Podcasts about depicted

The High Priestess represents my guest on the Tarot Table. This card symbolizes intuition, mystery, and spiritual wisdom. Depicted between two pillars representing duality, she is a gatekeeper to hidden truths. Her flowing robes, crescent moon, and veil adorned with pomegranates emphasize her connection to the subconscious and sacred knowledge. She often holds a scroll, representing esoteric wisdom, partially hidden to signify that some truths are revealed only when ready. The card encourages trusting intuition, seeking deeper understanding, and balancing logic with inner guidance. In readings, it suggests introspection, patience, and uncovering secrets, while reversed may indicate blocked intuition or disconnection from self. The High Priestess represents my guest, Sherry Sternthal.Who Is  Sherry Sternthal?Sherry Sternthal is a Psychic Medium whose journey into spirituality began after the loss of her mother to breast cancer. During a challenging time as a new mother going through a divorce, journaling became her outlet for processing emotions and self-discovery. Her interest in mediumship deepened after attending a meditation group where she connected with her mother and grandmother, affirming her belief in the continued presence of loved ones. Inspired by readings on angels, spirit guides, and near-death experiences, Sherry found inner peace and clarity. After retiring as a Reading Specialist, she embraced her intuition and began practicing mediumship to help others heal.You can connect with Sherry on her website: https://www.heavenlymemos.com/ I will talk to you again next Friday I have a treat.  I'm featuring an astrologer who will guide us through the energetic influences of each season. In this episode, we'll explore what to expect astrologically during the spring season and how it may impact you. She will be back in three months to provide a summer astrology forecast and so on. If you want a reading, head over to https://creativetarot.net. Follow me on Instagram at creativetarotinsights, and, of course, follow The Tarot Table Podcast. You can also join my list to get a week ahead tarot reading each Sunday so you know what energies you are facing at creativetarot.substack.com.  

PREVIEW: ENGLAND: Author Eleanor Barraclough, "Ember of the Hands," presents the infamous Norse conquest of Britain by the Great Heathen Army as much more helter-skelter than traditionally depicted. More later. 1850

This morning, Matt handed in his Cool Badge for raging at a child in an Elvis costume, Glenn handed in his for watching inappropriate material on a treadmill and Dave continues his fued with Bush and Richie over their alleged Band of Mum and Dad entry as the country duo 'Tumbleweed'.

The bloody visage of Mary I has existed in the public imagination since her death. Depicted as an abused daughter, a murderous maniac, an inept queen, a cruel sister, and a pathetic wife, Mary I has rarely received a positive portrayal. In recent years, scholars have worked on rehabilitating the image of a woman so often called Bloody Mary. In today's episode, we go into the realm of fiction, and how it can help in breaking down stereotypes and humanize individuals from history. Joining me is Amanda Schiavo, author of the new book In Her Own Right: A Novel of Lady Mary Tudor. Hosted on Acast. See acast.com/privacy for more information.

Fr. Elias Mary Mills, F.I. served as Rector of the Shrine Church at the Shrine of Our Lady of Guadalupe in Lacrosse, Wisconsin from 2016 to 2021. He was ordained in May of 2000.   In Today's Show   Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

For years debate has raged about whether the Australian media, film and TV industries are unfairly representing regional Australians. 

Today, my guest on The Tarot Table Podcast is represented by the Tower. The Tower is a highly impactful and intense tarot card representing sudden and disruptive change. Depicted as a tower struck by lightning and engulfed in flames, this card signifies the breaking down of old structures, beliefs, and patterns to pave the way for transformation and growth. The Tower card serves as a powerful wake-up call, shaking the foundations of our lives and forcing us to confront the aspects that no longer serve us. It represents the collapse of illusions, false foundations, and ego-driven structures. It can be a challenging and unsettling experience, as it often involves unexpected events or revelations that disrupt our sense of stability and security. However, while the Tower card may initially bring chaos and destruction, it also presents an opportunity for liberation and rebirth. It catalyzes necessary change and growth, clearing the way for new beginnings and a stronger foundation to be built upon. The Tower card reminds us of surrendering control and embracing life's inevitable cycles. It teaches us the value of releasing attachments and outdated beliefs that hinder our personal development. By dismantling the old, we can rebuild and create a more authentic and resilient self. Ultimately, the Tower card symbolizes transformation, resilience, and the potential for profound personal growth. It urges us to embrace breaking down and rebuilding, knowing that we can rise stronger, wiser, and more aligned with our true purpose from the ashes of destruction. The Tower represents my guest, Tina Murphy. Who Is Tina Murphy? Tina Murphy is a money coach for widows. She suddenly lost her husband when she was 38, leaving her to raise her 2 boys, who were 6 and 9. Even though she was a personal finance teacher for almost 20 years, her spending was out of control. Finding life coaching turned her healing and her spending completely around. Now, she helps other widows make a financial game so they can feel better about their lives again.Connect with Tina on her website, https://www.widowswallet.com, and her Instagram account, @widowswallet. Now you have it! I will talk to you again next Friday and then chat with a guest represented by the Star. This guest is a professionally trained life coach and energy healer skilled in Reiki, Akashic Records, and other transformative techniques.  She is dedicated to helping clients overcome challenges, renew their sense of self, and create a fulfilling life. She discusses how she does that.  Follow me on Medium at msmir.medium.com, Instagram at miriamreadstarot, and check out my site at miriamreadstarot.com. And, of course, follow The Tarot Table Podcast. You can also join my list to get a week ahead of tarot reading each Sunday so you know what energies you face at miriamreadstarot.substack.co

How Are Dogs & Cats Depicted in the Bible? Weekly Q&A for November 7, 2024 https://storage.googleapis.com/enduring-word-media/q-and-a/11072024.mp3 The post How Are Dogs & Cats Depicted in the Bible? Weekly Q&A for November 7, 2024 appeared first on Enduring Word. https://enduringword.com/how-are-dogs-cats-depicted-in-the-bible-weekly-qa-for-november-7-2024/feed/ 0 How Are Dogs & Cats Depicted in the Bible? Weekly Q&A for November 7, 2024 - https://www.youtube.com/watch?v=p7ceayztIgk - https://storage.googleapis.com/enduring-word-media/q-and-a/11072024.mp3 How Are Dogs & Cats Depicted in the Bible? Weekly Q&A for November 7, 2024 https://www.youtube.com/watch?v=p7ceayztIgk

What do you know about the last massive airborne assault to take place in WW2? Market-Garden, beginning on 17 September 1944, involved more than three Allied airborne divisions in daytime drops in three separate areas, as well as thousands more troops and vehicles of the Allied XXX Corps. Depicted in the movie “A Bridge Too […]

What do you know about the last massive airborne assault to take place in WW2? Market-Garden, beginning on 17 September 1944, involved more than three Allied airborne divisions in daytime drops in three separate areas, as well as thousands more troops and vehicles of the Allied XXX Corps. Depicted in the movie "A Bridge Too Far," the assault sputtered and failed to achieve its objectives, and yet still played an important role in the development of the war in Western Europe after D-Day and the liberation of France. #ww2 #worldwar2 #market-garden #arnhem #bridgetoofar #screamingeagles #82ndairborne #101stairborne Host: Jeff Sikkenga Producer: Jeremy Gypton Subscribe: https://linktr.ee/theamericanidea

Recent studies show that about one third of Americans have tattoos. But did you know that the modern tattoo was really born here in New York? We discuss the history of tattooing, and specifically the history of New York-themed tattoos, with the curators behind a new exhibit at the City Reliquary Museum and Civic Organization. Dave Herman, founder of the City Reliquary, and Michelle Myles, owner of the Daredevil Tattoo Shop, join us to discuss "Liberty the Tattooed Lady: The Great Bartholdi Statue as Depicted in Tattooing." Plus, we take calls from listeners about their New York City-themed tattoo.

The Assumption of Our Lady Into Heaven Hello St. Mary Magdalene,  Thursday August 15th is the solemnity and holy day of obligation where we celebrate the Assumption of the Blessed Virgin Mary into Heaven. This feast is a reminder for us of our final hope, to be united body and soul into Heaven with Jesus.  Also, our new mosaics are in! They are a phoenix and a pelican. The phoenix is situated over the ambo due to its connection with resurrection. St. Paul speaks in 1 Thessalonians 4:17 about how we will, at a word of command from Christ rise to meet Him when He comes again at the end of days. The pelican, situated over the presider's chair is an image of the Eucharist. Depicted on the mosaic is a mother pelican plucking the meat from her own chest in order to feed her young, giving her life to save theirs. This is exactly what Christ does for us in the Eucharist, giving us His Body and Blood so that we might have life! The meaning for both the phoenix and the pelican are actually handed down to us from the earliest Christians who saw in these animals an allegory for how God is at work in our lives.  Have a great week and I will see you on Sunday and then again on the 15th for the holy day!  God bless,  Fr. Chris Visit us: https://www.smarymag.org Support us online: https://membership.faithdirect.net/AZ754

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.  Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University's Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

To celebrate reaching 450 episodes, Peter looks at the philosophical resonance of two famous artworks from the turn of the 16th century: Dürer's Self-Portrait and Michelangelo's paintings in the Sistine Chapel.

Today, the Devil tarot card represents my guest on The Tarot Table. The Devil tarot card is a powerful and complex symbol representing various aspects of human nature and the darker forces in our lives. Depicted as a horned figure, often resembling the traditional image of Satan, the Devil card embodies themes of temptation, bondage, and the shadow self. At its core, the Devil card speaks to the human desires and attachments that can lead us astray. It symbolizes the temptations and vices that can ensnare us, trapping us in unhealthy patterns or addictions. It serves as a reminder to examine our fears, desires, and beliefs that may hold us back. The Devil card also represents the shadow self, the hidden aspects of our psyche that we may be reluctant to confront. It invites us to confront our inner demons, fears, and insecurities. We can gain insight, understanding, and liberation by facing these darker parts of ourselves. However, it's important to note that the Devil card is not purely negative. It reminds us that we have the power to break free from our self-imposed limitations and the chains that bind us. It calls for self-awareness, self-discipline, and a willingness to confront our inner conflicts. The Devil tarot card serves as a mirror, reflecting our struggles and choices. It urges us to examine our attachments, habits, and beliefs and question whether they serve our highest good. Doing so can help us overcome our limitations, transcend our shadow selves, and reclaim our power. My guest today is Gina Kunadian. Who Is Gina Kunadian? Gina Kunadian is a devoted wife, loving mother, certified massage therapist, and dedicated women's alcohol-free sobriety coach. Her life's mission revolves around guiding women to break free from the shackles of alcohol dependency, enabling them to realize and live their fullest potential. As the host of the podcast Shine Within, Gina shares inspiration and transformative insights that cultivate unwavering confidence, clarity, and vitality in her listeners. Having personally triumphed over alcoholism, Gina is deeply passionate about championing others on their journey towards sobriety. Her unique Transformation SHINE Process provides steadfast support, illuminating the path of recovery and self-rediscovery for many. Connect with Gina through her website, https://www.ginakunadian.com/.Gina is also on Instagram at @shine_ginakunadian, YouTube, LinkedIn, and Facebook.  Now you have it! I will talk to you again next Friday and next week and chat with the one who the Eight of Swords represents. My guest next week is a trauma-informed somatic breathwork practitioner from Munich, Germany.  She helps others access their subconscious mind through transformational breathwork and release trapped emotions. There's something I can look forward to. Follow me on Medium at msmir.medium.com, Instagram at miriamreadstarot, and check out my site at miriamreadstarot.com. And, of course, follow The Tarot Table Podcast. You can also join my list to get a week ahead tarot reading each Sunday so you know what energies you face at miriamreadstarot.substack.com.

A team of astronomers has used NASA's James Webb Space Telescope to survey the starburst galaxy Messier 82 (M82). Located 12 million light-years away in the constellation Ursa Major, this galaxy is relatively compact in size but hosts a frenzy of star formation activity. For comparison, M82 is sprouting new stars 10 times faster than the Milky Way galaxy.Led by Alberto Bolatto at the University of Maryland, College Park, the team directed Webb's NIRCam (Near-Infrared Camera) instrument toward the starburst galaxy's center, attaining a closer look at the physical conditions that foster the formation of new stars.“M82 has garnered a variety of observations over the years because it can be considered as the prototypical starburst galaxy,” said Bolatto, lead author of the study. “Both NASA's Spitzer and Hubble space telescopes have observed this target. With Webb's size and resolution, we can look at this star-forming galaxy and see all of this beautiful, new detail.”Star formation continues to maintain a sense of mystery because it is shrouded by curtains of dust and gas, creating an obstacle in observing this process. Fortunately, Webb's ability to peer in the infrared is an asset in navigating these murky conditions. Additionally, these NIRCam images of the very center of the starburst were obtained using an instrument mode that prevented the very bright source from overwhelming the detector.While dark brown tendrils of heavy dust are threaded throughout M82's glowing white core even in this infrared view, Webb's NIRCam has revealed a level of detail that has historically been obscured. Looking closer toward the center, small specks depicted in green denote concentrated areas of iron, most of which are supernova remnants. Small patches that appear red signify regions where molecular hydrogen is being lit up by a nearby young star's radiation.“This image shows the power of Webb,” said Rebecca Levy, second author of the study at the University of Arizona, Tucson. “Every single white dot in this image is either a star or a star cluster. We can start to distinguish all of these tiny point sources, which enables us to acquire an accurate count of all the star clusters in this galaxy.”Looking at M82 in slightly longer infrared wavelengths, clumpy tendrils represented in red can be seen extending above and below the galaxy's plane. These gaseous streamers are a galactic wind rushing out from the core of the starburst.One area of focus for this research team was understanding how this galactic wind, which is caused by the rapid rate of star formation and subsequent supernovae, is being launched and influencing its surrounding environment. By resolving a central section of M82, scientists could examine where the wind originates, and gain insight on how hot and cold components interact within the wind.Webb's NIRCam instrument was well-suited to trace the structure of the galactic wind via emission from sooty chemical molecules known as polycyclic aromatic hydrocarbons (PAHs). PAHs can be considered as very small dust grains that survive in cooler temperatures but are destroyed in hot conditions.Much to the team's surprise, Webb's view of the PAH emission highlights the galactic wind's fine structure – an aspect previously unknown. Depicted as red filaments, the emission extends away from the central region where the heart of star formation is located. Another unanticipated find was the similar structure between the PAH emission and that of hot, ionized gas.“It was unexpected to see the PAH emission resemble ionized gas,” said Bolatto. “PAHs are not supposed to live very long when exposed to such a strong radiation field, so perhaps they are being replenished all the time. It challenges our theories and shows us that further investigation is required.”Webb's observations of M82 in near-infrared light spur further questions about star formation, some of which the team hopes to answer with additional data gathered with Webb, including that of another starburst galaxy. Two other papers from this team characterizing the stellar clusters and correlations among wind components of M82 are almost finalized.In the near future, the team will have spectroscopic observations of M82 from Webb ready for their analysis, as well as complementary large-scale images of the galaxy and wind. Spectral data will help astronomers determine accurate ages for the star clusters and provide a sense of timing for how long each phase of star formation lasts in a starburst galaxy environment. On a broader scale, inspecting the activity in galaxies like M82 can deepen astronomers' understanding of the early universe.“Webb's observation of M82, a target closer to us, is a reminder that the telescope excels at studying galaxies at all distances,” said Bolatto. “In addition to looking at young, high-redshift galaxies, we can look at targets closer to home to gather insight into the processes that are happening here – events that also occurred in the early universe.”

TIMESTAMPS: Intro (0:00) Death Exploited for War (7:02) Assange's Last Chance (53:50) Ending (1:18:16) - - - Watch full episodes on Rumble, streamed LIVE 7pm ET: https://rumble.com/c/GGreenwald Become part of our Locals community: https://greenwald.locals.com/ - - -  Follow Glenn: Twitter: https://twitter.com/ggreenwald Instagram: https://www.instagram.com/glenn.11.greenwald/ Follow System Update:  Twitter: https://twitter.com/SystemUpdate_ Instagram: https://www.instagram.com/systemupdate__/ Learn more about your ad choices. Visit megaphone.fm/adchoices

I am truly fortunate to share with you a heartwarming tale of love, loss, and resilience, depicted through the special bond between humans and their loyal companions. Meet NITECH PKC CH MON VALLEY APPLE JAX, an incredible pup who has not only won the truck hunt at the pup shoot out and his cast at TOC, but also graced superstakes and Nationals. He secured a place in the top 16 in PA state race for two consecutive years and qualified for the Pkc world hunt. Known for his loud and independent spirit, he truly embodies accuracy. This journey is a testament to the lessons that dogs can bring into our lives. They enter our world to demonstrate love, and their departure teaches us about loss. However, sometimes the things we lose find their way back to us. I hope this video resonates with all of you, just as it has deeply touched me. #fypシ゚ #foryoupageシviral #viralpostfb #storytime #dogslife #hounds #huntingdogs #huntingseason #lovedogs #mansbestfriend #loyalty #bestfriends

Depicted in the 1989 Hollywood feature film "Glory" the Massachusetts 54th was the first all black regiment to fight in the Civil War. Established in the aftermath of the Emancipation Proclamation, the members serving in the regiment had much riding on their perceived success. Join me this week as I dive into the history of the Massachusetts 54th. 

Tony speaks with you about the History of KrampusMeet Krampus, the horned companion of Saint Nicholas and the enigmatic figure lurking in the shadows of Central European folklore. With a name derived from the Old High German word "Krampen," meaning "claw," Krampus embodies the darker side of the holiday season. Depicted as a nightmarish creature with horns, cloven hooves, and a long, pointed tongue, Krampus is no benevolent gift-giver.In the yuletide duo with Saint Nicholas, Krampus takes on the role of the disciplinarian. Armed with birch branches, he swats and whips mischievous children, ensuring that the naughty face consequences during the festive period. This mythical being's origins are rooted in ancient pagan traditions, where horned creatures were linked to winter solstice rites.Krampusnacht, celebrated on December 5th in some regions, sees people don demonic Krampus costumes, partake in parades, and revel in the chaos that Krampus brings. Despite attempts to suppress this darker tradition in the 20th century, Krampus has experienced a resurgence in popularity in recent years, becoming a symbol of the complex and sometimes eerie nature of the holiday spirit.So, as you navigate the holiday season, remember that alongside the joy and festivities, Krampus stands as a reminder of the enduring power of folklore, offering a unique blend of fear, mischief, and cultural reflection.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3589860/advertisement

Updated April 15, 2021: This topic of the "firmament" is also of great interest to atheists. A popular anti-creationist made a 40-minute YouTube video critical of this article. We may have hit a nerve. A favorite claim of many atheists is that the Bible teaches that the earth is surrounded by a solid domed sky. Instead, the Bible actually teaches that the firmament of Day Two is the crust of the earth, which divided water below the crust from the waters on the surface. Documenting this thereby rebuts that widespread false allegation. When we first published this article, that extra bonus was unexpected. So we've embedded and responded to Brett Palmer's video including by pointing out that the Babylonian creation epic, Enuma Elish, below, corroborates this understanding of the "firmament" as first referring to the earth's crust (i.e., biblically, to paradise, to heaven on earth). And we show that the Bible's Hebrew word for firmament, raqia, from the verb raqa, refers not only to the heavens above, but explicitly, to the crust of the earth. And we present the meaning of the Syrian geographical place name, Raqqa, and extend to antiquity the etymology of the English word, rock. At Real Science Radio (which airs on America's most-powerful radio station), we teach Dr. Walt Brown's Hydroplate Theory as the best understanding of the global flood, geology and the relevant scriptures. If the following is correct, all flood models based on the "canopy theory" and "plate tectonics" are false.On Day Two God Made the Crust of the Earth: Dr. Walt Brown's Hydroplate Theory helps to understand the global flood, geology and the relevant scriptures. On Day Two of creation, God formed the crust of the earth, called the firmament (Hebrew: raqia), which extended for miles above a worldwide subterranean ocean, and the crust of course also held waters upon its surface. If this is true, we would expect to read in the Bible that initially, the surface of the earth was covered only with water, and that then God made the earth's crust above the water. And consistent with the Hydroplate Theory (which describes a layer of water at least one-mile thick that was perhaps dozens of miles below the earth's surface), in fact the Bible teaches that God: - "In the beginning God created... the earth. ...and darkness was on the face of the deep. And the Spirit of God was hovering over the face of the waters" (Genesis 1:1-2). Then God, - "laid out (raqa) the earth above the waters" (Psalm 136:6). And, - "by the word of God the heavens were of old, and the earth [was] standing out of water and in the water" (2 Peter 3:5). - "Thus God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament" (Gen. 1:7). So, "The earth is the Lord's... For He has founded it upon the seas, and established it upon the waters" (Ps.24:1-2). Where the Water Came From: The global flood then began when those "fountains of the great deep were broken up" (Gen. 7:11) for the pre-flood earth had been "standing out of water and in the water, by which the world that then existed perished, being flooded with water" (2 Peter 3:5-6). Those waters had been stored up for global judgment if needed. For when "the heavens were made," the Bible says of much of the Earth's water back then that God "lays up the deep in storehouses" (Ps. 33:6-7; see also Prov. 8:27-28). For God created not only the surface waters, for He "made heaven, and earth, and the sea, and the fountains of waters" (Rev. 14:7 KJV [as with many versions; some like the NKJV say "springs of water"). Dr. Brown's book, In the Beginning, demonstrates powerfully that the world's major geologic features flow logically from these initial conditions. But some creationists who disagree point out that, "God called the firmament Heaven" (Gen. 1:8), claiming that this firmament must be either the atmosphere (e.g., Henry Morris) or outer space (e.g., Russell Humphreys). Heaven on Earth, Hell Beneath: However at RSR we show that, whether figurative or literal, the crust of the earth is the boundary between heaven and hell. It is consistent with Biblical history that God would originally call the crust of the earth "heaven." For at creation, "He drew a circular horizon on the face of the waters, at the boundary of light and darkness. The pillars of heaven tremble (Job 26:10-11). And then, "He divideth (not raqa but raga) the sea with his power" (Job 26:12 KJV, Jubilee, Websters, etc.). God designated the region below the crust as the initial abode of those who may pass away. Hell is the holding prison for the unrepentant dead. "Hell from beneath is excited about you, to meet you at your coming" (Isa. 14:9; etc.). For the newly-made earth, the Lord logically referred to everything from the crust and above as heaven. Hence dozens of verses indicate that heaven also refers to the earth's atmosphere as in "rain from heaven," the "dew of heaven," "birds of heaven," "dust from the heaven," city walls "fortified up to heaven," smoke rises "to the midst of heaven," "the heavens are shut" in drought, "frost of heaven," "clouds of heaven," "snow from heaven," "hail from heaven," and the east winds "blow in the heavens." Thus even after the Fall, from Genesis and Job, through the Gospels, Acts and Revelation, the Bible continued to refer to the atmosphere, one molecule above the ground, as heaven. Apart from this understanding, a Bible student might think that while the surface of the Moon is in "heaven", that the paradise God made on the surface of the Earth is not. Also, the Bible's thirty-two occurrences of the phrase "kingdom of heaven" appear only in the royal Gospel of Matthew, and some of these (Mat. 11:12; 13:24 with Mat. 13:38; 16:19; Mat. 18:1 with Luke 9:46; etc.) locate this kingdom of "heaven" at least partially on earth. Lucifer Fell from Heaven on Earth: "God called the firmament Heaven," because the earth's crust formed the boundary between heaven and the future hell. The firmament also divided the waters of the earth (Gen. 1:2, 6) which even reserved the floodwaters of judgment below ground. For God "lays up the deep in storehouses" so "let all the earth fear the Lord," (Ps. 33:7-8), because He "shut in the sea with doors" until in the flood "it burst forth and issued from the womb," (Job. 38:8). But after the Fall, which likely occurred within a week of Creation, earth lost its heavenly designation, for apparently God will never fully replicate the first earth. Only two detailed Bible stories involve happenings that occured prior to the Fall, the creation account and the record of Lucifer's fall. And both of these events refer to earth as heaven. Isaiah 14:12 describes "Lucifer" as "fallen from heaven," yet Scripture places him on earth at the moment of his fall. "You were in Eden, the garden of God," (Ezek. 28:13). And "you have said in your heart: "I will ascend into heaven... I will ascend above the heights of the clouds," (Isa. 14:13-14). "Yet you shall be brought down to Sheol, to the lowest depths of the Pit," (Isa. 14:15). Even though he was on earth, Lucifer fell "from heaven," because prior to the Fall, the surface of the earth was part of heaven's realm. * Bible Students Understand the Firmament, But Get Confused at 1:8: See this explained in this five-minute segment, in our 2-hour flood video, that begins at 48:30. Just click and the video will start at the correct point... Consider the flesh. Notice that just as gravity pulls our physical flesh down toward the center of the earth, the Fall created the world system which relentlessly pulls our spiritual flesh, drawing us down toward the lowest depths until death, and then the believer's released spirit soars upward to heaven, whereas the unbeliever's unfettered spirit falls downward, the firmament no longer keeping him out of Hades, thus his soul plummets into hell. C.S. Lewis wrote the preface to D.E. Harding's esoteric The Hierarchy of Heaven & Earth in which Harding wrote that "Hierarchy is... something like the ancient circles of heaven and earth and hell" (1952, p. 27), and that the "narrowest Hell would be widest Heaven if the Devil could only bring himself to turn round and look out from the Centre instead of in at himself" (p. 187). In the modern classic, Soul of Science, (1994, p. 38), Pearcey and Thaxton describe the view of Christian "medieval cosmology" that "at the very center of the universe was Hell, then the earth, then (moving outward from the center) the progressively nobler spheres of the heavens." Christians continue to affirm this hierarchy quoting Paul who was "caught up to the third heaven" (2 Cor 12:2), the first being the sky, the second is space, and the third God's habitation. King David even refers to the deep, as the "channels of the sea", where in the flood "the foundations of the world were uncovered", which were "the foundations of heaven" (2 Sam. 22:8, 16). Incidentally, the never-before-seen consequences of the flood caused the troubles David lists here. The lightnings, thunder, dark waters, thick clouds, darkness, volcanic eruptions, smoke, coal and fire, the earth shaking, and when the "channels of the sea appeared" only then the "foundations of the world were uncovered..." Moses Qualified His Last Four Uses of Firmament: Moses used the word firmament nine times in the creation account. He intentionally distinguished the last four occurrences from the first four, which all pivot around the central instance where God called the earth's firmament Heaven. Each of the four in the second grouping (Genesis 1:14, 15, 17, 20) is qualified separately by an exceptional repetition. The prepositional phrase "of the heavens" makes a distinction between the first firmament of the earth, and the second "firmament of the heavens." And if firmament means the "heavens," the very term "firmament of the heavens" would seem unnecessarily redundant, especially when repeated four times. However, the qualifier "of the heavens" is added so that the reader will not confuse this firmament of sky and space with the previous firmament of earth. Thus, readers alien to the notion of "heaven" on earth should nonetheless be able to separate the two firmaments, and understand God's meaning. Now, millennia after the Fall, God's own record of creation notwithstanding, sin has almost completely obscured the original perspective of the earth's surface as "heaven." The Things God Called Day and Earth: "God called the light Day." Yet like with the word firmament, Genesis has two very different meanings for light. Day 4 would be unintelligible without recognizing its initial meaning. "Then God made two great Days to rule the heavens"? No. The same is true for the dry land that "God called... Earth". If it had only one meaning, then the Earth would have been created on Day Two when the "Earth" appeared. Our Full Firmament Video: Above we pointed to a five-minute excerpt. Here's the full 30-minute segment out of our Global Flood video on raqia titled, Is the Day 2 firmament of Genesis the Earth's crust?: Kingdom of Heaven Lost on Earth: When man rebelled, earth became more like hell than heaven. Thus man's habitation on the surface of the earth lost its heavenly designation. The Bible describes Hell as below, bounded by the firmament. However in the beginning "God called the firmament Heaven" because that's where He placed Adam and Eve, above ground on the surface, in the heavens, in fellowship with Him, not in any other realm but in His kingdom, in heaven on earth. 2011 UPDATE - Atheists and the Solid Dome: YouTube anti-creationist Brett Palmer created a 40-minute rebuttal video (embedded here) of this little article on the firmament. Seems like we hit a nerve. Aside from Brett casting aspersions from the recently invented flat-earth myth, consider that as with many other atheists, he claims that the word firmament (Hebrew raqia) discredits the creation account by showing that Genesis cannot be God's Word because it merely echoes the ancient world's false belief in a solid domed sky above the earth. So, if raqia (firmament) refers not only to the heavens, but also to the crust of the earth, standing above a subterranean chamber of water, then atheists would lose a favorite argument. Raqia is the noun from the verb raqa meaning being hammered or spread out, as in working metal into a thin sheet or plate. "They beat (raqa) the gold into thin sheets" (Exodus 39:3). "The goldsmith overspreads (raqa) it with gold" (Isaiah 40:19; i.e., gold-plated). Similarly, God overspread the waters of the earth with the plates of the earth's crust, i.e., the firmament, what Walt Brown calls hydroplates. For "God made the firmament (raqia), and divided the waters which were under the firmament (raqia, the crustal plates) from the waters which were above the firmament" (Genesis 1:7). Please review again the verses listed below. For not only did God create "the sea and the fountains" (Rev. 14:7), if this understanding of raqia is is the Bible's actual meaning, then we would expect also to read that initially the surface of the earth was covered only with water, and that then God made the earth's crust above the water: - "In the beginning God created... the earth. ...darkness was on the face of the deep. And the Spirit of God was hovering over the face of the waters." Gen. 1:1-2 - God "laid out the earth above the waters" Ps. 136:6- "by the word of God the heavens were of old, and the earth standing out of water and in the water" 2 Pet. 3:5 - "Thus God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament." Gen. 1:7 "The earth is the Lord's... For He has founded it upon the seas, and established it upon the waters." Ps. 24:1-2 When the Bible specifically links raqa to the earth (as in the passages below), and because words typically have multiple meanings, it is extreme to insist that raqia cannot refer to anything but the heavens. Genesis was written back when pagans wondered what held up the earth. Perhaps it rested on the back of a tortoise, or on a pillar, or was held up by Atlas. Yet the most ancient Scripture teaches that God, "hangs the earth on nothing" (Job 26:7), which is visually consistent with modern astronomical observation. For just as the firmament of the earth holds up the mountains, so too, the firmament "of the heavens" is strong enough to hold the earth.God Raqa the EARTH! Firmament (raqia) is used "of the heavens" commonly and eleven times the Bible speaks of God stretching out the heavens. Then there is something not included in the above video. Another three times the Bible says that God raqa the earth itself. This shows, unlike as stressed on YouTube, that raqia very naturally also refers to the earth. Dr. Walt Brown's book lists these verses but I'll repeat them here for Mr. Palmer's consideration: To Him who laid out (raqa) the earth above the waters… Ps. 136:6 Thus says God the Lord, who created the heavens and stretched them out, who spread forth (raqa) the earth and that which comes from it… Isa. 42:5 “I am the Lord, who makes all things, who stretches out the heavens all alone, who spreads abroad (raqa) the earth by Myself;" Isa. 44:24 The firmament (raqia) of the creation account was iconic in ancient Israel, as the Tyndale Bible Dictionary says, "the firmament is always related to Creation." So the repetition and by two authors shows that the wording is deliberate. Thus these verses show an ancient awareness in Scripture that God raqa the Earth, that is, that His stretching out of the raqia of Genesis 1:8 readily refers to terra firma, or as the King James translators coined the word from the Latin, the firmament. Raqia and Heaven Both Refer Also to the Earth Raqa the Earth Heaven on Earth To Him who laid out (raqa) the earth above the waters...  Ps. 136:6 "He drew a circular horizon on the face of the waters, at the boundary of light and darkness. The pillars of heaven tremble... He stirs up the sea with His power..." Job 26:10-12 Thus says God the Lord, who created the heavens and stretched them out, who spread forth (raqa) the earth...  Isa. 42:5 "And from the days of John the Baptist until now the kingdom of heaven suffers violence, and the violent take it by force." Mat. 11:12; "The kingdom of heaven is like a man who sowed good seed in his field;" and "the field is the world..." Mat. 13:24, 38 I am the Lord... who stretches out the heavens all alone, who spreads abroad (raqa) the earth by Myself  Isa. 44:24 "And I will give you the keys of the kingdom of heaven, and whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven" Mat. 16:19 [and 18:18] Etymology of Raqia: The word raqia relates to raqa as sharia (law) relates to shara'a (to ordain or decree). Further, the ancient Middle East commonly ended names in "ia," and in this particular example of early Hebrew usage, raqia, though not a proper name, is the name for something created by raqa. (Atheist Brett Palmer, though not especially reliable, does specifically agree with this explanation in his follow-up video.) Pillars of Heaven: Regarding the crust of the Earth being referred to as heaven, consider the "pillars" which formed beneath the crust, as Dr. Brown describes it, at many "locations, the [subterranean] chamber's sagging ceiling pressed against the chamber's floor. These solid contacts will be called pillars." Thus since they supported the Earth's surface, they could be referred to as "pillars of heaven", just beneath the surface, which would "tremble" when they were crushed in God's judgment of the great flood of Noah's day, When God, "stirs up the sea with His power", as Job put it. "He drew a circular horizon on the face of the waters, at the boundary of light and darkness. The pillars of heaven tremble... He stirs up the sea with His power..." (Job 26:10-12). Earth's Foundation with Pillars Sunk into their Bases: This doesn't have to confuse Bible students. This five-minute segment at 1:04:22 depicts the pillars. Just click and the video will start at the correct point... * No One Before Or Since? Palmer says, virtually alleging omniscience for himself, that "no one before or since Enyart has ever asserted that two firmaments were created in the creation story." However, the nearly contemporaneous Babylonian creation epic states directly that heaven above and the "firm ground below" were called by the same name, that is, "heaven." First though consider Google. The claim then is that the term firmament refers to sky and space, and also to the sphere of the world. So, as the originator of this concept :) that firmament has two meanings, I am gratified that it's catching on. The Google results for "define:firmament" gives two meanings: The heavens or the sky, esp. when regarded as a tangible thing A sphere or world viewed as a collection of people * Not Half Bad and Not Half Right: Hey, for Google, that's not half bad, for the firmament (the Earth's surface) was called heaven so that Adam and Eve could be fruitful and multiply and fill the Kingdom of Heaven on Earth. Then regarding Palmer's claim that, "no one before or since Enyart has ever asserted that two firmaments were created," Dr. Brown's book credits "two pastors" with showing him this simple heaven-on-earth understanding of Genesis 1:8. The pastor before me later publishing a book on the topic: Paradise: Past, Present, and Future, and of course since then, Walt Brown too has adopted this understanding. >* Babylonian Creation Epic: The ancient pagan world had a corrupted memory of biblical accounts. Compare for example Egypt's sun god arising out of the waters of creation with, "God moved upon the face of the waters. And God said, 'Let there be light.'" Likewise the flood of Noah's day is remembered in Babylon's Epic of Gilgamesh. Also, the seven tablets of Enuma Elish similarities to the seven days of the creation week include man's creation on the sixth day which is presented on the sixth tablet. The first creation tablet describes the "waters commingling as a single body" when "no marsh land had [yet] appeared", reminiscent of the firmament dividing the waters (Gen. 1:6-7) and the dry land appearing (Gen. 1:9). The truth reported by Moses in Genesis 1:8a, that God called the firmament heaven (referring to the crust of the Earth, i.e., God's kingdom of heaven, on Earth) is emphasized in the first lines of the first Babylonian creation tablet which state, "When on high the heaven had not been named, Firm ground below had not been called by that name." That is, before the term "heaven" even applied to sky and space, before that not even the firmament below had yet been called that same name, i.e., heaven. (This translation, "firm ground below had not [yet] been called by that name", appears in old-earth Oxford Prof. John Lennox' book Seven Days that Divide the World. Importantly, after discussing this matter personally with Dr. Lennox, RSR can report that he does not agree with our Genesis 1:8 interpretation, so in no way would he publish a biased translation to make our point.) For as Moses wrote, "God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament... And God called the firmament Heaven... Then God said, '...let the dry land appear.'" So whereas atheist video maker Palmer (see above) says that "no one before or since Enyart has ever asserted that two firmaments were created in the creation story", Brett can now consider that this Babylonian Enuma Elish creation epic parallels the Hydroplate Theory's understanding of the firmament as referring also, and originally, to the "firm ground below" the heavens. And thus, because God raqa the Earth, by creating the raqia, that is, the solid rock crust of the Earth, therefore, the etymology of the English word rock can now be traced back much further than the medieval Latin rocca. Not surprisingly then, studying geography we find that root word in the names of various ancient places in the region. For example, in 2015 Raqqa hit the headlines as the capital city of the Islamic terrorist group ISIS. An accurate understanding of Genesis is essential for understanding early history. Thus we can now trace the etymology of our English word rock to that very Epic of Gilgamesh flood account, with Gilgamesh being the king of Uruk, located in the south of the modern nation with a name that means "deeply rooted, well-watered", for God placed the water deep under the raqia which explains the name of the ancient place, Iraq. (See also Bob's draft comments on the Enuma text.) * Countries, Regions, and Peoples Ending in A and IA: Why do so many place names end in ia? God raqa the raqia to give mankind a place to live on the face of the Earth. In the web's most complete list of place names that end in ia, see about 120 significant geographical regions that end with -a or -ia, and others that sound like they end in ia, like Kenya and Libya. (RSR maintains this list.) Consider also, not unlike the city of Raqqa and the country of Iraq, the continent of Africa may have a related etymology, and consider also that in Arabic afar means dust, earth. And the names of many lands that do not end in -ia, as Egypt, still give a nod to the suffix when referencing their people, as with Egyptian, Akkadian, Persian, and the more modern Caucasian, with -ian equating also to the -yan as discussed at rsr.org/yan such as Aryan (meaning from the Sun land).* Seven-Day Week: The worldwide use of a seven-day week results from the creation account. And those seven days are named for the heavenly bodies (Saturn, Sun, Moon, etc.) as God said, "Let there be lights in the firmament of the heavens to divide the day from the night, and let them be for signs and for seasons, and for days and years." (On a related topic we interviewed Scientific American editor and atheist Michael Shermer for Real Science Radio. That full show is so much fun to listen to.) "Dr. Shermer, while much of the ancient world was worshiping heavenly bodies, could you at least agree that the Bible is correct on page one, where it states that the Sun is a light?" [Moses was correct also when he taught in Deuteronomy that the planets and stars are not gods and should not be worshiped.] "So can you agree that the Bible is correct in Genesis chapter one, that the Sun is not a god, but a light?" To which Shermer infamously replied, which you can hear in this 73-second excerpt (and transcript) that the sun is not a light. Wow. It's often difficult to have a reasonable discussion with atheists. Also, the worldwide use of blood sacrifices resulted from God commanding Adam and Noah to sacrifice animals prefiguring the sacrifice of Jesus Christ, the Lamb of God. * A Solid Dome Sky Belief Widespread Yet Not Intuitive: As Wikipedia reports, "The notion of the sky as a solid object (rather than just an atmospheric expanse) was widespread among both ancient civilizations and primitive cultures, including ancient Greece, Egypt, China, India, native Americans, Australian Aborigines, and also early Christians. It is probably a universal human trait to perceive the sky as a solid dome." Retrieved 8-27-11. However, with the many varied movements in the heavens of the Sun, Moon, planets, stars, comets, and meteorites, it's not intuitive that so much of the whole world would end up believing that the Earth had a solid-domed sky. Except, of course, if the ancients who populated the world after the global flood were misunderstanding the raqia of Day Two as referring to the heavens instead of to the crust of the earth. Conclusion: So, the Bible speaks of Earth using the same term, raqia, as for the firmament "of the heavens" (clarified that way in Genesis 1). Yet when the paradise of Eden and God's Kingdom of Heaven on Earth became "filled with violence," mankind began to forget that God made earth as part of His Kingdom of heaven. Thus, what changed was the common use of the term heaven for the Earth. © 2007 - 2017 Bob Enyart, RSR.org.com * RSR's Global Flood and Hydroplate Theory: Here's our best-selling flood video which is available also on DVD, Blu-ray, and download. We hope you enjoy this: Email: From Walt Brown to Bob Enyart on March 22, 2005: "Dear Bob, I like your proposal concerning Genesis 1:8a, and after much thought, have decided to include it [in the 8th edition of In the Beginning]. I have credited Pastor Diego Rodriguez and you as the originators of this very attractive explanation. ... Thank you for sending me your explanation. -Walt" Biologos: Note that Francis Collins' theistic-evolution group BioLogos uses their misunderstanding of the firmament in their effort to diminish the authority of Genesis. For example, "Genesis... says things that are at odds with what modern people know to be true of the world... The other cosmologies from the ancient world depict some solid structure in the sky. The most natural explanation of the raqia is that it also reflects this understanding. There is no indication that Genesis is a novel description of the sky." In other words, Collins claims that Genesis' presentation of the firmament [in contrast to the biblical and historical insights above] equates to that of pagan myths. As old-earth Christians, they therefore reject the global flood and many other biblical teachings. See this explained in our Trading Genesis video: Bio: Bob Enyart co-hosts Real Science Radio and pastors Denver Bible Church. Bob first had a technical career working: - at McDonnell Douglas Helicopter Company on the Army's Apache helicopter - as a systems analyst for "Baby Bell" U S West - as a program manager for Microsoft, and - as a senior analyst for PC Week Bob became a believer in 1973, entered full-time Christian work in 1989, and in 1991 began hosting a daily show on America's most powerful Christian radio station, the 50,000-watt AM 670 KLTT. In 1999, the elders and pastor of Denver's Derby Bible Church ordained Bob into the ministry. In 2000, Derby planted Denver Bible Church with Bob as pastor and in 2015 as a host of Real Science Radio Bob was inducted into the Creation Science Hall of Fame. You can see Bob Enyart's materials online or call 1-800-8Enyart. If you enjoyed this article, you may also want to read Why Canaan was Cursed?, Polygamy in the Bible, and Slavery in the Bible. And you can hear Bob at RealScienceRadio.com!

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The Tim Ballard Podcast is back for Season Two! Joined by his wonderful wife, Katherine Ballard, they share the events leading up to and included in Sound of Freedom and how the decision to pursue this path has impacted their lives. Link to Lullaby - Peter Breinholt and One Voice Children's Choirhttps://youtu.be/1eQrjc0C27A?si=5OLu39X13tMbn64IListen on: SpotifyYouTubeApple PodcastsGoogle PodcastsRead Tim's latest statement on The Daily Wire: https://www.dailywire.com/news/why-we-need-a-global-coalition-to-fight-child-trafficking53mWatch 'The Light in the Darkness' here:https://www.prageru.com/video/episode-1-find-the-courage-to-fight-for-libertyFollow Tim on Instagram:@timballard89

Not many young men will lead a life of an international arms trader, have a hit movie made about them (War Dogs), close deals for as much as $300 million, then go on to start a successful audio brand, . David is an interesting guy and shares his story with us on Episode 205, brought to you by and .  

Sadhguru explains how fierceness and compassion are the qualities of the feminine, embodied by Linga Bhairavi - the ultimate woman.  Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

Sadhguru explains how fierceness and compassion are the qualities of the feminine, embodied by Linga Bhairavi - the ultimate woman.  Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

Are we still living in the Texas depicted in “King of the Hill?” Ahead of a planned reboot on Hulu, we contemplate the animated series' influence on how others perceive Texans. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sadhguru explains the story and significance behind the depiction of a buffalo beneath Devi.  Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

Sadhguru explains the story and significance behind the depiction of a buffalo beneath Devi.  Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.

In the same way that Shakespeare's women characters were performed by boys in female costume, African, Middle Eastern, Hispanic and Jewish roles in his plays were taken by white men, deploying a series of racial symbols, stereotypes and, to modern ears, troubling racial language. But how did Shakespeare's original audiences view race and racial difference? And how has this understanding changed? In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Farah Karim-Cooper, whose new book The Great White Bard raises important questions about Shakespeare's depiction of both race and racism. This episode was produced by Rob Weinberg.Discover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here >You can take part in our listener survey here > Hosted on Acast. See acast.com/privacy for more information.

"Hi, this is Nigel, the showrunner and lead writer for Among the Stacks. Among the Stacks is a podcast set in an infinite library outside of time and space, which contains every version of every story from every universe; and it follows the Head Librarian, S., who, all of a sudden, one day wakes up and all of their colleagues have disappeared, and so they have to delve deep into the secrets of this infinite library to try and find out where they've gone. What you're about to hear is one of our pre-season episodes, a prelude called 'You know they're playing it somewhere, but you have to find it', which we're really proud of. We think it's probably one of our strongest episodes, the sound design and the acting in it is just fantastic. We wanted to try and do a story where something was hunting was hunting two people, but you couldn't see them, they were only being told it by a mysterious voice on a radio. Going into it, just be warned, there are content warnings for Conflict, Disagreement Between People, Threat (both real and implied), Being Hunted, sound effects of Glass Shattering, Screaming, Being Isolated, Distress Calls, Vocal Distortion, Static, Repetition, Fear of Death, Character Death, Descriptions of Harm, Animal Cruelty mentions, and Gore sound effects. We really hope that you enjoy this. I don't know what else everyone else is saying, but we just hope you enjoy it. We hope that this gives you a taste of what Among the Stacks is, and that you like that taste. Thank you very much, on with the show!" cw: "Vocal Distortion, Conflict, Disagreement between People in a Relationship, Threat (Implied and Depicted), Loss of Bodily Autonomy (Implied), Being Hunted, Isolation, Glass Shattering (SFX), Screaming, Distress Calls, Static, Repetition, Death, Existentialism, Threat, Character Death, Descriptions of Harm, Gore (SFX), Animal Cruelty (Mention and Depiction), Missing Children, Loss of a Child, Parental Neglect, Profanity, Book Burning (Mention), Memory Loss, Destruction, Falling, Existential Dread, Unreality, Cults, Chanting, Alcohol Use, Drug Use (Implied), Fighting, Monsters, Gun (Mention), Knife (Mention), Being Held Against One's Will, Loss of a Loved One, Animal Death, Torture (Implied), Discussion of Violent Death" Transcript can be found at: https://docs.google.com/document/d/1cRyEbT8PnxIdsdSQYDzyvVMVBUYnc76xlSEG16nxVI8/edit?usp=sharing https://www.amongthestackspodcast.com Socials: https://www.tumblr.com/amongthestackspodcast

"War Dog"-David Packouz the Real Life Arms Dealer Depicted by Miles Teller in War Dogs: Entrepreneurship, Starting Over and How it All Happened

Fr. Patrick preached this homily on September 12, 2023 at Sacred Heart of Jesus Catholic Church in Wadsworth, OH. The readings are from Col 2:6-15, Ps 145:1b-2, 8-9, 10-11 & Lk 6:12-19.

In Parts of Queensland Australia is an entity called Quinkin that is reported to live in the outback. This creature has its roots in indigenous Australian Oral history.  In other parts of Australia this creature is known as Ghindaring, Jurrawarra, myngawin, puttikan, doolaga, gulaga, thooagal, yaroma, noocoonah, wawee, pangkariangu, jimbra, tjangara, yahoo, and yowie.  They are common in indigenous Australian legends particularly in the eastern Australian States.   They are also featured on Quinkan rock art which refers to a large body of locally, nationally and internationally significant indigenous Australian rock art characterized by their unique representations of spirit people known as Quinkin.  Depicted on rock paintings in Queensland, particularly around Laura.  Buy us a Coffee buymeacoffee.com/unpnormalcDAmy's Etsy Page Etsy.com/shop/sweetmagicbyamy   Use Promo Code PARANORMACY at check out for free shipping (US only) Our Affiliates: Para-box Monthly- enter Promo Code PARANORMALCY at check out to get 10% off your first box!Halloweencostumes.comOur Website: https://www.unpnormalcy.com/The Green Mushroom Podcast Network: greenmushroomproject.com Smuts Up, Lux Occult, Ad Hoc History, Administrism, Unearthing Paranormalcy, Primordia, Ex V Plan, Grognostics Also don't forget our other linksDiscordhttps://discord.gg/NhZxdPfdEdFollow us on Facebook and Join our Facebook Grouphttps://www.facebook.com/unpnormalcyhttps://www.facebook.com/groups/2147778561941881/ Follow us on Instagramhttps://www.instagram.com/unpnormalcy/ Follow us on Twitterhttps://twitter.com/UNPnormalcy Support the show

On the streets broad and narrow, the Ghost Gig explores the history of one famous resident (or not!) of Dublin and some of its other less famous spectres. Hosted on Acast. See acast.com/privacy for more information.

Jamal and Khalid are joined by the legendary grassroots basketball pioneers, Sonny Vaccaro and Gary Charles. The four talk about Vaccaro's work at Nike that led to his depiction in the movie "Air," his background, how/why he ventured into grassroots basketball, ABCD Camp stories, the rise of the sneaker companies (sneaker wars), NIL, Ed O'Bannon, LeBron James, Kobe Bryant and much, much more.

Author : Elise LeSage Narrator : Kitty Sarkozy Host : Adrian Howard Audio Producer : Chelsea Davis Discuss on Forums “Every Body Depicted Is Exploited” was first published in PopCult's Gruesome Love anthology as “Crit.” Every Body Depicted Is Exploited By Elise LeSage Everyone knew that Pamela was the only real artist there. The rest […]

Having dominated the earth for millions of years, it's no wonder Dinosaurs have always fascinated us. Depicted in films and TV shows as monstrous scaly beasts - they inspire a terrifying image. But what if we told you that the T-Rex could have been covered in feathers? It's a question that's haunted palaeontologists for years - were dinosaurs actually covered in feathers, and if so, what purpose did that serve?In today's episode, Tristan is once again joined by palaeontologist extraordinaire Henry Gee. Looking at the fascinating new discoveries from the last decade, was there a close connection between modern birds and dinosaurs? And do we need to change the way we picture these jurassic beasts?The Senior Producer for this episode was Elena Guthrie. Assistant Producer Annie Coloe. Audio production by Thomas Ntinas.For more Ancients content, subscribe to our Ancients newsletter here. If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! Hosted on Acast. See acast.com/privacy for more information.