Podcasts about ethiopiques

Funk, Soul, Jazz, Latin, r&b, Brazil, rare groove, world music

‘De reiziger: Emahoy' Emahoy kwam uit een gegoede familie in Ethiopië, en was voorbestemd om pianiste te worden. Dat werd ze ook, en daarnaast componiste, maar heel anders dan gedacht. Onlangs overleed ze in een klooster in Jeruzalem; de Ethiopische non Emahoy Tsegue-Marya Guebrou. Muziek tussen Satie en Ethiopië.   Emahoy Tsegue-Marya Guebrou The Jordan River Song Emahoy Tsegue-Marya Guebrou, piano (album: Ethiopiques, vol.21) Emahoy Tsegue-Marya Guebrou Ballads of the Spirits Emahoy Tsegue-Marya Guebrou, piano (album: Ethiopiques, vol.21)

Od "Cesarza" zaczęła się wielka międzynarodowa kariera Ryszarda Kapuścińskiego. Czy z tej książki dowiemy się dużo o Etiopii? Nie bardzo. A o samym Hajle Selassje? Tym bardziej nie. Czy jest więc czytać Kapuścińskiego? Oczywiscie! Przeczytałem bliższą prawdzie biografię jednego z najbardziej fascynujących władców świata, uznawanego za Mesjasza przez rastafarian, króla królów, "strasznego pana". W dzisiejszym odcinku opowiem oczywiscie nie tylko o Hajle Sellasje. Będa też małpy, pierwsi homo, dwa słowa o wojnie i pokoju, wycieczka do skalnych kościołów Lalibeli, pochylimy się nawet nad problemem przykościelnych lasów w Etiopii. Z tego odcinka dowiesz się też, czym jest ethio-jazz, ile kościołów jest w Polsce, a ile zagranicznych baz wojskowych w Dżibuti.⭕️ ZOSTAŃ NASZYM PATRONEM: https://patronite.pl/dobrapodroz⭕️ YouTube:Subskrybuj nasz kanał!⭕️‍ Social media:Instagram: instagram.com/dobra_podroz/ Facebook: facebook.com/tudobrapodroz/

As rebroadcast August 3, 2022 with plenty of vintage vibes for your streaming experience.  Tonight we went back to one of our favorite countries in the world that has always been on Danno's bucket list (and he'd better hurry, cuz he's like...old):  Ethiopia!  Magic vibes both past and more contemporary await as we fly off to Addis Ababa with Dunia Aljawad, who promptly upon landing sponsored the capital city changing the name to Adidas Ababa.  What clout our Iraqi maven doth have!  Great tunes all around, questionable but nonetheless enjoyable banter for hour two on the trip, and some Korean cuts to mark our return.#feelthegravityTracklisting:Part I (00:00)Mulatu Astatke – Yegelle TezetaAlamayehu Eshete – Talantena ZareSeyfu Yohannes – Mela uelaAyalew Mesfin & The Black Lion Band – Feqer aydelem weyThe Scorpions feat Saif Abu Bakr – Saat AlfarahDur-Dur Band – Garsore Waa Ilaah Part II (36:14)Hailu Mergia – Yefikir Engurguro (mixed)Tsegue Maryam Gebrou – Homesickness Pt 2Akale Wube – Jour de pluieGirma Bayene feat Akale Wube – Feqer Ende Krar (Yebeqagnal)Gigi – Gud FellaAbyssinia Band – I Am A Flower At Your YardPart III (66:17)Hailu Mergia - TezetaHailu Mergia - Yene MirchaMulatu Astatke - MulatuMulatu Astatke & The Black Jesus Experience – To Know Without KnowingTeddy Afro - Mar eske Tuwaf Part IV (102:31)Gigi - EnoralehuAbdu Kiar & Melat Kelemework (Weye Weye)Hamelmal Abate – LINURDub Colossus – Azmari DubSung Si-kyung - On the street (거리에서)015B – Goodbye Now

This week on The Sound Kitchen you'll hear the answer to the question about the recently formed leftist political parties' coalition competing in France's upcoming legislative elections. There's “On This Day”, plenty of good music, and of course, the new quiz question, too. Just click on the “Audio” arrow above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more. There's Paris Perspective, Africa Calling, Spotlight on France, and of course, The Sound Kitchen. We have a bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too. As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website and click on the three horizontal bars on the top right, choose “Listen to RFI / Podcasts”, and you've got ‘em ! You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.  Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Another idea for your students: My beloved music teacher from St Edward's University in Austin, Texas, Dr Gerald Muller, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr Martin Luther King, Jr, too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”). There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link above and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do! This week's quiz: On 30 April, I asked you a question about French politics; specifically, the legislative elections next month. As you know, the French re-elected Emmanuel Macron as president in April, and his party, Renaissance – which until recently was called The Republic on the Move - holds the majority in parliament. RFI English journalist Amanda Morrow wrote an article right after the election about Jean-Luc Mélenchon, the head of the hard-left party France Unbowed, who came in third in the presidential polls. Mélenchon was hard at work at the time trying to create a coalition of all the left-leaning parties to deprive Macron of his majority in Parliament: Mélenchon would therefore hold the office of prime minister. At the time, it seemed highly unlikely that such a coalition could be created as there were too many differences between the parties in question. You were to refer to Amanda's article “Clock ticking as French left mulls coalition deal to humble Macron” and answer these two questions: the names of the different parties Mélenchon was trying to bring into the coalition, and the differences they have with Mélenchon. The answer is: First and foremost, Mélenchon did succeed in creating a leftist coalition – it's called the New Popular Union. The parties Mélenchon solicited to join the coalition are the Socialists, the Communists, the Greens, and the New Anti-Capitalist Party. There were many disagreements on Mélenchon's platform from the various parties, mainly about European integration (Mélenchon is basically anti-EU, to put it simply) and also about the percentage of representation in the legislature that members of his party, France Unbowed, would take as prizes … the majority, of course, because as Mélenchon said, he came in third place in the presidential polls, not the Socialists, or the Greens, or the Communists or the New Anti-Capitalists. They worked it all out though, and we'll see what happens next month when the French cast their ballots. Meanwhile, Macron on his side has also created a coalition. Macron's Renaissance party has joined forces with the centrist parties MoDem and Horizons; that coalition is called Together. The winners are: Raihan Ali, who's a member of the Nilshagor RFI Fan Club in Nilshagor, Bangladesh, and RFI Listeners Club members Vladimir Gudzenko from Moscow Province, Russia; Zenon Teles, who's the president of the Christian – Marxist – Leninist - Maoist Association of Listening DX-ers in Goa, India, and John Yeami Sanday Turay from Freetown, Sierra Leone. Last but certainly not the least, faithful RFI English listener Bernard Egbe, from Abuja, Nigeria. Congratulations winners! Here's the music you heard on this week's program: Traditional Nepali folk music performed by Kutumba; “Yèkèrmo Sèw” by Mulatu Astatke, performed by Ethiopiques; “Allegro ma non troppo” from the Concerto for Two Pianos by Francis Poulenc, performed by pianists Lucas and Arthur Jussen with the Royal Concertgebouw Orchestra conducted by Stéphane Denève; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov, and “Precious Lord” by Thomas A. Dorsey, sung by Mahalia Jackson. Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... You have to listen to the show to participate. After you've listened to the show, refer to Ollia Horton's article “Postcard from Cannes # 3: Give peace a chance” to help you find the answer. You have until 11 July to enter this week's quiz; the winners will be announced on the 16 July podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France or By text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number. To find out how you can win a special Sound Kitchen prize, click here. To find out how you can become a member of the RFI Listeners Club, or to form your own official RFI Club, click here. 

As broadcast May 11, 2022 with plenty of vintage vibes for your trip to the truly ancient lands.  Tonight we pay tribute to one of our favorite countries in the world that has always been on Danno's bucket list (and he'd better hurry, cuz he's like...old):  Ethiopia!  Magic vibes both past and more contemporary await as we fly off to Addis Ababa with Dunia Aljawad, who promptly upon landing sponsored the capital city changing the name to Adidas Ababa.  What clout our Iraqi maven doth have!  Great tunes all around, questionable but nonetheless enjoyable banter for hour two on the trip, and some Korean cuts to mark our return.#feelthegravityTracklisting:Part I (00:00)Mulatu Astatke – Yegelle TezetaAlamayehu Eshete – Talantena ZareSeyfu Yohannes – Mela uelaAyalew Mesfin & The Black Lion Band – Feqer aydelem weyThe Scorpions feat Saif Abu Bakr – Saat AlfarahDur-Dur Band – Garsore Waa Ilaah Part II (36:14)Hailu Mergia – Yefikir Engurguro (mixed)Tsegue Maryam Gebrou – Homesickness Pt 2Akale Wube – Jour de pluieGirma Bayene feat Akale Wube – Feqer Ende Krar (Yebeqagnal)Gigi – Gud FellaAbyssinia Band – I Am A Flower At Your Yard Part III (66:17)Hailu Mergia - TezetaHailu Mergia - Yene MirchaMulatu Astatke - MulatuMulatu Astatke & The Black Jesus Experience – To Know Without KnowingTeddy Afro - Mar eske Tuwaf Part IV (102:31)Gigi - EnoralehuAbdu Kiar & Melat Kelemework (Weye Weye)Hamelmal Abate – LINURDub Colossus – Azmari DubSung Si-kyung - On the street (거리에서)015B – Goodbye Now

The Memory Palace is a proud member of Radiotopia from PRX. This episode was originally released in December of 2016 A note on notes: We'd much rather you just went into each episode of The Memory Palace cold. And just let the story take you where it well. So, we don't suggest looking into the show notes first. Music Starts with Christope Beck and DeadMono's theme to Charlie Countryman. Prelude for HS by Hakon Stene. Tezeta (Nostalgia) from Malatu Astatke, from Ethiopiques vol. 4, one of my favorite pieces of music in the world. Marian Lapansky plays Camille Saint-Saens “Le Sygne.” Which fights with Piero Umiliani's Danza Primitiva. Warren Ellis rounds it out with his Lale's Theme from his terrific score to Mustang (which you should totally see). The Hazel Scott pieces can be found here and here. Notes I first heard about Hazel Scott while reading Rad American Women from A to Z to my daughter. It's a wonderful book. You should buy it for any kid in your life. I read a lot about Hazel, but Karen Chilton's biography, Hazel Scott: A Pioneering Jazz Pianist from Cafe Society to HUAC was essential.

Mmmm… Donuts. Mmmm… Limburger Cheese? In this episode we quote Camus and Hemingway and their Moveable Feasts to explore retronasal olfaction. Specifically, how smell enhances our favorite activity: feasting on delicious things, whenever and wherever we bloody well like. With: Maite Gomez-Rejón (ArtBites) sharing historical research into chocolate, Jude Stewart (author) exploring truffles LaVay Ullie (Ol Skool BBQ) exploring smoke, wood and BBQBetty Hallock (author) connecting food and smell through languageMiss Layla (Fum Fragrance) exploring the gourmand categorySean Raspet (artist) discussing his work with flavoring. Episode premieres on Thu. Feb. 24, 5pm PT on Lookout FM (KGAP 96.7 FM Burbank, KFQM 101.5 FM Pacific Palisades, KLDB 99.1 FM Hollywood, and online at lookout.fm ) and at 6pm PT on a podcast provider near you. SONGS: Bosnian Swing, by Igor (PremiumBeat.com); Restaurant Sound, inestadeu49 (freesound.org); Ethiopiques by Eshi Era (PremiumBeat.com); Lazy & Drunk by RimskyMusic (PremiumBeat.com); Araguaia Samba  Brazil by Richard Canavan (PremiumBeat.com); 'Perfume on the Radio' theme song, by Emmitt James; 'Moonrise' by Darian Zahedi; Perfume on the Radio Interstitials by Maxwell Williams

Nyabinghi, akwaba, tambours du Congo, guembri, kora, sont à l’honneur dans cette émission. PLAYLIST 01:54 _ Nyabinghi Order – Groundation10:25 _ Count Ossie And The Mystc Revelation of Rastafari – Grounation 37:23 _ Ethiopiques – Al_mu_aga b_gu_na – The Harp Of King David01:00:08 _ Akwaba drummers 01:10:27 _ Congo Drums01:18:14 _ Bongo Herman feat Capleton & Burru […] L'article Ajamaat Sound – 5 est apparu en premier sur Radio Campus Tours - 99.5 FM.

Nouveautés de la sono mondiale avec des artistes de France et de tout autour du monde : Sierra Leone, Cameroun, Australie..Le réveil est doux et même “Soft & Tender”, comme ce joli morceau de la chanteuse française November Ultra, surnommée Nova, ce qu'elle racontait récemment dans sa Chambre noire. D'autres moments d'émotion sont à vivre dans le film Passing (Clair-Obscur) de Rebecca Hall disponible sur Netflix. Et justement, ces retrouvailles de deux amies d'enfance dans le Harlem des années 20 s'accompagne d'une ancienne découverte musicale de Nova : le “Homeless Wanderer” de la pianiste éthiopienne Tsegue Maryam Guebrou, publiée sur Buda Records, collection Ethiopiques. Avant cette vague de douceur, le sifflement de l'australienne Molly Lewis résonnait sur nos ondes, un avant-goût de son passage aux Transmusicales de Rennes début décembre. Mais que sifflote-t-elle ? “Oceanic Feeling” sorti sur son dernier EP The Forgotten Edge. Dans ce Worldmix, des beautés nonchalantes, celles produites par le producteur Al Quetz sur son nouvel album intitulé Habanologia, avec Niko Coyez et le pianiste claviériste Florian Pellissier sur la “Sombra de la palma”. De Cuba nous partirons au Brésil, incarné par la chanteuse Céu, sur un nouvel album Um Gusto de Sol composé de reprises de ses auteurs et interprètes favoris, et la participation de Russo Passapusso des Novos Baianos sur “Teimosa”. “Space 2” sur Nova entre jazz et makossa, le musicien camerounais, parisien depuis des lustres, Raymond Doumbé, nous offre son Hidden Paradise soit 8 compositions d'un bassiste connu reconnu et des plus respectés par la grande famille de l'afro jazz. Juste avant c'est Kondi Band qui vous a définitivement réveillé avec ce nouvel album We Famous sorti sur Strut Records. Voici le titre “It's God's World” par ce duo formé par le chanteur et joueur de sanza, Sorie Kondi de Sierra Leone et DJ Chief Boima, producteur américain aux origines sierra léonaises, pour un trad electro roots d'avant garde !PlaylistPat Kalla/Patchworks - Dans l'eau de la claire fontaineMarisa Monte - Calma Silk Sonic - Fly As Me Seu Jorge - Convite VidaSoulé - QueenishFemi Kuti - The World Is Changing Dont le Worldmix : Molly Lewis - Oceanic Feeling Tsegue Maryam Guebrou - The Homeless Wanderer November ultra - Soft & Tender Kondi band feat. Sweatson Klank - It's God's World Al Quetz - La sombra de la Palma feat. Niko Coyez & Florian Pelissier Céu - Teimosa feat. Russo Passapusso Raymond Doumbé - Space 2 Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Maya Dunietz est née à Tel-Aviv. Après des débuts plutôt classiques, la pianiste a fait une rencontre qui devait complètement changer sa vie : avec Emahoy Tségué-Maryam Guèbrou, une religieuse éthiopienne à la vie romanesque, par ailleurs violoniste et pianiste, elle aussi, retirée au monastère éthiopien de Jérusalem et redécouverte grâce à l'un des volumes des compilations Ethiopiques. Cette rencontre hautement initiatique a incité Maya Dunietz à apprendre tout son répertoire puis à le jouer dans le monde entier. Aux USA et ailleurs, Maya Dunietz s'est aussi frottée à des expérimentations jazz et rock, auprès de sorciers du son comme John Zorn ou, plus inattendu, le groupe français Cheveu. Aujourd'hui Maya Dunietz vient de sortir son premier album solo, Free The Dolphin, un disque magnifique où blues et gammes éthiopiennes côtoient le jazz sous toutes ses formes, surtout les plus libres. Du mystère des chants sami à la puissance des cérémonies du peuple shona, en passant par son initiation avec la religieuse et pianiste éthiopienne Emahoy Tsegué-Maryam Guèbrou, Maya Dunietz se dévoile en magie dans La Potion aujourd'hui. See acast.com/privacy for privacy and opt-out information.

Un Worldmix éthiopien en hommage au producteur mythique Amha Eshèté disparu récemment.Installez-vous dans notre cabaret éthiopien, le temps d'un mix dansant qui vous portera, par la musique, au coeur des fécondes années du “Swinging Addis “ que Francis Falceto, producteur, journaliste, musicologue a su nous faire découvrir au fil des compilations “Ethiopiques” sur le label Buda Musique ces vingt-trois dernières années. Jeudi 29 avril disparaissait un producteur intrépide, Amha Eshèté, grâce auquel de nombreux musiciens ont pu s'exprimer et continuent de susciter la plus grande admiration de la part d'un public issu du monde entier et des artistes qui s'inspirent, apprennent et reprennent les modes et les secrets des arrangements de ces musiques. Benoît Thuault, notre réalisateur, fan de la première heure de la collection “Ethiopiques” nous mixe les sélections effectuées par Francis Falceto pour ce Worldmix dédié à Amha Eshèté.En visuel ci-dessus, le neuvième Ethiopiques dédiée à Alèmayèhu Eshèté.PlaylistAfrican Corporation ft. Saleeh - LovePamelo Mounk'A - L'Argent Appelle L'ArgentAltin Gun - Bulunur MuMahotella Queens - Asambeni BafanaLa Fine Equipe - Happy End L'afrobrunch musical “Ethiomix” Alèmayèhu Eshèté - Addis Abèba bété Mahmoud Ahmed - Kulun mankwalèsh Sèyfu Yohannès - Mèla mèla Tèshomè Meteku- Yèzèmèd yèbaed Alèmayèhu Eshèté - Mèkèyèrshin salawqTèwèldè Rèddat - Ab teqay qèrebi Mulatu - Dèwèl Ayaléw Mesfin - Hasabé See acast.com/privacy for privacy and opt-out information.

Sous titre : Un #Worldmix éthiopien en hommage au producteur mythique Amha Eshèté disparu récemment.Installez-vous dans notre cabaret éthiopien, le temps d'un mix planant qui vous portera, par la musique, au coeur des fécondes années du “Swinging Addis “ que Francis Falceto, producteur, journaliste, musicologue a su nous faire découvrir au fil des compilations “Ethiopiques” sur le label Buda Musique ces vingt-trois dernières années. Jeudi 29 avril disparaissait un producteur intrépide, Amha Eshèté, grâce auquel de nombreux musiciens ont pu s'exprimer et continuent de susciter la plus grande admiration de la part d'un public issu du monde entier et des artistes qui s'inspirent, apprennent et reprennent les modes et les secrets des arrangements de ces musiques. Benoît Thuault, notre réalisateur, fan de la première heure de la collection “Ethiopiques” nous mixe les sélections effectuées par Francis Falceto pour ce Worldmix dédié à Amha Eshèté.PlaylistSababa 5 - NasnusaSeu Jorge - Mania De Peitao Degiheugi - Nuday Orchestra Baobab - SeyMykki Blanco - Free RideMaravillas de Mali - Rendez-vous chez FatimataCesaria Evora - Sangue De BeironaDont l'EthiomixAlèmayèhu Eshèté - AltèlèyèshegnemTlahoun Gèssèssè - SemaTsehaytu Bèraki - Mèdjèmèriya feqrey Mulatu - Mètché dershé Muluqèn Mèllèssè - Hédètch alu Girma Bèyènè - Ené nègn bay manèsh Menelik Wèsnatchèw - Tchèrèqa Alémayéhu Eshèté -Timarkyalèsh See acast.com/privacy for privacy and opt-out information.

Nina's not sure how she feels about Wim Wenders' Palme d'Or-winning film starring Harry Dean Stanton and the guy from Quantum Leap. But she's working through it. Lauren loved Ethiopiques but, as music dumb-dumbs, she and Nina struggle to say anything about it.

Après la sélection musicale des nouveautés de la programmation, Nova se réveille en Ethiopie avec l”Abyssinian Mix”, concocté par notre réalisateur — et grand fan de musiques éthiopiennes, Benoît Thuault. Au programme, un Worldmix qui fait la part belle aux fameuses compilations des “Ethiopiques” et présente plusieurs nouveautés. Avec Maryam Guebrou, Tlahoun Gessess, Dexter Story ou encore Azmari.PlaylistSababa 5 & Yurika - NasnusaBumcello - Beautiful YouJungle - Keep MovingParvati Khan - Jimmy Jimmy JimmyJoby Valente - Mi Moin Mi Ou Kid Creole & The Coconuts - Annie I'm Not Your DaddyDont l"Abyssinian mix” par Benoît Thuault (décembre 2020)Maryam Guebrou - The Homeless WandererTlahoun Gessesse - Lantchi BiyeHirut Bèqèlè & Police Orchestra - Ewnetegna FeqerHoodna Orchestra - Sof LaylaDexter Story - RasMulatu Astatke & Black Jesus Orchestra - Kulun MankwaleshiAzmari - Cosmic MasadāNi See acast.com/privacy for privacy and opt-out information.

[Intro: 11:04] Political strategist and organizer Akin Olla joins me to discuss the history of the FBI’s assault on left-wing activists over the decades and the absolute necessity for organizers to have operational security in today’s political climate as Big Tech companies “depoliticize” their platforms in the wake of the Capitol siege last month. We address several of his recent articles published at The Guardian, including ‘The FBI can't investigate white extremism until it first investigates itself,’ ‘Facebook is banning leftwing users like me – and it's going largely unnoticed,’ and ‘The US Capitol riot risks supercharging a new age of political repression.’ In this interview, Akin dives into the Federal Bureau of Investigation's long and violent history of surveilling, attacking, and undermining leftist organizing in the United States since the agency’s inception in the early 20th century. Since the Capitol siege on January 6th, the FBI has turned its attention and resources toward identifying and detaining the participants in the riot, which has led liberals, and unfortunately many that would claim themselves to be on the left, to celebrate the agency's decision to pursue seditious white extremists for a change. But, considering the history of this agency, for those organizing movements of resistance to systems of white supremacy in the US, it's a bit difficult to trust the agency with this task. “The FBI has a long history of fulfilling the function of white supremacy in the United States. While the Tulsa Massacre was ongoing, the FBI’s predecessor was busy investigating Marcus Garvey and his Universal Negro Improvement Association. The FBI’s first director, J Edgar Hoover, waged war on the civil rights movement from its onset. The war was ramped up in the age of Cointelpro, an FBI program designed to surveil, dismantle and destroy any movement working to end racism or capitalist exploitation in the United States. The FBI occasionally investigated white supremacists during this era (1956 to 1971),but spent the vast majority of its resources fighting those committed to Black and Indigenous liberation. And many of the bureau’s investigations of white supremacists were disingenuous; the FBI knew for a fact that the Birmingham police Department had been infiltrated by the KKK, for example, but continued to feed the department information about civil rights activists. During Hoover’s half century as director, the FBI sent a blackmail letter to Martin Luther King encouraging him to commit suicide and was probably involved in the assassination of 21-year-old NAACP and Chicago Black Panther party leader Fred Hampton.” (http://bit.ly/3b7FFmY) Akin Olla is a Nigerian-American political strategist, organizer, and writer based in Philadelphia, and is the host of This Is The Revolution podcast. Episode Notes: - Read Akin’s op-eds published at The Guardian: http://bit.ly/3b7FFmY / http://bit.ly/3ddDxwJ / http://bit.ly/2ZxZXRr - Read ‘Facebook restricted a West Philly activist as it grappled with fallout from the Capitol riots’ at the Philadelphia Inquirer: http://bit.ly/3pq7o7F - Follow and support his podcast This Is The Revolution: https://thisistherevolution.buzzsprout.com / https://twitter.com/ThisIsRevShow / https://ko-fi.com/thisistherevolution - The song featured is “Tezeta (Nostalgia)” by Mulatu Astatke from the album Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale (1969-1974): https://youtu.be/Wy-v-FgiUD8 WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast / https://venmo.com/LastBornPodcast BOOK: http://bit.ly/ORBITgr ATTACK & DETHRONE: https://anchor.fm/adgodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

Néo Géo Nova vous tire de la torpeur d'automne avec cette fois-ci un Worldmix conçu par le réalisateur de notre émission, Benoît Thuault, un grand fan de musiques éthiopiennes.Il nous offre un « Abyssinian Mix », qui fait la part belle aux pépites de la collection « Ethiopiques » et se prolonge par plusieurs nouveautés « sous influence ». Playlist « Réveil au bout du monde » Titi Zaro - GaweElia Y Elizabeth - Alegria (Yuksek Remix)Manu Di Bango - Bayam Sell'AmRoy Panton - Endless MemoryThe Go! Team - Cookie SceneKid Creole & The Coconuts - Annie I'm Not Your DaddyPlaylist « Abyssinian Mix» de Benoît Thuault Maryam Guebrou - The Homeless WandererTlahoun Gessesse - Lantchi BiyeHirut Bèqèlè & Police Orchestra - Ewnetegna FeqerHoodna Orchestra - Sof LaylaDexter Story - RasMulatu Astatke & Black Jesus Orchestra - Kulun MankwaleshiAzmari - Cosmic MasadāNi Visuel © Azmari / Facebook See acast.com/privacy for privacy and opt-out information.

Bulle - quelques pensées baladeuses autour de Mahmoud Ahmed "Erè Mèla Mèla" Texte : Ce matin, un vent d'ailleurs souffle et semble chercher des réponses à des questions que tu n'imaginais pas. La mélopée se déploie, et tes pas, lourds en ce matin pluvieux, s'allègent peu à peu et t'emportent le long d'un chemin souvent parcouru mais que tu n'avais jamais vu de telle façon. Tu es loin des plateaux qui ont vu naitre cette musique et pourtant elle t'habite comme si elle te constituait partiellement. Elle infiltre la partie la plus défendue de ton être et accède sans rencontrer de résistance à tes émotions, à tes joies, à tes peurs, à tes espoirs. Tu sais, tout d'abord confusément puis de façon de plus en plus limpide que lorsqu'elle s'arrêtera, restera ancrée en toi la certitude qu'elle ne t'abandonnera plus. This morning, a wind from elsewhere is blowing and seems to be looking for answers to questions you never imagined. The melody unfolds, and your steps, heavy on this rainy morning, lighten little by little and carry you along a road you have often travelled but never seen before. You are far from the plateau where this music was born, and yet it lives in you as if it were part of you. It infiltrates the most defended part of your being and accesses your emotions, your joys, your fears and your hopes without encountering any resistance. You know, at first confused at first, then more and more clearly that when it stops, the certainty that it will not abandon you again will remain anchored in you.  Soutenez-nous !

A philosophical chat about human connection, making music, and committing to change. (Ps. I tested negative to covid.) Find all music and news at http://www.moulettes.co.uk/ Phonin' with Honan Spotify Playlist https://spoti.fi/2UuzotI Emahoy Tsegué-Maryam Guèbrou Ethiopiques album https://spoti.fi/2UuzAsW Join Nuala each episode as she works her way through the contacts in her phone, catching up with old friends and fellow musicians for a chat and to share in some understanding of what is going on in 2020. The aim of this podcast is to pass the time, to bring you stories that might help you navigate your own way through this viral mess, and most importantly, to build the mother of all music playlists to soothe your isolated body and mind.

durée : 00:49:50 - Magazine en Euskara France Bleu Pays Basque - Aurten, Covid-19-arengatik, gauza ainitz ezeztatuak izan dira ; Itsasuko Ezkandrai elkarteak alternatibak atxeman ditu ekitaldi batzuen egiteko

durée : 00:49:50 - Urdin Euskal Herri Irratia euskaraz / Les chroniques en basque de France Bleu - Aurten, Covid-19-arengatik, gauza ainitz ezeztatuak izan dira ; Itsasuko Ezkandrai elkarteak alternatibak atxeman ditu ekitaldi batzuen egiteko

Admas, a quartet of young Ethiopian musicians living in exile in Washington DC, had a ball recording an album of synth-heavy, funked up versions of Ethiopian classics. 'Sons of Ethiopia ' was soon forgotten but became cult among fans of ethiojazz. Now reissued by Frederiksberg Records, it reflects happier times from a generation that "just escaped" the worst of the Derg. Some records are far more than the sum of their parts, and Sons of Ethiopia is one such. The seven tracks were recorded in 1984 by the band Admas: Henock Temesgen, Abegasu Shiota, Tewodros “Teddy” Aklilu and Yousef Tesfaye. Like so many Ethiopian expats in the U.S. at the time, the four young men had fled the Derg: the military junta that deposed Emperor Haile Selassie in 1974. As the White Terror gave way to the Red Terror, over a million people died in the violence. Aklilu, the band’s keyboard player, left Addis in 1977, aged 15, just before the worst of the Red Terror began. “It was so sad, kids killed each other,” he told RFI on the line from Addis. “I went to the U.S. and basically closed my ears for the next two or three years.” Aklilu closed his ears to the horror, but opened them to exciting new music. When bass player Henock Temesgen, an old school friend, arrived in Washington DC in 1980 they began playing together. “It was a very dark time but we found our cocoon, our own friends, playing in each other’s houses. We tried to create our own group, our own happy times,” said Temesgen. The need to experiment The two friends played in a band called Gasha and took up residency at the Red Sea, a lively Ethiopian restaurant in Washington. They would open for big Ethiopian names like Aster Aweke, playing instrumentals to audiences of expats, many of whom had lost friends and family in the civil war. While they enjoyed traditional Ethiopian music, they immersed themselves in the sounds of their new home with its go go funk, jazz, highlife, samba and roots reggae. Brazilian jazz fusion band Azymuth, The Crusaders and Spyro Gyra were big influences, they said. “In DC you got to hear a lot more of what the world has to offer, than in Ethiopia, and it’s very natural that when you hear something you want to experiment with it,” Aklilu explained. What’s more, there were new tools like Moog keyboards, synthesisers and electric guitars to play with. Joined by drummer Yousef Tesfaye and multi-instrumentalist Abegasu Shiota, the musicians expressed their more experimental side under the new name of Admas. “Abagasu liked to work with computers, he had a four track very basic recorder and started playing with it, said it would be nice to record something,” Temesgen said. They scraped the funds together to record seven tracks and had 1,000 copies pressed. They sold a few, paid off their debts, but didn’t make any money. “We didn’t have any business sense,” Aklilu laughed. “We still don’t!” Re-shaping songs from happier times They recorded instrumental, high-tech versions of songs largely from “the golden era, the good old days, Ethiopian music from happier times” Temesgen explained. “The experimentation was not in the melody but in the harmonisation and rhythm,” said Aklilu. They did “a reggae-ish version” of Wed Enate, put samba rhythms into Samba Shegitu and paid tribute to Ghanaian highlife on Bahta’s Highlife although, as Aklilu admitted, it owes more to Congolese soukous. On Tez Alegn Yetintu, the band drew out its melancholic blues feeling. “It’s a popular song and we played it in half time, so for a lot of people the melody would be very slow. But we played it like a really melancholic blues song.” The age group that just escaped Spurred on by the optimism of their youth, Admas bent some of these melancholic old melodies into new shapes. “I think the music you can hear on the album is our experience of America basically, it was more hopeful than sad,” said Aklilu. “And also our personalities come through the music,” Temesgen continued. “During that time our personalities were optimistic and hopeful.” “We were not damaged by the revolution, we escaped, we were lucky. And I think the album might reflect that age group that just escaped.” Still fresh today The men moved on, went their separate ways and forgot about the album. Then decades later, Aklilu was contacted by Andreas Vingaard, founder of NY-based Frederiksberg Records. A big fan of Francis Falceto’s Ethiopiques compilations, Vingaard had stumbled on Sons of Ethiopia and wanted to reissue the record. “When I heard Admas for the first time, it sounded very different from any other Ethiopian music I had heard,” he told RFI. “It's clearly Ethiopian, but it's different and familiar at the same time. It's incredible to me that so many years later it still has a real freshness to it.” The men were surprised the album had generated new interest. “We didn’t know but a lot of people have been collecting it and liked it; it was being sold for a lot of money on eBay. Somebody said the album had a cult following,” Aklilu recalled. “It is great music,” Temesgen admitted, but “I didn’t think people outside the Ethiopian community would know about the way I felt.” “It will be a surprise for this generation I think,” said Aklilu. The beat goes on in Addis   Three of the band members have made successful careers in music. Aklilu now works on music research projects and sometimes tours with Ethiopian pop star Teddy Afro, Temesgen has become a prominent music educator and Shiota is one of the country’s top recording engineers. They’ve played together and don’t rule out releasing another Admas album one day. The music scene in Ethiopia is “very vibrant” the Admas duo said, with lots of young bands playing in a range of genres: ethio-jazz, pop music and traditional. But this promising scene is hamstrung by heavy import taxes of up to 300 percent on musical instruments, which are deemed luxury items. “It’s killing the music here, it’s really damaging us,” regretted Aklilu. “Musicians can’t afford instruments; it’s one thing the government needs to change so music can grow in this country.” Sons of Ethiopia, on vinyl and cd, complete with detailed liner notes, is available here.   

Admas, a quartet of young Ethiopian musicians living in exile in Washington DC, had a ball recording an album of synth-heavy, funked up versions of Ethiopian classics. 'Sons of Ethiopia ' was soon forgotten but became cult among fans of ethiojazz. Now reissued by Frederiksberg Records, it reflects happier times from a generation that "just escaped" the worst of the Derg. Some records are far more than the sum of their parts, and Sons of Ethiopia is one such. The seven tracks were recorded in 1984 by the band Admas: Henock Temesgen, Abegasu Shiota, Tewodros “Teddy” Aklilu and Yousef Tesfaye. Like so many Ethiopian expats in the U.S. at the time, the four young men had fled the Derg: the military junta that deposed Emperor Haile Selassie in 1974. As the White Terror gave way to the Red Terror, over a million people died in the violence. Aklilu, the band's keyboard player, left Addis in 1977, aged 15, just before the worst of the Red Terror began. “It was so sad, kids killed each other,” he told RFI on the line from Addis. “I went to the U.S. and basically closed my ears for the next two or three years.” Aklilu closed his ears to the horror, but opened them to exciting new music. When bass player Henock Temesgen, an old school friend, arrived in Washington DC in 1980 they began playing together. “It was a very dark time but we found our cocoon, our own friends, playing in each other's houses. We tried to create our own group, our own happy times,” said Temesgen. The need to experiment The two friends played in a band called Gasha and took up residency at the Red Sea, a lively Ethiopian restaurant in Washington. They would open for big Ethiopian names like Aster Aweke, playing instrumentals to audiences of expats, many of whom had lost friends and family in the civil war. While they enjoyed traditional Ethiopian music, they immersed themselves in the sounds of their new home with its go go funk, jazz, highlife, samba and roots reggae. Brazilian jazz fusion band Azymuth, The Crusaders and Spyro Gyra were big influences, they said. “In DC you got to hear a lot more of what the world has to offer, than in Ethiopia, and it's very natural that when you hear something you want to experiment with it,” Aklilu explained. What's more, there were new tools like Moog keyboards, synthesisers and electric guitars to play with. Joined by drummer Yousef Tesfaye and multi-instrumentalist Abegasu Shiota, the musicians expressed their more experimental side under the new name of Admas. “Abagasu liked to work with computers, he had a four track very basic recorder and started playing with it, said it would be nice to record something,” Temesgen said. They scraped the funds together to record seven tracks and had 1,000 copies pressed. They sold a few, paid off their debts, but didn't make any money. “We didn't have any business sense,” Aklilu laughed. “We still don't!” Re-shaping songs from happier times They recorded instrumental, high-tech versions of songs largely from “the golden era, the good old days, Ethiopian music from happier times” Temesgen explained. “The experimentation was not in the melody but in the harmonisation and rhythm,” said Aklilu. They did “a reggae-ish version” of Wed Enate, put samba rhythms into Samba Shegitu and paid tribute to Ghanaian highlife on Bahta's Highlife although, as Aklilu admitted, it owes more to Congolese soukous. On Tez Alegn Yetintu, the band drew out its melancholic blues feeling. “It's a popular song and we played it in half time, so for a lot of people the melody would be very slow. But we played it like a really melancholic blues song.” The age group that just escaped Spurred on by the optimism of their youth, Admas bent some of these melancholic old melodies into new shapes. “I think the music you can hear on the album is our experience of America basically, it was more hopeful than sad,” said Aklilu. “And also our personalities come through the music,” Temesgen continued. “During that time our personalities were optimistic and hopeful.” “We were not damaged by the revolution, we escaped, we were lucky. And I think the album might reflect that age group that just escaped.” Still fresh today The men moved on, went their separate ways and forgot about the album. Then decades later, Aklilu was contacted by Andreas Vingaard, founder of NY-based Frederiksberg Records. A big fan of Francis Falceto's Ethiopiques compilations, Vingaard had stumbled on Sons of Ethiopia and wanted to reissue the record. “When I heard Admas for the first time, it sounded very different from any other Ethiopian music I had heard,” he told RFI. “It's clearly Ethiopian, but it's different and familiar at the same time. It's incredible to me that so many years later it still has a real freshness to it.” The men were surprised the album had generated new interest. “We didn't know but a lot of people have been collecting it and liked it; it was being sold for a lot of money on eBay. Somebody said the album had a cult following,” Aklilu recalled. “It is great music,” Temesgen admitted, but “I didn't think people outside the Ethiopian community would know about the way I felt.” “It will be a surprise for this generation I think,” said Aklilu. The beat goes on in Addis   Three of the band members have made successful careers in music. Aklilu now works on music research projects and sometimes tours with Ethiopian pop star Teddy Afro, Temesgen has become a prominent music educator and Shiota is one of the country's top recording engineers. They've played together and don't rule out releasing another Admas album one day. The music scene in Ethiopia is “very vibrant” the Admas duo said, with lots of young bands playing in a range of genres: ethio-jazz, pop music and traditional. But this promising scene is hamstrung by heavy import taxes of up to 300 percent on musical instruments, which are deemed luxury items. “It's killing the music here, it's really damaging us,” regretted Aklilu. “Musicians can't afford instruments; it's one thing the government needs to change so music can grow in this country.” Sons of Ethiopia, on vinyl and cd, complete with detailed liner notes, is available here.   

Good morning, afternoon, and or evening depending on when you are reading this. Welcome back! Today I thought we would do something a bit different on the podcast. I currently am studying English on the track of Creative Writing with a concentration on poetry so, I thought I would present some of my recent work. Both works "Planchando Tortillas" & "Drunken, Whispered Stories" are two poems of my parents. Both were inspired from James Brown's short story "My Papa's Waltz" from his memoir The Los Angeles Diaries where he transforms an old event; one he found embarrassing, into a new and beautiful moment now, with his new perspective on things. Thank you so much for tuning back! Information on the song: Emahoy Tsegué-Maryam Guébrou, "The Homeless Wanderer." Ethiopiques, vol. 21: Emahoy (piano solo)

Un soir, j'entends un OVNI musical. Incapable d'identifier cette mélodie si singulière. On dirait du Eric sati qui swing."C'est quoi cette musique ?" On me répond : "C'est du jazz éthiopien". Je n'en avais jamais entendu parlé. Une vraie pépite musicale que je vous raconte. ​Avec : Francis Falceto, Fondateur de la collection "Ethiopiques" qui regroupe les plus grandes artistes de jazz éthiopien

Proxima Estacion avait eu la chance de recevoir Arat Kilo pour la sortie de leur premier album Night in Abyssinia en 2011. Huit ans plus tard, on retrouve avec plaisir ces musiciens, happés par les sonorités des 70’ d’Addis-Abeba mises en lumières par Francis Falceto et ses Ethiopiques.  Machine à Groove, Arat Kilo poursuit son voyage musical sans frontières sans jamais quitter l'esprit de l'Ethiopie.Pour« Visions of Selam » leur 4e album, ils invitent la diva malienne Mamani Keita et le slameur américain Mike Ladd. Une réussite. Playlist du 21 janvier 2019 : titre - artiste - album - label Toulo - Arat Kilo - Vision of Selam - Accord croisés Lancinant - Arat Kilo - Nouvelle fleur -  Eklektik Dia Barani - Arat Kilo - Vision of Selam - Accord croisés Seeds - Arat Kilo - Vision of Selam - Accord croisés Mestefeker - - Arat Kilo - Nouvelle fleur -  Eklektik Dou Coula - Arat Kilo -  Vision of Selam - Accord croisés Chaos Embbed - Arat Kilo - Vision of Selam - Accord croisés Gren Promenné - The Bongo Hop - Santigarona Pt2 - Underdog records Stepping Out - Stepping Out - Wanted Alive Sens interdit - Vaudou Game - Otodi - Hot Casa record When a was a lad - Donna Samiou - Music from Greece - Caprice All ashore - Punch Brothers - All Ashore - None such Le temps - Naïssam Jalal - Quest of the invisible - Les Couleurs du son Lo barcot es de papier - Laurent Cavalier - Mon Ombra e ieu - Sirventes Yumeh  - Kengo Saïto - Japanistan - Lokanga Tomorow - Anne paceo - Bright Shadow -  Laborie Jazz Alice - Putchota -Raiz Di Djarfogo - Ocora Oki Sentimento caba - Helios Batalha feat Pex - Golpe de Stado    

Rapoon; Jon Hassell; Joshua Abrams & the Natural Information Society; James Holden & the Animal Spirits; Michael Brook; Eccodek; Adham Shaikh; Mulatu Astatqe; Brian Eno / David Byrne; Mahmoud Ahmed; Tor; Zazou / Biyake / Cy1; Debo Band; Girma Beyene; Burnt Friedman & Jaki Liebezeit; Equanim; The Ambassadors; Aster Aweke; Alemayehu Eshete; Bzunesh Beqele & Dahlak Band; Dizzy Gillespie & his Orchestra; Getatchew Mekurya & Mikael Seifu.

New music from ErenaTerakubo, Colombian big band cumbia, Mal Waldron, Ethiopiques & more!

Russ Gershon, leader of the Either/Orchestra, brings in his forthcoming record from the Ethiopiques series, plus some never-released Ethiopian radio recordings of the source material. The Either/Orchestra, founded over 30 years ago, has become one of the leading exponents of Ethiopian big band music, with several recordings, two trips to Ethiopia, plus concerts around the globe. In this episode, Russ gives an oral history of the Ethiopian Armenians and the composer Nerses Nalbandian, whose compositions set the stage for modern Ethiopian music. Original air date: February 10, 2017

Russ Gershon, leader of the Either/Orchestra, brings in his forthcoming record from the Ethiopiques series, plus some never-released Ethiopian radio recordings of the source material. The Either/Orchestra, founded over 30 years ago, has become one of the leading exponents of Ethiopian big band music, with several recordings, two trips to Ethiopia, plus concerts around the globe. In this episode, Russ gives an oral history of the Ethiopian Armenians and the composer Nerses Nalbandian, whose compositions set the stage for modern Ethiopian music. Original air date: February 10, 2017

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. SPOILERS BELOW Notes I first heard about Hazel Scott while reading Rad American Women from A to Z to my daughter. It's a wonderful book. You should buy it for any kid in your life. I read a lot about Hazel, but Karen Chilton's biography, Hazel Scott: A Pioneering Jazz Pianist from Cafe Society to HUAC was essential. Music Starts with Christope Beck and DeadMono's theme to Charlie Countryman. Prelude for HS by Hakon Stene. Tezeta (Nostalgia) from Malatu Astatke, from Ethiopiques vol. 4, one of my favorite pieces of music in the world. Marian Lapansky plays Camille Saint-Saens "Le Sygne." Which fights with Piero Umiliani's Danza Primitiva. Warren Ellis rounds it out with his Lale's Theme from his terrific score to Mustang (which you should totally see). The Hazel Scott pieces can be found here and here.

Proxima Estacion pour cette dernière session de 2016 vous propose de découvrir les coulisses du Festival "Au fil des Voix" et l'alléchante affiche de sa dixième édition que viennent nous présenter nos deux invités Marie-Laure Lakhdar et Ivette Hubackova.Une décennie qui a su confirmer ce festival comme un des événements phares des musiques du Monde à Paris.Des artistes confirmés aux révélations, du jazz camerounais au jazz manouche iranien, des rencontres autour de l'ethio groove à l'étonnant croisement entre musique bretonne et palestinienne. Le festival se décline aussi autour de Nuits : Persane, Italienne, Méditerranéenne et Kurde...demandez le programme!Playlist de l’émission  Artiste - Album - Titre -  Label/Distributeur: Aïda et Babak - Manushan -  Kié Kié Dar Mizané -Accords Croisés / Harmonia Mundi    Arat Kilo + Mamani Keita et Mike Ladd - Nouvelle Fleur  - Lancinant - Eklektik / L'Autre distributionGirma Bèyènè et Akalé Wubé   - Ethiopiques 30 : Mistakes On Purpose - Enken Yelelebesh - Buda Musique / SocadiscVinicio Capossela -Canzoni della Cupa - La Bestia nel grano -Warner MusicKharoub : Hamon Martin Quintet et Basel Zayed   - Kharoub - Ala Dalouna Songe - A la Zim ! Muzik / Coop BreizhRadio Babel Marseille -In situ - Amor Viagero - Phonomatik Lab / Music Inside RecordsVakia Stavrou - Alasia - Black Bossa - Accords Croisés / Harmonia MundiNishtiman Project - Kobane - Kobane - Accords Croisés / Harmonia MundiWati Watia Zory Band - Zanz in Lanfer - Rest' La Maloya - Air Rythmo/L'autre DistributionKora Jazz Band - Live au New Morning -  Konon - Koala Prod/Rue StendhalBonga - Recados De Fora / Ngo Kuiver - LusafricaAurélio - Darandi - Dondo - Real World/PiasMacha Gharibian - Trans Extended - Saskatchewan - Jazz Village/PiasLouis Winsberg projet  Jaléo - For Paco - For Paco - Label Bleu/L'Autre DistributionCalypso Rose - Far From Home  - Calypso Queen -  Maturity MusicMungal - Pan! The Steeldrum odyssey - Dreadlocks  - World Village/Pias

Dealing with post-election blues, but we're not gonna let it keep us from dancing! Dance therapy over here! ALL NIGHT LONG! Shake shake shake ya hips! Geoff does the oogie boogie, I do the twist... This week to get us feeling good again we've got THE BEST Afrobeat, Afrofunk, Afro Disco, Rock, AND Swing all from the continent with the mostest and bestest! Hear songs from Fela Kuti, Amadou Ballake, Alèmayèhu Eshèté, Cutlass Dance Band, Tee Mac and MANY MORE! Holy smokes you're gonna have such a fun time listening!   Facebook: www.facebook.com/internationalhouseofmusic Twitter: www.twitter.com/scarlowapitt IG: www.instagram.com/scarlo_wapittaluigi Email: scarlowapittaluigi@gmail.com   Remember to SUBSCRIBE and SHARE! Give it a review if ya feelin' NASTY!  

**UPDATE** Here's the link to the amazing video I attributed to Konono #1 but is actually Sobanaz Mimanisa with "Kiwenbo".  The cofusion occured because I first heard each of them on Congotronics Compilations.  Either way, this is a marvelous video showing amazing music is everywhere! (https://www.youtube.com/watch?v=vJFpYV-Aw9Y) *************** Welcome to summer!  The pool parties and beach trips have begun and oh man did I get so sunburned at the beach the other day.  Who knew you needed to sunscreen your shins?!  This collection goes in several different but related directions and should, in addition to giving you an hour an a half mix for being outdoors, also provide the seeds for plenty of future discovery.  We start with Ghanaian Highlife and then we're all over the map with disco, breakbeat, jazz, afro funk, a little global bass, and of course some steel pans.  It's a lot of fun.    My intent was to have this out last week before I went on travel but of course I ran into a couple glitches during post (basically one huge unforced technical error on my part) so one or two date references may seem a bit out of place.  It turns out this whole podcast thing is way more than just picking and playing songs.  This go round I timed some aspects of the process because I never really know how much time I spend on an episode.  Selecting the songs could be any length of time.  Some tracks come from memories from years ago so that part is hard to define.  More quantifiable though is hardware setup (mic on stand, usb dj controller, usb analog to digital interface, two laptops, a second monitor for laptop 1) and software setup (Abelton, Serato, MS Word).  Hardware is always the same but I swear, there is a different software glitch every single time.  Minimum 30 minutes but easily can grow to an hour or more.  I also usually put in at least two hours writing up a basic script but then there are also the random hours of learning about things that eventually contribute to the story.  Recording itself is the length of the podcast, so about an hour and forty minutes this time.  Post production is another big chunk.  I have a couple compressors and a reverse limiter setup in Ableton now so I spend far less time than I used to getting audio ducking and general levels balanced correctly.  Overall, it does come out quieter than my purchased songs and I haven't really figured out why yet.  There's probably some easy fix, if so, I'm all ears.  (It's an overall gain thing rather than a loudness issue I think.)  As a matter of fact I'd love to hear any suggestions for upping the production quality.  Anyway, after exporting the mixdown I use Podreel on my PC to add in the chapters with track titles, album art, and links-to-buy.    That program is super finicky and requires me to use my old PC so again, ideas for other options would be greatly appreciated.  Apple removed the chapter functionality from GarageBand several versions ago for some reason so I don't know of any way to do it on a Mac.  All of that can take two to four hours, sometimes more.  And finally, there is the uploading, blog writing, tracklist prep, and social media posting.  So give or take there is a hidden eight or so hours in there for producing each episode.  Makes more sense to me now why it is hard to get episodes out! Well that little stream of consciousness paragraph got a little bigger than intended so without further ado, let's get to the tunes. Thanks for listening and don't forget to support the artists. Aaron @ActListMusic Tracklist (links to buy) 1.Surprise Hotel by Fools Gold on Fool's Gold 2.Mewo Akoma by Pat Thomas & Kwashibu Area Band on Pat Thomas & Kwashibu Area Band 3.Dance, Love & Die by Guts on Eternal 4.Strike Hard by Troubleman on Time out of Mind 5.Bacao Suave by Bacao Rhythm & Steel Band on 55 6.A Chance For Peace ft. Sara Sayed by Mop Mop on A Chance For Peace 7.Blackbird by Fat Freddy's Drop on Blackbird 8.Obra by Ebo Taylor on Love & Death 9.Trickle Down by Hard Proof on Rise of The Troubadour Warriors - Tropical Grooves & Afrofunk International Vol.3 10.Yègellé Tezeta (My Own Memory) by Mulatu Astatke on Ethiopiques, Vol. 4: Ethio Jazz 1969-1974 11.Logun by Metá Metá on MetaL MetaL 12.Malukayi ft. Konono N°1 by Mbongwana Star on From Kinshasa 13.On The Line by Sidestepper on Supernatural Love 14.Mi Swing Es Tropical ft. Tempo & The Candela All-Stars by Quantic & Nickodemus on Best of Quantic 15.Aguacero by Captain Planet feat. Chico Mann on Turntables on the Caribbean 16.Get a Move On! by Mr. Scruff on Keep It Unreal (10 Anniversary Analogue Remaster Edition)

The Memory Palace is a proud member of Radiotopia from PRX. SPOILERS BELOW Music * First up is The Homeless Wanderer from Tsegue-Maryam Guebrou off of the Emahoy (Piano Solo) album, number 21 in the unimpeachable Ethiopiques series. * Then we get some of To the Right the Enemy, to the Left the Sea from Simon Rakham. * We finish with Stellify by Francesco Albanese. Notes * The bulk of the non-technical details from this one comes from Charles Duke’s highly readable memoir, Moonwalker: The True Story of an Astronaut Who Found That the Moon Wasn’t High Enough to Satisfy his Desire for Success. He’s a wonderful story teller and an amiable literary companion. I’ll also note that the end of the book, the last few chapters or so, are really a wonderful, clear-eyed, deeply felt story of how, first, Dottie’s faith, and then Charles’ set the course of the rest of their lives. If that’s the sort of thing that interests you, I really do recommend the book.

Podcast mensuel présenté par DJeromebosch. En route pour la corne de l'Afrique via le fabuleux projet éditorial entamé en 1997 par Francis Falcetto: les Ethiopiques, 29 volumes à ce jour. Un mix d'illuminations musicales sans commentaires. La playlist est disponible sur www.radiorectangle.com > émissions > OK/KO www.facebook.com/RadioRectangle

Podcast mensuel présenté par DJeromebosch.En route pour la corne de l'Afrique via le fabuleux projet éditorial entamé en 1997 par Francis Falcetto: les Ethiopiques, 29 volumes à ce jour. Un mix d'illuminations musicales sans commentaires. La playlist est disponible sur www.radiorectangle.com > émissions > OK/KOwww.facebook.com/RadioRectangle

I feel like we haven't done a show this... stable?... in more than 6 months. Planning is caring, for my own sanity and for the ears of the discerning radio listener. The seed of this show was leftovers from the previous week (the dreaded 5th to 1st Thursday no-gap!). But toss in the unfortunate death of Dave Brubeck and some choice new material, and we get a program far superior--far more structurally sound--than the previous week. And then for the next show, December 20, we're returning to anti-radio! Download | Podcast Bold text indicates relatively new releases (including reissues and comps). The Dave Brubeck Quartet - "Blue Rondo a la Turk" (from Time Out) The Nice - "Rondo" (from The Thoughts Of Emerlist Davjack) Le Orme - "Blue Rondo a la Turk" (from L'Aurora Delle Orme) James Cotton - "Midnight Creeper" (from Midnight Creeper (Live in Montreal 1967)) Grouse discusses the Blue Rondo Formula of prog rock songwriting The Dave Brubeck Quartet - "Strange Meadow Lark" (from Time Out) The Dave Brubeck Quartet - "Unsquare Dance" (from Time Further Out) Van Shipley - "Jan Pahechan Ho" (from Bollywood Steel Guitar) M. Geddes Gengras - "Air Solo" (from Beyond the Curtain) Daphni - "Cos-Ber-Zam Ne Noya (Daphni Mix)" (from Jiaolong) Karthala 72 - "Delores" (from Dans Le Coeur Du Feu) Kaoru Abe - "1972.1.21 Alto 1" (from Another Day's Dream) The Pyramids - "Ancient Funk!" (from Otherworldly) Kalaimamani Kadri Gopalnath - "Kangalidyatako" (from Gem Tones) Mulatu Astatke - "Gubèlyé (My Gubel) " (from Ethiopiques 4 - Ethio Jazz & Musique Instrumentale 1969-1974) Dr. John - "You Lie" (from Locked Down) DJ Kentaro - "Big Timer (f/ MC Zulu)" (from Contrast) Bunji Garlin (f/ Nigel Rojas)- "Differentology" (new single) Las Malas Amistades - "Lamento" (from Maleza) Le Marchand du Soleil - "Laila Je T'Aime" (from Laila Je T'Aime) I'm running out of snarky things to write about Grouse; he's actually sounding somewhat professional now that he has a real radio audience. No fun! Ike Bennet & the Crystalites - "Illya Kuryakin" (from Trojan Rocksteady Box Set) Mr. Confuse - "Lookout Weekend" (from Feel the Fire)

Feels like it's been a while since there's been a show without a grand theme. A return to normalcy? The new normal also apparently means I take 6 weeks and a day to process every podcast. Guess what, we're back on the air this Thursday/tomorrow at 7pm. Death is back, so expect their to be some sort of tribute to Bill Doss of the Olivia Tremor Control. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Tom Carter & Bardo Pond - "Side 1" (from 4/23/03) Charalambides - "Variant" (from Drilling the Curve) Giving out the live call-in number... a little risky, eh, Grouse? The Meters - "Darling Darling Darling" (from Funkify Your LIfe: The Meters Anthology) Holy Modal Rounders - "Interlude" (from The Moray Eels Eat the Holy Modal Rounders) The United States of America - "The American Way of Love" (from The United States of America) Joe Byrd and the Field Hippies - "Moonsong: Pelog / Patriot's Lullabye" (from The American Metaphysical Circus) You got all of that Metaphysical stuff wrong, Grouse! Booker T & the MGs - "Soul Dressing" (from The Complete Stax/Volt Singles: 1959-1968) Cuffs - "Private Views / YCCT" (RTS 017) Terry Malts - "Disconnect / Don't Think You're Funny" (from LL007 ["Shit Split"]) CSC Funk Band - "A Little Weight" (from EC 022) The Apostles - "Oshi Onwu" (from ASS-003) Mulatu Astatke - "Yegelle Tezeta" (from Ethiopiques 4 - Ethio Jazz & Musique Instrumentale 1969-1974) Amen Dunes - "Ethio Song" (from Ethio Covers 7") Debo Band - "Akale Wube" (from Debo Band) Caston Deluca & Mellow Kello - "Voicemail Song #2" (a READ-GROUSE voicemail) The Velvet Underground - "Murder Mystery" (from The Velvet Underground) Caston Deluca - "Diary Entry" (a READ-GROUSE voicemail) Pants Yell! - "Two French Sisters" (from Alison Statton) The Make-Up - "How Pretty Can U Get" (from Destination: Love; Live! At Cold Rice) Hypnotic Brass Ensemble - "Black Boy" (from Bulletproof Brass EP) Jewish Renaissance Medical Center - "Ivan has an appointment" (a READ-GROUSE voicemail) Ronnie Von - "Atlântida" (from A Misteriosa Luta do Reino do Parassempre Contra o Império de Nunca Mais) Grouse, how dare you talk over Floh De Cologne Floh De Cologne - "Fließbandbaby (cut short by dead battery)" (from Fließbandbabys Beat-Show)