Podcasts about mfp studio

Can you imagine living in a world where millions of people are glued to their screens 24/7, watching the life of an ordinary person unfold while being bombarded with advertisements that are disguised as part of the entertainment? Of course you can! It's 2024, and we're already there. But back in 1998, the premise of THE TRUMAN SHOW was still a pretty radical idea, giving moviegoers a glimpse of the future shortly before the reality TV boom of the 2000s and long before the rise of social media. Audiences who thought they were in for a summer comedy starring Jim Carrey found themselves instead confronted with deep philosophical questions about freedom versus choice, artifice versus authenticity, surveillance versus privacy, and other heady topics - unaware that they were witnessing the rise of the world's first influencer. The film stars Jim Carrey as likable everyman Truman Burbank, who's lived his entire life unaware that every move he makes is broadcast to adoring fans across the globe. His mom, his wife, his best friend, and everybody else in town are in on it. The Truman Show gave Carrey newfound credibility as a dramatic actor and showcases peerless supporting performances from Laura Linney as Truman's increasingly unhinged wife and Ed Harris as the God-like “creator” behind this massive production. There's no question that Peter Weir's fable-like film was ahead of its time in numerous ways, which only lends itself to an even richer conversation than was possible back in the late 90s. But how does this unusual blend of comedy, drama, and satirical science fiction hold up as entertainment now that there are millions of Truman Burbanks among us? Is the movie held back by dated technology and a plot that hinges on 1990s broadcast television, or is it time to hail The Truman Show as a timeless masterpiece? Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Following the breakout success of the Backstreet Boys in the mid-to-late 90s, a wave of warbling wannabes took to the airwaves, all vying for coveted poster space on the walls of teenagers across the globe. For many 90s kids, the latter half of the decade is best remembered as a hunky blur of chiseled abs, soulful harmonies, and frosted tips. But only one band had what it took to be a true rival to the Backstreet Boys. That is, of course, *NSYNC, another Orlando-bred quintet whose origin story is strikingly similar to BSB's. That other major boy band's breakout in the U.S. took place in 1998, when “I Want You Back” announced the arrival of five new dreamboats for impressionable young girls to obsess over. (Or hate with fiery vengeance, if they were BSB 4 LYFE.) In this episode, the When We Were Young podcast revisits Lance, Chris, J.C., Joey, and Justin and tries to classify the type of thing they do. We also discuss our favorite and least favorite members of the group (prepare for surprises!), and debate whether their music still gets us high, or if we're prepared to say “Bye Bye Bye” to *NSYNC's entire catalog. Did we drive ourselves crazy overdosing on bubblegum pop for this two-parter on the top gentleman crooners of the late 90s? You bet. But God must have spent a little more time on this episode of the podcast, because after chatting about every *NSYNC single, we still find time to reminisce about boy band also-rans like 98 Degrees and 5ive.  *NSYNC die-hards, proceed with caution. We can't guarantee this discussion won't tear up your heart! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Are they original? Not a bit. Are they the only one? Certainly not. Are they sexual? Well, that's up for debate!  The When We Were Young podcast dives into all these questions and more as we discuss the Backstreet Boys, pioneers in the bubblegum pop craze that was larger than life in the late 1990s and early 2000s.  Boy bands were all the rage around the turn of the millennium, starting with the international success of everybody's favorite musical act named after an Orlando flea market. (Okay, maybe they are the only one.)  The Boys broke out big time with “I'll Never Break Your Heart,” the first of many heart-related tracks that would soon hit the charts. Over the next few years, Nick, Brian, Kevin, Howie, and A.J. rocked our bodies, showed us the meaning of being lonely, and announced their return before most of us had even heard of them. They also fought to dominate the charts against a wave of other crooning gentlemen seeking to capitalize on their formula for teenage infatuation, including *NSYNC, 98 Degrees, and LFO. But all fads fade with time, so how do these massive hits sound to our 2024 ears? Are the Boys still our fire? Or is sharp-tongued criticism all we have to give? Yes, it's finally time for Chris, Becky, and Seth to take on BSB. So if you want it that way, we've got it that way! (If you want it some other way, we can't help you.) Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

New Year, new you? Who better to turn to for inspiration than a good-looking, well-educated, wealthy New York City investment banker with a razor sharp wit and killer taste in music?  Patrick Bateman has a flawless skin care routine, does one thousand crunches per day, stays up to date on the latest in fashion and food, can share insightful music criticism at the drop of a hat, and always returns his videotapes on time. Aside from his need to engage in homicidal bloodlust on a massive scale, he's practically perfect! At least, that's what too many viewers of 2000's AMERICAN PSYCHO seem to think, based on the way Christian Bale's suave psychopath has been memed and emulated across the internet. Fresh off our last episode, which examined the problematic worship of Scarface's Tony Montana, we're scrutinizing an even more deranged cinematic role model. Patrick Bateman first stirred up controversy in the publishing world as the narrator of Bret Easton Ellis' 1991 novel, then caused an uproar all over again in Mary Harron's satirical film adaptation, even as it proved Bale had the chops to be a leading man. Does American Psycho really glorify violence and celebrate misogyny, racism, and homophobia the same way the Bateman character does? Or has this subversive send-up of 1980s materialism just been misunderstood by certain audiences (like, say, TikTok influencers)? This podcast makes for ideal listening during intricate skin care routines, insane workouts, and even while waiting for a table at the hottest restaurant in town! (For audio accompaniment to murders and executions, we recommend Huey Lewis and the News.) Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Bright lights, joyful music, expensive baubles, and white powder everywhere! Could it be Christmastime again? Or is it perhaps a sweltering, sweaty drug war in Miami, circa 1983? Actually, it's both, as When We Were Young celebrates the holidays the only way we know how - with narcotics, chainsaws, and expletives galore, all courtesy of Brian De Palma's ultraviolent crime classic SCARFACE. Americans have a long history of looking up to men who aren't the best role models. That explains why Tony Montano, the Cuban crime lord unforgettably embodied by Al Pacino, became an unlikely role model for millions of moviegoers who turned the controversial gangster flick into a stone cold classic over the four decades that followed its release. Some viewers find inspiration in Tony Montana's upwardly mobile immigrant story, while others find the film's execution of the American dream to be even more crass than the capitalist excess it's critiquing. And then there are those who just really like the F-word and machine guns! To celebrate the film's 40th anniversary, Chris, Becky, and Seth sample from Scarface's many extremes, exploring everything from the incestuous implications of its sibling relationship to the over-the-top carnage of its finale - all set to a throbbing disco soundtrack, of course. Do we still consider Scarface to be a lil' fren' to cinema? Or is Tony Montana a bad guy we prefer to say “goodnight” to indefinitely? Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Death comes to us all - unless you're Meryl Streep and Goldie Hawn. These two actresses have found the secret to living forever: being immortalized in one of the most beloved horror comedies of cult cinema, DEATH BECOMES HER (1992). Robert Zemeckis broke new ground with the movie's mind-bending Oscar-winning (and neck-twisting) special effects, and the film was a hit at the box office despite critics not being too impressed by the literal death-defying antics of these two frenemies. Has time been kind to Mad(eline) and Hel(en) in the last 30 years? Or is "Death Becomes Her" just a rotting corpse covered in spray paint? Join us as we revisit the past and share our own insecurities about aging. Bottom's up! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Put on your yarmulke, it's time to celebrate ADAM SANDLER! In the third and final installment of our series Saturday Night Leavers - Celluloid Man-Children Of 90s Cinema, we revisit Adam Sandler's most memorable Saturday Night Live sketches, from Canteen Boy to Opera Man. Then we dive into his big-screen adventures in BILLY MADISON, HAPPY GILMORE, and THE WEDDING SINGER, where Sandler plays men who range from romantic losers to (arguably) lovable idiots with anger issues. Adam Sandler has perfected the art of buffoonery in his decades-long, billion-dollar-earning career, but does his first chapter as a leading man still bring the laughs? Or are we all now dumber for having listened to it? One last question: Do you have any more gum? Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Saturday Night Live is not just a TV comedy institution but also an incubator for some of the brightest comedy stars of the silver screen. In our three-part miniseries Saturday Night Leavers - Celluloid Man-Children Of 90s Cinema, we are surveying the careers of three men who left the show in 1995, and who took their SNL fame to new heights by becoming movie stars. In Part Two of the miniseries we discuss Chris Farley, one of the hottest stars to ever burst out into national fame from Saturday Night Live. Farley took his unforgettable comedic persona and superstardom to the cinema immediately after SNL fired him in 1995, but his career was tragically cut short by his death in 1997 at the age of 33. We begin by discussing our own childhood needs for attention and approval from strangers, and then we investigate Chris Farley's upbringing as a hell-raising but sensitive and devoutly Catholic boy in Wisconsin, his meteoric rise in improv comedy, and our own favorite moments of Farley's career in SNL and beyond. Then we revisit Chris Farley's two best known film roles: co-starring with SNL alum David Spade in 1995's hit brake pad sales comedy TOMMY BOY, and in 1996's less-than-hit political(?) comedy BLACK SHEEP. How do these movies hold up now? Whether or not you knew him as a "heartbreaker" or "not hygienic," and whether or not he ever really lived in a van down by the river, Chris Farley was an inescapable staple in American homes throughout the 1990s. And quotes from his sketch and movie characters were on the tongues of countless grade-school youth, including at least one host of this podcast. Do... do you remember that? It was awesome! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Here's a bonus mini-sode where we discuss Mike Myers' SO I MARRIED AN AXE MURDERER (1993) as well as our own childhood pop cultural touchstones. Join us for the rest of Mike Myers' epic journey from schwing! to swinger in Part One (Episode 124) of our Saturday Night Leavers - Celluloid Man-Children Of 90s Cinema mini-series! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Many of the big screen's most successful comedians got their start on the small screen, and no TV series has launched more comedy all-stars than Saturday Night Live. In 1995, the long-running weekend staple experienced a major shakeup with the exit of many of its most popular cast members, including Adam Sandler, Chris Farley, and Mike Myers - all of whom followed up their successful stints on SNL with feature comedies. In the first of three episodes focusing on the film careers of these SNL funnymen, we set our sights on Mike Myers, who kicked off the sketch-to-film trend of the 90s by bringing Saturday Night Live's Wayne Campbell from public access television in Aurora, Illinois to nation-wide box office smash in 1991's WAYNE'S WORLD. The irreverent comedy co-stars SNL's Dana Carvey as sidekick Garth and boasts more catchphrases than you could count in a lifetime, but do these wacky slackers have what it takes to party on into the 21st century, or… NOT? Next up, we thaw out 1997's AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY, the outrageous spy spoof starring Myers as a time-hopping 60s swinger who must fight off both his outmoded sexual politics and his maniacal hairless doppelganger, Dr. Evil. The Austin Powers franchise cemented Myers' status as a major box office drawn and 90s comedy legend, and spawned even more inescapable catchphrases, but is it still groovy, shagadelic, and totally switched on? Or does it make us want to say, “No, baby?" And in case that isn't enough to get you all verklempt, our discussion also touches on some of Myers' beloved SNL characters who didn't make the transition to the big screen, including Simon, Dieter, and Linda Richman, as well as the Wayne's World and Austin Powers sequels. Join us on Mike Myers' epic journey from schwing! to swinger in Part One of our Saturday Night Leavers - Celluloid Man-Children Of 90s Cinema miniseries! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

We hope you like the color pink, because that's all you're getting in this episode! In the second part of our Toys of Summer series, we look back at the most popular toys from our youth that were targeted at little girls - the gentle equines of MY LITTLE PONY, the disturbing, dead-eyed CABBAGE PATCH KIDS, the complicated backstory of JEM AND THE HOLOGRAMS, and of course the ubiquitous BARBIE, who first appeared on shelves wearing a black-and-white-striped bathing suit and has since become synonymous with the color pink.  Mattel has sold billions of Barbie dolls in the last 60 years despite often being the target of controversy; the doll has been a best friend and role model to the little girls who play with her while also contributing to their low self-image. Is there still a place for Barbie today? The inevitable box-office success of Barbie's first live-action big-screen adaptation might make you say Yes, but when it comes to the dolls, are we as willing to let the next generation of women spend their days imagining themselves as a buxom blonde bombshell? Join Becky, Chris, and Seth as they explore the gender politics of playing with Barbies, try to make sense of the absurd backstories of Jem and the Holograms and the Cabbage Patch Kids, and compare the stark differences between marketing to boys and girls.  Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

In this "Boys' Toys" episode of our two-part TOYS OF SUMMER podcast, we revisit icons ranging from Zack the Lego Maniac to Sergeant Slaughter in remembrance of the toys we played with in the 80s and 90s that were marketed primarily to boys. As it turns out, some of our favorite cartoons from childhood were more than meets the eye - they were advertisements in disguise, created explicitly to get us to buy plastic playthings! The toy-to-TV-show trend kicked off with Hasbro's relaunch of its G.I. JOE action figures in 1982, rebranded as the “Real American Hero” in a corresponding animated series. It was soon followed by action figure juggernauts HE-MAN AND THE MASTERS OF THE UNIVERSE and THE TRANSFORMERS. Using bulging muscles, explosive hardware, and cartoon violence to appeal to young boys, these series often wrapped up with a wholesome life lesson to balance out the mayhem (before cutting to a commercial break encouraging us to buy the latest bazooka-toting action figures). Along the way, we touch on other toys marketed mainly to boys during this era, including Hot Wheels, Nerf, Tonka Trucks, and Super Soaker - and of course, share thoughts on 1986's TRANSFORMERS: THE MOVIE and how the death of Optimus Prime traumatized a whole generation of youngsters. With the fabulous secrets of our favorite toy brands revealed to us, do any of these products still have the power? Or do companies like Hasbro and Mattel just look like Decepticons to us now? With movies like BARBIE and TRANSFORMERS: RISE OF THE BEASTS in theaters this summer, it's the perfect time to reconsider the lessons we learned from toy-branded cartoons and commercials in the 80s and 90s. Because now we know that the cartoons we loved as kids were a total sham — and knowing is half the battle! (This episode may contain a choking hazard for children under 3. Becky, Chris, and Seth sold separately.) Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

After thoroughly raiding the lost ark in their previous outing, Chris, Becky, and Seth found themselves on shockingly shaky ground with Indiana Jones superfans. Can the three opinionated podcasters escape the wrath of Indy's admirers this time around? When We Were Young excavates the further adventures of cinema's favorite tomb-raiding hunk, digging into Steven Spielberg's wildly different sequels. First up is 1984's INDIANA JONES AND THE TEMPLE OF DOOM, which saw Harrison Ford joined by Kate Capshaw and Ke Huy Quan for a disturbing descent into human sacrifice and child slavery. Stuffed with gross-out gags and ultra-macabre special effects, the film outraged parents and alienated critics, but still managed to rake in plenty of that sweet summer movie money and become a staple in many VHS collections. (Thanks in large part to a McDonald's promotion!) And finally, we delve into 1989's INDIANA JONES AND THE LAST CRUSADE, which hewed closer to the adventuresome tone of the 1981 original, with daddy issues added to the mix as Sean Connery came aboard to play Indy's cranky but lovable father. It was, of course, another gigantic hit, capping off the original film trilogy while paving the way for a TV series, video games, and a super popular Disneyland ride that would hold us over until Dr. Jones' first return to the big screen nearly two decades later.  Will When We Were Young rip fans' still-beating hearts from their chests and crush them with criticism once again? Or will we permit these sequels to sip from the Holy Grail and live on for all eternity? Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Why did it have to be podcasters? After seven years of fan requests, When We Were Young is finally getting around to the beloved Dr. Henry Walton Jones, Jr. franchise - better known to moviegoers by his canine-inspired nickname, Indiana Jones. With Harrison Ford stepping back into the role after a long hiatus for this summer's INDIANA JONES AND THE DIAL OF DESTINY, it's the perfect time to look back at the film that started it all.  Blockbuster groundbreakers George Lucas, who created the character, and Steven Spielberg, who helmed all three films in the original trilogy, joined forces in 1981 for RAIDERS OF THE LOST ARK, a film that defied low expectations to become one of the most treasured movies of the 80s. The summer smash was hailed as a masterpiece upon its release, raking in cash at the box office for almost an entire year and earning a nomination for Best Picture at the Oscars.   How does everybody's favorite archaeologist hold up as an action hero four decades after his first foray onto movie screens? Does unearthing this action-adventure classic still reward audiences with bountiful riches and wondrous delights, or just a bunch of booby traps? Grab your bullwhip and fedora, watch out for massive balls, and join us for an episode that's bound to dig up some controversial opinions! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

If you're an '80s kid, you can remember karate being the chosen after-school activity of pretty much everyone in your class (and likely yours too). You can thank THE KARATE KID for getting everybody in a gi. In our latest episode, we revisit the original 1984 film in the hit franchise that would span decades, as well as multiple sequels and reboots, discussing how this movie set the formula for nearly every mentor-protege story that would follow. We're also happily joined by Becky's big sister Chelsea, who shares why she's been a big fan of this movie since she was a kid. (It only has a little to do with crushing on a baby-faced Ralph Macchio.) Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Do you feel that chill in the air? This holiday season, When We Were Young's listeners will be visited by three all-knowing spirits who serve as guides through the past, present, and future of all things Muppet. Our last episode chronicled the humble beginnings of Kermit and company through their rise to global superstardom with The Muppet Show and The Muppet Movie in the late 70s. In this episode Chris, Becky, and Seth discuss their youthful memories of more recent Muppets exploits like the original MUPPET BABIES cartoon of the 80s, the MUPPETS TONIGHT primetime series that aired on TGIF in the 90s, and a star-studded pop album called KERMIT UNPIGGED that at least one of our hosts cherished. Next we revisit the Muppets' musical retelling of Charles Dickens' classic ghost story in 1992's THE MUPPET CHRISTMAS CAROL, which stars a pitch perfect Michael Caine as yuletide-loathing miser Ebenezer Scrooge, and a bunch of puppets as Bob Cratchit, Tiny Tim, the Marleys, and even the author himself. Then we are confronted by the present and future of Jim Henson's beloved creations since the Muppets were officially taken over by Disney in the early 2000s. Does The Muppet Christmas Carol still warm our hearts and send us out into the snowy streets to pass out savvy pop culture critiques to the needy? Or have the years turned us into cold, cruel Scrooges ready to say, “Bah, humbug!” to this Disneyfied departure from the Muppets' scrappy roots? Celebrate the 30th anniversary of this furry, funny holiday classic with When We Were Young! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

It's When We Were Young's most sensational, inspirational, celebrational, Muppetational episode yet! Gonzo, Miss Piggy, Fozzy, and friends may be best known for kid-focused fare these days, but Jim Henson's world-famous puppets originally had roots in more grownup entertainment, including The Tonight Show Starring Johnny Carson, the first season of Saturday Night Live, and a “Sex & Violence” TV special that provided a test run for puppets on primetime.  In this episode of the podcast, we look back at the very beginning of Henson's puppeteering career on public access television more than two decades before the gang got their very own variety program in THE MUPPET SHOW, which became a worldwide phenomenon starting in 1976. Chris, Becky, and Seth rewatch some of the series' most notable episodes with guest stars Rita Moreno, Steve Martin, Harry Belafonte, and Elton John, and discover that their mileage for puppets delivering dad jokes may vary. Then we revisit Kermit and company's big screen debut in 1979's THE MUPPET MOVIE, which awed fans by taking the Muppets out of the studio and having them ride bikes, drive cars, and show off their felt feet for the very first time, all in pursuit of Hollywood stardom. Do we still feel a rainbow connection to these early Muppets outings? Or have the lovers and dreamers aged into old fogeys sitting up in the balcony, heckling the lovable puppet performers down below? Play the music, light the lights, raise the curtains, and prepare for some controversial opinions on the When We Were Young podcast's Muppets episode tonight! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

It's Part 2 of Hanksgiving, our special holiday series showing gratitude for America's Dad TOM HANKS! In this episode we revisit 1994's FORREST GUMP, the blockbuster dramedy from Robert Zemeckis that won as many Oscars as it had catchphrases. Becky, Chris and Seth debate whether this light-as-a-feather stroll through mid-to-late 20th century America is just as beloved now as it was upon its release, or if it's gone as stale as a 30-year-old box of chocolates. Elvis, John Lennon, JFK - anyone who's anyone is making a computer-generated appearance in our latest episode! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Happy Hanksgiving, everyone! In our first of two episodes sharing our gratitude for one of Hollywood's most endearing, reliable stars - that would be none other than TOM HANKS, of course - we take a look back at the actor's breakthrough performance in the hit 1988 comedy BIG. Is a romance between an adult woman and a 12-year-old boy in a 30-year-old man's body problematic? Kind of! We also discuss some other less-than-memorable body-switching flicks and what we would have wished for if we encountered a Zoltar machine at age 12. Let's see if BIG still captures our heart and soul (as played on a comically oversized piano). Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Becky, Chris and Seth wanted to pull out the big scares this Halloween season, and what's scarier than being adored? Join us as we take a look back at MISERY (1990), director Rob Reiner's first (and only) foray into horror. This film gave us Kathy Bates — and gave Kathy Bates an Oscar — and introduced the term "hobbling" to millions of horrified moviegoers. In this episode, we discuss whether iconic movie villain Annie Wilkes had an influence on Hollywood's leading ladies breaking bland and embracing frumpiness, and if James Caan was the best choice for the role of Stephen King stand-in/author Paul Sheldon. We also share the artists we believe we're the number one fans of, who we promise we will not imprison in our homes. Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Oh, you thought we were done talking about all the creepy-crawlies that go bump in the night, that slither in wait hoping to swallow you whole, and that can somehow turn on a gas oven using a dorsal fin? Hardly! In this dazzling, toothsome, and scaly finale to When We Were Young's ‘90s Creature Feature extravaganza, Chris and Seth revisit three more hit movies that represent the monstrous tail end of this genre's heyday. First, they were pretty sure the end was near when their boat sank in the jungles of the Amazon River and they were nearly swallowed whole by an immense ANACONDA (1997), but they were saved at the last moment by a documentary film crew led by JLo, Ice Cube, and an indecipherable but legendary Jon Voight. Hoping to find respite and relief in the calm waters of LAKE PLACID (1999), they instead found Betty White raising a world-record killer crocodile, and Bridget Fonda, Bill Pullman, and Oliver Platt competing to see who'd had the most severed heads flung at them. Finally, in one last desperate attempt to get away from it all, Seth and Chris took a trip and a dip in the DEEP BLUE SEA (1999) heading to an underwater scientific research station at the forefront of Alzheimer's research - but the three resident bioengineered mega-sharks who also lived there immediately crashed their party and proceeded to flood them out! These giganto makos had the gall to eat Seth's parrot, and one of these cunning sharks nearly got Chris too - until he took all his clothes off and electrocuted it. Dazed and shocked to have made it out alive, our hosts have sworn never to leave dry land or violate the Harvard Compact ever again. Grab your swimsuits as we revisit the waterlogged beasts of the latter days of Hollywood's creature features in what is by far the wettest episode of WHEN WE WERE YOUNG yet. Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Just when you thought it was safe to go back to the '90s, an elite team of podcasters has been selected to journey deep into the jungle, dive deep into the ocean, and dig deep underground to locate some of the deadliest predators ever known to moviedom. Two of cinema's greatest auteurs made creature features that have gone down as classics - Hitchcock's THE BIRDS in the '60s and Spielberg's Jaws in the '70s. In their wake, however, the genre known as “nature horror” took a steep downhill turn into low-budget schlock, and sadly creature features became an endangered species. But for a brief, beautiful window during the 1990s, movies about hungry, hungry critters great and small came roaring back! The genre flirted with becoming mainstream again, nabbing bigger budgets, bigger stars, and monster-sized box office receipts (in some cases). So welcome to Part One of our '90s Creature Sexa-Feature! (“Sex” as in “six.” Get your mind out of the gutter - there might be alligators down there!) In this episode, we unearth 1990's TREMORS, which features Kevin Bacon and Reba McEntire pole-vaulting away from giant worms, then direct all eight of our eyes toward the shrieking spiders of ARACHNOPHOBIA (from that same year), which still has the power to scare at least one of our hosts off his tuffet. Finally, we go bananas for the killer gorillas of CONGO (1995), which features Tim Curry, Laura Linney, and a host of others giving performances that are almost as big as the lost diamonds of Zinj. Pour yourself a green drop drink and pack up that sesame cake, because we're hunting down and rounding up the very finest big screen animal attacks of the 90s! (Survival not guaranteed.) Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

If you thought we had just one bun in the oven for our lineup of Arnold Schwarzenegger comedies about birth and child-rearing - surprise! This topic is actually twins! In our previous episode, we cooed over 1988's Twins, in which Schwarzenegger popped his cherry as a humorous leading man and wowed us with his lack of vanity in getting laughs. In this episode, we carry our “Schwarzepreggers” topic to term, seeing if Arnold's final two collaborations with Ivan Reitman are what we're expecting - and if they still deliver. In KINDERGARTEN COP (1990) Arnold stars as Detective John Kimble, a grim cop who learns that the only way to bust a drug dealer is to go undercover as a kindergarten teacher. (Don't ask.) There's plenty of deception, betrayal, yelling at children, gunplay on school grounds, and even a feral ferret - but are the laughs here, or absent? This bizarre blend of kiddie hijinks and deadly police drama just might have to stay after class.  Then, Arnold teams back up with Reitman and Danny DeVito for JUNIOR (1994), a movie about how becoming a single parent affects a man's love life, friendships, and career - because he has inseminated his new work crush Emma Thompson's secretly stolen ovum, implanted it in his own abdomen, and become pregnant himself. Junior is notorious for pushing high concept star vehicles to their extreme, subverting Schwarzenegger's tough guy persona as he contends with morning sickness and kooky cravings instead of the usual cyborg nuclear attack. But nearly 30 years later, does Junior fill our bellies with laughter as easily as it fills Arnold's belly with a viable infant? Grab some forceps, because the chuckles may not come so easily this time around! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Arnold Schwarzenegger became world famous in the 1980s as the jacked-up star of macho blockbusters like CONAN THE BARBARIAN, PREDATOR, COMMANDO, and THE TERMINATOR. But in the late 80s and early 90s, he teamed up with GHOSTBUSTERS director Ivan Reitman for a trio of family-friendly comedies, starting with 1988's TWINS. Schwarzenegger's comic chemistry with Danny DeVito drove this broad, fairly inexpensive studio comedy to rake in over $200 million and become the fifth-biggest earner at the box office that year, proving Arnold's ability to draw big crowds outside the action genre and paving the way for several more seminal turns in blockbuster comedies. In this episode of the podcast, we look back at Arnold's austere Austrian childhood and the 1977 documentary PUMPING IRON, which chronicles the bodybuilding championships that first catapulted him to worldwide renown (and also chronicles his orgasmic workouts). Then, we check back in on TWINS and see whether this beloved 80s comedy still has us laughing for two. (One blue line means we didn't like the movie. Two blue lines means we did.) So join us for the conception of our “Schwarzepreggers” lineup and see if Ahnuld's comic chops have held up as well as that hulking body — or if he should've just stuck to his day jobs as world-class athlete, popular governor, and unparalleled action hero instead. Along the way, we discuss Schwarzenegger's big screen sex appeal (or lack thereof?), marvel at his unique combination of himbo charm and tireless ambition, ogle his out-of-this-world physique, and debate whether Arnold can still tickle our funnybones as effortlessly as he could break all of our other bones. Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

If you were a '90s kid, chances are you wanted just two things in life: for Nick to take over your school, and a spot saved for you on the big orange couch synonymous with SNICK. Nickelodeon's Saturday night programming block for pre-teens launched in 1992 and became an instant hit with the demographic who was still awake at 8pm but had nowhere to go. Now that we're all grown up, is there anything worth revisiting in any of the many shows that graced the SNICK lineup? Submitted for the approval of the Midnight Society, we take a look back at CLARISSA EXPLAINS IT ALL, ALL THAT, ARE YOU AFRAID OF THE DARK?, THE SECRET WORLD OF ALEX MACK, ROUNDHOUSE, THE ADVENTURES OF PETE & PETE, and some of the other shows that made us feel like we finally had something to do on a Saturday night. Plus, we try and figure out why Super Soakers had such a monopoly on children's advertising in the '90s. Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

You know the score. You know the quotes. You know the poster. Forty years ago, a wrinkly alien with a magic touch waddled into moviegoers' hearts and made E.T. THE EXTRA-TERRESTRIAL one of the most beloved family films ever made. Steven Spielberg's alien opus surpassed STAR WARS as the #1 film of all time and remained the biggest hit in a decade that also saw the release of GHOSTBUSTERS, BACK TO THE FUTURE, the INDIANA JONES trilogy, and BATMAN. It also delighted critics and audiences alike, spawning toys, video games, and one of Universal Studios' most memorable rides. In short, E.T. was everywhere in the 80s.  In this episode of the podcast, When We Were Young takes you back to Spielberg's childhood, chronicling his rise from suburban nerd to world's most popular filmmaker. Then we chat about CLOSE ENCOUNTERS OF THE THIRD KIND, Spielberg's first foray to the friendly skies, which offers a surprisingly dark vision of one man's life-shattering obsession with the unknown. Then it's on to “the Summer of Spielberg,” when both E.T. and the Spielberg-shepherded POLTERGEIST entered theaters in June 1982, each becoming instant classics of suburban childhood interrupted by paranormal events. What is it like coming back to such a monumental movie as adults? Are we still over the moon for this film, or merely silhouetted against it? Grab a bag of Reese's Pieces and join us for an episode that's well worth phoning home about! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

In Part 1 of our look back at MTV's The Real World, we were impressed with how quickly the show defined the tone, format, and style that reality television would use for the next thirty years (and counting). But it was the show's third season, with the infamous slob Puck facing off against courageous AIDS activist Pedro, that made The Real World a real sensation, ushering in a wave of reality shows at the turn of the millennium that hasn't died down since. (Listen to Part 1 here if you haven't caught up: https://themfp.org/wwwy-105-mtv-real-world-1/) For Part 2, we look back at that groundbreaking (and heartbreaking) San Francisco-set season, which aired in 1994. Then we fast forward to one of the show's other major scandals and reveal who we side with regarding the infamous Seattle Slap. Finally, we revisit personal favorite Real World seasons from our teen years and talk about the cast members who made the biggest impressions on us. As The Real World turns 30 this May - and is therefore way too old to be a cast member on The Real World - it's time to celebrate the series that just might have had a greater influence on the TV landscape than any other show of the 90s. Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

McDonalds, TV pilots, Elvis, and foot massages - just the usual topics of conversation between gangsters, drug users, hitmen, and criminals, at least in Quentin Tarantino's world. The release of the writer/director's heavily-lauded PULP FICTION in 1994 was a groundbreaking moment for both Tarantino and movies, and its pop culture-obsessed characters and narrative-jumbling structure influenced the next decade or so of cinema (for better or worse). Do Pulp Fiction's accolades remain as bright and shiny as whatever's in that briefcase? Or are we right in striking down upon thee with great vengeance and furious anger? Join us for an expletive-filled adventure back to the '90s - seriously, make the kiddos cover their ears for this one. This is Part 2 of our Tarantino-thon! Listen to Part 1 where we revisited NATURAL BORN KILLERS and RESERVOIR DOGS here: https://themfp.org/wwwy-103-naturalbornkillers/ Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Hollywood got a double dose of ultraviolence in 1994 with the release of not one but two postmodern, blood-soaked meditations on pop culture and the media from a new and exciting filmmaker named Quentin Tarantino. The first of these, NATURAL BORN KILLERS, directed by Oliver Stone, was so controversial at the time that Tarantino himself disavowed it (along with a sizeable portion of moviegoers and critics). Nearly 30 years after its release, there's still a lot to discuss and debate about Mickey and Mallory and whether its satiric and satanic take on the media remains relevant. There's also quite a lot to say about the eccentric writer/director's pre-1994 films TRUE ROMANCE and RESERVOIR DOGS, as well as his influence on '90s cinema as a whole. That's why this is just Part 1 of our Tarantino deep-dive—so make sure you tune in for our talk on his arguable (and yes, we do argue) masterpiece PULP FICTION in Part 2! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Sometimes, iconic characters from a movie become pop culture references that outlast and outshine the movie itself. Sometimes, you'd rent a movie at Blockbuster based on the cover alone. And sometimes, ambitious white women in ancient Egypt or “Hauptmann-Koenig” time travel and teleport into beautiful mannequins in a department store in Philly! In 1987 and 1991, that sometimes and those iconic characters were the namesakes of MANNEQUIN and MANNEQUIN TWO: ON THE MOVE. Whether in the role played by Kim Cattrall in the first outing (playing an Egyptian character - in ancient Egypt) or by Kristy Swanson in the sequel, the female lead of this well-known franchise is a woman hopelessly trapped in a department store window mannequin until a hapless and bumbling (but secretly talented!) handsome guy named Jonathan or Jason arrives to become her instant true love and render the force of life into her immobile body. In both movies, Meshach Taylor plays the indefatigable and fabulous Hollywood Montrose, an out and proud gay man who does window displays at the Prince and Company department store and who helps these men meet their mannequin matches. How moving are Mannequin's representations of women and of “Hollywood” in 2022? Is the Mannequin still vibrant and vivacious - or have time or Egyptian gods or a cursed necklace turned her back into cold, expressionless, painted fiberglass? Also, why don't more movies Have A Dog? Our podcast hosts surveyed every cranny and corridor of Prince and Company by hang glider to answer those questions and revisit these movies. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

As we discussed in our 100th episode, L. Frank Baum's The Wonderful Wizard Of Oz delighted generation after generation of children, and MGM's 1939 musical adaptation became one of the most popular and cherished motion pictures of all time. So it's only natural that in the '80s, Disney decided to pay tribute to these Oz classics in a family film that puts Dorothy in an insane asylum and turns her beloved trio of friends to stone... right? With a surprisingly dark storyline and truly frightening special effects, it's no wonder 1985's RETURN TO OZ scared the hell out of more children than it charmed. (Surprise! It wasn't a hit.) Disney's pseudo-sequel to a film that everybody knows and loves is largely forgotten, but that doesn't stop When We Were Young's hosts from checking back in with the many-headed Princess Mombi, the sinister but fabulous Nome King, and the kooky, cackling Wheelers. Fortunately, young Fairuza Balk and a handful of lovable new comrades, including Tik-Tok, Jack Pumpkinhead, and a sassy hen named Billina, are on hand to brighten things up between shudders.  Is Disney's dystopian vision of Oz worth the return trip? Or do we wish Dorothy had just followed her own advice and stayed home this time around? Return with us to the scary old land of Oz — if you dare! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Surrender, Dorothy! For the 100th episode of When We Were Young, Seth, Becky, Chris and returning guest host Jan have clicked their heels together three times and summoned a twister to whisk them all the way back to 1939, when the ultimate Hollywood classic landed on the big screen in glorious Technicolor. Watching THE WIZARD OF OZ has been a childhood rite of passage for several generations now, its characters and quotable dialogue known to just about every man, woman, and child this side of Munchkinland. But does the film itself still have the brains, heart, and nerve to dazzle discerning modern day viewers? First, Oz aficionado Chris recounts his history with the original fantasy series by L. Frank Baum, which is much more robust than you might think. Then, strap on some sparkly slippers and skip down the yellow brick road with us once again as we revisit the classic film — going gaga over Toto, debating the best and worst tracks from the iconic soundtrack, and marveling at the film's unforgettable makeup, production design, and special effects. Plus, discover who has the hots for the Tin Man, who thinks the Scarecrow is the ideal life partner, and which hosts think the Cowardly Lion is due for a poaching. (We don't dodge the tough questions on this podcast.) Repeat after us: there's no podcast like When We Were Young! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

When We Were Young's Tom Cruise double-feature sets sail on what might be the movie star's ultimate role, the titular charming and conflicted sports agent of Cameron Crowe's JERRY MAGUIRE. This 1996 romantic drama made a star out of Renee Zellweger and Cuba Gooding Jr. (the latter winning the Oscar for Best Supporting Actor) and cemented Cruise's status as Hollywood's go-to leading man with his record-breaking fifth $100-million-plus-earning feature. Decades later, does Cruise's performance still complete us? Does the film have us at "Hello?" Do the script's seemingly endless quotable moments, er, show us the money? (Sorry.) Join us on the final stop of our Cruise down memory lane, with a pit stop discussing the actor's other notable 1996 entry, "Mission: Impossible." Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! And show us the money to help cover the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California via our Patreon account at patreon.com/WhenWeWereYoung

Do you feel the need? The need to speed back to the 80s and bro out with Iceman, Wolfman, Slider, Viper, Goose, and Maverick all over again? If so, you'll love Part One of our cruise through the career of the galaxy's biggest superstar (don't tell Xenu), starting with the 1986 blockbuster that first catapulted him to worldwide fame - TOP GUN. The name “Tom Cruise” may be synonymous with movie stardom now, but back in 1986, he was still best known for his undie-baring breakout in the teen sex comedy RISKY BUSINESS, so having him headline an action-packed military drama was a bit of a gamble. Of course, Top Gun ended up topping all expectations, becoming the year's highest-grossing film, launching a killer soundtrack, winning an Academy Award for the soaring romantic ballad “Take My Breath Away,” and cementing its place in history as one of the most iconic 80s movies. Now, as Top Gun approaches its 35th anniversary with a long-awaited sequel on the horizon, it's time to find out whether these boys are still worth playing with after all these years - or if we've lost that loving feeling for this classic dad flick. So take a deep breath, get inverted, and select your wingman carefully, because we're heading right into the danger zone of Reagan-era jingoism and mid-80s machismo - and we're not stopping until we're going Mach 2 with our hair on fire. (Whatever that means!) Will we take Top Gun to bed, or lose it forever? Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Donate to help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California via our Patreon account at patreon.com/WhenWeWereYoung

In our latest episode, we answer the existential question that has plagued mankind for centuries: Who you gonna call? Join us as we take a look back at Ivan Reitman's groundbreaking action-comedy GHOSTBUSTERS (1984) and its spooky, silly sequel GHOSTBUSTERS II (1988). The film that launched a thousand merchandise opportunities, "Ghostbusters" began as something VERY different in the mind of co-writer and co-star Dan Aykroyd and ended up being one of the most successful movie franchises of all time. Nearly 40 years after the original film's debut, does "Ghostbusters" stand proudly like the Statue of Liberty strolling through the streets of Manhattan? Or is it more like a river of slime? We've got some unfinished business with Peter, Ray, and Egon - and, unlike the movie, we don't forget Winston. We ain't afraid of no ghosts… but we are a little anxious about incurring the wrath of Ghostbusters loyalists with our critique of these beloved films. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Donate to help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California via our Patreon account at patreon.com/WhenWeWereYoung

If you're a dreamer, a wisher, a liar, a magic bean buyer, or you just hate doing dishes and taking the garbage out, you'll surely find something to relate to in our episode on celebrated author, illustrator, poet, and all-around Renaissance Man Shel Silverstein. Though WHERE THE SIDEWALK ENDS was first published in 1974, long before we were even born, Silverstein's groundbreaking poetry collection was a staple in classrooms, on library shelves, and at bedtime throughout our childhoods, along with later volumes A LIGHT IN THE ATTIC and FALLING UP. Award-winning author Elissa Brent Weissman joins us for a look at how writing for young readers has changed in the decades since we were young readers ourselves. Then we discuss Uncle Shelby's salacious origins (far outside the realm of children's fiction) and have a heated debate about what his massively popular children's book THE GIVING TREE is really about. Finally, we dive back into Silverstein's poetry to share which pieces still strike a chord with us. Revisit Hungry Kid Island, get reacquainted with Ridiculous Rose, and fire up the Homework Machine one last time, because we've got some flax golden tales to spin in the latest episode of When We Were Young — the only podcast that 10 out of 10 tree stumps agree makes them happy. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Donate to help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California via our Patreon account at patreon.com/WhenWeWereYoung

If you're nostalgic for the summers of your youth, there's a chance you're likely also pining for the first time you watched MY GIRL (1991) and MY GIRL 2 (1994). In When We Were Young's Manic My Girl Monday episode, we discuss the surprising lack of child-friendly drama flicks and reflect on how we spent our summer breaks as kids before launching into our discussion of the movie that made children and adults everywhere break down in tears. Does the coming-of-age story of Vada Sultenfuss (Anna Chlumsky) and her beloved bespectacled bee-inflicted best friend Thomas J. (Macaulay Culkin) still turn on the waterworks, or does it just not work? How many of you older millennials are crying right now just thinking of Vada bawling, "He can't see without his glasses!"? Be honest! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! PLEASE HELP US defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

It's Part Two of (deep breath) the When We Were Young Early Late Mid-to-Late 90s Summer Alien Invasion Spectacular, taking on the top alien flicks to invade 1997! In our latest episode, here come the MEN IN BLACK (clap clap), Barry Sonnenfeld's massively successful action-comedy starring Will Smith, Tommy Lee Jones, and a slew of Oscar-worthy makeup effects. We also take a look back at Robert Zemeckis's metaphysical and emotional drama CONTACT, which launched Jodie Foster into space to meet a very different kind of alien. (Or did it?!) Despite being released at the peak of UFO mania in the 1990s, these films could not be more different. Jump on our spaceship as we fly through a wormhole back to 1997 to decide if the Men in Black still make the summer blockbuster look good, or if we'd rather make contact with a movie adapted from an astrophysicist's book. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Give us some sugar to defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

In the mid-90s, multiplexes were invaded by an influx of movies centered on mankind's first contact with extraterrestrials. And unlike the cute and friendly aliens we got to know in the 80s, like E.T. and ALF, the space invaders of the 90s mostly just wanted to annihilate us, starting with our favorite tourist destinations. Part One of the When We Were Young Early Late Mid-To-Late 90s Summer Alien Invasion Spectacular looks at two of the deadliest interstellar assaults to ever breach the silver screen, both celebrating their 25th anniversaries this year. First up, we celebrate the 4th of July in the most American way possible — with mass casualties, tons of military hardware, a bombastic presidential speech, and a stripper! Roland Emmerich's record-smashing INDEPENDENCE DAY (1996) raised the bar for special effects-loaded summer entertainment, redefining the blockbuster with its cataclysmic destruction of U.S. landmarks (a popcorn movie hallmark ever since). Next, we attempt to shield ourselves from Tim Burton's outrageous sci-fi send-up MARS ATTACKS! (1996), with a cast so star-studded that it stars Jack Nicholson twice! The wacky comedy had just as much death and destruction as Independence Day, but came in for a crash landing when it opened in theaters, and has been largely forgotten since. Which of these uncomfortably close encounters holds up better now that we're viewing them from a distance? Do we prefer President Pullman to President Nicholson? A dog that outruns an explosion, or a chihuahua with Sarah Jessica Parker's body? Will Smith's fresh quips, or ack-ack-ack-ack? Get answers to these and other probing questions in a podcast that's truly out of this world! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

If ever a movie earned its exclamation point, it’s MOULIN ROUGE! In Part 2 of our Baz Luhrmann Spectacular Spectacular, we revisit the scintillating (and over-stimulating) 2001 musical that saw the likes of Nicole Kidman and Ewan McGregor belting out pop music’s greatest love songs. Though the film earned several Oscar nominations (and two wins), it was a divisive cinematic experience upon its release, and twenty years later not much has changed. Luhrmann’s gift is his song—or rather his version of Elton John’s song—but is it one you’d want to re-open? Sling back some Absinthe and join us as we debate the beauty, freedom, truth and love of Moulin Rouge! Why? Because we can can-can, that’s why. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

Baz, Baz, wherefore art thou Baz Luhrmann? On the latest episode of When We Were Young, we travel back to the mid-90s (and then even further back to the 16th century) to rewatch the Australian director's frenetic modern-day adaptation of WILLIAM SHAKESPEARE'S ROMEO + JULIET (1996). The film was a hit at the box-office and cemented Leonardo DiCaprio and Claire Danes' status as the heartthrobs of their generation. Plus, the film's soundtrack was considered one of the all-time greats, filled with original Bard-inspired tunes by the likes of Garbage and Radiohead. Shakespeare's tragic tale of star-crossed lovers is still considered a classic, but does Baz's exhilarating adaptation stand the test of time, too? Pray, join us in merriment for Part I of our Spectacular Spectacular review of the films of Baz Luhrmann - or do you dare bite your thumb at us, sir? Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

Have the podcast hosts stopped screaming? Not yet! We follow last episode’s discussion of the Best Actress nominees of 1991 - including the groundbreaking, genre-defying tale of female outlaws Thelma & Louise - with a look at the night’s big winner, THE SILENCE OF THE LAMBS. The serial killer thriller not only won the Best Actress Oscar, but also Best Actor, Best Adapted Screenplay, Best Director, and Best Picture - a feat accomplished by only two other films in the Academy’s 93 year history. Like Thelma & Louise, The Silence Of The Lambs is now known for inserting intelligent, fully realized female characters into a genre typically dominated by men. And like Thelma & Louise, The Silence Of The Lambs generated plenty of controversy upon release, especially around its gender-bending antagonist, Buffalo Bill. Of course, it also birthed one of the most memorable and quotable screen villains of all time, with Anthony Hopkins’ brief but tasty turn as cannibal psychologist Hannibal Lecter. In this episode, we dissect the film both as a crowd-pleasing, nail-biting thriller and through the lens of its sexual politics. Jodie Foster’s much-lauded performance made FBI trainee Clarice Starling one of the greatest screen heroines of the 90s, but does she still hold her own against the infamous Dr. Lecter 30 years later? Is The Silence Of The Lambs still a snack? Or should we send this thing back to Baltimore? Grab your best bag and your cheapest shoes, lodge an exotic moth in your throat, and get a nice bottle of Chianti ready, because this podcast is going all the way to the FBI. Bon appétit! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

When it comes to leading ladies, you’d have a hard time finding a more powerhouse lineup than 1991’s THELMA & LOUISE, which saw both of its stars nominated for Best Actress at the Oscars that year. Geena Davis and Susan Sarandon play BFFs whose road trip goes seriously south when they shoot a rapist and end up as unlikely outlaws bound for Mexico — via the Grand Canyon, of course. Callie Khouri’s original screenplay was so groundbreaking and audacious, it attracted the attention of nearly every actress in Hollywood — and was passed on by nearly every studio executive at the time, who pushed Khouri to make her characters more “ladylike” and change the controversial (and now totally legendary) ending. In this episode, our hosts discuss a film that had the odds stacked against it ever getting a greenlight, which has since become one of the most iconic and beloved films of the 90s. We also dust off the two other runners-up from the 1991 Best Actress race, seeing how For The Boys’ Bette Midler and Rambling Rose’s Laura Dern stack up against Sarandon and Davis. Does Thelma & Louise still feel as fresh as it did 30 years ago? Would the film still ruffle as many patriarchal feathers if it were made today? And what ever became of that handsome newcomer who plays the drifter? Climb in your Thunderbird, lock a cop up in the trunk, and leave your sex hair as is, because we’re in hot pursuit of the ultimate female buddy movie — and we think we have it in our sights! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

We came away from our musical journey through the #1 Pop Singles of the 1980s loving many of the biggest hits of the decade. Good job, 80s! The 90s? Well, that’s another story. We’ve already discussed some of the decade’s biggest breakouts on the podcast, including No Doubt, Alanis Morissette, Spice Girls, and Nirvana, all of whom got to #1 on our own personal charts at one point in time. But the #1 Pop Singles of the 1990s are a much more scattered affair, veering from upbeat pop cheese to gangsta rap to disco-dance throwbacks, with a whole lot of “adult contemporary” in the mix. As it turns out, the Billboard charts of the 90s watched America go through a diverse range of musical moods, from mourning the death of British royals to celebrating barely-contained boners on the dance floor — plus a lot more Costner worship than should be permitted in one decade. Of course, the mid 90s also saw a Latin-flavored dance craze that’s not just a #1 Pop Single, but also the #1 Most Cringe-Worthy Aspect of the whole decade! (Maybe even the entire 20th century!) So which songs do we want to “Hold On” to, and which have reached the “End of the Road?" Be forewarned — just because these songs were #1 does NOT mean we will always love them. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

In the days before YouTube and Spotify, most people discovered new music through a little device called the radio, and tracking the popularity of hit songs was much simpler. Back in the 80s, Billboard determined which songs charted through sales of physical singles on cassette tapes or CDs, and of course, airplay on the radio — which is how singles by artists like Blondie and Prince became inescapable at that moment in time. In this episode, your When We Were Young co-hosts take Billboard’s #1 charting pop single from every year of the 80s out for a spin — and the results are mixed! If “80s music” makes you think of Madonna, Billy Joel, Van Halen, or even A-ha, you’re not alone — but none of these popular artists actually dominated the charts in any given year of the decade. (Believe it or not, neither did the King of Pop himself!) While some tracks, like 1983’s chart-topper “Every Breath You Take,” are no-brainers, there are a few head-scratchers in the mix, too. The 80s were surprisingly big on ditties about Oscar-winning divas and the gaits of ancient peoples. So put on your best aerobics attire and join us as we whisper carelessly about the #1 Pop Singles of the 1980s —the ones we still have plenty of “Faith” in, those we’re desperate to “Look Away” from, and everything in between. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

We’ve been afraid… been VERY afraid… for most of 2020. Now we’ve made it to the New Year - a time of change, of hope, of possibility. But if you’re considering mutating into a human-insect hybrid as your New Year’s resolution, may we suggest… not? After chilling with John Carpenter’s barf bag classic The Thing in our previous episode, we’re buzzing about another horror maestro’s take on 50s sci-fi - David Cronenberg’s THE FLY remake (1986), starring Jeff Goldblum and Geena Davis as a couple that meets cute, falls in love, and soon has a baby on the way - while daddy is sprouting coarse insect hairs, vomiting milky white acid, and losing his teeth and fingernails in the most graphic way possible. It’s not a good look! We talk about how The Fly embraces its B-movie roots, while also elevating body horror to new heights of critical and commercial success (plus an Oscar for its all-too-convincing makeup effects). And we admit that, at the tail end of a most unusual year, we can relate to this mad scientist’s unease about becoming a slimy, shriveled hermit. So join us in kissing off 2020 the way it deserves - with exploding baboons, larvae babies, and displaced appendages. You’ll be disgusted… you’ll be VERY disgusted! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

Is this a podcast, or is it merely pretending to be? It’s 2020, so we’re celebrating the holidays a little differently this year. We’ve swapped twitching tentacles for twinkling lights, exploding wolfdogs for red-nosed reindeer, lighting killer space beasts aflame for roasting chestnuts, and a creeping existential dread for jolly good cheer. Ho, ho, ho! The 1980s saw a revival of 50s sci-fi B-movies, with notable remakes offering similarly bizarre chills and thrills with one major upgrade — some of the most stomach-churning special effects ever put to the screen. John Carpenter’s THE THING (1982) is a horror staple now, but it wasn’t so warmly received when it opened for audiences who had just fallen in love with Spielberg’s cuddly alien pal E.T., and Carpenter's career never fully recovered. We discuss how late 20th century horror masters took the traditions of drive-in camp classics and made them their own with gross-out gore and cringey body horror, then hunker down and contend with The Thing in all its goopy, arm-chomping glory. Did Carpenter’s classic deserve to be left out in the cold? Or was it a masterpiece merely imitating a box office bomb? Zip up your parka, secure your blood bags, and prepare for a not-so-silent night, because this is one story of immaculate reproduction that isn’t so blessed. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

As if 2020 couldn't get any more dismal, we sat down to rewatch Darren Aronofsky's REQUIEM FOR A DREAM, a movie so depressing that many of its viewers refuse to ever watch it again. Released in the year 2000 to positive reviews and horrified audiences, Aronofsky's film about drug addiction and the depths people will go to get their fix still carries the reputation of being a traumatizing film-watching experience. Is "Requiem" just as viscerally unnerving twenty years later? Join our discussion as we consider the appeal of disturbing cinema and share why Ellen Burstyn's performance as Sara Goldfarb is in a category all its own. Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

In cyberspace, there is no right or wrong… there’s only fun and boring! At least, that’s what 1995’s techsploitation thriller HACKERS would have you believe. After getting caught up in THE NET in Part 1 of our “net-rospective,” Part 2 finds our hosts recalling other 90s movies involving the internet, including The Lawnmower Man, Virtuosity, Johnny Mnemonic, and Disclosure, which were heavy on virtual reality but short on stuff people actually use the internet for nowadays. Then, we take a deep dive into Hackers, starring future sweethearts Johnny Lee Miller and Angelina Jolie, plus an eclectic supporting cast that includes Matthew Lillard, Fisher Stevens, Penn Jillette, and Marc Anthony. With its pulsing techno soundtrack, rave-inspired fashion, and some badass rollerblading, we marvel at how 90s one film can be — and cringe at Lorraine Bracco’s unintentionally hilarious turn as a trashy corporate executive whose main function in the story is repeating nonsense computer jargon with perpetually increasing desperation. Is this teen-oriented techno thriller still a seriously righteous hack? Or, when viewed through a modern lens, does it seem universally stupid? Hackers of the world unite for our latest episode! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

You’ve got podcast! In our latest episode, we’re flashing back to the bygone days of floppy disks, away messages, and actually disconnecting from the world wide web sometimes. It’s a two-part When We Were Young Net-rospective as we reminisce on all things internet, including the cyber-conspiracy thrillers that were Hollywood’s first attempt at cashing in on the dot-com boom of the 90s. In Part 1, our hosts recall their earliest memories of both the net and THE NET — the 1995 techno-thriller that raised issues of online privacy long before social media made being tracked and manipulated by sinister forces part of our everyday lives. First, we share our memories of chat rooms, CD-ROMs, and what it was like to dial-up with a modem every time we wanted to get online. Then, we learn a little about why 1995 was such a seminal year for the information superhighway, before diving into that year’s surprisingly prescient Sandra Bullock flick — made back when ordering a pizza on the internet was still just a bit of movie magic. So close out that chat with CyberBob, get a virtual fire started, and whatever you do, don’t push the ESC key — because we’ve only just begun hacking into the 90s! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung