Podcasts about Rambling Rose

Leroy gives Gildersleeve grief about going to school. Gildy goes to sing with his Jolly Boys who sing a few bars of, Rambling Rose. Back home, Leroy has a surprise…

Max Foizey interviews Aaron Blabey about his "Bad Guys" series of books and movies for children, and reviews Rambling Rose, talks about the best Christmas movies, and reviews The Lord of the Rings: The War of the Rohirrim."

Max and Jenn take a look at Martha Coolidge's (Valley Girl, Real Genius, Rambling Rose, Lost in Yonkers) 1976 director debut.. (available on the Criterion Channel, Blu-ray dvd and Apple Movies) NOT A PRETTY PICTURE. Also… MY OLD ASS. Follow us on Facebook – @cinemaxers SUPPORT US ON [...]

Max and Jenn take a look at Martha Coolidge's (Valley Girl, Real Genius, Rambling Rose, Lost in Yonkers) 1976 director debut.. (available on the Criterion Channel, Blu-ray dvd and Apple Movies) NOT A PRETTY PICTURE. Also… MY OLD ASS. Follow us on Facebook – @cinemaxers SUPPORT US ON [...]

Join Tony Michas and John Mathews along with special guest, regular collaborator, Suzanne Boleyn and very special guest, the co-creator of the podcast and website CineJourneys and former Criterion Now host, Aaron West discuss the June 2024 releases. June Bundles include The Prisoner: The Complete Series, After Dark Neo-Noir Cinema Collection Three, Martin Scorsese: Films of Faith, Secretary, Fresh, The United States of Leland, Rambling Rose, The Wandering Earth II, Hero and Zu Warriors.

This week on And the Runner-Up Is, Kevin welcomes writer Michael Domanico to discuss the 1991 Oscar race for Best Actress, where Jodie Foster won for her performance in "The Silence of the Lambs," beating Geena Davis and Susan Sarandon in "Thelma & Louise," Laura Dern in "Rambling Rose," and Bette Midler in "For the Boys." We discuss all of these nominated performances and determine who we think was the runner-up to Foster.  0:00 - 12:48 - Introduction 12:49 - 46:18 - Geena Davis and Susan Sarandon 46:19 - 1:12:19 - Laura Dern 1:12:20 - 1:36:23 - Bette Midler 1:36:24 - 2:03:27 - Jodie Foster 2:03:28 - 2:48:42 - Why Jodie Foster won / Twitter questions 2:48:43 - 2:55:33 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Michael Domanico on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Our miniseries on the 1980s movies of director Martha Coolidge ends with a look back at her 1988 film Plain Clothes. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we're going to complete our miniseries on the 1980s films of director Martha Coolidge with her little seen 1988 movie Plain Clothes.   When we last left Ms. Coolidge, she had just seen her 1985 film Real Genius get lost in the mix between a number of similarly themed movies, although it would eventually find its audience through home video and repeated cable airings throughout the rest of the decade.   Shortly after the release of Real Genius, she would pick out her next project, a comedy mystery called Glory Days. Written by Dan Vining, Glory Days was one of a number of television and movie scripts floating around Hollywood that featured a supposedly young looking cop who goes undercover as a student at a high school. Whatever Coolidge saw in it, she would quickly get to work making it her own, hiring a young writer working at Paramount Studios named A. Scott Frank to help her rewrite the script. Coolidge had been impressed by one of his screenplays, a Neo-noir romantic mystery thriller called Dead Again, and felt Frank was the right person to help her add some extra mystery to the Glory Days screenplay.     While Frank and Coolidge would keep some elements of the original Glory Days script, including having the undercover cop's high school identity, Nick Springsteen, be a distant relative of the famous rock star from whose song the script had taken its title. But Coolidge would have Frank add a younger brother for the cop, and add a murdered teacher, who the younger brother is accused of killing, to give the film something extra to work towards.   For the cast, Coolidge would go with a mix of newcomers in the main roles, with some industry veterans to fill out the supporting cast.   When casting began in early 1987, Coolidge looked at dozens of actors for the lead role of Nick Dunbar, but she was particularly struck by thirty-two year old Arliss Howard, whose film work had been limited to supporting roles in two movies, but was expected to become a star once his role in Stanley Kubrick's next project, Full Metal Jacket, opened later in the summer.   Twenty-five year old Suzy Amis, a former model who, like Arlisss, had limited film work in supporting roles, would be cast as Robin, a teacher at the school who Nick develops a crush on while undercover.   The supporting cast would include George Wendt from Cheers, Laura Dern's mother Diane Ladd, an Oscar nominee for her role as Flo in Martin Scorsese's Alice Doesn't Live Here Anymore, veteran character actor Seymour Cassel, an Oscar nominee himself for John Cassavetes' Faces, Robert Stack, the original Elliot Ness who was yet another former Oscar nominee, Harry Shearer, and the great Abe Vigoda.   The $7.5m film would begin production in the Seattle metro area on May 6th, 1987 and would last for seven weeks, ending on June 30th.    Plain Clothes would open in 193 theatres on April 15th, 1988, including 59 theatres in New York City and eight in Seattle. The reviews would be vicious on the film, with many critics pointing out how ludicrous the plot was, and how distracting it was the filmmakers were trying to pass a thirty two year old actor off as a twenty four year old police officer going undercover as an eighteen year old high school student. Audiences would stay away in droves, with only about 57k people buying a ticket to see the film during the opening three days. A performance so bad, Paramount would end up pulling the film from theatres after seven days at a $289k ticket gross, replacing every screen with another high school-set movie, the similarly-titled Permanent Record, featuring Keanu Reeves, Jennifer Rubin and Kathy Baker, which would also be the final film for Martha Coolidge's regular co-star Michelle Meyrink, who would quit acting the following year and develop an affinity in Zen Buddhism. She would eventually open her own acting studio in her hometown of Vancouver, British Columbia. Not so coincidentally, Martha Coolidge is one of advisory board members of the school.   There would be one more movie for Martha Coolidge in the 1980s, a made for television mystery called Trenchcoat in Paradise, featuring Dirk Benedict from Battlestar Galactica and The A-Team, Catherine Oxenberg from Dynasty, and Bruce Dern, but it's not very good and not really work talking about.   As the 80s moved into the 90s, Coolidge would continue to work both in television and in motion pictures.    In 1991, she would direct her Plain Clothes co-star Diane Ladd alongside Ladd's daughter, Laura Dern, in the Depression-era drama Rambling Rose. But despite unanimous critical consent and Oscar nominations for both Ladd and Dern, the first and only mother-daughter duo to be nominated for the same movie or in the same year, the $7.5m movie would only gross $6.3m.   1993's Lost in Yonkers would be the 23rd film written by Neil Simon, an adaptation of his 1991 Pulitzer Prize-winning play. Actors Irene Worth and Mercedes Ruehl would reprise their Broadway roles for the film, although Richard Dreyfuss would replace Kevin Spacey in the pivotal role as the gangster uncle of two teenage boys who go to live with their aunt after their mother dies. Despite good reviews, the $15m Lost in Yonkers would only gross about $9m.   Originally written as a starring vehicle for Madonna, the 1994 romantic-comedy Angie would instead star Geena Davis as an office worker in Bensonhurst, Brooklyn, who sets her neighborhood upside-down when she decides to become a single mother. Coolidge's highest budgeted film at $26m, Angie would gross just $9.4m, but would in the years to come become famous for being the first film of James Gandolfini, Michael Rispoli and Aida Turturro, who would all go on to star in five years later.   1995's Three Wishes is a bizarre fantasy drama with Patrick Swayze and Mary Elizabeth Mastrantonio, about two young boys whose mother starts to fall for a mysterious stranger after their father is reported missing during the Korean War. The $10m film would be the worst reviewed movie of Coolidge's career, and would barely gross $7m when it was released.   Things would turn around for Coolidge on her next film, Out to Sea. The penultimate film for both Jack Lemmon and Walter Matthau, this weak but genial romp, according to Janet Maslin of the New York Times, finds the regular co-stars on a Mexico-bound cruise ship, where they must work as dance hosts in order to pay for their trip. Also featuring Golden Girls co-stars Estelle Harris and Rue McClanahan alongside Dyan Cannon and Donald O'Connor, Out to Sea would become her highest grossing film to date, bringing in $29m worth of ticket sales.   While she would make a couple more movies, 2004's The Prince and Me and 2006's Material Girls, Coolidge would spend 1999 and the 2000s making her mark on television, directing episodes of CSI, Madame Secretary, Psych and Weeds, amongst dozens of shows, as well as the 1999 HBO film Introducing Dorothy Dandridge, which would not only win its lead star Halle Berry a number of awards including the Emmy, the Golden Globe and the Screen Actors Guild Award, it would be the first screenplay to be produced by a young writer named Shonda Rhimes. Coolidge herself would be nominated for an Emmy and a Golden Globe for Outstanding Directing of a Movie Made for Television.   But her biggest achievement in Hollywood would come in 2002, when Coolidge would become the first female President of the Directors Guild of America. And in addition to being an advisor to Michelle Meyrink's acting school, she is also a professor of film studies at Chapman University in Southern California.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Our miniseries on the 1980s movies of director Martha Coolidge ends with a look back at her 1988 film Plain Clothes. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we're going to complete our miniseries on the 1980s films of director Martha Coolidge with her little seen 1988 movie Plain Clothes.   When we last left Ms. Coolidge, she had just seen her 1985 film Real Genius get lost in the mix between a number of similarly themed movies, although it would eventually find its audience through home video and repeated cable airings throughout the rest of the decade.   Shortly after the release of Real Genius, she would pick out her next project, a comedy mystery called Glory Days. Written by Dan Vining, Glory Days was one of a number of television and movie scripts floating around Hollywood that featured a supposedly young looking cop who goes undercover as a student at a high school. Whatever Coolidge saw in it, she would quickly get to work making it her own, hiring a young writer working at Paramount Studios named A. Scott Frank to help her rewrite the script. Coolidge had been impressed by one of his screenplays, a Neo-noir romantic mystery thriller called Dead Again, and felt Frank was the right person to help her add some extra mystery to the Glory Days screenplay.     While Frank and Coolidge would keep some elements of the original Glory Days script, including having the undercover cop's high school identity, Nick Springsteen, be a distant relative of the famous rock star from whose song the script had taken its title. But Coolidge would have Frank add a younger brother for the cop, and add a murdered teacher, who the younger brother is accused of killing, to give the film something extra to work towards.   For the cast, Coolidge would go with a mix of newcomers in the main roles, with some industry veterans to fill out the supporting cast.   When casting began in early 1987, Coolidge looked at dozens of actors for the lead role of Nick Dunbar, but she was particularly struck by thirty-two year old Arliss Howard, whose film work had been limited to supporting roles in two movies, but was expected to become a star once his role in Stanley Kubrick's next project, Full Metal Jacket, opened later in the summer.   Twenty-five year old Suzy Amis, a former model who, like Arlisss, had limited film work in supporting roles, would be cast as Robin, a teacher at the school who Nick develops a crush on while undercover.   The supporting cast would include George Wendt from Cheers, Laura Dern's mother Diane Ladd, an Oscar nominee for her role as Flo in Martin Scorsese's Alice Doesn't Live Here Anymore, veteran character actor Seymour Cassel, an Oscar nominee himself for John Cassavetes' Faces, Robert Stack, the original Elliot Ness who was yet another former Oscar nominee, Harry Shearer, and the great Abe Vigoda.   The $7.5m film would begin production in the Seattle metro area on May 6th, 1987 and would last for seven weeks, ending on June 30th.    Plain Clothes would open in 193 theatres on April 15th, 1988, including 59 theatres in New York City and eight in Seattle. The reviews would be vicious on the film, with many critics pointing out how ludicrous the plot was, and how distracting it was the filmmakers were trying to pass a thirty two year old actor off as a twenty four year old police officer going undercover as an eighteen year old high school student. Audiences would stay away in droves, with only about 57k people buying a ticket to see the film during the opening three days. A performance so bad, Paramount would end up pulling the film from theatres after seven days at a $289k ticket gross, replacing every screen with another high school-set movie, the similarly-titled Permanent Record, featuring Keanu Reeves, Jennifer Rubin and Kathy Baker, which would also be the final film for Martha Coolidge's regular co-star Michelle Meyrink, who would quit acting the following year and develop an affinity in Zen Buddhism. She would eventually open her own acting studio in her hometown of Vancouver, British Columbia. Not so coincidentally, Martha Coolidge is one of advisory board members of the school.   There would be one more movie for Martha Coolidge in the 1980s, a made for television mystery called Trenchcoat in Paradise, featuring Dirk Benedict from Battlestar Galactica and The A-Team, Catherine Oxenberg from Dynasty, and Bruce Dern, but it's not very good and not really work talking about.   As the 80s moved into the 90s, Coolidge would continue to work both in television and in motion pictures.    In 1991, she would direct her Plain Clothes co-star Diane Ladd alongside Ladd's daughter, Laura Dern, in the Depression-era drama Rambling Rose. But despite unanimous critical consent and Oscar nominations for both Ladd and Dern, the first and only mother-daughter duo to be nominated for the same movie or in the same year, the $7.5m movie would only gross $6.3m.   1993's Lost in Yonkers would be the 23rd film written by Neil Simon, an adaptation of his 1991 Pulitzer Prize-winning play. Actors Irene Worth and Mercedes Ruehl would reprise their Broadway roles for the film, although Richard Dreyfuss would replace Kevin Spacey in the pivotal role as the gangster uncle of two teenage boys who go to live with their aunt after their mother dies. Despite good reviews, the $15m Lost in Yonkers would only gross about $9m.   Originally written as a starring vehicle for Madonna, the 1994 romantic-comedy Angie would instead star Geena Davis as an office worker in Bensonhurst, Brooklyn, who sets her neighborhood upside-down when she decides to become a single mother. Coolidge's highest budgeted film at $26m, Angie would gross just $9.4m, but would in the years to come become famous for being the first film of James Gandolfini, Michael Rispoli and Aida Turturro, who would all go on to star in five years later.   1995's Three Wishes is a bizarre fantasy drama with Patrick Swayze and Mary Elizabeth Mastrantonio, about two young boys whose mother starts to fall for a mysterious stranger after their father is reported missing during the Korean War. The $10m film would be the worst reviewed movie of Coolidge's career, and would barely gross $7m when it was released.   Things would turn around for Coolidge on her next film, Out to Sea. The penultimate film for both Jack Lemmon and Walter Matthau, this weak but genial romp, according to Janet Maslin of the New York Times, finds the regular co-stars on a Mexico-bound cruise ship, where they must work as dance hosts in order to pay for their trip. Also featuring Golden Girls co-stars Estelle Harris and Rue McClanahan alongside Dyan Cannon and Donald O'Connor, Out to Sea would become her highest grossing film to date, bringing in $29m worth of ticket sales.   While she would make a couple more movies, 2004's The Prince and Me and 2006's Material Girls, Coolidge would spend 1999 and the 2000s making her mark on television, directing episodes of CSI, Madame Secretary, Psych and Weeds, amongst dozens of shows, as well as the 1999 HBO film Introducing Dorothy Dandridge, which would not only win its lead star Halle Berry a number of awards including the Emmy, the Golden Globe and the Screen Actors Guild Award, it would be the first screenplay to be produced by a young writer named Shonda Rhimes. Coolidge herself would be nominated for an Emmy and a Golden Globe for Outstanding Directing of a Movie Made for Television.   But her biggest achievement in Hollywood would come in 2002, when Coolidge would become the first female President of the Directors Guild of America. And in addition to being an advisor to Michelle Meyrink's acting school, she is also a professor of film studies at Chapman University in Southern California.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Join host Meilin Ehlke on Moving To Oneness podcast as she invites you to blossom into your unique self at the right time.

Actor Laura Dern has been captivating audiences since her breakout role in Blue Velvet in 1986. Since then, she's appeared in dozens of films including Jurassic Park, Wild At Heart, Rambling Rose, The Last Jedi, Little Women, and Marriage Story, for which she won an Academy Award. Her television appearances include Enlightened, Twin Peaks: The Return and Big Little Lies. Her new book, Honey, Baby, Mine, co-written with her mother and fellow actor Diane Ladd, is a collection of intimate reflections, photos, family recipes, and other mementos. On May 7, 2023, Laura Dern came to the Sydney Goldstein Theater for an onstage conversation with Cheryl Strayed, the author of Wild: From Lost to Found on the Pacific Crest Trail, which was made into an Oscar-nominated film - starring Laura Dern.

0:00 - Intro & Summary2:00 - Movie Discussion44:35 - Cast & Crew/Awards49:49 - True Crime/Pop Culture54:10 - TV01:04:44-  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Kevin is joined by Martha Coolidge, a celebrated American film director known for her groundbreaking work in the film industry.Martha Coolidge, DirectorCoolidge has directed a wide range of films over the course of her career, including the iconic 1983 teen comedy Valley Girl, the critically acclaimed drama Rambling Rose, and the romantic comedy Introducing Dorothy Dandridge. She has received numerous awards and accolades for her work, including the Women in Film Crystal Award. She has served as the president of the Directors Guild of America, making her one of the most influential women in Hollywood. Throughout her career, Coolidge has been a trailblazer for women in the film industry, inspiring a new generation of filmmakers with her innovative storytelling approach and commitment to diversity and inclusivity.An Actor's Director (4:05)Martha has the reputation of being an actor's director. Having worked with such names as Nicolas Cage, Val Kilmer, Halle Berry, Laura Dern, and Robert Duvall, Martha shares her directing process and how her goal is to figure out what an actor needs to be relaxed.Early career and turning trauma into a documentary (6:28)Martha talks about her early directing experience at the Rhode Island School of Design. She discusses her early years as a documentary filmmaker. “Gag me with a spoon.” On self-producing Valley Girl(11:28)Kevin asks Martha about her first job in Hollywood, and Martha talks about financing Valley Girl, shooting it in New York, and capturing the idiosyncratic voice of the movement. Martha shares how Brian Grazer saw Valley Girl, liked it, and how that led to her directing Real Genius starring Val Kilmer.The screening process and being a literal nervous wreck (13:19)The test screening process tends to make filmmakers nervous. Martha shares her experience with the audience preview of Valley Girl and how they pulled people in off the street to preview the film.Love for directing and making a movie several times (19:12)Kevin asks Martha about her favorite part of filmmaking. Martha talks about her love of directing and her special relationship with actors. She also shares her passion for post-production and how you make the movie several times in post.First woman president of the Director's Guild of America (28:45)Coolridge was named the first woman president of the Director's Guild of America. She talks about how some were not ready for a woman president, but most welcomed the diversity. Kevin and Martha discuss women in filmmaking and the underrepresentation of female directors. Host: Kevin GoetzGuest: Martha CoolidgeProducer:  Kari CampanoFor more information about Martha Coolidge:IMDB: https://www.imdb.com/name/nm0004838/Instagram: https://www.instagram.com/marthacoolidge/?hl=enTwitter: https://twitter.com/Martha_CoolidgeFor more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

Front Row Classics kicks off 2023 with a conversation featuring three-time Oscar nominated actress, Diane Ladd. Brandon recently sat down with Diane to discuss her latest film, Isle of Hope, directed by Damian Romay. This touching film is a testament to the power of family and working through your past to define your present and future. Ladd shares her thoughts on the film's hopeful message and why it deserves attention during this awards season. Brandon and Diane also spend time discussing her southern upbringing and relationship with daughter, Laura Dern. We also spend time with remembrances of such classics in her filmography as Rambling Rose, Chinatown and Alice Doesn't Live Here Anymore.   Legendary actress Diane Ladd is a Golden Globe (Alice), BAFTA (Alice Doesn't Live Here Anymore) and Independent Spirit Awards (Rambling Rose) winning actress who has been nominated for over 70 awards during her astonishing 7 decadelong career including three times for both an Academy Award and Golden Globe for Alice Doesn't Live Here Anymore, Wild at Heart and Rambling Rose for which she and her daughter actress Laura Dern made Academy history as the only mother and daughter to be nominated in the same year for the same film. Ladd is currently starring in Isle of Hope, a new feature film that opened December 9, 2022. Ladd stars as well-known actress Carmen Crawford whose daughter Victoria (Mary Stuart Masterson) blames for having crushed her dreams of becoming a playwright. But when Carmen suffers a life-threatening stroke and wakes up thinking she's living 15 years in the past, Victoria is given a unique opportunity to figure out where her life went off track and reconcile her relationship with her mother. Andrew McCarthy, Sam Robards, and Jessica Lynn Wallace co-star. Isle of Hope, written and directed by Damian Romay and produced by Omar Romay. Ladd has several films currently streaming, coincidentally all based on true events: Gigi & Nate, director Nick Hamm's coming-of-age drama based on Ned Sullivan and his capuchin support monkey Kasey, Charming the Hearts of Men starring Kelsey Grammer, Anna Friel and Sean Astin, inspired by events during the Civil rights movement in 1964 and The Last Full Measure, a true story about a young soldier's exceptional bravery and sacrifice, starring alongside Christopher Plummer, William Hurt, Samuel L. Jackson, Ed Harris. Ladd has appeared in over 200 films and television projects including director David O. Russell's Joy, director Roman Polanski's iconic Chinatown, writer John Hughes' Christmas Vacation and, The Cemetary Club with Olympia Dukakis, Ellen Burstyn & Danny Aiello which led her to produce her first film Mother in which she and Dukakis co-starred. For the small screen Ladd most recently appeared as Nell O'Brien in Hallmark's runaway hit Chesapeake Shores. Her varied television shows included her Golden Globe winning performance as Belle the singing, songwriting, waitress of the run-away hit series Alice based on her Oscar and Golden Globe winning role in the film Alice Doesn't Live Here Anymore. Ladd also appeared in Steven King's Kingdom Hospital and co-starred in the popular HBO series Enlightened with daughter Laura Dern. And if acting isn't enough, Ladd has co-authored a new book with daughter actress Laura Dern, titled Honey Baby Mine which hits shelves Mother's Day, May 2023 by Grand Central Publishing. 2 Ladd has authored two other books: Spiraling Through the School of Life, published by Hay House, and a book of short stories, A Bad Afternoon for a Piece of Cake, published by Ladd's company Exxcel Press. Ladd began her career as a teenager in actor John Carradine's production of “Tobacco Road”, lying about her young age she next landed a stint as a dancer at the world renowned “Copacabana.” Next, she was cast in the Off-Broadway play “Orpheus Descending” co-starring with her soon-to-be husband Bruce Dern. She went on to again star opposite Dern in her first role for the big-screen in Roger Corman's The Wild Angels also starring Peter Fonda. She next starred in The Rebel Rousers, starring Jack Nicholson, Cameron Mitchell and again with Dern. She then wrote and directed the critically acclaimed Mrs. Munck, co-starring with Bruce Dern. Ladd has been a lifetime member of both the Actors Studio East & West Coast and a National Board Member of SAG/AFTRA both for over 25 years. She has a degree in Esoteric Psychology and a Certificate of Nutrition from Florida University as well as a Ministerial Ordination Degree. Ladd has worked alongside doctors for over 20 years as an “Intuitive Healer” and was chosen to give a Congressional Testimony regarding the Value of “Alternative Modalities”. She has served on the Board of Advisors for the AHMA (Alternative Holistic Medical Association) and served on the Board of Directors for Congressman Berkley Bedell's “National Foundation for Alternative Medicine” (NFAM). Ladd founded “The Art and Culture Taskforce“ a 501-C3 non-profit Foundation (artandculturetaskforce.org)

Harvey Brownstone conducts an in-depth interview with Diane Ladd, Legendary Actress, Starring in “Isle of Hope” About Harvey's guest: Today's special guest, Diane Ladd, is a legendary actress whose monumental body of work includes some of the most critically acclaimed and beloved movies and TV shows ever made.   She's been nominated for 3 Academy Awards for her performances in “Alice Doesn't Live Here Anymore”, “Wild at Heart” and “Rambling Rose”, in which she and her daughter, Laura Dern, made show business history as the first mother/daughter duo to earn Oscar nominations for the same film.    She's won dozens of international awards including The British Academy Award, the Golden Globe Award, the Independent Spirit Film Award, the Susan B. Anthony Award,  and the Palme d'or Award at the Cannes Film Festival.  She's been nominated for 3 Emmy Awards for her performances in “Dr. Quinn, Medicine Woman”, “Grace Under Fire” and “Touched by an Angel”.   In addition to her Oscar-nominated roles, some of her most iconic movie performances can be seen in “Chinatown”, “A Kiss Before Dying”, “Christmas Vacation”, “The Cemetery Club”, “Mrs. Munck, which she also wrote and directed, “Ghosts of Mississippi”, “Primary Colors”, “Joy”,  and one of my all-time favourites, “The Last Full Measure”, directed by Todd Robinson who appeared on our show last year.    And, in addition to the 3 TV shows I already mentioned, for which she earned Emmy nominations, she's delivered some of her most memorable television performances in dozens of shows including “Chesapeake Shores”, “Kingdom Hospital”, and “Enlightened”, once again co-starring the wonderful Laura Dern.  She's written 2 bestselling books entitled, “Spiraling Through the School of Life: A Mental, Physical and Spiritual Discovery”, and “A Bad Afternoon for a Piece of Cake”, which won the 2014 Tennessee Williams Literary Award.    And I'm very excited that she's here to talk about her newest film, entitled, “Isle of Hope”, an unforgettably poignant and moving film about a mother-daughter relationship that takes a dramatic twist when the mother has a life threatening stroke and wakes up thinking she's living 15 years in the past.   Our guest's performance as Carmen Crawford, the mother in this film, is generating enormous Oscar buzz throughout the industry.  And that's no surprise to anyone.  After all, the renowned film critic Richard Corless of Time Magazine said it best, when he wrote that this woman is one of the top ten actresses not only in America, but the whole world. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ http://www.dianeladd.com/https://www.instagram.com/rosedianeladd/https://www.twitter.com/Diane_Ladd/https://www.facebook.com/DianeLadd1/ #DianeLadd   #IsleofHope   #harveybrownstoneinterviews

When Nancy- a beautiful listener got in touch with us, we knew that we had found an absolute gem- and that we simply had to get her on our podcast!! This beautiful artist, clairvoyant, storyteller and weaver of worlds is described as a Hedgewitch with a Faerie soul! She has a deep reverence for the natural world and the ancient rituals of her Norse and Celtic ancestors. An avid gardener (just wait until you hear about the Moon garden!)- and wildcrafter, she aims to live in harmony with the seasons and cycles of nature. With a degree in Art History, Archaeology, and Romantic Literature, she is fascinated by the mythologies of ancient cultures, fairytales and legends. She recently released ‘The Earth Spirit Oracle' which is a truly beautiful & whimsical deck, and has the most charming YouTube channel, The Rambling Rose, which weaves Nancy's creativity, with following the Wheel of the Year, gardening, cooking, art and everything in between. Linger longer with Nancy in the following places. Instagram @nancychalmers_ Nancy's awesome YouTube- @theramblingrose_ Our faves Nancy's Spirit Paintings The Earth Spirit Oracle Support Turns Out Network Here Visit Shannon's, and Asha Moon's websites below Visit Asha Moon and Shannon Cotterill websites. Have a witchy question to ask? Get in touch, we would love to hear from you! tospsychic@gmail.com Follow us on Instagram @turnsout_shesawitch Presented by Shannon Cotterill & Laura Turner. Production & original music by Matt Turner @turnzout_media

This episode Nick Rose of Rambling Rose guide service in Shelbyville IL talks a lot of crappie fishing, livescope, fishing man made cubes with livescope and shares some techniques he uses.

Fashion icon and absolute sweetheart, Tasha Ghouri helps us answer your dilemmas this week, and of course we chat allll things Love Island. Meeting the grandparents, matching tattoos, and moving in together, we get the lowdown from Tash all about her time with Andrew since leaving the villa.This week we enjoyed an M & S Rosé, ‘Rambling Rose' - https://www.marksandspencer.com/rambling-rose-provence-ros-single-bottle/p/wnp60573278We rated the wine:Tasha: 8Sophie: 6.5Melissa: 8 Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Fashion icon and absolute sweetheart, Tasha Ghouri helps us answer your dilemmas this week, and of course we chat allll things Love Island. Meeting the grandparents, matching tattoos, and moving in together, we get the lowdown from Tash all about her time with Andrew since leaving the villa.This week we enjoyed an M & S Rosé, ‘Rambling Rose' - https://www.marksandspencer.com/rambling-rose-provence-ros-single-bottle/p/wnp60573278We rated the wine:Tasha: 8Sophie: 6.5Melissa: 8 Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

NEW EPISODE ALERT The year is 2015 and the nominees are: 1. Emma Stone - Birdman 2. Patricia Arquette - Boyhood 3. Meryl Streep - Into the Woods 4. Laura Dern - Wild 5. Keira Knightley - The Imitation Game In 2015 Patricia Arquette won the Oscar for Best Supporting Actress for Boyhood, a coming-of-age drama that the director spent twelve years making. Arquette plays Olivia the mother of Mason (the character whom the story is about) who struggles at various times financially and as a single parent. Arquette won all the major awards for this performance. It's hard to say who her biggest competition would have been this season. Many fantastic but very different performances. Meryl Streep was offered 3 witch roles after turning 40 and had a rule of ‘no witches' because she viewed it as ageist. She made an acceptation for Into the Woods after meeting composer and lyricist Stephen Sondheim and Rob Marshall. Emma Stone received her first nomination for Birdman playing the daughter of washed up action star Riggan Thomson. Laura Dern received her second nomination since 1991's Rambling Rose, this time in a supporting role, for Wild playing the mother of Cheryl. Dern receives a terminal diagnosis and Cheryl's life spins out of control and she eventually embarks on a thousand mile hike of the Pacific Crest Trail. Finally, Keira Knightley was nominated for one of my favourite films The Imitation Game playing Joan Clarke an English cryptanalyst and numismatist known for her code breaking during the Second World War and supporting character to Alan Turing. Join host Kyle Brownrigg with guest host Adrian Cronk as they discuss.

Donald Macleod talks to Peter and Emilie Bernstein about their father, award winning Hollywood film composer Elmer Bernstein, who wrote for films during the 1980s and 1990s. Born in 1922, Elmer Bernstein created the music for more than 150 films. His big break was one of Hollywood's biggest pictures, Cecil B DeMille's swan song, the 1955 biblical epic, "The Ten Commandments". At the same time as working on that enormous canvas for DeMille, Bernstein was composing the first in a series of ground-breaking jazz infused scores, "The Man with the Golden Arm". He went on to write the music for the Hollywood adaptation of Harper Lee's classic novel "To Kill a Mockingbird", Westerns which include The Magnificent Seven, surely one of the best known title themes in the history of cinema, before he became the go to composer for John Wayne. His scores for action adventures include "The Great Escape" and a moving depiction of the inner life of a prisoner in "Birdman of Alcatraz". Nominated on numerous occasions, he won an Oscar for "Thoroughly Modern Millie". In the 1980s he delighted younger generations of cinema goers with scores such as "National Lampoon's Animal House", "Ghostbusters" and "Airplane!", before deciding to make a return to more serious drama. Projects with Martin Scorsese included the film of Edith Wharton's novel "The Age of Innocence", and he also created a remarkable portrait of the artist Christy Brown in "My Left Foot". His last score, for which he received a final Oscar nomination, was for Todd Haynes' "Far from Heaven" in 2002. He died just two years later in 2004. As well as a hugely successful career as a film composer Elmer Bernstein assumed several leadership roles. He also financed a scheme to preserve Hollywood film scores. Among the music he preserved was Max Steiner's King Kong. Donald Macleod marks the centenary of this gifted and versatile film composer in conversation with Peter and Emilie Bernstein, two of Elmer Bernstein's children. They offer a fascinating insider's view to the film music industry alongside a personal portrait of their father. Music Featured: The March from Stripes Prelude to The Ten Commandments The Ten Commandments (excerpt) To Kill a Mockingbird (excerpt) Concerto for Guitar and Orchestra for two Christophers: II: Reflections The Man with the Golden Arm (excerpt) Walk on the Wild Side: Main title The Magnificent Seven (excerpt) To Kill a Mockingbird (excerpt) True Grit (excerpt) How Now Dow Jones: A Little Investigation The Great Escape: Main title Overture to Hawaii The Birdman of Alcatraz Summer and Smoke (excerpt) Big Jake (excerpt) Zulu Dawn: River Crossing Ghostbusters theme Suite from Airplane! Heavy Metal: Taarna's Theme Ghostbusters (excerpt) My Left Foot (excerpt) The Grifters (excerpt) Far from Heaven: Autumn in Connecticut Far From Heaven (excerpt) Rambling Rose (excerpt) Devil in a Blue Dress (excerpt) Cape Fear (excerpt) The Age of Innocence: Main title Presented by Donald Macleod Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Elmer Bernstein (1922-2004) https://www.bbc.co.uk/programmes/m0015v23 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

We wrap up our John Heard series with a film he's hardly in. It's Martha Coolidge's 1991 Depression coming of age story ‘Rambling Rose,' which stars Laura Dern and her mother Diane Ladd! Tune in.

Coming of age stories come in all shapes and sizes. The adaptation of Calder Willingham's 1972 semi-autobiographical novel ‘Rambling Rose' into Martha Coolidge's 1991 film of the same name was one that captured a slice of life of a teenager and his family growing up in the South during the Great Depression. His coming of age largely happens when the new housekeeper moves in and piques his sexual awareness. Join us – Pete Wright and Andy Nelson – as we wrap up our John Heard series with Coolidge's 1991 film Rambling Rose. Does Rambling Rose work for us? This is an interesting film because there's a lot about it to discuss. But does that mean we liked it? Pete really didn't while Andy liked it but with reservations. Neither of us were as captured as critics were at the time, so why is that? We go back and forth on the characters here. Andy likes Robert Duvall. Pete doesn't. We both love Diane Ladd. Laura Dern and Lukas Haas are great but what do we think of their characters? And that doctor? Is he stupidly evil or is there more to him? Of course there's the whole sexual exploration dealt with between an underage teen and a 19-year-old. Does that feel problematic? Or is it dealt with in a believable way? But what about how they handled it during the production? John Heard's in this, but only in the framing device. Do we even like the framing device for this film? Would it have worked without it? How about Martha Coolidge's direction? And how the heck did Renny Harlin and Mario Kasar get involved? It's an interesting film. Not one of our favorites, though even we disagree on whether it works or not. But it's worth watching and discussing for sure, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Transcript Theatrical trailer Poster artwork Original Material Flickchart Letterboxd

We wrap up our John Heard series with a film he's hardly in. It's Martha Coolidge's 1991 Depression coming of age story ‘Rambling Rose,' which stars Laura Dern and her mother Diane Ladd! Tune in.

Coming of age stories come in all shapes and sizes. The adaptation of Calder Willingham's 1972 semi-autobiographical novel ‘Rambling Rose' into Martha Coolidge's 1991 film of the same name was one that captured a slice of life of a teenager and his family growing up in the South during the Great Depression. His coming of age largely happens when the new housekeeper moves in and piques his sexual awareness. Join us – Pete Wright and Andy Nelson – as we wrap up our John Heard series with Coolidge's 1991 film Rambling Rose. Does Rambling Rose work for us? This is an interesting film because there's a lot about it to discuss. But does that mean we liked it? Pete really didn't while Andy liked it but with reservations. Neither of us were as captured as critics were at the time, so why is that? We go back and forth on the characters here. Andy likes Robert Duvall. Pete doesn't. We both love Diane Ladd. Laura Dern and Lukas Haas are great but what do we think of their characters? And that doctor? Is he stupidly evil or is there more to him? Of course there's the whole sexual exploration dealt with between an underage teen and a 19-year-old. Does that feel problematic? Or is it dealt with in a believable way? But what about how they handled it during the production? John Heard's in this, but only in the framing device. Do we even like the framing device for this film? Would it have worked without it? How about Martha Coolidge's direction? And how the heck did Renny Harlin and Mario Kasar get involved? It's an interesting film. Not one of our favorites, though even we disagree on whether it works or not. But it's worth watching and discussing for sure, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Transcript Theatrical trailer Poster artwork Original Material Flickchart Letterboxd

Trailblazing director Martha Coolidge, aka the actor's director, shares her passion for filmmaking. Her credits include Valley Girl, Rambling Rose, and If These Walls Could Talk 2. Tune in as she talks about her latest film, I'll Find You, about two young lovers torn apart during WWII.  

Find Your Film co-hosts Bruce Purkey and Eric Holmes to review the new movies Lucy and Desi (documentary on Amazon Prime Video) and Fresh (Sebastian Stan/Daisey Edgar Jones movie on Hulu). Show starts at (3:58).I've also included my interviews with I'll Find You director Martha Coolidge (Valley Girl, Rambling Rose) and The Burning Sea director John Andreas Andersen. Both movies are in select theaters and available On Demand. 0:00 - Intro3:58 - Episode 14710:44 - Lucy and Desi17:25 - Fresh39:43  - Martha Coolidge (I'll Find You)49:01 - John Andreas Andersen (The Burning Sea)Subcribe to our CinemAddicts & FYF YouTube Channel for more movie content!For my full interviews, subscribe to Greg's Deepest Dream YouTube Channel. For our Patreon subscribers, our bonus episode of will have us each picking a movie from 1942.HAVE A CHAT WITH ANDY HERELinks to the promised CCP shorts are below.THE COLD COCKLE SHORTSRULES OF REDUCTIONMORMOANTHE CULT OF CARANOSubscribe to my Youtube Channel HereGROUPERS TRAILERPlease Give Groupers a Rotten Tomatoes Audience Score HerePlease Rate It on IMDB HereThe Blu-ray, USGroupers is now available on these platforms:The Blu-ray, InternationalOn AmazonOn Google Play On iTunesOn YoutubeOn Tubi On VuduSupport the show (https://www.patreon.com/cinemaddicts)

This week, the panel begins by pondering the longevity of the Jackass franchise, focusing on the latest addition, Jackass Forever, with Slate staff writer Sam Adams. Then, the panel watches the surprise Oscar Best Picture contender Nightmare Alley. Finally, the panel discusses the conversation-starter article from The Cut's Allison P. Davis, “A Vibe Shift Is Coming. Will Any of Us Survive It?” In Slate Plus, Sam joins the panel again to answer a listener's question about how knowing the ways in which people interact with their content (via the internet and SEO development) changes the way they write. Email us at culturefest@slate.com. Endorsements Dana: Criterion subscribers (and if you don't already, you should subscribe!) get a treat: a small program they're running called “Three Starring Laura Dern,” where they show three movies starring Laura Dern from the early days of her career including: Smooth Talk, Rambling Rose, and Citizen Ruth. Julia: A counter endorsement, or maybe supplemental endorsement?, for fans of The Last Bookstore in LA: Hennessey + Ingalls in LA, which is an art, architecture, and design bookstore. Steve: Josh Turner's cover of Lucienne Boyer's hit “Parlez-Moi D'Amour.” Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Bloody Hunter" by Paisley Pink Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by pondering the longevity of the Jackass franchise, focusing on the latest addition, Jackass Forever, with Slate staff writer Sam Adams. Then, the panel watches the surprise Oscar Best Picture contender Nightmare Alley. Finally, the panel discusses the conversation-starter article from The Cut's Allison P. Davis, “A Vibe Shift Is Coming. Will Any of Us Survive It?” In Slate Plus, Sam joins the panel again to answer a listener's question about how knowing the ways in which people interact with their content (via the internet and SEO development) changes the way they write. Email us at culturefest@slate.com. Endorsements Dana: Criterion subscribers (and if you don't already, you should subscribe!) get a treat: a small program they're running called “Three Starring Laura Dern,” where they show three movies starring Laura Dern from the early days of her career including: Smooth Talk, Rambling Rose, and Citizen Ruth. Julia: A counter endorsement, or maybe supplemental endorsement?, for fans of The Last Bookstore in LA: Hennessey + Ingalls in LA, which is an art, architecture, and design bookstore. Steve: Josh Turner's cover of Lucienne Boyer's hit “Parlez-Moi D'Amour.” Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Bloody Hunter" by Paisley Pink Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by pondering the longevity of the Jackass franchise, focusing on the latest addition, Jackass Forever, with Slate staff writer Sam Adams. Then, the panel watches the surprise Oscar Best Picture contender Nightmare Alley. Finally, the panel discusses the conversation-starter article from The Cut's Allison P. Davis, “A Vibe Shift Is Coming. Will Any of Us Survive It?” In Slate Plus, Sam joins the panel again to answer a listener's question about how knowing the ways in which people interact with their content (via the internet and SEO development) changes the way they write. Email us at culturefest@slate.com. Endorsements Dana: Criterion subscribers (and if you don't already, you should subscribe!) get a treat: a small program they're running called “Three Starring Laura Dern,” where they show three movies starring Laura Dern from the early days of her career including: Smooth Talk, Rambling Rose, and Citizen Ruth. Julia: A counter endorsement, or maybe supplemental endorsement?, for fans of The Last Bookstore in LA: Hennessey + Ingalls in LA, which is an art, architecture, and design bookstore. Steve: Josh Turner's cover of Lucienne Boyer's hit “Parlez-Moi D'Amour.” Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Bloody Hunter" by Paisley Pink Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Movies: Cry Macho - A one-time rodeo star and washed-up horse breeder takes a job to bring a man's young son home and away from his alcoholic mom. On their journey, the horseman finds redemption through teaching the boy what it means to be a good man.   Collection - A grieving father grapples with the seedy, manipulative world of high stakes debt collection while struggling to shed the tragedies of his past. He'll find himself pitted against his best friend, his prodigy and his love.   Giddy Stratospheres - Loss and Love in the storm of Guitars and Broken Glass that was the mid 00's UK Indie Music Scene Best Sellers - A cranky, retired author reluctantly embarks on a final book tour to help out a young publisher. Copshop - On the run from a lethal assassin, a wily con artist devises a scheme to hide out inside a small-town police station-but when the hitman turns up at the precinct, an unsuspecting rookie cop finds herself caught in the crosshairs. Undisputed ClassicThe Outlaw Josey Wales - Missouri farmer Josey Wales joins a Confederate guerrilla unit and winds up on the run from the Union soldiers who murdered his family.   1991 The Fisher King, The Indian Runner, Late For Dinner, Rambling Rose, Paradise, Mississippi Masala   Next Week -Classic - Napoleon Dynamite1991 - Deceived, Necessary Roughness, Wedlock  

New Movies: Malignant - Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities. The Card Counter -  Redemption is the long game in Paul Schrader's THE CARD COUNTER. Told with Schrader's trademark cinematic intensity, the revenge thriller tells the story of an ex-military interrogator turned gambler haunted by the ghosts of his past.   Kate - A female assassin has 24 hours to get vengeance on her murderer before she dies.Queenpins - A pair of housewives create a $40 million coupon scam.The Capote Tapes - Using the tapes, animation, and new on-camera interviews with people who knew him, the film explores the impact of Capote's explosive unfinished novel "Answered Prayers."   Language Lessons - A Spanish teacher and her student develop an unexpected friendship.   Too Soon: Comedy After 9/11 - Tragedy + Time + Comedy = Healing. From the immediate aftermath of 9/11 to today stand-up comedians, talk-show hosts, sketch performers, television animators and other entertainers have used often-controversial jokes to unite and heal in the face of tragedy. Undisputed ClassicIn Cold Blood - Two ex-cons murder a family in a robbery attempt, before going on the run from the authorities. The police try to piece together the details of the murder in an attempt to track down the killers. 1991 Dogfight, Freddy's Dead: The Final Nightmare, Liebestraum Next Week - Cry Macho, Collection, Giddy Stratospheres, Best Sellers, Cop ShopClassic -Outlaw Josey Wales 1991 - The Fisher King, The Indian Runner, Late For Dinner, Rambling Rose, Paradise, Mississippi Masala  

 Recorded 9/5/21On this extended episode of the Almost Sideways Movie Podcast, the four of us discuss the newest Marvel movie to hit theaters before the big reveal of each of our top 10 films of all time.  Here are the highlights:What We've Been Watching (4:00)Adam: Don't Breathe 2Todd: You, Me, and DupreeZach: House of HummingbirdsTerry: Rambling RoseFeatured Review: Shang-Chi and the Legend of the Ten Rings (19:20)Top 100 of All Time: #'s 10-110-8 (38:50)7-5 (1:33:40)4-2 (2:11:00)#1 (2:46:40)Recaps, Prop Bets, Quote of the Day (2:55:50)Subscribe on Apple Podcasts, Stitcher, Spotify, YouTube, or Pandora!If you can't subscribe, listen here.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Adam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mStitcherhttps://www.stitcher.com/podcast/almost-sideways-movie-podcastYouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriberPandorahttps://pandora.app.link/hfYGimTce8

No time to write anything of substance here. Fistful of Dollars, we're a podcast, you know the deal. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) --(William Fichtner)-->> Heat (1995) --(Deborah L. Scott) -->> To Gillian on Her 37th Birthday (1996) --(Claire Danes)-->> Romeo + Juliet (1996) --(William Shakespeare)->> Throne of Blood (1957) --(Akira Kurosawa)-->> A Fistful of Dollars (1964) --(Clint Eastwood)-->> ??? Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app.

Ya know how in quarantine, we were all sitting around thinking “tomorrow and tomorrow creeps in this petty pace from day to day”? Well, to stave off that nihilistic emptiness, we started a podcast! And finally, the pod touches on one of the world's greatest filmmakers Akira Kurosawa. Evan joins the pod for the second week in a row to continue his proselytizing of Shakespeare, Alicia hops back on the pod to dole out some Noh-ledge, and Caleb is also there. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) --(William Fichtner)-->> Heat (1995) --(Deborah L. Scott) -->> To Gillian on Her 37th Birthday (1996) --(Claire Danes)-->> Romeo + Juliet (1996) --(William Shakespeare)->> Throne of Blood (1957) -->> ?? Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app. Evan: go to Texas and shout his name, I'm sure you'll find him

The Race (ha!) to Kane continues! This week, a rag-tag crew including Devin and Evan discusses Baz Luhrmann's Romeo + Juliet (1996) by way of Claire Danes. Evan flexes his Shakespeare knowledge, Devin relays the experience of his decennial Romeo + Juliet watch, Caleb somehow links it to Tarantino, and Brooke bites her thumb at Yoda. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) --(William Fichtner)-->> Heat (1995) --(Deborah L. Scott) -->> To Gillian on Her 37th Birthday (1996) --(Claire Danes)-->> Romeo + Juliet (1996) --(William Shakespeare)->> ??? Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app. Devin: @trofimov on Letterboxd Evan: go to Texas and shout his name, I'm sure you'll find him

Dead wife? Grief-fueled depression? Sexual banter with a 16-year old? Oh no! This week, Anna Campion of Oh No! with Anna Campion joins us to discuss yet another forgotten 90s drama that nobody has watched since 1996, To Gillian on Her 37th Birthday (1996). Brooke does a bang-up job filling in for Caleb, who's unable to make it because he was too busy winning a sand castle competition that he prepped way too much for. Yet another curio on our (leisurely amble) to Kane, welcome to the pod! So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) --(William Fichtner)-->> Heat (1995) --(Deborah L. Scott) -->> To Gillian on Her 37th Birthday (1996) --(Claire Danes)-->> ??? Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app. Anna: @iamthecampion and @ohnothepod on Twitter and @annacamps on Letterboxd... here is a linktree https://linktr.ee/iamthecampion

You, the listener: Why'd I get mixed up with that pod? Us, the pod: Cause they got a GREAT CAST... and you got your head all the way up it! This week, our leisurely amble to Kane continues with the '95 crime classic Heat (1995). Erik joins the pod and is our saving grace while the rest of us suffer from the burnout of living normal lives in America. Next week, Anna will join us to talk about ... a surprise! We'll announce what that surprise is on our twitter. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) --(William Fichtner)-->> Heat (1995) --(???) Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app. Erik: @erikwhales on Twitter and @feverdog on Letterboxd

Once again, I apologize for my (Caleb) audio in this one. I tried to spot check it and make it bearable, but it's annoying for sure. Anyways, that aside, we have a great episode for you today! Contact is yet another stop on our Journey to Citizen Kane, and it was a worthwhile one for sure. Later in the ep, Erik Wells joins us to choose next week's movie - Heat (1995) by way of William Fichtner. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) --(William Fichtner)-->> Heat (1995) Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app.

I wonder- how did we end up with a smart ass podcast like this? We got pregnant (with the idea of one)! This week, we tackle Martin Scorsese's 1974 Romance/Comedy/Drama Alice Doesn't Live Here Anymore. We all loved it, Alicia more than anyone- despite all of us being tired train-wrecks this week. Arjun, come back to us. The Race to Kane continues! So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) --(Jodie Foster) -->> Contact (1997) Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app.

Good. God. We watched this extremely odd movie so you don't have to. This is the second week in "The Race to Kane" wherein each week, a host will select a movie based off a filmography connection to someone in the last movie. Arjun gave Brooke Robert Duvall's filmography to pick from, and she chose... this. The 90s, man, the 90s, when Laura Dern could be jerked off by a 13 year old Lukas Haas and get an Oscar Nom for it. Very weird stuff. Thanks, Brooke. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) --(Diane Ladd)-->> Alice Doesn't Live Here Anymore (1974) Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app.

The Bastards had hoped to host author Will Friedwald this episode to discuss his book on Nat King Cole, but like a ramblin' rose his path wandered from ours and we ended up high and lonesome, talking Nat's vocal albums on Capital by ourselves.   Nat was one of the great Swing era piano players and led one of the first influential jazz piano trios, but we focus on the second half of his too-short career as mainstream vocalist and vowel-wrangler extraordinaire.  Nat King Cole:  LOVE IS THE THING; ST. LOUIS BLUES; RAMBLING ROSE; WELCOME TO THE CLUB; AFTER MIDNIGHT.  

A New Series Has Begun! This week, we kick off "The Race to Kane" wherein each week, a host will select a movie based off a filmography connection to someone in the last movie. Our starting point? Arjun selected Widows (2018)! In this episode, we discuss how great it is, and Brooke reveals how wrong she is by hating it. And I mean hating it. No matter- Brooke gets to pick the next movie based on Arjun's chosen connector. Spoilers for the listen- Arjun selected Robert Duvall (as Brooke had never heard of him ?!), and Brooke selected Rambling Rose (1991) as the next movie we'll talk about. So far, the Sequence is this: Widows (2018) --(Robert Duvall)-->> Rambling Rose (1992) Caleb: @caleb4tribe on Twitter and Letterboxd Alicia: @aliciadevero on Twitter and @aliciadev on Letterboxd Arjun: @rjonfsicher on Twitter and @ArjunFischer on Letterboxd Brooke: @reesbrooke1 on Twitter and you can DM her for access to her notes app.

When it comes to leading ladies, you’d have a hard time finding a more powerhouse lineup than 1991’s THELMA & LOUISE, which saw both of its stars nominated for Best Actress at the Oscars that year. Geena Davis and Susan Sarandon play BFFs whose road trip goes seriously south when they shoot a rapist and end up as unlikely outlaws bound for Mexico — via the Grand Canyon, of course. Callie Khouri’s original screenplay was so groundbreaking and audacious, it attracted the attention of nearly every actress in Hollywood — and was passed on by nearly every studio executive at the time, who pushed Khouri to make her characters more “ladylike” and change the controversial (and now totally legendary) ending. In this episode, our hosts discuss a film that had the odds stacked against it ever getting a greenlight, which has since become one of the most iconic and beloved films of the 90s. We also dust off the two other runners-up from the 1991 Best Actress race, seeing how For The Boys’ Bette Midler and Rambling Rose’s Laura Dern stack up against Sarandon and Davis. Does Thelma & Louise still feel as fresh as it did 30 years ago? Would the film still ruffle as many patriarchal feathers if it were made today? And what ever became of that handsome newcomer who plays the drifter? Climb in your Thunderbird, lock a cop up in the trunk, and leave your sex hair as is, because we’re in hot pursuit of the ultimate female buddy movie — and we think we have it in our sights! Follow us on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts so more folks check out the show! Help us defray the costs of creating this show, which includes purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California, by donating to our Patreon account at patreon.com/WhenWeWereYoung

On this "Supporting Actress Smackdown" edition of the podcast, Nathaniel welcomes award winning actors Nikki M James (The Book of Mormon, The Good Fight), Rory O'Malley (The Book of Mormon, Hamilton), and Nick Westrate (Casa Valentina, Turn: Washington's Spies) as well as Vanity Fair's deputy editor Katey Rich, and New York Magazine's Mark Harris. We're talking the films of 1991 including two auteurist pictures, Terry Gilliam's The Fisher King and Martin Scorsese's Cape Fear and three tales of the south, Fried Green Tomatoes, The Prince of Tides, and Rambling Rose. And of courses the actresses that starred in them: Mercedes Ruehl, Juliette Lewis, Jessica Tandy, Kate Nelligan, and Diane Ladd.

Erin and Paul review two films by director Martha Coolidge: the 1983 opposites-attract teen romcom VALLEY GIRL, starring Nicolas Cage and Deborah Foreman; and the sexually progressive 1991 dramedy RAMBLING ROSE, starring Laura Dern. Plus: our quick takes on BLOOD QUANTUM, THE LODGE, SWALLOW, and THE ASSISTANT, and a tribute to the late Bollywood stars Irrfan Khan and Rishi Kapoor.

In this week's episode, we tackled Martha Coolidge's 1991 film "Rambling Rose." This film was responsible for Diane Ladd and Laura Dern's dual nomination at the Oscars. TRIGGER WARNING: We discuss a sexual encounter portrayed in the film that involves a minor. --- Support this podcast: https://anchor.fm/ncbgpodcast/support

In a rare world, where Mary and her guest, Megan Duffy (Showtime's The Affair) discuss a timely film about women and their bodies. That might've been the reason it didn't do so well because the American public is uncomfortable about all that stuff. But In a World isn't afraid to go there. Listen to this very special episode.  *TRIGGER WARNING* This film does have a very uncomfortable sexual scene involving a young adult woman and a teenage boy. It will be discussed in the episode. Featuring: Megan Duffy (Twitter/ Insta) Opening theme by J-Kraken (insta/twitter) Produced by Adam Macias Follow In a World Podcast: Twitter: @inaworld_pod Facebook/Instagram: @inaworldpod

We're joined by the brilliant Chris Vander kaay to talk the 1991 female directed film Rambling Rose. This is yet another episode that delves deliberately into some very serious topics so be warned if you have any triggers to sexual violence. Follow Chris: @ckvanderkaay

S4E07 PoDern History: The Films of Laura Dern - This week your host "Travisode VIII The Last Jedi", co-host "The Fabulous Shawns", and returning guest "Dr. Chellie Sattler" convene to discuss the films of Laura Dern in celebration of her 52nd Birthday (Feb 10th). First we creep ourselves out with the re-cast of "Smooth Talk" from 1985. Then we all feel awkward while re-casting "Rambling Rose" from 1991.

This week on Terrace House: Yui plays Phoenix Wright, Aya plans a different skate date, Noah Takes a nap, Seina survives an interrogation, Taka says goodbye to a friend, Shohei sings a new song, and someone new has incredible eyebrows. Merch! The Facebook Group. The Twitter. The Insta. The theme song is called "Young" by Ryan Mitchell Grey from the album Ne Plus Ultra, which you should go listen to.

FACE B - PASTILLE RADIOPHONIQUEDes groupes phares par des morceaux raresUne émission de et par Clémentine Quéré Ce duo mixte agit davantage en collaboration qu'en tant que groupe à part entière. Les deux compositeurs-interprètes ont chacun de leurs côtés des carrières remarquables. L'écossaise Campbell était chanteuse et violoncelliste dans la formation Belle and Sebastian et l'américain Lanegan membre de Screaming Trees et de Queens Of The Stone Age. Retour sur l'histoire d'Isobel Campbell & Mark Lanegan au travers de titres rares :- (extrait : Come Undone)- Revolver Part 2 (2005)- Rambling Rose, Clinging Vine (2008)- Fight Fire With Fire (2008)- Won't Be Sorry (2010) Retrouvez davantage d'informations dans le podcast de l'émission...Et rejoignez ici la communauté Facebook de Face B - pastille radiophonique !

In this episode I discuss the poems written by Rambling Rose and I have a special guest with me at the end.  Music created by Chris Early If you'd like to write Tim then you can here:   Tim Hoffner A315-988 C.C.I.  P.O. Box 550 Chillicothe, OH 45601

***This second look at 1991’s Best Actress is gloriously full of spoilers for the terrible Bette Midler and Laura Dern movies at the center of this episode.*** LAURA DERN IN RAMBLING ROSE: Laura Dern Bio/Filmography - 3:44 Rambling Rose Movie Specs/Plot Overview - 7:30 Worst Scenes - 12:30 (Including Maybe the Worst “Worst Scene” Ever?) - 16:34 Best Scene - 24:04 BETTE MIDLER IN FOR THE BOYS Bette Midler Bio/Filmography - 30:59 For The Boys Movie Specs/Plot Overview - 36:19 Best Scenes - 46:14 Worst Scenes - 47:30 Perfecting Perfection AKA Our ReRanks: The Best Actress Category - 53:42 The Films of 1991 - 56:46 Actresses and Movies of the Year - 1:01:17 RATE AND REVIEW US ON ITUNES/Social Media - 1:05:39 This is Part 2 of our 1991 Best Actress Oscar Retrospective covering Laura Dern’s Rambling Rose and Bette Midler’s For the Boys. The first part (ep 74) discussed Jodie Foster in The Silence of the Lambs, and both Geena Davis and Susan Sarandon in Thelma & Louise. That episode went non-spoilers for those 2 great movies, and we do recommend you go back and listen to it and see those films. This episode features spoilers for both shitty films Rambling Rose and For The Boys, and you’re welcome. These movies suck, and we do not recommend you watch them. So our guilt in going full spoilers here is assuaged by the sheer entertainment value you can draw from our rage against these movies. Enjoy. So to begin part 2, we first cover Laura Dern’s crazed performance in the Robert Duvall / Diane Ladd depression era domestic drama Rambling Rose. We begin with a bio / filmography of Laura Dern’s unique and illustrious career, where her blockbuster performances are few and far between many eclectic choices in serious indie dramas like those of David Lynch as well as colossal award winning TV roles such as her Emmy win in Big Little Lies. Rambling Rose commits cardinal sins, in both the screenwriting and filmmaking realms of the storytelling. However good Dern’s performance might be, it is overshadowed by the morally bankrupt scenes and the astonishingly callous male perspective thereof. For the Boys is a hot mess. The film overshoots the mark of trying to be an epic performance piece spanning 3 wars and decades in the life of Bette Midler’s Dixie Leonard. Luckily, we give credit where it’s due, but there’s also some schlock. We’re amazed a film this bad could be nominated for Hollywood’s highest honors, despite the preceding bio / filmography / discography of one of our greatest treasures from the stage, screen, and billboard top 100 charts, Bette Midler. We complete the retrospective with a thorough look at the year of 1991 in film with our segment of Perfecting Perfection. Both Mikes rerank the performances. Then we have fun reminiscing about all the notable films of 1991 before Mike No. 1 gives his top 5 Best Actresses, and Also Mike, his top 10 films. Also, I say Kurt Douglas when I mean Kurt Russell. Whoops. There are plenty more retrospectives where this came from in our back catalog, as well as 6 Best Original Song halfisodes for all you Oscar junkies. We’ve also covered the heck out of last Oscar Season, Netflix, the entire MCU, and we’ve reviewed the big hits of 2018 and previewed next year’s award season with a host of episodes ranging from movie events to theatrical previews to hollywood news chats. Chat with us on social media, and please help us spread the word about our show. One way is to leave us a review on iTunes, and you can also follow/like/subscribe/ retweet / share, etc… on Instagram, Twitter, Soundcloud, Stitcher, and Reddit. As always, thank you for listening. When reality sucks, watch movies with us. We’re Mike, Mike, and Oscar!

***This 1991 Best Actress Retrospective is Spoiler Free*** We discuss some of the premise & elude to fun scenes, but not at the expense of spoiling you for these terrific films. 1991 Year in Review - 4:15 Jodie Foster Bio/Filmography - 9:54 Silence of the Lambs Movie Specs - 15:23 Best Scenes - 29:10 Worst Scenes (an impossible task) - 32:51 Thelma & Louise Movie Specs - 38:25 Geena Davis Bio/Filmography - 40:53 Best Geena Scenes - 51:25 Worst Geena Scene - 55:10 Susan Sarandon Bio/Filmography - 58:23 Best Susan Scenes - 1:10:48 Worst Susan Scene - 1:12:47 Another week, another Oscars Retrospective - just look at us. This time, we’re covering the 1991 Best Actress race. Jodie Foster won the award for her electric performance in Silence of the Lambs. Geena Davis and Susan Surandon both got nods for their titular roles in Thelma & Louise, and we’ll discuss Bette Midler’s versatile singing & acting & dancing & acting in For The Boys and Laura Dern’s batshit turn as Rambling Rose in part two. We’ll also re-rank the category and weigh in on the films of the entire year in our perfecting perfection segment. So don’t miss it. In this episode, we focus on the first three nominees taken from the two films that seem like polar opposites, but in fact, are more similar than one might think. We begin with our trademark Year in Review segment chronicling all the big news and contextualizing you about everything going on back in 1991. We then dive deep, or as deep as we can without spoilers into the performance of Jodie Foster as Clarice Starling opposite Anthony Hopkins’ Oscar winning turn as Hannibal Lecter. It’s some rare air, and Foster provides plenty of great acting to elevate her into the stratosphere above red carpets. Both Geena Davis and Susan Surandon bring uniquely strong performances to Thelma & Louise. It’s pretty much another gush-fest, as we both enjoyed the hell out of this unconventional movie that seemed years before it’s time. Stay tuned for part two as we’ll definitely have some harsher things to say about the remaining two movies, which we think are bad enough to just all-out spoil. You shouldn’t care, and in fact, we think you’ll be much better off in the long run. So take the leap of faith in our critical abilities, or if you don’t buy that, then in our immaturity to mock sappy stupid films and join us for part two as we finish yet another retrospective in as many weeks. Look…. At …. Us. If you enjoyed these episodes, check out previous retrospectives in our back catalog. Full disclosure, the early episodes have their moments, but also some shabby audio as we’ve since spent some cash to upgrade our set-up by quite a lot of Guitar Center goodies. We also covered the hell out of last year’s Oscar movies, reviewing each of the major nominees in their own episodes, then each of the “Big 7” categories themselves as well. We also have some early predictions for next year’s Award Season and updated this with our latest Hollywood Hot Takes no 6. But if old movies aren’t your flavor of the month, don’t fret. We cover all kinds of new movies both in theaters and coming out soon. That, plus we reviewed the entire MCU including the newest Avengers film. So we got you covered. Feel free to chat with us on social media. We’re on Twitter, Facebook, Instagram, Reddit, and Gmail. Please review us on iTunes and like us on Soundcloud if you can spare a few moments, and as always, we thank you for your cooperation and support. We’re a year round movie podcast, and we’re having a blast covering such a wide variety of great movies. When reality sucks, do watch those movies with us. We’re Mike, Mike, and Oscar!

Actress Laura Dern has a long career of big-name credits, but this past year has thrust her into the spotlight. In this week’s episode of “Sunday Sitdown,” Willie Geist talks with the Emmy and Golden Globe winning actress about her big year that’s included roles in the hit HBO series “Big Little Lies,” on the big screen in “Star Wars: The Last Jedi,” and in the revival of the cult classic “Twin Peaks.” She opens up about growing up in Hollywood the daughter of movie stars, and what it was like to be nominated for an Oscar alongside her mother for their film “Rambling Rose.” Dern also discusses her intense new movie “The Tale” and the importance of stepping up as a leader in the era of #MeToo and Time’s Up.

Laura Elizabeth Dern (born February 10, 1967) is an American actress. For her performance in the 1991 film Rambling Rose, she was nominated for the Academy Award for Best Actress, while for her performance in the 2014 film Wild, she was nominated for the Academy Award for Best Supporting Actress. Most recently, she starred in Star Wars: The Last Jedi (2017). Justin Theroux is also in this movie. (Follow my guests at @jonobri and @maneszj).

The show starts with the FAST 15 with Mark and Michael Shure. Mark and Michael discuss credit cards and then play the game, HOW MUCH DO YOU KNOW ABOUT YOUR CREDIT CARD?Then..DIANE LADD has a free form talk with Mark and Josh (J Elvis Weinstein) about her life in theater and film.Diane is an actress, writer, director, author, and a winner of over 35 international awards, nominated for three Emmy Awards, and three Academy Awards for the films Alice Doesn't Live Here Anymore, Wild at Heart and Rambling Rose.She starred with her daughter Laura Dern in Rambling Rose and made Academy Award history as the first mother/daughter duo to earn nominations for the same film. Ladd's most recent movie is Joy from Director David O. RussellShe joins us to talk about her most television project, the very popular, CHESAPEAKE SHORES on The Hallmark Channel

Our first edition of Actor's Club!  For this bonus episode, I enlisted the help of returning guest and friend to the show, Bill Ackerman.  Together we focus on our favorite actresses for the first half, then for the second half, we examine the versatile career of Laura Dern.  Movies mentioned include SMOOTH TALK, RAMBLING ROSE, CITIZEN RUTH, INLAND EMPIRE, and a whole lot more!  We also touch upon her incredible work in the HBO show ENLIGHTENED.  Stay tuned for another episode like this come summertime, featuring Patrick talking about a favorite actor of his. Thank you so much for listening - Jim00:00 - 06:09 - Intro06:10 - 51:14 - Top 5 Favorite Actresses (w/Honorable Mentions)51:15 - 54:19 - Laura Dern Clip + "Professionals" by The Fabulous Stains!54:20 - 1:50:49 - Laura Dern Discussion1:50:50 - 2:03:40 - Top 3 Performances / OutroP.S  My voice might sound a little echoey at times but that's mostly Skype's fault.  I assure you that it's tolerable for pretty much the whole way through.   Also Patrick mentioned to me after we recorded that Laura Dern is really great in the movie YEAR OF THE DOG, which for some reason, did not come up in my discussion with Bill.  Oops!  You should totally watch that movie because it's great and was written by Mike White, who went on to do incredible work with Laura on ENLIGHTENED.

Bob’s set decoration work has ranged from many horror/thriller, science fiction, and action films like: The Postman Always Rings Twice, Robocop and Total Recall, the Die Hard series, Angels & Demons, and The Expendables. Bob is also known for his work on period pieces like: Days of Heaven, Melvin and Howard, Newsies, Rambling Rose, Master and Commander, and more recently The Artist. Bob received Oscar nominations for his set decoration work on the both Master and Commander: The Far Side of the World and more recently Oscar winning film, The Artist, which won for Best Picture.