Podcasts about jazz at lincoln center

Jackie Ryan is an extraordinary jazz singer who the JazzTimes Magazine has called “one of the outstanding jazz vocalists of her generation”. She sings in different languages, styles and genres including Blues, Bebop, Bossa Nova, Samba and Bolero. She's played with Clark Terry, John Mayer, Cyrus Chestnut and many others. She's performed at Ronnie Scott's in London, Jazz At Lincoln Center and the Telluride Jazz Festival.My featured song is “The Gift”, my recent single which took my ballad and, through the genius of Michael Abene, was transformed into a Big Band Samba. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Jackie at:www.jackieryanmusic.com—---------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Dave and Ethan share their experience of attending Comic Relief Live 2024, a gala evening of stand-up comedy and music, featuring "Weird Al" Yankovic and more at Jazz At Lincoln Center in New York City on December 9th. ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanTheme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2024 | Dave & Ethan's 2000" Weird Al Podcast

durée : 00:59:12 - Couper les pensées - par : Nathalie Piolé -

My guest this week is jazz musician Richard Cortez, whose new album Mood Swings comes out in one month, on October 24, 2024. Richard's love of music was instilled early in life, but he hit some road bumps on his first attempt to move to New York and make it big in the arts. That was followed by various jobs in health care, in more adult careers, and occasionally flipping between stripping and jazz singing before he finally found success with his latest project.We'll have that conversation in just a moment. First, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. Patrons get access to an exclusive Discord server, stickers and books in the mail, bonus videos, and more. You can join the Patreon at patreon.com/mattbaume.And you may also enjoy my other projects — my YouTube videos, weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my email newsletter. Check out all that at MattBaume.com.Also, I hope you'll check out a new documentary series premiering on CNN on September 22, about TV milestones that shaped American culture. It's called TV on the Edge, and I'm just one of the folks interviewed on the show.

durée : 00:59:09 - Le jazz sur France Musique - par : Nathalie Piolé - Une heure, un lieu.

Two mighty orchestras present a rousing, jazz-meets-classical event. Discover selections from Prokofiev's Romeo and Juliet, alternating between the original orchestral version performed by the Chicago Symphony Orchestra and imaginative new jazz arrangements presented by the Jazz at Lincoln Center Orchestra. Both ensembles join forces for a selection from Wynton Marsalis' Swing Symphony, which The Telegraph calls “a journey through jazz history and the sounds of America itself.” Learn more: cso.org/performances/23-24/cso-classical/cso-x-jazz-at-lincoln-center-orchestra

Damon gets to talk to Obed about his new album, his new(ish) gigs, Haitian music, his PAS clinic and many other adventures. There are also other segments including gig alerts, music news and more.

This Saturday, March 23 at 8pm - the stage of The Mahaiwe in Great Barrington, Massachusetts will spring to life as Bria Skonberg and Benny Benack III re-vive and re-imagine classics from The American Songbook.“Sing & Swing” is part of a “Jazz at Lincoln Center presents” touring initiative that features up-and-coming musicians who have been identified as rising stars by that venerated organization.

Since 2021, Obed Calvaire has been in the drum chair for Wynton Marsalis and the Jazz At Lincoln Center Orchestra, with whom he recently curated and directed a series of concerts celebrating the centennial of the great Max Roach. His New York jazz career spans over two decades and includes jazz legends such as Dave Holland, Kurt Rosenwinkle, The Mingus Big Band, Joshua Redman and many others. His new album, “150 Million Gold Francs” will be released April 12th and draws heavily on his Haitian heritage.

Episode 91. Join host Troy Saunders as he chats with Washington, DC-based, New Haven, CT-born vocalist, songwriter, and so much more, Debórah Bond! Debórah is one of the bright lights in indie soul. She has worked with the greats like Incognito, Foreign Exchange, Ledisi, Melba Moore, Frank McComb, and more! Her sounds is a fusion of music from R&B, jazz, soul, Brazilian, hip hop, and house. Tune in and hear the essence of one of Troy's favorite artists, Debórah Bond.Launching from her longtime home base of Washington, DC and taking flight to the rest of the world, Debórah Bond has become an integral part of the fabric of the worldwide indie-soul scene.Debórah grew up absorbing the golden-age sounds of the '70s and '80s soul music that bellowed through her childhood home in New Haven, CT. Artistically, she stands at the intersection of Anita Baker, Sade and Chaka Khan, though she also credits Luther Vandross, Whitney Houston and Stevie Wonder (among many others) for inspiring her to pursue a career as a recording artist.Upon her arrival in D.C. to pursue a degree in journalism at American University, Debórah quickly fell in lockstep with the top musicians of the local scene. Eventually, she formed a life-changing partnership with the production team Third Logic, comprised of bandmates and songwriting partners Robbie McDonald, Aaron "Funky Chuck" Evans and Kinard Cherry. This partnership yielded two studio albums: DayAfter (2003) and the critically-acclaimed follow-up Madam Palindrome (2011). Playing for eager and excited audiences, she headlined packed houses around the US and EU including: Warner Theater, 9:30 Club, Kennedy Center Millennium Stage, Blues Alley, Blue Note NYC, Cobb Performing Arts Center in Atlanta, and Jazz Café in London. In 2015, she headlined a four-week international residency for Jazz At Lincoln Center in Doha.An accomplished radio personality and voiceover artist, she hosted a weekly Sunday afternoon radio show at Sirius XM, where she worked for ten years. She recently composed and performed the theme song for a brand new podcast, The Suga, hosted by actresses Tika Sumpter and Thai Randolph. For the past decade she's been doing radio jingle and voiceover work for Amsterdam-based PURE Jingles.In addition to her career as a performing artist, she's a pillar of the D.C. music community, having served six terms as D.C. GRAMMY Chapter Governor. As an educator, she's been a mentor and voice coach to many aspiring vocalists, and since 2018 has served on the faculty of the Richardson School of Music. She also offers private teaching and coaching sessions.Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

This episode coversWe Three Kings by Jazz at Lincoln Center Orchestra & Wynton MarsalisClarity by Youth FountainWebsite: https://redcircle.com/shows/two-tunes-podcastInstagram: https://instagram.com/twotunespodcast?igshid=13gpurxc3bf2qDiscord: https://discord.gg/eYMwBuJ6GeRSS Feed: https://feeds.redcircle.com/baeeceec-9527-475d-85b5-d9da2eea19d3E-mail: twotunespodcast@gmail.comSupport this podcast at — https://redcircle.com/two-tunes-podcast/exclusive-content

Wynton Marsalis, internationally acclaimed musician, composer, educator, and a leading advocate of American culture, discusses what he says to kids who want to be musicians, what makes the Jazz at Lincoln Center Orchestra unique, and what he is trying to tell the world through his music. Wynton and the Jazz at Lincoln Center Orchestra perform in Seattle at the Paramount Theatre on October 5th. Info at stgpresents.org, wyntonmarsalis.org, and jazz.org.

Guest: Mabusha Masekela joins John from New York to end the week in celebration of an event held at Jazz at Lincoln Center to celebrate the induction of Hugh Masekela into the Ertegun Hall of Fame.See omnystudio.com/listener for privacy information.

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/watch?v=-HoICdC7LFU&t=50s Today, I'll be wrapping up the week with five artists making a difference. Grab some coffee cake and join us! Celia Berk is an award-winning vocalist whose recordings have attracted listeners around the world. She has made memorable appearances at Carnegie Hall, Jazz At Lincoln Center, Birdland Theater, The Town Hall and the National Arts Club. https://celiaberk.com Dana P. Rowe is an American musical theater composer whose works have been performed internationally with productions in London's West End (Theatre Royal Drury Lane, Prince of Wales, The Donmar Warehouse), Russia, Czech Republic, Japan (including Tokyo's Imperial Garden Theatre), Germany, Australia, New York City, São Paulo, Brazil and Slovenia.   A native New Yorker, Deborah Stone began studying ballet at age eight at the Metropolitan Opera Ballet School. She became smitten by the stage when cast as a supernumerary in Met Opera productions from that time forward into her late teens. While there, she studied with Margaret Craske, Alfredo Corvino, and Antony Tudor. Mark Nadler is an internationally acclaimed singer, pianist, tap-dancer and comedian. He is the recipient of the 2015 Broadway World Editor's Choice Award for Entertainer of the Year. His recent off-Broadway hit, I'm a Stranger Here Myself, has been honored with the 2013 Nightlife Award Mark Nadlerand was nominated for a Drama Desk Award and two Broadway World Awards. The show was presented at The Adelaide Cabaret Festival in Adelaide, Australia, where it was nominated for the prestigious Helpmann Award. 

Jazz at Lincoln Center Orchestra with Wynton Marsalis nos trae mas NaviJazz a 2 de uno con Big Band Holidays II, excelente secuela al álbum del 2015 con música de temporada, éste con una selección de la música interpretada en los conciertos de los años 2015 al 18, una producción para Blue Engine Records en el 2019.

On today's episode, Scott interviews Joe Alterman, a highly regarded jazz and blues pianist who hails from Atlanta, Georgia. His playing has been praised by jazz pianists, Ramsey Lewis and Les McCann, as well as by the legendary jazz journalist, Nat Hentoff who wrote liner notes on three of his albums. Downbeat Magazine said his sound is reminiscent of the great jazz pianists of the 1950s. Today's guest is also the Executive Director for the Neranenah Concert & Culture Series in Atlanta, Georgia, and he wrote the liner notes for three of “Wynton Marsalis' Jazz At Lincoln Center” albums. This southern jazz master of the ivories, certainly GOT CHOPS! Follow Joe on Website: www.joealtermanmusic.com Instagram: @joealterman YouTube: https://www.youtube.com/channel/UCWwVRMHkteAQQtD8PdjVkSA/playlists Facebook: https://www.facebook.com/joealtermanmusic Follow Got Chops on Instagram: @gotchopspodcast Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: @scottgrimaldimusic Twitter: @GrimaldiMusic Facebook: Scott Grimaldi - "The Color Of Midnight" Website: www.grimaldimusic.com --- Send in a voice message: https://anchor.fm/gotchops/message

I really enjoyed my conversation with this week's guest — the one and only Keith Henry Brown. This prolific artist has a catalog that few can touch, with work appearing in The New York Times, Carnegie Hall, Blue Note Records, and the Brooklyn Academy of Music, just to name a few. But Keith is so much more than just an artist, as you'll come to find out!We started off talking about his current and upcoming book projects, and he shared how he balances his day job with his other career passions while giving a peek into his creative process. From there, he spoke about growing up in Staten Island, getting a shot to draw for Marvel Comics, and getting handpicked by Wynton Marsalis to be creative director at Jazz at Lincoln Center. We even spent some time geeking out about jazz, and he shared one of his dream projects that he'd love to accomplish one day. Keith's journey as a creative is all about not being afraid to do what you want to do — very inspiring!LinksKeith Henry Brown's WebsiteKeith Henry Brown on FacebookKeith Henry Brown on InstagramKeith Henry Brown on Twitter“Because of You, John Lewis”“My Dad Is A DJ”

This episode is also available as a blog post: https://thecitylife.org/2022/08/16/just-announced-free-september-shows-with-american-symphony-orchestra-jazz-at-lincoln-center-and-the-return-of-accordion-festival-at-bryant-park-picnic-performances/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Con Bill Stewart, Peter Bernstein y Art Hodes. "Estival de Jazz 2022- Sesión 1: Peter Bernstein Quartet "Signs Live". Primera sesión de nuestro particular "Estival de Jazz" que dedicamos cada verano al jazz en vivo. El periodo estival nos sirve para dejar de lado nuestros contenidos habituales y recuperar conciertos y sesiones en vivo acontecidas en todo el mundo. La primera entrega la protagoniza el guitarrista Peter Bernstein en formación de cuarteto con Brad Mehldau, Christian McBride y Gregory Hutchinson en concierto en el Jazz At Lincoln Center de N.Y. la noche del 4 de Enero de 2015. Reencuentro 20 años después de la grabación del segundo disco como líder del guitarrista con esa misma formación. El "Estándar de la semana" es "Wolverine Blues" de Jelly Roll Morton y los hermanos Benjamin y John Spike en grabación de los "Hot Seven" de Art Hodes y "Little Niles", del baterista Bill Stewart en su "Think before you think", el "Favorito".  Con Javier del Barco.

Con Bill Stewart, Peter Bernstein y Art Hodes. "Estival de Jazz 2022- Sesión 1: Peter Bernstein Quartet "Signs Live". Primera sesión de nuestro particular "Estival de Jazz" que dedicamos cada verano al jazz en vivo. El periodo estival nos sirve para dejar de lado nuestros contenidos habituales y recuperar conciertos y sesiones en vivo acontecidas en todo el mundo. La primera entrega la protagoniza el guitarrista Peter Bernstein en formación de cuarteto con Brad Mehldau, Christian McBride y Gregory Hutchinson en concierto en el Jazz At Lincoln Center de N.Y. la noche del 4 de Enero de 2015. Reencuentro 20 años después de la grabación del segundo disco como líder del guitarrista con esa misma formación. El "Estándar de la semana" es "Wolverine Blues" de Jelly Roll Morton y los hermanos Benjamin y John Spike en grabación de los "Hot Seven" de Art Hodes y "Little Niles", del baterista Bill Stewart en su "Think before you think", el "Favorito".  Con Javier del Barco.

Sean Mason...Piano Felix Mosehouse...Bass Tony Glausi...Trumpet Chris Levine...Tenor sax Domo Branch....drums Broadcast June 26, 2022, The Jam Session Radio Hour, WLIW-FM, 88.3, Southampton, NY recorded by Rafael Alvarez, theme by Sylvano Masasterios All Rights Reserved, 2022, The Jam Session, Inc., Sag Harbor, NY --- Support this podcast: https://anchor.fm/the-jam-session-inc/support

The Freihofer's Saratoga Jazz Festival returns to the Saratoga Performing Arts Center with two full days of programming on two stages – this Saturday and Sunday, June 25 and 26, the festival is celebrating its 45th year at SPAC. Wynton Marsalis - managing and artistic director of Jazz at Lincoln Center and a world-renowned trumpeter and composer will be headlining Sunday's show with the Jazz at Lincoln Center Orchestra. Wynton Marsalis joins us.

Stephanie Simon has staying power. For the last 25 years, she has worked at NY1 News where she covers art and culture in all its many forms across the five boroughs, including the visual arts, jazz, the New York Philharmonic, New York history, and everything in between.  Her career in news started in 1st grade when she started her very own newspaper entitled, "The Gossip Gazette," which was quite a hit with her classmates in Ambler, Pennsylvania. Since then, she has danced with the Rockettes,  been serenaded by Wynton Marsalis, roasted by comedian Jeff Ross, yucked it up with A-list comedians,  interviewed rock stars, and walked on the biggest stages in the world.  Find out how Stephanie does when the tables are turned and she is in the spotlight.

Trumpeter and composer Wynton Marsalis, the managing and artistic director of New York's Jazz at Lincoln Center (JALC), is a man bursting with endless energy. Throughout his four-decade career, he has never seemed to run out of steam. He signed his first recording contract at 22, and has gone on to release more than 100 jazz and classical recordings, win nine Grammy Awards, author six books, and earn more than 40 honorary degrees. In 1987, Marsalis co-founded a jazz program at Lincoln Center, which, following the initiative's success, made it a formal part of the performing arts institution in 1996. The following year, his album Blood on the Fields, an oratorio about slavery, won a Pulitzer Prize. Not even the pandemic could stop Marsalis from using music as a vessel for knowledge and expression. As New York went into lockdown last March, he accelerated JALC's digital programming with initiatives including a weekly YouTube conversation series and a virtual edition of JALC's high school jazz band competition. In August 2020, he released The Ever Fonky Lowdown, a horn-powered survey of the forces that divide people and a vision of how we might rise above them. Through it all, Marsalis has remained passionate about the power of his work. “Music is important,” he says, “because music, and all art, is reenactment. The reenactments exist to let you understand the meaning of things across time.”On this episode, Marsalis speaks with Andrew about jazz as a metaphor for democracy, communicating through instruments, and how understanding music lends itself to understanding life.Show notes:Full Transcript[03:55] Ellis Marsalis[04:48] Jazz at Lincoln Center[05:24] Skain's Domain[09:08] The Ever Fonky Lowdown[09:25] Ellis Louis Marsalis III [11:30] “That Dance We Do” [11:57] The Democracy! Suite  [13:38] Blood on the Fields [14:29] “Sloganize, Patronize, Realize, Revolutionize (Black Lives Matters)”[29:03] “Deeper Than Dreams”[32:36] Branford Marsalis

durée : 00:59:43 - My Darling New Orleans - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

We look back to February 2016 to spend some time the company of the prestigious Jazz at Lincoln Centre Orchestra during the fourth year of their international associate residency when they performed the music of Wayne Shorter, George Gershwin and hosted an evening celebrating the next generation of jazz. From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Una maravillosa compilación de temas grabados en vivo en Jazz at Lincoln Center en conciertos de destacados artistas junto al Wynton Marsalis Septet entre los años 2003 y 2007, producción 2018 para Blue Engine Records, es el invitado al 2 de uno de esta semana.

"If one person's sense of value as a human being is renewed, their family, their community, all of us are affected by it in a positive way. We all benefit"In this episode of MFM Speaks Out, our guest is Alina Bloomgarden. Alina was the original producer of Jazz at Lincoln Center (JALC), the Lincoln Center Reel to Real series, and Director of Visitors Services for 23 years, where she received the Directors Emeriti Award for outstanding achievement. Proposing that jazz had a rightful place at America's preeminent performing arts center, she invited Wynton Marsalis to participate as Artistic Advisor. She produced the first critically-acclaimed seasons of Jazz at Lincoln Center. Alina is also the founder and executive director of Music On the Inside (MOTI), an organization that works with professional musicians to bring the transformative power of music education and mentorship to people who are incarcerated, facing the challenges of re-entry or impacted by incarceration.Topics discussed: How did the Jazz at Lincoln Center Project begin, Wynton Marsalis' involvement in JALC, the founding of Real to Reel, founding Music On The Inside and introducing it to the Department of Corrections, MFM member's involvement in MOTI, and the positive response inmates have to the music programs and performances MOTI brings to the prisons.Visit Music on the Inside at musicontheinside.org.Visit Jazz at Lincoln Center at jazz.org.Visit Musicians for Musicians at musiciansformusicians.orgMusic featured on this episode:"Embraceable You" (written by George and Ira Gershwin, performed by Wynton Marsalis)"On the Sunny Side of the Street" (written and performed by Louis Armstrong)"Havana Blues" (performed by Arturo O'Farrill and the Chico O'Farrill AfroCuban Orchestra)

Our guest is the highly regarded American conductor and music director, David Robertson. He'll be holding the baton at the BOK Center this weekend, as the Tulsa Symphony Orchestra joins forces with Wynton Marsalis, the Jazz at Lincoln Center Orchestra, and a festival choir to perform All Rise (Symphony No. 1), an epic blues suite composed by Marsalis that will take place Sunday, June 6th, at 3pm. This very special concert -- offering a massive and stirring work on the theme of spiritual transcendence -- is being presented on the somber occasion of the 100th anniversary of the Tulsa Race Massacre. For more on this concert, including how to get tickets, please visit the TSO website .

The Hump is pumped to bring you our guest this week! Bassist, composer, arranger, educator, Carlos Henriquez! Tune in to find out why I call this episode, "Right Place, Right Attitude!"

Wynton Marsalis is the Managing and Artistic Director of Jazz at Lincoln Center. Learn how he improvised how keep the excitement of live performances alive, even when the physical doors were closed. This episode is hosted by Susan Chapman-Hughes, Executive Vice President and General Manager of Digital Capabilities and Operations at American Express.  

Greetings Glocal Citizens! This week I had the great treat of meeting the Maestro Wynton Marsalis, managing and artistic director of Jazz @ Lincoln Center which he co-founded in 1987. He's produced more than 100 recordings, he's a nine-time Grammy Award winner, he's an internationally acclaimed musician, composer and bandleader, an educator and a leading advocate of American culture. Wynton has created and performed an expansive range of music from quartets to big bands, chamber music ensembles to symphony orchestras and tap dance to ballet, expanding the vocabulary for jazz and classical music with a vital body of work that places him among the world’s finest musicians and composers. He is a native of the birthplace of jazz, the New Orleans, Louisiana, which he left in 1979 to attend The Julliard School in New York City. He continues to call New York home but his reach is indeed global! Where to find Wynton? www.wyntonmarsalis.org The Jazz @ Lincoln Center Orchestra (https://www.jazz.org/JLCO/) On YouTube (http://youtube.com/wyntonmarsalis) Wednesdays with Wynton and Skain's Domain On Facebook (https://www.facebook.com/wyntonmarsalis) On Instagram (http://instagram.com/wyntonmarsalis) On Twitter (http://twitter.com/wyntonmarsalis) On Spotify (https://open.spotify.com/artist/375zxMmh2cSgUzFFnva0O7) What’s Wynton reading? American Founders: How People of African Descent Established Freedom in the New World (https://read.amazon.com/kp/embed?asin=B07N6LYGZN&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_79APFbMZAH1Q2&tag=glocalcitizen-20) by Christina Proenza-Coles Barracoon: The Story of the Last "Black Cargo" (https://read.amazon.com/kp/embed?asin=B071YRWK84&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_W.APFbGS5Q9KQ&tag=glocalcitizen-20) by Zora Neale Hurston Other topics of interest— • Congo Square (https://en.wikipedia.org/wiki/Congo_Square) • Congo Square the Album (https://wyntonmarsalis.org/discography/title/congo-square) • Yacub Abby and Odadaa! (https://yacubaddy.com/odadaa.html) • The Ever Fonky Lowdown (https://wyntonmarsalis.org/discography/title/the-ever-fonky-lowdown) • Fannie Lou Hammer (https://en.wikipedia.org/wiki/Fannie_Lou_Hamer) • From Plantation to Penitentiary (https://wyntonmarsalis.org/discography/title/from-the-plantation-to-the-penitentiary) • All Rise (https://wyntonmarsalis.org/discography/title/all-rise) • Blood on the Fields (https://wyntonmarsalis.org/discography/title/blood-on-the-fields) • Thandi Ntuli (https://www.thandintuli.com/) • Nduduzo Makhathini (http://nduduzomakhathini.co.za/) • The Essentially Ellington Jazz Academy (https://academy.jazz.org/ee/) • The Tanglewood Music Center (https://www.bso.org/brands/tanglewood-music-center/explore-the-tanglewood-music-center.aspx) Special Guest: Wynton Marsalis.

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Wynton Marsalis was born into a musical tradition. He grew up in New Orleans, home of the best jazz musicians around – including his father, jazz-great Ellis Marsalis. But Wynton Marsalis is a master in his own right. Back in 1984, when he was just 22 years old, he won two Grammy awards for his performances in jazz and classical music. In 1997, Marsalis became the first jazz musician to win the Pulitzer Prize for Music for his record Blood on the Fields. Then in 2007, he released From the Plantation to the Penitentiary and it hit number two on the Billboard charts. Marsalis now works as the artistic director at Jazz at Lincoln Center. That’s where, in 2018, he debuted the work that would lay the foundation of his newest album: “The Ever Fonky Lowdown.” The album is deeply political, narrated by actor Wendall Pierce – a high school friend of Marsalis. And it’s dedicated to his father, who passed away from coronavirus complications this spring. On Into America, Marsalis talks with host Trymaine Lee about his writing process, how politics influences his music, and the magic of New Orleans. For a transcript, please visit https://www.msnbc.com/intoamerica.Further Reading and Listening: Listen to The Ever Fonky Lowdown here. Wynton Marsalis on racism in the Trump era Wynton Marsalis tells how he's encouraging his students to join the conversation on civil rights Ellis Marsalis, jazz patriarch, dies at 85 after coronavirus diagnosis

Singer/songwriter, cabaret performer and author Meg Flather is a five time BroadwayWorld Award nominee, two time Backstage Bistro and four time MAC Award-winning performer who has garnered glowing reviews from top New York entertainment publications and websites. She has written and recorded songs for independent films, Off-Broadway and on behalf of HIV/AIDS, 9/11, Alzheimer’s, Autism, suicide awareness and political activism. Meg has been a featured performer for The Gay Men’s Health Crisis at New York’s historic Webster Hall, the Vermont and Tribeca Film Festivals, to benefit the victims of Typhoon Yolanda at the Philippine Consulate, and at the Rose Theater at Jazz At Lincoln Center for the 2018 Mabel Mercer Cabaret Convention. Meg has performed in commercials and corporate films and for 16 years has served as Brand Ambassador for skincare lines sold on QVC, HSN, SHOP NBC, TVSN, Australia, and The Shopping Channel of Canada.  Meg trademarked the name, “Home Shopping Diva”® and her 2011 one-woman show of the same was named as one of the “Top Ten Cabaret Shows of the Year” by Times Square Chronicles cabaret reviewer Stephen Hanks. Meg's autobiography, Home Shopping Diva . . . Lessons, Lyrics and Lipstick, is available here: https://www.amazon.com/Home-Shopping-Diva-Lessons-Lipstick/dp/149287051X MegFlather.com

This week we're breaking down some of our favorite death-defying live performances of all time! We also introduce a new segment, talk about a possible Hamilton episode on the horizon, dive into Jerome's HBO Max account, and discover Kenyon's true feelings about Jimmy Kimmel. Fact Chequé Tidal pays artists more than Apple Music or Spotify per stream ($0.012, $0.008, and & $0.004, respectively): https://variety.com/2018/music/news/music-streaming-sites-fraud-1202905665/ Rachel Tucker is from Belfast, Northern Ireland. Whitney Houston sang the national anthem at Super Bowl XXV in 1991. Abbey Smith - “Gravity”: https://www.youtube.com/watch?v=iylxEY1nVUs Kim Burrell - I Believe In You And Me - Live BET Honors Whitney Houston Tribute - Feb 1 2010: https://www.dailymotion.com/video/x2h35ua Beyoncé covers “I Wanna Be Where You Are” at Michael Jackson Tribute 10/3/2011: https://www.youtube.com/watch?v=rjTJ9AI5lW0 JESSIE J ‘BIG WHITE ROOM’ IN MY BATHROOM IN LA!!: https://www.youtube.com/watch?v=FKfzXq1gcG4 No Good Deed - Rachel Tucker’s BEST performance!!! (OMG!!!): https://www.youtube.com/watch?v=vZuZfx9V8Ag Bang Bang (My Baby Shot Me Down) (Live from Jazz At Lincoln Center): https://www.youtube.com/watch?v=-huNrHAou-E Domino: Duke’s Men of Yale AzkaJam: https://www.youtube.com/watch?v=78Z5iBXQSgU Whitney Houston, Live in Kazakhstan, 2008: https://www.youtube.com/watch?v=d4tungG1A2s Whitney Houston - Star Spangled Banner: https://www.youtube.com/watch?v=N_lCmBvYMRs Michael Jackson - Super Bowl (Complete Version) (HQ): https://www.youtube.com/watch?v=idg8TNknvDU JAZMINE SULLIVAN sings HOME from THE WIZ at 11 years old ashanti stephanie mills also did it: https://www.youtube.com/watch?v=ARg9F76caoM Send us stuff at welovethatpodcast@gmail.com!

Trumpeter, composer, and educator Wynton Marsalis is arguably the most famous jazz musician of our time – though few would actually argue the point. He’s won multiple Grammys and in 1997 became the first jazz composer to win the Pulitzer Prize for his piece Blood On The Fields, a work about two slaves and their difficult journey to freedom. Born into one of the great families of New Orleans jazz, Marsalis has been closely tied to New York, and particularly to Lincoln Center, since the late 80s. He is the longtime visionary force behind Jazz At Lincoln Center; and his work has included both diverse live performance projects and a deep, ongoing concern with education, especially with bringing jazz and classical music to children.  In partnership with Gothamist and their Future NYC series, host John Schaefer consults with Wynton Marsalis as he considers arts possibilities in the after-times, touching on full participation and the ways to question institutional curation. Marsalis would like to see increased engagement with the arts - inviting folks to participate, creating the will to participate, and building community. Practically speaking, that might mean lowering ticket prices, offering classes and encouraging curiosity. Wynton Marsalis shares his ideas for this Soundcheck Podcast.  Jazz at Lincoln Center (JALC) is hosting its first virtual free Summer Jazz Academy now through August 1. Students of any level (ages 12 and up) can go to jazz.org for more information.    Cecile McLorin Salvant, Wynton, Nduduzo Makhatini and more heavy hitters are providing free classes throughout.

Confira os destaques do caderno Na Quarentena desta quarta-feira (01/07/20)See omnystudio.com/listener for privacy information.

durée : 01:01:12 - Une heure, un lieu - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé - réalisé par : Vivian Lecuivre

durée : 00:53:33 - Wayne Shorter, Wynton Marsalis & Jazz at Lincoln Center Orchestra - par : Alex Dutilh - « The Music of Wayne Shorter » qui paraît chez Blue Engine, présente le titan du saxophone, interprétant un choix de ses compositions aux côtés du JLCO de Wynton Marsalis. - réalisé par : Fabien Fleurat

durée : 00:53:33 - Wayne Shorter, Wynton Marsalis & Jazz at Lincoln Center Orchestra - par : Alex Dutilh - « The Music of Wayne Shorter » qui paraît chez Blue Engine, présente le titan du saxophone, interprétant un choix de ses compositions aux côtés du JLCO de Wynton Marsalis. - réalisé par : Fabien Fleurat

Un homenaje a una leyenda viviente del Jazz, y con él como invitado; un solo disco grabado en tres sesiones en el 2015 en el Jazz at Lincoln Center, bajo la dirección de Wynton Marsalis, interpretando la música de Wayne Shorter con su participación en los saxos soprano y tenor.

Edited by Thomas Lahren (https://www.thomaslahrenmusic.com/) Aaron and Drew sat down for a lengthy discussion with legendary composer, arranger, saxophonist, and educator Andy Farber, who has been a leading writer in the NYC and international jazz scene for many years. His many collaborations include Wynton Marsalis, Jon Hendricks, Shirley Horn, Bobby Short, Michael Feinstein, Catherine Russell, Frankie Laine, Alan Harris, Cynthia Scott, Billy Stritch, B.B. King, Ray Charles, and more. He has also composed music for a number of film and media projects, including Star Trek Continues. Find out more about Andy at his website: www.andyfarber.com

Edited by Thomas Lahren (https://www.thomaslahrenmusic.com/) Aaron and Drew sat down for a lengthy discussion with legendary composer, arranger, saxophonist, and educator Andy Farber, who has been a leading writer in the NYC and international jazz scene for many years. His many collaborations include Wynton Marsalis, Jon Hendricks, Shirley Horn, Bobby Short, Michael Feinstein, Catherine Russell, Frankie Laine, Alan Harris, Cynthia Scott, Billy Stritch, B.B. King, Ray Charles, and more. He has also composed music for a number of film and media projects, including Star Trek Continues. Find out more about Andy at his website: www.andyfarber.com

Daniel Israel is Assistant Manager of Touring at New York City’s world famous Jazz at Lincoln Center, whose mission is to entertain, enrich and expand a global community for jazz through performance, education and advocacy. Because jass is improvisational it celebrates personal freedom and encourages individual expression. Daniel is also a musical composer who has been a part of the BMI Musical Theatre Workshop for over a decade where he worked with a lyricist to produce a number of musicals including Austin the Unstoppable. Prior to joining Jazz at Lincoln Center with Wynton Marsalis, Daniel worked for almost 6 years as an artist representative, or agent, in the jazz industry.  Daniel graduated from the University of Rochester where he graduated Magna Cum Laude with a B.A. in Music. The post 133: What To Do To Turn Your Love of Music Into a Career w/ Daniel Israel, Jazz at Lincoln Center [Main T4C episode] appeared first on Time4Coffee.

The iconic actor and musicians teams with Jazz At Lincoln Center to sing both bog band swing tunes and songs from his catalog.

Ximo Tebar: Guitarrista, profesor, compositor y productor reconocido por la prensa especializada internacional como un músico experimental, progresivo e innovador que le ha permitido ser distinguido como el creador del Son Mediterráneo (fusión de jazz y flamenco con aroma mediterráneo). Su proyección internacional le llevó a fijar su residencia en Manhattan en 2004, donde se introdujo en la escena jazzistica neoyorkina firmando un contrato discográfico con Sunnyside Records, y comienzando a trabajar, de la mano de Arturo O'Farril con la Chico O'Farril Afro Cuban Jazz Orchestra actuando cada domingo en el Birland Jazz Club. Durante su estancia en Nueva York formó parte del grupo Riza Negra junto a Joe Lovano, Tom Harrel, Dave Samuels, John Benitez, Dafnis Prieto y Arturo O'Farril, y colaboró en giras y grabaciones con Lou Donaldson, Benny Golson, Joey DeFrancesco, Dr. Lonnie Smith, Louie Bellson, Anthony Jackson, Johnny Griffin, Tom Harrell, Idris Muhammad, o Dave Schnitter, actuando en auditorios tan emblemáticos como el Apollo Theater, Jazz At Lincoln Center, Smoke, Dizzy's Jazz, etc

The Ladybugs are a traditional jazz vocal group known for their intricate harmonies and experimental arrangements. Lead by Martina DaSilva, all members of the band sing while playing ukulele, guitar, trombone, bass, and drums. The Ladybugs’ repertoire includes favorites from the 1920s, ‘30s, and ‘40s, infused with swing, country, blues, and latin music. The band has received high praise for recent performances at Jazz At Lincoln Center’s Generations in Jazz Festival, the NY Hot Jazz Festival, and the NYC Winter Jazzfest. With an uplifting sound that attracts all audiences, The Ladybugs effortlessly keep listeners smiling and moving. In September 2015, The Ladybugs released their debut self- titled album to rave reviews. Check them out on Facebook: https://www.facebook.com/ladybugsjazzband As always, recorded LIVE at Guilt & Company Visit Guilt & Company online via www.guiltandcompany.com - or in person at 1 Alexander Street in Historic Gastown, Vancouver, BC.  Follow Us on Social Media: Facebook: www.facebook.com/guiltandcompany Twitter: www.twitter.com/guiltandcompany Youtube: www.youtube.com/guiltandcompany Instagram: www.instagram.com/guiltandco Presented By: James Calvin Thompson Recorded By: Trevor Tews Edited By: Aaron Johnson

Big News! DJ CherishTheLuv will be doing music work in an orphanage in Ecuador with Unfucktheworld in May, so in today’s episode, we’ll be talking about MUSIC as our Primary Food. We are going to find out HOW TO COOK UP A SONG and ENJOY LIFE with today’s musical guests, Haitian-born SMAX MUSIC, your new favorite Caribbean Rock/Groove and Acoustic Soul Man! He’s described as Bob Marley meets The Rolling Stones. Joining us is Doug Hinrichs, a percussionist and composer based in New York City, perhaps best known for his work in the Broadway musical “In The Heights.” Doug performs and records with countless artists in the New York City area and beyond. A recent highlight: performing with Bobby McFerrin at the Jazz At Lincoln Center series. We are going to make a brand new song to serve up, live on air!

Audrey Shakir sings with the Jazz at Lincoln Center Orchestra in a holiday show at The Vets on Friday, Dec. 4. as part of the FirstWorks series

Host Deardra Shuler talks with bassist Carlos Henriquez who w/special guest Bobby Allende and Marc Quinones open Jazz at Lincoln Center Orchestra with Wynthon Marsalis (JALC) 2015-16 season entitled Carlos Henriquez Back In the Bronx premiering on Saturday, 9/12 at 8:00 p.m. at Lehman Center for the Performing Arts in the Bronx. Henriquez debuts his new compositions and arrangements by the Jazz at Lincoln Center Orchestra with Wynton Marsalis premiering selections from The Bronx Pyramid CD to be released 9/18. The Bronx-born, Nuyorican bassist is one of the truly bilingual musicians equally virtuosic with the language of jazz and the Afro-Latin tradition. At age 14, he performed at People’s Park with Latin jazz greats like Tito Puente, Eddie Palmieri, and Celia Cruz. A music director for countless performances, Henriquez presents music that shows the breadth of his technical and stylistic dexterity, wherein his compositions and most notable arrangements will be front and center.  Themed ‘Jazz and American Song’, (JALC)’s 28th season celebrates the music of the stage and silver screen and uplifts jazz’s emerging voices through an impressive array of more than 80 concerts and programs, anchored by the exceptional Jazz at Lincoln Center Orchestra with Wynton Marsalis. Tickets can be purchased through jazz.org 24 hours a day or via CenterCharge at 212-721-6500,or at the JALC Box Office, located on Broadway at 60th Street, ground floor. 

To help new people them find their way, Al Ridella and CJ Wescott of 4 Wall Entertainment reached out to DJs and nascent production companies working in events in the NY Metro, and invited them to a panel discussion about this end of the business. Your host was one of the panelists, as were Zach Lambrinon of Intelligent Lighting at the Waldorf Astoria Hotel, and Zakaria Al-Alami of Arc3 Design and Jazz At Lincoln Center.

The East St. Louis High School Jazz Band and the band’s director, Delano Redmond participated in an intensive workshop with musicians Marcus Printup, trumpet, Ali Jackson, drums, Walter Blanding Jr., saxophones, and Wynton Marsalis. Then the East St. Louis High students performed side by side with Marsalis and the Jazz at Lincoln Center Orchestra for an never to be forgotten experience.