Podcasts about Royal Concertgebouw Orchestra

Winner of the Royal Philharmonic Society's Singer Award, Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She has enjoyed close collaborations with both the Bayerische Staatsoper, where she has sung over 80 performances as a guest artist and with whom she won Recording of the Year at the Gramophone Awards for Korngold's Die Tote Stadt, and the Royal Liverpool Philharmonic Orchestra, for whom she was their Artist-In-Residence for two seasons. Facetune_10-01-2024-19-09-31_edited_edited.jpg Her operatic roles have included Brigitta in Korngold's Die Tote Stadt (Petrenko/Bayerische Staatstoper, Gramophone's Recording of the Year), Mrs Sedley in Britten's Peter Grimes (Gardiner/Bayerische Staatsoper), Hedwige in Rossini's Guillaume Tell (Ettinger/Bayerische Staatsoper), Second Norn in Wagner's Götterdämmerung (Petrenko/Bayerische Staatsoper), Mrs Grose in Britten's The Turn of the Screw (Eschenbach/La Scala), Juno in Handel's Semele (Luks/Glyndebourne Festival), Lady de Hautdesert in Birtwistle's Gawain (Metzmacher/Salzburg Festival), Jocasta in Stravinsky's Oedipus Rex (Gardiner/Berlin Philharmonic & London Symphony Orchestras and on disc), Judith in Bartok's Bluebeard's Castle (Yankovskaya/English National Opera, Mäkelä/Oslo Filharmonien), Dido in Purcell's Dido & Aeneas (Weiss/Festival d'Aix-en-Provence), Waltraute in Wagner's Die Walküre (Rattle/Bayerische Rundfunks Symphony Orchestra on disc), and Pasqualita in Adams' Doctor Atomic (Adams/BBC Symphony Orchestra and on disc). The works of Mahler lie at the heart of her repertoire, particularly his Second Symphony (Rouvali/Philharmonia Orchestra on disc, Zinman/Vienna Symphony Orchestra), Third Symphony (Vänskä/Minnesota Orchestra, Mäkelä/Royal Concertgebouw Orchestra, Welser-Möst/Cleveland Orchestra), Eighth Symphony (Bychkov/NDR Elbphilharmonie Orchestra, Welser-Möst/Vienna Philharmonic Orchestra, Petrenko/Bayerisches Staatsorchester), Rückert Lieder (Zinman/Vienna Symphony Orchestra), Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), and Lieder Eines Fahrenden Gesellen (V.Petrenko/Royal Liverpool Philharmonic Orchestra), In huge demand on the concert platform, she has collaborated with many of the world's leading orchestras and conductors, particularly Beethoven's Missa Solemnis (Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven's Ninth Symphony (Welser-Möst/Cleveland & Royal Concertgebouw Orchestras), Wagner's Wesendonck Lieder (Madaras/Halle Orchestra), Elgar's Sea Pictures (Slatkin/Irish National Symphony Orchestra), Elgar's The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi's Requiem (Oramo/BBC Symphony Orchestra at the First Night of the Proms, Slatkin/Orchestra National de Lyon), Schumann's Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann's Faustszenen (Harding/Gewandhausorchester), Ravel's Schéhérezade (Oramo / BBC Symphony Orchestra), Adès's Totentanz (Adès/Royal Concertgebouw Orchestra) ,Janacek's Glagolitic Mass (Kanellakis/BBC Symphony Orchestra at the First Night of the Proms), Britten's Phaedra (Brabbins/Royal Liverpool Philharmonic Orchestra), Chausson's Poeme de l'Amour et de la Mer (De Billy/London Philharmonic Orchestra), and Respighi's Il Tramonto (Petrenko/Royal Liverpool Philharmonic Orchestra).

Ever wish you could be psychic for a moment and find out what audition committees are thinking about your performance?Where they focused more on the technical aspects of your playing? The musical aspects of your playing? Or something else entirely?A 2022 study (Kegelaers et al.) took a look at feedback provided by members of the Royal Concertgebouw Orchestra to participants in their academy program in a series of mock auditions, and categorized these comments into 14 categories and 3 main themes.The results were probably not what the academy fellows were expecting!Get all the nerdy details here:What Are Audition Committees Really Listening For?* * *Has performance anxiety been a nagging issue that tends to get in the way of your playing, no matter how prepared you feel before performances, auditions - or even lessons? Or have you just been feeling a little stuck, like you're not making much progress in the practice room? If you've been wanting to experience more joy in the practice room and play more like yourself on stage, but haven't been quite sure how to make that happen, starting October 6, 2024, I'll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing. We'll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students') daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world. Registration is open now through Sunday, September 29, 2024. Over 1800 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 20 at: bulletproofmusician.com/essentials

Der finnische Dirigent und Cellist Klaus Mäkelä wird bald gleich zwei der weltbesten Orchester übernehmen – als Chefdirigent des Royal Concertgebouw Orchestra und Musikdirektor des Chicago Symphony Orchestra.

In this episode of One Symphony, host Devin Patrick Hughes sits down with Ralph Patrick, a former pastor and Alzheimer's Association collaborator, to explore the profound impact of music on individuals living with dementia. Patrick shares his personal experiences and insights, discussing how live musical performances can engage, stimulate, and connect with those affected by this challenging disease. Discover the steps musical organizations can take to create dementia-friendly programs and learn about the cognitive benefits of music for individuals with dementia. Don't miss this thought-provoking discussion on the transformative power of music and its ability to reach the deeper, inner self beyond cognition. Ralph Patrick, a former pastor and Alzheimer's Association collaborator is the son of Jean who died of Alzheimer's in 2012.  Her diagnosis in 2001 led him to join the Colorado Chapter of the Alzheimer's Association.  He has presented hundreds of education classes, as well as providing consultationg services for both caregivers and those living with dementia, and has been a collaborator and presenter with Boulder Symphony creating Sensory Friendly concert series, reaching thousands in Colorado and beyond.   00:00 Introduction to the Power of Music in Dementia Care 00:14 Early Experiences and Realizations 01:59 The Impact of Music on Dementia: Recorded vs. Live 04:31 Advancements and Community Engagement in Music Therapy 07:08 Orchestras and Ensembles: Engaging with Dementia Programs 09:56 Tailoring Music Programs for Different Stages of Dementia 16:59 The Therapeutic Benefits of Music for Dementia 18:51 The Role of Orchestras in Supporting Dementia Communities 22:10 The Deep Connection Between Music and Memory 23:28 Preventative and Therapeutic Benefits of Music 25:08 Closing Thoughts and Encouragement Thank you for joining us on One Symphony. Thanks to Ralph Patrick for sharing his expertise and stories. You can find more info at https://www.alz.org or https://bouldersymphony.org/outreach/ or linkedin.com/in/ralph-patrick-69734215 Musical selections on this episode today include  Bach - Air from Orchestral Suite no. 3 in D major BWV 1068 Performed by the Netherlands Bach Society Pyotr Ilyich Tchaikovsky – Symphony No 5 in E minor op. 64 Sergiu Celibidache conducts the Munich Philharmonic Orchestra Mozart Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante · Ton Koopman conducts the Amsterdam Baroque Orchestra  The Syncopated Clock · Leroy Anderson, conducted by Leroy Anderson Shostakovich: Jazz Suite No. 2 - VI. Waltz II Riccardo Chailly conducts the Royal Concertgebouw Orchestra  Beethoven: Symphony No. 6 In F, Op. 68 -"Pastoral" – First movement --   Herbert von Karajan  conducts the Berliner Philharmonic  You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Klaus Mäkelä has been named Riccardo Muti's successor at the helm of the Chicago Symphony Orchestra, a role he assumes in 2027 alongside the post of Chief Conductor of Amsterdam's Royal Concertgebouw Orchestra. Meanwhile, he remains committed to his two European orchestras, the Orchestre de Paris and the Oslo Philharmonic.  Following his Decca debut recording, of the complete Sibelius symphonies in Oslo, Mäkelä has made two much-admired recordings of music commissioned by Serge Diaghilev. The first of these, made with the Orchestre de Paris, was released early last year – Igor Stravinsky's The Rite of Spring and the complete Firebird ballet – and James Jolly spoke to the conductor by Zoom back in February 2023 as Klaus was in Cleveland conducting performances of Mahler's Fifth Symphony. Gramophone Podcasts are given in association with Wigmore Hall

Few faces in classical music are more recognizable right now than that of Finnish conductor Klaus Mäkelä — not because of his sculptural good looks and piercing blue eyes, but because he's quickly become one of today's most popular conductors.  At just 28 years old, Mäkelä has already racked up an impressive résumé, including his current roles as music director of the Orchestre de Paris, chief conductor of the Oslo Philharmonic, and chief-conductor designate of the Royal Concertgebouw Orchestra. But despite his face adorning posters plastered on concert hall facades across Europe, Mäkelä doesn't want to be the center of attention. When he's on the podium, he'd much rather you focus on the composers whose works he brings to life. Music lovers in North America will have several opportunities to hear Mäkelä's prodigious talents this month, when he and the Orchestre de Paris embark on a tour of Montreal, Boston, Ann Arbor, and New York, where the young conductor will make his highly anticipated Carnegie Hall debut conducting Stravinsky's Firebird ballet and the volcanic Rite of Spring — two works Mäkelä and the orchestra recorded and released to critical acclaim on Decca Classics in 2023. In this episode, Mäkelä and I talk more about the upcoming tour and what he's most looking forward to when he steps onto the stage of Carnegie Hall. Plus, he shares how the visual arts inspire his artistry, the 18th-century composer he'd love to play chamber music with, and the importance of Emerson, Lake, and Palmer's music during his childhood. — Classical Post® is created and produced by ⁠Gold Sound Media⁠® LLC, a New York-based marketing agency for the performing arts industry. Explore how we can ⁠grow your audience⁠ to make a lasting impact in your community.

SynopsisOn today's date in 1902, composer Gustav Mahler, 41, married Alma Schindler, 22. Mahler was the famous director of the Vienna Court Opera, and by 1902 had written four symphonies. Schindler was considered one of the most beautiful women in Vienna, and also independent, unpredictable and remarkably free-spirited.Perhaps that, as much as her beauty, appealed to Mahler, but many of the composer's longtime friends did not approve and predicted disaster. One of them even suggested the composer convert to Protestantism, which would make getting a divorce easier in ultra-Catholic Vienna.On today's date in 1902, a large crowd of curious onlookers gathered in Vienna's majestic Baroque Karlskirche at 5:30 p.m., the time the wedding was thought to take place, only to discover the couple had been married hours earlier in the privacy of its sacristy with just the immediate family present.The next symphony that Mahler wrote, his Fifth, contains a lovely adagietto movement that Mahler's friend Dutch conductor Willem Mengelberg claims was inspired by Alma. “It was his declaration of love. Instead of a letter, he confided it in this manuscript without a word of explanation,” Mengelberg said. “She understood. He tells her everything in music.”Music Played in Today's ProgramGustav Mahler (1860-1911): Symphony No. 5; Royal Concertgebouw Orchestra; Riccardo Chailly, cond. London 458 860

Gustav Mahler (1860 - 1911) - Sinfonia n. 3 in re minorein sei tempi per contralto, coro femminile, coro di bambini ed orchestra.  Part I1.       00:00:04  I. Kräftig. Entschieden Part II2.       00:35:04  Tempo di Menuetto. Sehr mäßig 3.       00:44:48  Comodo. Scherzando. Ohne Hast4.       01:02:06  Sehr langsam. Misterioso. Durchaus pianississimo5.       01:12:15  Lustig im Tempo und keck im Ausdruck6.       01:16:34  Langsam. Ruhevoll. Empfunden Petra Lang, mezzosopranoPrague Philharmonic ChoirNetherlands Children's ChoirRoyal Concertgebouw OrchestraRiccardo Chailly, conductor

Synopsis OK, violin soloists have it easy: there are thousands of violin concertos they can choose from, starting in the Baroque era of Bach and Vivaldi, and continuing right up to the present day, with new violin concertos available from composers from John Adams to Ellen Taaffe Zwlich. Oboe concertos? Not so much.  Oh, there are some very fine oboe concertos out there, but they just aren't being written as often as new works for the violin or piano, it seems. But on today's date in 2010, a welcome new oboe concerto by the contemporary Russian composer Rodion Shchedrin received its premiere performance at the Concertgebouw in Amstrerdam. In describing his new work, Shechedrin wrote: “It was my intention  … to give expression to the entire palette of the tonal and technical qualities of this wonderful instrument. In my score there are however two further essential actors: the [English horn] which permanently imitates or answers the solo instrument … and the orchestra itself.” Now, Rodion Shchedrin knows a thing or two about writing concertos and has written quite a few: for trumpet, cello, and viola; SIX concertos for piano  -- as well as five showpiece “Concertos for Orchestra!” Music Played in Today's Program Rodion Shchedrin (b. 1932) Oboe Concerto Alexei Ogrinchuk, oboe; Royal Concertgebouw Orchestra; Suzanna Malkki, conductor. RCO Live CD 11001

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: STEFANO BOLLANI. Stefano is not only one of my best friends, he was also my best man at my wedding and my deskmate at high school. We have gone through uncountable adventures, with some highlights like the recording of the album Carioca in Brazil (followed by several tours) and his jazz quintet I Visionari. Leave a comment if you like. Listen to Stefano''s answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 27:34 How do you choose the solos you transcribe? 30:30 What is your methodology? 40:53 Do you write it down? 45:25 How do you practice your transcriptions? 46:00 How do you incorporate ideas into your solos? 48:26 Who was the most difficult player you transcribed? 57:47 Which transcription you've done is your favourite? Stefano Bollani (born 5 December 1972) is an Italian composer, pianist, and singer, also active as a writer and television presenter. Stefano has worked with such musicians as Gato Barbieri, Chick Corea, Bill Frisell, Sol Gabetta, Richard Galliano, Egberto Gismonti, Lee Konitz, Bobby McFerrin, Pat Metheny, Caetano Veloso, Phil Woods, Hector Zazou and has recorded more than 15 albums with trumpeter Enrico Rava. Bollani has performed with several symphonic orchestras (Filarmonica della Scala, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Toronto Symphony Orchestra, among others) and with directors such as Riccardo Chailly, Daniel Harding, Kristjan Järvi, Zubin Mehta, Gianandrea Noseda and Antonio Pappano. He has also played with Italian pop-rock artists and has participated in and hosted TV and radio shows. Currently, he has published 49 albums alone (31 studio). Stefano, as usual, approaches transcription from a different angle and perspective. Knowing him for more than 40 years, I never had a chance to have a long, deep conversation on jazz transcriptions. I learned unexpected things and understood (finally) a few things that were always a mystery to me. Click on the link and listen to the beautiful answer that Stefano gave me. Leave a comment if you wish. You can check Stefano Bollani's music here: https://stefanobollani.com/

Scottish composer Helen Grime is this week's guest on Composing Myself, talking to Wise Music Group CEO Dave Holley and Creative Director Gill Graham about her life in and out of music. Melodic motifs on the conversational score today include her formative years studying the oboe, why a first rehearsal is more nerve-wracking than a premiere, experiences at Tanglewood - the summer home of the Boston Symphony Orchestra, why passing knowledge forward through teaching and learning is so important, and the nature of inspiration - “sometimes I seek it, and sometimes I really need it”. As ever, a joyful and enlightening hour.https://helengrime.com/The music of Helen Grime has been performed by leading orchestras around the world, among them the London Symphony Orchestra, Hallé Orchestra, Boston Symphony Orchestra, Orchestre de Paris, Royal Concertgebouw Orchestra, Deutsches Symphonie-Orchester Berlin and Swedish Radio Symphony Orchestra. Conductors who have championed her music include Sir Simon Rattle, Sir Mark Elder, Pierre Boulez, Kent Nagano, Oliver Knussen, George Benjamin, Daniel Harding, Marin Alsop and Thomas Dausgaard. Her music frequently draws inspiration from related artforms such as painting (Two Eardley Pictures, Three Whistler Miniatures), sculpture (Woven Space) and literature (A Cold Spring, Near Midnight, Limina) and has won praise in equal measure for the craftsmanship of its construction and the urgency of its telling.Born in 1981, Grime attended St Mary's Music School in Edinburgh and, following studies at the Royal College of Music in London, was awarded a Leonard Bernstein Fellowship to attend Tanglewood Music Center in 2008. Between 2011 and 2015 she was Associate Composer to the Hallé Orchestra in Manchester and in 2016 was appointed Composer in Residence at Wigmore Hall in London. She was Lecturer in Composition at Royal Holloway, University of London, between 2010 and 2017 and is currently Professor of Composition at the Royal Academy of Music in London. She was appointed MBE in the 2020 New Year Honours List for services to music. Hosted on Acast. See acast.com/privacy for more information.

This is Sarah Idan's story, Sarai more informally and publicly. She used to enter beauty pageants “to help bring people together”. But as Iraq's winning Miss Universe in 2017, she got much more than she bargained for. Sarai's new life as a renowned Human Rights campaigner started there and then, when she took a selfie with Adar Gandelsman, participating alongside her as Miss Israel. All hell let loose back home as the Iraqi tourism ministry ordered her to take the selfie down, “because it was harming the Palestinian cause“.  “I said, what?”, Sarai replied and in that moment knew her feeling as an outsider even at home, was being realised. The flurry of events which followed saw her family flee Baghdad and join her in a new life in California.  Her Iraqi citizenship has been revoked, and she knows full well if she ever returned there, “I'd be killed in the airport”. Sarai now uses her fame and notoriety to push against despotism and terror. She's represented Hillel Neuer's UN Watch in Geneva and as you'll hear in this characteristically fearless discussion, she's a champion of combating racism, prejudice and anti-Zionism among her own people, Arabs and Muslims.  She describes herself as a Zionist despite growing up around the incessant antisemitic echo chambers of Baghdad. Sarai is a lover of music and chose the theme tune for this episode, a stirring and emotional opus by Rachmaninov, “Symphony No. 2 Opus 27 III. Adagio” by the Royal Concertgebouw Orchestra - conducted by Vladimir Ashkenazy. The contrast between the music and her early life is rather striking. She is the CEO of an NGO called Humanity4Ward and has a podcast, The Sarai Talk Show”. Jonny Gould's Jewish State is always thankful for the support of Dangoor Education.

Sir Malcolm Walker is the chairman and co-founder of the frozen food supermarket chain Iceland. He was brought up in Grange Moor, West Yorkshire. He was just 14 when his father died, and he helped his mother run a smallholding, driving a tractor and ploughing fields. His business instinct kicked in during his teenage years, when he promoted Saturday night dances by booking bands into local church halls. After receiving rejections from Marks & Spencer and Littlewoods, he became a trainee manager at Woolworths, and recalls that he started at the very bottom, sweeping the floors for many months before gradually winning promotions and moving round the country. In 1970, he and Peter Hinchcliffe, a colleague from Woolworths, opened a shop in Oswestry, selling loose frozen food from chest freezers. The business soon began to take off, Malcolm and Peter were both fired by Woolworths, and Malcolm went on to build a company which now has more than 1000 stores in the UK and Ireland. Along the way, boardroom battles led to his departure in the early 2000s, but he later returned and Iceland is now back in family ownership. Alongside his business pursuits, Malcolm has been a fundraiser for dementia charities, after his wife was diagnosed with early-onset Alzheimer's. She died in 2021 after more than 50 years of marriage. He was knighted in 2017, has three children, one of whom also works in the family business, and he married for the second time in August last year. DISC ONE: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio, composed by Max Bruch, performed by Itzhak Perlman (violin) and the Royal Concertgebouw Orchestra, conducted by Bernard Haitink DISC TWO: Goodbye by Josef Locke DISC THREE: Only You by The Platters DISC FOUR: Silence is Golden by The Tremeloes DISC FIVE: Memory composed by Andrew Lloyd Webber and performed by Elaine Paige DISC SIX: All I Ask of You composed by Andrew Lloyd Webber and performed by Steve Barton and Sarah Brightman DISC SEVEN: La bohème, SC 67 / Act I composed by Giacomo Puccini and performed by Luciano Pavarotti (tenor) and Mirella Freni (soprano) with the Berlin Philharmonic, conducted by Herbert von Karajan DISC EIGHT: Quando me'n vo (“Musetta's Waltz”) from La Bohème composed by Giacomo Puccini and performed by Natalie Walker BOOK CHOICE: Robinson Crusoe by Daniel Defoe LUXURY ITEM: A cast iron cooking pot CASTAWAY'S FAVOURITE: Quando me'n vo (“Musetta's Waltz”) from La Bohème composed by Giacomo Puccini and performed by Natalie Walker Presenter Lauren Laverne Producer Sarah Taylor

I'm pleased to present this discussion with Emily Beynon, one of the Principal Flautists with the Royal Concertgebouw Orchestra in Amsterdam. I had the pleasure of seeing the orchestra at one of their concerts during their London residency at the Barbican Centre. Thank you to the Barbican Centre's Press Team for arranging that amazing experience! In this podcast, Emily and I discuss her musical journey, training in both London and Paris, playing with the Concertgebouw Orchestra (including in the hall itself), some of the flutes she plays and advice for practising. Interview recorded 7 December 2022; published 16 January 2023. Emily's bio: https://emilybeynon.com/biography Emily's Lockdown Insanity Project (all videos available to watch on her YouTube channel): https://www.youtube.com/watch?v=1Y2Rd7O8Xzs Emily's masterclass at London's Royal Academy of Music takes place on 14 March 2023 - booking essential: https://tickets.ram.ac.uk/sales/categories/masterclasses/masterclass-emily-beynon Edited Joe Eftihiou; additional edits Annabelle Lee. --- Send in a voice message: https://podcasters.spotify.com/pod/show/talking-classical-podcast/message

Season 3 focuses on Mahler's Third Symphony in D minor (1895-1896), exploring Mahler's unique perspective on the different orders of being, from lifeless matter to highest consciousness. Each episode is devoted to a movement of the symphony. Guests include conductors Kent Nagano and Michael Tilson Thomas; principal musicians of the New York Philharmonic, the Berlin Philharmonic, the Boston Symphony Orchestra, the Chicago Symphony, the Los Angeles Philharmonic, and the Royal Concertgebouw Orchestra of Amsterdam; scholars from New York City and St. Louis in the United States, Oxford, England and Athens, Greece; and featuring James Lurie as the voice of Gustav Mahler, with Paul Hecht as the voice of Friedrich Nietzsche.

This week on The Sound Kitchen you'll hear the answer to the question about the recently formed leftist political parties' coalition competing in France's upcoming legislative elections. There's “On This Day”, plenty of good music, and of course, the new quiz question, too. Just click on the “Audio” arrow above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more. There's Paris Perspective, Africa Calling, Spotlight on France, and of course, The Sound Kitchen. We have a bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too. As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website and click on the three horizontal bars on the top right, choose “Listen to RFI / Podcasts”, and you've got ‘em ! You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.  Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Another idea for your students: My beloved music teacher from St Edward's University in Austin, Texas, Dr Gerald Muller, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr Martin Luther King, Jr, too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”). There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link above and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do! This week's quiz: On 30 April, I asked you a question about French politics; specifically, the legislative elections next month. As you know, the French re-elected Emmanuel Macron as president in April, and his party, Renaissance – which until recently was called The Republic on the Move - holds the majority in parliament. RFI English journalist Amanda Morrow wrote an article right after the election about Jean-Luc Mélenchon, the head of the hard-left party France Unbowed, who came in third in the presidential polls. Mélenchon was hard at work at the time trying to create a coalition of all the left-leaning parties to deprive Macron of his majority in Parliament: Mélenchon would therefore hold the office of prime minister. At the time, it seemed highly unlikely that such a coalition could be created as there were too many differences between the parties in question. You were to refer to Amanda's article “Clock ticking as French left mulls coalition deal to humble Macron” and answer these two questions: the names of the different parties Mélenchon was trying to bring into the coalition, and the differences they have with Mélenchon. The answer is: First and foremost, Mélenchon did succeed in creating a leftist coalition – it's called the New Popular Union. The parties Mélenchon solicited to join the coalition are the Socialists, the Communists, the Greens, and the New Anti-Capitalist Party. There were many disagreements on Mélenchon's platform from the various parties, mainly about European integration (Mélenchon is basically anti-EU, to put it simply) and also about the percentage of representation in the legislature that members of his party, France Unbowed, would take as prizes … the majority, of course, because as Mélenchon said, he came in third place in the presidential polls, not the Socialists, or the Greens, or the Communists or the New Anti-Capitalists. They worked it all out though, and we'll see what happens next month when the French cast their ballots. Meanwhile, Macron on his side has also created a coalition. Macron's Renaissance party has joined forces with the centrist parties MoDem and Horizons; that coalition is called Together. The winners are: Raihan Ali, who's a member of the Nilshagor RFI Fan Club in Nilshagor, Bangladesh, and RFI Listeners Club members Vladimir Gudzenko from Moscow Province, Russia; Zenon Teles, who's the president of the Christian – Marxist – Leninist - Maoist Association of Listening DX-ers in Goa, India, and John Yeami Sanday Turay from Freetown, Sierra Leone. Last but certainly not the least, faithful RFI English listener Bernard Egbe, from Abuja, Nigeria. Congratulations winners! Here's the music you heard on this week's program: Traditional Nepali folk music performed by Kutumba; “Yèkèrmo Sèw” by Mulatu Astatke, performed by Ethiopiques; “Allegro ma non troppo” from the Concerto for Two Pianos by Francis Poulenc, performed by pianists Lucas and Arthur Jussen with the Royal Concertgebouw Orchestra conducted by Stéphane Denève; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov, and “Precious Lord” by Thomas A. Dorsey, sung by Mahalia Jackson. Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... You have to listen to the show to participate. After you've listened to the show, refer to Ollia Horton's article “Postcard from Cannes # 3: Give peace a chance” to help you find the answer. You have until 11 July to enter this week's quiz; the winners will be announced on the 16 July podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France or By text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number. To find out how you can win a special Sound Kitchen prize, click here. To find out how you can become a member of the RFI Listeners Club, or to form your own official RFI Club, click here. 

Però in re maggiore La clip è tratta dalla “Suite n. 3 in D Major, BMW1068: II. Air” di Johan Sebastian Bach, Royal Concertgebouw Orchestra all rights reserved

Synopsis In February of 1794, the Austrian composer Franz Joseph Haydn arrived in England for his second visit, and the premiere performances of some of his newest symphonies, beginning with one in E-flat Major that we know as his Symphony No. 99. Haydn would write 104 symphonies in all – an astonishing accomplishment, considering both their quantity and quality. In typically modest fashion, Haydn once commented: “I compose music so that the weary and worn, or the man burdened with affairs, may enjoy a few moments of solace and refreshment. I know that God has bestowed a talent upon me, and I thank Him for it. I think I have done my duty and been of use in my generation by my works. Let others do the same.” Well, these days, as in Haydn's, to write a symphony one needs talent AND an orchestra willing to perform it. The American composer Daniel Asia has a way to go before matching Haydn's output, but has composed at least SIX symphonies to date. The first was commissioned by the American Composers Orchestra and the Seattle Symphony, and received its premiere performance in Seattle, Asia's hometown, on today's date in 1990. Music Played in Today's Program Franz Josef Haydn (1732 — 1808) — Symphony No. 99 (Royal Concertgebouw Orchestra; Sir Colin Davis, cond.) Philips 442 614 Daniel Asia (b. 1953) — Symphony No. 4 (New Zealand Symphony; James Sedares, cond.) Summit 256

"Fink's" sound can be described as acoustic, singer/songwriter folk music with undertones of soul, jazz and electronica. Unusually for most singer/songwriters, "Fink's" first release was actually a fully sampled trip-hop affair along the lines of DJ Shadow or The Avalanches. Titled "Fresh Produce" that album has since been eclipsed by the many albums that would follow, and which present a completely different direction versus his debut release."Fink's" real name is Fin Greenall. Fin was born in Cornwall and raised in the legendary music city of Bristol. Starting out as a DJ and then an electronic music producer, Fin spent most of his formative years DJ around Europe before becoming disillusioned with the scene and the art form. It wasn't until he spent some time checking out live music acts in his home city and eventually collaborating with a then unknown Amy Winehouse did he become inspired to take a more singer/songwriter approach to his music.For the full story, including our discussion on Fin's top 10 tips for making music, tune in to this week's episode of Roots to Grooves".To listen to the full episode, including the featured music, visit... signlradio.com"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

Le principe est simple comme bonjour : les rédacteurs de la rubrique disques de Forumopera soumettent leurs coups de cœur. Nous les compilons sous forme de podcast et les voici disponibles, comme une myriade de perles, pour votre bon plaisir.  Hector Berlioz Grande Messe des Morts Sir Antonio Pappano & Javier Camarena, ténor Royal Concertgebouw Orchestra Chœur de l'Academie Santa Caecilia, Rome RCO - choix de Cédric Manuel Federico MompouFes-me la vida transparent  Marianne Crebassa & Ben Glassberg Orchestre National du Capitole de Toulouse Erato - choix de Charles Sigel ​John DowlandGo Crystal tears Zachary Wilder & Eduardo Egüez La Chimera - choix de Maximilien Hondermarck Johann Joseph FuxIl Fonte della salute / Non t'amo per il ciel Jakub Jozef Orlinski & Francesco Corti Il Pomo d'Oro Erato - choix de Clément Demeure Edouard Lassen Mit deinen blauen Augen Reinoud van Mechelen & Anthony Romaniuk Musique en Wallonie - choix de Claude Jottrand  Carlo GesualdoDolcissima mia vita Philippe Herreweghe & Collegium Vocale Phi - choix d'Alexandre Jamar Johann Sebastian BachMeine Herz schwimmt in Blut / Stumme Zeufer, stille Klagen Sabine Devieihle & Raphaël Pichon Ensemble Pygmalion - choix d'Alexandre Jamar Franz SchubertWinterreise / Das Wirthaus Edwin Crossley Mercer & Yoan Hereau  Mirare - choix de Charles Sigel Charles Lecocq La fille de Madame Angot / Chanson politique Anne-Catherine Gillet & Sébastien Rouland Concert Spirituel & Orchestre de chambre de Paris Bru Zane - choix de Christophe Rizoud André Cardinal DestouchesMarthésie, première reine des amazones / Faible fierté, gloire impuissante Léa Desandre & Thomas Dunford Jupiter Erato - choix de Bernard Schreuders

Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Spotify: https://open.spotify.com/show/1Bdz5634Wk5bSpaazynbI4?si=cS-_c_rBS2Os83QECKcuJA&dl_branch=1 THE ART OF TIME ENSEMBLE VISION: A world in which people seek the uncertainties, and possibilities, of art. THE ART OF TIME ENSEMBLE MISSION: To engage diverse audiences in powerful arts experiences through the performances, collaborative endeavours, and curatorial vision of its Artistic Director. ABOUT ART OF TIME Andrew Burashko formed Art of Time Ensemble in 1998 with the support of a small group of like-minded musicians and prominent figures in dance, theatre and other art forms, beginning with one-off concerts to small but enthusiastic audiences. Word quickly spread through Toronto's cultural scene. Today, Art of Time works with the best Canadian artists in the performing arts, film and literature, and noteworthy international musicians such as Branford Marsalis, Madeleine Peyroux, Gavin Bryars and Guinga to name but a few. Art of Time presents an annual subscription season at Toronto's Harbourfront Centre Theatre and regularly appears as part of the Royal Conservatory of Music performance season at Koerner Hall. The Ensemble has also toured extensively throughout Canada and the United States and is regularly invited to performs at major festivals such as Luminato in Toronto, Chamberfest in Ottawa and at the Banff Centre for the Arts. The artists with whom the Ensemble have worked represent the finest in their genres, including writers Margaret Atwood and Michael Ondaatje; choreographers James Kudelka and David Earle; dancers Peggy Baker and Evelyn Hart; singers Barbara Hannigan and Madeleine Peyroux; actors Brent Carver and Martha Burns; and filmmakers Peter Mettler and Bruce MacDonald. Music and musicians are at the heart of Art of Time Ensemble; the ranks of our musicians are deep and their talent unmatched. Over the last 20 years group members have included composer Jonathan Goldsmith, Rachel Mercer (principal cellist of the National Arts Orchestra), Benjamin Bowman (concertmaster of the Metropolitan Opera), Stephen Sitarski (concertmaster of Esprit Orchestra), Steven Dann (soloist and former principal violist of the Royal Concertgebouw Orchestra and Toronto Symphony), Thomas Wiebe (soloist and cellist of the Duke Trio); Phil Dwyer (renowned composer and jazz saxophonist) and the great Canadian guitarist, Rob Piltch, among many others. Dozens of Art of Time performances have been broadcast nationally on CBC and the Ensemble has released six commercial CDs on the Pheromone and ArtofTime Recordings labels. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

Jess Gillam chats to composer and producer Toby Young about the music they love. With sparkling chamber music by Paul Hindemith, a heartbreakling aria by Henry Purcell, plus we'll dip into Motown with the Four Tops and spend some time with glorious choral music from Carlo Gesualdo. Playlist: Carlo Gesualdo – Ecce vidimus eum, Responsories from 1st Nocturn (The King's Singers) Four Tops - Bernadette Paul Hindemith - Kammermusik Op.24 No.1 for 12 instruments (Royal Concertgebouw Orchestra, Riccardo Chailly) Henry Purcell - When I am laid in earth, from Act III of Dido and Aeneas (Joyce DiDonato, Il Pomo d'Oro, Maxim Emelyanychev) Tigran Hamasyan – Ancient Observer Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma – Your Coffee is a Disaster Keeno – Nocturne Giuseppe Verdi - Anvil Chorus, from Il Trovatore (Choir and Orchestra of la Scala, Milan, Riccardo Muti)

I'm very exciting to have international violin soloist Leila Josefowicz on the show for the second time. Leila shares incredible wisdom in our conversation, including: Her outlook for how things are going to be like in the coming months How her recent incredible project at The Metropolitan Museum of Art unfolded, from where it originated to the vision coming to reality The significance of her performing Bach, and how she sees Bach as the music of infinite possibilities What she calls the performance headspace Thoughts about performance preparation and performance anxiety What having fun in performance means to her And many other wonderful musings !   This discussion is a window on the way artists like Leila approach a project - the power of the intention and the thoughtfulness they put behind each decision. How each aspect is carefully evaluated, weighed, and curated, and very angle crafted with care and love.   Partita   for Leila Josefowicz   Unseen in the field a sapling trembled naked. You touched   its slim trunk with flayed fingertips, tenderly and hard,   and it gave forth a cry, oh. Sun ran like water on line upon   line of buds. Bare, you stood, electric, head in this world,   feet planted. We heard what we never knew before. _________ Natania Rosenfeld Writer Independent Scholar Professor Emerita of English, Knox College     Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be!   THE MUSIC MASTERY EXPERIENCE will be back in June 2021!  This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses!     MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ YouTube: https://www.youtube.com/results?search_query=Leila+Josefowicz Facebook: https://www.facebook.com/LeilaBJo Leila Josefowicz at the The Metropolitan Museum of Art: The Condo Concerts: Fred Sherry String Quartet: In Performance: Leila Josefowicz at Hauser & Wirth  Leila's first conversation on the Mind Over Finger Podcast: Episode 82 - The Art of Authentic Music Making Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.   If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider!  I genuinely appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Jess Gillam is joined by conductor Ryan Bancroft to share the music they love, with music by Debussy, Aruna Sairam, Caroline Shaw, Joby Talbot and Massive Attack plus a warm hug from Beethoven. Playlist: Debussy - Prelude a l'apres-midi d'un faune (Orchestra National de la RTF, Constantin Silvestri) Joby Talbot - Once around the sun; January - A Yellow Disc Rising from the Sea Aruna Sairam – Tillana, Kalinga Nardhanam Massive Attack - Unfinished Sympathy Leos Janacek – Taras Bulba; 1. The Death of Andri (Vienna Philharmonic, Sir Charles Mackerras) Nina Simone – Strange Fruit Caroline Shaw – Entr’acte (Attacca Quartet) Beethoven - Emperor Piano Concerto no.5; II. adagio (Murray Perahia, Royal Concertgebouw Orchestra, Bernard Haitink)

This week we return to our archive and a conversation with the late conductor Mariss Jansons, who sadly passed away in December 2019. He spoke to us in April 2014 when he was Chief Conductor of the Royal Concertgebouw Orchestra, who were celebrating their 125th anniversary year. Jansons talked to us about what makes each performance unique. From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.

김태훈의 시대음감 101-2 # 우리를 두근거리게 하는 ‘솔직함'과 ‘진정성'♪ Adventure Of A Lifetime / Coldplay # 시간을 달리는 음악 feat. 김경진 음악평론가2) 스탠리 큐브릭(Stanley Kubrick)♪ Lolita Ya Ya - Nelson Riddle (3:14) (1962, from “Lolita”)♪ Singin' In The Rain - Gene Kelly (2:36) (1971, from “A Clockwork Orange”)♪ Hello Vietnam - Johnny Wright (3:01) (1965, from “Full Metal Jacket”)♪ Jazz Suite, Waltz 2 - Royal Concertgebouw Orchestra & Riccardo Chailly (3:42) (1993, from “Eyes Wide Shut”)ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.

Mitä olet aina halunnut tietää baletista, muttet ole kehdannut kysyä? Hyppäämme baletin taianomaiseen maailmaan ja otamme selvää, miksi balettitanssijat käyttävät niin punastuttavan kireitä trikoita ja mikä homma se varpaillaan tanssiminen nyt oikein on. Baletin saloihin meitä johdattavat Kansallisbaletin tähtitanssija Tiina Myllymäki ja sidosryhmäpäällikkö Heidi Almi! Jaksossa katsomamme Mariinski-teatterin Pähkinänsärkijä-tallenteen voi katsoa osoitteessa https://youtu.be/xtLoaMfinbU Juontajina Laura Haajanen ja Siiri Liitiä. Haastattelussa Heidi Almi ja Tiina Myllymäki. Spiikki: Niina Markkanen. Välikemusiikki: Tässä jaksossa lainataan Pähkinänsärkijän kappaletta Pas de Deux: Variation II (Dance of the Sugar-Plum Fairy), Royal Concertgebouw Orchestra (dir. Antal Dorati), 1994 Philips Classics Productions

I'm very excited to have world-renowned violinist Leila Josefowicz on the show for you today! As you'll hear in our discussion, Leila is a profoundly passionate and dedicated musician who approaches her craft with great depth and she shares incredible wisdom with us. Among many things, Leila elaborates on: The power of memorization What the “practice of violin playing” means to her How exploring new repertoire helped her transition out of her “child prodigy” years Her advice to all musicians suffering from lack of motivation The importance of desire and dedication in the cultivation of talent How our need to feel comfortable while performing is counterproductive Vivid mindful practice This is a particularly powerful conversation, and I know you'll find inspiration and incredible value in this episode.   MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ Facebook: https://www.facebook.com/LeilaBJo   Find all the details for Leila's World Premiere performance of ‘la linea evocativa. un disegno per violino solo' by Matthias Pintscher HERE. On the occasion of ‘George Condo. Internal Riot' we are honored to host classical violinist Leila Josefowicz in the gallery to perform a new piece of original music in response to ‘George Condo. Internal Riot,' an exhibition of the artist's new paintings and works on paper that runs through 23 January 2021 at Hauser & Wirth New York. ‘Music is such a huge part of my life, without it I don't know if I'd ever have painted anything. There are so many great pieces of music that have inspired me to paint…My favorite thing is to put on a record in the studio and to still be painting without noticing the fact that the music has stopped playing for hours and is just running through my head.'–George Condo The performance comes at an incredibly challenging time for professional musicians. Condo is deeply aware of the adversity they face, and this specially organized event signifies his support for live music and for new ways in which it can reach people. Join us on Friday 20 November 2020 11 am PST / 2 pm EST / 7 pm GMT.  Click here to register. The performance will be streaming live from New York City on hauserwirth.com     Leila's last Pre-Covid performance in Prague, Performing the Alban Berg Violin Concerto with the Prague Radio Symphony Orchestra:  https://prso.czechradio.eu/leila-josefowicz-and-prso-8179758   Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. You can check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday by visiting: www.mindoverfinger.com/resources!   And click here for details on how to work with me: https://www.mindoverfinger.com/workwithdrg   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

It is Halloween week! This is Gilbert's favorite time of year and favorite holiday. This week we take up Solomon's offer and review the movie "The Boy" starring Lauren Cohan and Rupert Evans. Greta Evans is a woman who has taken a job in the English countryside at a creepy manor owned by the elderly Hillshires. She thinks he is going to be babysitting their son, but it turns out he is a porcelain doll! You might think you know where this sinister horror movie trope is going, but there is a plot twist that will leave you surprised. This episode is filled with classical music references elaborated on by Gilbert and iconic storytelling by Solomon. Join us for audacious public radio's recap of THE BOY.  Brahm's Lullaby music box: https://www.youtube.com/watch?v=KNz1X7DffloBrahm's Symphony No. 2 - Bernard Haitink conducts The Royal Concertgebouw Orchestra: https://www.youtube.com/watch?v=a_qMCIQt26Y&t=191sElgar Cello Concerto in E Minor performed by Jacqueline Du Pre with Daniel Barenboim conducting: https://www.youtube.com/watch?v=1hfGqnKOwxY

Jiří Rožeň is a young Czech conductor who is a rising star in the music world. We chatted about his many years of study across Europe, what it was like to participate in a masterclass with Daniele Gatti and the Royal Concertgebouw Orchestra and what it means to be a left-handed conductor! A charming young man to chat with.

Early audiences found the third movement of Gustav Mahler’s First Symphony grotesque, macabre and unsettling. Inspired by an engraving entitled “The Huntsman’s Funeral,” Mahler juxtaposes death with humor, incorporating a popular children's melody—a brilliant touch that still delights and spooks audiences today. Guests include William Hudgins (Principal Clarinet, Boston Symphony Orchestra), Dominic Seldis (Principal Bass, Royal Concertgebouw Orchestra), Marilyn McCoy (Columbia University), Philip V. Bohlman (University of Chicago), and Christian Glanz (University of Music and Performing Arts, Vienna). James Lurie is the voice of Mahler and Laura Gragtmans is the voice of Natalie Bauer-Lechner.

Season 1 focuses on Mahler’s Symphony No. 1 in D major (1888), taking listeners back to the work’s origins in the street songs, folk tunes and bugle calls of Mahler’s childhood. Each episode is devoted to a movement of the symphony. Guests include conductors Kent Nagano and Michael Tilson Thomas; principal musicians of the Boston Symphony, the Philadelphia Orchestra and the Royal Concertgebouw Orchestra of Amsterdam; and scholars from Columbia University and the University of Chicago.

No programa de hoje, a segunda parte da entrevista com o compositor e regente titular da Orquestra Filarmônica da UFPR, Márcio Steuernagel, sobre a obra sinfônica de Beethoven que faria 250 anos em 2020 e as transformações no uso e na escrita do contrabaixo na orquestra sinfônica. Vamos entender um pouco mais sobre a maneira que Beethoven arquiteta as obras em aspectos rítmicos, harmônicos e melódicos, ouvindo alguns excertos ilustrativos. As referências do programa são, Editora Breitkopf & Hartel: https://www.breitkopf.com/ . Editora Bärenreiter: https://www.baerenreiter.com/ . Excerto da 5ª Sinfonia, Klaus Stoll (contrabaixo), Berliner Philharmoniker: https://youtu.be/OyouRYAq-tE . Ciclo das sinfonias de Beethoven, Claudio Abaddo, regente: https://www.digitalconcerthall.com/en/concert/82 . Royal Concertgebouw Orchestra, Iván Fischer, regente: https://youtu.be/-4788Tmz9Zo . Vienna Philharmonic Orchestra, Christian Thielemann, regente: https://youtu.be/vm60y5IDU_Q . Deutsche Kammerphilharmonie Bremen, Paavo Jarvi, regente: https://youtu.be/Y8FEUZAz8ws . Márcio Steuernagel no SoundCloud : https://soundcloud.com/marcio-steuernagel . Manda um e-mail pra gente : muitomaisbaixo@gmail.com . Siga a página : https://www.facebook.com/muitomaisbaixo curta e compartilhe! Você ajuda muito o programa a crescer!

In this episode Adam chats with Katy Woolley, principal horn of the Royal Concertgebouw Orchestra. We discuss her life up to now, passing time through this crisis, and fun hobbies.   This episode is sponsored by Lukas Horns and Hampson Horns.

In this episode Adam chats with Katy Woolley, principal horn of the Royal Concertgebouw Orchestra. We discuss her life up to now, passing time through this crisis, and fun hobbies.   This episode is sponsored by Lukas Horns and Hampson Horns.

Martin Schippers is the second and bass trombonist of the Royal Concertgebouw Orchestra. Previously he was second trombonist with the Netherlands Radio Philharmonic Orchestra and principal trombonist with the Netherlands Radio Chamber Philharmonic. As a member of the Royal Concertgebouw Orchestra, RCO brass, the International Trombone Ensemble, the New Trombone Collective (until 2010) and numerous other chamber music groups, he has performed in most of the major concert halls around the world. He is also coach of the low brass of the Orchestra of the Americas. Martin appeared as teacher and soloist on festivals around the world and is professor for tenor and bass trombone at the Lucerne University of Arts and Music in Switzerland. Visit www.trombonecorner.com for the show notes for this episode.

Ep. 84: Roger Bobo, tubist. Off The Podium with Tigran Arakelyan. Roger Bobo was the principal tubist of the LA Phil (25 years) and the Royal Concertgebouw Orchestra. He is the first tubist to perform a solo recital at the Carnegie Hall and make an appearance on the Johnny Carson Show (twice). In this podcast we talk about his career, collaborations with legendary conductors, his historic Carnegie Hall recital and appearances on the Johnny Carson Show. Bobo tells stories about working with Zubin Mehta and Igor Stravinsky. We also talk about his sabbatical year during his tenure with the LA Phil and his teaching journey in Italy, Japan, Mexico and around the world. Bobo also discusses the importance of self motivation for young musicians and the obsession needed to succeed in the highly competitive field. Bobo is a passionate writer and blogger. For more information about Roger Bobo please visit his official website: http://www.rogerbobo.com/   © Off The Podium, 2020

The first Roxy Music album brings together a patchwork of inspirations and influences from across the decades. In the second episode of Ghost Echoes, we stroll spontaneously into the movie theatre of the mind and examine a few of them. Here's looking at you, kid. Music and Sound Notes: - All of the Roxy Music tracks heard here for illustrative purposes are from their debut album. They include: “Re-Make/Re-Model”, “Virginia Plain”, “Bitters End”, “Chance Meeting", and “2HB”. - The recording of Rachmaninov's second piano concerto near the start is by an anonymous soloist and symphony orchestra, from Musopen. The excerpt from Brief Encounter itself features a recording of the same concerto by Eileen Joyce with the National Symphony Orchestra, conducted by Muir Matheson. The Noël Coward song heard shortly after is “The Party's Over Now,” from the musical Words and Music. - The segment on pop art features excerpts from Buddy Holly's “Everyday” and David Bowie's “Andy Warhol.” The section about musicians who went to art school features tiny extracts from “All Your Love” by John Mayall and the Bluesbreakers; “Imagine” by John Lennon; “Brown Sugar”, “Some Girls”, and “Honky Tonk Women” all by the Rolling Stones; “Whole Lotta Love” by Led Zeppelin; “Pinball Wizard” by the Who; “Tubular Bells, Part 1” by Mike Oldfield; “Bike” by Pink Floyd; “Layla” by Derek and the Dominos; “The Village Green Preservation Society” by the Kinks; “Seaside Rendezvous” by Queen; “Your Love is King” by Sade; “Common People” by Pulp; “You're So Great” by Blur; “Man-Size” by PJ Harvey; “Paper Planes” by M.I.A.; “Kiss With A Fist” by Florence and the Machine; and “London Calling” by the Clash. - The recording of Wagner's “Ride of the Valkyries” used here is by the Slovak Radio Symphony Orchestra conducted by Uwe Mund. The brief excerpt from the start of Das Rheingold is the Staatskapelle Dresden conducted by Marek Janowski, and the horn call from Götterdämmerung is the Royal Concertgebouw Orchestra conducted by Riccardo Chailly. - The music that finishes the episode off is from the end of Max Steiner's score for Casablanca. Further reading, watching: - The two main sources for biographical information were Michael Bracewell's Re-Make/Re-Model and Simon Reynolds' Shock and Awe. The Brief Encounter section is loosely inspired by Roland Barthes' essay “Leaving the Movie Theatre” from The Rustle of Language. The list of art school alumni who went on to pop stardom comes from Pretentiousness: Why it Matters by Dan Fox. - The BBC documentary at the beginning of the pop art section is “Pop Goes the Easel,” an episode of Monitor, hosted by Huw Wheldon and directed by the great Ken Russell. The interview clips with Ferry are taken from a Channel Four documentary called This is Tomorrow. - The images in this blog post were the main source for my descriptions of the Roxy Theatre. - Other film and television clips come from Brief Encounter; What's Opera, Doc?; The Wizard of Oz; Casablanca and Now, Voyager.

Host and opera singer Fredrika Brillembourg speaks with Dominic Seldis. Seldis is the principal double bass player in the Royal Concertgebouw Orchestra in Amsterdam. He is also a teacher, a conductor, a TV personality and, most recently, the star of the stage show “Music, Maestro!”

The conductor laureate Herbert Blomstedt discusses his strict and musical Adventist upbringing, his favorite hymns and the changing landscape of hymnals, why he pursued a career as a conductor, and what concerts he has in store. Born in Springfield, Massachusetts in 1927, Herbert Blomstedt moved with his family to Sweden in 1929. His mother, a pianist, gave him his first musical training. this led him eventually to the Royal College of Music in Stockholm and to the University of Uppsala. Herbert Blomstedt is in constant demand as a guest conductor and had led many of the world's greatest orchestras, including the Berlin Philharmonic, the Royal Concertgebouw Orchestra of Amsterdam, Boston Symphony, Chicago Symphony, New York Philharmonic, and Philadelphia Orchestra.

Today I'm really excited to speak with internationally recognized conductor James Gaffigan.  I think you will resonate with James' message and I hope that you walk away as inspired as I did after speaking with him! In this episode, James discusses: How he learns a score, from first glance to performance How he likes to approach rehearsing with musicians and how their perspective on a work influences his own interpretation His advice to young musicians on how to succeed as an orchestra member (and why he always looks at the back of the section!) What he means by “Trust creates magic” and how important it is for him to create trusting relationships with all artists   NEW ON THE WEBSITE: A Resources page! You can find my favorite websites, cds, as well as the other podcasts I like to listen to and the amazing books recommended by my podcast guests! Visit www.mindoverfinger.com/resources! Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!   More about JAMES GAFFIGAN: Website: https://jamesgaffigan.com/ Instagram: https://www.instagram.com/james.gaffigan/ YouTube: https://www.youtube.com/channel/UCljnsdbDEHbGLjTA1I1VkVg   Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today. James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings. In recognition of this success his contract has been further extended until 2021. James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia. The 2019/20 season features re-invitations to the Chicago, San Francisco and Detroit Symphony Orchestras, Orchestre National de France and Czech Philharmonic, as well as debuts with Orchestre Symphonique de Montreal, Melbourne Symphony and the Swedish Radio Symphony Orchestra. He undertakes four major opera productions in the United States including La Cenerentola at the Metropolitan Opera in New York, Ernani at San Francisco Opera, Don Giovanni at Lyric Opera Chicago and Tristan and Isolde at Santa Fe Opera. The 2018/19 season saw James make his debut with the Symphonieorchester des Bayerischen Rundfunks and return to the Los Angeles Philharmonic, San Francisco Symphony, National Symphony Orchestra, WDR Sinfonieorchester and BBC Symphony Orchestra. In the US he made house debuts at Metropolitan Opera for La bohème and San Francisco Opera for Carmen while European productions included a new production of La Fanciulla del West and Don Giovanni at Bayerische Staatsoper and Porgy and Bess at Dutch National Opera. Regularly conducting at major opera houses around the world, James' recent appearances include La bohème, Don Giovanni, La Traviata and Le nozze di Figaro at the Wiener Staatsoper; Così fan Tutte, La Cenerentola and Falstaff at the Glyndebourne Festival; Salome for Hamburg Opera; La bohème for the Opernhaus Zurich and Così fan tutte for Chicago Lyric Opera. James also works internationally with many leading orchestras and recent guest appearances include the Royal Concertgebouw Orchestra, London Philharmonic, Münchner Philharmoniker, Orchestre de Paris, Orchestre National de France, Orchestra of the Age of Enlightenment, Rotterdam Philharmonic, Deutsches Symphonie-orchester Berlin, Dresden Staatskapelle, Wiener Symphoniker, Salzburg Mozarteum Orchestra, Zurich Tonhalle, Seoul Philharmonic and Tokyo Metropolitan. In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Hello à tous, ici Claire Laplace, je vous souhaite la bienvenue dans La Boussole, le podcast des parcours qui ne perdent pas le nord. Je profite de ce premier épisode de 2020 pour vous souhaiter une très belle année pleine de bonheur, d'épanouissement, de curiosité et de découvertes. Dans ce podcast, je vous emmène un lundi sur deux à la rencontre des talents et des personnalités du nord de la France. Je suis persuadée que le succès et l'engagement se construisent partout et c'est cette conviction que je veux partager avec vous. Je remercie chaleureusement tous ceux qui ont écouté les premiers épisodes du podcast et qui ont pris le temps de lui attribuer une note 5 étoiles sur Apple Podcast. Cela m'aide à faire connaître La Boussole et à développer le podcast en le rendant visible, alors continuez ! Pour ce premier épisode de 2020, je vous propose de découvrir le parcours et la vision d'Alexandre Bloch, Directeur Musical de l'Orchestre National de Lille (ONL). Notre échange fut court mais intense. J'ai rencontré un homme chaleureux et enthousiaste qui a mis sa volonté d'ouverture et de partage de la culture au plus grand nombre au cœur de son projet artistique pour l'ONL. Nous avons parlé de son enfance entourée de musiciens et de musique, de ses débuts au violoncelle puis son souhait d'aller vers la direction d'orchestre tout d'abord avec Jean-Marc Cochereau au conservatoire de Tours, puis Jean-Sébastien Béreau au conservatoire de Lille où il dirige ses premiers morceaux et enfin au Conservatoire National Supérieur de Musique et de Danse de Paris où il obtient son Master en direction d'Orchestre. L'année 2012 constitue pour lui un moment charnière, il remporte le Concours International Donatella Flick à Londres et est nommé chef d'orchestre assistant au London Symphony Orchestra. Cette même année, il remplace au pied levé Mariss Janson au Royal Concertgebouw Orchestra d'Amsterdam, ces trois concerts menés avec brio constituent la rampe de lancement de sa carrière en France et à l'international. En septembre 2016, à l'issue d'un concours, il devient Directeur Musical de l'ONL. Il y déploie en partenariat avec Jean-François Bou, Directeur Général et les équipes de l'orchestre, sa vision d'un orchestre ouvert à tous les publics. Il va également contribuer à la relance des enregistrements commerciaux de l'orchestre. Nous écouterons pendant l'épisode un extrait de la Valse de Maurice Ravel qui figure dans le dernier album de l'orchestre : Ravel et Attahir : Valse, Rapsodie espagnole et Adh-Dhor. Avec Alexandre nous avons parlé de préparation intellectuelle et physique, d'ouverture, de travail, d'esprit d'équipe, de famille et de ce que la musique et plus largement la culture peuvent apporter à la société. J'ai une pensée particulière pour Siham Djibril et son podcast Génération XX, sa conversation avec Claire Gibault, cheffe d'orchestre et fondatrice du Paris Mozart Orchestra a constitué un déclencheur pour oser rencontrer Alexandre Bloch. Merci Siham ! Je ne vous en dit pas plus et vous souhaite une excellente écoute de notre conversation. Pour retrouver Alexandre Bloch et l'Orchestre National de Lille : https://www.onlille.com/ http://www.alexandrebloch.com/ Notes de l'épisode : Marshall Rosenberg, Les mots sont des fenêtres, ou bien ils sont des murs : introduction à la communication non violente, éditions La Découverte et Syros  Jean Yanne, Deux heures moins le quart avant Jésus Christ Sa recommandation d'invités : Alex Croquet, boulanger fou de pain que vous pouvez retrouver à Wattignies et à Lille.

END.OF.THE.WORLD................................ by tony justerini http://www.filefactory.com/file/55k2hj6r04zl/1234.mp3 01. Matt Howden - No Boundary Proposal, Voyager, 2004 02. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Introitus, Mozart:Requiem, 1987 03. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Kyrie, Mozart:Requiem, 1987 04. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Sequenz, Mozart:Requiem, 1987 05. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Tuba Mirum, Mozart:Requiem, 1987 06. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Rex Tremendae, Mozart:Requiem, 1987 07. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Recordare, Mozart:Requiem, 1987 08. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan –Confutatis, Mozart:Requiem, 1987 09. Richard Wagner – Golf Course (Tristan and Isolde), Melancholia, 2011 10. Richard Wagner – End of The World (Tristan and Isolde), Melancholia, 2011 11. Richard Wagner – Credits (Tristan and Isolde), Melancholia, 2011 12. Royal Concertgebouw Orchestra – Symphony No.9 in D Minor, Bruckner:Symphony No. 9, 2016 13. Ludwig Beethoven – Symphony No. 9 In D Minor, “Choral” Symphony, 2015 14. Lunz – Lunz, Lunz, 2002 total time: 01:20:04 photo by: Imran Kadir http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com

Today's show brings you a powerful and honest conversation on very important topics, including how changing your mindset can change your life, how focusing on your musical voice instead of perfection in execution and external validation can transform your relationship with practicing, enrich your playing, and affect the trajectory of your career.  Milan Milisavljevic, Principal Viola with the Metropolitan Opera Orchestra, elaborates on: the major impact a mentor had in his life the importance of knowing where you're coming from as a musician the importance of having a clear intention of what you want to sound like and listen intently to yourself and monitor your body when playing why shame has no business in the practice room his scale routine how he feels sound production in his arm the importance of “reducing the distance between thought and sound (I love that one!!!) how the fear transmitted from a teacher made him dread practicing, and how that has since changed how he uses the Pomodoro technique why it's important to be calm when we're facing things that make us feel uncomfortable how changes in our lives come from us making the effort to go through the reflection and do the work the important of courage in approaching music why serving others and serving music IS THE POINT of music-making! why it's about “saying something meaningful rather than being perfect”     MORE ABOUT MILAN:   Website: http://milanmilisavljevic.com/ YouTube channel: https://www.youtube.com/channel/UCsqbMHG_aOg5dgnTX_jYApw The Metropolitan Opera Orchestra: http://www.metorchestramusicians.org/milan-milisavljevi Facebook: https://www.facebook.com/milimusique/ Instagram: https://www.instagram.com/quincejuice/   Widely considered one of the leading violists of his generation, Milan Milisavljević is Principal Viola with the Metropolitan Opera Orchestra and is on the viola faculty at Mannes School of Music in New York. His performances combine intense expression with an immediate and profound link to his listeners and have won much critical acclaim. The Strad magazine has described his playing as “very imaginative, with a fine, cultured tone.” Milan's solo album Sonata-Song, released by Delos Music, has received glowing reviews, with the recording of A. Khachaturian's solo sonata on the album hailed as “definitive”. He has won prizes at competitions such as Lionel Tertis and Aspen Lower Strings and has performed at Marlboro, Cascade Head, Classical Tahoe, Agassiz and Grand Teton music festivals. Milan has appeared as soloist throughout the world, with orchestras such as the Munich Chamber Orchestra, the Belgrade Philharmonic, Aspen Sinfonia, Classical Tahoe, Orquesta Filarmónica de Boca del Río and many others. As a chamber musician, he has collaborated with members of the Guarneri and Mendelssohn String Quartets, as well as Joseph Kalichstein, Sergiu Luca, Cho-Liang Lin and many others. Milan has been heard worldwide on countless recordings and broadcasts of the MET. He previously served as its Assistant Principal Viola for twelve seasons. He is a former member of the Royal Concertgebouw Orchestra and has served as guest Principal Viola of many orchestras, such as the Toronto Symphony. In addition to his teaching activities at Mannes, Milan has coached violists in masterclasses at universities and conservatories worldwide, as well as at Verbier Music Festival, Aspen Music Festival, and as a volunteer at Ecole de musique St-Trinite in Port-au-Prince, Haiti. He is also increasingly in demand as a conductor. Milan's teachers include Jutta Puchhammer, Atar Arad, James Dunham, Nobuko Imai and Samuel Rhodes. He plays a viola made by Joseph Curtin of Ann Arbor, Michigan, and is a Larsen Strings Artist. Milan is also active as a conductor and founder of Music for the People, a New York-based ensemble dedicated to a new perspective and concert experience of classical music. In addition to his musical interests, he is also an avid runner, an occasional triathlete and a huge fan of modern architecture and design, especially the Mid Century Modern style.     If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Jörgen van Rijen and I chatting at J. Landress Brass in NYC! We talk about his musical influences, stories from the RCO, and his incredible new album Fratres!

Here's a dual interview with two young trombone greats. José is a Brazilian trombonist with many solo competition wins and is the solo trombone of Orquestra Sinfonica de Porto Alegre. Martin is a globetrotting soloist and the 2nd/bass trombonist of the Royal Concertgebouw Orchestra.   José's accomplishments can be seen here, along with some amazing recordings:  https://trombonefestival.net/2018/04/05/artist-spotlight-jose-milton-viera/   and Martin's biography is at the Concertgebouw's website: https://www.concertgebouworkest.nl/en/martin-schippers   Suffice to say, they are both masters of the craft. Listen as we talk about many things other than the trombone!

Here's a dual interview with two young trombone greats. José is a Brazilian trombonist with many solo competition wins and is the solo trombone of Orquestra Sinfonica de Porto Alegre. Martin is a globetrotting soloist and the 2nd/bass trombonist of the Royal Concertgebouw Orchestra.   José's accomplishments can be seen here, along with some amazing recordings:  https://trombonefestival.net/2018/04/05/artist-spotlight-jose-milton-viera/   and Martin's biography is at the Concertgebouw's website: https://www.concertgebouworkest.nl/en/martin-schippers   Suffice to say, they are both masters of the craft. Listen as we talk about many things other than the trombone!

In this first episode of the Celebrating Connections podcast, Nick interviews contrabass player and TV presenter Dominic Seldis. After joining the Royal Concertgebouw Orchestra, Dominic became a judge on the Dutch version of TV programme Maestro. He has since grown to be a familiar face on Dutch television. In conversation with Nick, he tells stories of his colourful career and what the move from the UK to the Netherlands has meant for him personally and professionally.

Our guest today does it all. Emily Beynon is the Principal Flutist of the Royal Concertgebouw Orchestra in Amsterdam. She has appeared as a soloist with the Philharmonia Orchestra, BBC Orchestras, Academy of St. Martin in the Fields (amongst others) and has performed with chamber groups such the Nash Ensemble and the Brodsky Quartet. Ms. Beynon is also a versatile recording artist. Her albums span a wide breadth of repertoire- from her dazzling interpretation of Mozart to her premiere recordings by contemporary composers.

On this episode we discuss the best musical advice we ever received! For our interview, we are joined by Gustavo Nunez, Principal Bassoon of the Royal Concertgebouw Orchestra! This podcast is brought to you by Singin’ Dog Double Reeds (www.singindog.com), Jennet Ingle Reeds(jennetingle.com/about-jennet-ingle-reeds/), Jende Reed Knives (www.jendeindustries.com), and Double or Nothing Reeds (www.doubleornothingreeds.com). In this episode: One of Gustavo's favorite recent performances with the RCO: https://www.concertgebouworkest.nl/en/schubert-rosamunde-entr-acte-no-3

Nick Villalobos is the bassist for Simply Three, a classical crossover trio that has which has garnered millions of YouTube views and praise from publications like Rolling Stone, the Huffington Post, and RyanSeacrest.com. Nick spends his time during with the group, recording new covers, and shooting videos, and the group is now branching into original compositions with their first all-originals album in the works. We dig into all kinds of topics: how being direct with what you want can move your career forward what makes a good hook transitioning into original compositions how competition can be a good thing Check out their first original song Maverick, which starts out with Nick playing his Eastman bass. It was great to chat with Nick, and I can't wait to see how this exciting group's career evolves! Links to Check Out: Simply Three's website Simply Three on YouTube Simply Three on Instagram Chained to the Rhythm (Katy Perry cover) the Huffington Post article featuring Simply Three (their first really big video hit) Demons by Imagine Dragons (another cover that hit it big through a posting in Vietnam) Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! This episode is also brought to you by Rosin Saver, a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com. Subscribe to the podcast to get these interviews delivered to your inbox!

Steve Metcalf is the new principal bassist for the Colorado Symphony.  I first became acquainted with Steve several years ago when he was an undergrad student at Indiana University creating cool cover videos of pop songs for his YouTube Channel. Steve went on to study with Peter Lloyd at the Colburn School in Los Angeles and moved into a temporary contract with the Colorado Symphony before winning the principal job in 2017. We dig into a ton of topics, including: breakthroughs in Steve’s audition process why undergraduate degrees should have more of a business focus to them recording excerpts and putting them up on his Instagram account as he neared his Colorado Symphony audition playing his mock audition for a group of climbers Links to Check Out: Steve's website Steve's YouTube Channel Steve's Instagram Steve's Colorado Symphony profile YouTube videos: Passione Amorosa Red Hot Chili Peppers - C'mon Girl Cover Smash Mouth - All Star Cover Feat. Evan Chapman Semisonic - Closing Time Cover Feat. Sophie Bird Instagram videos: Koussevitzsky Arpeggione Schubert 9 Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.    

Artem Chirkov is the principal bassist of the St. Petersburg Philharmonic and was the winner of the 2010 Bradetich International Double Bass Competition. I got a chance to hear Artem play a wonderful recital while he was in San Francisco this March. Here's a great shot of Artem and San Francisco Opera principal bassist Joe Lescher as they performed Passione Amorosa together. I headed over to San Francisco Opera bassist and former podcast guest Shinji Eshima's place the next day to chat with Artem.   We had a great and wide-ranging conversation, covering topics like: the origins of Bassiona Amorosa, the group that Artem has been a part of for the past two decades the fact that Artem always plays on a borrowed bass how he does this and how it actually connects us together as bassists to do that the routine that Artem goes through to acquaint him with new basses how the bass as a solo instrument has evolved and challenges still facing the bass as a solo instrument learning how to feel the freedom in your playing music and its connection to culture bass not as religion but as relation (this is a great topic that happens near the end of our chat) Links to Check Out: Artem's recordings Impromptus of the Soul Bassiona Amorosa (bass ensembles) Reminiscence of the 20th Century Artem Chirkov LIVE in-studio performance (YouTube) Artem Master Class (YouTube) Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.  

Stories covered: 3 Sigma Audio - Upright Bass Impulses Jon McColough-Benner joins Roosevelt University faculty Curtis features Mary Javian Vivo el Bajo May 19-21 - South Texas Double Bass Festival organized by George Amorim Lloyd Goldstein will be a clinician Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.  

Stories covered: New podcast - Classical Break from Tyler Alderson Lee Starovich - bass teacher at Indiana University summer music clinic The Strad Masterclass: Leon Bosch on Dragonetti’s ‘Famous Solo’ for double bass check out Leon Bosch on the podcast Nina Harries plays Icarus from Barrie Kolstein - how to open and close a seam hear Barrie on the podcast Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.  

Stories covered: Illuminating Music Podcast: Art of Elan podcast from Jory Herman Jory Herman appearance on Contrabass Conversations Bass Works in July features many clinicians, including past podcast guests Ira Gold, Tracy Rowell, and Jeff Weisner Ask Geoff and Lauren - How to Break Through a Plateau New Franck Sonata videos from Matthew McDonald 30th Anniversary of Bradetich Master Classes learn about the 2nd International Bradetich Competition Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.  

Stories covered: Audition Breakthrough Summit takes place March 15 use code 'contrabass20' for $20 off any pass speakers include Ira Gold Remic 5400 and 5400LB review by Adam Booker Rentabass.com - find a bass, list a bass Michael O'Gieblyn Flex Tux review Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.  

Stories covered: BASS2018 in Lucca July 30 - August 5, 2018 Gabrielle Raggianti and Alberto Bocini will organize  International Society of Bassists Convention registration now open New video for Maverick - Simply Three’s first original song Ira Gold summer camps Paul Cannon video Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Rosin Saver is a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. It was developed in Sweden by a pair professional bassists and Rice graduates. What makes bass rosin so soft and sticky is the addition of natural waxes and solvents. Basically, as these evaporate, your rosin becomes a dry, powdery and useless. Rosin Saver prevents this evaporation by completely saturating the air surrounding your rosin, The result is rosin that always feels and sounds great regardless of the weather, temperature or venue and vastly extends the life of rosin. Rosin Saver is used by members of top orchestras including the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra among many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com.  

Daniele Gatti on life as the new Chief Conductor of the Royal Concertgebouw Orchestra, plus Sara Mohr-Pietsch examines the life and work of avant-garde American composer Milton Babbitt and 19th-Century conductor Hans Richter.

Gustavo Gimenos Karriere kann man zu Recht als ungewöhnlich bezeichnen. Lange war er Erster Schlagzeuger im Royal Concertgebouw Orchestra. Dann sprang er für Mariss Jansons ein - und wurde zum gefragten Dirigenten. Wie er mit seinem neuen Leben am Pult zurechtkommt, erzählt er im Interview mit BR-KLASSIK.

1 - "Valsa 2", da "Jazz Suite", de Shostakovich. Com Orquestra do Royal Concertgebouw. 2 - Canto do xexéu de bananeira 3 - "Cigarettes and Milk", de Rufus Wainwright. Com Quarteto Fauré. 4 - "Dueto N. 2 em fá maior, BWV 803", de Bach. Com Francesco Tristano, piano. 5 - "Rondó" do "Trio para oboé, fagote e piano", de Poulenc. Com Hansjörg Schellenberger, oboe. Milan Turkovic, fagote. James Levine, piano. 6 - "Cigarettes and Milk", de Rufus Wainwright. Com Rufus Wainwright. ========================= 1 - "Waltz 2", from "Jazz Suite" (Shostakovich). Royal Concertgebouw Orchestra. 2 - Brazilian bird "Xexeu de bananeira" 3 - "Cigarettes and Milk" (Rufus Wainwright). Fauré Quartet. 4 - "Duett N. 2 in F major, BWV 803" (Bach). Francesco Tristano, piano. 5 - "Rondo" from "Oboe, bassoon and piano Trio" (Poulenc). Hansjörg Schellenberger, oboe. Milan Turkovic, bassoon. James Levine, piano. 6 - "Cigarettes and Milk" (Rufus Wainwright). Rufus Wainwright.

1. Elaine Comparone, Marsha Heller, Peter Seidenberg "Concert 1 - La Coulicam" (Jean-Philippe Rameau: Pieces de Clavicin en Concert) [Lyrichord Early Music Series] Elaine Comparone, Marsha Heller, Peter Seidenberg "Concert 1- La Coulicam" (mp3) from "Jean-Philippe Rameau 1683-1764: Pieces de Clavicin en Concert (1741)" (Lyrichord Early Music Series) Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Buy at Napster Stream from Rhapsody Buy at Amazon Buy at GroupieTunes Buy at mTraks Download More On This Album 2. Royal Concertgebouw Orchestra, Mariss Jansons "La mer, trois esquisses symphoniques"[RCO Live] Royal Concertgebouw Orchestra, Mariss Jansons "La mer, trois esquisses symphoniques" (mp3) from "Debussy: La mer, trois esquisses symphoniques - Dutilleux: L'Arbre des songes - Ravel: La valse, poème chorégraphique" (RCO Live) Buy at iTunes Music Store More On This Album