Podcasts about mexican music

Hey all! Today is Cinco de Mayo and I wanted to republish this episode I did a number of years back. Hope you dig it!    This is the first installment in a new series I'll be doing on the show. I've been intrigued with the history of Mexican music for a number of years now. I decided to take a deep dive into the fascinating history of the music, the instruments, and the people who make this incredible music. Along the way I discovered all sorts of fascinating things like the influence of European styles of music, the working class and folk music roots of the styles, as well as a ton of great tunes. I hope you enjoy this series and learn something new. There is a plethora of music to explore, so join me on this journey into the history of Mexican Music!    If you are interested in learning more here are a few resources I found to be helpful.    The Texas-Mexican Conjunto: History of a Working-class Music by Manuel Pena https://www.amazon.com/Texas-Mexican-Conjunto-Working-class-American-Monographs/dp/029278080X  Smithsonian Folkways Que Viva la Musica Latina! https://www.amazon.com/Texas-Mexican-Conjunto-Working-class-American-Monographs/dp/029278080X   NY Times "Where Mexican Folk Ballads Meet Trap Music."  https://www.nytimes.com/2019/09/16/style/trapcorridos-chicano-los-angeles.html

Monocle Radio’s Fernando Augusto Pacheco looks at the increasingly influential Mexican music charts.See omnystudio.com/listener for privacy information.

learn popular Mexican music used in games

Since Mexicans have been living in Minnesota, traditional Mexican has been an important part of sharing culture and celebrating tradition. In fact, Minnesota's very first documented Mexican-born resident way back in the 1880s was a musician.Anthropologist Maya Santamaria has studied him and thousands of other Mexican-Minnesotan musicians throughout history. She is the founder and CEO of the Spanish radio station based out of the Twin Cities, La Raza. As Hispanic Heritage Month kicks off this week, Santamaria joined MPR News host Cathy Wurzer to talk about the enduring popularity of Mexican Music in the state.

Update on the Week:   Daniel talks about having beaten Fallout 4 after putting in over 100 hours into this classic Fallout title.  He may watch the TV show now and see how it holds up. Daniel talks about his company outing at the local Zoo and how on this occassion, there were more exhibits open and they were able to really enjoy the activities this time around The TV show El Rey is a new novella about the life of legendary Mexican singer Vicente Fernandez.  Daniel talks about how intriguing it is and how any fan of Mexican Music and the legendary singer will enjoy the show Andy talks about the Presidential Debate and how there is a high chance that Biden will be stepping down from his Presidency.  The Democratic governors are hoping he will step down and allow for someone else to continue. Noel talks about watching Pearl, a prequel to the horror movie X and discusses how its a fresh entry into the horror genre that has been getting stale as of late. Noel also speaks on a new movie In a Violent Nature, that is a slasher flick with lots of homage being paid to the previous popular slashers like Jason Voorhess from Friday the 13th The Resident Evil 9 announcement has Daniel and Noel excited to see when this new entry into the Resident Evil franchise will arrive.  The guys discuss the RE Games and how impactful its been to them. Article of the Week: Forever chemicals found in Chipotle, Annie's, Fairlife and more foods https://www.scrippsnews.com/life/food-and-drink/forever-chemicals-found-in-chipotle-annie-s-fairlife-and-more-foods     Warning: May have Strong Language and Content.   ========== Thank you to everyone who enjoys what we do.  If you like what we do, please spread the word of our show. Email questions or suggestions to ffnquestions@gmail.com ========== Follow us on TWITTER https://twitter.com/FreeFormNetwork Follow us on FACEBOOK https://www.facebook.com/profile.php?id=61557790516078 ========== Free Form Network and all our podcast are available on many platforms including STITCHER, ANDROID, IPHONE, IPAD, IPOD TOUCH and PODBEAN   IPHONE, IPAD & IPOD TOUCH http://itunes.apple.com/us/podcast/free-form-network/id995998853 SPOTIFY https://open.spotify.com/show/0QKRhkXDmQ9cxItaiu49Vy IHEART RADIO https://www.iheart.com/podcast/338-free-form-network-94075820/ TUNE IN RADIO http://tunein.com/radio/Free-Form-Network-p784190/ PLAYER FM https://player.fm/series/3326348 TUMBLR https://freeformnetworkpodcast.tumblr.com/ WORDPRESS https://freeformnetwork.wordpress.com/ YOUTUBE https://www.youtube.com/channel/UCj0LNZRJHyW7sQwM5ZdOCQg DEEZER https://www.deezer.com/us/show/1857582 PODCHASER https://www.podchaser.com/podcasts/free-form-network-97539 PODCAST ADDICT https://podplayer.net/?podId=2920676 PANDORA https://www.pandora.com/podcast/free-form-network/PC:53088 AMAZON MUSIC https://music.amazon.com/podcasts/41213756-a9ad-46bc-8d6c-ea2d30bd2fb9/free-form-network LISTEN NOTES https://www.listennotes.com/podcasts/free-form-network-free-form-network-ElG1hW2tS3v/ GOOGLE PODCAST https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2ZyZWVmb3JtbmV0d29yay9mZWVkLnhtbA PODBEAN DESKTOP http://freeformnetwork.podbean.com/ PODBEAN MOBILE http://freeformnetwork.podbean.com/mobile   ========== Free Form Radio - Episode 224- 07/14/2024 Hosted by Daniel, Andy and Noel ==========   FREE FORM NETWORK

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Éxodo de Peso Pluma y el Ascenso Global del CorridoEste segmento explora la última entrega de Peso Pluma, el extenso álbum doble Éxodo, con un enfoque en su explosiva colaboración con Cardi B en "Put Em In The Fridge".Éxodo: Un Espectáculo de Doble ÁlbumPeso Pluma lanza su cuarto álbum de estudio, Éxodo, un gigante de 24 pistas que presenta una gama diversa de colaboradores. Este lanzamiento sigue su Génesis ganador del Grammy y marca su continua exploración más allá de los corridos tradicionales. Aquí, se aventura en el hip-hop y el reggaetón sin dejar de lado sus raíces.Cardi B y la Poderosa "Put Em In The Fridge"Una de las pistas destacadas de Éxodo es la electrizante "Put Em In The Fridge", con la legendaria Cardi B. Esta colaboración es una fuerza a tener en cuenta, uniendo a dos figuras poderosas en sus respectivos géneros. Las letras de Pluma destilan control y dominio, mientras que Cardi B inyecta su característico estilo con referencias a figuras influyentes como Al Pacino.Fusión Musical: Corridos y Más Allá"Put Em In The Fridge" ejemplifica el paisaje sonoro único de Éxodo. La pista combina a la perfección elementos tradicionales mexicanos como las trompetas y la guitarra requinto con el bajo pesado de los ritmos trap modernos. Esta fusión refleja la misión general de Éxodo: ampliar los límites de los corridos integrándolos con los mundos del hip-hop, el reggaetón y el trap. Pluma no se detiene en Cardi B, ya que Éxodo cuenta con colaboraciones con Rich the Kid, Quavo, DJ Snake, Anitta, Arcángel y Ryan Castro.Estrella Global, Impacto Cultural y ControversiaPeso Pluma se ha convertido en un fenómeno global, llevando los ricos sonidos de la música mexicana, particularmente los corridos, a un público más amplio. Sin embargo, su ascenso no está exento de polémica. Los corridos tienen un vínculo histórico con la cultura del narcotráfico, algo que Peso Pluma reconoce pero que maneja con cautela debido a las posibles amenazas de los cárteles. En Coachella, trazó paralelismos entre los corridos y el movimiento del gangsta rap de los 90, destacando el complejo legado del género.Éxodo: Una Declaración de Visión ArtísticaÉxodo puede verse como el manifiesto artístico de Peso Pluma. Muestra su versatilidad y ambición de trascender la escena musical regional mexicana y convertirse en una fuerza global. El álbum cuenta con corridos tradicionales y experimentos rompedores con el hip-hop y el reggaetón, lo que refleja su evolución artística. Este crecimiento se enfatiza aún más por su éxito en las listas y su capacidad para colaborar con estrellas internacionales.Peso Pluma: Una Fuerza Global en la Música MexicanaÉxodo, con sus colaboraciones repletas de estrellas como "Put Em In The Fridge" con Cardi B, ejemplifica la misión de Peso Pluma de elevar los corridos a un nivel mainstream. Este innovador álbum no solo amplía sus horizontes musicales sino que también consolida su posición como un artista global que mezcla sin miedo las influencias culturales y empuja los límites de la música mexicana.Notorious Mass Effect: Peso Pluma's Éxodo and the Global Rise of CorridosThis segment explores Peso Pluma's latest offering, the expansive double album Éxodo, with a focus on his explosive collaboration with Cardi B on "Put Em In The Fridge."Éxodo: A Double Album ExtravaganzaPeso Pluma drops his fourth studio album, Éxodo, a 24-track behemoth featuring a diverse range of collaborators. This release follows his Grammy-winning Génesis and signifies his continued exploration beyond traditional corridos. Here, he ventures into hip-hop and reggaeton while staying true to his roots.Cardi B and the Powerhouse "Put Em In The Fridge"One standout track on Éxodo is the electrifying "Put Em In The Fridge," featuring the legendary Cardi B. This collaboration is a force to be reckoned with, uniting two powerhouse figures in their respective genres. Pluma's lyrics exude control and dominance, while Cardi B injects her signature swagger with references to influential figures like Al Pacino.Musical Fusion: Corridos and Beyond"Put Em In The Fridge" exemplifies the unique soundscape of Éxodo. The track seamlessly blends traditional Mexican elements like horns and requinto guitar with the heavy bass of modern trap beats. This fusion reflects Éxodo's overall mission: pushing the boundaries of corridos by integrating them with the worlds of hip-hop, reggaeton, and trap. Pluma doesn't stop at Cardi B, with Éxodo boasting collaborations with Rich the Kid, Quavo, DJ Snake, Anitta, Arcángel, and Ryan Castro.Global Star, Cultural Impact, and ControversyPeso Pluma has become a global phenomenon, bringing the rich sounds of música Mexicana, particularly corridos, to a wider audience. However, his rise is not without controversy. Corridos have a historical link to narco culture, something Peso Pluma acknowledges but treads carefully around due to potential threats from cartels. At Coachella, he drew parallels between corridos and the '90s gangsta rap movement, highlighting the complex legacy of the genre.Éxodo: A Statement of Artistic VisionÉxodo can be seen as Peso Pluma's artistic manifesto. It showcases his versatility and ambition to transcend the regional Mexican music scene and become a global force. The album boasts both traditional corridos and genre-bending experiments with hip-hop and reggaeton, reflecting his evolving artistic vision. This growth is further emphasized by his chart success and his ability to collaborate with international stars.Peso Pluma: A Global Force in Mexican MusicÉxodo, with its star-studded collaborations like "Put Em In The Fridge" with Cardi B, exemplifies Peso Pluma's mission to elevate corridos to a mainstream level. This innovative album not only expands his musical horizons but also cements his position as a global artist who fearlessly blends cultural influences and pushes the boundaries of música Mexicana.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of Wiki U Kyle and Jheisson cover the Yugoslavian/Mexican music mashup, Yu-Mex. While it is no longer a country, the story of Mexican music and movies weaving their way into Yugoslavian culture is fascinating. With a WWII uprising against the Nazi's and a split with Soviet Russia, the people of Yugoslavia identified with the parallel story of the Mexican Revolution. Another revolution was brewing in Yugoslavia in the late 1980's when Brad Pitt visited the country to film The Dark Side of the Sun. The Wiki Boys break down the film and learn about Pitt's fist leading role.Our sponsor for this episode is Magic Mind! For the month of January you can use the code WIKIU20 at checkout for 20 percent off and combine our promo code with others for up to 75% off. Wiki U listeners can get one free month when purchasing a three month subscription at our exclusive link: https://www.magicmind.com/JANwikiu TikTok: https://www.tiktok.com/@wikiuniversity YouTube: https://www.youtube.com/channel/UCmPDDjcbBJfR0s_xJfYCUvwInstagram: https://www.instagram.com/wikiuniversity/Music provided by Davey and the Chains

Carlos Niño, Liv.e, Andre 3000 and Luis Pérez Ixoneztli discuss how their music is inspired by spirit, the feeling of creating sounds that are meaningful to them, and how they stay open to learning during their lives in music.Producer, percussionist and composer Carlos Niño started making beats aged 17 with Fabian Alston, before becoming a radio DJ in California. In 2008, he started Carlos Niño & Friends, and has worked with the likes of Miguel Atwood-Ferguson, Photay and Kamasi Washington. His music blends orchestral arrangements and acoustic instruments with cutting-edge production techniques; in September of this year he released his new album, (I'm just) Chillin', on Fire. Hailing from Dallas, Texas, experimental R&B artist Liv.e is known for her hypnotic voice and eclectic musical influences. She was first introduced to music through the church ,but now draws inspiration from the likes of Lalah Hathaway and Wayne Shorter, as well as Dallas-based label Dolfin Records. In February of this year she released her critically acclaimed second album, Girl in the Half Pearl. Composer, ethnomusicologist and multi-instrumentalist Luis Pérez Ixoneztli is a hugely influential figure in Mexican music, who's dedicated years of research to the pre-Columbian instrumentation of Mesoamerica, travelling around the country to study the musical traditions of Mexico's native peoples. His music has been described as “perhaps the ultimate fusion of ethnic and modern music”; in 2013, his work was inducted into the Archive of Mexican Music, 32 years after it was first published. Andre 3000 is an American rapper, singer, record producer and actor who is best known for being one-half of hip-hop duo Outkast. He's sold millions of records around the world, with hit singles such as Hey Ya! and Ms. Jackson, as well as acting in series such as The Shield and films including All Is by My Side, a 2013 biopic about Jimi Hendrix.

Regional Mexican music has taken the music industry by storm. Earlier this year, Mexican artist Peso Pluma and band Eslabon Armado made history when their song "Ella Baila Sola" topped the Billboard Global 200 chart. But this musical trend didn't come out of nowhere. In this episode of NPR's Alt. Latino, hosts Anamaria Sayre and Felix Contreras head to Peso Pluma's performance in Nashville and try to understand the root of the phenomenon.

Peso Pluma, a Mexican musician who is reaching the heights of his fame has been threatened by CJNG. The threats come in the form of four different narcomantas and warned him not to perform his upcoming shows in Tijuana. A "narcomanta" is a term used in Mexico and some other Spanish-speaking countries to refer to a type of banner or sign that is often hung in public places or left at the scenes of criminal activities by drug cartels or organized crime groups. These banners typically contain messages or warnings to rival gangs, law enforcement, or the public.Narcomantas are often used by criminal organizations as a means of communication and intimidation.The term "narcomanta" is a combination of "narco," which is short for "narcotráfico" (drug trafficking), and "manta," which means blanket or sheet in Spanish. These banners are typically made from large sheets of fabric or plastic and are often adorned with messages written in bold letters.The messages can range from threats and boasts to claims of responsibility for violent acts.Narcomantas have been a prominent feature of Mexico's drug cartel culture and are used to convey messages, issue warnings, and sometimes even to announce truces or alliances between rival groups.They are a symbol of the ongoing violence and instability associated with the illegal drug trade in some regions of Mexico and other countries. Law enforcement agencies and governments in affected areas often work to remove and investigate narcomantas as part of their efforts to combat organized crime.to contact me:bobbycapucci@protonmial.comsource:Peso Pluma, One of Mexico's Biggest Stars, Threatened by CJNG Cartel Over El Chapo Songs (vice.com)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5080327/advertisement

Episode 113 (Time Stamps)00:00 Taking an Asian girl to Jalisco 07:00 Having to take 2 buses from Yahualica to La Barca in Mexico 19:20 Volaris is the worst airline on planet earth 31:45 a man's self care day experience with Wesley 37:45 Robots that serve you sushi?! JOP vs Peso Pluma Beef 44:18 Top 5 Mexican Music Songs 6 months into the year 59:00 Top 5 Reggaeton Songs halfway into the year 1:11:20 If you're new here, thank you for listening. If you listen every week, we hope you enjoyed. Until next time Familia.

In this episode, we welcome back the CEO of the Recording Academy, Harvey Mason Jr., to discuss the pressing issues currently facing musicians of color, such as the advancement of AI-generated music, the struggle for fair compensation, and the rise of Regional Mexican Music as a global force. We explore how the Grammys are addressing these issues, and pose the question: Will AI ever win a Grammy for Record of the Year? Segment 1: Purpose of Grammy's on the Hill Harvey Mason Jr. discussed the importance of Grammy's on the Hill, an annual advocacy event in Washington DC, which supports three crucial bills: The Hits Act, the American Music Fairness Act, and the RAP Act aim to address fair compensation, creative rights, and freedom of expression for artists. He explains how these bills could be transformative for artists of color, reducing the racial wealth gap and providing better financial opportunities. Segment 2: Challenges Faced by Artists of Color Mason acknowledges the historical lack of rights and limited monetization opportunities for artists of color. He recognizes the challenges faced by musicians in the industry and stresses the need for collective action to fight for their rights. He emphasizes the importance of valuing and supporting the creative community. Segment 4: Live Event Ticketing Reform Mason emphasizes the need for reform in the live event ticketing marketplace, discussing predatory practices, lack of transparency, and unfair ticket pricing that prevents fans from enjoying live performances and artists from receiving their fair share. He explains the Academy's efforts to work with Congress, bring stakeholders together, and address these issues in order to gain reform support. Segment 5: The RAP Act and Artistic Expression Mason explains the significance of the RAP Act, which seeks to protect artists from having their lyrics used as evidence against them in criminal trials. He discusses the importance of ensuring that artistic expression is not used as evidence and the ongoing efforts to pass this legislation at the state and federal levels. He emphasizes protecting artists' rights and freedom of speech. Segment 6: The American Music Fairness Act Mason discusses the American Music Fairness Act, which aims to establish performance royalties for songs played on AM/FM radio. He highlights the lack of performance royalties for artists in the United States, making it one of three countries without such provisions. Mason emphasizes the importance of providing equitable compensation for artists and the potential economic benefits for the music industry. Segment 7: AI's Impact on Music and Grammy Potential Mason addresses the rise of AI in music creation and its implications for the industry. He explains that AI-generated works are currently ineligible for Grammy consideration, as they are not copyrightable. Nevertheless, he recognizes the creative potential of AI and emphasizes the need for thoughtful regulation and safeguards to protect human creativity and ensure fairness. Segment 8: Concerns about AI and Cultural Appropriation Mason acknowledges the ethical concerns surrounding AI-generated music and the potential for cultural appropriation. He expresses the Academy's concern about protecting artists' faces, voices, and names from exploitation without permission or license. He emphasizes the need for regulations to prevent unauthorized use of artists' likeness and vocal sound, regardless of race. Segment 9: The Rise of Regional Mexican Music Mason reflects on the borderless nature of music and the opportunity for people to explore and appreciate different genres and cultures. He discusses the global impact of Regional Mexican Music, highlighting its success on streaming platforms. He emphasizes the power of music to connect people, foster understanding, and create positive change, making it an exciting time for the industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nate talks about why he used to hate Mexican music, and how now it's all he listens to. Become a member at: https://spanishwithnate.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/suavespanish/support

Hey everyone this is the fourth installment of my series on Mexican music. This episode takes a deep dive into the style called "Banda." Hailing from Sinaloa Mexico this style incorporates elements of marching band music into Mexican culture. The band is led by a lead singer and became incredibly popular in the 1990s. It continues to be an important part of both Mexican music as well as Chicano culture. I hope you enjoy this look into this fascinating style of music. 

Hey all. This is part three of my series on Mexican music. It's the genre that some consider to be the grand daddy of all, Mariachi. This style certainly is iconic when it comes to Mexican culture and music, it tends to be the style most people think of when it comes to Mexico. It has a storied history and many incredibly talented artists. I had a great time digging into this style, I hope you enjoy this episode. Here's a few links if you're interested in learning more about Mariachi.    Smithsonian Folkways:  https://folkways.si.edu/mariachi-music-of-mexico/latin-world/music/album/smithsonian   https://folkways.si.edu/que-viva-mariachi-meaning-movimiento/latin-world/music/article/smithsonian   https://folkways.si.edu/artists/mariachi-los-camperos   You Tube Playlist: https://youtube.com/playlist?list=PLvPXOh26Z9cQPhEEUtJMy-_HR8bt7CwyY      

Hey everybody. This is part two of my series on Mexican music. I hope you enjoy this episode on the genre of Conjunto. It's a fascinating area of music with a ton of incredible musicians and a rich history. If you'd like to know more about the genre check out the links below. Thanks for listening and I hope you dig it!    Smithsonian Folkways  https://folkways.si.edu/conjunto-essentials/music/playlist/smithsonian https://folkways.si.edu/conjunto-south-texas/music/tools-for-teaching/smithsonian   Playlist https://www.youtube.com/playlist?list=PLvPXOh26Z9cT8JgzKOtebPTQCqui0_8nr  

Hey all. I published this episode awhile back and never got around to finishing the series. I finally got back to it and finished that series so I am re-releasing this episode. In subsequent weeks I'll be releasing three more episodes in the series. So be on the lookout for that! But here's the first episode again in case you missed it, or you'd like to check it out again. Hope you dig it!    This is the first installment in a new series I'll be doing on the show. I've been intrigued with the history of Mexican music for a number of years now. I decided to take a deep dive into the fascinating history of the music, the instruments, and the people who make this incredible music. Along the way I discovered all sorts of fascinating things like the influence of European styles of music, the working class and folk music roots of the styles, as well as a ton of great tunes. I hope you enjoy this series and learn something new. There is a plethora of music to explore, so join me on this journey into the history of Mexican Music!    If you are interested in learning more here are a few resources I found to be helpful.    The Texas-Mexican Conjunto: History of a Working-class Music by Manuel Pena https://www.amazon.com/Texas-Mexican-Conjunto-Working-class-American-Monographs/dp/029278080X  Smithsonian Folkways Que Viva la Musica Latina! https://www.amazon.com/Texas-Mexican-Conjunto-Working-class-American-Monographs/dp/029278080X   NY Times "Where Mexican Folk Ballads Meet Trap Music."  https://www.nytimes.com/2019/09/16/style/trapcorridos-chicano-los-angeles.html  

This episode of "Busting Balls" Eric Pennell talks Kanye, Addidas, Kyrie Irving, NBA, Jewish People, Aaron Carter, Gallagher, Elon, Twitter, Government, Dad Jokes, Chris Redd Assault, Mexican Music, Women Sports, ESPN, Paul Pelosi.  Enjoy!

This week I talk about my time at Portland Retro Game Expo 2022, and also about Samba de Amigo on the Wii. Get bonus content & support me via Patreon Visit OneControllerPort for videos, podcasts, streams, and articles. You can follow me on these platforms: Join our community in the Discord channel! Links: YouTube One Controller Port Linktree Podcast Links: Opening Music from Samba de Amigo (Wii) Sega Saturn Shiro Website One Controller Port Patreon Miraculous Lady Bug: Rise of the Sphinx Launch Trailer Fitness Runner Website

Hey Thotties welcome back, quick breakdown of this weeks episode:Cheeseme: Local voting, Will Smith's apology & Bad Bunny's viral kissChips & Guac (Relationship Segment): Situationships by definition and by the hosts' experience. All sorts of messi!U Think It, We Say It (Sex Segment): Would you give yourself head if you could physically? Or hypothetically, if there was two of you, would the other go down on you? lolSerious Culture Topic: Mexican Music! Karina breaks down the different type of music the host grew up listening toU Member Story: Gas, gas and more gas. Karina shares her first time farting in front of her exhusband! Thank you all for listening, don't forget to follow, like, share, comment, subscribe to all our social media platforms, Apple Podcast and Spotify! SHARE SHARE SHARE BY WORD OF MOUTH YALL!  IG- @mesith0tspod, @mlc_32, @karinatienetumbao Youtube- Mesi Thots https://youtube.com/channel/UCrEXJQyL8VhM--iWHS8YeNgTwitter- podmesiFB- Mesi Thots TikTok- mesithotspodEmail- mesithotspod@gmail.com

In which Caleb wrote a bad book and Tucker is Chief Executive Officer. Email us at ztakepod@gmail.com! --- Send in a voice message: https://anchor.fm/caleb-and-tucker/message

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 Juan was born in a tiny town in Mexico and has lived a life that most could not even imagine. He took hard times as a kid and turned them into a swiss army knife of knowledge he uses today. When I say he uses this knowledge to this day you have to hear this episode to see what I mean! For example, he has a one inch catfish he is keeping alive in his homemade ecosystem fish tank thanks to his knowledge of electronics he gained out on tours! I have spent many hours on tour talking to Juan about some of this stuff already but I love that I get to share his story with you all. I could continue to write out all the things we talked about but come meet Juan's cat and listen to this amazing journey!#weeklypodcast #podcastshow #backyardsandbevvies #backyards #bevvies #bottomsup #midweektreat #marriage #comedy #parenting #life #drama #interview #friends00:00 Welcome to Backyards & Bevvies Podcast00:11 Better Help #ad01:40 Hello Juan!07:35 How does Juan clean a fish tank lol!18:20 It was cheaper for me to build it myself29:00 Where is your home town and how big35:40 Yes! There is ash on those tacos and its delicious!41:39 My grandpa made bone marrow before the trends47:20 The circle of life is real, even the energy from food51:44 Meet Juan's kitty cat53:00 We are part of the 1% of wealth of the world59:02 The dark is a real place for a kid1:06:45 My one school was an hour away1:12:45 The picture of the SSL made me want to go to…1:20:55 I work out once a year hahaha!1:27:00 I miss touring with you thank you for opening up1:33:00 Cheers and Bottoms UP!Podcast https://backyardsandbevvies.simplecast.com/YouTubehttps://www.youtube.com/c/BackyardsBevviesPodcastInstagram https://instagram.com/backyardsbevviesFacebook https://www.facebook.com/backyardsbevviesTwitter https://twitter.com/backyardbevviesTikTok https://www.tiktok.com/@backyardsandbevvies?lang=enBetter Help (10% OFF) #ad  https://betterhelp.com/backyardsEtsy https://www.etsy.com/shop/BackyardsandBevviesPatreon https://www.patreon.com/backyardsbevvies

This is the first installment in a new series I'll be doing on the show. I've been intrigued with the history of Mexican music for a number of years now. I decided to take a deep dive into the fascinating history of the music, the instruments, and the people who make this incredible music. Along the way I discovered all sorts of fascinating things like the influence of European styles of music, the working class and folk music roots of the styles, as well as a ton of great tunes. I hope you enjoy this series and learn something new. There is a plethora of music to explore, so join me on this journey into the history of Mexican Music!    If you are interested in learning more here are a few resources I found to be helpful.    The Texas-Mexican Conjunto: History of a Working-class Music by Manuel Pena https://www.amazon.com/Texas-Mexican-Conjunto-Working-class-American-Monographs/dp/029278080X  Smithsonian Folkways Que Viva la Musica Latina! https://www.amazon.com/Texas-Mexican-Conjunto-Working-class-American-Monographs/dp/029278080X   NY Times "Where Mexican Folk Ballads Meet Trap Music."  https://www.nytimes.com/2019/09/16/style/trapcorridos-chicano-los-angeles.html    

Synopsis Today's date marks the birthday in 1885 of María Joaquina de la Portilla Torres, in the Mexican state of Guanajuato. Under her married name of Maria Grever, she became the first female Mexican composer to achieve international fame. She composed her first song at age four, studied in France with Claude Debussy among others, and at 18, one of her songs sold 3 million copies. At age 22, she married Leo A. Grever, an American oil company executive, moved to New York City, and by the 1930s was composing for Paramount and 20th Century Fox films. Her best-known song is probably "What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), written in 1934. Her songs have been recorded by singers ranging from the Andrews Sisters and Frank Sinatra to Dinah Washington and Aretha Franklin to Plácido Domingo and Juan Diego Flórez. “I am interested in Jazz and Modern Rhythms,” said Grever, “but above all, in Mexican Music … There is such a cultural richness in Mexican Music, its Hispanic and indigenous origins ... It is my wish and yearning to present these native rhythms and tunes from a real perspective, but with the necessary flexibility to appeal to a universal audience." Music Played in Today's Program María Grever (1885 – 1951) – Júrame (Juan Diego Flórez, tenor; Fort Worth Symphony; Miguel Harth-Bedoya, cond.) Decca 4757576 On This Day Births 1737 - Austrian composer Johann Michael Haydn, in Rohrau; He was the younger brother of Franz Joseph Haydn (b. 1732); 1760 - Italian composer Luigi Cherubini, in Florence (although August 14 is occasionally cited as his birthdate); 1910 - American composer and eminent theatrical conductor Lehman Engel, in Jackson, Miss.; 1910 - Swiss composer Rolf Liebermann, in Zurich; Premieres 1854 - Bruckner: Mass in Bb ("Missa Solemnis") in St. Florian, Austria; 1952 - Frank Martin: Concerto for Harpsichord, in Venice; 1954 - Britten: opera "The Turn of the Screw," in Venice at the Teatro La Fenice; 1968 - Shostakovich: String Quartet No. 12, in Moscow, by the Beethoven Quartet; 1978 - Barber: Third Essay for Orchestra, by the New York Philharmonic conducted by Zubin Mehta; 1994 - Richard Danielpour: Cello Concerto, commissioned and performed by San Francisco Symphony conducted by Herbert Blomstedt, with soloist Yo-Yo Ma; 1996 - Stockhausen: "Freitag aus Licht" (Friday from Light), at the Leipzig Opera; 1997 - Saariaho: "Graal Théâtre" (chamber version), in Helsinki, by the Avanti Ensemble and violinist John Storgards. 2002 - David Amram: Flute Concerto ("Giants of the Night"), in New Orleans by the Louisiana Philharmonic conducted by Klauspeter Seibel, with James Galway the soloist; 2002 - Colin Matthews, Judith Weir, Poul Ruders, David Sower, Michael Torke, Anthony Payne, and Magnus Linberg: "Bright Cecilia: Variations on a Theme by Purcell," at Royal Albert Hall in London, with the BBC Symphony, Leonard Slatkin conducting; This set of orchestral variations on a Purcell theme was commissioned by BBC Music magazine to celebrate its 10th anniversary; Others 1731 - J.S. Bach performs organ recitals in Dresden on Sept. 14-21; 1741 - Handel finishes scoring his famous oratorio, "Messiah," begun on August 22 (The entire work was composed in a period of 24 days); These dates are according to the Julian "Old Style" calendar (Gregorian dates: Sept 2 to Sept. 25); 1914 - W. C. Handy copyrights his most famous song, "The St. Louis Blues"; 1973 - The Philadelphia Orchestra gives a concert in Beijing, the first American orchestra to perform in Red China; Eugene Ormandy conducts symphonies by Mozart (No. 35), Brahms (No. 1) and the American composer Roy Harris (No. 3).

Quickly becoming one of the best musicians out of the DFW, this Music Monday we hang with musical mastermind Jonathan Valenzuela. Tune in as he goes over his style of play, how he is giving back to young musicians and some insight on his upcoming EP. Jonathan Valenzuela gives us an exclusive performance. Jonathan Valenzuela's Music and Social Media: www.valenzuelaguitar.com YouTube Channel: https://bit.ly/3kUUzUb IG: https:@valenzuelaguitar Music: https://spoti.fi/2Va8Mlt Music: https://apple.co/3rB79JB Dream Hacked: https://spoti.fi/3BFv4w4

After boarding a plane to visit her estranged husband in 1986, Marcela Basteri disappeared. Her whereabouts are still a mystery. Some believe she suffered a psychotic break, or abandoned her family to start a new life. But others point to a different theory: the mother of the famed Luis Miguel was murdered.  Learn more about your ad choices. Visit megaphone.fm/adchoices

After boarding a plane to visit her estranged husband in 1986, Marcela Basteri disappeared. Her whereabouts are still a mystery. Some believe she suffered a psychotic break, or abandoned her family to start a new life. But others point to a different theory: the mother of the famed Luis Miguel was murdered.  Learn more about your ad choices. Visit megaphone.fm/adchoices

After boarding a plane to visit her estranged husband in 1986, Marcela Basteri disappeared. Her whereabouts are still a mystery. Some believe she suffered a psychotic break, or abandoned her family to start a new life. But others point to a different theory: the mother of the famed Luis Miguel was murdered.  Learn more about your ad choices. Visit megaphone.fm/adchoices

After boarding a plane to visit her estranged husband in 1986, Marcela Basteri disappeared. Her whereabouts are still a mystery. Some believe she suffered a psychotic break, or abandoned her family to start a new life. But others point to a different theory: the mother of the famed Luis Miguel was murdered.  Learn more about your ad choices. Visit megaphone.fm/adchoices

As one of Mexico’s biggest pop stars, Juan Gabriel’s talent and rags-to-riches story were legendary. But despite his fame, he was able to keep an astonishing number of secrets — ones that resulted in speculation over his life and death, and a fight over his vast estate.  Learn more about your ad choices. Visit megaphone.fm/adchoices

As one of Mexico’s biggest pop stars, Juan Gabriel’s talent and rags-to-riches story were legendary. But despite his fame, he was able to keep an astonishing number of secrets — ones that resulted in speculation over his life and death, and a fight over his vast estate.  Learn more about your ad choices. Visit megaphone.fm/adchoices

As one of Mexico’s biggest pop stars, Juan Gabriel’s talent and rags-to-riches story were legendary. But despite his fame, he was able to keep an astonishing number of secrets — ones that resulted in speculation over his life and death, and a fight over his vast estate.  Learn more about your ad choices. Visit megaphone.fm/adchoices

As one of Mexico’s biggest pop stars, Juan Gabriel’s talent and rags-to-riches story were legendary. But despite his fame, he was able to keep an astonishing number of secrets — ones that resulted in speculation over his life and death, and a fight over his vast estate.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Mexico City-based Sony A&R Research Manager Francisco Toscano explains how global music streaming platforms like Deezer, YouTube, Pandora, and Spotify are driving the growth of Mexican music genres — from Mariachi to Corrido — and regional Latin music worldwide.

Aliens, conspiracy theories and island Mexicans.

We finally take on the complex lyricism exuded from The Champs' legendary Mexican flavored masterpiece from way back in 1958, to celebrate the shot that always gets things happening - Tequila!

Identity and Ingenuity: Michael Morgan, Eugene Rodriguez from Los Cenzontles, Bay Area musician/teacher Martha Rodríguez-Salazar, and San Francisco Symphony cellist Jill Rachuy Brindel share how for them Mexican musical culture connects and transforms traditions while building community.

Ixya Herrera is a Grammy-nominated Mexican music singer and daughter of Chicano activist/professor, renowned harpist, and Nahuatl Scholar Fermin Herrera. She has sung in both Spanish and Nahuatl all around the U.S. and Mexico. She is one of Mexican music’s star vocalists and gems!In part 3 of her interview, we dive deep into all things Mexican music and behind-the-scenes of her albums! Mexican music is not just mariachi and banda (although I love both sooo much!), but also includes a beautiful array of genres and has a rich history from sones to canciones tradicionales, to son huasteco, son de jarocho, and of course, son de mariachi. Stay tuned to the very end where Ixya even sings in Nahuatl!CLICK HERE to listen to Part 1CLICK HERE to listen to Part 2Notes From Her now has a YouTube channel and website! Subscribe to Notes From Her on YouTube for fun teaser videos to each episode and go to notesfromher.com to access episodes, blogs, resources, pictures, and more all about Notes From Her!Follow Notes From Her on Instagram and Twitter @notesfromherpod and like Notes From Her on Facebook!Follow me on Instagram and Twitter @xoxochimilcaMusic sampled in this episode in order of soundbite:“La Negra” by Mariachi Vargas de Tecalitlán “La Bamba” by Los Pregoneros“La Morena/El Cascabel” by Ixya Herrera from Simplemente Ixya“Rogaciano” by Ixya Herrera featuring Elias Torres from Voz y Guitarra“Xochicuicatl” by Ixya Herrera from Simplemente IxyaListen to her latest album Voz y Guitarra HERE!For more information on Ixya go to her website HERE. Stay musical, STAY SAFE, and stay empowered. Instacart - Groceries delivered in as little as 1 hour. Free delivery on your first order over $35.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Meet MOC #9: Mexican Music singer Ixya Herrera! ⁣In addition to being a vocalist, Ixya is also the daughter of renowned harpist, and Nahuatl Scholar Fermin Herrera. She has sung in both Spanish and Nahuatl all around the U.S. and Mexico as one of Mexican music’s star vocalists.⁣⁣ This episode is PART ONE of a three part interview where Ixya shares how her Mexican American upbringing in Oxnard, CA made her who she is today. This episode also provides a brief history lesson on the Chicano Movement and the Brown Berets.⁣⁣Stay tuned for PART TWO of Ixya’s interview where she shares her career as a vocalist and gives great tips and advice on how she achieved great success alongside her mentor, the great Linda Ronstadt. ⁣⁣Listen to her latest album Voz y Guitarra on iTunes at https://music.apple.com/us/album/flor-silvestre-feat-elias/890605659?i=890605755More Info on The Chicano Movement: https://depts.washington.edu/moves/Chicano_intro.shtmlMore Info on The Brown Berets: https://www.teenvogue.com/story/brown-berets-as-explained-by-founding-member-dr-david-sanchezSongs used in this podcast are Ixya singing "La Morena/El Cascabel" and "Cielito Lindo" available on Spotify and iTunes under her albums, Yo Te He De Amar and Simplemente Ixya.For more on Ixya go to ixyaherrera.comHere are other Latina artists to discover during quarantine https://www.billboard.com/articles/columns/latin/9368042/17-latina-artists-to-discover-during-quarantine⁣Follow Notes From Her on Instagram and Twitter @notesfromherpod and like Notes From Her on Facebook!⁣ Follow host @xoxochimilca on Instagram and Twitter!⁣⁣ Stay musical, STAY SAFE, and stay empowered.

Welcome to my new podcast, in this episode we talk with Isabelle and her great project Coffice, follow them on Instagram!  Here is my Mexican Music spotify playlist - https://open.spotify.com/playlist/6TsPrOgxoS0l77JpMP4hAU?si=xxkU0sgxT-eMZBEgU00XDA When you plan your next vacation to Mexico check my tours - https://mxunderground.com/ Remember to follow me on Instagram, Twitter or Facebook as Ubish Yaren.  Stay healthy!  --- Send in a voice message: https://anchor.fm/ubish/message Support this podcast: https://anchor.fm/ubish/support

Three portraits of musicians and a filmmaker who illuminate distinct forms of Mexican music expression.

In todays podcast Mariano from el Duet "Voces Del Rancho" joins us and tells us his story.Las Voces Del Rancho in 1997 opened up the doors for future Mexican Americans to sing Mexican corrido music.Mariano grew up in Maywood California and went to Bell High school. Growing up in this community of South East LA he had the vision like becoming one day like his IDOLO "Chalino Sanchez"He literally worked for FREE and grinned everyday until the opportunity came up when he was introduced to Lupillo Rivera who eventually signed him to his first record deal.The grind didn't stopped there. He still worked for free and performed anywhere they could. After a couple of years they were becoming known in the LA underground community until a new radio station "La Que Buena" and Pepe Garza put them in the radio for the first time.With their first hit "Se les peso Balthazar" they became an instant hit and 20 years later they are still here.Las Voces del Rancho are know as one of the pioneers and OG's of la Regional de Mexico.Follow las Voces Del Rancho:Instagram:https://www.instagram.com/vocesdelrancho/Personal Mariano's Instagram:https://www.instagram.com/marianofernandez_official/Facebook:https://www.facebook.com/VocesDelRancho/

En el episodio dieciocho discutimos la perturbadora historia de Elizabeth Smart y su secuestrador Brian David Mitchell, quien la sacó de su casa en Salt Lake City, Utah, durante nueve meses. También discutimos la terrible historia de Gloria Trevi y su hija desaparecida Anna Dalai. Y la vida con Sergio Andrades y su culto de mujeres jovenes, a quien prometió una vida de fama y fortuna, solo para manipular, abusar y perturbar sus vidas.

Well Mike Johnson joins Taz as they discuss MANY wrestling topics including Evolution, Crown Jewel & House Hardy Halloween! Also...is the MEXICAN MUSIC back???? Great episode here folks!

Allow me to rant about Mexican music for 2 minutes. Why is it either ok or downright horrible? I just wanna eat my fajitas!!!

Juan de Marcos González is a Grammy-winning bandleader, composer, arranger, tres player, producer and entrepreneur, and maybe most importantly, the producer of the original recordings of Cuba’s Buena Vista Social Club. The impact of those recordings -  Buena Vista Social Club, The Afro-Cuban All Stars´ A Toda Cuba Le Gusta and Introducing Ruben González, by a small independent label with a modest budget in Havana in 1996  helped reintroduce the classic sound of popular Cuban music to the world. In the process, it also made global stars of a group of old but brilliant musicians, some of whom had been forgotten even in Cuba.  This year Juan de Marcos is celebrating its 20th Anniversary of those recordings with a new live double album and with a  tour of the West Coast.    

Born in the streets of Los Angeles, Las Cafeteras are children of immigrants who are remixing roots music and telling modern day stories with eclectic instruments, including jarana’s, requinto, a donkey jawbone, a West African bass instrument called the Marimbol, cajón, and a wooden platform called the Tarima used to dance Zapateado. Las Cafeteras formed as a band in 2008  to document the histories of their neighborhoods through music. They started as students of the Eastside Café, a Zapatista inspired community space in East Los Angeles where they were influenced by the culture, storytelling, and poetic music of Son Jarocho, a traditional music from Veracruz, Mexico. To honor women and challenge masculine language, they feminized their group name by calling themselves, Las Cafeteras, rather than Los Cafeteros. They have recently returned from a sold out national tour and will be playing Friday night at California State University in Northridge. The daughter of musicians, Kesenia Valenti was born and raised in the port of Khodka, Russia – literally the last stop on the Trans-Siberian Railroad.  The isolation didn’t stop her.  She began studying classical piano at 6, was a finalist on the national Russian television program ‘Sing if you Can” and found a way to move to Los Angeles to study acting and continue her musical career. She began working with producer Mario Marchetti and songwriter Gino Barletta to craft high energy, rhythmic pop songs based on her life.  At the same time she began studying comedy, producing comedy videos and acting.  Now a triple threat, she has just released her first single, with more on the way.

It all started with a press release announcing that Maná's latest album, Cama Incendiada, had gotten a four-star review. (Well, our distaste for Maná started years ago, but that's a different story.) The fact that a respectable music site like AllMusic would give the most notorious cheese rockers south of the Border such a high rating made us remember other similar cases of great reviews of mediocre Latin pop music by otherwise respectable American music writers. Even when AllMusic expressly states that they "rate albums only within the scope of an artist's own work," the review made us wonder if there was something else at work here: an embarassing double-standard when it comes to reviewing Latin pop music. In other words, can someone seriously claim that Cama Incendiada is "brilliant"?

It all started with a press release announcing that Maná's latest album, Cama Incendiada, had gotten a four-star review. (Well, our distaste for Maná started years ago, but that's a different story.) The fact that a respectable music site like AllMusic would give the most notorious cheese rockers south of the Border such a high rating made us remember other similar cases of great reviews of mediocre Latin pop music by otherwise respectable American music writers. Even when AllMusic expressly states that they "rate albums only within the scope of an artist's own work," the review made us wonder if there was something else at work here: an embarassing double-standard when it comes to reviewing Latin pop music. In other words, can someone seriously claim that Cama Incendiada is "brilliant"?

I first met Alex Nestor and her music when she played with the Salvador Santana band in Los Angeles.  She has her own red hot blues and R&B band and plays with the Tang Gang and solo – just her and a keyboard.   A life of trial and triumph has shaped her unique sound filled with messages of love, positivity, and healing while channeling the retro soul artists of the 60’s and 70’s. She has recorded 12 albums, countless jingles, and been in over 25 theatrical productions, as well as working with established musicians such as Carlos Santana, Stevie Wonder, The Four Tops, The Fifth Dimension, Frankie Valli and the Four Seasons.  This is a classic interview  recorded in August last year, so don’t call in.    I have begun following the career of MITRE, a singer, songwriter and producer from Mexico City now living in Los Angeles.   He is building a fan base in English and Spanish in the US with constant gigs and online promotion. His music is a blend of feelings and sounds ranging from tango, pop, Mexican music, rock and street sounds. His first release, "Fugitivo" on iTunes in 2010 in Mexico, Japan, USA, Canada, and the UK exploded with fan clubs around the world.   Mitre is now touring to support his most recent album,  Deprador, in which  he is joined by the soaring voice of Irene Diaz. One of his hallmarks is collaborating with singers like Diaz, and opening his shows with the Catrina – the icon of the Mexican holiday,  Dios Los Muertos.  He is now playing in southern California, supporting his debut album in Mitre. This interview was conducted in January.

First chapter speak Spanish Café, where Mexican music in general (a little) is described. Come from traditional to modern, but all the music shows we are 100% Mexican. Primer capitulo de Café hablemos español, donde se describe la música mexicana en general (un poco). Vamos desde lo tradicional a lo moderno, pero toda la música que se muestra es 100% mexicana.

Fleishman-Hilliard's Paul Dusseault and Aflac's Laura Kane fill us in on the Aflac Bone Marrow Registration Program which made them a finalist for a 2009 PRSA Silver Anvil Award. Plus, Stephen Chavez, Ketchum's Director of Hispanic Marketing tells us about their award entry on "100 Years of Mexican Music".

In this episode of Arriba! Folklorico Music and Dance of Mexico, we go further into the discussion of the grenres of the Romantic music of the Golden Age of Mexican Music during the 1950s and 1960s with the troubador group called Show Janitzio. The interview is conducted live at Estela's Restaurant in San Antonio, Texas. The musical piece A LA MUJER QUE YO AME begins this episode; and it is played in completion at the end of this podcast episode. Special attention is paid to the composers of these romantic ballads and to the titles of the more famous songs--e.g., Roberto Cantoral, the composer of EL RELOJ, LA BARCA and REGALAME ESTA NOCHE, etc. Also, listen to see which composers and which songs are the favorites of the group Show Janitzio.

In this episode of Arriba! Folklorico Music and Dance Of Mexico, we have an interview with the 4 musicians that comprise SHOW JANITZIO, a musical troubador group that specializes in the romantic ballads of the Golden Age of Mexican Music in the 1950's and 1960's. However, this trio and quartet also show their flexibility by being able to play any style of Mexican music on demand--from boleros to rancheras to corridos to polkas, etc. The differential advantage of this group is the inclusion of the accordion that brings a style all their own. Listen to the 4 musicians as they describe their performances in their home base of San Antonio, Texas, as well as their tours across the cities of the United States and internationally, as well. In another set of podcast episodes, we will have the songs from this group played at the end when we focus upon not only the romantic period of the Mexican Music during the SIGLO DE ORO (the Golden Age), but also the corridos of the Revolucion Mexicana of 1910. Note: This present episode is from the archives of a related podcast called The Struggling Entrepreneur at www.strugglingentrepreneur.com. Although it goes deeper into the history of the group and their struggles to become successful in the world of professional troubadors, the content is just as interesting to the world of folklorico music and dance--especially with the emphasis on the Golden Age of Romantic Music of Mexico. For it is here that we see the final evolution of the serenata (serenade) in the modern day--from its humble beginnings in other genres of Mexican folklorico music, such as in Jalisco (see episode 001 for a brief discussion of the serenade by the charro).