Podcast appearances and mentions of Heinz Endowments

Karina Dandashi is a Syrian-American Muslim filmmaker born and raised in Pittsburgh, PA. Her work has been featured in numerous Oscar-Qualifying festivals around the U.S. and programs at The Museum of Modern Art and The American Cinematheque. Karina was a 2020 Creative Culture Fellow at The Jacob Burns Film Center and a 2021 Sundance Ignite Fellow. She was featured in Marie Claire's inaugural Creators Issue as one of the “Top 21 Creators to Watch” in 2022. Her feature script OUT OF WATER was selected by Film Independent for their 2023 Screenwriting Lab and was awarded three grants from MPAC, The Heinz Endowments, and The Jerome Foundation. Her short film COUSINS is available on The New Yorker and is a Vimeo Staff Pick.Connect with Karina:➡️ Instagram: @KarinaDandashiwww.karinadandashi.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.☕Tourist Hat Coffee Companyhttps://touristhatcoffeecompany.com/

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, and educator, Ed Panar. They delve into "Winter Nights, Walking" (Spaces Corners), a nightly walk through his hometown of Pittsburgh, Pennsylvania, during the cold winter months shot over a 10 year period. Ed also describes the evolution of his process as the photo industry moved from the film era to the digital era and how that affected his work. Ed and Sasha discuss their optimistic views of our very connected photo community and how Ed and Melissa Catanese helped grow that community with their imprint and former community space, Spaces Corners. https://edpanar.com ||| https://spacescorners.com/shop/p/winter-nights-walking-by-ed-panar Ed Panar is a Pittsburgh based photographer and bookmaker. Ed has published several photobooks including: Winter Nights, Walking (2023), In the Vicinity (2018), Animals That Saw Me Volume One and Volume Two (2011 and 2016), Salad Days (2012), Same Difference (2010), and Golden Palms (2007). His photographs and books have been exhibited internationally at venues including: The Museum of Contemporary Photography, Chicago, MiCamera, Milan, The New York Photography Festival, The Cleveland Museum of Art and Pier 24 Photography in San Francisco. He is the recipient of a 2007 Artist Fellowship from the Pennsylvania Council of the Arts and in 2022 he relieved a Creative Development Award from The Heinz Endowments and a Guggenheim Fellowship. Ed is co-founder of the project space and publisher Spaces Corners. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode, we are joined by Suzanne Elise Walsh. With a background in philanthropy, higher education, community development, and law, today, Suzanne is the President of Bennett College, where she has served since August 2019.   Suzanne is also the Founder and Manager of Discerning SEWlutions, an organization that works with foundations, nonprofits, colleges, and universities to uncover, imagine, and plan for future possibilities. Previously, Suzanne also served as Deputy Director at the Gates Foundation, where she developed a portfolio of over $70 million in postsecondary investments. Additionally, she has held roles at Grantmakers for Effective Organizations, the Lumina Foundation for Education, and The Heinz Endowments. She has received national recognition for her portfolio of work with organizations at the intersection of innovation, technology, and learning.   In this episode, we discuss: ·   The concept of VUCA – Volatility, Uncertainty, Complexity, and Ambiguity, and how it informs Suzanne's role as a leader in higher education ·   How nonprofits and funders can build transparent, effective relationships that lead to better results ·   The value of funders working with grantees as partners and making space in portfolios for nonobvious partners

When Chris DeCardy took the reins of the Heinz Endowments last year, he was one of the very few former foundation communications directors to ascend to the lofty heights of president. And Chris has dived in with the energy of a teenager. Indeed, if there is a more energetic – nay, ebullient – foundation president in the land, we haven't met them. Chris makes an extremely compelling case about how crucial western Pennsylvania is to our national and even international politics, and while he's at it he reminds us how important intelligent communications strategies will be to build on important victories (like significant advances on climate, for one example). Don't miss this conversation between Eric and Chris, whose friendship dates back to the twentieth century, as they talk about how Chris's background in journalism, environmental communications, and foundation leadership have led him to this place – the center of the universe!

When Chris DeCardy took the reins of the Heinz Endowments last year, he was one of the very few former foundation communications directors to ascend to the lofty heights of president. And Chris has dived in with the energy of a teenager. Indeed, if there is a more energetic – nay, ebullient – foundation president in the land, we haven't met them. Chris makes an extremely compelling case about how crucial western Pennsylvania is to our national and even international politics, and while he's at it he reminds us how important intelligent communications strategies will be to build on important victories (like significant advances on climate, for one example). Don't miss this conversation between Eric and Chris, whose friendship dates back to the twentieth century, as they talk about how Chris's background in journalism, environmental communications, and foundation leadership have led him to this place – the center of the universe!

Joyce is looking forward to having as her guest, Shaunda McDill, who joined Pittsburgh Public Theater as Managing Director in February 2023. Previously, she was a Program Officer at The Heinz Endowments, supporting a suite of Pittsburgh-based artists and arts organizations. With her vast background in theater and the arts, Ms. McDill will share her commitment to the inclusion of people with disabilities in the theater and in the arts, as well as Pittsburgh Public Theater's commitment to the cause.

Joyce is looking forward to having as her guest, Shaunda McDill, who joined Pittsburgh Public Theater as Managing Director in February 2023. Previously, she was a Program Officer at The Heinz Endowments, supporting a suite of Pittsburgh-based artists and arts organizations. With her vast background in theater and the arts, Ms. McDill will share her commitment to the inclusion of people with disabilities in the theater and in the arts, as well as Pittsburgh Public Theater's commitment to the cause.

Estimates say the city of Pittsburgh has a shortage of approximately 27,000 units of affordable housing.  Today, UPMC's Center for Social Impact, The Heinz Endowments and The Henry Hill Foundation have teamed together to help solve the problem. The three giants are providing a pool of $11 million in lending capital for developers to create or retain affordable properties. Ray Prushnok, an AVP with UPMC was a guest on the Rick Dayton Show to talk about the initiative.

“I've had letters from young Black girls saying ‘I now know this is possible,'” Carlow University's groundbreaking president Dr. Kathy Humphrey, tells “We Can Be” host Michelle Figlar, The Heinz Endowments' vice president of Learning.   As the first Black president in Carlow's nearly 100-year history, Dr. Humphrey brings a life-long love of teaching and a wealth of experience, including positions at the University of Pittsburgh and St. Louis University.   From playing school in her free time when she was a child to an ongoing belief that we must “treat teachers like the gold they are,” she has dedicated her professional life to helping students understand their true worth.  “It's important that students know: ‘You are somebody. Your dreams are possible,'” she says.   Renowned for her efforts to “build the whole student” through programs that foster leadership, communication, social and “real world skills,” Dr. Humphrey's dedication to young people comes naturally: She has 107 nieces and nephews, as well as twin sons of her own.   Dr. Humphrey believes in both the moral and financial importance of a progressive, equitable and diversity-focused higher education curriculum, and in the long-term benefits of mentoring students who are the first in their family to attend college.   “When you change the life of a first-time student, you are changing generations,” she says.   Experience her vibrant energy and learn about her inspiring, life-changing work in this episode of “We Can Be.”   This episode of “We Can Be” is hosted by Heinz Endowments Vice President of Learning Michelle Figlar, and produced by the Endowments, Josh Franzos and Tim Murray. Theme music by Josh Slifkin. Guest inquiries can be made to Scott Roller at sroller@heinz.org.

"American Workman" presents a comprehensive, novel reassessment of the life and work of one of America's most influential self-taught artists, John Kane. With a full account of Kane's life as a working man, including his time as a steelworker, coal miner, street paver, and commercial painter in and around Pittsburgh in the early twentieth century, the authors explore how these occupations shaped his development as an artist and his breakthrough success in the modern art world. A rough-and-tumble blue-collar man prone to brawling and drinking, Kane also sought out beauty in the industrial world he inhabited. This Kane paradox—brawny and tough, sensitive and creative—was at the heart of much of the public's interest in Kane as a person. The allure of the Kane saga was heightened all the more by the fact that he did not achieve renown until he was at the age at which most people are retiring from their professions. Kane's dedication to painting resulted in a fascinating body of work that has ended up in some of America's most important museums and private collections. His dramatic life story demonstrates the courage, strength, and creativity of his generation of workmen. They may be long gone, but thanks to Kane they cannot be forgotten. Maxwell King is the former editor of the Philadelphia Inquirer and president of the Heinz Endowments. Louise Lippincott is a historian and former curator specializing in American and European art from the Enlightenment to the modern era.

The importance of gratitude, what makes a community great, & his hope for what the future holds for the social change realm are among subjects Grant Oliphant covers as his tenure as president of The Heinz Endowments – & as host of “We Can Be” – comes to an end.   While the “We Can Be” podcast will continue with new episodes and hosts in the coming months, this episode includes Grant's  reflections on the 70-plus guests he hosted over the past four seasons and spotlights why supporting those who speak truth to power is crucial.   “Challenging the conventional trains of thought takes bravery,” he said. “Sometimes advocates make people in power uncomfortable, and I think that's OK.”   Grant shared the deep gratitude he feels toward the Heinz family and why the work of those in the social change community is critical to our country.   “Philanthropy does what government can't and won't do,” he said. “Government doesn't invest in innovation and risk-taking, and philanthropy can – and does. It is an important part of making sure our communities continue to thrive.”   Helping envision – and build – a more innovative, inclusive and sustainable community was a cornerstone of Grant's accomplishments while with the Endowments and will inform his upcoming work on the West Coast with the Conrad Prebys Foundation.   “A great community is one that makes room, in a conscious and deliberate way, for everyone.”   “We Can Be” has been hosted by Grant Oliphant, former president of The Heinz Endowments, and produced by the Endowments, Josh Franzos and Tim Murray. Theme music by Josh Slifkin. Guest inquiries can be made to Scott Roller at sroller@heinz.org. 

Jim Rugg - a comic book artist, book maker, illustrator, and designer. Books include Street Angel, the PLAIN Janes, Afrodisiac, Notebook Drawings, Rambo 3.5, and Supermag. He loves comic books, zines, lettering, podcasts, running, pro-wrestling, pizza, and cats. He lives and draws in Pittsburgh, teaches visual storytelling at the School of Visual Arts and the Animation Workshop in Denmark. Accolades include Eisner and Ignatz Awards, AIGA 50/50, Society of Illustrators Annual, and Investing in Professional Artists: The Pittsburgh-Region Artists Grants Program, a partnership of The Heinz Endowments and The Pittsburgh Foundation.

Carnegie Mellon University’s CREATE Lab leader Illah Nourbakhsh, & Raqueeb Bey, exec. dir. of Black Urban Gardeners & Farmers of Pittsburgh  join host & Endowments Pres. Grant Oliphant as they dive into the fascinating backstory of the new & innovative Center for Shared Prosperity.  One of the great anomalies of modern American society is the disconnect between the intellectual capital, innovation, and wealth creation associated with its leading research universities and the persistent challenges and inequality confronting the communities in which those centers of innovation reside. There is a better way – one in which universities focus their research and problem-solving expertise on those challenges that surrounding communities identify as most urgent. It’s a way that includes deep and long-term partnerships between community representatives, universities and philanthropy. Funded by The Heinz Endowments with its largest-ever single grant and guided by a committee of community leaders, the newly launched Center for Shared Prosperity at Carnegie Mellon University is creating a template for that better way.  Illah is the K&L Gates Professor of Ethics and Computational Technologies at Carnegie Mellon’s Robotics Institute, the author of “Robot Futures,” and co-author of “AI and Humanity,” both from MIT Press.  In addition to heading Black Urban Gardeners and Farmers of Pittsburgh, Raqueeb also leads Mama Africa’s Green Scouts, a grassroots organization that works with black youth in underserved communities to encourage awareness of green education, environmental sustainability and social justice. Illah and Raqueeb share what they believe the Center for Shared Prosperity could mean for both the university and surrounding communities, and how other cities across the nation with major research institutions may use the initiative as a guide for systemic change. “I see this as the opportunity for all of us to come together in a genuine, long-term way to make  permanent change in the structure of the system,” says Raqueeb. Illah agrees: “I believe that we can be pioneers for justice together.” “We Can Be” is hosted by Heinz Endowments President Grant Oliphant, and produced by the Endowments, Josh Franzos and Tim Murray. Theme music by Josh Slifkin; incidental music by Giuseppe Capolupa. Guest inquiries can be made to Scott Roller at sroller@heinz.org.

Toni L. Griffin is a Professor in Practice of Urban Planning at the Harvard Graduate School of Design, and leads The Just City Lab, a research platform for developing values-based planning methodologies and tools, including the 2017 Just City Index and a framework of indicators and metrics for evaluating social justice in public space. The 2015 Public Life and Urban Justice in NYC's Plazas study developed an elaborate framework of indicators and metrics to assess how the conditions of civic life and social justice in several New York City Public plazas. Toni is also co-editor of and contributor to The Just City Essays: Volume One, a collection of 26 essays by thought leaders representing 22 different cities and 5 countries, offering their propositions for ways to acknowledge injustice and promote greater justice in cities. Toni is also the founder of UrbanAC, based in New York, specializing in leading complex, trans-disciplinary planning and urban design projects for multi-sector clients in cities with long histories of spatial and social injustice. Recent urban planning projects that showcase how the practice transforms legacy issues of population and economic decline into innovative places for inclusion, prosperity and equity include Detroit Future City and MKE United:  A Greater Downtown Action Agenda.  The practice has also served as a strategic advisor to mayors and civic leaders in Washington, DC., Memphis, and St. Louis looking to design comprehensive urban planning frameworks through inclusive engagement. Additionally, Toni has served as program advisor and facilitator to the Kresge Foundation, Surdna Foundation and Heinz Endowments for integrating policies that promote social and spatial justice into their program areas and investments.  Most recently, Ms. Griffin was a Professor of Architecture and the founding Director of the J. Max Bond Center on Design for the Just City at the Spitzer School of Architecture at the City College of New York. Toni has also held several public sector positions including, Director of Community Development for Newark, New Jersey; Vice President and Director of Design for the Anacostia Waterfront Corporation in Washington, DC; and Deputy Director for Revitalization and Neighborhood Planning for the DC Office of Planning. She began her career as an architect with Skidmore, Owings & Merrill LLP in Chicago, where she became an Associate Partner. Ms. Griffin received a Bachelors of Architecture from the University of Notre Dame and a Loeb Fellowship from the Harvard University Graduate School of Design. In 2014, Toni was the Visiting Associate Professor and Theodore B. and Doris Shoong Lee Chair in Real Estate Law and Urban Planning, in the Department of City and Regional Planning at University of California, Berkeley. Toni has published several articles  and book chapters on the just city, legacy cities, and urban planning and design and her work has been featured in publications including Metropolis and Next City. She has lectured extensively in the United States, Europe, Africa, and South America and has a 2015 TED Talk on Detroit. In 2016, President Barack Obama appointed Toni to the United States Commission of Fine Arts.  Nonye Brown-West is a Nigerian-American comedian and writer. She has been featured in the Boston Globe's Rise column as a Comic to Watch, NPR, PBS, ABC, Sway In The Morning, and the New York Comedy Festival. In 2019, Nonye made her acting debut in The Sympathy Card. Look out for her two new web series, Fairytales with Nonye and Gayby Jesus, coming in winter 2020.   Dawn Boatman “Dawn B” is a comedian, host, actress, and radio personality. Hailing from Chicago Il., Dawn B began her career over 20 years ago performing at local comedy clubs and bars around the country and internationally. She joined an improvisational group called "The Forgotten City".  Dawn B honed her comedic career when she decided to move to the east coast while working for the clothing company Sean John as a district merchandiser. She later moved to New York City and performed at clubs like Caroline’s and The Improv. Dawn B started travelling internationally and performing for the military.  She has told jokes in Japan, the United Kingdom, and Haiti. Dawn B’s raw talent and quick wit for comedy, has always been in her soul.  Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), Hysterical at FX on Hulu,  Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf

BMe Community CEO, Trabian Shorters, is a New York Times Bestselling author, social entrepreneur, and the leading authority on an award-winning approach to Diversity, Equity, Inclusion, and Impact called "Asset-Framing." His pioneering work in Asset-Framing earned Shorters recognition as one of the world's leading social entrepreneurs, as well as prestigious Ford Foundation, Ashoka and Aspen Institute fellowships. Senior leadership teams of iconic social impact organizations including the Bill and Melinda Gates Foundation, New Schools Venture Fund and The Heinz Endowments request Asset-Framing for their boards, staffs and grantees. “Shorters' organization, BMe Community, proves the power of Asset-Framing by training and organizing over 300 influential black leaders to be Vanguards of the Next Narrative on race communities and America's future. Starting with Asset-Framing, these BMe Vanguard Fellows are taught 21st century leadership skills including cultural competency, social financial literacy, public persuasion and mutuality by global authorities in their fields. BMe Fellows serve millions of families per year and are defined by their lifelong commitment to building a more caring and prosperous society for us all.” Learn more at www.bmecommunity.org This podcast is hosted by ZenCast.fm

New York Times Best Selling Author Trabian Shorters teaches how to effectively fundraise by telling stories that characterize your constituents by their aspirations, rather than defining them by their challenges. BMe Community CEO, Trabian Shorters, is a New York Times Bestselling author, social entrepreneur, and the leading authority on an award-winning approach to Diversity, Equity, Inclusion, and Impact called "Asset-Framing." His pioneering work in Asset-Framing earned Shorters recognition as one of the world's leading social entrepreneurs, as well as prestigious Ford Foundation, Ashoka and Aspen Institute fellowships. Senior leadership teams of iconic social impact organizations including the Bill and Melinda Gates Foundation, New Schools Venture Fund and The Heinz Endowments request Asset-Framing for their boards, staffs and grantees. “Shorters' organization, BMe Community, proves the power of Asset-Framing by training and organizing over 300 influential black leaders to be Vanguards of the Next Narrative on race communities and America's future. Starting with Asset-Framing, these BMe Vanguard Fellows are taught 21st century leadership skills including cultural competency, social financial literacy, public persuasion and mutuality by global authorities in their fields. BMe Fellows serve millions of families per year and are defined by their lifelong commitment to building a more caring and prosperous society for us all.” Learn more at www.bmecommunity.org --- Support this podcast: https://anchor.fm/kia-croom/support

Episode 21: Justin Laing: - Taking Back The LandJustin LaingBefore starting Hillombo in 2017, Justin worked as a Senior Program Officer of Arts & Culture at The Heinz Endowments for more than a decade. His work focused on small and midsized arts organizations, out-of-school time arts education, and Black arts organizations, with a particular interest in participatory grantmaking. He came to philanthropy having worked for ten years as the Assistant Director of Nego Gato, Inc, an Afro Brazilian Music, Dance, and Martial Arts company where he taught, performed, and ran the day-to-day operations. Justin has a BA in Black Studies from the University of Pittsburgh and a Masters Degree in Public Management from Carnegie Mellon University. Justin serves as the co-chair of ArtsinHD, an arts planning and creation process in Pittsburgh's Hill District to support the neighborhood's master plan and mark the neighborhood as a place for liberatory Black culture. Justin is the son of Susan and Clarence Laing, the father of Kufere, Etana, and Adeyemi Laing, and a member of Omega Psi Phi Fraternity. Threshold Questions And Delicious QuotesWhat does "taking back the land mean? the idea ... was ...from a person named https://en.wikipedia.org/wiki/Am%C3%ADlcar_Cabral (Amilcar Cabral.) This idea that you work in small territories. [...] you try to take back the land, like square mile by square mile. So, I was working in one major place called the Hill District... And culture was a critical piece to liberate our minds and the way that European culture oppressed black people was through this indoctrination of its art, its culture is everything is being superior. And so, culture had to be part of the strategy.You talk about working constructively with the tensions that are present in many organizations. What does this entail? So, one of the ways that I've tried to do that is by naming some of these frameworks, whether it's white supremacy, culture, what fragility, white privilege, and like you said, trying to bring that into the organization so that, that can be part of the official speak. Because again, going back to that black studies beginning, there was a whole lot of language that wasn't allowed that I didn't see being taken advantage of the nonprofit arts sector at all.You see racism and capitalism as intrinsically connected in our society. How does this play out in your work with nonprofit arts organizations? ...we're supposed to be the bravest ones, the creatives... and I've been starting to see, the class contradictions battle inside an organization. Cause you're raising issues that people have different interests in and I think that's, that's a bit of the tension that you're facing, one thing I've been trying to understand more is the intersections of patriarchy, capitalism, racism inside organizations. And to the extent that we are talking about racism, there's some level of tension. I think the extent that we include capitalism in that, there's even more tension about that.What is the meta-message of a Euro-centric culture? ...all of the things that are happening when you go into an orchestra performance. And the way that you step into space and you engage the regal-ness of it, and the carpet, and the chandelier's and everything is sending a message that you are now in sacred space. And I think if you take this idea of ideology, that is its own aggression, TranscriptBill Cleveland: [00:00:00] Hey there. Ponder, if you will, a few unlikely juxtapositions: Capoeira the Brazilian martial arts, spiritual and dance practice, Karl Marx, The Pittsburgh Penguins. How about the Heinz Endowments, white supremacy anti-racism, and the Minnesota Orchestra? If you're curious, keep listening. This is https://change-the-story-chan.captivate.fm/listen (Change the Story, Change the World), a Chronicle of Art and Community Transformation. My name is Bill Cleveland. Now, Justin Laing is a pioneer of sorts in that he helps arts and... Support this podcast

In this episode, we’re talking to Shaunda McDill, who is my philanthropy sister, and a member of the maybe newly formed “Shay’s Babies” group -- folks who have had the pleasure to come of professional age in the culture world with Shay Wafer as a mentor. We met back in 2018, but leaned heavily on each other in the early days of the pandemic, mourning, sharing best practices, fast-money-movements to organizations, and looked to the future. Shaunda McDill joined The Heinz Endowments in October 2017 As program officer for arts and culture, promoting the strength and vitality of a suite of Pittsburgh-based artists and arts organizations through general operating support and a programming portfolio comprised of the Investing in Professional Artists program, the Small Arts Initiative, the Advancing Black Arts in Pittsburgh initiative and the foundation’s first cross-programmatic social justice initiative, Just Arts, which she helped to found. Shaunda has more than a decade of nonprofit executive and arts management experience, working for theater companies across the country. In 2006, she also founded demaskus Theater Collective, a nonprofit, service-oriented collective of artists and administrators who produce theatrical projects that share stories of the marginalized. This conversation was recorded May 1, 2020 Produced by Curtis Caesar John Music by audionautix.com

Hey everyone. I hope you are doing well. I am trying to enjoy the summer the best I can by avoiding groups of people. I have been doing a lot of reading these past few weeks, which has been nice. I also spoke with Tereneh last week, a previous guest on the show, who is thinking of starting her own podcast with a few friends which I am looking forward to listening to. Shoutout to Tereneh! Check out my chat with Tereneh on Episode 8, which seemed so long ago. Speaking of long ago, I have been thinking a lot about my own process in getting my episodes out since the beginning. When I started recording 2 years ago, I was in Pittsburgh for the summer and about to leave for Germany. I decided to record as much as I could before my flight to Berlin, giving me time to see what my habits were in the process of interviewing others and finding my own voice in the process. I figured if I could get around 26 interviews, I would have a year of material for a bi-weekly podcast. I ended up with 28 episodes and released my first episode on September of 2018. Of course, this meant I had a huge backlog of material that was not always current which I slowly worked through, with some episodes continually getting pushed back as I proceeded interviewing new people while in Europe. Since my classes have ended for the summer, I had the time to go deeper into my archives and listen to older interviews, one of which I am releasing this week.So for today, I am interviewing Celeste C. Smith, a co-founder and current board member of 1Hood, a collective of artists and activists who utilize art as a means of raising awareness around issues affecting oppressed people in the region and around the world. Celeste is also the current Program Officer for Arts and Culture at The Pittsburgh Foundation, a position she just started when I interviewed her. Celeste is a graduate of Chatham University and has served on the Transformative Arts Process Advisory Board at The Heinz Endowments, the Pittsburgh Symphony Community Advisory Council and the Greater Pittsburgh Arts Council Equity in Arts Funding Research Committee. I visited Celeste at her office in Downtown Pittsburgh, which is located in a literal glass castle designed by Philip Johnson, who is most famous for his Glass House in New Canaan, Connecticut. Celeste and I chatted about her many projects at the intersection of art and activism, self-care, building support for the youth, and knowing your self-worth. I regret it has taken this long, but after listening through, I felt Celeste's words still resonate strongly, if not more, today. I will have another older episode next time as well. Thank you Celeste for your patience. I hope everyone enjoys this.Links Mentioned:Celeste SmithMy interview with TerenehPamela Lawton1Hood MediaThis Week With Jasiri XPortrayal And Perception Two Audits Of News Media Reporting On African American Men And BoysThe Nefertiti AllianceThe Legacy Arts ProjectThe Shyne AwardsNia ArringtonYouth Power CollectiveSun Fest PittsburghBlak Rapp M.A.D.U.S.A.Brittney ChanteleFollow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram

The following is a conversation between Grant Oliphant, President of The Heinz Endowments, and Denver Frederick, the host of the Business of Giving. In this interview, Grant Oliphant, President of The Heinz Endowments, shares the following: • The challenges of the “reimagining” phase after a crisis • The role of advocacy and public policy • The importance of a leader showing vulnerability in difficult times

Fred Rogers (1928–2003) was an enormously influential figure in the history of television and in the lives of tens of millions of children. As the creator and star of Mister Rogers’ Neighborhood, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work, including a surprising decision to walk away from the show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations. Maxwell King's four-decade career includes the presidencies of two of the country’s largest philanthropies and the editorship of one of its most influential daily newspapers. King joined The Pittsburgh Foundation, with assets of more than $1 billion, in 2014 as president and CEO. His strong advocacy for including vulnerable groups – at least 30 percent of the region’s population – in the benefit streams of a resurgent Pittsburgh anchors a signature organizing principle, 100 Percent Pittsburgh. In addition, King is expanding the Foundation’s investment in its Center for Philanthropy, which combines the charitable passions of donors with expert program staff and grantees to improve lives in the Pittsburgh region. Before that, King served for two years as director of the Fred Rogers Center for Early Learning and Children's Media at Saint Vincent College in Latrobe, Westmoreland County.  As president of the Pittsburgh-based Heinz Endowments from 1999 to 2008, he led the disbursement of about $500 million in grants to projects, organizations and initiatives primarily in western Pennsylvania. From 1990 to 1998, King was editor of the Philadelphia Inquirer. During that period, the Inquirer was recognized by Time magazine as one of the five best newspapers in America. King has served on boards and committees for many national and regional organizations, including the national Council on Foundations which he led as the first chair of its Ethics and Practices Committee and then as chair of the full board from 2006 to 2008.

In 2018, Americans gave $427 billion to charities of their choice. Phil Buchanan, founding chief executive of The Center for Effective Philanthropy and author of “Giving Done Right: Effective Philanthropy and Making Every Dollar Count,” is working to make certain people have the best possible information to ensure those hard-earned dollars do the most possible good.   Phil has his father to thank for his sense of empathy, and his urge to give where it can be most impactful. An ardent social justice and worker’s rights activist, Phil’s father “sought to build relationships with people whose lives and experiences were vastly different from his, all in effort to understand them and create genuine connections.”   Those lessons became a cornerstone of Phil’s being, driving him to found The Center for Effective Philanthropy in 2001 and continue to serve as its president ever since. The center does research for many of the most-recognized names in the giving community, including Ford, Hewlett, MacArthur, Packard, and The Heinz Endowments.  His on-the-ground experience culminated in his 2019 book “Giving Done Right.”   Host Grant Oliphant’s conversation with Phil covers the “heart-versus-head conundrum” about giving that both individuals and philanthropies must wrestle with, the dangers of taking tainted money from donors with dubious – or worse – reputations, and why America’s nonprofit leaders are “our country’s unsung heroes.”     “We need to encourage givers to do their giving in a way that is not top down, that is not just about the pursuit of their own priorities,” Phil says. “Rather, give in ways that elevate the voices and opportunities of the most vulnerable.”   Phil has done his father proud. Hear why on this episode of “We Can Be.”   Listen today at heinz.org/podcast, or on leading podcast sites including Stitcher, Podbean, GooglePlay, iTunes and Spotify.   “We Can Be” is hosted by  Heinz Endowments President Grant Oliphant, and produced by the Endowments and Treehouse Media. Theme and incidental music by Josh Slifkin. Guest image by Josh Franzos. Guest inquiries can be made to Scott Roller at sroller@heinz.org.

Youth philanthropy interns at the Heinz Endowments present a documentary on college access in the US for foreign-born youth, rock duo, Ink, shares an original song, and Carson Middle School 7th grader, Rachel McLaughlin, with a commentary on gifted programs.   Background Music:"Maccary Bay" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Youth philanthropy interns from the Heinz Endowments with a documentary on local economics, youth band, By the Process of Elimination with an original song, and Upper St. Clair High School Senior, Eden Auslander with a commentary on anti-Semitism.   Background Music:"Maccary Bay" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

If anyone knows how foundations can and should use communications, it’s Grant Oliphant. Grant, who was formerly communications director at the Heinz Endowments, now runs the organization as its president. As a former board chair of the Communications Network, the national organization of foundation and nonprofit communications professionals, Grant may be one of the country’s great champions for our field. But Grant isn’t satisfied. As Grant tells Eric in this episode of Let’s Hear It, “Many of the issues we care about are losing or at least deeply embattled.” Grant says that foundations have a “sacred responsibility” to change the narrative in the field and in the broader culture. If that’s not a challenge, we don’t know what is. In this very candid conversation, Grant and Eric discuss how foundation communications are advancing social change, and how they’re falling short.  

If anyone knows how foundations can and should use communications, it’s Grant Oliphant. Grant, who was formerly communications director at the Heinz Endowments, now runs the organization as its president. As a former board chair of the Communications Network, the national organization of foundation and nonprofit communications professionals, Grant may be one of the country’s great champions for our field. But Grant isn’t satisfied. As Grant tells Eric in this episode of Let’s Hear It, “Many of the issues we care about are losing or at least deeply embattled.” Grant says that foundations have a “sacred responsibility” to change the narrative in the field and in the broader culture. If that’s not a challenge, we don’t know what is. In this very candid conversation, Grant and Eric discuss how foundation communications are advancing social change, and how they’re falling short.  

In conversation with award-winning journalist Tracey Matisak It's a beautiful day in the neighborhood as we welcome Maxwell King, author of The Good Neighbor, a personal, professional, and artistic biography of Fred Rogers. A figure as deceptively sophisticated as the namesake television program that brought an unerring message of kindness, compassion, and equality to millions of children, Mr. Rogers remains one of America's most beloved cultural icons. King, CEO of the Pittsburgh Foundation, former president of Heinz Endowments, and editor of the Philadelphia Inquirer for eight years, weaves archival documents and original interviews into a portrait of the man who-spoiler alert-really was as gentle and empathetic as we all hoped he'd be.  Speedy delivery! Mostly known for his portrayal of Mister Rogers' deliveryman, David Newell was also the director of public relations for The Fred Rogers Company. As an ambassador for everyone's favorite neighborhood he toured the world as Mr. McFeely until his retirement in 2015. Watch the video here. (recorded 9/24/2018)

Maxwell King brings us The Good Neighbor: The Life and Work of Fred Rogers, the first full-length biography of American's unique and enduring icon. Mister Rogers' Neighborhood, Rogers' program that changed the face of children's television and influenced tens of millions of children, reaches its 5oth anniversary. Now, beginning with Rogers' childhood, King captures his life of kindness, compassion, and authenticity by drawing on original interviews, oral histories, and archival documents. Fred Rogers, whose life and work continue to be loved by multiple generations, is captured in The Good Neighbor as, above all, a champion of children. 00:15   Intro to Maxwell King’s book, The Good Neighbor 00:25   Background of Fred Rogers, children’s television personality 01:00   King given permission to write first full-length biography of Mr. Rogers 01:30   2018 marks the 50th anniversary of Mr. Rogers’ Neighborhood 02:00   Intro to Maxwell King: author, journalist, former President of Heinz Endowments, former Executive Director of the Fred Rogers Center, CEO of the Pittsburgh Foundation 03:00   King designs the book to have two lives: biography and academic source 03:30   How King gets involved in writing the book after meeting Rogers only twice 05:30   Rogers’ early life and background profoundly affect his life and work 06:45   King aims to explain how Fred becomes “Mr. Rogers” 08:00   His understanding mother listens to Fred, not as an adult but as an equal 08:45   Family’s wealth makes Rogers more of a target for mean kids 09:10   Bullies chase and call him “Fat Freddy”; runs to safety at neighbor’s house 09:40   Adults wrongly advise him, “Just pretend you don’t care.” 10:00   Transformative moment: refuses to adopt a strategy of not caring 10:30   Teenage Rogers turns sensitivities into strengths; becomes leader and scholar 11:30   Great reader and student of French and philosophy 12:40   At 10 years old, selects an ebonized Steinway concert grand piano 14:25   Wealthy grandmother keeps her promise to buy him piano, transforming his life 15:55   Rogers’ piano now sits in the Fred Rogers Center at St. Vincent’s College 16:45   Fills lonely early years with music and puppets 17:20   Channels his personas in iconic puppets (Lady Elaine Fairchilde, King Friday, Daniel Tiger) 18:30   Packs away puppets for years until he needs them in an emergency 20:00   Josie Carey, live character on The Children’s Corner, forms relationship with puppets 20:50   Carey and puppets model adult/child relationship 21:35   Unlikely friend: John Pastore of Senate Subcommittee of Communications 21:45   Their televised encounter becomes most studied clip of all time 22:30   Fred testifies to help save funding for public television 23:00   First and foremost, Rogers considers himself a friend and neighbor 23:20   Most important thing in Fred Rogers’ life 25:30   Rogers’ key tactic for presenting on television 26:10   Dr. Margaret McFarland, child psychologist, becomes Rogers’ lifelong mentor and friend 26:50   Works with Univ. of Pittsburg scholars: Benjamin Spock, T. Berry Brazelton, Erik Erickson, McFarland 27:30   Group dramatically reshapes child development philosophies and practices 29:00   They depart from Victorian notions; determine ages 0-3 most critical for development 29:30   Rogers longs to do more than entertain 29:50   Weaves child development learnings into Mr. Rogers’ Neighborhood 30:00   Rogers’ program goes national in 1968 30:30   Helps promote what really matters in child development 31:40   Cares much more about content than presentation (in contrast to Sesame Street) 32:15   Opposes fast pacing in children’s television 32:45  Designs “theme weeks" to discuss difficult topics (divorce, war, loss) for 5 consecutive days 34:30   Leans into tough topics and keeps an intentionally slow pace, including silence 35:30   Story of Rogers’ courage: “Feeding the Fish” 37:15   Children never tire of lyrics from Rogers’ signature opening song and closing remarks 38:45   Recognizes universal values of respect, responsibility, fairness, caring, and kindness 39:15   Rogers' core philosophy: “Slow down. Be kind.” 41:00   Teaches human values, letting Christianity shine through 42:00   Rogers character, style, and personality congruent (on and off screen) 42:45   King surprised by Rogers’ simple exterior and deeply complicated interior 43:15   After his death in 2003, Mr. Rogers’ ideas and influence live on 45:35   Recommendation: YouTube video of Fred Rogers testifying before the Senate committee Connect with us on social media! Facebook Instagram Twitter YouTube  Website Special thanks! Music Credit Sound Editing Credit

The Broadcast is a client Podcast.  Sorgatron Media and Sidekick Media Services have helped with the production.  Can we help with your Podcast? Contact us today! Shaunda McDill joined The Heinz Endowments in October 2017 as the program officer for arts and culture, following more than a decade of nonprofit executive and arts management experience. Shaunda has worked for theater companies across the country, including The Goodman Theatre of Chicago, Second Stage Theatre, Yale Repertory Theatre, Pasadena Playhouse and Cornerstone Theater Company. She also founded demaskus, a nonprofit, service-oriented collective of artists and administrators who produce theatrical projects sharing stories of the marginalized. In Pittsburgh, Shaunda served as vice president of programming and cultivation at the August Wilson Center for African American Culture, where she managed all artistic and educational programs. As the Pittsburgh Cultural Trust’s director of public relations, she headed both national and local public relations campaigns, including the North American premiere of Florentijn Hofman’s Rubber Duck Project. Shaunda spoke with Natalie and Kim about the depth of culture in Pittsburgh, and her work connecting artists with resources. Twitter (@BroadCastPGH)Facebook (@The Broadcast_PGH) Also, check out the Broadcast Podcast website and sorgatronmedia.com!

Students at Propel Braddock Hills Middle School talk about video games and music, Summer Dreamers Academy participants share original poetry, and youth philanthropy interns with The Heinz Endowments present a documentary on the changes to Pittsburgh air quality

One of the most fundamentally important sentences for the United States of America is this: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.”   A single sentence. A mere 45 words.   Those 45 words are the entirety of the First Amendment found in our Bill of Rights, and they have been a powerful cornerstone of our identity and our democracy.   “We Can Be” guest Max King has earned his spot as a nationally respected voice on First Amendment issues, which first drew his interest in the pre-social media days of the late ‘70s to late ‘90s when he was a reporter and eventually the editor at The Philadelphia Inquirer.   Years later, his tenure as head of The Heinz Endowments and his current position as president and CEO of The Pittsburgh Foundation gave Max keen insight as to how challenges to First Amendment rights play out in the real lives of individuals.   “To me, freedom of the press, of speech and assembly, and all of the rest of the rights of the First Amendment are the lynch pin for all of our other freedoms,” says Max. “Today so many individuals question if they have a meaningful stake in our society that they are willing to trade to away freedoms in order to feel agency.”   Daily scans of news headlines make clear that the First Amendment issues Max speaks of are undeniably threatened in today’s political climate. From misinformed complaints about NFL protests meant to draw attention police brutality against black Americans to relentless attacks on a free press by those occupying the White House, First Amendment concerns are ever-present in our lives.   In this episode of “We Can Be,” Max talks with Heinz Endowments president and podcast host Grant Oliphant about what he believes to be the underlying cause of the deep divisions that fuel these threats, the reason the First Amendment matters in our everyday lives, and the role we each have in keeping this backbone of our democracy alive and well.   “We Can Be” is produced by the Endowments and Treehouse Media. Theme music is composed by John Dziuban, with incidental music by Josh Slifkin.

For most of recorded history, the rules of power were clear: Power was something to be seized and then guarded at any cost. This "old power" was owned by a tiny fraction of humankind, and beyond reach for the vast majority of people.   But the ubiquitous connectivity of our world today is allowing something altogether new to occur, and makes possible an extraordinarily different kind of power: people-centric, participatory-focused and spreading with lightning-fast speed.   “If you are able to harness this new power, you are likely to come out on top,” says Henry Timms, co-author, with Jeremy Heimans, of “New Power: How Power Works in Our Hyperconnected World — and How to Make It Work for You.”   As executive director of the historic 92nd Street Y cultural and community center in New York City, Henry is a passionate believer in the new power distribution that technology allows. The 92nd Street Y serves 300,000 visitors each year, and garners millions of online interactions. Partnering with the United Nations Foundation in 2012, Henry founded #GivingTuesday, a global day of giving fueled by social media and collaboration. To date, it has raised more than $300 million for organizations, charities and events, and made nearly 22 billion online impressions.   “We Can Be” host Grant Oliphant, president of The Heinz Endowments, asks what old power — large institutions, bureaucracies and top-down structures — gets wrong, and if it can peacefully co-exist with the new power paradigm that Henry espouses.   Henry’s answers may surprise you, and he is crystal-clear on what’s really at stake: “New power is becoming the essential skill of the 21st century,” he says. “Those that can harness the energy of the connected crowd and create opportunities for people to engage on their own terms will win.”   Henry dives into how the Parkland survivors, the Me Too movement, Local Motors and Black Lives Matter have gotten it right and why our most challenging task may be figuring out how — or if — we can ensure this new power is used for good. “Those on the side of the angels need to get mobilized,” Henry says. “And I mean quickly.”   On this episode of “We Can Be,” learn about this new power: how to get it, why it’s changing our hyper-connected world and why we should be hopeful about what it can do.   “We Can Be” is produced by the Endowments and Treehouse Media. Theme music is composed by John Dziuban, with incidental music by Josh Slifkin. "New Power" is published by Doubleday, and is also available from Random House Large Print and Penguin Random House Audio. 

Grant Oliphant, President of The Heinz Endowments, Keynote at ComNet17 by The Communications Network

Grant Oliphant is president of The Heinz Endowments. For nearly two decades, Grant held several senior management posts with Heinz family foundations, including vice president for programs and planning at the Endowments, his position before taking over the helm at The Pittsburgh Foundation in 2008. He also served as press secretary to the late U.S. Sen. John Heinz from 1988 until the senator’s death in 1991.   If there’s a major project happening in Pittsburgh, chances are that Oliphant is pulling the strings. His six-year tenure atop The Pittsburgh Foundation saw that organization increase its assets by a third in the middle of a recession; even more impressively, that foundation oversaw the recruiting and hiring of Mayor Bill Peduto’s senior staff through its Talent City initiative. Oliphant quickly has made his presence known at Heinz, which shortly after his arrival in May 2014 jettisoned a controversial connection to the Center for Sustainable Shale Development.   Since then, he’s overseen the P4 Conference on urbanism in April, became the primary force in development of the 178-acre Almono site in Hazelwood, brokered the sale of the August Wilson Center for African American Culture to Heinz and other foundations and forged close ties to the Peduto administration.   Grant’s Challenge; Work to move your worldview from “me” to “we”.   http://www.goingdeepwithaaron.com/podcast   Connect with Grant Facebook Grant's Twitter Heniz’s Twitter Website If you liked this interview, check out episode 107 with Bill Peduto where we discuss the evolution of Pittsburgh or episode 130 with Ray Gastil where we discuss the challenges of city planning and reorganizing Pittsburgh’s communities.

Squonk has created and toured our outdoor spectacles around the world, with reviews that include “insane majesty" from The Scotsman, “surreal and poetic” from USA Today and “ingenious, hallucinatory, hypnotic" from The New York Times. Squonkwork is fast, funny, and shameless: our first show was performed in a Pittsburgh junkyard, with choreographed cranes and roaring earthmovers. Squonk creates post-industrial outdoor performances for major civic venues and festivals and have toured to 39 states and 3 continents, and have received 7 N.E.A. grants.   Jackie Dempsey (Artistic Director/Composer/Pianist/Accordionist) has created twelve multimedia productions with Squonk Opera and has been touring nationally and internationally for over two decades. Last year, she was awarded an Investing in Professional Artists grant from The Pittsburgh Foundation and Heinz Endowments. She has worked as composer and sound designer for Quantum Theatre through a Heinz Endowments’ Creative Heights grant and has been awarded five Interdisciplinary Arts fellowships from the PA Council on the Arts. She has produced all nine of the group’s recordings, one of which was Squonk’s major label debut for Capitol Records.   Steve O’Hearn (Artistic Director/Artist/Wind Player) contributes environmental and product designs, and theater productions to the group. He had a solo show of work at the Andy Warhol Museum, where he was Heinz Artist-in-Residence. He has also received the American Theater Wing’s Hewes Award for his work on Broadway, three International Design Awards and five PA Council on the Arts fellowships. His work has been published and exhibited internationally, and he has been invited three times to exhibit his designs at the Prague Quadrennial. He has designed for a score of theater productions, including the multimedia Macbeth with the Actors Theatre of Louisville’s Marc Masterson, and also for the Hawaii Theater in Honolulu.   Sqonk’s Challenge; See the art in the everyday.   Connect with Sqonk Twitter Facebook Website   If you liked this interview, check out episode 124 with Baron Batch where we discuss the melding of art and entrepreneurship.

Is philanthropy doing enough to address racism and inequity in the U.S.? We speak to Heinz Endowments President Grant Oliphant. He’s among the few philanthropic leaders who has spoken up about the shooting deaths of two black men by white police and the sniper attacks of five Dallas police officers. He says it’s a problem that philanthropy shies away from these contentious issues. “Our silence is damning,” he tells us.

We speak with former GIA board member Justin Laing from The Heinz Endowments about his service on the GIA board, racial equity, and his hopes for the future of our field. Recorded January 5, 2015.

On October 2nd the Greater Pittsburgh Arts Council and the Pittsburgh Foundation will be holding the Arts Day Of Giving from 6AM until midnight. During this time, you can visit pittsburghgives.org and make a donation to various local arts organizations which will be partially matched by the Heinz Endowments.  Below is a little PSA from our fair mayor about the Arts Day of Giving and why you should participate! This year, the Greater Pittsburgh Arts Council created the Unleashed! Arts Fund in which five members of GPAC were randomly selected to receive donations directly. The AP Collection had the fantastic opportunity to sit down with this year's recipients in order to learn a little more about them before ArtsDOG takes place. Jennifer Saffron from GPAC introduces the concept behind the Unleashed! Artist Fund along with some history of ArtDOG. Then, each artist sat down with Genevieve to tell their story, their personal art history and their plans for the imminent funding. Even though the conversations last between 10 and 20 minutes, their passion, creativity, and knowledge are immediately apparent. Once you've listened to the conversations, get to know each artist better by visiting their profile on the Pittsburgh Artist Registry and visiting their website. You can help fund their work directly by donating to the Unleashed! Artists Fund on October 2nd from 6 AM to Midnight during GPAC's Arts Day Of Giving. This Year's Five Artists Shaunda Miles on the Pittsburgh Artist Registry — Her website Sherri Roberts on the Pittsburgh Artist Registry— Her website Mike McSorley on the Pittsburgh Artist Registry— His website Brian Sesack on the Pittsburgh Artist Registry— His website Lorraine Vullo on the Pittsburgh Artist Registry; Silver Eye Center for Photography's website

This is an in-the-field recording with Tom Wexler and Kit Monkman, UK based media artists who together form KMA. Their work has been featured in public spaces across Europe and as far as Macau, China. Congregation, an interactive light installation currently on display in Market Square in Downtown Pittsburgh is KMA's debut work in North America. Open to the public every weekday from dusk until 10PM and every weekend from dusk until midnight, Congregation is an experience that will only be available to you from the date of this recording until March 16th—so be sure to check this out! You can keep up to date with the artists of KMA by checking out their website: kma.co.uk and following them on Twitter @kma_artists. I was invited by the very kind folks at the Office of Public Art and the Pittsburgh Downtown Partnership to a little informal happy hour gathering and to check out the piece in  action. Of course, on the way there I decided to turn on the recorder on my iPhone thinking the least I would do is record my own experience with the piece. I was delighted that the event was informal enough and the artists of KMA were so very kind that I managed to get in some chat time with both Tom Wexler and Kit Monkman to discuss the ins and outs of the piece. Reminder: An in-the-field recording comes with environmental noise and this one includes the sound of a crane being operated in the background. If you can't stand the heat get out of the kitchen! KMA on the Internet Market Square Public Art website KMA Group on Facebook for updates @KMA_artists on Twitter  Funding for the Market Square Public Art Program has been generously provided by The Heinz Endowments, an anonymous source, Colcom Foundation, Richard King Mellon Foundation, and the Pittsburgh Downtown Partnership. Local production support for the installation is being provided by Flyspace Productions and the Office of Public Art. (from Market Square Public Art Website) If you enjoy this and other free recordings form the AP Collection please go to paypal.com, click the send money tab, enter theapcollection@gmail.com and send a little cash our way to support the work that goes into the AP Collection.