Podcasts about ethio jazz

In this Black History Month special episode, former U.S. Poet Laureate Tracy K. Smith discusses her memoir To Free the Captives, which looks to uncover Black strength, continuance, and community by looking back at her own family's history; poet Saeed Jones (Alive at the End of the World) unpacks the backstories behind some of his poems involving Billie Holiday, Maya Angelou, and Luther Vandross; and Ethio-Jazz musician Meklit performs the song, “I Want to Sing for Them All” as a tribute to her musical influences.

Er führte ein Restaurant, arbeitete als Taxifahrer und chauffierte Reisende zum Flughafen. Er ist aber auch ein Star der goldenen Jazz Ära der 70er Jahre in Äthiopien. Morgen Abend spielt Hailu Mergia, der fast 80-jährige Keyboarder, Akkordeonist und Synthie-Pionier, in der Kaserne Basel. von Mirco Kaempf

A lot of music from my recent travels. After some forest music the show starts with Ethio Jazz before moving onto Indie rock and some hot new tunes from Zimbabwe. Then we have some Zamrock and some Ethiopian Hip Hop. Check it out! Mermaid Chunky - Céilí Kamlak Bmbo - ትራክ Mulatu Astatke - Dèwèl (Bell) Speakers Corner Quartet - fix (feat. Tirzah) Bathe Alone - Victims Gus Dapperton - Everything She Wants This Is Lorelei - Perfect Hand Fenze - Delroy Shewe Bracket - Yori Yori Killer T - Kana Ndanyura Witch - Like a Chicken Ngozi Family - Stay With Me King Gizzard & the Lizard Wizard - Le Risque Peel Dream Magazine - Lie In the Gutter Haich Ber Na - Sandringham Eputty - Teenage Dirtbag African King Fre$h & GeeWavvy - Yin vs Yang Rophnan - Amen Swidt - Crew Erika de Casier - Test it Ice Beats Slide - Jagermeister Banyana - Mid9t The Royal Philharmonic Orchestra - Kokomo

A lot of music from my recent travels. After some forest music the show starts with Ethio Jazz before moving onto Indie rock and some hot new tunes from Zimbabwe. Then we have some Zamrock and some Ethiopian Hip Hop. Check it out! Mermaid Chunky - Céilí Kamlak Bmbo - ትራክ Mulatu Astatke - Dèwèl (Bell) Speakers Corner Quartet - fix (feat. Tirzah) Bathe Alone - Victims Gus Dapperton - Everything She Wants This Is Lorelei - Perfect Hand Fenze - Delroy Shewe Bracket - Yori Yori Killer T - Kana Ndanyura Witch - Like a Chicken Ngozi Family - Stay With Me King Gizzard & the Lizard Wizard - Le Risque Peel Dream Magazine - Lie In the Gutter Haich Ber Na - Sandringham Eputty - Teenage Dirtbag African King Fre$h & GeeWavvy - Yin vs Yang Rophnan - Amen Swidt - Crew Erika de Casier - Test it Ice Beats Slide - Jagermeister Banyana - Mid9t The Royal Philharmonic Orchestra - Kokomo

Den äthiopischen «Ethio Jazz» gibt es bereits seit den 1970ern – neu gibt es aber Ethio Soul! Die junge Sängerin Feven Yoseph erzählt im Beitrag, was sie dazu inspiriert hat. Der US-Schlagzeuger Mark Guiliana hat nicht nur als Sideman und Bandleader einiges vorzuweisen, jetzt veröffentlicht er zum ersten Mal ein Soloalbum und lernt sich dabei selbst besser kennen. Neue Musik kommt ausserdem von der Sängerin Zara McFarlane, vom Schlagzeuger Alex Kautz und vom Gitarristen und Produzenten JJ Whitefield. (00:01:10) Alex Kautz (00:07:10) Mark Guiliana (00:16:45) Feven Yoseph (00:32:40) JJ Whitefield and Forced Meditation (00:33:05) Jihye Lee Orchestra (00:43:10) EYM Trio and Varijashree Venugopal (00:52:10) Zara Mcfarlane - - Die gespielten Titel / Interpret:in (Album | Label): - Chorinho / Alex Kautz (Where We Begin | Sunnyside Records - Just Listen - Hero Soup / Mark Guiliana (MARK | Edition Records) - Sew Bakno - Maleda Maleda - Sewer Fiqir - Gize Fetay - Sew Mehon / Feven Yoseph (Gize | Blue Pearls Music) - Infinity Suite 1 and 2 - Nothingness / JJ Whitefield and Forced Meditation (The Infinity of Nothingness | Jazzman Records) - Bangalore / EYM Trio and Varijashree Venugopal (Bangalore | Kollision Records) - Tenderly / Zara Mcfarlane (Sweet Whispers. Celebrating Sarah Vaughan | Eternal Source of Light)

A Capella Lieder mit The Joy in Tradition von Ladysmith Black Mambazo. Dazu Folk aus Kanada mit Madison Violet, und Ethio Jazz aus Äthiopien.

Join us as we explore the vibrant origins of this unique genre in Addis Ababa, the visionary work of Mulatu Astatke, and the profound themes of innovation, African pride, and cultural preservation that make Ethio-Jazz so captivating. Perfect for anyone looking to discover the rich musical heritage of Ethiopia and the soul-stirring sounds that define Ethio-Jazz.

On this episode of Rightnowish, we're passing the mic to our friends at Immigrantly podcast. Host Saadia Khan and her guests examine traditional narratives Americans hold about immigrants and people of color. Through the process, they carefully unravel the nuance and depth of the immigrant experience. Immigrantly explores the everyday miraculousness of immigrant life, like love, food, faith, friendship and creativity through first-person accounts. Immigrantly's guest for this episode is Meklit Hadero. She is a vocalist, songwriter, composer and former refugee who is known for her innovative Ethio-Jazz vocals and lively stage presence. Her music blends together folk, jazz, Eastern African influences, and what Hadero calls "everyday sounds." She has performed worldwide, and just released a new EP called "Ethio Blue." Her album “When the People Move, the Music Moves Too,” was named among the best records of the year by Bandcamp and the Sunday Times UK. She is a National Geographic Explorer, a TED Senior Fellow, and a former Artist-in-Residence at Harvard University. Hadero is also the co-founder, co-producer, and host of Movement, a podcast, radio series and live show that celebrates songs and stories of immigrant musicians.

In this Black History Month special episode, former U.S. Poet Laureate Tracy K. Smith discusses her memoir To Free the Captives, which explores Black strength, continuance, and community by looking back at her own family's history; poet Saeed Jones (Alive at the End of the World) unpacks the backstories behind some of his poems involving Billie Holiday, Maya Angelou, and Luther Vandross; and Ethio-Jazz musician Meklit performs the song, “I Want to Sing for Them All” as a tribute to her musical influences.

Mit dem Film «Broken Flowers» von Jim Jarmusch hat seine Musik 2005 ein breites Publikum erreicht. Erfunden hat der Vibraphonist und Perkussionist Mulatu Astatke den Ethio Jazz aber bereits Ende der 1960er Jahre, indem er die Musik seiner Heimat Äthiopien mit westlichen Stilen fusioniert hat. Der Sound des Ethio Jazz hat damals die Menschen begeistert, und nicht umsonst hat dieser Stil das sogenannt «goldene Zeitalter der äthiopischen Musik» eingeläutet. Was Mulatu Astatke und den Ethio Jazz so besonders macht und weshalb diese Musik zwischenzeitlich fast in Vergessenheit geraten ist, das bespricht Roman Hošek mit dem Produzenten und Musiker Jeroen Visser - der seit «Broken Flowers» tief in die äthiopischen Musikkultur eingetaucht ist. Die gespielten Titel (CD-Titel | Label): * Mulatu's Hideaway (Afro Latin Soul | Strut Records) * Yègellé Tezata (Single Yègellé Tezata | Buda Musique) * Mulatu (Mulatu of Ethiopia | Strut Records) * Yekermo Sew (Ethio Jazz | Amha Records) * Muiscawi Silt (Tche Belew | Kaifa Records) * Cha Cha (Inspiration Information | Strut Records) * Gamo (Sketches of Ethiopia | Jazz Village) * Mulatu (To Know Without Knowing | Agogo Records)

We caught up with Swedish Saxophonist and Band Leader Lina Langendorf about how she discovered Ethio-jazz and spending time in Africa learning the finer points of playing it Ep: 349 #ATJPod More: https://singasongfighter.bandcamp.com/album/yeahno-yowouw-land @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran. 

On today's episode I speak with Meklit, an Ethio-American vocalist, songwriter, and composer known for her electric stage presence and her ability to craft deeply personal Ethio-Jazz songs that resonate with audiences across the globe. Meklit's music has taken her from the heart of Addis Ababa, to stages in San Francisco, New York City, Nairobi, Cairo, Montreal, London, Rome and many more. Meklit is a National Geographic Explorer, a TED Senior Fellow, and a former Artist-in-Residence at Harvard University. She has also been involved in impactful projects like the Nile Project, which addresses cultural and environmental challenges in the Nile basin through music, education, and enterprise. You can also find Meklit as host of the "Movement," a podcast and live show that explores global migration through music. Embark on a journey through Meklit's musical evolution, creating a rich tapestry of sonic landscapes that celebrate identity and community. LISTEN NOW on Spotify, Apple Podcasts, iHeart Radio, and Amazon Music. Made in collaboration with Hudson Mohawk Magazine with editing by Moses Nagel. More info about Meklit at: Meklitmusic.com IG @MeklitMusic Tainia is at: tainaasili.com IG + YouTube @tainaasili FB.com/TainaAsiliMusic

La 42.ª edición del Cartagena Jazz Festival, el Villanos del Jazz 2023 o la 30.ª edición del Womad de Las Palmas de Gran Canaria, del 9 al 12 de noviembre, en el programa de hoy.  VIDA - A COLORS SHOW  Pol Batlle, Rita Payés      Vida - A Colors Show The Catalyst Núria Graham                Cyclamen Boredom    Núria Graham                Boredom Me Quedo Contigo                  Rocío Márquez, Fernando Vacas        (BSO Adiós) Niña De Sangre - Verdiales       Rocío Márquez, BRONQUIO      Tercer Cielo De Mí - Rumba      Rocío Márquez, BRONQUIO, 41V1L   Tercer Cielo Passarinha   Bala Desejo, Julia Mestre, Dora Morelenbaum, Zé Ibarra, Lucas Nunes SIM SIM SIM Toda Beleza Rubel, Bala Desejo AS PALAVRAS, VOL. 1 & 2 Bia Bia         Liraz  Zan Yègellé Tezeta               Mulatu Astatke     New York - Addis - London: The Story of Ethio Jazz 1965-1975 Escuchar audio

Yohannes Tona, an internationally renown bassist, and vocalist Dibekulu have teamed up to bring Ethio-Jazz to the Twin Cities. Listen to the interview to find out how Yohannes discovered the sounds of Ethio-jazz while learning other styles of music. And discover how the notes of the Amharic scales of Ethiopia combining with Latin and jazz rhythms and harmonies brought about a new sound, largely canonized by Mulatu Astatke.

Yohannes Tona, an internationally renown bassist, and vocalist Dibekulu have teamed up to bring Ethio-Jazz to the Twin Cities. Listen to the interview to find out how Yohannes discovered the sounds of Ethio-jazz while learning other styles of music. And discover how the notes of the Amharic scales of Ethiopia combining with Latin and jazz rhythms and harmonies brought about a new sound, largely canonized by Mulatu Astatke.

Revolutionary Grooves x 186

My guest today is Meklit Hadero, the Ethiopian-born, San Francisco-based artist. She is best known for her innovative Ethio-Jazz vocals and electric performance style. Even if you were to listen for a few minutes, you'd notice a genre-bending nature to her songs. Her songs weave together jazz, folk, Eastern African influences, and what Meklit calls everyday sounds.  She has performed worldwide, from San Francisco to Cairo to London to Montreal. Her latest, released in 2017, “When the People Move, the Music Moves Too,” was named among the best records of the year by Bandcamp and the Sunday Times UK.  She is a National Geographic Explorer, a TED Senior Fellow, and a 2019 Artist-in-Residence at Harvard University. Meklit is the co-founder, co-producer, and host of Movement, a new radio series telling stories of global migration through music. In our conversation, she shares how she looks to music to express longing, pain, hope, and other facets of the diaspora. Her words reminded me of the importance of heritage and how traditional music from our homelands can be integrated into present movement and music.  Join the conversation: Instagram @immigrantlypod | Twitter @immigrantly_pod |  Please share the love and leave us a review on Apple Podcasts to help more people find us!  Host & Executive Producer: Saadia Khan I Content Writer: Yudi Liu & Saadia Khan I Editorial review: Shei Yu I Sound Designer & Editor: Haziq Ahmed Farid I Immigrantly Theme Music: Simon Hutchinson  Order of Meklit's Tracks during the episode Meklit - Yesterday Is A Tizita Meklit - Sweet and Salty Meklit - This Was Made Here Oddisee - Try Again Dengue Fever - Ethanopium  Xenia Rubinos - Hair Receding Meklit - Float and Fall Additional Links Meklit Hadero: The unexpected beauty of everyday sounds | Ted Dr. Jon Jenkins - Chasing Shadow Words: Exoplanets from Kepler & Beyond

My guest today is Meklit Hadero, the Ethiopian-born, San Francisco-based artist. She is best known for her innovative Ethio-Jazz vocals and electric performance style. Even if you were to listen for a few minutes, you'd notice a genre-bending nature to her songs. Her songs weave together jazz, folk, Eastern African influences, and what Meklit calls everyday sounds.  She has performed worldwide, from San Francisco to Cairo to London to Montreal. Her latest, released in 2017, “When the People Move, the Music Moves Too,” was named among the best records of the year by Bandcamp and the Sunday Times UK.  She is a National Geographic Explorer, a TED Senior Fellow, and a 2019 Artist-in-Residence at Harvard University. Meklit is the co-founder, co-producer, and host of Movement, a new radio series telling stories of global migration through music. In our conversation, she shares how she looks to music to express longing, pain, hope, and other facets of the diaspora. Her words reminded me of the importance of heritage and how traditional music from our homelands can be integrated into present movement and music.  Join the conversation: Instagram @immigrantlypod | Twitter @immigrantly_pod |  Please share the love and leave us a review on Apple Podcasts to help more people find us!  Host & Executive Producer: Saadia Khan I Content Writer: Yudi Liu & Saadia Khan I Editorial review: Shei Yu I Sound Designer & Editor: Haziq Ahmed Farid I Immigrantly Theme Music: Simon Hutchinson  Order of Meklit's Tracks during the episode Meklit - Yesterday Is A Tizita Meklit - Sweet and Salty Meklit - This Was Made Here Oddisee - Try Again Dengue Fever - Ethanopium  Xenia Rubinos - Hair Receding Meklit - Float and Fall Additional Links Meklit Hadero: The unexpected beauty of everyday sounds | Ted Dr. Jon Jenkins - Chasing Shadow Words: Exoplanets from Kepler & Beyond

This week, a Quinta-less Alan and Scott welcomed Lawfare's dynamic associate editor duo, Katherine Pompilio and Hyemin Han, on to the show to talk through the week's big national security news stories, including:“Going Full Cleve.” Last week, former President Donald Trump announced his intention to once again run for president—in spite of the Republicans' weak showing in the midterm elections and his own impending legal troubles. What does Trump's announcement mean for 2024 and after? “A Mueller Mulligan?” Trump's announcement that he was once again running for president in turn led Attorney General Merrick Garland to make his own announcement last Friday: that he was appointing another Special Counsel to take over the investigations into Trump's interference in the 2020 election results and mishandling of classified records. Was this the right move? How will the Special Counsel's appointment impact the investigations—and Trump's political future?“Pyongyanking Our Chain.” North Korea has launched a new ICBM that it claims can deliver nuclear weapons anywhere in the United States. Should this threat be taken seriously or is it a bluff? And is the Biden administration doing enough to respond?For object lessons, Alan shared the tale of Lawfare's biggest animal fan, Katherine's African Grey parrot Moby. Scott passed along the late Michael Gerson's essay on dropping his youngest son off at college as a wonderful meditation on parenthood. Katherine shared her passion for soft jazz, and recommended the album "Ethiopics, Vol. 4: Ethio Jazz 1969-1974" as a great dive into Ethiopia's own early 1970s jazz scene. And Hyemin endorsed a show she recently took in at the Brooklyn Academy of Music: "Trojan Women," which beautifully translated a Greek tragedy through the Korean storytelling form of pansori. Hosted on Acast. See acast.com/privacy for more information.

City Scenes is a new feature on Ara City Radio. Every Thursday we will be focusing on the musical legacy of a different city, looking at some of the most famous musicians from that city and listening to some of the music that is being made in it today. We´ll be going through the Alphabet from A-Z and this week we begin with Addis Ababa. Addis Ababa is the capital city of Ethiopia, a country in Eastern Africa that in recent years has been troubled by a devastating civil war but which has a huge musical history. To focus our journey through the musical legacy of the city, Tom focused on one particular style of music known as Ethio-Jazz, A genre that brings together elements of western Jazz with traditional Ethiopian scales and melodies, that is widely credited as being created by a musician called Mulatu Astatke. Mulatu Astakte studied music in London and Berklee in the 1950s and 60s before returning to Addis Ababa where he began to introduce western instruments, rhythms and techniques to the traditional music of his homeland. He called this new style Ethio-Jazz. Addis Ababa of the 1970s was a vibrant and exciting city with a busy nightlife. Bands´led by Mulatu Astatke and other famous musicians such as Mahmoud Ahmed and Alemeyahu Eshete performed in the city´s many nightclubs and Jazz Bars every night of the week. Unfortunately this all came to a sudden and unnatural end when a military dictatorship known as the Derg held a coup and deposed the Emperor Haile Selassie in 1975. This put a sharp halt to nightlife and subdued the music scene in Addis Ababa, stifling the city´s flourishing creativity. It wasn´t until the end of the dictatorship in 1987 when music was given a chance to resurface. New musicians stepped forward and the legends of the Ethio-Jazz scene returned to playing live. This ushered in a new golden era for Ethio-Jazz in the 1990s where musicians such as Samuel Yirga picked up the mantel and took the genre in new directions. These days, Ethio-Jazz still holds an influence on the pop music being made in Addis Ababa. This can be heard in the music of musicians like Yohannes Alemu. While the country still remains troubled, pop music serves as a tool for artists to push democratic and social causes, as is the case with the music of Tedy Afro, one of the countries biggest modern-day pop-stars. I would like to thank Solomon, for helping me out with my research for this installment of City Sounds. We will be back next week for B and we´re looking at Bristol.

On this episode of The Swell Season Surf Podcast we sit down with Body Surfer Tyler Wilde and Filmmaker Peter Williams about their film 'Gender Outlaw', a story about the resilience and acceptance that Tyler found, and that many transgender individuals have had to explore in their personal journeys as they go through their transition. Tyler is honest and raw about the process, but he also shows us how the joys in his life; bodysurfing and his unexpected community have helped him find his true self. It's an incredible film and we're really stoked to have both Tyler and Peter as guest on this episode.Follow our social media for updates on instagram @genderoutlawfilm and twitter @thegenderoutlaw. The film is available on vimeo on-demand at https://vimeo.com/ondemand/genderoutlawfilm The Swell Season Podcast is recorded by The NewsStand Studio at Rockefeller Center in the heart of Manhattan and is distributed by The Swell Season Surf Radio Network. www.swellseasonsurfradio.comMusic: Song: Tezeta (Nostalgia)Artist: Mulatu AstakeAlbum: Ethiopiques, Vol. 4- Ethio Jazz 1969-1974

La semaine dernière avec l'équipe au grand complet, on partait pour l'Afrique de l'Ouest, dans la corne de l'Afrique pour vous parler de la musique de la Somalie ! La situation politique du pays, en proie à une guerre civile qui n'en finit pas depuis 1978, implique des difficultés pour les artistes locaux de réussir à faire entendre leurs voix et productions en dehors du pays, et les quelques disques d'artistes restés au pays nous sont souvent parvenus grâce au travail d'employés de radios soucieux de sauvegarder la culture musicale locale, et par le travail de recherches de quelques labels spécialisés dans les compilations (les très bons Awesome Tapes From Africa et Analog Africa donc nous vous parlons souvent) qui ont permis d'exhumer quelques disques et artistes de l'époque pré-guerre civile. Au programme on retrouve la tradition musicale Qaraami, mêlant à la fois des influences highlife, Ethio-Jazz, la musique pop arabe, ou encore le funk et la soul. On passe par des artistes exilés loin de Somalie pour pouvoir exprimer leur musique. On termine sur un peu de RnB contemporain. La musique de Somalie Abonnez-vous dans nos réseaux Même après plus de 200 épisodes, c'est toujours pareil : pour suivre Mappemonde, vous pouvez vous abonner à la page Facebook  ainsi que le compte Instagram. Vous pouvez écouter l'intégrale des podcasts via iTunes et autres plateformes de podcast (cherchez : « mappemonde radio campus paris » et abonnez-vous aux updates).

La semaine dernière avec l'équipe au grand complet, on partait pour l'Afrique de l'Ouest, dans la corne de l'Afrique pour vous parler de la musique de la Somalie ! La situation politique du pays, en proie à une guerre civile qui n'en finit pas depuis 1978, implique des difficultés pour les artistes locaux de réussir à faire entendre leurs voix et productions en dehors du pays, et les quelques disques d'artistes restés au pays nous sont souvent parvenus grâce au travail d'employés de radios soucieux de sauvegarder la culture musicale locale, et par le travail de recherches de quelques labels spécialisés dans les compilations (les très bons Awesome Tapes From Africa et Analog Africa donc nous vous parlons souvent) qui ont permis d'exhumer quelques disques et artistes de l'époque pré-guerre civile. Au programme on retrouve la tradition musicale Qaraami, mêlant à la fois des influences highlife, Ethio-Jazz, la musique pop arabe, ou encore le funk et la soul. On passe par des artistes exilés loin de Somalie pour pouvoir exprimer leur musique. On termine sur un peu de RnB contemporain.   La musique de Somalie Dur-Dur Band - Halelo Libaaxyada Maaweeliska Banaadir - Naga Tag, Kac Hooyaa Maryam Mursal - Somali Udiida Ceb Kooshin - Yurub Mukhtar Ramadan Lidi - Check up your head Sarah Haigan - Hobaa Layoww Heedhe Hibo Nuura - Haddii Hoobalkii Gabay Yayoyanoh - Sci-Fi Abonnez-vous dans nos réseaux Même après plus de 200 épisodes, c'est toujours pareil : pour suivre Mappemonde, vous pouvez vous abonner à la page Facebook  ainsi que le compte Instagram. Vous pouvez écouter l'intégrale des podcasts via iTunes et autres plateformes de podcast (cherchez : « mappemonde radio campus paris » et abonnez-vous aux updates). Une émission animée et réalisée par Léo Vesco, Maxime Valette et Antoine Carrière et Maxime Kokocinzki. Mappemonde est une émission créée par Thomas Guillot pour Radio Campus Paris. Générique réalisé par Maxime Kokocinzki. Photo : Mogadiscio, Somalie © AMISOM Public Information.

This week's Lauren leans in and makes a true Lauren recommendation. Nina's in thrall to primal astrology (blame Steven Yeun) and switches up her recommendation pattern by giving Lauren a musical offering. A few notes: Paris, Texas can be watched on the Criterion Channel : https://www.criterionchannel.com/paris-texas Ethiopiques, Vol 4: Ethio Jazz 1969-1974 on Spotify https://open.spotify.com/album/5VKvVk4gaPAJyXjof8NnzX?si=0a5Z6xIwSfW_DHVW7W3rIg Interview with Mulatu Astatke: Video: https://www.youtube.com/watch?v=lCgdUD9gdPE Transcript: https://www.redbullmusicacademy.com/lectures/mulatu-astatke-ethiopian-knight Interview with Francis Falceto on NPR: https://www.npr.org/templates/story/story.php?storyId=5560216 Playlists of music from Italian exploitation/detective movies: Beretta 70: Roaring Themes from Thrilling Italian Police Films: https://open.spotify.com/playlist/1g6qZyfUzMZT1GGoOGJFVp?si=ce_h3AAhSoe-emV66AYIEQ A crisis is currently unfolding in the Tigray region of Ethiopia. Learn more at this link: https://www.doctorswithoutborders.org/what-we-do/news-stories/news/widespread-destruction-health-facilities-ethiopias-tigray-region

Unsere neue Podcast-Staffel ist dem Sammelobjekt Schallplatte gewidmet. Wir machen mit Albrecht Dornauer eine Weltreise und Peter Kollreider zieht weite Kreise. In Episode eins folgen wir Albrecht in die Rille, wir gehen dem Ursprung seiner Sammelleidenschaft auf den Grund. Ehrengast: Robert Squire aka sixtoo. Musikauswahl: Albrecht DornauerSixtoo -  Daggers On All Corners (Live)Hugo Montenegro - Classical GasPromoe - These Walls Don't LieGiogio Moroder - TearsDJ Shadow - Organ DonorEthiopiques, Vol. 4: Ethio Jazz 1969-1974 - Mulatu Astatke-Nètsanèt (liberty)Sixtoo - One World LostSixtoo - 'A To Zero'Amen - The Winstons - Amen BrotherEin Podcast aus dem hoerwinkel. www.hoerwinkel.com

[Intro: 11:04] Political strategist and organizer Akin Olla joins me to discuss the history of the FBI’s assault on left-wing activists over the decades and the absolute necessity for organizers to have operational security in today’s political climate as Big Tech companies “depoliticize” their platforms in the wake of the Capitol siege last month. We address several of his recent articles published at The Guardian, including ‘The FBI can't investigate white extremism until it first investigates itself,’ ‘Facebook is banning leftwing users like me – and it's going largely unnoticed,’ and ‘The US Capitol riot risks supercharging a new age of political repression.’ In this interview, Akin dives into the Federal Bureau of Investigation's long and violent history of surveilling, attacking, and undermining leftist organizing in the United States since the agency’s inception in the early 20th century. Since the Capitol siege on January 6th, the FBI has turned its attention and resources toward identifying and detaining the participants in the riot, which has led liberals, and unfortunately many that would claim themselves to be on the left, to celebrate the agency's decision to pursue seditious white extremists for a change. But, considering the history of this agency, for those organizing movements of resistance to systems of white supremacy in the US, it's a bit difficult to trust the agency with this task. “The FBI has a long history of fulfilling the function of white supremacy in the United States. While the Tulsa Massacre was ongoing, the FBI’s predecessor was busy investigating Marcus Garvey and his Universal Negro Improvement Association. The FBI’s first director, J Edgar Hoover, waged war on the civil rights movement from its onset. The war was ramped up in the age of Cointelpro, an FBI program designed to surveil, dismantle and destroy any movement working to end racism or capitalist exploitation in the United States. The FBI occasionally investigated white supremacists during this era (1956 to 1971),but spent the vast majority of its resources fighting those committed to Black and Indigenous liberation. And many of the bureau’s investigations of white supremacists were disingenuous; the FBI knew for a fact that the Birmingham police Department had been infiltrated by the KKK, for example, but continued to feed the department information about civil rights activists. During Hoover’s half century as director, the FBI sent a blackmail letter to Martin Luther King encouraging him to commit suicide and was probably involved in the assassination of 21-year-old NAACP and Chicago Black Panther party leader Fred Hampton.” (http://bit.ly/3b7FFmY) Akin Olla is a Nigerian-American political strategist, organizer, and writer based in Philadelphia, and is the host of This Is The Revolution podcast. Episode Notes: - Read Akin’s op-eds published at The Guardian: http://bit.ly/3b7FFmY / http://bit.ly/3ddDxwJ / http://bit.ly/2ZxZXRr - Read ‘Facebook restricted a West Philly activist as it grappled with fallout from the Capitol riots’ at the Philadelphia Inquirer: http://bit.ly/3pq7o7F - Follow and support his podcast This Is The Revolution: https://thisistherevolution.buzzsprout.com / https://twitter.com/ThisIsRevShow / https://ko-fi.com/thisistherevolution - The song featured is “Tezeta (Nostalgia)” by Mulatu Astatke from the album Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale (1969-1974): https://youtu.be/Wy-v-FgiUD8 WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast / https://venmo.com/LastBornPodcast BOOK: http://bit.ly/ORBITgr ATTACK & DETHRONE: https://anchor.fm/adgodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

Special on six degrees of separation with Shabaka Hutchings to honor Ethio-Jazz inventor, Mulatu AstatkePlaylist: Sons of Kemet - My Queen Is Harriet TubmanShabaka and the Ancestors - Run, the Darkness will passThe Heliocentrics - Space Time GirlMulatu Astatke & Black Jesus Experience - MulatuFloating Points - Last BloomPolar Bear - Life Love andLightMelt Yourself Down - Fix My LifeTommaso Cappellato - Splinters of a Rainbow HeartTommaso Cappellato and Shabaka Hutchings - KhalabBeverley Johnston - ILuminous Voices - Psaume 98Ben Shemie - DreamSUUNS - ControlJerusalem in My Heart - Al AffaqBitter Fictions - The UncertainLe fruit vert et Delphine Dora - IIbeholding - a Story about how the moon changed

Selección especial de tracks de la discografía setentera de Horace Andy, Fela Kuti y Mulatu Astatke

Otra vuelta al mundo en menos de 60 minutos. Arrancamos una nueva y poliédrica edición de Future Beats con el maestro del Ethio-Jazz Mulatu Astatke y su segunda colaboración con el colectivo jazz de Melbourne Black Jesus Experience. Guiados por un irresistible sunshine mood (este programa se ha grabado en el interior de un coche en la Costa Brava) viajamos también a Nueva Orleans con la veterana Preservation Hall Jazz Band; saltamos a Miami con el latin-soul bilingüe de Jason Joshua, rutilante fichaje de Penrose Records, la división en la costa oeste americana de la escudería Daptone; En Europa visitamos a Sven Wunder que, basándose en los principios y la estética de Ukiyo-e, un estilo de grabados en madera japoneses populares durante el período Edo, combina los sonidos de la flauta de concierto occidental, el guzheng, el sintetizador Moog y el piano eléctrico Wurlitzer fusionando y reformulando estilos "para conectar con la naturaleza y concentrarse en las asimetrías", según explica. En Francia pasamos por Lyon con Da Break y su incursión en el dub humeante y viscoso. Y París, donde operan Oracle Sisters, todavía sin álbum pero con una serie impecable de singles inspirados en Brian Wilson, High Llamas y ciertas reminiscencias space age pop; Nos daremos un chapuzón hedonista con los italianos La Feste Antonacci y tendremos tiempo de saborear el atardecer en Tanzania de la mano de Kutiman y sus grabaciones de campo manipuladas.El anochecer lo dejamos para el extraradio de Barcelona y el rumor eterno de sus autopistas que inspiran a Flamaradas y el crepuscular, elaboradísimo y majestuoso álbum del productor y compositor Blake Mills, quien además tuvo tiempo este año de participar de forma intensa en el regreso discográfico de Bob Dylan.El final de nuestro viaje hoy lo dejaremos en manos de Idris Ackamor & The Pyramids y el rollercoaster de estados de ánimo y emociones que es su expansiva música.

The United States is burning with anger over the police murder of George Floyd. It has exposed a futureless future for President Donald Trump’s country. And in South Africa, moving to level three of the government’s Covid-19 lockdown means that most workers could go back to work this week. But will they have jobs to return to?Hosted by: Njabulo NgidiGuests: David Theo Goldberg, David Francis, Hailu MergiaProduction: The Good PeopleEditor: Charles LeonardSong: A Change is Gonna Come by Sam Cooke

From Jazz Rap to NuJazz, Ethio-Jazz, Spacey, Spiritual and New Wave UK Jazz. Balthazar brings us some of his latest and favorites jazzy tunes. Old and New, always keeping it Cosmic. Promo Image: 'Zonked' 1971 by Abdul Mati Klarwein. © Klarwein Family ( This piece was originally painted for Miles Davis' third consecutive album using art by Mati, after the Bitches Brew and Live Evil albums, but unfortunately this one never made it... )

Isabel dos Santos is the billionaire daughter of the former president of Angola and Africa’s richest woman. She claims to be a self-made businesswoman. But more than 700,000 documents, recently leaked from her business empire, suggest otherwise. The emails, charts, contracts, audits, and accounts in the so-called Luanda Leaks have put her under intense scrutiny by her bank and the Angolan government. But in an interview with Andrew Harding she batted aside allegations of corruption and nepotism. Escalating violence in Libya has encouraged a growing number of its citizens to flee and risk their lives crossing the Mediterranean Sea. Sally Hayden has been on board a rescue boat off the Libyan coast. The 18 year Afghan conflict has killed tens of thousands of Afghans, more than 2,400 American troops and cost the US around $900 billion. President Donald Trump has often said he wants to remove the estimated 13,000 U.S. troops remaining in Afghanistan. That would leave more of the fight against the Taliban to the Afghan security forces. But in Helmand Province Nanna Muus Steffesen found that Afghan soldiers and police are already suffering devastating casualties. Famed for its traditional shoulder-shaking iskista dancing, mesinko-playing minstrels and live bands playing Ethio-Jazz, the Addis Ababa music scene has always drawn on a vibrant past. Now a new generation of producers and DJs are mixing Ethiopia's tribal, religious and jazz sounds with thumping garage beats to create a new form known locally as Ethiopian Electronic. James Jeffrey hit the dance floor. World leaders gathered in Jerusalem this week to mark the anniversary of the liberation of Auschwitz concentration camp - where more than a million people, most of them Jews, were murdered by the Nazis. The French President Emmanuel Macron warned that seventy-five years on, the shadow of anti-Semitism was expanding. Just fifteen years ago, the French Riviera city of Nice was home to over 20,000 Jews. That’s now dwindled to three thousand. During the Second World War, Nice witnessed one of the most vicious round-ups of Jews in Western Europe. Next week, it will unveil a memorial wall of Holocaust victims. One of the names engraved on it is that of Edith (Ay-deet) Mueller. But her teenage daughter Huguette had a narrow escape - as Rosie Whitehouse discovered.

Meet Mulatu Astatke, Father of Ethio-Jazz. This is a re-posting of the debut episode of the Radio Superfly Podcast.

This is an exploration of central cosmopolitan influences in Ethiopian Jazz. Starting with Mulatu Astatke, the progenitor of Ethio-jazz, we move from the innovative 1960s to the present, blending traditional orthodox sounds with cutting edge funk grooves. https://spinitron.com/m/playlist/view/8434999

This is an exploration of central cosmopolitan influences in Ethiopian Jazz. Starting with Mulatu Astatke, the progenitor of Ethio-jazz, we move from the innovative 1960s to the present, blending traditional orthodox sounds with cutting edge funk grooves. https://spinitron.com/m/playlist/view/8434999

Mulatu Astatke ist einer der bedeutendsten Musiker Äthiopiens. Aus lateinamerikanischer Musik, Jazz und traditionellen Klängen seiner Heimat einen neuen Stil erschaffen: Ethio-Jazz.

The Sourceresses go inside the journey of coffee in Ethiopia and speak with Heleanna Georgalis, CEO of Moplaco Trading, an exporter on the front lines in Addis Ababa.

Host Luke Burbank and announcer Elena Passarello unpack the ominous implications of “The Morning After;” author and journalist Shaughnessy Bishop-Stall describes his gonzo attempts to find the cure for the hangover; comedy duo Frangela riff on why they’re not giving up their healthcare; sex and relationship columnist Dan Savage advises on monogamy, gender pronouns, and online social etiquette; and Ethio-Jazz performer Meklit makes her return to Live Wire with the song, “I Want to Sing to Them All.”

Meklit is a singer songwriter currently in The Bay Area that uses both her Ethiopian and American experience to create a unique Ethio-Jazz style. She is a TED fellow and one of the creators of The NILE Project, a collaboration of music from the countries that surround the Nile River basin. She's working with John Jenkins, Kepler Mission Analysis lead at NASA Ames Research Center, to create music around the sonification of Data.

Hver lørdag kaster skiftende P8 Jazz-værter sig på hovedet i et emne, de ikke kan slippe. Hvad er historien bag Django Reinhardts manglende fingre? Hvordan revolutionerede Jaco Pastorius el-bassen? Hvordan lyder japansk jazzmusik anno 1961? Vi ruller anekdoterne ud, graver os ned i emnet, nørder os ind på stoffet. I en times tid stiller vi skarpt på et komma i den store jazzbog. Vært: Naya Buric. www.dr.dk/p8jazz (Sendt første gang 6. maj 2017).

This podcast is a selection of Ethio Jazz songs selected by @nisomusic, a talented producer from Bologna, Italy. He introduces in 30 minutes the different sounds characterising the genre, those that directly influence ni_so's productions.He selected a bunch of tracks all coming from the end of the 60s and the beginning of the 70s, closing the podcast with one of his own productions, 'Mulaut'. TRACKLIST: 1. Akalè Wubè - Ayalqem Tèdèngo 2. Mulatu Astatke - Ewnet Yet Lagagnesh 3. Mulatu Astatke - Fikratchin 4. Akalè Wubè - Jawa Jawa 5. Mahmoud Ahmed - Aynotche Terabu 6. Teshomme Meteku - Mot Adeladlogn 7. Mulatu Astatke - Mulatu 8. ni_so - Mulaut

How do you show up for your audience? Performing art is a co-creation between you and your audience. . . which can be invigorating when you feel connected, but can be hard if you’re not. In this episode with guest composer, vocalist and cultural instigator, Meklit Hadero, you’ll learn from her extensive touring experience on how to connect with your audience, how to pick your collaborators, maintain your artistic vision and more! Holly will also share The Watermill exercise which helps you calm nervousness and keep the wheel between you and your audience turning. This episode examines your partnership with your audience so you can feel more at ease and confidence leading the room. Find out more about Performers & Creators Lab >>Meklit is a San Francisco based Ethio-Jazz singer-songwriter and cultural activist. Meklit’s 2017 album “When the People Move, the Music Moves Too” is a love letter to the Ethiopian Diaspora, originally commissioned by the MAP Fund and released on Six Degrees Records. The album reached #4 on the iTunes World Charts and was named amongst the Best Soul Albums of 2017 by Bandcamp. Meklit is a TED Senior Fellow and her TED Talk “The Unexpected Beauty of Everyday Sounds” has been watched by more than 1.2 million people. She has toured extensively across the US, UK, and East Africa and her music videos air daily on Ethiopian national television. She been an artist-in-residence at NYU and Purdue. She sang alongside Angelique Kidjo and Anoushka Shankar as a featured singer in the UN Women Theme Song, and works with Brighter Sound Manchester on developing women songwriters across the UK. Meklit sits on the Board of YBCA and holds a BA from Yale University. Find out more at meklitmusic.comAbout Your Host, Holly ShawHolly Shaw, CHT is a performance coach, creativity researcher and stand up comedian. Growing up in Indianapolis, IN she convinced her parents she needed to go to Chicago to get her own agent when she was 14 years old and has spent a lifetime in film, T.V. and on professional stages all over the world as an actor, dancer, and director.Now she shares her passion for the problems that artists face as a Creativity Coach and a Certified Hypnotherapist and has helped hundreds of artists, from Emmy award winning and Grammy nominated artists to world class choreographers overcome their anxiety, stage fright, impostor syndrome, and creative blocks so that they can create original work and totally kill it onstage again and again without feeling like they're selling out or losing their sanity.In 2016, Shaw wrote and released her book, The Creative Formula: Compose, Choreograph, and Capture Your Masterpiece which has become an Amazon bestseller. In 2018 she launched the Performers & Creators Lab podcast which was named one of 2019's most outstanding podcasts by Databird Research. She teaches regularly at the SAG/AFTRA offices in L.A. and SF and runs creative laboratory workshops like the Comedy Lab Open Mic once a month at Monaghan's on the Hill in Oakland. Follow her on Instagram @hollyshawspritely

**UPDATE** Here's the link to the amazing video I attributed to Konono #1 but is actually Sobanaz Mimanisa with "Kiwenbo".  The cofusion occured because I first heard each of them on Congotronics Compilations.  Either way, this is a marvelous video showing amazing music is everywhere! (https://www.youtube.com/watch?v=vJFpYV-Aw9Y) *************** Welcome to summer!  The pool parties and beach trips have begun and oh man did I get so sunburned at the beach the other day.  Who knew you needed to sunscreen your shins?!  This collection goes in several different but related directions and should, in addition to giving you an hour an a half mix for being outdoors, also provide the seeds for plenty of future discovery.  We start with Ghanaian Highlife and then we're all over the map with disco, breakbeat, jazz, afro funk, a little global bass, and of course some steel pans.  It's a lot of fun.    My intent was to have this out last week before I went on travel but of course I ran into a couple glitches during post (basically one huge unforced technical error on my part) so one or two date references may seem a bit out of place.  It turns out this whole podcast thing is way more than just picking and playing songs.  This go round I timed some aspects of the process because I never really know how much time I spend on an episode.  Selecting the songs could be any length of time.  Some tracks come from memories from years ago so that part is hard to define.  More quantifiable though is hardware setup (mic on stand, usb dj controller, usb analog to digital interface, two laptops, a second monitor for laptop 1) and software setup (Abelton, Serato, MS Word).  Hardware is always the same but I swear, there is a different software glitch every single time.  Minimum 30 minutes but easily can grow to an hour or more.  I also usually put in at least two hours writing up a basic script but then there are also the random hours of learning about things that eventually contribute to the story.  Recording itself is the length of the podcast, so about an hour and forty minutes this time.  Post production is another big chunk.  I have a couple compressors and a reverse limiter setup in Ableton now so I spend far less time than I used to getting audio ducking and general levels balanced correctly.  Overall, it does come out quieter than my purchased songs and I haven't really figured out why yet.  There's probably some easy fix, if so, I'm all ears.  (It's an overall gain thing rather than a loudness issue I think.)  As a matter of fact I'd love to hear any suggestions for upping the production quality.  Anyway, after exporting the mixdown I use Podreel on my PC to add in the chapters with track titles, album art, and links-to-buy.    That program is super finicky and requires me to use my old PC so again, ideas for other options would be greatly appreciated.  Apple removed the chapter functionality from GarageBand several versions ago for some reason so I don't know of any way to do it on a Mac.  All of that can take two to four hours, sometimes more.  And finally, there is the uploading, blog writing, tracklist prep, and social media posting.  So give or take there is a hidden eight or so hours in there for producing each episode.  Makes more sense to me now why it is hard to get episodes out! Well that little stream of consciousness paragraph got a little bigger than intended so without further ado, let's get to the tunes. Thanks for listening and don't forget to support the artists. Aaron @ActListMusic Tracklist (links to buy) 1.Surprise Hotel by Fools Gold on Fool's Gold 2.Mewo Akoma by Pat Thomas & Kwashibu Area Band on Pat Thomas & Kwashibu Area Band 3.Dance, Love & Die by Guts on Eternal 4.Strike Hard by Troubleman on Time out of Mind 5.Bacao Suave by Bacao Rhythm & Steel Band on 55 6.A Chance For Peace ft. Sara Sayed by Mop Mop on A Chance For Peace 7.Blackbird by Fat Freddy's Drop on Blackbird 8.Obra by Ebo Taylor on Love & Death 9.Trickle Down by Hard Proof on Rise of The Troubadour Warriors - Tropical Grooves & Afrofunk International Vol.3 10.Yègellé Tezeta (My Own Memory) by Mulatu Astatke on Ethiopiques, Vol. 4: Ethio Jazz 1969-1974 11.Logun by Metá Metá on MetaL MetaL 12.Malukayi ft. Konono N°1 by Mbongwana Star on From Kinshasa 13.On The Line by Sidestepper on Supernatural Love 14.Mi Swing Es Tropical ft. Tempo & The Candela All-Stars by Quantic & Nickodemus on Best of Quantic 15.Aguacero by Captain Planet feat. Chico Mann on Turntables on the Caribbean 16.Get a Move On! by Mr. Scruff on Keep It Unreal (10 Anniversary Analogue Remaster Edition)

A historic drought is sweeping Ethiopia and more than 10 million people have been pushed into hunger. We talk with two humanitarians in Ethiopia—John Aylieff from the U.N. World Food Programme (WFP) and Dianna Darsney de Salcedo from the U.S. Agency for International Development (USAID), the single largest donor to WFP's Ethiopia operations—to hear how families are coping with one of the worst droughts in decades. We also hear from Abebe Haregewoin, an Ethiopian man who is raising money from his home in Silver Spring, Maryland to help WFP feed people in his homeland. Music: Mulatu Astatke, The Story of Ethio Jazz, "Yekermo Sew"; Girma Yifrashewa, Love and Peace, "The Shepherd with the Flute" 

BERTRAND BELIN. JE PARLE EN FOU – 4:05Cap Waller, Cinq7, 2015 MAHMOUD AHMED. TEZETA – 12 :35Éthiopiques 10 – Ethiopian Blues & Ballads, Buda Musique, 2002 MULATU ASTATQE. YEKERMO SEW – 4:00Éthiopiques 7 – Ethio Jazz & Musique Instrumentale, Buda Musique, 1998 GETATCHEW MEKURIA & THE EX. SETHED SEKETELAT – 4:25Moa Ambessa, Terp records, 2006 THE EX […] Cet article Errance #50 : De Bertrand Belin à Iva Bittova est apparu en premier sur Eldorado.

I feel like we haven't done a show this... stable?... in more than 6 months. Planning is caring, for my own sanity and for the ears of the discerning radio listener. The seed of this show was leftovers from the previous week (the dreaded 5th to 1st Thursday no-gap!). But toss in the unfortunate death of Dave Brubeck and some choice new material, and we get a program far superior--far more structurally sound--than the previous week. And then for the next show, December 20, we're returning to anti-radio! Download | Podcast Bold text indicates relatively new releases (including reissues and comps). The Dave Brubeck Quartet - "Blue Rondo a la Turk" (from Time Out) The Nice - "Rondo" (from The Thoughts Of Emerlist Davjack) Le Orme - "Blue Rondo a la Turk" (from L'Aurora Delle Orme) James Cotton - "Midnight Creeper" (from Midnight Creeper (Live in Montreal 1967)) Grouse discusses the Blue Rondo Formula of prog rock songwriting The Dave Brubeck Quartet - "Strange Meadow Lark" (from Time Out) The Dave Brubeck Quartet - "Unsquare Dance" (from Time Further Out) Van Shipley - "Jan Pahechan Ho" (from Bollywood Steel Guitar) M. Geddes Gengras - "Air Solo" (from Beyond the Curtain) Daphni - "Cos-Ber-Zam Ne Noya (Daphni Mix)" (from Jiaolong) Karthala 72 - "Delores" (from Dans Le Coeur Du Feu) Kaoru Abe - "1972.1.21 Alto 1" (from Another Day's Dream) The Pyramids - "Ancient Funk!" (from Otherworldly) Kalaimamani Kadri Gopalnath - "Kangalidyatako" (from Gem Tones) Mulatu Astatke - "Gubèlyé (My Gubel) " (from Ethiopiques 4 - Ethio Jazz & Musique Instrumentale 1969-1974) Dr. John - "You Lie" (from Locked Down) DJ Kentaro - "Big Timer (f/ MC Zulu)" (from Contrast) Bunji Garlin (f/ Nigel Rojas)- "Differentology" (new single) Las Malas Amistades - "Lamento" (from Maleza) Le Marchand du Soleil - "Laila Je T'Aime" (from Laila Je T'Aime) I'm running out of snarky things to write about Grouse; he's actually sounding somewhat professional now that he has a real radio audience. No fun! Ike Bennet & the Crystalites - "Illya Kuryakin" (from Trojan Rocksteady Box Set) Mr. Confuse - "Lookout Weekend" (from Feel the Fire)

Feels like it's been a while since there's been a show without a grand theme. A return to normalcy? The new normal also apparently means I take 6 weeks and a day to process every podcast. Guess what, we're back on the air this Thursday/tomorrow at 7pm. Death is back, so expect their to be some sort of tribute to Bill Doss of the Olivia Tremor Control. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Tom Carter & Bardo Pond - "Side 1" (from 4/23/03) Charalambides - "Variant" (from Drilling the Curve) Giving out the live call-in number... a little risky, eh, Grouse? The Meters - "Darling Darling Darling" (from Funkify Your LIfe: The Meters Anthology) Holy Modal Rounders - "Interlude" (from The Moray Eels Eat the Holy Modal Rounders) The United States of America - "The American Way of Love" (from The United States of America) Joe Byrd and the Field Hippies - "Moonsong: Pelog / Patriot's Lullabye" (from The American Metaphysical Circus) You got all of that Metaphysical stuff wrong, Grouse! Booker T & the MGs - "Soul Dressing" (from The Complete Stax/Volt Singles: 1959-1968) Cuffs - "Private Views / YCCT" (RTS 017) Terry Malts - "Disconnect / Don't Think You're Funny" (from LL007 ["Shit Split"]) CSC Funk Band - "A Little Weight" (from EC 022) The Apostles - "Oshi Onwu" (from ASS-003) Mulatu Astatke - "Yegelle Tezeta" (from Ethiopiques 4 - Ethio Jazz & Musique Instrumentale 1969-1974) Amen Dunes - "Ethio Song" (from Ethio Covers 7") Debo Band - "Akale Wube" (from Debo Band) Caston Deluca & Mellow Kello - "Voicemail Song #2" (a READ-GROUSE voicemail) The Velvet Underground - "Murder Mystery" (from The Velvet Underground) Caston Deluca - "Diary Entry" (a READ-GROUSE voicemail) Pants Yell! - "Two French Sisters" (from Alison Statton) The Make-Up - "How Pretty Can U Get" (from Destination: Love; Live! At Cold Rice) Hypnotic Brass Ensemble - "Black Boy" (from Bulletproof Brass EP) Jewish Renaissance Medical Center - "Ivan has an appointment" (a READ-GROUSE voicemail) Ronnie Von - "Atlântida" (from A Misteriosa Luta do Reino do Parassempre Contra o Império de Nunca Mais) Grouse, how dare you talk over Floh De Cologne Floh De Cologne - "Fließbandbaby (cut short by dead battery)" (from Fließbandbabys Beat-Show)

Tracklist:Shangaan Shake / Theo Parrish meets Mancingelani // Honest Jon'sJazz Messengers feat. Art Blakey / Ritual // Pacific JazzThe Sweet Talks / Eyi Su Ngaangaa // Soundway RecordsFranck Biyong and The Afrolectic Orckestra feat. Melissa James / We Shall Overcome // R2 RecordsK. Frimpong and His Cubano Fiestas / Kyenkyen Bi Adi M'Awu // Kona RecordsMulatu Astatke & The Heliocentrics / Chik Chikka // Strut RecordsLa Mystere-Jazz De Tombouctou / Apolo // Kindred SpiritsOrchestra Baobab / Nijaay // World Circuit RecordsBlack Truth Rhythm Band / Kilimanjaro // Soundway RecordsAfro-Soultet / Afrodesia // Luv N' HaightL’Orchestre Kanaga De Mopti / Kanaga // Kindred SpiritsJesse Hackett Selection:UnknownShangaan Shake / Actress Meets Shangaan Electro // Honest Jon'sUntitledOwiny Sigoma Band / Owegi Owandho (Hello Skinny Remix) // BrownswoodJesse Hackett b2b Thristian:Moritz von Oswald Trio / Yangissa // Honest Jon'sHarmonious Thelonious / Gris Gris (Jesse Hackett Remix) // CDRLa Via Maria Feat Karion / Batida // CDRBlludd Relations / Even Steven // UnreleasedMe Dough feat .Lil Shaker & Yaa Pono / Kay – Ara // akwaabamusic.comZea / Song For Electricity // Makkum RecordsELO & Wanlov The Kubolor & Sena / My Skin // akwaabamusic.comSahara Sounds / Amanar Algefhan // CDRÉthiopiques 4: Ethio Jazz & Musique Instrumentale 1969-1974 // Buda MusicThomas Mapfumo & The Blacks Unlimited / Ndanzwa Ngoma Kurira (I Hear The Sounds Of Drumming) // EarthworksFela Kuti / Zombie // Wrasse RecordsNew Afro Tooles // CDRSofrito 06 / Free The Boot // CDR

The father of Ethio-Jazz, Mulatu Astatke, visits the Brownswood Basement to talk about his amazing career and his latest project with the Heliocentrics. (Mixed by Mumblz). Download HERE See acast.com/privacy for privacy and opt-out information.