Podcasts about saltman

ANTI-TRANS ATTACKS; JULIAN ASSANGE; LABOR RISING; CAMPUS UPHEAVALS; SAVING DEMOCRACY IN AZ We open with BRYNN TANNEHILL's powerful report on escalating attacks against trans people throughout the US, but with an astounding victory in Kansas (!).   VINNIE DESTEFANO'S information on Julian Assange includes a way YOU can help by calling your Senators & Representatives to get him FREE!   MYLA RESON, DAVID GURAN and WENDI LEDERMAN chime into the amazing battle to save the right to practice journalism anywhere on Earth.   RUTH STRAUSS talks to us about “Outside Agitators” and Joe Biden.   From Georgia's RAY MCCLENDON we hear the latest on the Trump prosecutions and also on the arrival of the Vogtle nuclear plant already devastating the Peach State economy.   Republican Arizona state Senator KEN BENNETT explains the 4-point program for guaranteeing safe, fair, digitally scanned paper ballots that produce accurate outcomes in public elections.   With legendary election protection pioneer JOHN BRAKEY we conduct an astonishing excursion into the workings of the AZ legislature's progress into the world of actual democracy.   Will this publicly verifiable method of conducting the vote counting and auditing process become a national model? Let's hope so.   Globally infamous “magician” DAVID SALTMAN jumps in to doubt the ability of run a fair and accurate vote count when professional slights of hand are lurking.   An Emmy-winning investigative reporter, Saltman challenges Sen. Bennett and Brakey to prove that they can produce a vote count without error.   DONALD SMITH warns of violence at the polls.   Myla Reson then challenges Senator Bennett to do face the realities of the horrendous Palo Verde nuclear plant. No Nukes!!!   In four weeks (on June 3) we will stage a national zoom gathering on how to conduct fair, reliable, verifiable elections this fall….

Treating hyponatremia, a condition characterized by low sodium levels in the blood, can be both complicated and quite risky.. Disruptions to the delicate balance of sodium in the body can lead to a spectrum of outcomes, from an asymptomatic presentation to life-threatening seizures, coma, and death.Through the patient story of Mrs. Saltman, host Sarah Lorenzini explains the role of sodium in the body, breaking down the science of osmosis and electrolytes so nurses can better understand the causes of hyponatremia. She goes over the three levels of hyponatremia that are categorized by blood tonicity and volume status, and how each level impacts the diagnosis and management of hyponatremia. Sarah also dives into the nuances of treating hyponatremia, including the risks of rapid sodium correction, the importance of knowing a patient's baseline, the underlying cause of their condition, and more.This episode will provide nurses with the knowledge needed to recognize the signs of hyponatremia and navigate the risks of treatment. Tune in now!Topics discussed in this episode:Introduction to Mrs. Saltman's caseThe pathophysiology of hyponatremiaCauses of hyponatremiaTypes of hyponatremia: hypertonic, hypotonic, and isotonicHyponatremia treatment strategies and their risksMentioned in this episode:Rapid Response and Rescue Intro CourseCONNECT

In today's episode, we have a very first for this podcast & an incredibly special guest - Retired Los Angeles Judge Dianna Gould-Saltman. That's right - a VERY recently retired divorce judge! (who BTW, has divorced several celebrity couples) Let's face it- nobody wants to go to court. It's just not a fun experience. If you're navigating the divorce process, going before the judge is likely a step that you are trying to avoid for several reasons. But for one reason or another, it happens for a lot of divorcing couples.  So, what do you do you to get the judge "on your side"??? In this episode you'll learn:  * An easy thing you can do to help yourself get in the right headspace for court  * What do to and not to do when you're actually in front of the judge in court  * Does it matter if the judge *knows* the attorney who's representing you or your spouse * What are some mistakes that Judge Dianna saw in her courtroom over and over  *What's a "private divorce"?? If you're going through this nasty thing called divorce and ready to learn how to prepare for court in the eyes of a retired divorce judge…this epiosode is for YOU.  AND! If you're wanting to hire Judge Dianna Gould- Saltman as your mediator or your private judge...guess what? You can do that! Find her here: https://signatureresolution.com/neutral-CPT/hon-dianna-gould-saltman-ret/ And friends, if your case is going into court then you likely need some more emotional support. Look no futher than our private community. You can find it right here: http://www.facebook.com/thehownottosuckatdivorcecommunity ********** Do you know about Our Family Wizard?? Because if not, you really need to go sign up for their newsletter. Our Family Wizard makes coparenting A LOT easier by helping you organize your calenders, expenses, AND monitor communications : and best part, it's looked upon HIGHLY in the courts as a way to help families do divorce better. To learn more, go to: http://www.ourfamilywizard.com/notsuck

Today's episode couldn't have been more aligned. If you're a business owner curious about getting on TV, authoring a book, getting more visibility for your business AND using some visualization to help you get there—Laura's episode will knock your socks off. Meet Laura: Laura Saltman is an Emmy nominated producer and host who has worked for Access Hollywood, Today, E News, Designing Spaces and appeared as a entertainment and pop culture expert on CNN, MSNBC and other media outlets. She now works as a corporate mindfulness and meditation trainer as well as helping business in social media and production. We talked about... How Authorship Gives You Expert Status The Importance of Visibility and Being Seen on Video Press Releases and Why They Don't Work The Way You Think They Do How Books build Authority How Visualization Plays a Huge Role in a Business Owner's Success Connect with Laura: @laurasaltman - IG, Twitter, FB and Tik Tok Purchase the From Author to Iconic Workshop November 15 | 12pm ET (Replay Available!) $37USD https://www.visibilityonpurpose.com/from-author-to-iconic Connect with us on and off the pod! website: ⁠www.visibilityonpurpose.com⁠ Instagram: ⁠https://www.instagram.com/visibilityonpurpose/⁠

#85. Embarking on Rhythmic Brilliance: A Captivating Interview with Sydney Saltman, My 11-Year-Old Daughter, an Emerging Dance Prodigy

Michael Saltman is the Founder and President of the Vista Group, which develops and manages office, retail, and industrial projects in Nevada, California, Florida, Utah, and even an investment near his favorite golf course in St. Andrews, Scotland. From Michigan to London, Geneva, Greece, and Israel, he eventually landed in Las Vegas in 1975, ready to seize the sheer opportunity available — low hanging fruit. He's been involved in many organizations throughout Vegas, including the UNLV Foundation, Nevada School of Arts, Counsel for a Better Nevada, Springs Preserve, Planning the Las Vegas Technology Center with the City, Chairing the McCarran Airport Public Art Committee, and on of the founding members of the UMC Board of Governors among many others. He co-founded the Nevada Innovation Center and the UNLV Boyd School of Law Saltman Center for Conflict Resolution. Add car racer, runner, skier, tennis player (and now even ping pong), award-winning visionary, and philanthropist to the list, plus plying his trade as a lawyer in the UK and Switzerland, Michael is what's known as a mensch in the community.

In this very special Bonus Episode of Stoppable, host Humera Khan engages in an in-depth conversation with Dr. Erin Saltman, the Director of Programming at the Global Internet Forum to Counter Terrorism (GIFCT). Dr. Saltman talks about her time embedded in a youth camp in Hungary for the ultra right wing political party Jobbik (designated a "neo-Nazi Party" by the European Jewish Congress). Dr. Saltman, the former head of Counter-terrorism and Dangerous Organizations Policy for Europe, Middle East and Africa for Facebook also discusses the important work the members of GIFCT are doing to "prevent terrorists and violent extremists from exploiting digital platforms" and about the term “borderline content” that is now increasingly come up in discussions. Reference: Erin Saltman and Micalie Hunt, Borderline Content: Understanding the Gray Zone. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kenneth J. Saltman is Professor of Educational Policy Studies at the University of Illinois Chicago. Ken's work covers neoliberal privatization, politics of education, culture, and subjectivity in education through critical theory and critical educational tradition. He joins us on this episode of Collective Intellectualities to chat about his new book, The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers, out now on MIT Press.Links to selected works:The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022)https://mitpress.mit.edu/9780262544368/the-alienation-of-fact/The Disaster of Resilience: Education, Digital Privatization, and Profiteering (Bloomsbury, 2023)https://www.bloomsbury.com/us/disaster-of-resilience-9781350342439/

Today's guest is Julie Saltman, co-founder and CEO at Standd, a company using AI to eliminate tedious grunt work from the due diligence process. Prior to launching Standd, Julie spent more than 15 years as an attorney at the US Department of Justice, the US Copyright Office, and in private practice. Additionally, she has written articles on technological innovation and the law, and was an adjunct professor at Georgetown University Law Center where she taught legal writing. At Standd, she works with a highly experienced team of innovative technologists who are building tools that transform their clients' businesses. In our conversation, Julie talks about how Standd helps lawyers save time in the due diligence process, the lessons she learned with the launch of the company, and how generative AI could impact the way we teach legal writing.

Tom goes woke, Nate reads a weirdly politically charged and incoherent Buzzfeed article. Plus, the boys learn some Tai Chi from Mr. David Saltman.

Andrew Saltman, the esteemed CEO of PVX Advisors. With a remarkable background that spans from his childhood in central NJ to his current residence in picturesque Ponte Vedra Beach, Florida, Andrew brings a wealth of experience and expertise to the table. Andrew Saltman is a man of diverse accomplishments and a story of relentless determination. From his early entrepreneurial endeavors as a paperboy and CD burner to his impactful roles in Venezuela's sports industry and with the New York Yankees, Andrew's journey unfolds with compelling tales and invaluable lessons. As a seasoned professional in various industries, including real estate, mortgages, and private equity consulting, Andrew's breadth of knowledge shines through as he shares his transformative experiences. Alongside his CEO role at PVX Advisors, Andrew also boasts ownership of RealChess.com, a testament to his multifaceted talents and entrepreneurial spirit. Andrew Saltman is more than just a businessman; he is a seeker of wisdom and personal growth.  In this episode, Brad and Andrew discuss how Andrew finds buyers for selling companies and how investing in this can be a lucrative decision.    Follow Andrew @andrewsaltman or @andrewsaltmanpvx  Learn more about what Andrew does https://www.gopvx.com  Watch the full video episode on Brad's Rumble here: https://rumble.com/c/c-2544182  Watch the full video episode on Brad's Youtube Here: https://bradlea.tv 

GREEP #150:  NUCLEAR POWER & PACIFICA RADIO Our Green Grassroots Emergency Election Protection show begins with a deep dive into the curse of atomic power that continues to plague our planet and species. We start with MARY BETH BRANGAN and JIM HEDDLE of the Environmental Options Network, who tell us about their spectacular new documentary “The San Onofre Syndrome,” due to be released in Los Angeles on Sunday, October 8, with virtual availability on October 15. The film documents the magnificent citizens movement that against all odds shut units 2 & 3 at San Onofre, only to see the company and the regulators leave multiple tons of radioactive waste lying on the beach, within mere yards of the high tide line. LINDA SEELEY of the San Luis Obispo Mothers for Peace lays out the hard realities of fighting to shut the two reactors at Diablo Canyon, where a refueling outage will allow major testing to take place….if the regulators are forced to do so. During this shut-down the safe energy movement will demand testing for embrittlement, pipe cracking, seismic stability, evacuation planning and other safety factors before the plant can re-open. This huge confrontation will define the future of energy in California.  The reactors are surrounded by 13 earthquake faults and are operated by Pacific Gas & Electric, a criminal operation defined by more than 80 federal manslaughter convictions. California has more than enough renewable energy to power the state cheaply, cleanly and safely, and has no need whatsoever for this insanely dangerous power source. Likewise Michigan's Palisades, where the great KEVIN KAMPS tells us how this dangerous, decrepit atomic jalopy has been shut….and is now insanely being given hundreds of millions of taxpayer dollars to reopen. TATANKA BRICCA asks about strategic planning to mount civil disobedience resistance to these nuclear nightmares. ROBIN HARPER, MYLA RESON and MIMI SPREADBURY chime in with critical California perspectives. LIBBE HALEVY, author of YES I GLOW IN THE DARK, an up-close-and-personal account of the nightmare at Three Mile Island, connects us with her excellent NUCLEAR HOTSEAT podcast. We are then honored with the presence of the great JAN GOODMAN, cofounder of the New Day Pacifica organization aimed at saving the treasured network. MIKE HERSH, MYLA RESON, DAVID SALTMAN and others dig into the utter madhouse of the Pacifica nightmare.  Saltman asks the all-important question:  “Where's the dead camel buried?” WENDI LEDERMAN, STEVE KAISER and LYNN FEINERMAN wrap these two amazing discussions, which we will resume in two weeks, after the Jewish New Year. No Nukes!  Save Pacifica!!

S3E2 Celebrity Channeling with Laura Saltman Join Corene Summers, founder of Artisan Farmacy and Reiki Master, and her cohost Alex Terranova, founder of DreamMason and Author of Fictional Authenticity, as they sit down with Laura Saltman. Laura Saltman's career journey has traversed the entertainment industry, from her role as a reporter, producer, and pop culture expert on renowned national TV shows such as Access Hollywood, Today, and E! News, to her unexpected evolution into a Hollywood Healer. Following personal trials including the loss of her brother to cancer, her father's passing, miscarriages, and health struggles, Laura underwent a transformative experience. Guided by spiritual mentors, she discovered latent intuitive abilities like clairaudience and clairvoyance, ultimately embracing her role as a conscious channel, medium, and Infinite healer. Transitioning from the glitz of red carpets to metaphysical realms, Laura crafted enlightening teachings including "The All of Everything," "The All of the All," "The All That Is," and "Wisdom of The All." These insights unveil life's deliberate design, revealing a path to profound joy and self-discovery. With the belief that humanity collectively evolves toward higher consciousness, Laura emphasizes that understanding one's true self is the key to inner peace. In this episode, we discuss: -Celebrity channeling -Changing your social circles -Attention without attachment -A-Listers and becoming a commodity -Birth Trauma and how it shows up in your life You can connect with Laura Saltman here: Website: https://laurasaltman.com/ Instagram: @laurasaltman You can connect with Corene Summers here: Website: www.artisanfarmacy.com Instagram: @artisanfarmacy You can connect with Alex Terranova here: Website: www.TheDreamMason.com Instagram: @InspirationalAlex Corene Summers is a Reiki Master, Meditation, & Mindfulness Coach. Business Coach for Conscious Entrepreneurs. Chakra & Energy Healer. Holistic Wellness Coach. Certified Corporate Wellness Specialist© Champion of the Good in Humanity. Alex Terranova is an Executive & Leadership Coach, Success Alchemist, Author of Fictional Authenticity, Co-Creator and Leader of The Alchemy of Men's Leadership Retreat, and Podcast host named 40 over 40 in podcasting by podcast magazine. ***Intro & outro music provided by sound healer Jay Talor. Jay is the Founder of Current Vibrations (http://www.currentvibrations.com/) and Director of the Ahimsa School of Sound Healing (https://ahimsaschoolofsoundhealing.com/)

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem. Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification? In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains. This book is available open access here. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Theodora is joined by psychic medium Laura Saltman who can talk to those who have crossed the veil. Laura talks about our soul contracts, Akasha records, and so much more.  Get Laura Saltman's books on Amazon: https://rb.gy/rnk35https://rb.gy/vwa0ghttps://rb.gy/7s0r3https://rb.gy/2oyphLaura Saltman's website: www.LauraSaltman.comLaura Saltman's Instagram: https://www.instagram.com/laurasaltman/ 

Steve Baldikoski is an Emmy nominated Showrunner known for Fuller House. He's also worked on Last Man Standing, Glenn Martin D.D.S., Wilfred, and Kristie. Join Michael Jamin and Steve Baldikoski for a conversation about how Steve broke in and what it takes to make it in HollywoodShow NotesSteve Baldikoski on IMDB - https://www.imdb.com/name/nm0049747/Steve Baldikoski on Twitter - https://twitter.com/finchbot2000Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptSteve Baldikoski:I mean, you're, you are sort of clued in to, to what your boss likes. Mm-Hmm. , you also have your own tastes. You, you kind of know what the project is supposed to be. I, I, yeah, I don't know. There, there's no formal executive school on how to give notes. That's why it's kind, it's kind of a weird job because there's no training for it. I don't really necessarily know what makes you good or not good.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jamin. Hey everyone, it's Michael Jamin. Welcome to another episode of Screenwriters. Need to hear this. I got another great guest today. This is my old buddy, Steve Bobowski. Steve has written on some of the, some of your favorite shows, as long as your show's favorite shows are ,Steve Baldikoski:As long as they're, as long as you have Terrible Taste and only watch shows that are gone after 13 episodes, andMichael Jamin:Then, then these are your favorite shows. But I'm gonna start, I'm gonna, in no particular order of, of, I think I'm going in order Teenager Working. Remember that show Dag with David Allen Greer Baby Bob. Oh, we're gonna talk about Baby Bob. Okay. Yeah. A U s A. Andy Richter controls the universe. People like that show a lot. I, I'm with her or I'm with her. I'm with her. I'm with her.Steve Baldikoski:I'm withMichael Jamin:Her. I'm with her . Eight. Eight Simple Rules. The New Adventures of Old Christine. That was a good show. The Jake Effect. Big Shots. True. Jackson, I forgot you worked that out. Wilfred. Which you could thank me for Glenn Martin d s, which you could thank me for Kirsty, which I can thank you for. Last Man Standing, whatever, .Steve Baldikoski:Yeah. They don't have anyone to thank for that.Michael Jamin:Thank for that.Steve Baldikoski:Save Me.Michael Jamin:Jennifer Falls, Ned and Stacy. And then of course, you were the executive producer and showrunner of Fuller House, the Full House remake. Steve, welcome to the big show,Steve Baldikoski:. Thank, thank you for having me. It's very exciting to be here.Michael Jamin:Wasn't it exciting, man? Oh man. Oh, and I have to say, so yeah, so we started out my partner and I hired Steve and his partner Brian, on, on Glenn Martin dds. And we were always very grateful. These guys turned in great drafts and we were always extremely grateful. Yeah, thank you. And then we would just shovel more work as, as for gratitude, we would just shovel more scripts in your face. Write this one now,Steve Baldikoski:, that was one of the highlights of my career. That was some of the best times I've ever had.Michael Jamin:We had some, you know, it's funny, I asked Andy Gordon in in a, in a previous episode, I said, and I'll ask you the same question. If you had, if you could go back in time and either remake any of the shows you did worked on, or like rebooted or just work on it again, what, what would they be? Any,Steve Baldikoski:I thought you were gonna tell me. Andy's answer . AndyMichael Jamin:Said if you want, Andy said, just shoot me. And true. JacksonSteve Baldikoski:Uhhuh . I, I, Glen Martin was a highlight, and and I think it was an underappreciated show,Michael Jamin:Certainly was. AndSteve Baldikoski:If, if it weren't in Claymation, maybe someone would've watched it.Michael Jamin:You know, we went on the internet, Seabert and I, my partner and I, we went on the internet and we found some guy talking about Glen Martin. And it was as if he was in the writer's room. It was as if he was, because he, he was right on the money . Like he knew what was good about it, what was bad about it. He had theories as to why ,Steve Baldikoski:I think you, you talking about Alex Berger, the creator,Michael Jamin:, it wasn't Alex. It was something like, it was something like Whacko on the internet, but boy, he was dead on. He was like, he knew exactly what he was talking about.Steve Baldikoski:. Well, one, one weird thing that that happened to me, this is slightly related. When, when Brian, my old writing partner and I took over for house in the last couple of seasons, it was right before the final season, and it was after Lori Locklin had her collegeIssues, legal issues with varsity Blues. On April Fool's Day, there was this article in some Likee News or something where someone did a whole, it was a fake interview with me, but it seemed like it was real. And the reasonings that they were talking about getting rid of Lori's character and what would happen after, you know, she was divorced from Uncle Jesse on Fuller House. W it was so well thought out that it, I thought it had to be written by also someone in the room, Uhhuh, because they actually knew like, specific arguments that specific writers had in getting rid of this person. And then it turns out, only if you clicked the very bottom did it say April Fools. And it was all phony interview with me,Michael Jamin:But still they got it. Right. But itSteve Baldikoski:Was, it, it was so eerie that it was, it was probably probably had better reasons to include her or not include her than we did. So there are a lot of fans out there who understand the shows just as well as the writers Do.Michael Jamin:I, I think so. I, I think even on, people talk about King of the Hill and they remember episodes. I'm like, I don't remember that one. And then they look it up and go, I, I worked on it. I don't tell me what happened. It's like, I don't remember it. You know, it's from, you know, very important to some of these people. And you know, they, they, they watch it all the time. And I haven't watched it in 20 years. ButSteve Baldikoski:But did you, there was a moment where when on Wilfrid where David Zuckerman, the creator didn't even know that he had a logic fallacy in the first episode. Do you know the story? No. I think he was at Comic-Con and he, he was, he, it it was about the pilot of Wilfred where Wilfred is trying to get through the fence and a regular dog would crawl through the fence, but instead Wilfred has an ax.Michael Jamin:Right. AndSteve Baldikoski:And then they said, well, shouldn't I take the ax from Wilf Fred because it's dangerous? And then David said, wisely said, no, you can't grab the ax cuz that means the ax is real. And the second he said that someone in the audience held their hand up and said, well, what about the Bong? Yeah,Michael Jamin:What about the Bong? Yeah.Steve Baldikoski:And David had never considered that.Michael Jamin:Well,Steve Baldikoski:But Jar, that was fascinating that, that he, they had never thought of it on set, but out there. Got him instantlyMichael Jamin:Etro gave a headache to write and remember, like, what, who, and then, and then your part of Brian's likeSteve Baldikoski:That, that anecdote gave me a headache to mention.Michael Jamin:Yeah, it was, I remember he just like, don't you think people just wanna see the dog danceSteve Baldikoski:?Michael Jamin:See the dog dance? That was his pitch. . Oh man. Oh my God, what a show. But did you ever,Steve Baldikoski:This whole section is even inside Wilf Fred.Michael Jamin:Yeah, it is inside Wilfred.Steve Baldikoski:I don't think anyone would appreciate that. But did youMichael Jamin:Ever, even when you were running Fuller house, did you, did you ever turn to the, what do the fans want? Did you turn to the, because there's a lot of pressureSteve Baldikoski:On that actually, I have to say. That was a huge part of Fuller House and it was one of the things I think that the audience loved. And it was a unique situation for me because I had, still, to this day, I've seen two and a half episodes of the original full House.Michael Jamin:Uhhuh .Steve Baldikoski:So I didn't know anything about Full House, but other people did. And so if we would want to throw in, we call them Easter eggs, right? Throw in little Easter eggs and bring back, you know, some character that was in an, in a single episode 30 years ago, we would bring those actors back and the audience would go bananas. Yeah.Michael Jamin:But how, how can, you didn't watch any old episodes or, you know, there's so much,Steve Baldikoski:Why, why didn't I, orMichael Jamin:Yeah, why didn't you?Steve Baldikoski:Well part of it is I, I didn't want to actually be beholden to any of the other of the old stories.Michael Jamin:Right.Steve Baldikoski:Because I mean, even, you know, like Fuller House is a little bit of an old fashioned show, but we didn't wanna make it just like completely stuck in the past and, and a show that is only about, that's referencing the original show. And that was more helpful to just have a perspective of like, what's it like raising, you know, three kids in, you know, modern day California.Michael Jamin:But did you feel a, a strong, I guess, obligation to make sure the fans were happy? Cuz I'm show the writers are writing for themselves.Steve Baldikoski:Oh, oh, for sure. We were doing that constantly and you know, we, we knew it. There were certain things that were like, you know, throwing red meat to the audience.Michael Jamin:Oh.Steve Baldikoski:You know, kind of like, like, like if you're doing the show Fuller House, no. You know, no matter what the story you're doing is, or whatever, if you have to, you bring in a dog wearing sunglasses and the audience goes bananas. And then how do you talk? And a, a baby runs in wearing the same sunglasses.Michael Jamin:Mm-Hmm.Steve Baldikoski: and then just the, the audience like tears of joy in the audienceMichael Jamin:Because that's, that, that was an old staple in the original show, stuff like that.Steve Baldikoski:Yeah. I mean, that's just the kind of thing that they would stoop to, you know, . And so, no, but it was, but it was this, it was this, the Four House is a show that like, you know, it really, it really affected me as a writer cuz it was really that time when every week there were 200 fans in the audience. Super fans who knew every single episode of Full House and Fuller House. And so you would get this amazing instant recognition from the audience that you're writing for them.Michael Jamin:Right.Steve Baldikoski:Especially when you would have those little Easter eggs and you don't get that on a lot of shows.Michael Jamin:Right. YouSteve Baldikoski:Know, like I, you know, may maybe on your Just Shoot Me you would have just shoot me fans, but every seat every week was a super fan.Michael Jamin:No. The weird thing about Just Shoot Me, you know, cause we was, we were there the first four years and the, the first season, probably the first two seasons that the audience, they weren't fans, they were hostages. There was people who came from Free Pizza, , you can tell they wouldn't wanna be there. . And they know the showSteve Baldikoski:Prisoners,Michael Jamin:Prison Prisoners,Steve Baldikoski:You're sailors in for Fleet Week.Michael Jamin:It's basically that. I mean, people listening, it's like you show up on Hollywood Boulevard and they hand out tickets, Hey, who wants to see a taping of the show? And then anyone would show up and they would stay warm, cause anybody to get outta the rain. ButSteve Baldikoski:These, no, these were people who came from not just around the country, but from literally around the world to see the show. Yeah. And they would th these people would center their vacation on coming to the show. And, and so, you know, I I mean I, it was also amazing to be able to, like, after the show, you know, if you knew who the people were you would bring them down and, and they would just get a kick out of walking around the set. Mm-Hmm. . And that was another kind of highlight every week was, you know, having these people, you know, have this awesome experience that they've grown up with these characters in this set. And then they're running around on the set, you know, now that they're grown up and they've got kids who, who like the shows.Michael Jamin:Now this set was a repeat that wasn't,Steve Baldikoski:That was kind of amazing cuz you would, it it wasn't just, it wasn't just fans, it was two generations of fans. Right. You know, it was like people who are sort of our age and then they're kids. Right. And, and so, you know, when network people talk about family co-viewing, it really was that it was, you know, parents who still love the show,Michael Jamin:But it wasn't the set was a remake. Right. It wasn't the actually,Steve Baldikoski:It, it was a remake. But I'll I'll tell you, and this is also part of the weird experience coming onto the show, cuz neither, you know, I had no appreciation really for a full house at the time. So before the first show, and this was the entire first season before it aired on Netflix there was a curtain covering the set. And before they would announce the actors, they would, they would lift the curtain like it, like it was like at the theater. Right. And the first time for the shooting the pilot, when they revealed that to the audience, people burst into tears.Michael Jamin:Wow.Steve Baldikoski:Just seeing the set and the couch looking just like it did in the eighties. And the way they really, really mimicked the original set, you know, to the Inch cuz they had the original plans. It was amazing to see people moved by a set.Michael Jamin:Yeah, I bet. ISteve Baldikoski:Bet. And yeah. And so, so that was pretty unusual. And then any line would get, even a mediocre line would get an aureus laugh from the audience cuz they were all, they've been waiting for 25 years to see this moment.Michael Jamin:Now, I imagine you had some of the writers in the show who grew up with watching the original Fall House, who knew more about the show than, than you did? Who?Steve Baldikoski:Oh, oh yeah. Yeah. For sure. And that's why also I felt I didn't need to see the show that much. I'm not recommending people shouldn't do homework .Michael Jamin:Now, one of the things that shocked me when we, when we were working with you, this is long, many years ago, and maybe it was only a season one or something. You shocked me when you said that you, at one point you were, you started as a network executive. I was like, you what? WhatSteve Baldikoski:Well, yeah, Stu, a studio, executiveMichael Jamin:Studio. SoSteve Baldikoski:Sorry. Yeah. Yeah. I was, I was I was like a director of comedy development at Universal.Michael Jamin:And so tell tell us what, what that means. WhatSteve Baldikoski:Do, should I go back further? Could goMichael Jamin:Back to where you wanna startSteve Baldikoski:To that point. I mean, I never, I never set out to be a writer. I don't even know if you know any of my origin story about this stuff. Oh. I never really set out to be a writer. I always loved TV, but I also love music in, in movies. But didn't even know I was gonna get into the entertainment business until I was trying to blow a year or two before I would get a little bit of work experience and then back to go to law school. You were gonna law school get an mba and I was never gonna be a part of the entertainment industry, but I just lucked into what turned out to be a great job in the mail room at United Talent Agency, uta. And it was like this moment that U t A was on the rise and I, yeah, I was in the mail room where I'm literally working 80 hours a week delivering mail and reading scripts for free and writing coverage, doing that for five months. Then I got on a desk, I worked for Nancy Jones and Jay Surs.Michael Jamin:Oh boy.Steve Baldikoski:I was their first assistants at United Talent, I believe. And then and then I knew it wasn't for me cuz it was really cutthroat. Yes. I, I was learning what I didn't want to do. And working a traditional office that led to I got a job in development. I worked at Aaron Spelling Productions, and then that job got me wait, howMichael Jamin:Did you get a job in development? Cause it's, it is hard to make the transition from being an assistant at a desk to having a non-a job anywhere.Steve Baldikoski:Oh, oh. I, I was still an assistant for Oh, okay. Years. I was an assistant for spelling for one year. Mm-Hmm. , then I was an assistant. I worked for Jamie Tarsus at b c. Right. And that's, and that was kind of the, the, the pivotal moment in my career. Cuz kind of anyone who was Jamie Tarsus assistant moved on to become the next executive. Right. And so that kind of became my path. I was, I, I never set out to do this, but I just kept at getting a job that was just better than the last one. Mm-Hmm. . So I never had the reason to go back to law school. Right. And it was just like they kept on dragging me back in with a slightly better job. So this one year I spent as Jamie's assistant at N B C Frazier had been bought, but not shot.And then Jamie bought friends that year. I can't remember the names of the other shows, but but like, you know, being on set at the pilot of Friends was really that pivotal moment for me where I thought, oh, th this is, you know, really what I wanna do. Like, and I was on the path to be an executive, but I really would look over and the writers seemed to be having a lot more fun. And that's where I, I didn't really even know it, but that was, that was my path to be to being a writer was just kind of hanging out at N B C and, and seeing how things, you know, being a part of. But evenMichael Jamin:When you were an executive development exec, were you thinking, I want to be a writer? Or were you thinking No, no,Steve Baldikoski:Not really. I, I knew like, the executive path was like, was fine and I did that. And on the executive path, when you're no longer an assistant, you get bumped up and you get the office and it was very kind of, there were a lot of fancy trappings. I would wear a suit and I'd drive around all the networks trying to sell co half hour comedies to the networks. And it was it was a good job. But there was just something I still kept on looking at, you know, the writers who were on the floor and thought they were having more fun.Michael Jamin:But Do you, and you were giving notes to writers Yes. As executive. Do you at any point feel like, I don't really, how might, who might I be giving notes to a writer when theySteve Baldikoski:Oh, I, I, I felt that all the time. And because I felt that, cuz I kind of had so much respect for what the writers did. Yeah. That it was, it was hard for me to give as many notes. Cuz I thought the writer probably already had thought these things throughMichael Jamin:Uhhuh .Steve Baldikoski:But where were youMichael Jamin:Getting your notes from then?Steve Baldikoski:What's that?Michael Jamin:Where were you getting your notes from? Where were you getting your opinions from?Steve Baldikoski:Well, I, I have opinions just like, IMichael Jamin:Wouldn't have, I wouldn't have when I was starting it out, I go, I don't know. That's fine to me.Steve Baldikoski:I mean, you're, you're sort of clued in to, to what your boss likes. Mm-Hmm. , you also have your own tastes. You, you kind of know what the project is supposed to be. I, yeah, I don't know. There, there's no formal executive school on how to give notes. That's why it's kind, it's kind of a weird job because there's no training for it. I don't really necessarily know what makes you good or not good.Michael Jamin:And some, a lot of it is just opinion. But I I sometimes you'll get the same notes and which are fair, which is a, you know, start the story journal, whatever. That's a great note that you're always, this is totally valid note. But sometimes I, you know, I've been in meetings and you're like, you get a note, you're like, but that's just your opinion. This doesn't make it better or worse.Steve Baldikoski:Yes. And, and I mean, obviously, you know, that's something you, you will struggle with till the end of time. Yeah. But, but I also always go back to, you know, I, I think there's a, there's a cartoon about this at, at some point, but, but like, if Shakespeare handed an Hamlet, his agent would give him notes. Yeah. And he would say, Hamlet is inactive. Yeah. And then you would make him Mae swashbuckling hero.Michael Jamin:Yeah. Right. Yes.Steve Baldikoski:And that would ruin Hamlet. So, so like, you know, and, and the problem is that like, the, that agent's note would be a well, well-guided note.Michael Jamin:Yeah. Hamlet, that isSteve Baldikoski:A mm-hmm. is a valid thing for him to say, but it also ruins the inherent art of the piece. Yeah.Michael Jamin:You know? Yeah. Had a kick. ButSteve Baldikoski:Then not that writing Glen Martin was the equivalent of ShakespeareMichael Jamin:In many ways. But it wasSteve Baldikoski:Pretty close.Michael Jamin:It was a little higherSteve Baldikoski:. But ,Michael Jamin:We had some fun on that show. But and then when, when you wanted to make the transition, I don't know how, how, how do you do, how did you do that?Steve Baldikoski:So, so, and once, like, and this is just my case, it was shockingly not that hard. My who became my writing partner was one of my best friends in college. And Brian had always wanted to be a sitcom writer. And just kind of had, kind of flamed out a couple of times. And then he was living in San Francisco and having a really excellent career as a, as an advertising copywriter. And I called him up and I told him I wanted to write sitcom with him. And he said no. And then he say he changed his mind.Michael Jamin:Why did he say no?Steve Baldikoski:Cuz I said, fine, I'm, if you don't write it with me, I'm gonna write it with Sue Ale .Michael Jamin:Oh,Steve Baldikoski:Funny. That's a true story. She wasn't,Michael Jamin:Sue wasn't an Sue Nagle who later went on to run H B O and then and Ana and you know, she, she's big, but she, at the time she was, she was, sheSteve Baldikoski:Was not yet an agent or she was a very young one. And we, butMichael Jamin:She didn't wanna write,Steve Baldikoski:Did she? So then we got together and to go to a coffee place to brainstorm. And we got into a, we didn't even make it to the coffee place before we got into a huge argumentMichael Jamin:Over what?Steve Baldikoski:Oh, I don't, I don't rememberMichael Jamin:. This partnership's not going well,Steve Baldikoski:. No, he was, he was not. But, but if you can't make it to the place where you're supposed to think , then it's probably a doom partnership. So anyway, Brian said yes. Mm-Hmm. . And then so over the phone we wrote a spec news radio back when people still did that. Yep. And News Radio had just been on the air. So we wanted to write a show that we loved and also that there weren't a ton of samples of other specs like that. Right. So we, this news radio early on and I gave it to Sue Nagle, she liked it. She gave it to Michael Whitehorn at Ned and Stacy. And we had one meeting Brian flew in from San Francisco. I showed up in my suit from being in an executive. I had to sneak out from Universal and not tell him where I was going. DidMichael Jamin:Michael White hard know you were an executive at the time? Yes, he did. HeSteve Baldikoski:Didn't think, but, but, but that was actually kind of a good thing because Brian was an ad executive. Mm-Hmm. and Ned of Ned and Stacy Right. Was an ad executive. And then also cuz I had, you know, funny corporate stories I think Michael liked that as well. And the fact he gets two people for a staff writer's salary.Michael Jamin:Were you afraid to leave your cushy job?Steve Baldikoski:Less so than Brian. I, if, if I flamed out, I could always go back to being an executive and, you know, that would be fine. Right. And, and in hindsight, that probably would've been the best thing that happened, everyone.Michael Jamin:But Yeah. I mean, itSteve Baldikoski:Wouldn't be here talking to you. I, I, I'd be living in Bermuda by now, .Michael Jamin:Oh, well, you know, learn.Steve Baldikoski:Yes. So, but unfortunately I made it through that year and then made it through the next like 25 years. And so, so that was my, that was my path. And, and it kind of happened really fast that I, so then Michael hired us after that meeting, and then I had to go tell my boss at Universal that not only was I looking for a job, but I had one and it was as a writer.Michael Jamin:Yeah.Steve Baldikoski:And then, and so their business affairs made this big stink that they owned my half of my spec script.Michael Jamin:And what, what are they planning on doing with it?Steve Baldikoski:I, well, that, well, I, I asked them that and I think they were all gonna take my spot in the writer's room.Michael Jamin:Yeah. What you're, they have they own ha you're half of a worthless SPAC script that just got you a job. I don't know,Steve Baldikoski:Value it. It was a weird thing. But they,Michael Jamin:But businessSteve Baldikoski:Affairs won't hesitate toMichael Jamin:Sink a deal whenever possible. . Yes. We remove the joy out of a writer . We have a three hour phone call toSteve Baldikoski:Figure this out. And they, yes, they effectively did steal my joy of that moment,Michael Jamin:. Oh my God. And then, yeah. Then the rest was just one show after another, basically. AndSteve Baldikoski:Then, yeah. And yeah, it started out we got in, at the time there used to be the WB in, in U p n, the Paramount Network. I think like in that, in that time period, this is like 97, 98, there was like the peak of the sitcom. I think there were over 60 half hour sitcoms on the air. And then Brian and I rode that rollercoaster.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.So tell me about developing your last project.Steve Baldikoski:Okay, so the, the last project that I just developed I sold it to a ABC with 20th. Mm-Hmm. came to me because it was so personal to what I'm going through as a dad. Mm-Hmm. , my youngest kid is non-binary.Michael Jamin:Okay.Steve Baldikoski:And she she was born a girl, Vivian. And then around time, she was about the second grade, she came to us and said that she, she felt that she was a boy. Right. And so that led us down on this journey. You know, finding out, you know, like having a trans kid and non-binary kid and never knowing anything about it. Right. and that kind of led me to want to write about it after I broke up with my writing partner right at the start of Covid. And I was gonna have to write my first thing. So I was gonna write at first I was actually gonna develop step by step BA based on the same concept. I was unable to sell that to H B O Max mm-hmm. . so instead I redeveloped the idea of me being this like hapless dad sort of middle class working class guy in rural Wisconsin, which is where my mom's family is from.And then having this tomboy kid that he just loves more than anything. Hi. Her, his Maisie all of a sudden informs him that no her name is, she's now Hunter. And you're thinking this as a single camera comedy or what? This was a single camera comedy. Yeah. Yeah. I mean, it was structured like a multicam, but, but really that was from, anyway, that was my speck. And what that led me to, to, to, to do is it got me the attention of other people who were in the non-binary trans world. So then ultimately I partnered just through meeting lots of people this woman named Billy Lee, who some people know because Billy Lee was on early seasons of Vander Pump Rules. Okay. and so it was kind of a, like a well-known person in, in the trans community.And then, so Billy Lee and her friend Priscilla had this idea about her own life, which is kind of almost too hard to believe is true. Billy Lee grew up in rural Indiana as a boy. Left home in 18, found out that he wasn't gay, he was actually a, she Right. And went through the surgeries and then, you know, a a lot of turmoil, but then returns back home and fell in love with her best male friend from junior high. And now they're together as an on and off couple. And so it was, how, how do I take that and turn that into a half hour comedy? I know it's a long wind up, but it's a great story that is almost hard to believe. Yeah. AndMichael Jamin:Was her best friend growing up.Steve Baldikoski:Yes. And so we pitched it really as a Netflix H b o Showtime show that would, would show that magic relationship and also have sex and, you know, things that I think would be hard, you know, relatively hard for a, you know, a regular network audience.Michael Jamin:And it's sold,Steve Baldikoski:But it sold to a b ABC because they wanted, there's this great, her relationship with her father is also really what it's about. Right. And it's, it, it is a fa is also a family show about how it took a trans woman to fix this broken Midwestern family.Michael Jamin:Right. AndSteve Baldikoski:Right in ABC's wheelhouse, youMichael Jamin:Know, where where is that now? At likeSteve Baldikoski:A, like a Connor's but with a strong trans element.Michael Jamin:And where is that right now?Steve Baldikoski:It's dead. Oh,Michael Jamin:Steve Baldikoski:Michael Jamin:With every other pilot.Steve Baldikoski:Yeah. yeah. I, I, you know, I can't, I I can't entirely blame them. Like, it, it would be very amazing to see a, b, c put on a show about a trans woman and not have it be one of the peripheral characters.Michael Jamin:Yeah.Steve Baldikoski:I, I, I think that's just a hard sell. Maybe if I was, you know, a more powerful writer, could, could you, you know, jam that down their throat? But I, I don't think, I think the subject matter was exactly their wheelhouse, but also maybe too, too on the bleeding edge for them.Michael Jamin:It, it feels a little like, you know, some somebody somewhere at that H B O show. I love that show. No. Oh yeah. It's a little sim it's it, and there's not trans, but it's, it's similar that, I don't know, that just remind me of It's great. It's a great show. Our friend Rob Cohen directs a bunch of those. Oh yeah.Steve Baldikoski:Oh, I'll have to check that out.Michael Jamin:Yeah. Great show. But, so then, okay, so then what, what else? Like, you, I mean, it's been a while since, you know, since Fuller House, but what was that like? I always ask this, what's it like working with the cuz a lot has changed since you and I broke in. Yes. What is it working on with like the, the new generation of writers?Steve Baldikoski:Well luckily at Four House I was still the new generation of writers . What wasn't thatMichael Jamin:Mean, wasn't that long ago.Steve Baldikoski:I, I still felt young on the show Uhhuh. Cause Cause we had people No, we, we had people who were older and Oh right. And you know, were around the early, theMichael Jamin:Original show.Steve Baldikoski:And so, so it was kind of great to feel like I was on the young side for once. Yeah. but I, I understand what you're, I understand what you're, what you're getting to are like in terms of how the room has changed from started to now, evenMichael Jamin:In terms of preparation because, you know, you can answer any way you want. But it, like, basically there was more when we were coming up, you were on a show for longer. There were more senior writers and you were constantly learning and you were never, I never, you were never like thrown into the hot wa hot water yet. But now I feel like these kids come in and there's no really training ground. There's no, there's even, you know, I think there's an article a couple days ago, there's no mentorship anymore becauseSteve Baldikoski:No, no, no, no, no. There, there isn't. And you know, that's too sad. I think that, I think content in general is as good as it's ever been. Mm-Hmm. . And yet that training system doesn't seem to exist. And I wish it did. When, when we first got in around the Ned and Stacy era, like there still was that you would still feel that like a showrunner would take someone mm-hmm. Under his wing, like Michael Whitehorn did with David Lit. Yep. And Shepherd that person cuz they would have multiple years of Ned and Stacy. And then luckily that turned into King of Queens. Mm-Hmm. and, and you know, soMichael Jamin:There were schools.Steve Baldikoski:Mike were together for a long time. That's the old model. I don't see that anymore. I wish it was there. Because to to be honest with you, like when Brian and I made the jump from co-executive producers of Fuller House to executive producers, it, it was like, we are being thrown to the wolves after 25 years. Yes. Because because of jumping from show to show, to show like younger writers do now all the time. I, I didn't learn those skills mm-hmm. . And so we didn't really know that much about editing, you know, sweetening like it, how's our camera coverage. Right. you know, all all of those little things that, you know, I had to, I had to learn them very, very quickly. And so luckily I had a, a great, you know, you know, crew that all wanted to help us as, you know, learn as well. But yeah, there is no system. I wish there wasMichael Jamin:Like, I even think like multi-camera, like you, back in the day, you'd come out of a school like we basically . We, we kind of came out of the Frazier school cause Levitan came outta Frazier, which came outta the cheer school. And it was like that kind of pedigree that you had and you're just learning from all those people. And then now, like, there's so few multi cams. Like if they were to bring back multi cams, well who's gonna do it? Who knows how to do it? Because it's different than doing a single camera.Steve Baldikoski:It's funny, it's funny you say that because that's why I'm calling onto the business. Yeah. that I'm hoping, I'm hoping that that we can stick around long enough that it will come back at some point. UhhuhMichael Jamin:. Yeah.Steve Baldikoski:I, I love the format. Like, I mean that's, that's one of the things that like really me about Fuller House is you know, I was able to be there for like five years mm-hmm. . and I never really had to worry about, you know, job security and it, it was this amazing place and we, and there were fans of the show and, and it was just great to write for them. And so that spoiled me, you know, now that that kind of is, you know, has gone away now that Fuller house is no longer on the air. Friday night was my drug, you know, cuz you know, Friday night I love putting on a show every week and I miss that.Michael Jamin:Here's my pitch Fullest house. Pay me. That's,Steve Baldikoski:That's, that's a great idea. That's a great, I wonder, I wonder if anyone pitched that to me, before the day I started.Michael Jamin:I wonder if anybody pitched that to me. Your shitty joke. .Steve Baldikoski:So was it one of my low IQ children?Michael Jamin:. Well then, so then what do you do? So what do you do now? I mean you're obviously you're developing and, andSteve Baldikoski:So, so now I I'm, I'm working on a, a, a new multi-camera idea. I'm very excited aboutMichael Jamin:And Gone Steve Baldikoski:Haven'tMichael Jamin:Taken it out yet.Steve Baldikoski:Yeah. no, I'm just, I I I, I think I finally ha I have the pilot story. I'm just trying to populate it with all the other, all the other things.Michael Jamin:Okay. And then, and thenSteve Baldikoski:With all the other characters cuz I basically started with the central character, Uhhuh . It is kind of high concept, but I don't wanna give it away. I I'll talk to you off camera about it. Okay. with the central character and then that led to a bigger world. Then populate that world kind of how to, how I want to, how I wanna fit tonally into that world. Like it's, it's, it's an idea that would, to me, it feels a little in the vein of what we do in the shadows.Michael Jamin:Oh, okay. Yeah.Steve Baldikoski:In terms of like a high concept comedy idea. And because I never worked for him, but like, my hero as a sitcom writer is Paul Sims.Michael Jamin:Okay.Steve Baldikoski:And it, you know, my first spec was Ned and Stacy. I mean, I, I was news Radio. Radio. Yeah. And which was run by Paul Sims, created by Paul Sims. And now he runs mm-hmm. . you know, what we do in the Shadows, which I just think is a brilliant, brilliant show.Michael Jamin:So then what do you have, what advice do you have for people? Do you have any advice for people trying to get into the business now? Well,Steve Baldikoski: that's why I'm here. I thought I was seeking advice from you. Yeah.Michael Jamin:You thought you were a, a job.Steve Baldikoski:I thought people were gonna, I thought people were gonna call in and tell me what to do with my life.Michael Jamin:Yeah, exactly.Steve Baldikoski:I, I mean the, the number one thing is like, if you want to be a writer, I think you probably have to move to LA maybe New York. But if you want to be in TV comedy, I think you have to be in LA Yeah. That's the first thing you have to do is move here and then write all, you can write things that make you laugh. Right. That abuse you, because no one else will probably enjoy it. So you might as well, you might as well . And, and also, and also I think you, you, you have to get creative, you know I think social media is a great way to get noticed.Michael Jamin:Mm-Hmm. ,Steve Baldikoski:My wife happens to be an executive on the TV side, and she bought the Twitter feed shit, my dad says when she wasMichael Jamin:Wild. And that was gotta be 10 years ago now.Steve Baldikoski:And Yes. And I, and I think that was like the first thing that a network executive or that a network has like, bought something on, like no one was buying a Twitter feed at the time. Right. And, and I thought that was pretty clever that Wendy started looking at things like that. And I, I think that's a great place to get noticed. Yeah,Michael Jamin:I agree.Steve Baldikoski:Especially for young comedy writers. Does sheMichael Jamin:Still do that? Does she still actively, does she look on social media for other people like that?Steve Baldikoski:She does that. She also she flips through, they get they get proposals of books that are coming out. Not even books that have been written, but just titles of book proposals sometimes.Michael Jamin:Really. AndSteve Baldikoski:She has scanned through that and bought a series based on one of the blurbs that she read aboutMichael Jamin:That I'veSteve Baldikoski:Never heard that. That was, that that was actually the show Atory.Michael Jamin:I Okay. Cuz that's a good title. ISteve Baldikoski:Never heard thatMichael Jamin:Before. So I would, I would, I've always, cause my advice to given people is, well, it's gotta be a bestselling book, but you're sayingSteve Baldikoski:Oh, oh, oh. I'm not, oh, I'm not suggesting that's a way to get noticed,Michael Jamin:Right.Steve Baldikoski:To, to write a book. Although it's not a bad idea. If you have a great life story, write a book or put it on TikTok.Michael Jamin:Right.Steve Baldikoski:I think, I think just if you have a comic voice, there are a million ways to get it out there. Yeah. and my dear friend, a guy named David Arnold was a writer on Filler House and just started showing, you know, doing TikTok videos of, of him and his wife and kids. And then he, like, I think Ellen DeGeneres was the first to share one of his videos, and then that blew up for him. And then he ended up, he was getting sponsored and he was a, he was a standup comic and it was helping out with his standup business. Yeah. And so at the age of, you know, 53, he was discovered on new media, you know, andMichael Jamin:And what would hasSteve Baldikoski:Become little tiny sketches about his family.Michael Jamin:Oh, I, let's talk about Kirsty, which was you, you were, to me, that was a lot of fun. So that was a Kirsty Alley show. Yeah. And you guys brought us in. They needed a a freelance. I don't know why they, but they wanted to have somebody freelance even though you got a, a great writing staff. Oh,Steve Baldikoski:.Michael Jamin:And I like, we're like, we'll do it. And thenSteve Baldikoski:I think, I think our, I think I think your agent said that your teeth were falling out and if you didn't write a script for the medical Oh,Michael Jamin:Not at all. Honestly,Steve Baldikoski:That show,Michael Jamin:Because that was a bunch of heavy hitters on that show. Yeah. I really enjoyed it. We were only sat, we only sat in for a couple days. We walked you guys, we walked in and then you guys said, okay, here's the story. We, we broke it, kind of go write it. We're like, okay. And but it was a, itSteve Baldikoski:Was to start Ted Damson. Sson.Michael Jamin:Yeah. And, and then, and Marco punted it for se the next season thinking it was gonna be a season two Marco, there's no season two . You don't punt that. You shoot it today before, before they pull the plug. Steve Baldikoski:The old, we will use this we'll use scripts season two. Yeah.Michael Jamin:The old season twoSteve Baldikoski:Trick. I don't know if that was him being tricked or you being tricked.Michael Jamin:Honestly, we had a great time. It wasSteve Baldikoski:A great script. It was a greatMichael Jamin:Script. It was fun. It was just fun sitting in with a bunch of people. Yeah, well, a bunch of writers that I respected. SoSteve Baldikoski:No, that was an amazing, that was an amazing experience. I, I, we like Claris Leachman did the show. Mm-Hmm. like some really, you know we, we wrote an episode for John Travolta. Yeah.Michael Jamin:And was it Michael Richards and Ria Pearlman. And it was like, these are good, these are heavy hitters, these are great actors. So, andSteve Baldikoski:The, the night that Claris Leachman did the show, we went out for drinks afterwards, Uhhuh with her. And I ended up sitting next to Kirsty Allie's assistant. And it wasn't until about 10 minutes into my conversation when she mentioned reincarnation, that I realized that I was talking to a high level Scientologist. And then I, and then I noticed she was doing all these Scientology tricks with me, like deep deeply staring into my eyes and not blinking until I blink. It was, it was, it was very bizarre.Michael Jamin:Wow. I I think we can,Steve Baldikoski:That's, that, that's, that's a good enough reason to become a sitcom writer is Yeah. To have someone do Scientology mind tricks on you. ThoseMichael Jamin:Are, that those are all these, those are always good stories when you Yeah. Can you go hang out on the past? Hang out. Yeah. And then what aboutSteve Baldikoski:When, when Clarus Leachman is far from the craziest person at the table? .Michael Jamin:She was, she was pretty wild. Yeah.Steve Baldikoski:Michael Jamin:Did I ever work? I'm trying to remember if I ever worked with her on something. I think I did, but I can't remember what it was.Steve Baldikoski:Gotta be. Just, just shoot me.Michael Jamin:It might have been. I don't remember. I, I, you know, but Okay. Well let's get to baby, let's get to the, what everyone wants to talk about Baby Bob.Steve Baldikoski:Oh,Michael Jamin:, let's go. YouSteve Baldikoski:Saved the best for last.Michael Jamin:I saved the best for last. Let's talk about baby. Well,Steve Baldikoski:I, I believe that Baby Bob was the highest rated show that I've ever been on,Michael Jamin:But they canceled it so fast.Steve Baldikoski:They canceled it. Yes. I think that was a, that was a disconnect where the high, high ups meaning like Les Moon vest when he was running CBSs, I think he wanted Baby Bob to be on the air. Oh. And so that he developed it like two or three times with multiple casts.Michael Jamin:Right. We gotta have a talking baby.Steve Baldikoski:And it was, and, but the, but the Talking baby always stayed the same based on these commercials. Was it Geico? Yes. I think his Geico commercials with the baby Ba with Baby Bob interviewing Shaq Yeah. Is, it's the concept that got everyone all hot and bothered. And so, so Les Moonves bought the show. This is my version of the story, I'm sure it's only partially accurate. But he didn't really include the lower level executives who absolutely hated the show. And so, as Brian and I got hired on the show, we thought, Hey, it's a c b s show. They must like the show. But the reaction from the executives after every table read was basically, how dare you,Michael Jamin:How dare how dare you have the baby talk? How dare you. WhatSteve Baldikoski:Like, just everything about the show seemed to offend the, the c bs executives incivility who were in charge of the show.Michael Jamin:Were, were there anything advertised guys in it? Were they involved at all?Steve Baldikoski:No, not, I don't think so. Kenny Kenny Campbell is the voice and mouth of the baby. Uhhuh . And then actually I didn't know much about babies when I was on the show, but then now when I look back, I realize how creepy it is that a baby has a full set of adult teeth. Yeah. Yeah. That are prominent. If I saw a baby like that in real life, I would run.Michael Jamin:Do you think that was the problem with the show? Steve Baldikoski:, this is the baby's teeth? Well, well the Mike Saltzman, my dear friend who Yeah. Saltman created the show, described it as Frazier, and they happened to have a talking baby.Michael Jamin:The other, so the other Oh, Freeman was Frazier had, okay. Frazier. All right.Steve Baldikoski:And they just happened to have a talking baby. IMichael Jamin:SaltmanSteve Baldikoski:That was, that was Mike'sMichael Jamin:And what, what were the writers do? Did, yeah.Steve Baldikoski:I don't have a lot of memories. . Okay.Michael Jamin:SoSteve Baldikoski:There were a lot of late nights and one night, I think it was about midnight, that I got into a shouting match with one of the other writers about whether or not Baby Bob was a genius.Michael Jamin:Right.Steve Baldikoski:And the other writer was taking the stance of he's not a genius, he's only talking at six months. Mozart was writing symphonies at, at five or seven, and I was shouting and I was yelling about the other side that Mozart was not talking at sick at six months.Michael Jamin:And was everyone looking at you both outta your mind? ?Steve Baldikoski:Yes. Like, it's midnight. Can I go home?Michael Jamin:Can I go home? How get the baby to dance? That's all.Steve Baldikoski:But, but, but, but, but I mean, part of the lesson there is even a show that you think is so, so simple or terrible that you could write it in it, in its in your sleep. Uhhuh . It's not that way. No. No. Because even a show like that is very hard to write. Yes.Michael Jamin:Yes. BecauseSteve Baldikoski:You have so many layers of people to Please,Michael Jamin:Yes. People ask me is they say is a, is a, is a great show. Hard to write than a bad show. No, they're all, they're all kind of hard to write for different reasons. Yeah.Steve Baldikoski:And that, that was, I mean, definitely a lesson. And then another lesson was despite what we felt like, I like it, it is sort of embarrassing to be on a show like Baby Bob when you're on the Paramount lot and then the Frazier Golf Cart drives by and you're in the same business, but you're not in the same business. But when it came to the ratings, baby Bob did huge in the ratings. Yeah. Yeah. And it was like one of the top, I think it's one of the top new comedies that year.Michael Jamin:And that's so interesting. And, and that's, that's the thing people don't realize as well, is that you, you may be a great writer, but if you're in this lane, it's hard to get out of that lane cuz that's how people see you. Yes. And if you're in a great, even if you're even a bad writer on a great show, now you're in that lane. You're in a great ri you're, you know, you, you're inflated. So Yeah. Yeah. yeah. People don't quite realize that.Steve Baldikoski:Yeah.Michael Jamin:And you take, you gotta take the job, you gotta get you, but you take the job you get, you know, so Yeah. And,Steve Baldikoski:And, and you really, and you really don't know if it's gonna pan out.Michael Jamin:No.Steve Baldikoski:Like I remember talking to Al Jane and Mike Reese mm-hmm. when we worked with them and asking them when they got started, they started on the, started on The Simpsons I think coming off of Gary Shaline show and when they were pitched coming on to do this cartoon on Fox.Michael Jamin:Right.Steve Baldikoski:They thought, I think that they thought it was, it was not good for their career.Michael Jamin:It would kill their career. Yeah. And, and now it would make no difference, honestly. Now you what? You take a job, you know, whatever job you can get, you take a job, you know? Yeah. But back then you could make decisions. You could make choices.Steve Baldikoski:Yes. Yeah. I, yeah. And, and interestingly, like back when Brian and I were making lists of shows, we would wanna be on Uhhuh, Simpsons was like a C-level list at the time.Michael Jamin:Uhhuh Really? CauseSteve Baldikoski:We liked it, but we thought it was imminently. We, we didn't, no one still knew it was gonna be on the airMichael Jamin:40 years later.Steve Baldikoski:Yeah. And you know, cuz cuz being on The Simpsons, I think it was like uncool. Then it became cool, then it was uncool.Michael Jamin:Well, in a way it's a little bit of, it's almost golden handcuffs if you're on the Cho. That that's if you're on the Simpsons now, you you're not gonna leave. Yeah. Cause it's job security and get ready to, for writing Bart jokes for the rest of your career, you know. Yeah.Steve Baldikoski:But the crazy thing is that there are writers who are still there, who were there when I was in the mail room at United Town. Sure.Michael Jamin:Yeah. SoSteve Baldikoski:Th there are peopleMichael Jamin:Who, they've made a career at it who,Steve Baldikoski:Yes. So I was in the, I was on the business side of the business. I became an executive and then I was a writer for 25 years. Yeah. And they're still doing the job from the day I got into the business.Michael Jamin:It's so interesting. It's just so, yeah. It's, and I would think creatively it's hard, but you know, you, but the money will make, will make you feel better. You know,Steve Baldikoski:Money makes a lot of things feel better.Michael Jamin:You crying for your 50? Is there a 50 bill? . I wouldn't know what a 50 bill looks like. Fascinating. Dude, thank you so much. We have a good chat. We had a good time.Steve Baldikoski:Steve. Thanks for having me.Michael Jamin:Thank you so much. This is, I, I don't know, I'm always fascinating in, in learning people's journeys and how they got there and so thank you so much for, for being on my little show.Steve Baldikoski:Thank you. And hopefully you have stuff that you don't have to cut.Michael Jamin:Oh, , sorry folks. If you heard the version that, the edited version, we had a trash, a lot of stuff. ,Steve Baldikoski:.Michael Jamin:All right everyone, thank you so much. Remember, we offer, we got a lot of great stuff for you on my website. You can get on my newsletter, you get my free all that stuff. Go to michaeljamin.com and find out what we got there. And I got another webinar coming up. All right everyone, thanks so much. Until next, next week, keep writing.Phil Hudson:This has been an episode where screenwriters need to hear this with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving a review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

WISCONSIN BEFORE LIGHTENING STRIKES; ANTI-TRANS WARFARE Our GREE-GREE #132 foreshadows the major victory in Wisconsin's critical state Supreme Court race that is being widely ranked as “the most important election of 2023.” We hear from ANDREA MILLER of the Center for Common Ground, NORM STOCKWELL of Progressive.org, and THOMAS NELSON of grassroots Wisconsin on the coming of what would be a huge victory for the Progressive movement. We know as you're listening to this that the left-leaning “Judge Janet” Protasiewicz won this crucial judgeship by a substantial margin.  She beat a MAGA Republican. So if you want to know how this happened, listen in to the powerful views of a critically important trio of organizer/activists who helped make this progressive victory happened. We then turn to BRYNN TANNEHILL and her uniquely brilliant systemic presentation on the national assault against the rights and freedoms of trans Americans. Among much more, Brynn tells us that “gun rights” stalwarts who NEVER want to limit gun ownership now want to make it illegal for trans citizens to own a gun. [IN OUR SECOND HOUR, FOR NEXT WEEK: PRESIDENT MICHELLE?  A ROMERO ADMINISTRATION?  LIVING EARTH MOVEMENT; MORE NUKE MADNESS In our latest GREE-GREE gathering, we're joined by legendary journalist/producer DAVID SALTMAN, presents the possibility of MICHELLE OBAMA running for President. Though there are obvious doubts, Saltman reads a long passage from the former First Lady that would seem to indicate she'd be open to the idea should Joe Biden decline to re-run Along the way we hear from LYNN FEINERMAN, JUSTIN LEBLANC and others. TATANKA BRICCA lays out the Romero Institute's on-going campaign to establish a full-blown government leadership apparatus, prepared to take and use power as the corporate Democrats and Trumpite Republicans fade away.   IGNACIO CASTUERA of the Living Earth Movement explains his organization's powerful campaign to insure that we get to world peace.  The movement focuses in particularly on guaranteeing detente with China, thus avoiding a war between the world's two biggest economies. Finally the brilliant  LINDA PENCE GUNTER of Beyond Nuclear confirms that Germany will, in fact, shut its last reactors around April 15. Thus the world's fourth-largest economy goes post-nuclear, with (hopefully) the fifth-largest (California) soon to follow. Linda also fills us in on the uselessness of Silly Mythic Reactors, and the on-going dangers at Ukraine's besieged Zaporigia. We also hear about the use of Depleted Uranium (DU), armor-penetrating shells that spread lethal atomic radiation throughout the landscape. Linda is joined by MYLA RESON who further explains the dangers of DU and atomic waste. This wide-ranging excursion should not be missed.  NO NUKES!!

What's up with that donkey in Glasnevin?Topics in this episode include seagulls in Ulysses, the Blooms' old digs in Lombard St. West, The Joyce Project, Mesias the tailor, donkey lore, superstitions of death, a strange work of art, Lucia di Lammermoor, Ivy Day, the location of Bloom's future grave, Altman the Saltman, Finglas, Joe Hynes, the crimes of Charley M'Coy, Bonnie Prince Charlie, more M'Intosh, kabbalah, numerology, hypostasis and umbilical cords.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | Stitcher

#51 Andrew Saltman | The Importance and Wealth And Process That Can Be Created Through Purchasing A Home

Joyce Saltman is a Professor Emeritus of Special Education at Southern Connecticut State University in New Haven, CT.

Neil Saltman is an Enterprise Account Executive at Armis. In this episode, Neil talks about CISOs and org. structure, how to stand out, and prospect do's and don'ts. Connect with Neil on LinkedIn here and Armis here. Resources mentioned in the episode: Show Notes Page  Here are three more ways to get help with your prospecting: Our best bite-sized content. Want my best LinkedIn posts, podcasts, and webinars? Stuff you can implement in 10-15 minutes or less? Look no further. Outbound Squad. A program for reps who crave accountability, structure, and results over theory. If you hate hitting plateaus in your sales career, check it out. Accelerator. Give your team hands-on training and coaching to overcome call reluctance, build meaningful relationships with prospects, and land more meetings through their cold outreach.

Athlete Abuse: (Child and student-athlete emotional, physical, and sexual abuse) Dr. Amy Saltzman talks to parents about keeping their kids safe on and off the athletic field. Unfortunately, emotional, physical, and sexual abuse have become too common with our young people on athletic teams. Dr. Saltman, an ex-gymnast herself, provides parents with www.spotaspider.com which teaches kids and adults how to spot the warning signs and how to keep children safe from abuse.   LINKS MENTIONED IN THE RECORDING https://theimpactfulparent.com/app Download the FREE Impactful Parent App! Available on Apple and Android App Stores. FREEBIES from episodes included! Apple Store: https://theimpactfulparent.com/ios Android Play Store: https://theimpactfulparent.com/android https://theimpactfulparent.com for more FREE Resources and paid programs. www.spotaspider.com for Amy's program!   Rate, Review, & Subscribe! "I love Kristina and all the FREE tips that she has to offer!  Thank you for making my parenting journey better!" 

Neil Saltman joins us! Neil is a long time cybersecurity sales leader and the co-author of Cyber Security Sales: A Buyer's and Seller's Perspective. He's also a brave soul, because he volunteered to step into the ring!Bare Knuckles: Neil shares his thoughts on: Building trust through authenticity The need for relentless curiosity in security sales Meticulous notetaking with an always learning attitudeBrass Tacks: We get into specific recommendations for those starting out in sales, and how to balance "nice" with "pushy." Spoiler alert: It doesn't matter if you're not providing value.Subscribe today!www.bareknucklespod.com

aeropuertojazzcafe.com Programa 0499 - L22/08/2022 - Saltman & Knowles - Vejslev Exploration Band - Cyrus Chestnut - Cecil Alexander ENLACES DE AUDIO EN NUESTRA WEB y en esferajazz.com #jazz #podcast EN FM CANARIAS: 7,7 Radio Radio Sol Maspalomas Radio Insular de Lanzarote Radio Tiempo Tenerife Onda Universal Tenerife

aeropuertojazzcafe.com Programa 0483 - V-15/07/2022 - Saltman & Knowles - David Cases Quintet - Mario Gaiotto - Hugo Fernandez - Jazzrausch BigBand ENLACES DE AUDIO EN NUESTRA WEB y en esferajazz.com #jazz #podcast EN FM CANARIAS: 7,7 Radio Radio Sol Maspalomas Radio Insular de Lanzarote Radio Tiempo Tenerife Onda Universal Tenerife

Dr. Kimberley Linert Speaker, Author, Broadcaster, Mentor, Trainer, Behavioral Optometrist Event Planners- I am available to speak at your event. Here is my media kit: https://brucemerrinscelebrityspeakers.com/portfolio/dr-kimberley-linert/To book Dr. Linert on your podcast, television show, conference, corporate training or as an expert guest please email her at incrediblelifepodcast@gmail.com or Contact Bruce Merrin at Bruce Merrin's Celebrity Speakers at merrinpr@gmail.com 702.256.9199 Author of Book: "Visualizing Happiness in Every Area of Your Life" Get on Amazon: https://amzn.to/3srh6tZ Website: https://www.DrKimberleyLinert.com Please subscribe, share & LISTEN! Thanks. Social Media Links LinkedIn: https://www.linkedin.com/in/dr-kimberley-linert-incredible-life-creator/Facebook: https://www.facebook.com/kimberley.linert/Instagram: https://www.instagram.com/drkimberleylinert/gTwitter: https://twitter.com/LifeKimberleyTumblr: https://www.tumblr.com/settings/blog/incrediblelifecreatorPinterest: https://www.pinterest.com/lifekimberley/_saved/

Melbourne 1991. The time continuum rips and Australia finds itself in an alternate reality. Saltman gets commissioned to do his own news show.

Laura Saltman is a mindfulness, meditation and metaphysical teacher as well as an author, speaker and TV/Digital Host. She is a conscious channel who has written (translated) four books on spiritual laws/principles and consciousness raising tips, tricks and techniques through a voice called “The All.” Her journey from red carpet reporter to Hollywood Healer began after her life was turned upside down when she lost her older brother to cancer, her father died from suicide, she suffered multiple miscarriages and a disrupted adoption followed by a shocking divorce. Laura turned to a spiritual life coach who helped turn her life around and manage her grief, anxiety and depression. Since then she has trained with spiritual life coaches, reiki masters, clairvoyants, mediums and meditation gurus all over the country as has become a teacher and trainer herself. In 2017, Laura channeled (literally) her energy into writing a series of three books The All of Everything, a Spiritual Guide to Inner World Domination, The All of the All and The All That Is aimed at helping lead others to truth by transforming their own lives through connection to our metaphysical intelligence. Her most recent book, Wisdom of the All, a step by step guide into Love is a workbook with exercises designed to shift the conscious mind and grow the soul. Laura works with clients one-on-one conducting Intuitive Soul Sessions, Past Life regressions and Angel/Wisdom/Oracle and Tarot readings where she translates messages from Spirit through her metaphysical allowance of clairaudience, clairvoyance, clairsentience, clairempathy and conscious channeling. Her clients include celebrities, CEO's, business leaders, show runners, artists, doctors, coaches and other healers. When not speaking, writing, hosting or healing Laura shares her wisdom with her ten-year-old son. Learn more about Laura, buy her books, and sign up for a class at her website. laurasaltman.com Don't forget to like, share, and follow this podcast! Sounds simple, but it helps others find us and our amazing guests.

Today's episode of The Friday Fireside is devoted to "Taking Wing—Legends of Emimencia", an under-development virtual-reality and augmented-reality Broadway show from producer, Julie Saltman, and Broadway star, Richard Blake. It will take you out of your comfort zone into a Broadway theater with an immersive VR/AR experience and Cirque du Soleil acrobats flying from the ceiling. YIKES! It's a fascinating departure from our usual TV-based Friday Firesides.

The Humor in Aging, Sex and the Husband Equivalent with Joyce Saltman (Season 2 | Episode 60). The Open Nesters Podcast.

This episode of Inside EMS is sponsored by Eko. Learn how CORE stethoscope technology helps EMS providers make confident split-second decisions by clicking here. In this episode of Inside EMS, co-hosts Chris Cebollero and Kelly Grayson are joined by Dr. Adam Saltman, chief marketing officer for Eko Health. The discussion centers on tips and best practices for accurately using a stethoscope to listen to heart tones and lung sounds. According to Dr. Saltman, data gleaned from stethoscopes help providers chart the best path for patient treatment.  Listen to the group discussion and leave your thoughts in the comments below. Have a comment or suggestion? Send an email to theshow@ems1.com. 

This episode Julie Saltman, Lead Producer and Costume Designer of “Taking Wing,” a new VR/AR experience, loosely based on Shel Silverstein's famous children's story, “The Giving Tree.” Among other things, she provides an overview of the project and of the team of creators and technologists that have made it possible, and outlines future plans, which include creating a “VRoadway show."URL: https://www.takingwingofficial.com/

Entertainment reporter turned mindfulness, meditation, and metaphysical teacher Laura Saltman joins us for this week's episode of Lift U Up: Inspiring Health Stories. When two sudden losses in her family caused her to reflect on the life she had created for herself, she realized it was time for a new path. Through trial and error, Laura found her new calling. She now works in a space where she's not only able to heal herself, but shows up daily to help others heal and grow as well. Today she is a https://laurasaltman.com/books/ (four-time author), https://laurasaltman.com/guided-meditations/ (meditation host), and https://laurasaltman.com/workwithme/ (healer )encouraging people to pursue their dreams. 

Welcome to Season 2 of the Kaizen Karate podcast! In this episode, we interview Mark Saltman and James Stevens. Learn more about Mark Saltman here - https://www.saltmanknowles.com/?fbclid=IwAR2RjCSY3jpGpJJuNQturjszNSEwl2KLrR-2PM8ux8RG4wbQZJk6vsXtVH0 Learn more about James Stevens here https://www.reverbnation.com/JamesStevens4?fbclid=IwAR1OiHpt6Z3YSTtQoE2W-hV4s4OXsXcD5uEmI8rpDfhCpyz9n-TYq6xtAAE If you are new to Kaizen Karate and would like more information about training, please contact us directly by visiting us here: https://www.kaizenfitnessusa.com/contact-us Follow us on social media and connect with us! Twitter - twitter.com/kaizenkaratemd Instagram - www.instagram.com/kaizen_karate/ Facebook - https://www.facebook.com/Kaizen-Karate-188829701167011/ Website - www.kaizenkarateusa.com Do Your Best - E-Book - https://kaizenkaratemd.sportssignup.com/MySportsStore Thank you for listening!

The quickly growing field of vendors in cybersecurity getting attention of security leaders is becoming more difficult by the day.  The fatigue of the continuous vendor attempts to fill up their time is very real.  Getting your solution seen and even getting a few minutes with these leaders requires a tactical and strategic approach and proving your value with the time you get is more important than ever.  Cybersecurity Sales experts Neil Saltman and Doug Gotay stop by BarCode to discuss better ways to sell to leaders and descion makers, the key to building trust, arming the CISO with buying power, rookie mistakes to avoid, the Sales Rep/Sales Engineer relationship, and much more.Tony the Bartender is out, so BoozeBot returns to shed “Tiger Blood”.Support the show (https://www.patreon.com/barcodepodcast)

In this episode, co-host Dr. Deb Saltman is our special guest, interviewed by Gerie DiPiano about being a member of the LGBTQIA+ community in health care. Dr. Saltman shares her coming-out story, experiences, and tips to facing and fighting disparities in the medical field as an LGBTQIA+ community member.What started as a pharmaceutical research and development company has grown in its desire to be a partner for women over 40 who want to feel their best. We also recognize that younger women, men, and any other identifying persons can benefit from our expertise, too.

When someone comes into your life that shifts your consciousness, changes your level of awareness, and opens your mind & your heart to see YOUSELF and LIFE differently, then you have met Laura Saltman. Laura's trilogy of her “ALL” books, her intuitive readings and meditations, gently help you see “Who YOU Truly Are”.   Laura's aura instantly brings you a sense of calm and hope- that the answers you seek are near.   With Laura's intuitive gifts, clear, concise messages of Love and Guidance are brought to you. Belief and Possibilities Bloom. New paths emerge! Website: www.laurasaltman.com FB: www.facebook.com/laurasaltman IG @laurasaltman

We call Jamie Saltman maestro at Temple Beth Avodah. He's played the piano at many services, arranged traditional tunes, and is the anchor for TBA's Jazz Shabbat experience. During the summer Jamie, along with his wife Ellen, is the Director of Camp Encore/Coda. Listen to the maestro share his story through his words and music.

My next guest is a mindfulness, meditation and metaphysical teacher. But to say just that would be to do her a tremendous disservice. She is what some people refer to as a 5 c's clairvoyant…..She also uses her gifts of clairaudience, clairvoyance, clairsentience, clairempathy and has become a conscious channel and medium.But she hasn't always lived in that world. In fact, you may best recognize her from her work in Hollywood (yes THAT Hollywood) as an Emmy-nominated producer and correspondent for such shows as Access Hollywood, E! News, Today, Designing Spaces and The Balancing Act. I'm absolutely humbled to welcome to the show, the incredibly talented Hollywood Healer……Laura SaltmanAlso does -       intuitive Soul Sessions-       Past Life Regressions-       Tarot and Angel/Wisdom Oracle readingsWritten 4 books-       The All of Everything-       The All of the All-       The All that Is-       Wisdom of the All – Due 2021For more information about my guest, please visit her website here (https://laurasaltman.com/)If you'd like to check out her books, below are some direct links to them for convenience The All of Everything The All of the All The All that IsWisdom of the All Looking for an introductory book on all things metaphysical? Check this one out:Metaphysics: An IntroductionWant to get in touch? Have a great idea for a guest you'd like to hear on the show? Send me a voice message through SpeakPipe (https://www.speakpipe.com/SkepticalMetaphysician) and I may answer your question on a future episode!Looking to connect with me on social media?Facebook (https://www.facebook.com/SkepticMetaphysician)Instagram (https://www.instagram.com/tvproducer_will)Thanks for listening!

While there have been many downsides to the unexpected changes we all needed to make in 2020, there were also improvements made to how we work and live. The upsurge in telemedicine is an example of such progress made in the face of adversity. On the latest episode of I Don't Care, host Kevin Stevenson spoke with Dr. Adam Saltman, Chief Medical Officer, Eko about the integration of telemedicine with digital technology and AI.Telemedicine can allow for more convenient access to care and can help keep patients and health care providers safe. That being said, there are some crucial missing components that can limit the quality of patient care. For example, physicians cannot listen to their patients' bodies on their own via video conference. Really listening to the patient's heart, lungs, and bowel sounds through a stethoscope can typically only happen face to face. Eko closes this divide between physicians and patients with their digital stethoscopes, which transmit high fidelity sounds to remote physicians in real time as if they were at the bedside. In addition, Eko AI analysis algorithms help physicians screen for AFib and heart murmurs.According to Dr. Saltman, if they have the right technology available to them, physicians can overcome the distance based challenges of telemedicine. “When I listened to physicians say things like, ‘Well, I don't think a Zoom call is a really good physical exam,' they're right. It's not a good physical exam,” Dr. Saltman said. However, he feels that if he can give them an EKG and therefore can give them heart sounds, lung sounds, bowel sounds, and whatever else they want to listen to, they can make telemedicine work. “Combined with that video, now they feel a lot more comfortable. They're getting a real medical evaluation. And the patients too, they feel that, wow my doctor actually listened to me even though I'm far away,” Dr. Saltman explained.Listen to Previous Episodes of MarketScale's I Don't Care Right Here!

While there have been many downsides to the unexpected changes we all needed to make in 2020, there were also improvements made to how we work and live. The upsurge in telemedicine is an example of such progress made in the face of adversity. On the latest episode of I Don't Care, host Kevin Stevenson spoke with Dr. Adam Saltman, Chief Medical Officer, Eko about the integration of telemedicine with digital technology and AI.Telemedicine can allow for more convenient access to care and can help keep patients and health care providers safe. That being said, there are some crucial missing components that can limit the quality of patient care. For example, physicians cannot listen to their patients' bodies on their own via video conference. Really listening to the patient's heart, lungs, and bowel sounds through a stethoscope can typically only happen face to face. Eko closes this divide between physicians and patients with their digital stethoscopes, which transmit high fidelity sounds to remote physicians in real time as if they were at the bedside. In addition, Eko AI analysis algorithms help physicians screen for AFib and heart murmurs.According to Dr. Saltman, if they have the right technology available to them, physicians can overcome the distance based challenges of telemedicine. “When I listened to physicians say things like, ‘Well, I don't think a Zoom call is a really good physical exam,' they're right. It's not a good physical exam,” Dr. Saltman said. However, he feels that if he can give them an EKG and therefore can give them heart sounds, lung sounds, bowel sounds, and whatever else they want to listen to, they can make telemedicine work. “Combined with that video, now they feel a lot more comfortable. They're getting a real medical evaluation. And the patients too, they feel that, wow my doctor actually listened to me even though I'm far away,” Dr. Saltman explained.Listen to Previous Episodes of MarketScale's I Don't Care Right Here!

If you've ever wondered what kind of a parent you are, and whether your kids are going to wind up spending the equivalent of a college degree in therapy (or maybe they already have), I think you'll be grateful for my conversation with Bethany Saltman. Her journey as a mom and her book Strange Situation: A Mother's Journey into the Science of Attachment is a gift to every parent, who like me, has been bombarded by well-intended advice about how to be the best parent in the world. In some ways Bethany is just an average mom. But she's also a mom that—for much of her life—questioned if her mom ever loved her and in turn, questioned a lot about her own parenting. Bethany's a writer, and she became obsessed with a woman named Mary Ainsworth. Really obsessed. Mary Ainsworth was a pioneer in the psychology of child development—she died in 1999. And she came up with a procedure to systematically study how attached a child is to his or her caregiver. This is in the 1960s. Now terms like “secure attached,” "anxious attached," "avoidant attached," are tossed around pretty commonly if you eavesdrop into consultations with child psychologists and counselors. And the key to this diagnostic label is that attachment is, bar-none, the most researched area of psychology. It is bedrock. And it predicts mental illness and stability in adulthood. According to Saltman, “Attachment is if you can receive your child when the child asks you, in a time of stress. And the way that we are able to do that is that we need to be able to receive ourselves.” It's so refreshing to hear Bethany tell us we don't have to be perfect parents to the best parents for our children and I hope you'll share it with moms and dads and grandparents and anyone that might ever consider being a parent. Follow us on Facebook: https://www.facebook.com/SoulOfLifeShow​ or Twitter: https://twitter.com/SoulofLifeShow​ Want to book Keith as a guest on your podcast? Contact him at keith@souloflifeshow.com. ***7-Week Stress Reduction & Relationship Growth Course*** If you and your significant other are looking for ways to improve communication and strengthen your partnership, there is still time to enroll in my upcoming live 7-Week Mindfulness and IFS course, called Mindful Marriage. Partners of any kind are welcome. It's a one-of-a-kind offering that can truly transform how you show up in intimacy. For more information visit: https://community.souloflifeshow.com/

In this episode, I am joined by author, speaker and teacher Laura Saltman as we discuss how past lives aren't in the past, but happening simultaneously “now”. Join us for a this thought-provoking spiritual and metaphysical conversation! Laura Saltman can be found on social media @laurasaltman and @wisdomoftheall as well as online at www.laurasaltman.com. --- Send in a voice message: https://anchor.fm/conscioushealing/message