com.au/whats-on/event-details/!/calendar/event/gvco-annual-concert-2023 Listen to One FM Breakfast with Terri Cowley live on weekday mornings from 6am-9am. The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1. Contact the station on admin@fm985.com.au or (+613) 58313131 PRA AMCOS (Australasian Performing Right Association Limited and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1

This is the second half of a two-part series about the legendary medieval outlaw Robin Hood. In the first episode, my co-host Dr. Jennifer Paxton and I discussed the evidence for a historical basis for the legend. In this one, we look at how Robin Hood has been portrayed in film and television from the silent era to the present--and how each generation has gotten (in Jenny's words) "the Robin Hood that you need in your particular time."Because there are so many films and television shows featuring Robin Hood, Jenny and I had to be very selective.  From the fifty films and eight episodes we chose the best, the most influential--and the worst. We consider them as entertainments, but because we are historians, we also discuss how the film makers and show runners dealt with the Middle Ages.  I hope you enjoy listening to this episode as much as we enjoyed recording it.This episode includes sound clips from:"The Adventures of Robin Hood" (1938), including Erich Korngold's magnificent musical score for that movie"The Man Who Shot Liberty Valance" (1962)"Robin Hood, Prince of Thieves" (1991)"Oo-De-Lally," composed and sung by Roger Miller, from Walt Disney's Robin Hood (1973)The television show "The Adventures of Robin Hood" (1955-9): exit theme by Carl Sigman, sung by Dick JamesThe podcast's intro music is composed by the talented and generous Alexander Nakarada (https://alexandernakarada.bandcamp.com/album/collection-celtic-medieval).If you are enjoying "'Tis But A Scratch: Fact & Fiction About the Middle Ages," please let friends, family, and students know about the podcast. Subscribing to the podcast doesn't cost anything and you will get a notification when a new episode is released. If you have the time and inclination, write a review. High ratings and good reviews will help new listeners find us.

‘I think of each year of my life now, as a level… in a game.' Carl Honoré is a bestselling author, broadcaster and two-time TED speaker. He is also the voice of the Slow Movement. After working with street children in Brazil, Carl covered Europe and South America for the Economist, Observer, Miami Herald, Houston Chronicle, National Post (Canada), Time and other publications. His first book, In Praise of Slow, chronicles the global trend toward putting on the brakes in everything from work to food to parenting. The Financial Times said it is “to the Slow Movement what Das Kapital is to communism”. Carl's second book, Under Pressure explores how to raise and educate children in a fast world and was hailed by Time as a “gospel of the Slow Parenting movement”. Carl's third book, The Slow Fix, explores how to tackle complex problems in every walk of life, from health and relationships to business and politics, without falling for superficial, short-term quick fixes. His fourth book, Bolder: How To Age Better And Feel Better About Ageing, is a spirited manifesto against ageism. Carl recently published his first children's book, It's The Journey Not the Destination Published in 35 languages, Carl has landed on bestseller lists in many countries. In Praise of Slow was a BBC Radio 4 Book of the Week and the inaugural choice for the Huffington Post Book Club. It also featured in a British TV sitcom, Argentina's version of Big Brother and a TV commercial for the Motorola tablet. Under Pressure was shortlisted for the Writers' Trust Award, the top prize for non-fiction in Canada. Bolder was also a BBC Radio 4 Book of the Week as well as a Reader's Digest (UK) Book of the Month. Carl featured in a series for BBC Radio 4 called The Slow Coach in which he helped frazzled, over-scheduled people slow down. He also presented a television show called Frantic Family Rescue on Australia's ABC 1. Carl lives in London. While researching his first book on slowness he was slapped with a speeding ticket. The Podcast was recorded live at The Kings Place London on the 27th February, 2023. Timeline 00.00 - 00.44 Theme & Intro 00.45 - 03.28 Introducing Carl Honore 03.30 - 07.55 How Carl came to write a book on ageing: The London Jets 07.56 - 10.09 Myth-busting Ageing: The Story of Jacko 10.10 - 13.14 The Effects of Ageism 13.15 - 14.00 The ‘Still' Syndrome 14.00 - 15.44 Inter-Generational Activities 15.45 - 18.00 The ‘Village' School 18.00 - 23.52 David Pearl - ‘Tanzlied des Pierrots' by Erich Korngold's from Die tote Stadt (The Dead City) 23.54 - 32.34 Ageing and Singing: How the voice evolves with age 32.36 - 35.25 How does Carl now feel about age? 35.26 - 37.40 Drawing the line of your life: where do you put the ‘x'? 37.41 - 38.36 David Pearl - ‘Ideale' by Paolo Tosti (excerpt) 38.38 - 40.15 Epilogue 40.16 - 40.37 End Titles Quotes “All of my books start with an existential crisis.” (Carl) “The thing about ageism is that it falls more heavily on us who are in the later years of life, because it has got tangled up in the cult of youth, the idea that younger is better. Ageing is seen, especially in our western cultures, it is seen as something to be ashamed of, to feel guilty of, to be disgusted by… to deny.” (Carl) “One of my bugbears is the phrase… showing my age. We should be showing off our age” (Carl) ‘When you don't know people of different ages, into that space rush all the grim toxic stereotypes about ageing. What they do find is that as soon as you start breaking down the silos and mixing people up that the stereotypes start to fall away.” (Carl) “Before writing ‘Bolder' I was a full card carrying member of the cult of youth. I never would have given my age. I would have low-balled it. I just felt awful about the whole idea of growing older and would have pushed it away. Now I feel genuinely at ease with it.” (Carl) “My metaphor for ageing is a gaming analogy. I think of each year as a level in a game. Right now I'm at level 55. I'm enjoying level 55 to the hilt. I'm gathering as much treasure as I can have. I'm enjoying all the adventures.” (Carl) “Every age has its pros and cons. Every age can be glorious and wonderful but only if we embrace it.” (Carl) Links Carl Honore (Guest) Instagram: @carlhonore Instagram: @carlhonore Twitter: @carlhonore YouTube:@carlhonore Facebook: @carlhonore and @carlhonorepage LinkedIn: @carlhonore Pinterest: @carlhonore TED Talk 1: Slow TED Talk 2: Age TED Course: How to slow down   David Pearl (Host) Web: https://www.davidpearl.net Twitter: @davidpearlhere Instagram: davidpearl_here   Andrew Paine (Producer & Audio Engineer) Twitter: @ItPainesMe   Anthony Ingle (Piano) Website: https://impropera.co.uk Linked In: https://www.linkedin.com/in/anthony-ingle-3339a915/   Fiona Finsbury (Opera Singer & Actor) Instagram: @fionafinsbury   Genevieve Tawiah (Performance & Vocal Physiotherapist / Dancer) Instagram: @tawiahphysio

The two violinists of the Tippett Quartet – John Mills and Jeremy Issacs – tell Editor Martin Cullingford about the group's new recording of the three string quartets of Erich Korngold, released on the Naxos label.

Compositor húngaro nacido en Budapest. En los treinta hubo una profesionalización de la música en el cine con Erich Korngold y Max Steiner como máximos exponentes. Luego llegaron célebres compositores como Frank Waxman, Dimitri Tiomkin o nuestro invitado de hoy Miklos Rozsa. Su gran trabajo como artesano, investigando en como adaptar la música de forma dramática en las películas, le llevó a ser un referente del cine de aventuras y sobre todo del épico, consiguiendo marcar un estilo imitado hasta hoy día. Durante algo más de tres horas, te contamos toda su vida y escucharás treinta y un temas inolvidables, todos ellos emblemáticos. Ben-Hur o El Cid, son algunas de sus magníficas bandas sonoras, en una vida repleta de éxitos, donde le contemplan tres Oscar. Además tendremos a Nacho Granda el especialista en bandas sonoras y ex-director del extinto programa Scores de cine, que nos hablará curiosidades y anécdotas de este gran compositor y nos recomendará sus cuatro composiciones favoritas. +Info: www.masqcine.com twitter: @masquecine2 telegram: @masquecineradio facebook: @masquecine mail: info@masqcine.com Canal Scores de cine (Nacho Granda): https://www.ivoox.com/podcast-podcast-scoresdecine-musica-cine_sq_f1157884_1.html Playlist del programa: https: https://music.youtube.com/playlist?list=PLKuVCYpv1hsT0KgtfXFDofMh0ZLyo7Wfi&;feature=share Libro -AISLADOS EN EL CINE- Primer libro, editado por Terra Ignota, escrito por Pepe Dana y Javier Pérez-vico, ya está disponible en: www.riffraff.es ¿CUÁLES SON LOS BALUARTES DE ESTE LIBRO ? Tratar la obra con nostalgia indagando en nuestra niñez y juventud, recordando estas maravillosas obras de las que hablamos en el libro. ¿CÓMO ABORDAMOS LAS PELÍCULAS ? Agrupándolas en cuatro categorías, o capítulos, en las que el nexo de unión es la soledad, la religión, la exclusión social y la enfermedad. En cada grupo encontrarás cintas que tratan estas temáticas de forma concreta y específica. El lector al que le guste el cine en general, encontrará en estos títulos una motivación para acercarse a las obras de nuevo o por primera vez, para conocerlas en profundidad. Se contextualizan, de forma modesta, en base a la motivación que nos llevó a ponerle este título: Aislados en el cine. ¿QUÉ MÁS PODEMOS DESCUBRIR EN ESTE VOLUMEN? Un compendio de momentos inolvidables, arropados por la nostalgia y el recuerdo, certificado por los autores, que además firman sus capítulos de forma muy personal y diferente uno del otro, ofreciendo interesantes aspectos que convierten la obra en algo único. Detalles de la producción, curiosidades y anécdotas de los rodajes o los protagonistas, salpican el libro, rico en matices. En ocasiones nos desviamos del camino para exponer temáticas paralelas que vienen a colación a través de las historias que se nos cuentan: autores de las obras, entorno social, peculiaridades… CAPÍTULOS El libro se divide en cuatro capítulos: Soledad, Religión, Exclusión social y Enfermedad. En cada uno de ellos podrás encontrar cinco películas indispensables de cada tema, analizadas y acompañadas de datos y material gráfico SOLEDAD: – Candilejas – Los puentes de Madison – Primavera tardía – Bailando con lobos – Solas. RELIGIÓN: – Carrie – Él – La semilla del diablo – La palabra – Los chicos del maiz. EXCLUSIÓN SOCIAL: – Yo, Cristina F. – Billy Elliot – Días sin huella – Hugo – El hombre elefante. ENFERMEDAD: – El Resplandor – Bailar en la oscuridad – Memento – Hana-Bi – Psicosis

Compositor húngaro nacido en Budapest. En los treinta hubo una profesionalización de la música en el cine con Erich Korngold y Max Steiner como máximos exponentes. Luego llegaron célebres compositores como Frank Waxman, Dimitri Tiomkin o nuestro invitado de hoy Miklos Rozsa. Su gran trabajo como artesano, investigando en como adaptar la música de forma dramática en las películas, le llevó a ser un referente del cine de aventuras y sobre todo del épico, consiguiendo marcar un estilo imitado hasta hoy día. Durante algo más de tres horas, te contamos toda su vida y escucharás treinta y un temas inolvidables, todos ellos emblemáticos. Ben-Hur o El Cid, son algunas de sus magníficas bandas sonoras, en una vida repleta de éxitos, donde le contemplan tres Oscar. Además tendremos a Nacho Granda el especialista en bandas sonoras y ex-director del extinto programa Scores de cine, que nos hablará curiosidades y anécdotas de este gran compositor y nos recomendará sus cuatro composiciones favoritas. +Info: www.masqcine.com twitter: @masquecine2 telegram: @masquecineradio facebook: @masquecine mail: info@masqcine.com Canal Scores de cine (Nacho Granda): https://www.ivoox.com/podcast-podcast-scoresdecine-musica-cine_sq_f1157884_1.html Playlist del programa: https: https://music.youtube.com/playlist?list=PLKuVCYpv1hsT0KgtfXFDofMh0ZLyo7Wfi&feature=share Libro-AISLADOS EN EL CINE- El gran éxito que está teniendo nuestro primer libro editado por Terra Ignota y escrito por Pepe Dana y Javier Pérez-vico, ya está disponible en: www.riffraff.es ¿Cuáles son los Baluartes de este libro? Tratar la obra con nostalgia indagando en nuestra niñez y juventud, recordando estas maravillosas obras de las que hablamos en el libro. ¿CÓMO ABORDAMOS LAS PELÍCULAS? Agrupándolas en cuatro categorías, o capítulos, en los que el nexo de unión es la soledad, la religión, la exclusión social y la enfermedad. En cada grupo encontrarás cintas que tratan estas temáticas de forma concreta y específica. El lector al que le guste el cine en general, encontrará en estos títulos una motivación para acercarse a las obras de nuevo, o por primera vez, para conocerlas en profundidad. Se contextualizan, de forma modesta, en base a la motivación que nos llevó a ponerle este título: Aislados en el cine. ¿QUÉ MÁS PODEMOS DESCUBRIR EN ESTE VOLUMEN? Un compendio de momentos inolvidables, arropados por la nostalgia y el recuerdo, certificado por los autores, que además firman sus capítulos de forma muy personal y diferente uno del otro, ofreciendo interesantes aspectos que convierten la obra en algo único. Detalles de la producción, curiosidades y anécdotas de los rodajes o los protagonistas, salpican el libro, rico en matices. En ocasiones nos desviamos del camino para exponer temáticas paralelas que vienen a colación a través de las historias que se nos cuentan: autores de las obras, entorno social, peculiaridades… CAPÍTULOS El libro se divide en cuatro capítulos: Soledad, Religión, Exclusión social y Enfermedad. En cada uno de ellos podrás encontrar cinco películas indispensables de cada tema, analizadas y acompañadas de datos y material gráfico SOLEDAD: – Candilejas – Los puentes de Madison – Primavera tardía – Bailando con lobos – Solas. RELIGIÓN: – Carrie – Él – La semilla del diablo – La palabra – Los chicos del maiz. EXCLUSIÓN SOCIAL: – Yo Cristina F. – Billy Elliot – Días sin huella – Hugo – El hombre elefante. ENFERMEDAD: – El Resplandor – Bailar en la oscuridad – Memento – Hana-Bi – Psicosis

Hoy les compartimos las historias de los héroes musicales judíos, quienes a pesar del Holocausto, lograron sobre pasar sus miedos. ¿Quiénes fueron Richard Strauss, Kurt Weill y Erich Korngold? Son compositores que a pesar de vivir en la represión del régimen Nazi, lograron continuar con su arte, hoy Gerardo Kleinburg, nos habla de sus obras.

Este volumen de Una Cosa Rara comienza con una comparación entre dos bandas sonoras, tras la que no escucharéis la música de Star Wars de la misma forma. De alguna manera, esto está relacionado con nuestro protagonista de hoy, Erich Korngold, gran compositor austriaco que hizo carrera como un pionero de la composición de música para el cine. A la vez, contaremos la historia de un niño prodigio, de un triunfador en la Viena de entreguerras, un incomprendido y un ganador de dos Premios Oscar. El relato de Korngold, fascinante en muchos aspectos, nos permite descubrir a uno de los grandes olvidados de la música del siglo pasado.

Hans Zimmer, John Williams en James Horner; allemaal zijn ze beïnvloed in klank en compositietechnieken door Erich Korngold, Max Steiner en Alfred Newman. In dit eerste deel van een tweeluik ontdekt Coen Haver samen met Radio 4 redacteur en presentator Pieter van Nes hoe deze grootheden te werk gingen en hoe hun werk nog altijd doorklinkt in de moderne filmmuziek. Ze beluisteren samen de mooiste hoofdthema's en leidmotieven uit onder meer The Adventures of Robin Hood (1938), King Kong (1933), Gone With the Wind (1939), The Terminal (2004), Titanic (1996) en Interstellar (2014). Een podcast over, maar vooral ook mét heel veel schitterende filmmuziek. Support the show: https://www.patreon.com/movieinsiders See omnystudio.com/listener for privacy information.

In an episode dangerously overburdened with wholesomeness, the boys chat to saxophonist YolanDa Brown about her multiple MOBO awards and life as a Ceebeebies presenter. There's also a heartwarming email exchange with master of the queens music Judith Weir – and the big secret behind the Star Trek Original Series theme is revealed.…Click here for YolanDa's fabulous music resources, ideal for ages 5–7: http://twinkl.co.uk/yolanda Wenatchee High School student get round the problem of social distancing in band rehearsals: https://twitter.com/thehoffather/status/1364707538990632961/photo/2 Judith Weir talks about her composing and characteristics she's identified within her work: https://www.youtube.com/watch?v=T92hx9ldA4E …Music Referenced: ‘Tim and Sam's Podcast' written and performed by Harry Sever 'Tequila' by the ChampsThe Kaiviti Silktails performing ‘Mo Ravi Vei Jisu''Blackbird' by the BeatlesJudith Weir's ‘Blackbirds and Thrushes', performed by George Mosley and Ian BurnsideThe Springwatch them tune by David PooreThe first movement from Erich Korngold's Violin ConcertoThe main theme from Star Trek the Original Series by Alexander Courage'We Beseech Thee' from Stephen Schwartz's Godspell…Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Meet Gary and Honnie Korngold. We’ll chat with Gary about being the grandson to iconic film composer and multiple Academy Award winner, Erich Korngold. With his father also in film production, Gary grew up around actors, musicians and directors and determined that wasn’t the life for him. But then found himself re-engaged in the film community once he married his wife, producer, and now production partner, Honnie. After producing and hosting a travel show viewed for 8 seasons in 158 countries, Honnie founded the Story to Screen Conference, is the founder of the Georgia nonprofit organization, PhilanthroFilms, and is a member of the Academy of Television Art and Sciences. Today Honnie and Gary work side by side as they produce feature and documentary films through their production company, CineVantage.

This coming Saturday, December 19, is an important day for my family: it’s my mother Jane’s 85th birthday. To pay tribute to this event, and to this very special woman, I’m presenting a program focusing on the year 1935, and important milestones in film, musicals, and the hit parade. There was such a dizzying variety of musical material in this year that it was challenging to organize, but I focus on young artists who were just entering the scene (Judy Garland, Carmen Miranda, and Édith Piaf) to émigrés to and from America (including Marlene Dietrich, Paul Robeson, Joséphine Baker, Kurt Weill, Elisabeth Welch, and Erich Korngold), to Broadway shows that debuted in that year (in performances by, among others, Ethel Merman, Libby Holman, and Nat King Cole). Along the way I pay particular focus to what was, in retrospect, the most important Broadway event of the year, the premiere of Porgy and Bess. From that show, I present performances by Todd Duncan, Anne Brown, and Ruby Elzy, all of whom created their roles. I also examine the “Latin” influence on US culture from artists like Xavier Cugat, Carlos Gardel, and Miranda, and of the enormous cultural impact (in spite of repression and discrimination) that African American artists were making (Bessie Smith, Billie Holiday, Ella Fitzgerald, Alberta Hunter, Fats Wallter, and Adelaide Hall.) Finally I look at musicians who were also born in 1935 who made their mark in subsequent decades in a wide variety of styles (including Johnny Mathis, Julie Andrews, Diahann Carroll, Elvis Presley, Nancy Ford and Gretchen Cryer, and Jerry Orbach). This is not to forget figures ranging from Ruth Etting to Grace Moore to Fred Astaire to Patsy Montana to Allan Jones to Noël Coward to Benny Goodman to Lucienne Boyer to the Comedian Harmonists to Bette Davis. Please join me in celebrating all these artists, and in wishing my mother a very Happy Birthday! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.

Segunda y última cita con grandes maestros de la historia de la música, en concreto Jerome Moross, Camille Saint-Saëns, Richard Strauss, Dimitri Shostakovich, Joaquín Turina, Aram Khachaturian, Erich Korngold, William Walton y Ralph Vaughan Williams, protagonistas cinematográficos en las películas Rachel, Rachel (Americana miniature) - L’assassinat du Duc de Guise (Suite); El Caballero de la Rosa (Suite); Hamlet (Suite); Eugenia de Montijo (Romanza & Ante el espejo) – Otelo (Danza); Robin de los bosques (Suite -versión en directo-); Ricardo III (Preludio); Scott en la Antártida (Prólogo). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Segunda y última cita con grandes maestros de la historia de la música, en concreto Jerome Moross, Camille Saint-Saëns, Richard Strauss, Dimitri Shostakovich, Joaquín Turina, Aram Khachaturian, Erich Korngold, William Walton y Ralph Vaughan Williams, protagonistas cinematográficos en las películas Rachel, Rachel (Americana miniature) - L’assassinat du Duc de Guise (Suite); El Caballero de la Rosa (Suite); Hamlet (Suite); Eugenia de Montijo (Romanza & Ante el espejo) – Otelo (Danza); Robin de los bosques (Suite -versión en directo-); Ricardo III (Preludio); Scott en la Antártida (Prólogo). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Erich Korngold was one of the composers who invented the sound of Hollywood - and his music for The Sea Hawk (a 1940 Erol Flynn swashbuckler) is passionate, exhilarating and hugely influences our very ideas of what film music should sound like. Total listen time 36mins [podcast plus music] I talk about all this with my pal, Lev Parikian.   Music here: Though the "overture" gets played in concerts, it doesn't really exist as a thing that gets recorded! Mostly people record a suite - giving you more of Korngold's great music...   So here are my recommendations: I've selected my favourite bits (all the stuff Lev and I talked about) on Spotify: Top conductor Vladimir Jurowski has made a suite of his favourite bits and it's here on Youtube: complete with clips from the film and the State Academic Symphony Orchestra of Russia.   Please comment at www.cacophonyonline.com or the Cacophony Facebook page. Please subscribe to the podcast and share it too!        

Meet Gary and Honnie Korngold. We’ll chat with Gary about being the grandson to iconic film composer and multiple Academy Award winner, Erich Korngold. With his father also in film production, Gary grew up around actors, musicians and directors and determined that wasn’t the life for him. But then found himself re-engaged in the film community once he married his wife, producer, and now production partner, Honnie. After producing and hosting a travel show viewed for 8 seasons in 158 countries, Honnie founded the Story to Screen Conference, is the founder of the Georgia nonprofit organization, PhilanthroFilms, and is a member of the Academy of Television Art and Sciences. Today Honnie and Gary work side by side as they produce feature and documentary films through their production company, CineVantage.

Do you know what a 'tall tale' is? Well, it's a story that's just a little bit bigger than real life. And here's part of one of the biggest, tallest tales of all time: the story of Paul Bunyan and his best buddy, Babe the Blue Ox. It's the latest episode of Classical Kids Storytime, featuring narration by MPR News great Gary Eichten, music by Erich Korngold and original illustrations by Nancy Carlson.

Tim and Sam dissect Kerry Andrew's ‘O Nata Lux', discuss DG's new disc of music by Raminta Šerkšnytė's and review a night of Tansy Davies at Kings Place – PLUS Tim chats gender stereotypes in opera with director Daisy Evans, and finds out about the Solem Quartet's upcoming series of live Lobster screenings… Link to the Chopin Competition 2020: http://www.chopin2020.pl/ Eva Turner sings Turandot: https://youtu.be/e6SfhUzhO9E Alex Ashworth sings Monteverdi's Vespers:https://www.youtube.com/watch?v=Xpiel4996jAVenus Unwrapped speak to Tansy Davies:https://youtu.be/yCdIgrW2UtU Music Credits: ‘Tim and Sam's Podcast' written and performed by Harry Sever ‘Drop it Like it's Hot' by Chad Hugo, Calvin Broadus, Pharrell Williams, Tim Stahl and John Guldberg, performed by Timmy Fisher ‘O Nata Lux' by Kerry Andrew, performed by the London Oriana Choir 'Songs of Sunset and Dawn' by Raminta Šerkšnytė, performed by the Lithuanian National Symphony Orchestra with the Jauna Muzika Choir and Lina Dambrauskaitė, Justina Gringytė, Tomas Pavilionis and Nerijus Masevičius under Giedrė Šlekytė for DG John Williams's ‘Opening Title' from Star Wars, performed by the Boston Pops Esplanade Orchestra under the composer Erich Korngold's soundtrack to Kings Row, performed by the National Philharmonic Orchestra Jean Sibelius's Fifth Symphony, Mov. 3, performed by Timmy Fisher Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

TV & Film Producer HONNIE KORNGOLD explains her family's rich heritage in film composing through grandfather Erich Korngold, a cinematic musical leader in 1930s & 40s Hollywood. She then pivots to talk about how travel can open enormous possibilities within young people's lives. #honniekorngold #6waystosundaypodcast #filmcomposing #erichkorngold #filmproducing #independentfilm

Bariton Raoul Steffani wordt een van de grootste zangtalenten van Nederland genoemd. Als Artist in Residence op het Grachtenfestival verzorgt hij met de musici van Camerata RCO een bijzondere avond. In Fünf Lieder, arrangementen van liederen van Alma Mahler, Alban Berg en Erich Korngold, staat het romantische lied uit het begin van de 20e eeuw centraal. Presentatie: Antoinnette Scheulderman

Aad van Nieuwkerk verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Vanavond is dirigent Antony Hermus te gast, die het Noord-Nederlands Orkest en Consensus Vocalis dirigeert in de opera Die tote Stadt van Erich Korngold, een productie van de Nederlandse Reisopera. Met muziek van Erich Wolfgang Korngold, Leroy Anderson en Hanns Eisler.

Axel und Devid sind zurück: Mit gewohntem Enthusiasmus und neuen Lieblingstiteln. In der ersten Folge der zweiten Staffel eröffnen sie die kalte Jahreszeit mit einem Ballett von Erich Korngold, das fast wie eine Weihnachtsgeschichte von Disney wirkt. Von Devid Striesow und Axel Ranisch www.deutschlandfunkkultur.de, Echtzeit Hören bis: 01.01.2030 00:00 Direkter Link zur Audiodatei

En este podcast les presentamos la última ópera del compositor Erich Korngold, El milagro de Heliane, estrenada en 1927, y que marca el final de una brillante época en la vida cultural de la República de Weimar, escuchen aquí el porqué.

This week on Sticky Notes we dive into Film Music!  For almost 100 years, filmgoers have been captivated by the music of composers like John Williams, Bernard Herrmann, Erich Korngold, Dmitri Shostakovich, Max Steiner, Charlie Chaplin, and more.  On this week's episode, we'll find out why.  We will also talk about the beginnings of film music, and the difficult question of whether film music fits into(or doesn't fit into) the classical canon.  Thanks for listening, and I hope you enjoy it!  

This week on Sticky Notes we dive into Film Music!  For almost 100 years, filmgoers have been captivated by the music of composers like John Williams, Bernard Herrmann, Erich Korngold, Dmitri Shostakovich, Max Steiner, and Charlie Chaplin.  On this week's episode, we'll find out why.  We will also talk about the beginning's of film music, and the difficult question of where film music fits into(or doesn't fit into) the classical canon.  Thanks for listening, and I hope you enjoy it!  

Work by Korngold performed by Alexi Kenney, violin and Dina Vainshtein, piano on March 6, 2016. Korngold, Erich: Sonata for Violin and Piano in G Major, Op. 6 The piece we’ll hear on the podcast today was written when Erich Korngold was in his teens: his Violin Sonata in G Major, Op. 6. Why is this fascinating work, by such a promising composer, so little known today? In the 1930s, Korngold’s life took a dramatic turn, as the Nazi regime began to rise to power in his native Austria. Korngold was Jewish, and he accepted an invitation to come the United States—a move that would dramatically alter the course of his career. Once here, he quickly achieved success writing scores for Hollywood. Then, as the 20th century moved on musically, his early concert works fell out of favor, seen as too melodic and Romantic. But it is high time they got another hearing. Today, we’ll hear a recording from the Gardner Museum recital by young violinist Alexi Kenney and pianist Dina Vainshtein, recorded in March 2016—almost 100 years after the piece was written. Take a listen and see what you think: how does it stand the test of time?

Tillsammans med filmnestorn Orvar Säfström går Rickard igenom delar av filmhistorien. Det visar sig, att i var och varannan blockbuster, dyker det faktiskt upp musik från opera. Vi gör den här veckan nedslag i en mängd olika filmer som har en sak gemensamt: de innehåller musik från operans värld. Rickard och Orvar Säfström minns en hel del klassiska filmscener från exempelvis "Nyckeln till frihet" (The Shawshank Redemption), "Gudfadern III" och "Amadeus", men ger oss också en inblick i hur filmbranschen resonerar kring användandet av opera i film. Vi får svaret på vad diegetisk filmmusik är för något och hör anledningen till varför kopplingen mellan Erich Korngold och John Williams är så stark. Orvar Säfström har tidigare bland annat varit programledare för Filmkrönikan i SVT. Sedan flera år producerar han konserter med spelmusik - ett tema som också tas upp i veckans program.

Matthew Sweet introduces a selection of film music inspired by images of poverty and riches in the week of the launch of "The Big Short" with a score by Nicholas Britell. Nicholas Brittell's work with Hans Zimmer on the score for "12 Years A Slave" won him great praise, since which he went on to score Natalie Portman's directorial debut film, "A Tale of Love and Darkness". The programme includes music from "Cabaret"; "The Gold Diggers of 1933"; "The Kid"; "The Great Gatsby"; "The Bicycle Thieves"; "Cinderella"; "Teorema"; "Elysium" and "The Bonfire of the Vanities". The Classic Score of the Week is Erich Korngold's music for "The Prince and the Pauper".

Matthew Sweet with a selection of film music written for characters who find themselves on the wrong side of the law in the week that has seen the release of John Maclean's "Slow West" with a score by Jed Kurzel. Matthew's Classic Score of the Week is Erich Korngold's 1935 "Captain Blood".

More highlights from the Library of Congress' National Recording Registry.  Music includes: 12th Street Rag, In a Mellotone, Can't Help Lovin That Man, The Adventures of Robin Hood and Honky Tonk Blues.  Perfromers include: Louis Armstrong, Helen Morgan. Jelly Roll Morton, Duke Ellington, Erich Korngold and Iry Lejeune.

Here's a hint: yo! ho-ho, and an Academy Award…

Here’s a hint: yo! ho-ho, and an Academy Award…