Podcast appearances and mentions of kyrie eleison

SCRIPTURERomans 8:32"He who did not spare His own son, but gave Him up for us all - how will He not also, along with Him, graciously give us all things?"REFLECTIONFr. CarlMUSIC"Kyrie Eleison" by Dan Gibson's Solitudes"A Stretch of Sun" by Jeff GeinkeNOTEShttps://www.thegodminute.org/lent

I veckans Solvalla Podcast möter vi Victor Rosleff – en av årets hetaste unga kuskar – som berättar om hur han etablerat sig i Sverige, sina styrkor i sulkyn och aktuella V75-chanser. Dessutom bjuds det på Elitloppsnytt, Veckans Onödiga Vetande och Lackes bästa drag till Jägersro.   0:00 – Victor Rosleff gästar podden Victor Rosleff är född in i travet och berättar om sin resa från Danmark till Sverige.   5:47 – Karriär, konsultliv och kuskfilosofi Rosleff berättar om övergången från hästskötare till att jobba som frilanskusk och konsult. Vi konstaterar också att han får uppdrag av många olika stall istället för att ha en stor uppdragsgivare.   10.43 – Vikten av att vara påläst Hur håller man sig påläst till loppen? Victor läser på mycket själv men tar även hjälp med att analyserna. Han berättar också om vad han vill bli bättre på.   16.35 – V75-chanser och hästar att följa Rosleff berättar om segern med Kyrie Eleison på Solvalla där han möttes av stående ovationer. Därefter går han igenom sina V75-chanser på Jägersro, en omgång där han ser ut att få bära favoritskapet i mer än ett lopp.   24.27 – Elitloppsnytt och internationella blickar Vi får det senaste om Idao de Tillard och så gläds vi åt fina lopp och snabbjobb från Sveriges hetaste hästar. Malmrot förklarar också misstaget i Kanada som skapat rubriker.   34.34 – Namnbyten på travhästar i Veckans Onödiga Vetande Ola Lernå listar kända travhästar som bytt namn före tävlingsdebut. Bland dem finns ett antal världsstjärnor.   42.57 – Lackes luringar till Jägersro Lacke bjuder på sina bästa V75-tips till Jägersro och verkar tro lite extra mycket på två bröder.   Solvalla Podcast presenteras av Stall Courant   Gäster: Victor Rosleff och Lacke   Programledare: Markus Myron, Ola Lernå och Anders Malmrot     Sammanfattningen ovan är maskingenererad men manuellt redigerad.

In deze uitzending luisteren we naar liederen rond het thema vergeving.

SCRIPTURE- Hebrews 12:1-2-"Therefore, since we are surrounded by such a great cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles. And let us run with perseverance the race marked out for us, fixing our eyes on Jesus, the pioneer and perfecter of faith." REFLECTORSr. CharleneMUSIC-"Kyrie Eleison" Gregorian Chant-"Distraction Days" InstrumentalNOTESLink to 9-Day Novena to St. Joseph

Greek words are still used as a preliminary petition before a formal prayer and as a congregational response in the liturgies of many Christian churches. Join me in singing Kyrie Eleison (“Lord, have mercy”) in Acapella form. Music books available at https://amzn.to/4cmw0ac History of Music books at https://amzn.to/3nXKYzy  Acapella books available at https://amzn.to/3LuseAR Modern Popular Music book at https://amzn.to/3oHllDq Music Industry book at https://amzn.to/40NlK4F ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet  SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you).  Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america                                        Video channel: https://youtube.com/c/TIMELINE_MarkVinet                              Website: https://markvinet.com/podcast  Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu   Instagram: https://www.instagram.com/denarynovels   Books: https://amzn.to/3k8qrGM                Audio Credit: Catholic Answers Live podcast with Jimmy Akin and Cy Kellett (Open Forum, 01jan2024). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting. See omnystudio.com/listener for privacy information.

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Am Lëtzebuerger été indien gëtt et dach näischt méi Schéines ewéi plakeg Loverboys um Daach, her royal cuntiness op der Bün an de Frankie Valli op wat och ëmmer. Herrgott erhéier eis, well et gi schwéier Froen ze beäntweren (merci Tristan) a vill Reliéises ze beschwätzen: Poopst, Kardinol, e sexy Rabbi a Ketamin-Mormonen? Mir hunn se all mat am Pausa-Mobil. Mee och cineastesch Epiphanië sinn dobäi! Am CNA ass et extra flott, am Kinepolis awer net (well do viru Geriicht gesonge gëtt). Am Delirium gëtt o nach iwwer lëtzebuergesch Musiktalenter, skandaléis Zoustänn bei der Krankekeess an d'Sommerhaus der Mörder diskutéiert. Kyrie Eleison!

Extrait : « … Pianiste, percussionniste mais aussi chanteur, Bachar Mar-Khalifé invente un territoire musical tantôt sombre tantôt lumineux, âpre et rebelle, d'ici et de là-bas, où il exprime parfois son amertume et ses peines devant l'omniprésence oppressante de la religion, qui écrase les hommes, brise les femmes et anéantit des pays, à commencer par son Liban natal… »Pour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici pour Deezer, là sur Spotify, voire, si tu préfères, Podcast Addict. Il y a plein d'autres app de podcasts, cherche Good Morning Music sur la tienne. Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

worship team: Bob Dilley-acoustic guitar/vocals Tyler Lynn-bass guitar Evan Franks-drums Tom Armstrong-keyboards Cindy Carroll-vocals Kathryn Reinhardt-vocals

worship team: Bob Dilley-acoustic guitar/vocals Tom Armstrong-keyboards Cindy Carroll-vocals Kathryn Reinhardt-vocals

Van Halen's New Era: The Launch of "5150" with Sammy HagarIn 1985, rock legends Van Halen were at a pivotal juncture. Following the departure of charismatic lead vocalist David Lee Roth, the band faced the daunting task of finding a new frontman. After an exhaustive search, Eddie Van Halen connected with a familiar face from the music scene—Sammy Hagar, the dynamic solo artist and former Montrose vocalist. Their reunion sparked a creative resurgence, culminating in the release of "5150" in March 1986, a landmark album that would redefine the band's trajectory."5150" not only marked a major milestone for Van Halen but also drew a clear line in the sand among their global fanbase. While some longtime followers preferred the "Diamond Dave" era, dubbing the new lineup "Van Hagar," the album's overwhelming success spoke volumes. It soared to the top of the Billboard 200, achieving double platinum status by the end of May 1986, despite mixed initial reviews that later turned favorable.The introduction of Sammy Hagar brought notable changes to Van Halen's sound and stage dynamics. Hagar's guitar skills, while distinct from Eddie Van Halen's iconic style, added a new layer of musical flexibility, allowing Eddie to showcase more keyboard talent during live performances. This shift was evident in their tours, which increasingly featured songs from the post-Roth era, adapting to Hagar's vocal and instrumental style.Throughout his tenure, Sammy Hagar helped propel Van Halen to new heights, contributing to three studio albums and a live album. He parted ways with the band in 1996, leaving behind a legacy of innovation and success.Exploring "5150": A Track-by-Track Look"5150": Beyond its chart-topping fame, the title track "5150" delves into the tumult of a romantic impasse, its title drawing from the California legal code for an involuntary psychiatric hold. This code is also the namesake of Eddie Van Halen's recording studio, adding a personal touch to the song's narrative."Summer Nights": This upbeat track captures the essence of youthful summer evenings with just a radio for company. Notably, it was Sammy Hagar's first recording with Van Halen, originating from an impromptu jam session that set the tone for his role in the band."Why Can't This Be Love": Serving as the gateway to the Sammy Hagar era for many fans, this hit single climbed to number 3 on the Billboard Hot 100, reminiscent of the keyboard-driven vibrancy of "Jump" from their "1984" album."Love Walks In": This power ballad combines profound percussion with a slower, keyboard-oriented sound. Inspired by Sammy Hagar's mystical experiences, the lyrics weave themes of alien encounters and telepathy, showcasing the band's experimental side.Join us on our rock and roll podcast as Rob dives deep into the enduring legacy of Van Halen's "5150," exploring how this album continues to resonate with fans and musicians alike. ENTERTAINMENT TRACK:A Kind Of Magic by Queen (from the fantasy motion picture “Highlander”)Queen provides the soundtrack to this fantasy drama about immortals clashing throughout history, because "there can be only one." STAFF PICKS:The Big Money by Rush Bruce starts the staff picks with the leading track from Rush's "Power Windows."  The lyrics explore the power of money, and aspects of power form the theme to the tracks on the album.  There's a better balance on this album between the synthesizers and guitars than on the previous two Rush albums.Don't Want to Know If You Are Lonely by Husker DuWayne brings us a high energy tune from Minnesota's punk/alternative band trio Husker Du.  The song is about a broken up couple who still have feelings for each other, but know it is best to move on.  While not charting, the song would receive significant airplay on college radio.Kyrie by Mr. Mister Lynch's staff pick was inspired by lyricist John Lang's memories of singing in an Episcopal church as a child.  The words "Kyrie Eleison" means "Lord have mercy" in Latin, and forms an important part of the liturgy in both Roman Catholic and Orthodox christian traditions.  This song topped the US charts in March for two weeks.In My Dreams by Dokken Rob picks up the pace as he wraps up the staff picks this week.  The lyrics depict a guy who keeps thinking of his girl as still with him even though the relationship ended long ago.  The band is named after founder and lead vocalist Don Dokken, and got their start in Los Angeles in 1978. COMEDY TRACK:Inside by Van HalenWe double dip this week as Sammy Hagar takes a humorous look at how he was selected for Van Halen, and what he had to do to transform himself into their front man. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Matthew 15:21-28

Psalm 51 recounts the desperate condition of David's heart after his sin with Bathsheba. "Have mercy on me, O God, because of your unfailing love. Because of your great compassion, blot out the stain of my sins."  vs. 1   David is crying out to God, confessing all his shame and regret. Because he knows God intimately, he also knows God hears him and forgives him. Do you know God like this? Trust Him like this? The world's perspective is that we are essentially 'good', but if you have looked in the mirror or sat alone with your own thoughts for even a minute, you know that to be untrue. So what is your 'starting point' for your journey to become who God wants you to be?

The Divine Service continues with the Kyrie: Lord have mercy, Christ have mercy, Lord have mercy.” --- Send in a voice message: https://podcasters.spotify.com/pod/show/dan-greg/message Support this podcast: https://podcasters.spotify.com/pod/show/dan-greg/support

Korstågen kan ses som en reaktion på flera hundra år av muslimsk militär expansion på kristna områdens bekostnad. Men berättelsen om korstågen är färgad av moderna arabiska nationalisters syn på kolonialismen.Att åka på pilgrimsfärd till det heliga landet var mycket farligt under medeltiden. Därför grundades Tempelherreorden omkring år 1118 med syftet att skydda pilgrimer. Dessa krigarmunkar skulle bli mycket mäktiga - för mäktigt för sitt eget bästas.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Kjell O Lejon, professor i religionsvetenskap vid Linköpings universitet. Han är aktuell med boken Tempelherreorden – Om korstågens och ordens historia, nyfunna dokument och modernt historiebruk.En militär muslimsk expansion hade pågått i femhundra år när den ortodoxa bysantinska kejsaren bett den katolska påven om hjälp att försvara sig mot muslimska trupper. Därför uppmanade påven Urban II vid kyrkomötet i Clermont år 1095 de kristna att förena sig mot den muslimska expansionen och återerövra Jerusalem i det heliga landet, som kontrollerats av muslimer sedan år 638.Det första korståget inleddes år 1096 efter att 60 000 kristna, allt från militärt utbildade adelsmän till vanligt folk, hörsammat uppmaningen. Jerusalem erövrades 1099. Senare skulle flera ordnar bildas för att upprätthålla den militära styrkan i det heliga landet. De kristna förlorade Jerusalem till muslimerna 1187 och lyckades sedan trots otaliga korståg inte återerövra den heliga staden.Tempelherreorden skulle bli den mäktigaste ordern – vilket också blev orderns fall på 1300-talet. Under 1100- och 1200-talet utvecklades Tempelherreorden till en av de främsta militära stöttepelarna för korsfararriket. Tempelherreorden förvärvade egendomar över större delen av Europa, framför allt i Frankrike, där de flesta riddarna kom ifrån. De drev också en lukrativ verksamhet som penningutlånare.Men rykten om Tempelherreordens hemliga initieringsceremonier skapade misstro, och deras ekonomiska makt och självständighet retade många europeiska adelsmän. I början av 1300-talet anklagade den franska kungen Filip IV Tempelherreordens medlemmar för kätteri. Anklagelserna inkluderade avgudadyrkan, homosexualitet och förnekande av Kristus. Många av Tempelherreordens medlemmar "bekände" dessa anklagelser under tortyr, vilket ledde till en stor skandal i Paris.Bild: Baldwin ger Salomons tempel till Hugh av Payens och Godfrey av Saint-Omer, Guillaume de Tyr - "Histoire d'Outre-Mer", Guillaume de Tyr, 1200-talet, återgiven i Les Templiers, Patrick Huchet, Wikipedia, Public Domain.Musik: Inledande musiken är Kyrie Eleison av The Tudor Consort som är släppt under Creative Commons, Attribution3 .0Lyssna också på Nordiska korståg för tro och plundring.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

February 11, 2024 --- Support this podcast: https://podcasters.spotify.com/pod/show/stjohnrandomlake/support

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.Darlene Bocek is my guest this week on the show, and she comes to us all the way from Turkey to discuss her book, Trunk of Scrolls. This novel is set during the Byzantine period, so she tells us what time period that was and what was going on then, what life is like for her in Turkey, and the unique way you can contribute to getting this book distributed to the Turkish people because they have no Christian fiction market there. Patrons get to hear about her children who are flung all over the globe. Trunk of Scrolls by Darlene Bocek"Trunk of Scrolls fell open and I fell in..."Dr. Michael S. Horton. A.D. 526 The earth shakes like a beast awakening. Now Antioch, once the glory of Rome, lies in ruins--a broken-backed man that cannot stand. Marcellus, a sixteen year old Byzantine nobleman, takes up sword and wits to protect his young neighbors against wild animals, wild men, and a wild God they do not understand. Bearing a cursed betrothal ring, a lucky tooth of an infant saint, and a neglected trunkful of Scripture scrolls, can they survive a seven hundred mile journey to Constantinople to find their missing father and restore their lost fortune? Or will Marcellus stop this fated journey before it is too late? Kyrie Eleison. God have mercy. Trunk of Scrolls is a "on the edge of your seat" survival story. If you like fast-paced adventures, spontaneous young heroes, suspense-filled plots, and a dash of romance, then you'll love Trunk of Scrolls! Good for the whole family! Great for a curl-up-on-the-bed read.BUY it today! Take and Read!Get your copy of Trunk of Scrolls by Darlene Bocek.Contribute to Darlene Bocek's Kickstarter campaign and help get the book into the hands of the Turkish people.Darlene Böcek and her family live in Izmir, Turkey. She and her family are  Marvel MCU, early Star Wars, and Twilight Zone fans. Besides being a pastor's wife, Darlene is mom to four wonderful young adults: one skilled dentist, two hard-working dental students, and one high school student/Turkish TikTok influencer. The family lives on an  olive farm overlooking the Aegean Sea. To date, they have  twenty-four cats, three giant dogs, FOUR cute Havanese doggos and one African Grey parrot.A native of  San Diego, California, she received a Bachelors Degree in Social Science with an Ancient Middle Eastern emphasis from Westmont College, and elementary and secondary teaching credentials from Southern California College.  She is connected to Westminster Theological Seminary of California  through her husband, Fikret.She spends “most” of her time in front of the washing machine and her spare time writing (or vice-versa).Visit Darlene Bocek's website.

Elin av Skövde var en högättad from kvinna som levde under den tidigare delen av 1100-talet i Västergötland. Efter att hon mördats av släktingar till sin mördade svärson började en rad under tillskrivas Elin. Utanför Götene sprang en källa till liv, en blind man fick synen åter och en stum började tala.Sankta Elin av Skövde, även känd som Helena av Skövde, blev ett lokalhelgon som har vördats i hela Sverige och delar av Norden under medeltiden. Hon betraktas som Västergötlands och Skövdes skyddshelgon. Idag är Elin symbolen för staden Skövde trots att reformationen gjorde upp med helgondyrkan för flera hundra år sedan.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med museipedagogen och utställningsproducenten Tomas Olausson på stadsmuseet i Skövde. Detta är ett betalt samarbete med Besök Skaraborg, läs mer om Skaraborgs spännande historia på skaraborg.nu.Sankta Elin föddes av förnäma föräldrar, men det är inte känt vilka de var eller varifrån de kom. Hon gifte sig och fick flera barn. Hon gifte inte om sig efter makens död utan istället valde hon att ägna sig åt sin tro och tjäna Gud genom fastor, böner och goda gärningar. Elin bidrog till flera kyrkors uppbyggnad runt om Skövde, bland annat Skövdes kyrka.Elins dotter misshandlades av sin man, som senare mördades av hans tjänare. Misstankarna föll snart på Elin som senare mördades av mannens släkt som hämnd. En våldsam död är mycket vanligt bland helgon. Enligt legenden blev Elin mördad av svärsonens släktingar när hon var på väg till kyrkoinvigningen i Götene. Att Elin dödades i en vendetta och inte för sin tros skull verkar inte spelat så stor roll. Hon blev troligen ganska snart efter sin död föremål för helgondyrkan.Under 1100-talet växte en helgonkult fram, ofta så kallade "kungahelgon", de var kungar eller adel, valda av gud att härska, vilket gav dem auktoritet som helgon. Helgon som Erik den helige (kung 1155-1160), S:ta Elin (auktoritet i bygden) och heliga Birgitta (släkt med kungafamiljen) hade detta gemensamt men även att de var martyrer.Detta tjänade ett viktigt syfte för adeln, även den mest framgångsrika kungen är ändå bara dödlig, en martyr lever hos gud för evigt. Detta gjorde personen odödlig och på så sätt familjen odödlig och utvald av gud.När biskopen i Skara, Brynolf Algotsson, nedtecknade ett officium för Elin år 1288 var mycket bortglömt om Elins liv, men han slog fast att hon tidigt blev änka och valde att leva ett fromt liv istället för att gifta om sig. Efter svärsonens död valde hon också att göra en pilgrimsresa till det heliga landet – en resa som på 1100-talet borde varit både farlig och resurskrävande.Bild: Helge Johansson har här avbildat Sankta Elin av Skövde med Våmbs kyrka i bakgrunden. Det uthuggna motivet kan beskådas på Helge Johanssons granitskulptur Gyllen i Kyrkparken i Skövde, f.d. Skaraborgs län, Västergötland, Västra Götalands län, Sverige. Bilden är fotograferad av Harri Blomberg. CC BY-SA 3.0Inledande musiken är Kyrie Eleison av The Tudor Consort som är släppt under Creative Commons, Attribution 3.0 International License.Lyssna också på Helgonkultens blomstring på tvärs mot bibelnKlippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

The Mr. Mister song "Kyrie" is an illustration of our need to petition the Lord for His mercy as we travel down the road of missional living.

I am simply humbled at this stage in my career, to have the privilege to tell Walter's story and to help amplify his amazingly relevant voice. Getting to know Walter has been a healing and restorative experience for me as a former pastor and a professor deeply committed to social justice when so much of the church and society has forgotten what the biblical text says about God's care for the marginalized. — Conrad L. Kanagy   SHOW NOTES Steve's chats with Conrad Kanagy, the author of coming soon book Walter Brueggemann's Prophetic Imagination: A Theological Biography. (releases Oct 24, 2023) Steve and Conrad focus on the book and how it reveals the most complete portrait to date of this remarkable prophet, pastor, preacher, teacher, and friend. Thank you for joining us in today's conversation!   ABOUT CONRAD L. KANAGY Conrad L. Kanagy is professor of sociology at Elizabethtown College, Pennsylvania. He holds an undergraduate degree from Wheaton College (Illinois) and a PhD from Penn State. He is the author of eight books and numerous scholarly articles. His primary area of expertise is American and global Christianity. He hosts the podcast A Church Dismantled--A Kingdom Restored. Books by Conrad   MENTIONED IN THE PODCAST Walter Brueggemann's Prophetic Imagination: A Theological Biography (Releases Oct 24, 2023) Conrad's Podcast A Church Dismantled--A Kingdom Restored.   MUSIC USED IN PODCAST Music Break at 33:00 - The Feast of St Augustine Music Break at 47:28 - Kyrie Eleison with Audrey Snyder   SUPPORT THE PODCAST Please consider a gift to support our ministry. We have a few ways to make it easy for you: Use our Donation Page on our Website Donate using our new App Send by mail (Potter's Inn, PO Box 35, Divide, Colorado 80814 - make sure you make note that your gift is for the podcast)   FIND US ON FACEBOOK AND INSTAGRAM Facebook Soul Care Conversations Group Page Potter's Inn Main FB Page Instagram CONTACT US podcast@pottersinn.com INTERESTED IN MORE SOUL CARE RESOURCES? Check out our recommended reading, books on spiritual growth, and our soul care blog. Want to experience soul care in person? Learn more about our soul care intensives and retreats. 

Join me live in our Prayer and Worship Facebook group Monday, September 25 at 7pm central time. I'll share a bit about the Podcast and what's coming up in the future! There will be songs! Join our Facebook group here! It's Friday of Ordinary Time, Proper 19 in the Church Calendar. September 22, 2023. Praying today for Jill in Mobile, Alabama, USA. Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Kyrie” by John Lang, Richard Page, and Steve George with a prayer of confession. We'll read Psalm 69:1-23, 29-36 followed by the Gloria Patri. Our Scripture lesson is 1 Corinthians 3:16-23 . We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day followed by a time of spontaneous, prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for giving to support this ministry. You can go here to find out more. Would you like to be a guest reader on a future podcast episode? Go to benwardmusic.com/readers and find out more! Art: Bushwick, Eleanor Doughty Proper 19 - O God, because without you we are not able to please you mercifully grant that your Holy Spirit may in all things direct and rule our hearts; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen.

Join me live in our Prayer and Worship Facebook group Monday, September 25 at 7pm central time. I'll share a bit about the Podcast and what's coming up in the future! There will be songs! Join our Facebook group here! It's Friday of Ordinary Time, Proper 19 in the Church Calendar. September 22, 2023. Praying today for Jill in Mobile, Alabama, USA. Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Kyrie” by John Lang, Richard Page, and Steve George with a prayer of confession. We'll read Psalm 69:1-23, 29-36 followed by the Gloria Patri. Our Scripture lesson is 1 Corinthians 3:16-23 . We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day followed by a time of spontaneous, prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for giving to support this ministry. You can go here to find out more. Would you like to be a guest reader on a future podcast episode? Go to benwardmusic.com/readers and find out more! Art: Bushwick, Eleanor Doughty Proper 19 – O God, because without you we are not able to please you mercifully grant that your Holy Spirit may in all things direct and rule our hearts; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever. Amen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message

A sermon by Rev. Barbara Lemmel. Gospel Lesson Matthew 15:21-28 Jesus left that place and went away to the district of Tyre and Sidon. Just then a Canaanite woman from that region came out and started shouting, “Have mercy on me, Lord, Son of David; my daughter is tormented by a demon.” But he did not answer her at all. And his disciples came and urged him, saying, “Send her away, for she keeps shouting after us.” He answered, “I was sent only to the lost sheep of the house of Israel.” But she came and knelt before him, saying, “Lord, help me.” He answered, “It is not fair to take the children's food and throw it to the dogs.” She said, “Yes, Lord, yet even the dogs eat the crumbs that fall from their masters' table.” Then Jesus answered her, “Woman, great is your faith! Let it be done for you as you wish.” And her daughter was healed from that moment.

Church violence is a growing concern in our society. In this video, Dr. T. Michael W. Halcomb suggests that churches need to be thinking about how these concerns affect churches and what they should start doing to protect their congregants. He also discusses the "Kyrie Eleison," an ancient prayer, and how you can incorporate that into your daily life. Finally, he explores another one of his prayer practices: praying for places. Listen in as he dives into these important topics. --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message

Tvrdí katolícky kňaz Martin Šafárik, ktorý v roku 2008 prežil niekoľko mesiacov v Austrálii. Slováci v komunite svätých Cyrila a Metoda v Lidcombe si ho pamätajú aj ako speváka, ktorého lákali aj do Sydneyjskej opery. On však sníval o duchovnom živote a tak utekal domov, odkiaľ sme o ňom počuli len zriedka.

10:00 a.m. Worship Service Thy Will Be Done By the Rev. Dr. Agnes W. Norfleet Prelude: Variation on "Jesu, Dulcis Memoria" ©2022 Jessica French. All rights reserved. Introit: "Kyrie Eleison" from Missa Dorica © 2001 Richard R. Webster. Published by Advent Press. All rights reserved. Sung Response: Be still and know that I am God Text and Music: John L. Bell, 1989. Text and Music: ©1989 WGRG, Iona Community (admin. GIA Publications, Inc.) Anthem: Thy Will Be Done ©2023 Jessica French. All rights reserved. Offertory Anthem: Litany to the Holy Spirit Text: Robert Herrick (1591-1674). Music: Peter Hurford, 1958. Music: ©1958, rev. 1995 Oxford University Press, London. Streamed with permission under ONE LICENSE #A-716211. All rights reserved

IntroductionLast week, we looked at the etymology of the word liturgy, a public service. We talked about the liturgical diversity in the one, holy, catholic, and apostolic Church of Jesus Christ. We learned that the Holy Mass is for the glorification of God and the sanctification of man. We looked at the one sacrifice of Jesus Christ, made present once again by the Holy Mass. And we discussed how to put the cult back in culture. Most importantly, we defined the Mass. Hopefully we have it memorized by now! But if not here it is again:The Mass is the perfect self-offering of the Son to the Father in the Spirit in which we are invited to take part. Architecture, Gestures, and SymbolsWhen the Word of God became man in the Person of Jesus Christ, the spiritual met the material. The supernatural shared in the nature of the natural. God took on flesh to share in our humanity. Heaven and Earth met. This has always been the way of the Church. The outward shows something deeper inward. In the Sacraments of the Church, most especially, signs and symbols become the outward showing of God's inward grace. Hidden realities are made clear through the sacramental.This is what signs and symbols in the Church can do for us: they use the visible to lead us to and show us the invisible. Especially in the Holy Mass, Heaven and Earth meet. This is why Church art and architecture matters so much. Good art and architecture show us the truth and goodness of God!Basic Church LayoutGenerally, there are three different parts to a Catholic Church: the narthex, nave, and sanctuary. The Narthex is the gathering place and the appropriate place to chat and share in fellowship. In the Nave, representative of Earth, the people are seated standing or in pews for worship. In the Sanctuary, we have the place where the Eucharistic miracle takes place and Heaven meets Earth. This is why the altar is prominently in the center of the Sanctuary, Christ standing in the midst of His people. The Altar is ChristDr. Denis McNamara of Benedictine College points out that Preface V of Easter in the Roman Missal says of Christ: “As He gave Himself into Your hands for our salvation, He showed Himself to be the Priest, the Altar, and the Lamb of sacrifice.” The altar, which is the center of the Eucharistic celebration, is both the place of sacrifice and the table of the Lord. On this altar, the sacrifice of Calvary is made present once more.On the Cross, Jesus is the Priest because, as a Priest, He is offering Himself to the Father. He is the Altar because His Body is the place of sacrifice. He is the Lamb because, like the Passover, He is offered in our place.In the words of Mother Church, the Altar is Christ standing in the midst of His People. Even when an altar is consecrated and dedicated, it is anointed with oil as the Body of Christ was anointed before His burial.The Altar is not merely a table, even a sacred table. The Altar is first and foremost the place of sacrifice. The Holy Victim, who is also the High Priest, is offered on the Altar, which is His Body. The Holy Mass makes this reality present to us again.As the Constitution on the Sacred Liturgy from the Second Vatican Council says, “in the earthly liturgy we take part in a foretaste of that heavenly liturgy which is celebrated in the holy city of Jerusalem (SC, 8).” So, the Altar is a living altar in Heaven and the meal we share is a heavenly meal. This is why the Altar is holy and receives special treatment: anointing, incensing, covering, and lighting.Gestures in the LiturgyGenuflection and BowingThis brings us to a good point to discuss the gestures of genuflection and bowing. It would be very unusual to bow to a table. If that is all the Altar is, then we would be out of our minds to do so. Of course, we know that this Sacred Table is the place of sacrifice. The Altar is Christ.Jesus Christ is God Himself, the second Person of the Most Holy Trinity. He is our great High Priest. He is the Lamb of Sacrifice. He is also the King of the Universe. Even the worst kings and queens in history were honored by bowing and genuflection. How much more deserving is our perfect and infinite Lord!The proper gesture towards the altar which is the sign of Christ standing in our midst is a profound bow, or a bow from the waist. The bow is a bending of the head or body in reverence and submission. One definition of “to bow” is to “cease from competition or resistance.” How often do we resist the Lord? But, of course, God Almighty is so far above us that resistance or competition is unthinkable.By bowing, we remind ourselves of who God is and who we are. We are also reminded of what takes place and Who becomes present on the Altar during Holy Mass.When Do We Genuflect?The genuflection, or bending at the knee, is a sign of profound respect and adoration. Speaking of Christ Jesus, St. Paul writes:“Therefore God has highly exalted him and bestowed on him the name that is above every name, so that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father (Philippians 2:9-11).”We genuflect in the presence of our Eucharistic Lord, present in the Tabernacle. We bend our knee to the one and only God and Lord of all. The Altar makes Christ present in a particular and special way, but the Holy Eucharist IS Jesus.So, with all of the explanation behind us: We bow to the Altar. We genuflect to our Lord in the Tabernacle.Other Gestures and PosturesAs we continue through this series, we will look at the meanings of several gestures and postures. One of the most prominent signs or gestures is the Sign of the Cross. There is the gesture before the Gospel. There are a few other instances throughout the Mass of bowing and genuflection. We will talk about kneeling, sitting, standing, and why each of these are important parts of the Sacred Liturgy. Today and next week, we will be talking about the importance of singing and speaking the responses. And later today, I will be mentioning the orans posture which seems to be misunderstood in the Liturgy.If you really pay attention, there are so many different gestures, postures, and signs in the Sacred Liturgy, and they all have a purpose and meaning.The Entrance and GreetingWhat is Everyone Wearing?If your church has a bell that is rung at the beginning, then what happens? We stand up. And then we see a procession of the priest, deacon, and altar servers. We will get to what this procession actually is in just a moment. But everyone is dressing up and putting on a costume. The priest will wear a chasuble which covers himself up so that we can better see Jesus Christ our High Priest. The chasuble is similar to the outer garment worn by the priest in the Temple in the Old Covenant. Likewise, the deacon is wearing a garb similar to those who assisted at the Temple; his garment is called a dalmatic and, unlike the chasuble, it has long sleeves. Underneath, the priest and deacon also wear an alb (a long white garment - albus means white in Latin) and a stole. The priest wears a stole around the back of his neck and which hangs on the front on both sides. The deacon wears a stole across his body from one shoulder to the opposite side by his hip. There are a couple other garments, but we will stick to what is seen for now. Altar servers are traditionally an apprenticeship for the priesthood. It is a close-up look at the service at the altar and an opportunity for conversations between priests and boys about the priesthood. So, the altar boys wear cassock and surplice which is a priestly garment. St. John Paul II allowed girls to altar serve in the late 1990s, if there were no boys available. The clearest case of this would be in the situation of an all-girls Catholic school. This has been expanded far beyond St. John Paul II's intentions in most Parishes throughout the world over the last few decades. In some parishes, to make a visual distinction, girls will wear altar server robes rather than the male garment of cassock and surplice. I plan on making a few more comments on altar serving in Session 5. So, stay tuned on that front! Anyway… back to the procession!What is a procession, liturgically and theologically?What is part of the procession? And is there a method to the ordering? If there is incense at the Mass, the server with the incense (the thurifer) will go first along with the server with the little boat of incense granules. Next comes the processional cross which is on a long pole for all to see. After that comes two candle-bearers. Then the deacon. Then the priest. We will discuss this more in the coming weeks, but the procession is a movement through Earth (the nave) towards Heaven (the sanctuary). It is a presenting once again of the entrance of Jesus into Jerusalem on Palm Sunday.Once the priest reaches the altar, he bows and kisses the altar. This gesture is called “reverencing the altar.” In the 1962 Missale Romanum, the prayers show us the deep meaning of the priest's gesture:“Take away from us our iniquities, we beseech Thee, O Lord, that we may be worthy to enter with pure minds into the Holy of Holies: through Christ our Lord. Amen. We beseech Thee, O Lord, by the merits of Thy Saints, whose relics are here, and of all the Saints, that Thou wouldst vouchsafe to forgive me all my sins. Amen (Missale Romanum 1962; Baronius Press translation).”The Sign of the CrossThe very first thing the priest says in the Roman Missal is: “In nomine Patris, et Filii, et Spiritus Sancti. Amen.” The Sign of the Cross! Why do we trace the cross when we begin prayer? In the fourth century, St. Cyril of Jerusalem said this:“Let us not then be ashamed to confess the Crucified. Be the Cross our seal made with boldness by our fingers on our brow, and on everything; over the bread we eat, and the cups we drink; in our comings in, and goings out; before our sleep, when we lie down and when we rise up; when we are in the way, and when we are still. Great is that preservative; it is without price, for the sake of the poor; without toil, for the sick; since also its grace is from God. It is the Sign of the faithful, and the dread of devils: for He triumphed over them in it, having made a shew of them openly; for when they see the Cross they are reminded of the Crucified; they are afraid of Him, who bruised the heads of the dragon. Despise not the Seal, because of the freeness of the gift; out for this the rather honor thy Benefactor.”There is power in the Sign of the Cross! In the Liturgy of St. John Chrysostom, the Sign of the Cross is made dozens of times! In the West, we generally make the sign with an open palm which is a sign of blessing. In the East, the thumb, index, and middle fingers are joined to represent the Trinity and the ring and pinky are put towards the palm to show the divine and human natures of Christ. Either way, it is a great way to begin worship.Where do the greetings come from in Scripture?Next, the priest says one of a few different greetings which are all taken from the letters of St. Paul. The choices are a variation of: “The grace of the Lord Jesus Christ and the love of God and the communion of the Holy Spirit be with all of you (2 Corinthians 13:13).”What does “The Lord be with you” and the “and with your spirit” actually mean?We are praying for the spirit of the ordained priest who we believe has been configured, through Holy Orders and the power of the Holy Spirit, to Christ in a special way.  When we say, “and with your spirit,” we are not simply wishing him well. We acknowledge his priestly soul and the fact that he is acting in the Person of Christ, Head of His Body. Next week, we are going to talk more about the concept of the Mystical Body of Christ.The Penitential ActConfiteorNext comes the Penitential Act. There are a few choices for the priest here, but the first and most traditional option is the Confiteor followed by the Kyrie. In the Confiteor we call to mind our sins, ask for the prayers of the saints and our brothers and sisters in Christ, and ask for God's forgiveness. Before the 10th or 11th centuries, the asking for forgiveness was done by the priest in his preparation prayers in the sacristy. After that point, these prayers of preparation became part of the prayers at the foot of the altar. In the 1962 Missale Romanum, the first words of the priest after the Sign of the Cross are “Introibo ad altare Dei” which begins Psalm 42. Directly after this psalm comes the Confiteor, so named after the first word in Latin of this prayer. The prayers at the foot of the altar are then concluded; the prayers of reverencing the altar are then made, which I mentioned earlier. In the 1970 Missal which is currently in use the Confiteor is said not only by the priest but by all present. The prominent gesture associated with the Confiteor is striking the breast during the words mea culpa, mea culpa, mea maxima culpa (through my fault, through my fault, my most grievous fault). This is the gesture of the humble sinner who is expressing his heartfelt contrition. Right after the Confiteor, the priest asks for God's forgiveness of our sins and we receive an absolution of our venial sins.Kyrie EleisonBefore the priest gives us absolution, the Kyrie is sung. The words in English are “Lord, have mercy. Christ, have mercy. Lord, have mercy,” but these do not do justice to what is actually said in the Greek. As a side note, along with one chant on Good Friday, these are the only Greek words used in the Roman Liturgy. Pope St. Gregory the Great implemented numerous liturgical reforms in the late 6th Century and early 7th Century; he retained this part in Greek to show communion with the East. The word Kyrie does mean Lord and Christe does mean Christ. But Eleison does not originally mean have mercy. Eleison in Greek is derived from the word from oil. Literally, it had the meaning of “Lord, pour your oil out upon us.” What is this about? How did that come to mean mercy? Well, oil was used in the Ancient Greek world as a salve for burns and bruises. It was also used to prepare wrestlers before the Greek Olympic games. And, so, when we say Kyrie Eleison, we are asking God to ready us for battle and simultaneously to heal our wounds and bind up what is broken in us!Gloria In Excelsis DeoScriptural basis for the GloriaNext comes the Gloria, which in English begins: “Glory to God in the highest…” Where does this come from? Well, like most parts of the Mass, it is taken directly from Sacred Scripture. We have just asked for God's forgiveness and received it, and now it is time to praise and glorify Him! We hear in Luke 2:8-20:“8 And in the same region there were shepherds out in the field, keeping watch over their flock by night. 9 And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with great fear. 10 And the angel said to them, “Fear not, for behold, I bring you good news of great joy that will be for all the people. 11 For unto you is born this day in the city of David a Savior, who is Christ the Lord. 12 And this will be a sign for you: you will find a baby wrapped in swaddling cloths and lying in a manger.” 13 And suddenly there was with the angel a multitude of the heavenly host praising God and saying,14 ‘Glory to God in the highest, and on earth peace among those with whom he is pleased!'15 When the angels went away from them into heaven, the shepherds said to one another, ‘Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' 16 And they went with haste and found Mary and Joseph, and the baby lying in a manger. 17 And when they saw it, they made known the saying that had been told them concerning this child. 18 And all who heard it wondered at what the shepherds told them. 19 But Mary treasured up all these things, pondering them in her heart. 20 And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them (Lk 2:8-20).”Sacred Music at MassThe Gloria is one of the hymns in the Mass which is properly sung. But why? Like the angels in the heavens singing and praising God, so too do we unite our hearts and minds with this action of worship. Here, though, I want to take a detour from our regularly scheduled programming to discuss music generally.What is the purpose of Sacred Music in the Latin Rite? Maybe you know! Maybe you think you know. Maybe you have no idea. I hope to give the basics of what the Church offers. I am not interested in giving you my opinion or the opinions of others. What does the Church say is “Sacred Music?” I think it is worth giving a decent chunk of time here to get into it a bit!In January of 2019, Archbishop Alexander Sample of the Archdiocese of Portland in Oregon wrote a pastoral letter on Sacred Music in Divine Worship entitled: “Sing to the LORD a New Song.” It is a brilliantly written synthesis of the Church's perennial teachings on music in the Latin Rite of the Catholic Church. The original letter can be found here. I highly recommend that any person involved in the ministry of music in a Latin Rite Catholic Church give it a read.Introduction to Church MusicQuoting St. Augustine, Archbishop Sample reminds us that singing is an expression of joy and of love. When the People of God gather, we sing praises to God. To lose the great 2,000 year tradition of Sacred Music in the Church would be a tragedy. In fact, the “beauty, dignity and prayerfulness of the Mass depend to a large extent on the music that accompanies the liturgical action (Sample, 1).”Speaking of language, form, and genre, Pope Francis said a few years ago that, “At times a certain mediocrity, superficiality and banality have prevailed, to the detriment of the beauty and intensity of liturgical celebrations (Sample, 2).”The archbishop alludes to the fact that there has been a certain confusion about Sacred Music in the past decades and that a rediscovery of the tradition of the Church will constitute for some a “change.” He says, “Change can be difficult, but this can also be an exciting time of rediscovering the spirit of the liturgy and exploring new horizons of sacred music (Sample, 3).”History and the Nature and Purpose of Sacred Music Since the time of the Apostles, singing has not been an addendum to the worship of God. It is integral. Singing is an art form that “takes its life and purpose from the Sacred Liturgy and is part of its very structure (Sample, 3).”The Second Vatican Council reiterates this in the document on the Liturgy, Sacrosanctum Concilium: “The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art. The main reason for this pre-eminence is that, as sacred song united to the words, it forms a necessary or integral part of the solemn liturgy (Sample, 3).”If this is the case, and it is, then it seems unfitting that the norm in the United States (at least) is to, as the archbishop puts it, “‘tack on' four songs (the opening hymn, the offertory hymn, communion hymn and recessional hymn), along with the sung ordinary of the Mass (Gloria, Sanctus, etc.). We must come to see that, since sacred music is integral to the Mass, the role of sacred music is to help us sing and pray the texts of the Mass itself, not just ornament it… The Church solemnly teaches us, then, that the very purpose of sacred music is twofold: the glory of God and the sanctification of the faithful. This understanding of the essential nature and purpose of sacred music must direct and inform everything else that is said about it (Sample, 3 & 4).”The Qualities of Sacred MusicThere are three essential qualities of sacred music that flow from its nature and purpose: sanctity, beauty, and universality.SANCTITY - Sacred Music has sanctity because it is holy. It must be free of profanity in its words, themes, and the manner in which it is delivered. To be holy is to be set apart. Common, secular music has no place in the worship of God in the liturgy.BEAUTY – Liturgical and Sacred Music can give people a glimpse of the beauty of heaven, according to Pope Francis. Our liturgies must seek to be transcendent. They can be nothing compared to the glory of Heaven, but the beauty of Sacred Music can offer a foretaste of the Heavenly reality. UNIVERSALITY – The composition of Sacred Music, of any culture, must be recognized as having a sacred character. As a universal principle, holiness transcends every individual culture. In other words, “Not every form or style of music is capable of being rendered suitable for the Mass (Sample, 5).”The Treasury of Sacred MusicThe treasury of the Church's Sacred Music spans centuries. Whether ancient or modern, Sacred Music must have the same character of sanctity, beauty, and universality.  For example, there is Gregorian Chant which the Second Vatican Council gave pride of place in Sacred Music in the Roman liturgy. This has been reinforced by every Pontiff since. In terms of full, conscious, active participation of the laity in the liturgy, Pope Pius XI says this, “In order that the faithful may more actively participate in divine worship, let them be led once more to sing the Gregorian chant, so far as it belongs to them to take part in it (Sample, 6).”The Second Vatican Council also suggests that “(S)teps should be taken so that the faithful may also be able to say or sing together in Latin those parts of the Ordinary of the Mass which pertains to them (SC, 54).” This is referring to the Kyrie (actually in Greek), the Gloria, the Credo, the Sanctus, the Mysterium Fidei, the Pater Noster, and the Agnus Dei. Echoing the Second Vatican Council, Pope Benedict XVI said, “(W)hile respecting various styles and different and highly praiseworthy traditions, I desire, in accordance with the request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed and employed as the chant proper to the Roman liturgy (Sample, 7).”There are other kinds of Sacred Music in the Church. For example, polyphony has a venerable tradition in the Church, such as the compositions of Palestrina, Tallis, and Allegri. There is also a vast body of Sacred Music composed for the people, such as hymnody, psalmody, and different Mass settings in Latin or the vernacular. In contrast to Sacred Music is secular music. Secular music is not sanctified, necessarily beautiful, or universal. This does not just pertain to lyrics. There are a great many songs being written and utilized at Mass which are secular in their manner of being played (folk, rock, country, etc.) or their ambiguous lyrical content. Archbishop Sample quotes Pope Benedict XVI in saying: “As far as the liturgy is concerned, we cannot say that one song is as good as another. Generic improvisation or the introduction of musical genres which fail to respect the meaning of the liturgy should be avoided. As an element of the liturgy, song should be well integrated into the overall celebration. Consequently everything - texts, music, execution - ought to correspond to the meaning of the mystery being celebrated, the structure of the rite and the liturgical seasons (Sample, 9-10).”There is much more to say on music and full, conscious, actual participation in the Mass, but I am going to hold off on that until next week. Otherwise, this week will go far over an hour. So, make sure to come back next week for the exciting conclusion!The CollectThe celebrant invites those gathered to pray and then proclaims the prescribed prayer for the day from the Roman Missal called the Collect.  The Collect literally collects the prayers of the people and the priest offers these prayers to God. The Collect also disposes the hearts of those present to be made ready to hear the Word of God proclaimed in the following part of the Mass: the Liturgy of the Word. As we will see next week, when we talk about the Mystical Body of Christ, we need a priest to do this properly. In his priesthood, the priest is acting in the Person of Christ, the Head of His Body, at Holy Mass. Only he can collect up the prayers of the Members of the Body of Christ and offer them, by his consecration, to God the Father, in the Spirit. ConclusionWith the Collect, the Introductory Rites are concluded. Whether we are celebrating the Holy Mass by the 1962 Missal or the 1970 Missal, the Collect ends the beginning prayers of the Mass which prepare us for the Readings. Next week, we will be diving into this next part of the Mass, known in our current Missal as the Liturgy of the Word. We will also be looking closer at the theology of the Mystical Body of Christ. We will look a bit closer at Sacred Music in Mass. We will walk through the progression of Readings and the Homily. And we will be learning more about the Profession of Faith and the Universal Prayer. We will also look at the difference between Sacraments and sacramentals. I am certain there will be a few other side roads to investigate along the way.Thank you for joining us this week. I look forward to being with you again next week as we continue to learn more about Praying the Mass!Thank you for reading Will Wright Catholic Podcast. This post is public so feel free to share it. Get full access to Will Wright Catholic Podcast at www.willwrightcatholic.com/subscribe

God's goodness over our lives far exceeds anything we've experienced. We've only yet splashed around in the shallows of God's deep love and mercy. In order to dive deeper into the fullness of life available to us, we must learn how to posture our hearts. May your relationship with God be enriched this week as you position yourself to receive all your loving heavenly Father has to give. Our Scripture for today comes from Hebrews 4:13, and today's worship is Kyrie Eleison by Vineyard Worship. -- Thank you for listening to today's podcast.   As someone who's seen God use First15 in your own life, we imagine you'd appreciate the opportunity to pay it forward.    That's why we want to invite you to become a First15 Monthly Partner!   The amount of your monthly donation isn't what matters. What matters is knowing that every dollar you give helps create content to help more believers connect with God each day. Because the more lives are changed by an encounter with God, the more we'll see God's kingdom come on earth.   So please consider becoming a First15 Monthly Partner today. Visit supportfirst15.org to make a donation — and thank you for your generosity!    Thanks again for listening, have a wonderful rest of your day, and may God bless you as you seek him. 

Chelsea and Grace teach each other about songs and recipes that have stood the test of time. If you've ever wanted to learn about nachos and Kyrie Eleison, then this episode is for you. Thanks for listening this year! Have a great holiday season and we'll see you in 2023!!

Ted och Kaj talar om Augustpriset och prästyrkets förändrade status. Kaj har varit på adventskonsert och Ted vet varför mössor har tofsar.

This homily was given at Mater Dolorosa Catholic Church, South San Francisco, CA on Sunday, October 9, 2022, the Twenty-eighth Sunday in Ordinary Time. --- Send in a voice message: https://anchor.fm/in-your-embrace/message

Connections track 18 Kyrie Eleison Lord have mercy Christe Eleison Christ have mercy Kyrie Eleison At the turning of the season; In the victory of your heart Over commonsense and reason. In the raking up of leaves; And the turning of life's pages; In a whispered humble prayer Or our broken hearted rages. Kyrie Eleison Lord have mercy Christe Eleison Christ have mercy Kyrie Eleison In the way we make our choices; On that lonely, broken road Through the cries in children's voices. In the beating of the rain; Or the burning of the stubble; In the perished, frightened eyes And the mists of tears and struggle. Kyrie Eleison Lord have mercy Christe Eleison Christ have mercy Kyrie Eleison In the breaking and the ending The washing of all sorrows The healing and the mending The fading of the heartache And the lifting of the shadows The hope upon the mountains The comfort in the meadows Kyrie Eleison Lord have mercy Christe Eleison Christ have mercy Pour out your healing balms On each failure, fault and fear Come hold us in your arms And be forever near. Kyrie Eleison Lord have mercy Christe Eleison Christ have mercy

We complete our three-part miniseries on the Kyrie section of the Mass in B minor, focusing on the third movement.  And three is the number of the day -- everything here seems to have a three-part structure, from the largest sections of music down to the smallest cell.  The Rule of Three pervades. Netherlands Bach Society performs the Mass in B minor (this link takes you directly to the movement we discuss in the episode): https://youtu.be/3FLbiDrn8IE?t=956 Rule of Three: https://en.wikipedia.org/wiki/Rule_of_three_(writing)  

Luke 19:41-48 English Standard Version Jesus Weeps over Jerusalem 41 And when he drew near and saw the city, he wept over it, 42 saying, “Would that you, even you, had known on this day the things that make for peace! But now they are hidden from your eyes. 43 For the days will come upon you, when your enemies will set up a barricade around you and surround you and hem you in on every side 44 and tear you down to the ground, you and your children within you. And they will not leave one stone upon another in you, because you did not know the time of your visitation.” Jesus Cleanses the Temple 45 And he entered the temple and began to drive out those who sold, 46 saying to them, “It is written, ‘My house shall be a house of prayer,' but you have made it a den of robbers.” 47 And he was teaching daily in the temple. The chief priests and the scribes and the principal men of the people were seeking to destroy him, 48 but they did not find anything they could do, for all the people were hanging on his words.

In January 2021, on our very first episode, we explored a "bass drop" moment at the very end of Bach's monumental Mass in B minor, where the soaring high voices and instruments suddenly give way to a deep, full, bass sound, in one of the most satisfying moments of music of all time! Today, we revisit the evergreen Mass in B minor, and find another "bass drop" moment suggested by listener Bill -- this time from the very first movement.  Here, the fugue subject enters for the first time in the bass voices, and in a stroke of genius, the Netherlands Bach Society has the full bass section enter for the first time at this critical moment. The video by the Netherlands Bach Society is a true artistic treasure -- not to be missed!  See it here -- and listen with headphones or good speakers -- enjoy: https://www.youtube.com/watch?v=3FLbiDrn8IE

Join us today, Wednesday, June 29, for a Devotion for Early Evening, led by the Rev. Gary Lubin with special music.Music, Kyrie Eleison, John CrouchThis worship service is available here and through our Online Worship podcasts. Subscribe now on Apple podcast, Stitcher, and Spotify or simply ask your smart speaker to play the podcast "The Episcopal Church of the Redeemer Online Worship."

This Hour is prayed early in the morning, and commemorates the Resurrection of the Lord Jesus Christ, the true Sun of Righteousness. The First Hour includes the Thanksgiving Prayer, Psalms 50, 1, 3, 8, 12, 14, 112, the Reading from the Holy Gospel, the Litanies, the Kyrie Eleison and the 'Holy, Holy, Holy'. Audio: agpeya.org Please visit agpeya.org for teaching resources and a complete printable text of the Agpeya.

The Twelfth Hour commemorates the laying down of the body of the Lord Jesus Christ in the grave. It corresponds to the last hour of the day before retiring, since sleep is likened to a temporary death (Psalm 62:6). The Twelfth Hour includes the Thanksgiving Prayer, Psalms 50, 129 131, 133, 147,  the Reading from the Holy Gospel, the Litanies, the Kyrie Eleison and the Holy Holy Holy. Audio: agpeya.org Please visit agpeya.org for teaching resources and a complete printable text of the Agpeya.

At the Third Hour of the day (9am), the Holy Spirit rested upon the Apostles in the form of fiery tongues (Acts 2:15). At this hour also, Our Lord Jesus Christ was condemned to be crucified. The Third Hour includes the Thanksgiving Prayer, Psalms 50, 22, 29, 46, Gospel Litanies, Kyrie Eleison and the Holy, Holy, Holy. Audio: agpeya.org Please visit agpeya.org for teaching resources and a complete printable text of the Agpeya.

The Sixth Hour commemorates the redeeming suffering and crucifixion of the Lord Jesus Christ, the Lamb of God who takes away the sins of the world. The Sixth Hour (Sext) includes the Thanksgiving Prayer, Psalms 50, 83, 86, 92, the Reading from the Holy Gospel, the Litanies, the Kyrie Eleison and the Holy Holy Holy. Audio: agpeya.org Please visit agpeya.org for teaching resources and a complete printable text of the Agpeya.

The Ninth Hour commemorates the death of our Lord in the flesh upon the tree and the testimony of the thief at his right hand. The Ninth Hour (None) includes the Thanksgiving Prayer, Psalms 50, 95, 99, 109, 112,  the Reading from the Holy Gospel, the Litanies, the Kyrie Eleison and the Holy Holy Holy. Audio: agpeya.org Please visit agpeya.org for teaching resources and a complete printable text of the Agpeya.

The Eleventh Hour commemorate the taking down of the body of the Lord Jesus Christ from the Cross, the wrapping of it in a linen shroud and the anointing of it with sweet spices. The Eleventh Hour includes the Thanksgiving Prayer, Psalms 50, 116, 121, 125, 126, the Reading from the Holy Gospel, the Litanies, the Kyrie Eleison and the Holy Holy Holy. Audio: agpeya.org Please visit agpeya.org for teaching resources and a complete printable text of the Agpeya.

Elias Elton Dummer is a Canadian musician, songwriter, and writer based in Tennessee. He was the principal songwriter, founding member, lead singer, and pianist in the contemporary Christian band the City Harmonic, from 2009 until 2017, and released his first solo music in over a decade in 2019.   On today's episode, Elias and John talk about several topics, all the way from social media to Dr. Martin Luther King. Jr. Then, they talk at length about how to live in Christ authentically - no matter the situation you are in. The episode also features a discussion about Elias' latest single featuring Citizens - ‘Kyrie Eleison (It's Mercy We Need).' Stay tuned to the episode all the way to the end as Elias performs ‘Gospel Is Rest.'   HERE'S WHAT YOU'LL GET ON TODAY'S EPISODE 04:23 Elias talks about the stories that inspired the song ‘Enough'  09:20 Humanizing our conversations around faith 10:58 How does Elias keep his own worship fresh? 14:34 Elias shares one of his most moving experiences with God 20:20 Where do science and spirituality meet? 30:59 A discussion about the inspiration of Elias' latest single - ‘Kyrie Eleison' 40:29 Elias performs ‘Gospel Is Rest'   WE HOPE THIS SONGWRITING TIP HELPS YOU John says, “The truth of your lyrics can flow through any vessel. It's not about the perfection of your song, it is about a creative expression of truth."   CONNECT WITH ELIAS DUMMER Website - https://eliasdummer.com/ LinkedIn - https://www.linkedin.com/in/eliasdummer Instagram - https://www.instagram.com/eliasdummer/?hl=en Facebook - https://www.facebook.com/eliasdummermusic Twitter -  https://twitter.com/eliasdummer   CONNECT WITH JOHN CHISUM Website - https://www.johnchisum.com  Instagram - https://www.instagram.com/johnchisumofficial/ Facebook - https://www.facebook.com/johnchisumofficial  Twitter - https://twitter.com/revchiz Sign Up for John's “31-Day Modevotional Email Series” - https://www.johnchisum.com    SUBSCRIBE TO THE SONG REVOLUTION WITH JOHN CHISUM PODCAST Apple Podcasts - https://podcasts.apple.com/in/podcast/song-revolution-with-john-chisum/id1220274942 Spotify - https://open.spotify.com/show/7Ayzw23YSLcqV4TZ96hGZ8  If you liked this episode, please don't forget to tune in, subscribe, and share this podcast!   ABOUT THE “SONG REVOLUTION WITH JOHN CHISUM” PODCAST The Song Revolution Podcast exists to empower you through valuable songwriting insights, inspiration, and interviews with some of the greatest songwriters, producers, arrangers, artists, and creatives in the industry and beyond. Find out more at nashvillechristiansongwriters.com

Welcome to GLIDE Memorial Church's “Tiny Celebrations,” the mini-podcast highlighting the inspirational words and music from our Sunday Celebration.In this episode for Mother's Day, Musical Director Vernon Bush joins with The Glide Ensemble to bring a mashup of "Kyrie Eleison" and "Sometimes I Feel Like a Motherless Child."Please support the music, the art, and the message of GLIDE Memorial Church. Please donate today. https://www.glide.org/igive/

Learn about the several Greek terms used in the Western liturgy.Support us on Patreon:Apply for Saint Paul's House of FormationEmail usMusic by Richard Proulx and the Cathedral Singers from Sublime Chant. Copyright GIA Publications

“Lord, have mercy” is the most prayed prayer in the Bible, This prayer, known in liturgical churches as the Kyrie Eleison is a beautiful prayer, but, if the most prayed prayer in the Bible is the prayer for the Lord's mercy—what is this mercy of God for which we are encouraged to pray? We'll explore that together this week.   LOOKING FOR MORE EPISODES of the Discover the Word Podcast? Listen and subscribe wherever you listen to your favorite podcasts! Apple Podcasts: https://podcasts.apple.com/us/podcast/discover-the-word/id383323412 Spotify: https://open.spotify.com/show/5s0X6g7BBUURLngjlkYaMD?si=mOJja34bRY2x5GZ31cOOOw Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9kaXNjb3ZlcnRoZXdvcmQub3JnL3BvZGNhc3Qv?sa=X&ved=0CAMQ27cFahcKEwjwjta78NLsAhUAAAAAHQAAAAAQEA Amazon Music: https://music.amazon.com/podcasts/fd13a308-a1fc-4379-9429-e65ebad7fc5b/discover-the-word-podcast Website: https://discovertheword.org/

Trending with Timmerie is joined by Claire McGarry the author of the book Grace in Tension to discuss a faith filled solution to getting to the root of overcoming the flooding of stress, anger, exhaustion, resentment, guilt, jealous, and whatever else may be causing tension for you.  Timmerie discusses the significance of the Kyrie Eleison at Mass and how 30 minutes of silent prayer a day can be a game changer.     Resources mentioned:   Buy the book Grace in Tension  https://shiftingmyperspective.com/my-books-2/