Podcasts about big shots

Figlife Meetup: Red Dwarf bar, 4/18 at 3:30 PM   Big news: The boys announce the major news from KWK and his latest signing   At the beginning of the show, the boys discuss how Jef wanted to pay a famous baseball player for a Cameo. They talk about more Wrestlecon names   In the news Funko showed off their latest Hall of Fame Funkos. Big Shots showed off their next few new pillow buddies. And Title run toys showed off their artwork for their next couple of figures   In the nostalgia segment the boys go over, from the vault series 3 Pre Orders: Big Rubber Guys - Collectmajor.com Earl Hebner Road Warriors are available at Big Bad toy store Demolition - Ax, Smash and Crush   Fig Collections - shop.figurecollections.com The patriot Buff Bagwell Zombie Sailor - Just head over to pro wrestling tees.   KWK Shopkwk.com use code Fullyposeable to get 10 percent off your order Thank you to everyone for keeping this show going!

Join Dwyane, Chris, and D-Wright for an exclusive conversation with NBA All-Star and Defensive Player of the Year, Jaren Jackson Jr. Hear firsthand about his journey to the top, the mindset that fuels his success, and the lessons he’s learned along the way. Jaren opens up about his rigorous training regimen, the power of teamwork and communication, and his vision for the future—both on and off the court. Don’t miss this inspiring and insightful discussion with one of the NBA’s brightest rising stars! Music Credit: Khari Mateen What we discussed: 00:00 Intro 00:27 Training with Chris Johnson 03:26 Injuries, Losing Games 08:58 Going After the Big Shots 12:54 Skipping the Traditional Play 16:13 Better Relationship with Dad 17:51 Coming to the All-Star Weekend See omnystudio.com/listener for privacy information.

This week on an all new episode of The FigGuys, Mike and Tom are joined by a special guest—Adam from Big Shots, the team behind the brand-new plush wrestling line! Adam takes us behind the scenes to share what goes into creating the perfect ‘Beat ‘Em Up' wrestling collectible.Plus, in this week's Ringside Roundup, brought to you by Ringside Collectibles, the guys break down all the latest wrestling figure news, from major reveals to must-have preorders. And don't miss the latest edition of Unbox With Us, where Mike and Tom show off their newest weekly pickups. Tune in and join the conversation!

In today's episode, I am talking with one of THE most popular and one of my all-time favorite romance authors, Tessa Bailey, about her new romance book release, Dream Girl Drama, a spicy, sports rom-com with a forbidden love story that continues her popular Big Shots series! We also chat about:Her inspiration for this romance book and this sports romance series,What readers are going to love about Sig and Chloe,Her favorite scene from Dream Girl Drama, andThe special announcement that Dream Girl Drama will be the March 2025 Book of the Month for the She Reads Romance Books Book Club!We also had fun tossing around some obscure sports to see if she could envision writing a romance book about them!Be sure to join the She Reads Romance Books Book Club where we will be discussing Dream Girl Drama this March with Tessa Bailey joining us for the Author Q&A on Zoom on March 26.Plus, when you join the Club, you will also gain access to the exclusive, extended video interview to hear even more from Tessa such why she reads romance, her favorite romance books and more!Get Dream Girl Drama: https://amzn.to/3WHXTEaJoin the Club today: https://www.shereadsromancebooks.com/bookclub/FOLLOW ME! Join My Email List: https://www.shereadsromancebooks.com/joinBlog: https://www.shereadsromancebooks.com/ Podcast: https://www.shereadsromancebooks.com/podcast/ Facebook: https://www.facebook.com/shereadsromancebooks Pinterest: https://www.pinterest.com/shereadsromancebooks Instagram https://www.instagram.com/shereadsromancebooksblog/LEAVE A REVIEW!If you liked this episode or got a book recommendation you can't wait to read, please give a star rating and leave a review on Apple Podcasts or your favorite podcast platform. It helps me know what you like and want to hear. Thanks!This post may include affiliate links. As an Amazon Associate, I earn from qualifying purchases. Hosted on Acast. See acast.com/privacy for more information.

We brought some joyful and fluid-tastic vibes to this great episode! The main topic involved us picking our jaws off the floor as records were absolutely annihilated at the JFK 50 Mile, America's oldest ultramarathon. We have some inside info on how David Sinclair set the record, which we think could be Ultra Performance of the Year. Plus we worship the queen, Rachel Drake. Why are we seeing record after record get smashed at every major race? The answer likely lies at the intersection of training, shoes, and most of all--fueling. We also talked about a breakthrough new study from the Boston Marathon. Researchers found that the prevalence of low energy availability indicators was associated with worse performance and health outcomes. Find your strong, and you will find your fast! And this one was full of fun topics! Other topics: David recording through fluid adversity, Megan taking one for the team because she loves the podcast mornings, the "Shoot Your Shot" mini-documentary on the Javelina 100, the frontiers of lubrication, lessons from Ryan Sullivan's incredible long-term progression, Shelby Houlihan returning from her ban, why we want to uplift forgiveness, a question on embracing competition, and Listener Corner. We love you all! HUZZAH! Click "Claim Reward" for $80 at The Feed here: thefeed.com/swap Buy a "SLURP" hat: https://thefeed.com/products/the-feed-some-work-all-play-hat Watch the "Shoot Your Shot" mini-documentary: https://www.youtube.com/watch?v=5pzUKGEmvqk Buy Janji's amazing gear: https://janji.com/ (code "SWAP") For weekly bonus podcasts, articles, and videos (plus hat purchases): patreon.com/swap

The New York Mets' baseball team debuted in 1962 Queens, NY. Using a custom ad to recruit fans,  "Meet the Mets" would be mark a beginning of sports anthems bringing good luck to their team! "Let's Go Mets!" created a slogan prior to 1986's World Series win, and now "OMG" is 2024's season anthem by new shortstop player Jose Iglesias! Learn New York baseball history, and relive the memories written behind these 3 Mets anthems. Let's go Mets, and let's take music notes!Theme Song: "Dance Track", composed by Jessica Ann CatenaText the show, Support the show"Meet the Mets" - Glenn Ossner and Orchestra (1963)4 versions"Let's Go Mets!" - Tom Bernfeld, composed by Shelly Palmer"OMG" - Candelita (Jose Iglesias) - (2024)"OMG (Remix)" feat. Pitbull and Silvestre Dongond (2024)"OMG" - live @ 7/1's post-game McDonalds' Grimace & The MetsKeith Hernandez scenes on Seinfeld's "The Boyfriend" (1992)"Spit scene"Everybody Loves Raymond episode: "Big Shots" (1999)Abandoned Albums - podcastRelated Episodes:Ep. 93 - Japan Themed SongsEp. 216 - Alicia Keys Top 10Ep. 227 - Usher Top 10Ep. 250 - French Lyrics Playlist

This week the boys are back together again. Scott and Jef go over what they got this past week. And Jef's purchase….looks great in the cardboard box. The boys do want to thank everyone that sat in for the summer of saying dude love.   Jef reads off all the pre orders for the month of September. Also in the news grapplers and gimmicks shows off their next retro. Foco shows off their next magazine series. Masked republic's next figures are up for pre-orders. Big Shots pillow buddies announced three more names. And Jazwares announces their next ROH jazwares vault figure.   And the boys begin Jakks Build “N” Brawls in the nostalgia segment.   Thank you to everyone for keeping this show going!

This week the boys welcome long time friend Big Dave. Dave and the boys have been friends for over 50 years. Dave and the boys go immediately into stories about Disneyland, Collecting toys and beating Jef up when they were younger. In the nostalgia segment Big Dave wanted to talk about Unmatched Fury.   In the news, Jazwares announced a new ROH figures. Big Shots shows off their new pillow buddies. And Mattel announces another wrestler being signed to a legends deal. And they have a question from the wrestling figs message boards   Thank you to everyone for keeping this show going!

Rich Jones has a new album out called "Sour Dub". It's fully produced by SINAI (aka Sleep Sinatra) and it's not the weed smoking album that you might assume it to be. We talked with Rich about how the album's laid back sound makes it's "dripping" with "venom" somewhat sneaky. Then we talk about Rich's album pick for this episode - "Big Shots" by Charizma and Peanut Butter Wolf. Stream and purchase "Sour Dub" here: https://5oclockshadowboxers.bandcamp.com/album/sour-dub

The new, improved version of VRB is just a click away! Freshly delivered to your door, with a meaty discussion of the latest PS VR2 and Meta Quest games, sandwiched between the soft doughy goodness of VR news and the crunchy pickled upcoming gaming releases. This week, Kev and Tim bite into Big Shots, Arcade Paradise VR, ForeVR Pool, Demeo and the Xbox Game Pass Quest Beta. One layer down they get stuck into: YouTube 8K, Meta Horizon OS and an Updates Update. Time Stamps: 00:00:00 Start 00:00:16 Intro 00:02:13 Big Shots 00:17:15 Demeo 00:30:59 Arcade Paradise VR 00:38:12 Xbox Game Pass Quest Beta 00:50:41 ForeVR Pool 00:55:30 YouTube Now Supports 8K 360° & 180° 3D Videos On Quest 3 00:59:32 Meta Rebrands Quest software platform to Meta Horizon OS 01:09:22 Game updates 01:16:08 Upcoming games 01:21:07 Announced this week 01:34:49 Outro Now that you've reached the bottom of this post, we'd like to say a big thanks for listening to this episode of VRB. Did you know that you don't just have to listen to this show through the website? You can directly download the show in a handy mp3 format here or even subscribe using Apple Podcasts, RSS, Spotify or YouTube. Please find us on Discord, Twitter, Facebook and BigRedBarrel.com.

This week we pick through the mixed reviews for Soul Covenant; give our impressions on the latest Synth Riders content and all the hottest PlayStation VR2 news. We've also been playing the magical Moss Book II, the stunning Red Matter 2 and we have a review of the big new PS VR2 release, Big Shots. Timestamps 00:00 - Intro 02:00 - Soul Covenant Players thoughts (not our own) 04:31 - Synth Riders 80s Mixtape side A DLC & Thoughts 08:43 - Walkabout minigolf Venice course announced 09:41 - The Light Brigade Shadow Hunter Update 11:49 - Doctor Who Edge of Time Coming to PSVR2 13:00 - Compound Coming to PSVR2 13:49 - OhShape Ultimate Coming to PSVR2 15:57 - Umurangi Generations Released 18:51 - Zombie Army VR New Trailer 19:54 - Cold VR Coming in the future 23:51 - Ben played Moss Book 2 29:09 - Laurie played Red Matter 2 37:51 - How to support the show 38:33 - Big Shots Review 49:12 - Ending This episode is sponsored by VR-Rock, where you can grab 10% off prescription VR lenses plus free worldwide shipping, by using the code CBVR at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vr-rock.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also watch the video version of every episode over on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ----- The Cross Players podcast network is Patreon funded, so if you enjoy our unique brand of gaming tomfoolery, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠become a Patreon producer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Alternatively, join in the conversation on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or say hello on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Send in a voice message: https://podcasters.spotify.com/pod/show/crossbutton-vr/message

Jeanne Simpson moved to New York after graduating. She started doing day jobs in New York City to make ends meet while attending free dance classes, which allowed her to continue her training without having to pay for grad school. She eventually joined the American Isadora Dance Company, a modern company. Beginning a Career in the Performing Arts Jeanne began her acting career at HB Studios, where she was given a scholarship and studied under Austin Pendleton, a talented teacher who taught the advanced Acting Program at HB. She worked with other amazing actors and learned to choreograph scenes with them. This experience led her to work on original college shows and she choreographed for various shows. In addition to acting, she also taught at a dance studio in Park Slope, Brooklyn, before being offered her first professional choreography job where she choreographed a birthday cake song for a series on Nickelodeon and was subsequently hired for the series. This was her first professional choreography job which led to several others on films. A Volunteer in Performing Arts Programs Jeanne started volunteering at the 52nd Street Project in New York, which takes kids from Hell's Kitchen and lets them experience the transformative power of theater. They take them out of town to enjoy nature and rehearse plays with the kids, then perform the plays in Hell's Kitchen. This experience continues to inspire her belief that the performing arts can change lives, even if it doesn't lead to acting or dance. Jeanne has continued to work with the 52nd Street Project. Her experiences in the performing arts have had a profound impact on her life and she continues to inspire others to pursue their passions in the performing arts. Working in Television and Film She worked on a show called Wishbone, which was shooting in Texas. After leaving Wishbone, she returned to New York where she ended up doing more choreography jobs, and acting jobs, and getting married. She and her husband moved from New York to Los Angeles and Jeanne jobs teaching dance and theater, and worked for Princeton Review and IV West. She auditioned for Tim Robbins Actors Gang, a theater company, she worked there and eventually choreographed for the Grand Guignol company. Then she started auditioning for television and found an agent with Avalon Artists Group. Jeanne earned parts on several TV shows, including Madman, Parks and Rec, and How to Get Away with Murder. The couple moved to Valley Village, where they still live today, and they had a second child, Vivian.  Arts Programs and Community Theater She started working with a community arts theater, an all-inclusive arts program that offers various classes and activities for children. She started a camp called Make Them Laugh classic comedy camp with her husband and another comedy writer, introducing classic comedy to a new generation of kids. She later taught at Berklee School, where she teaches improv and has directed at Harvard. She also teaches a dance class at Evolution Dance Studios called Big Shots. She is currently directing a production of Anything Gos with four or five and six-year-olds, and she has also choreographed a rock opera movie musical called The Promise. While she still auditions, Jeanne also tutors kids on their essays to get into schools, which has become an accidental side business. Their house is like Grand Central Station, filled with people of all ages, which they love. The journey has been a rollercoaster ride, but she is grateful for the opportunities it brings. Pursuing Acting and Choreography Jeanne discusses her experiences as an in-school ambassador for the National Young Arts Foundation and how she started dancing at age five and how her mother helped and inspired her. She talks about the different modes of acting, acting, dancing, teaching, and choreography. Acting and choreography are the two that bring the most happiness, as they allow them to be present and happy. Directing drives her insane, but as an actor and choreographer, she can let go and be present. Choreography is also fun because it allows her to share her vision with others, and learn from others, creating a collaborative experience. A Choreographer's Process As a choreographer, Jeanne starts with the story, which is essential for their dances to convey something and then, of course, the music. She also considers the style of dance, the capabilities of her dancers, and their potential. She then develops steps that grow out of this story, making it easier to remember. Jeanne shares the example of her Saturday morning class routine. Jeanne also discusses her process and how choreographers keep their thoughts straight in their heads. She uses choreographers notation, which is mainly used as a step notation, but she also writes down the story when she does a piece.  The Importance of Relationships in the Performing Arts Jeanne shares her experiences with relationships in the performing arts industry, highlighting the importance of connections and connections in her life. She shares stories of various projects and connections, such as working on a Broadway musical project called Three, where she was hired to choreograph one of the shows and supervise all others. This experience led to her becoming part of a larger community of artists, which eventually led to other jobs or volunteer opportunities. She also mentions her involvement in a community theater that taught children at a public elementary school, where she taught and was recommended by a vocal coach for her kids. Influential Harvard Professors and Courses Jeanne credits James Davis, her sociology professor, for her interest in studying people and trends. Davis was supportive and kind, attending every play and dance concert she performed. She also mentions Arthur Holmberg and Jian Guo, who was a mentor, where she learned about professional theater companies. She also mentions Jane Nichols,  an adjunct professor and acting teacher who Jeanne is still in touch with. Timestamps: 10:07 Career, marriage, and TV show experiences 17:07 Career, family, and art 20:13 Career transitions and passions with a former Broadway performer 26:04 Art, dance, and theater with a passionate artist 31:16 Choreography process and creativity 34:05 Choreography and dance notation 40:06 Career connections and networking 45:18 The challenges of pursuing a career in the performing arts 47:19 Wait Wait Don't Tell Me and its hosts, Adam Felber and Paula Poundstone  53:28 Arts career and education with a guest speaker Links: Facebook: https://www.facebook.com/JeanneGottaDance/ Instagram: https://www.instagram.com/gotta_dancenj/  

Ihr kennt es selbst im LinkedIn-Univers: Hier Coach, da Coach, everywhere Coaches. Gefühlt jeder zweite, der sich beruflich neu orientiert, möchte auf einmal "Coach" werden. Aber hey, wie findet man eigentlich den Richtigen unter diesem Haufen von Selbsternannten? Und was macht überhaupt einen richtigen Coach aus? Nun, da kommt Julius Bachmann ins Spiel, der Coach der Gründer. Seine Klient*innen haben nicht nur Startups aus dem Boden gestampft, sondern sie haben auch die Knete von den Big Shots wie Sequoia und a16z eingesackt. Er pumpt sie voll mit Authentizität, Klarheit und Output. Und heute ist er unser Podcast-Gast!

Rob was in the building to see Alabama knock off North Carolina and advance to the Final Four, and the crew talks about the DJ Burns phenomenon at NC State, the Iowa-LSU game on the women’s side, and Zach Edey’s controversial comments after Purdue advanced to the Final Four. We also get into the LeBron James comments that his career is reaching its end, largely because that wasn’t breaking news, but Rob looks at it from the perspective of a former player who was worn down from the mental and physical grind of playing in the league. Jenners also has to eat some crow after Anthony Davis has reached 70 games started, and we play some audio of the funniest April Fool’s prank on an unassuming mom! Plus Joel Embiid’s possible return this week could be a turning point for the Sixers, what Draymond Green has done to the Warriors dynasty, and Paul George’s future in LA or elsewhere. We also give out one of the best Big Shots of the Week we’ve heard in ages, and Rob and B-Dog face off in another classic round of Black Crime or White Crime!

Our heroes return with new tales of VR games to share with the townspeople. Kev continues his passions for gamifying jobs with Lawn Mowing Simulator VR. While Tim dives face first into Rainbow Reactor: Fusion, Little Cities: Bigger, Akka Arrh and Hellsweeper VR's Wrath update. We're also talking about the rumors about Sony halting production of PS VR2, a Chinese University's findings that higher framefates help you get your VR Legs (duh) and a new studio looks to create licenced ports of flatscreen titles. Time Stamps 00:00:00 Start 00:00:16 Intro 00:03:01 Little Cities: Bigger! 00:14:06 Lawn Mowing Simulator VR 00:32:59 Rainbow Reactor: Fusion 00:39:51 Akka Arrh 00:46:05 Hellsweeper VR – Wrath Update 00:58:40 Is Sony halting PS VR2 production? 01:05:54 Higher framerates may be the cure for VR sickness 01:09:18 Official VR ports of established titles are on the way 01:14:12 Metal Hellsinger VR announced 01:17:10 Upcoming Games 01:17:15 Genotype 01:18:32 C-Smash VRS 01:20:17 Mutant Boxing League 01:20:41 Black Trail VR 01:21:17 Toy Monsters 01:21:47 Dungeon Full Dive: Player Edition 01:23:49 Mixture 01:25:43 Big Shots 01:26:44 Soul Covenant 01:27:56 The Flip 01:28:38 Anarchitects 01:31:00 Retropolis 2: Never Say Goodbye 01:32:15 Wanderer: The Fragments of Fate 01:33:07 Mecha Party 01:33:47 Watch Kev on his YouTube channel 01:36:33 Listen to more of Tim's voice on BRB UK 01:36:47 Tabletop Tuesday at Loading Stoke Newington 01:37:18 Outro Now that you've reached the bottom of this post, we'd like to say a big thanks for listening to this episode of VRB. Did you know that you don't just have to listen to this show through the website? You can directly download the show in a handy mp3 format here or even subscribe using Apple Podcasts, RSS, Spotify or YouTube. Please find us on Discord, Twitter, Facebook and BigRedBarrel.com.

On this episode of the Ruff Talk VR podcast we have plenty of VR news to discuss including the announcement of Tropico VR! We are huge fans of Tropico and we can't wait to see it on the Meta Quest! As well as the announcement of Starship Home, the first in-studio game from Creature! We also talk about a great quality of life update from Demeo bringing the ability to save mid-game. We also discuss upcoming VR games like Big Shots, news from The Twilight Zone VR coming to PSVR2, and more!Discord: https://discord.gg/9JTdCccucSPatreon: https://www.patreon.com/rufftalkvrTabor Radio: https://www.buzzsprout.com/2216985If you enjoy the podcast be sure to rate us 5 stars and subscribe! Join our official subreddit at https://www.reddit.com/r/RuffTalkVR/Get 20% OFF @manscaped + Free Shipping with promo code RUFFTALKVR at MANSCAPED.com!*We are paid a commission through affiliate links to help support the podcast on the Kiwi links abovePatreon: https://www.patreon.com/rufftalkvr Support the show

Genotype and Big Shots Get Official Release Dates | PS5 Pro Seems Legit | PSVR2 GAMESCAST LIVE

The BIG SHOTS get going with the major review and giveaways and then discuss last week's follow up! We then have the news segment (24:42) and follow that up with the ringside top ten (1:03:19).and weekly purchases (1:05:10) and Major Marks Purchases of the week (1:30:18). We then do the Snubbed Superstars segment with ECW OSFTM! (1:37:31). We then finish out the podcast with a Q&A (1:43:13) and Good Housekeeping (2:00:14)!This episode is brought to you by Ringside Collectibles ( https://www.ringsidecollectibles.com/ ). Wrestlingfigures.com is your one stop shop for all your wrestling figure needs! Use code major to save 10 percent! SCRATCH THAT FIGURE ITCH!When: Each Friday morningWhere: Wherever you get your podcastsSocial Media:Twitter: @MajorWFPod , @TheMattCardona , @Myers_Wrestling, @majorpodnetwork @MarkSterlingESQ Instagram: @MajorWFPod , @TheMattCardona , @Myers_Wrestling, @MarkSterlingESQ , @majorpodnetwork

BYU guard Dallin Hall

Welcome to the Rainmakers podcast. This show is going to be an exploration on the world's best investors from past and present to see how exactly they made their returns. In this episode we will go over two deals that will help us learn the methods of Philip Anschutz. Links: Around Kansas - Phil Anschutz June 06,2018 https://www.youtube.com/watch?v=rnfunEKZzxg&ab_channel=FarmingUnlimitedTV Rise and fall of former LA Kings owner Bruce McNall: https://www.youtube.com/watch?v=1Ymc0JVcgFk&ab_channel=SPORTSNET Stephen Mandel - Investing Behind Change Invest Like the Best: https://www.joincolossus.com/episodes/17309631/mandel-investing-behind-change?tab=transcript "Big Shots with Giselle Fernandez" Tim Leiweke interview: https://youtu.be/PmD78qRIVYo?si=ajOEQDsWtnYqp-Bb Disney Flywheel: https://twitter.com/david_perell/status/1318613088074108932/photo/1 Sources: - Lamar Hunt: A Life in Sports by Michael MacCambridge - The Mayor : how I turned around Los Angeles after riots, an earthquake and the O.J. Simpson murder trial by Richard Riordan - The Land of Flickering Lights: Restoring America in an Age of Broken Politics by Michael Bennet - “The Passion of Philip Anschutz” by Devin Leonard - “Lakers Valued At $5.5 Billion In Anschutz Sale To Dodgers Owners” by Mike Ozanian - “Value Of AEG Disclosed To Be At Least $8 Billion” by Mike Ozanian - “Home Field Advantage” by David Davis - "The Man Who Owns L.A" by Connie Bruck - "Anschutz Empire Includes Galaxy" by Grahame L. Jones - "Shadow of a Doubt" by Stuart Steers - "Two 'rookies' tackle sports" by Paula Moore - "AEG: Timeline of L.A. deals" by Scott J. Wilson - "Anschutz to Buy Concert Firm Goldenvoice" by Jeff Leeds - "Anschutz Group Acquires Promotion Firm" by Jeff Leeds - "Coachella Grossed Record-Breaking $114 Million This Year: Exclusive" by Dave Brooks - "Movie Theaters Of the Absurd" by Forbes Magazine 2001 - "Regal's Future Up in the Air" by South Florida Sun Sentinel 2000 - "Anschutz Sells Half-Billion Dollars in Shares of Regal Entertainment" by Ed Lin - "Six Who Made It Happen" by David Wharton and Robyn Norwood - "Regal Cinemas Completes Chapter 11 Recovery Plan" by LA Times Archives 2002 - "Regal files bankruptcy" by CNN Money 2001 - "Philip Anschutz Reaps A Blockbuster Payout" by Andy Serwer - "Morality Play" by Dorothy Pomerantz Have any feedback? DM me @rainmakerspod on Twitter!

As the Barone Boys drive their new Toyota Camray to the Impressionist Hall of Fame in Massachusetts, they encounter several people who happen to have seen Season 3, Episode 19 of Everybody Loves Raymond, “Big Shots.” raymond@postfun.org / BarONUS zONUS / store / Instagram / Facebook / Threads / Don LaGreca's epic rant Body count: 2+

The Oklahoma City Thunder beat the Portland Trailblazers as Shai Gilgeous-Alexander was a decoy for two BIG SHOTS by Jalen Williams, including the game-winner for the OKC Thunder to knock off the Blazers and take first place in the Western Conference. Chet Holmgren had a sneaky game against Portland. Will the Rookie of the Year be crowned tonight as Chet Holmgren takes on Victor Wembanyama why Rylan Stiles is skeptical the voters will not just call the race here. Jaylin Williams, Isaiah Joe, and Aaron Wiggins were big off the bench. Will Keyontae Johnson get more NBA opportunities?Support Us By Supporting Our Sponsors!GrammarlyWhen it comes to writing, Grammarly is there to support you from start to finish. With one click, you can easily and easily brainstorm, rewrite, and reply with suggestions based on your context and goals. Go to grammarly.com/PODCAST to download for FREE today. HungryrootHungryroot is the easiest way to get fresh, high-quality food delivered to your door. They've got healthy groceries and simple recipes, all in one place. Just go to Hungryroot.com/LOCKEDON, to get 40% off your first delivery and get your free veggies. LinkedInLinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNBA. Terms and conditions apply.eBay MotorsFor parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit at eBayMotos.com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply.BetterHelpThis episode is sponsored by BetterHelp. Make your brain your friend, with BetterHelp. Visit BetterHelp.com/LOCKEDONNBA today to get 10% off your first month.PrizePicksGo to PrizePicks.com/lockedonnba and use code lockedonnba for a first deposit match up to $100!GametimeDownload the Gametime app, create an account, and use code LOCKEDON for $20 off your first purchase.FanDuelRight now, NEW customers get ONE HUNDRED AND FIFTY in BONUS BETS – GUARANTEED when you place a FIVE DOLLAR BET. Visit FanDuel.com/LOCKEDON to get started.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Oklahoma City Thunder beat the Portland Trailblazers as Shai Gilgeous-Alexander was a decoy for two BIG SHOTS by Jalen Williams, including the game-winner for the OKC Thunder to knock off the Blazers and take first place in the Western Conference. Chet Holmgren had a sneaky game against Portland. Will the Rookie of the Year be crowned tonight as Chet Holmgren takes on Victor Wembanyama why Rylan Stiles is skeptical the voters will not just call the race here. Jaylin Williams, Isaiah Joe, and Aaron Wiggins were big off the bench. Will Keyontae Johnson get more NBA opportunities? Support Us By Supporting Our Sponsors! Grammarly When it comes to writing, Grammarly is there to support you from start to finish. With one click, you can easily and easily brainstorm, rewrite, and reply with suggestions based on your context and goals. Go to grammarly.com/PODCAST to download for FREE today.  Hungryroot Hungryroot is the easiest way to get fresh, high-quality food delivered to your door. They've got healthy groceries and simple recipes, all in one place. Just go to Hungryroot.com/LOCKEDON, to get 40% off your first delivery and get your free veggies.  LinkedIn LinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNBA. Terms and conditions apply. eBay Motors For parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit at eBayMotos.com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply. BetterHelp This episode is sponsored by BetterHelp. Make your brain your friend, with BetterHelp. Visit BetterHelp.com/LOCKEDONNBA today to get 10% off your first month. PrizePicks Go to PrizePicks.com/lockedonnba and use code lockedonnba for a first deposit match up to $100! Gametime Download the Gametime app, create an account, and use code LOCKEDON for $20 off your first purchase. FanDuel Right now, NEW customers get ONE HUNDRED AND FIFTY in BONUS BETS – GUARANTEED when you place a FIVE DOLLAR BET. Visit FanDuel.com/LOCKEDON to get started. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ryan and Billy look ahead to the Patriots' week 4 matchup with the Cowboys and why the offense should look to take some shots down the field. Then, the guys agree that Damian Lillard doesn't make a big difference for the Bucks regarding the Celtics' title odds. And, is Mac Jones onw in the category of a dirty player?

We have discussed Ellen Pao and her tweets saying that everyone knew what Maxwell was up to previously and in this episode we take a look at the party that they were all attending together, and the people who threw that party.(commercial at 8:25)to contact me:bobbycapucci@protonmail.comsource:https://www.businessinsider.com/ghislaine-maxwell-attended-kleiner-perkins-vc-party-alleges-ellen-pao-2020-7This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5003294/advertisement

Steve Baldikoski is an Emmy nominated Showrunner known for Fuller House. He's also worked on Last Man Standing, Glenn Martin D.D.S., Wilfred, and Kristie. Join Michael Jamin and Steve Baldikoski for a conversation about how Steve broke in and what it takes to make it in HollywoodShow NotesSteve Baldikoski on IMDB - https://www.imdb.com/name/nm0049747/Steve Baldikoski on Twitter - https://twitter.com/finchbot2000Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptSteve Baldikoski:I mean, you're, you are sort of clued in to, to what your boss likes. Mm-Hmm. , you also have your own tastes. You, you kind of know what the project is supposed to be. I, I, yeah, I don't know. There, there's no formal executive school on how to give notes. That's why it's kind, it's kind of a weird job because there's no training for it. I don't really necessarily know what makes you good or not good.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jamin. Hey everyone, it's Michael Jamin. Welcome to another episode of Screenwriters. Need to hear this. I got another great guest today. This is my old buddy, Steve Bobowski. Steve has written on some of the, some of your favorite shows, as long as your show's favorite shows are ,Steve Baldikoski:As long as they're, as long as you have Terrible Taste and only watch shows that are gone after 13 episodes, andMichael Jamin:Then, then these are your favorite shows. But I'm gonna start, I'm gonna, in no particular order of, of, I think I'm going in order Teenager Working. Remember that show Dag with David Allen Greer Baby Bob. Oh, we're gonna talk about Baby Bob. Okay. Yeah. A U s A. Andy Richter controls the universe. People like that show a lot. I, I'm with her or I'm with her. I'm with her. I'm with her.Steve Baldikoski:I'm withMichael Jamin:Her. I'm with her . Eight. Eight Simple Rules. The New Adventures of Old Christine. That was a good show. The Jake Effect. Big Shots. True. Jackson, I forgot you worked that out. Wilfred. Which you could thank me for Glenn Martin d s, which you could thank me for Kirsty, which I can thank you for. Last Man Standing, whatever, .Steve Baldikoski:Yeah. They don't have anyone to thank for that.Michael Jamin:Thank for that.Steve Baldikoski:Save Me.Michael Jamin:Jennifer Falls, Ned and Stacy. And then of course, you were the executive producer and showrunner of Fuller House, the Full House remake. Steve, welcome to the big show,Steve Baldikoski:. Thank, thank you for having me. It's very exciting to be here.Michael Jamin:Wasn't it exciting, man? Oh man. Oh, and I have to say, so yeah, so we started out my partner and I hired Steve and his partner Brian, on, on Glenn Martin dds. And we were always very grateful. These guys turned in great drafts and we were always extremely grateful. Yeah, thank you. And then we would just shovel more work as, as for gratitude, we would just shovel more scripts in your face. Write this one now,Steve Baldikoski:, that was one of the highlights of my career. That was some of the best times I've ever had.Michael Jamin:We had some, you know, it's funny, I asked Andy Gordon in in a, in a previous episode, I said, and I'll ask you the same question. If you had, if you could go back in time and either remake any of the shows you did worked on, or like rebooted or just work on it again, what, what would they be? Any,Steve Baldikoski:I thought you were gonna tell me. Andy's answer . AndyMichael Jamin:Said if you want, Andy said, just shoot me. And true. JacksonSteve Baldikoski:Uhhuh . I, I, Glen Martin was a highlight, and and I think it was an underappreciated show,Michael Jamin:Certainly was. AndSteve Baldikoski:If, if it weren't in Claymation, maybe someone would've watched it.Michael Jamin:You know, we went on the internet, Seabert and I, my partner and I, we went on the internet and we found some guy talking about Glen Martin. And it was as if he was in the writer's room. It was as if he was, because he, he was right on the money . Like he knew what was good about it, what was bad about it. He had theories as to why ,Steve Baldikoski:I think you, you talking about Alex Berger, the creator,Michael Jamin:, it wasn't Alex. It was something like, it was something like Whacko on the internet, but boy, he was dead on. He was like, he knew exactly what he was talking about.Steve Baldikoski:. Well, one, one weird thing that that happened to me, this is slightly related. When, when Brian, my old writing partner and I took over for house in the last couple of seasons, it was right before the final season, and it was after Lori Locklin had her collegeIssues, legal issues with varsity Blues. On April Fool's Day, there was this article in some Likee News or something where someone did a whole, it was a fake interview with me, but it seemed like it was real. And the reasonings that they were talking about getting rid of Lori's character and what would happen after, you know, she was divorced from Uncle Jesse on Fuller House. W it was so well thought out that it, I thought it had to be written by also someone in the room, Uhhuh, because they actually knew like, specific arguments that specific writers had in getting rid of this person. And then it turns out, only if you clicked the very bottom did it say April Fools. And it was all phony interview with me,Michael Jamin:But still they got it. Right. But itSteve Baldikoski:Was, it, it was so eerie that it was, it was probably probably had better reasons to include her or not include her than we did. So there are a lot of fans out there who understand the shows just as well as the writers Do.Michael Jamin:I, I think so. I, I think even on, people talk about King of the Hill and they remember episodes. I'm like, I don't remember that one. And then they look it up and go, I, I worked on it. I don't tell me what happened. It's like, I don't remember it. You know, it's from, you know, very important to some of these people. And you know, they, they, they watch it all the time. And I haven't watched it in 20 years. ButSteve Baldikoski:But did you, there was a moment where when on Wilfrid where David Zuckerman, the creator didn't even know that he had a logic fallacy in the first episode. Do you know the story? No. I think he was at Comic-Con and he, he was, he, it it was about the pilot of Wilfred where Wilfred is trying to get through the fence and a regular dog would crawl through the fence, but instead Wilfred has an ax.Michael Jamin:Right. AndSteve Baldikoski:And then they said, well, shouldn't I take the ax from Wilf Fred because it's dangerous? And then David said, wisely said, no, you can't grab the ax cuz that means the ax is real. And the second he said that someone in the audience held their hand up and said, well, what about the Bong? Yeah,Michael Jamin:What about the Bong? Yeah.Steve Baldikoski:And David had never considered that.Michael Jamin:Well,Steve Baldikoski:But Jar, that was fascinating that, that he, they had never thought of it on set, but out there. Got him instantlyMichael Jamin:Etro gave a headache to write and remember, like, what, who, and then, and then your part of Brian's likeSteve Baldikoski:That, that anecdote gave me a headache to mention.Michael Jamin:Yeah, it was, I remember he just like, don't you think people just wanna see the dog danceSteve Baldikoski:?Michael Jamin:See the dog dance? That was his pitch. . Oh man. Oh my God, what a show. But did you ever,Steve Baldikoski:This whole section is even inside Wilf Fred.Michael Jamin:Yeah, it is inside Wilfred.Steve Baldikoski:I don't think anyone would appreciate that. But did youMichael Jamin:Ever, even when you were running Fuller house, did you, did you ever turn to the, what do the fans want? Did you turn to the, because there's a lot of pressureSteve Baldikoski:On that actually, I have to say. That was a huge part of Fuller House and it was one of the things I think that the audience loved. And it was a unique situation for me because I had, still, to this day, I've seen two and a half episodes of the original full House.Michael Jamin:Uhhuh .Steve Baldikoski:So I didn't know anything about Full House, but other people did. And so if we would want to throw in, we call them Easter eggs, right? Throw in little Easter eggs and bring back, you know, some character that was in an, in a single episode 30 years ago, we would bring those actors back and the audience would go bananas. Yeah.Michael Jamin:But how, how can, you didn't watch any old episodes or, you know, there's so much,Steve Baldikoski:Why, why didn't I, orMichael Jamin:Yeah, why didn't you?Steve Baldikoski:Well part of it is I, I didn't want to actually be beholden to any of the other of the old stories.Michael Jamin:Right.Steve Baldikoski:Because I mean, even, you know, like Fuller House is a little bit of an old fashioned show, but we didn't wanna make it just like completely stuck in the past and, and a show that is only about, that's referencing the original show. And that was more helpful to just have a perspective of like, what's it like raising, you know, three kids in, you know, modern day California.Michael Jamin:But did you feel a, a strong, I guess, obligation to make sure the fans were happy? Cuz I'm show the writers are writing for themselves.Steve Baldikoski:Oh, oh, for sure. We were doing that constantly and you know, we, we knew it. There were certain things that were like, you know, throwing red meat to the audience.Michael Jamin:Oh.Steve Baldikoski:You know, kind of like, like, like if you're doing the show Fuller House, no. You know, no matter what the story you're doing is, or whatever, if you have to, you bring in a dog wearing sunglasses and the audience goes bananas. And then how do you talk? And a, a baby runs in wearing the same sunglasses.Michael Jamin:Mm-Hmm.Steve Baldikoski: and then just the, the audience like tears of joy in the audienceMichael Jamin:Because that's, that, that was an old staple in the original show, stuff like that.Steve Baldikoski:Yeah. I mean, that's just the kind of thing that they would stoop to, you know, . And so, no, but it was, but it was this, it was this, the Four House is a show that like, you know, it really, it really affected me as a writer cuz it was really that time when every week there were 200 fans in the audience. Super fans who knew every single episode of Full House and Fuller House. And so you would get this amazing instant recognition from the audience that you're writing for them.Michael Jamin:Right.Steve Baldikoski:Especially when you would have those little Easter eggs and you don't get that on a lot of shows.Michael Jamin:Right. YouSteve Baldikoski:Know, like I, you know, may maybe on your Just Shoot Me you would have just shoot me fans, but every seat every week was a super fan.Michael Jamin:No. The weird thing about Just Shoot Me, you know, cause we was, we were there the first four years and the, the first season, probably the first two seasons that the audience, they weren't fans, they were hostages. There was people who came from Free Pizza, , you can tell they wouldn't wanna be there. . And they know the showSteve Baldikoski:Prisoners,Michael Jamin:Prison Prisoners,Steve Baldikoski:You're sailors in for Fleet Week.Michael Jamin:It's basically that. I mean, people listening, it's like you show up on Hollywood Boulevard and they hand out tickets, Hey, who wants to see a taping of the show? And then anyone would show up and they would stay warm, cause anybody to get outta the rain. ButSteve Baldikoski:These, no, these were people who came from not just around the country, but from literally around the world to see the show. Yeah. And they would th these people would center their vacation on coming to the show. And, and so, you know, I I mean I, it was also amazing to be able to, like, after the show, you know, if you knew who the people were you would bring them down and, and they would just get a kick out of walking around the set. Mm-Hmm. . And that was another kind of highlight every week was, you know, having these people, you know, have this awesome experience that they've grown up with these characters in this set. And then they're running around on the set, you know, now that they're grown up and they've got kids who, who like the shows.Michael Jamin:Now this set was a repeat that wasn't,Steve Baldikoski:That was kind of amazing cuz you would, it it wasn't just, it wasn't just fans, it was two generations of fans. Right. You know, it was like people who are sort of our age and then they're kids. Right. And, and so, you know, when network people talk about family co-viewing, it really was that it was, you know, parents who still love the show,Michael Jamin:But it wasn't the set was a remake. Right. It wasn't the actually,Steve Baldikoski:It, it was a remake. But I'll I'll tell you, and this is also part of the weird experience coming onto the show, cuz neither, you know, I had no appreciation really for a full house at the time. So before the first show, and this was the entire first season before it aired on Netflix there was a curtain covering the set. And before they would announce the actors, they would, they would lift the curtain like it, like it was like at the theater. Right. And the first time for the shooting the pilot, when they revealed that to the audience, people burst into tears.Michael Jamin:Wow.Steve Baldikoski:Just seeing the set and the couch looking just like it did in the eighties. And the way they really, really mimicked the original set, you know, to the Inch cuz they had the original plans. It was amazing to see people moved by a set.Michael Jamin:Yeah, I bet. ISteve Baldikoski:Bet. And yeah. And so, so that was pretty unusual. And then any line would get, even a mediocre line would get an aureus laugh from the audience cuz they were all, they've been waiting for 25 years to see this moment.Michael Jamin:Now, I imagine you had some of the writers in the show who grew up with watching the original Fall House, who knew more about the show than, than you did? Who?Steve Baldikoski:Oh, oh yeah. Yeah. For sure. And that's why also I felt I didn't need to see the show that much. I'm not recommending people shouldn't do homework .Michael Jamin:Now, one of the things that shocked me when we, when we were working with you, this is long, many years ago, and maybe it was only a season one or something. You shocked me when you said that you, at one point you were, you started as a network executive. I was like, you what? WhatSteve Baldikoski:Well, yeah, Stu, a studio, executiveMichael Jamin:Studio. SoSteve Baldikoski:Sorry. Yeah. Yeah. I was, I was I was like a director of comedy development at Universal.Michael Jamin:And so tell tell us what, what that means. WhatSteve Baldikoski:Do, should I go back further? Could goMichael Jamin:Back to where you wanna startSteve Baldikoski:To that point. I mean, I never, I never set out to be a writer. I don't even know if you know any of my origin story about this stuff. Oh. I never really set out to be a writer. I always loved TV, but I also love music in, in movies. But didn't even know I was gonna get into the entertainment business until I was trying to blow a year or two before I would get a little bit of work experience and then back to go to law school. You were gonna law school get an mba and I was never gonna be a part of the entertainment industry, but I just lucked into what turned out to be a great job in the mail room at United Talent Agency, uta. And it was like this moment that U t A was on the rise and I, yeah, I was in the mail room where I'm literally working 80 hours a week delivering mail and reading scripts for free and writing coverage, doing that for five months. Then I got on a desk, I worked for Nancy Jones and Jay Surs.Michael Jamin:Oh boy.Steve Baldikoski:I was their first assistants at United Talent, I believe. And then and then I knew it wasn't for me cuz it was really cutthroat. Yes. I, I was learning what I didn't want to do. And working a traditional office that led to I got a job in development. I worked at Aaron Spelling Productions, and then that job got me wait, howMichael Jamin:Did you get a job in development? Cause it's, it is hard to make the transition from being an assistant at a desk to having a non-a job anywhere.Steve Baldikoski:Oh, oh. I, I was still an assistant for Oh, okay. Years. I was an assistant for spelling for one year. Mm-Hmm. , then I was an assistant. I worked for Jamie Tarsus at b c. Right. And that's, and that was kind of the, the, the pivotal moment in my career. Cuz kind of anyone who was Jamie Tarsus assistant moved on to become the next executive. Right. And so that kind of became my path. I was, I, I never set out to do this, but I just kept at getting a job that was just better than the last one. Mm-Hmm. . So I never had the reason to go back to law school. Right. And it was just like they kept on dragging me back in with a slightly better job. So this one year I spent as Jamie's assistant at N B C Frazier had been bought, but not shot.And then Jamie bought friends that year. I can't remember the names of the other shows, but but like, you know, being on set at the pilot of Friends was really that pivotal moment for me where I thought, oh, th this is, you know, really what I wanna do. Like, and I was on the path to be an executive, but I really would look over and the writers seemed to be having a lot more fun. And that's where I, I didn't really even know it, but that was, that was my path to be to being a writer was just kind of hanging out at N B C and, and seeing how things, you know, being a part of. But evenMichael Jamin:When you were an executive development exec, were you thinking, I want to be a writer? Or were you thinking No, no,Steve Baldikoski:Not really. I, I knew like, the executive path was like, was fine and I did that. And on the executive path, when you're no longer an assistant, you get bumped up and you get the office and it was very kind of, there were a lot of fancy trappings. I would wear a suit and I'd drive around all the networks trying to sell co half hour comedies to the networks. And it was it was a good job. But there was just something I still kept on looking at, you know, the writers who were on the floor and thought they were having more fun.Michael Jamin:But Do you, and you were giving notes to writers Yes. As executive. Do you at any point feel like, I don't really, how might, who might I be giving notes to a writer when theySteve Baldikoski:Oh, I, I, I felt that all the time. And because I felt that, cuz I kind of had so much respect for what the writers did. Yeah. That it was, it was hard for me to give as many notes. Cuz I thought the writer probably already had thought these things throughMichael Jamin:Uhhuh .Steve Baldikoski:But where were youMichael Jamin:Getting your notes from then?Steve Baldikoski:What's that?Michael Jamin:Where were you getting your notes from? Where were you getting your opinions from?Steve Baldikoski:Well, I, I have opinions just like, IMichael Jamin:Wouldn't have, I wouldn't have when I was starting it out, I go, I don't know. That's fine to me.Steve Baldikoski:I mean, you're, you're sort of clued in to, to what your boss likes. Mm-Hmm. , you also have your own tastes. You, you kind of know what the project is supposed to be. I, yeah, I don't know. There, there's no formal executive school on how to give notes. That's why it's kind, it's kind of a weird job because there's no training for it. I don't really necessarily know what makes you good or not good.Michael Jamin:And some, a lot of it is just opinion. But I I sometimes you'll get the same notes and which are fair, which is a, you know, start the story journal, whatever. That's a great note that you're always, this is totally valid note. But sometimes I, you know, I've been in meetings and you're like, you get a note, you're like, but that's just your opinion. This doesn't make it better or worse.Steve Baldikoski:Yes. And, and I mean, obviously, you know, that's something you, you will struggle with till the end of time. Yeah. But, but I also always go back to, you know, I, I think there's a, there's a cartoon about this at, at some point, but, but like, if Shakespeare handed an Hamlet, his agent would give him notes. Yeah. And he would say, Hamlet is inactive. Yeah. And then you would make him Mae swashbuckling hero.Michael Jamin:Yeah. Right. Yes.Steve Baldikoski:And that would ruin Hamlet. So, so like, you know, and, and the problem is that like, the, that agent's note would be a well, well-guided note.Michael Jamin:Yeah. Hamlet, that isSteve Baldikoski:A mm-hmm. is a valid thing for him to say, but it also ruins the inherent art of the piece. Yeah.Michael Jamin:You know? Yeah. Had a kick. ButSteve Baldikoski:Then not that writing Glen Martin was the equivalent of ShakespeareMichael Jamin:In many ways. But it wasSteve Baldikoski:Pretty close.Michael Jamin:It was a little higherSteve Baldikoski:. But ,Michael Jamin:We had some fun on that show. But and then when, when you wanted to make the transition, I don't know how, how, how do you do, how did you do that?Steve Baldikoski:So, so, and once, like, and this is just my case, it was shockingly not that hard. My who became my writing partner was one of my best friends in college. And Brian had always wanted to be a sitcom writer. And just kind of had, kind of flamed out a couple of times. And then he was living in San Francisco and having a really excellent career as a, as an advertising copywriter. And I called him up and I told him I wanted to write sitcom with him. And he said no. And then he say he changed his mind.Michael Jamin:Why did he say no?Steve Baldikoski:Cuz I said, fine, I'm, if you don't write it with me, I'm gonna write it with Sue Ale .Michael Jamin:Oh,Steve Baldikoski:Funny. That's a true story. She wasn't,Michael Jamin:Sue wasn't an Sue Nagle who later went on to run H B O and then and Ana and you know, she, she's big, but she, at the time she was, she was, sheSteve Baldikoski:Was not yet an agent or she was a very young one. And we, butMichael Jamin:She didn't wanna write,Steve Baldikoski:Did she? So then we got together and to go to a coffee place to brainstorm. And we got into a, we didn't even make it to the coffee place before we got into a huge argumentMichael Jamin:Over what?Steve Baldikoski:Oh, I don't, I don't rememberMichael Jamin:. This partnership's not going well,Steve Baldikoski:. No, he was, he was not. But, but if you can't make it to the place where you're supposed to think , then it's probably a doom partnership. So anyway, Brian said yes. Mm-Hmm. . And then so over the phone we wrote a spec news radio back when people still did that. Yep. And News Radio had just been on the air. So we wanted to write a show that we loved and also that there weren't a ton of samples of other specs like that. Right. So we, this news radio early on and I gave it to Sue Nagle, she liked it. She gave it to Michael Whitehorn at Ned and Stacy. And we had one meeting Brian flew in from San Francisco. I showed up in my suit from being in an executive. I had to sneak out from Universal and not tell him where I was going. DidMichael Jamin:Michael White hard know you were an executive at the time? Yes, he did. HeSteve Baldikoski:Didn't think, but, but, but that was actually kind of a good thing because Brian was an ad executive. Mm-Hmm. and Ned of Ned and Stacy Right. Was an ad executive. And then also cuz I had, you know, funny corporate stories I think Michael liked that as well. And the fact he gets two people for a staff writer's salary.Michael Jamin:Were you afraid to leave your cushy job?Steve Baldikoski:Less so than Brian. I, if, if I flamed out, I could always go back to being an executive and, you know, that would be fine. Right. And, and in hindsight, that probably would've been the best thing that happened, everyone.Michael Jamin:But Yeah. I mean, itSteve Baldikoski:Wouldn't be here talking to you. I, I, I'd be living in Bermuda by now, .Michael Jamin:Oh, well, you know, learn.Steve Baldikoski:Yes. So, but unfortunately I made it through that year and then made it through the next like 25 years. And so, so that was my, that was my path. And, and it kind of happened really fast that I, so then Michael hired us after that meeting, and then I had to go tell my boss at Universal that not only was I looking for a job, but I had one and it was as a writer.Michael Jamin:Yeah.Steve Baldikoski:And then, and so their business affairs made this big stink that they owned my half of my spec script.Michael Jamin:And what, what are they planning on doing with it?Steve Baldikoski:I, well, that, well, I, I asked them that and I think they were all gonna take my spot in the writer's room.Michael Jamin:Yeah. What you're, they have they own ha you're half of a worthless SPAC script that just got you a job. I don't know,Steve Baldikoski:Value it. It was a weird thing. But they,Michael Jamin:But businessSteve Baldikoski:Affairs won't hesitate toMichael Jamin:Sink a deal whenever possible. . Yes. We remove the joy out of a writer . We have a three hour phone call toSteve Baldikoski:Figure this out. And they, yes, they effectively did steal my joy of that moment,Michael Jamin:. Oh my God. And then, yeah. Then the rest was just one show after another, basically. AndSteve Baldikoski:Then, yeah. And yeah, it started out we got in, at the time there used to be the WB in, in U p n, the Paramount Network. I think like in that, in that time period, this is like 97, 98, there was like the peak of the sitcom. I think there were over 60 half hour sitcoms on the air. And then Brian and I rode that rollercoaster.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.So tell me about developing your last project.Steve Baldikoski:Okay, so the, the last project that I just developed I sold it to a ABC with 20th. Mm-Hmm. came to me because it was so personal to what I'm going through as a dad. Mm-Hmm. , my youngest kid is non-binary.Michael Jamin:Okay.Steve Baldikoski:And she she was born a girl, Vivian. And then around time, she was about the second grade, she came to us and said that she, she felt that she was a boy. Right. And so that led us down on this journey. You know, finding out, you know, like having a trans kid and non-binary kid and never knowing anything about it. Right. and that kind of led me to want to write about it after I broke up with my writing partner right at the start of Covid. And I was gonna have to write my first thing. So I was gonna write at first I was actually gonna develop step by step BA based on the same concept. I was unable to sell that to H B O Max mm-hmm. . so instead I redeveloped the idea of me being this like hapless dad sort of middle class working class guy in rural Wisconsin, which is where my mom's family is from.And then having this tomboy kid that he just loves more than anything. Hi. Her, his Maisie all of a sudden informs him that no her name is, she's now Hunter. And you're thinking this as a single camera comedy or what? This was a single camera comedy. Yeah. Yeah. I mean, it was structured like a multicam, but, but really that was from, anyway, that was my speck. And what that led me to, to, to, to do is it got me the attention of other people who were in the non-binary trans world. So then ultimately I partnered just through meeting lots of people this woman named Billy Lee, who some people know because Billy Lee was on early seasons of Vander Pump Rules. Okay. and so it was kind of a, like a well-known person in, in the trans community.And then, so Billy Lee and her friend Priscilla had this idea about her own life, which is kind of almost too hard to believe is true. Billy Lee grew up in rural Indiana as a boy. Left home in 18, found out that he wasn't gay, he was actually a, she Right. And went through the surgeries and then, you know, a a lot of turmoil, but then returns back home and fell in love with her best male friend from junior high. And now they're together as an on and off couple. And so it was, how, how do I take that and turn that into a half hour comedy? I know it's a long wind up, but it's a great story that is almost hard to believe. Yeah. AndMichael Jamin:Was her best friend growing up.Steve Baldikoski:Yes. And so we pitched it really as a Netflix H b o Showtime show that would, would show that magic relationship and also have sex and, you know, things that I think would be hard, you know, relatively hard for a, you know, a regular network audience.Michael Jamin:And it's sold,Steve Baldikoski:But it sold to a b ABC because they wanted, there's this great, her relationship with her father is also really what it's about. Right. And it's, it, it is a fa is also a family show about how it took a trans woman to fix this broken Midwestern family.Michael Jamin:Right. AndSteve Baldikoski:Right in ABC's wheelhouse, youMichael Jamin:Know, where where is that now? At likeSteve Baldikoski:A, like a Connor's but with a strong trans element.Michael Jamin:And where is that right now?Steve Baldikoski:It's dead. Oh,Michael Jamin:Steve Baldikoski:Michael Jamin:With every other pilot.Steve Baldikoski:Yeah. yeah. I, I, you know, I can't, I I can't entirely blame them. Like, it, it would be very amazing to see a, b, c put on a show about a trans woman and not have it be one of the peripheral characters.Michael Jamin:Yeah.Steve Baldikoski:I, I, I think that's just a hard sell. Maybe if I was, you know, a more powerful writer, could, could you, you know, jam that down their throat? But I, I don't think, I think the subject matter was exactly their wheelhouse, but also maybe too, too on the bleeding edge for them.Michael Jamin:It, it feels a little like, you know, some somebody somewhere at that H B O show. I love that show. No. Oh yeah. It's a little sim it's it, and there's not trans, but it's, it's similar that, I don't know, that just remind me of It's great. It's a great show. Our friend Rob Cohen directs a bunch of those. Oh yeah.Steve Baldikoski:Oh, I'll have to check that out.Michael Jamin:Yeah. Great show. But, so then, okay, so then what, what else? Like, you, I mean, it's been a while since, you know, since Fuller House, but what was that like? I always ask this, what's it like working with the cuz a lot has changed since you and I broke in. Yes. What is it working on with like the, the new generation of writers?Steve Baldikoski:Well luckily at Four House I was still the new generation of writers . What wasn't thatMichael Jamin:Mean, wasn't that long ago.Steve Baldikoski:I, I still felt young on the show Uhhuh. Cause Cause we had people No, we, we had people who were older and Oh right. And you know, were around the early, theMichael Jamin:Original show.Steve Baldikoski:And so, so it was kind of great to feel like I was on the young side for once. Yeah. but I, I understand what you're, I understand what you're, what you're getting to are like in terms of how the room has changed from started to now, evenMichael Jamin:In terms of preparation because, you know, you can answer any way you want. But it, like, basically there was more when we were coming up, you were on a show for longer. There were more senior writers and you were constantly learning and you were never, I never, you were never like thrown into the hot wa hot water yet. But now I feel like these kids come in and there's no really training ground. There's no, there's even, you know, I think there's an article a couple days ago, there's no mentorship anymore becauseSteve Baldikoski:No, no, no, no, no. There, there isn't. And you know, that's too sad. I think that, I think content in general is as good as it's ever been. Mm-Hmm. . And yet that training system doesn't seem to exist. And I wish it did. When, when we first got in around the Ned and Stacy era, like there still was that you would still feel that like a showrunner would take someone mm-hmm. Under his wing, like Michael Whitehorn did with David Lit. Yep. And Shepherd that person cuz they would have multiple years of Ned and Stacy. And then luckily that turned into King of Queens. Mm-Hmm. and, and you know, soMichael Jamin:There were schools.Steve Baldikoski:Mike were together for a long time. That's the old model. I don't see that anymore. I wish it was there. Because to to be honest with you, like when Brian and I made the jump from co-executive producers of Fuller House to executive producers, it, it was like, we are being thrown to the wolves after 25 years. Yes. Because because of jumping from show to show, to show like younger writers do now all the time. I, I didn't learn those skills mm-hmm. . And so we didn't really know that much about editing, you know, sweetening like it, how's our camera coverage. Right. you know, all all of those little things that, you know, I had to, I had to learn them very, very quickly. And so luckily I had a, a great, you know, you know, crew that all wanted to help us as, you know, learn as well. But yeah, there is no system. I wish there wasMichael Jamin:Like, I even think like multi-camera, like you, back in the day, you'd come out of a school like we basically . We, we kind of came out of the Frazier school cause Levitan came outta Frazier, which came outta the cheer school. And it was like that kind of pedigree that you had and you're just learning from all those people. And then now, like, there's so few multi cams. Like if they were to bring back multi cams, well who's gonna do it? Who knows how to do it? Because it's different than doing a single camera.Steve Baldikoski:It's funny, it's funny you say that because that's why I'm calling onto the business. Yeah. that I'm hoping, I'm hoping that that we can stick around long enough that it will come back at some point. UhhuhMichael Jamin:. Yeah.Steve Baldikoski:I, I love the format. Like, I mean that's, that's one of the things that like really me about Fuller House is you know, I was able to be there for like five years mm-hmm. . and I never really had to worry about, you know, job security and it, it was this amazing place and we, and there were fans of the show and, and it was just great to write for them. And so that spoiled me, you know, now that that kind of is, you know, has gone away now that Fuller house is no longer on the air. Friday night was my drug, you know, cuz you know, Friday night I love putting on a show every week and I miss that.Michael Jamin:Here's my pitch Fullest house. Pay me. That's,Steve Baldikoski:That's, that's a great idea. That's a great, I wonder, I wonder if anyone pitched that to me, before the day I started.Michael Jamin:I wonder if anybody pitched that to me. Your shitty joke. .Steve Baldikoski:So was it one of my low IQ children?Michael Jamin:. Well then, so then what do you do? So what do you do now? I mean you're obviously you're developing and, andSteve Baldikoski:So, so now I I'm, I'm working on a, a, a new multi-camera idea. I'm very excited aboutMichael Jamin:And Gone Steve Baldikoski:Haven'tMichael Jamin:Taken it out yet.Steve Baldikoski:Yeah. no, I'm just, I I I, I think I finally ha I have the pilot story. I'm just trying to populate it with all the other, all the other things.Michael Jamin:Okay. And then, and thenSteve Baldikoski:With all the other characters cuz I basically started with the central character, Uhhuh . It is kind of high concept, but I don't wanna give it away. I I'll talk to you off camera about it. Okay. with the central character and then that led to a bigger world. Then populate that world kind of how to, how I want to, how I wanna fit tonally into that world. Like it's, it's, it's an idea that would, to me, it feels a little in the vein of what we do in the shadows.Michael Jamin:Oh, okay. Yeah.Steve Baldikoski:In terms of like a high concept comedy idea. And because I never worked for him, but like, my hero as a sitcom writer is Paul Sims.Michael Jamin:Okay.Steve Baldikoski:And it, you know, my first spec was Ned and Stacy. I mean, I, I was news Radio. Radio. Yeah. And which was run by Paul Sims, created by Paul Sims. And now he runs mm-hmm. . you know, what we do in the Shadows, which I just think is a brilliant, brilliant show.Michael Jamin:So then what do you have, what advice do you have for people? Do you have any advice for people trying to get into the business now? Well,Steve Baldikoski: that's why I'm here. I thought I was seeking advice from you. Yeah.Michael Jamin:You thought you were a, a job.Steve Baldikoski:I thought people were gonna, I thought people were gonna call in and tell me what to do with my life.Michael Jamin:Yeah, exactly.Steve Baldikoski:I, I mean the, the number one thing is like, if you want to be a writer, I think you probably have to move to LA maybe New York. But if you want to be in TV comedy, I think you have to be in LA Yeah. That's the first thing you have to do is move here and then write all, you can write things that make you laugh. Right. That abuse you, because no one else will probably enjoy it. So you might as well, you might as well . And, and also, and also I think you, you, you have to get creative, you know I think social media is a great way to get noticed.Michael Jamin:Mm-Hmm. ,Steve Baldikoski:My wife happens to be an executive on the TV side, and she bought the Twitter feed shit, my dad says when she wasMichael Jamin:Wild. And that was gotta be 10 years ago now.Steve Baldikoski:And Yes. And I, and I think that was like the first thing that a network executive or that a network has like, bought something on, like no one was buying a Twitter feed at the time. Right. And, and I thought that was pretty clever that Wendy started looking at things like that. And I, I think that's a great place to get noticed. Yeah,Michael Jamin:I agree.Steve Baldikoski:Especially for young comedy writers. Does sheMichael Jamin:Still do that? Does she still actively, does she look on social media for other people like that?Steve Baldikoski:She does that. She also she flips through, they get they get proposals of books that are coming out. Not even books that have been written, but just titles of book proposals sometimes.Michael Jamin:Really. AndSteve Baldikoski:She has scanned through that and bought a series based on one of the blurbs that she read aboutMichael Jamin:That I'veSteve Baldikoski:Never heard that. That was, that that was actually the show Atory.Michael Jamin:I Okay. Cuz that's a good title. ISteve Baldikoski:Never heard thatMichael Jamin:Before. So I would, I would, I've always, cause my advice to given people is, well, it's gotta be a bestselling book, but you're sayingSteve Baldikoski:Oh, oh, oh. I'm not, oh, I'm not suggesting that's a way to get noticed,Michael Jamin:Right.Steve Baldikoski:To, to write a book. Although it's not a bad idea. If you have a great life story, write a book or put it on TikTok.Michael Jamin:Right.Steve Baldikoski:I think, I think just if you have a comic voice, there are a million ways to get it out there. Yeah. and my dear friend, a guy named David Arnold was a writer on Filler House and just started showing, you know, doing TikTok videos of, of him and his wife and kids. And then he, like, I think Ellen DeGeneres was the first to share one of his videos, and then that blew up for him. And then he ended up, he was getting sponsored and he was a, he was a standup comic and it was helping out with his standup business. Yeah. And so at the age of, you know, 53, he was discovered on new media, you know, andMichael Jamin:And what would hasSteve Baldikoski:Become little tiny sketches about his family.Michael Jamin:Oh, I, let's talk about Kirsty, which was you, you were, to me, that was a lot of fun. So that was a Kirsty Alley show. Yeah. And you guys brought us in. They needed a a freelance. I don't know why they, but they wanted to have somebody freelance even though you got a, a great writing staff. Oh,Steve Baldikoski:.Michael Jamin:And I like, we're like, we'll do it. And thenSteve Baldikoski:I think, I think our, I think I think your agent said that your teeth were falling out and if you didn't write a script for the medical Oh,Michael Jamin:Not at all. Honestly,Steve Baldikoski:That show,Michael Jamin:Because that was a bunch of heavy hitters on that show. Yeah. I really enjoyed it. We were only sat, we only sat in for a couple days. We walked you guys, we walked in and then you guys said, okay, here's the story. We, we broke it, kind of go write it. We're like, okay. And but it was a, itSteve Baldikoski:Was to start Ted Damson. Sson.Michael Jamin:Yeah. And, and then, and Marco punted it for se the next season thinking it was gonna be a season two Marco, there's no season two . You don't punt that. You shoot it today before, before they pull the plug. Steve Baldikoski:The old, we will use this we'll use scripts season two. Yeah.Michael Jamin:The old season twoSteve Baldikoski:Trick. I don't know if that was him being tricked or you being tricked.Michael Jamin:Honestly, we had a great time. It wasSteve Baldikoski:A great script. It was a greatMichael Jamin:Script. It was fun. It was just fun sitting in with a bunch of people. Yeah, well, a bunch of writers that I respected. SoSteve Baldikoski:No, that was an amazing, that was an amazing experience. I, I, we like Claris Leachman did the show. Mm-Hmm. like some really, you know we, we wrote an episode for John Travolta. Yeah.Michael Jamin:And was it Michael Richards and Ria Pearlman. And it was like, these are good, these are heavy hitters, these are great actors. So, andSteve Baldikoski:The, the night that Claris Leachman did the show, we went out for drinks afterwards, Uhhuh with her. And I ended up sitting next to Kirsty Allie's assistant. And it wasn't until about 10 minutes into my conversation when she mentioned reincarnation, that I realized that I was talking to a high level Scientologist. And then I, and then I noticed she was doing all these Scientology tricks with me, like deep deeply staring into my eyes and not blinking until I blink. It was, it was, it was very bizarre.Michael Jamin:Wow. I I think we can,Steve Baldikoski:That's, that, that's, that's a good enough reason to become a sitcom writer is Yeah. To have someone do Scientology mind tricks on you. ThoseMichael Jamin:Are, that those are all these, those are always good stories when you Yeah. Can you go hang out on the past? Hang out. Yeah. And then what aboutSteve Baldikoski:When, when Clarus Leachman is far from the craziest person at the table? .Michael Jamin:She was, she was pretty wild. Yeah.Steve Baldikoski:Michael Jamin:Did I ever work? I'm trying to remember if I ever worked with her on something. I think I did, but I can't remember what it was.Steve Baldikoski:Gotta be. Just, just shoot me.Michael Jamin:It might have been. I don't remember. I, I, you know, but Okay. Well let's get to baby, let's get to the, what everyone wants to talk about Baby Bob.Steve Baldikoski:Oh,Michael Jamin:, let's go. YouSteve Baldikoski:Saved the best for last.Michael Jamin:I saved the best for last. Let's talk about baby. Well,Steve Baldikoski:I, I believe that Baby Bob was the highest rated show that I've ever been on,Michael Jamin:But they canceled it so fast.Steve Baldikoski:They canceled it. Yes. I think that was a, that was a disconnect where the high, high ups meaning like Les Moon vest when he was running CBSs, I think he wanted Baby Bob to be on the air. Oh. And so that he developed it like two or three times with multiple casts.Michael Jamin:Right. We gotta have a talking baby.Steve Baldikoski:And it was, and, but the, but the Talking baby always stayed the same based on these commercials. Was it Geico? Yes. I think his Geico commercials with the baby Ba with Baby Bob interviewing Shaq Yeah. Is, it's the concept that got everyone all hot and bothered. And so, so Les Moonves bought the show. This is my version of the story, I'm sure it's only partially accurate. But he didn't really include the lower level executives who absolutely hated the show. And so, as Brian and I got hired on the show, we thought, Hey, it's a c b s show. They must like the show. But the reaction from the executives after every table read was basically, how dare you,Michael Jamin:How dare how dare you have the baby talk? How dare you. WhatSteve Baldikoski:Like, just everything about the show seemed to offend the, the c bs executives incivility who were in charge of the show.Michael Jamin:Were, were there anything advertised guys in it? Were they involved at all?Steve Baldikoski:No, not, I don't think so. Kenny Kenny Campbell is the voice and mouth of the baby. Uhhuh . And then actually I didn't know much about babies when I was on the show, but then now when I look back, I realize how creepy it is that a baby has a full set of adult teeth. Yeah. Yeah. That are prominent. If I saw a baby like that in real life, I would run.Michael Jamin:Do you think that was the problem with the show? Steve Baldikoski:, this is the baby's teeth? Well, well the Mike Saltzman, my dear friend who Yeah. Saltman created the show, described it as Frazier, and they happened to have a talking baby.Michael Jamin:The other, so the other Oh, Freeman was Frazier had, okay. Frazier. All right.Steve Baldikoski:And they just happened to have a talking baby. IMichael Jamin:SaltmanSteve Baldikoski:That was, that was Mike'sMichael Jamin:And what, what were the writers do? Did, yeah.Steve Baldikoski:I don't have a lot of memories. . Okay.Michael Jamin:SoSteve Baldikoski:There were a lot of late nights and one night, I think it was about midnight, that I got into a shouting match with one of the other writers about whether or not Baby Bob was a genius.Michael Jamin:Right.Steve Baldikoski:And the other writer was taking the stance of he's not a genius, he's only talking at six months. Mozart was writing symphonies at, at five or seven, and I was shouting and I was yelling about the other side that Mozart was not talking at sick at six months.Michael Jamin:And was everyone looking at you both outta your mind? ?Steve Baldikoski:Yes. Like, it's midnight. Can I go home?Michael Jamin:Can I go home? How get the baby to dance? That's all.Steve Baldikoski:But, but, but, but, but I mean, part of the lesson there is even a show that you think is so, so simple or terrible that you could write it in it, in its in your sleep. Uhhuh . It's not that way. No. No. Because even a show like that is very hard to write. Yes.Michael Jamin:Yes. BecauseSteve Baldikoski:You have so many layers of people to Please,Michael Jamin:Yes. People ask me is they say is a, is a, is a great show. Hard to write than a bad show. No, they're all, they're all kind of hard to write for different reasons. Yeah.Steve Baldikoski:And that, that was, I mean, definitely a lesson. And then another lesson was despite what we felt like, I like it, it is sort of embarrassing to be on a show like Baby Bob when you're on the Paramount lot and then the Frazier Golf Cart drives by and you're in the same business, but you're not in the same business. But when it came to the ratings, baby Bob did huge in the ratings. Yeah. Yeah. And it was like one of the top, I think it's one of the top new comedies that year.Michael Jamin:And that's so interesting. And, and that's, that's the thing people don't realize as well, is that you, you may be a great writer, but if you're in this lane, it's hard to get out of that lane cuz that's how people see you. Yes. And if you're in a great, even if you're even a bad writer on a great show, now you're in that lane. You're in a great ri you're, you know, you, you're inflated. So Yeah. Yeah. yeah. People don't quite realize that.Steve Baldikoski:Yeah.Michael Jamin:And you take, you gotta take the job, you gotta get you, but you take the job you get, you know, so Yeah. And,Steve Baldikoski:And, and you really, and you really don't know if it's gonna pan out.Michael Jamin:No.Steve Baldikoski:Like I remember talking to Al Jane and Mike Reese mm-hmm. when we worked with them and asking them when they got started, they started on the, started on The Simpsons I think coming off of Gary Shaline show and when they were pitched coming on to do this cartoon on Fox.Michael Jamin:Right.Steve Baldikoski:They thought, I think that they thought it was, it was not good for their career.Michael Jamin:It would kill their career. Yeah. And, and now it would make no difference, honestly. Now you what? You take a job, you know, whatever job you can get, you take a job, you know? Yeah. But back then you could make decisions. You could make choices.Steve Baldikoski:Yes. Yeah. I, yeah. And, and interestingly, like back when Brian and I were making lists of shows, we would wanna be on Uhhuh, Simpsons was like a C-level list at the time.Michael Jamin:Uhhuh Really? CauseSteve Baldikoski:We liked it, but we thought it was imminently. We, we didn't, no one still knew it was gonna be on the airMichael Jamin:40 years later.Steve Baldikoski:Yeah. And you know, cuz cuz being on The Simpsons, I think it was like uncool. Then it became cool, then it was uncool.Michael Jamin:Well, in a way it's a little bit of, it's almost golden handcuffs if you're on the Cho. That that's if you're on the Simpsons now, you you're not gonna leave. Yeah. Cause it's job security and get ready to, for writing Bart jokes for the rest of your career, you know. Yeah.Steve Baldikoski:But the crazy thing is that there are writers who are still there, who were there when I was in the mail room at United Town. Sure.Michael Jamin:Yeah. SoSteve Baldikoski:Th there are peopleMichael Jamin:Who, they've made a career at it who,Steve Baldikoski:Yes. So I was in the, I was on the business side of the business. I became an executive and then I was a writer for 25 years. Yeah. And they're still doing the job from the day I got into the business.Michael Jamin:It's so interesting. It's just so, yeah. It's, and I would think creatively it's hard, but you know, you, but the money will make, will make you feel better. You know,Steve Baldikoski:Money makes a lot of things feel better.Michael Jamin:You crying for your 50? Is there a 50 bill? . I wouldn't know what a 50 bill looks like. Fascinating. Dude, thank you so much. We have a good chat. We had a good time.Steve Baldikoski:Steve. Thanks for having me.Michael Jamin:Thank you so much. This is, I, I don't know, I'm always fascinating in, in learning people's journeys and how they got there and so thank you so much for, for being on my little show.Steve Baldikoski:Thank you. And hopefully you have stuff that you don't have to cut.Michael Jamin:Oh, , sorry folks. If you heard the version that, the edited version, we had a trash, a lot of stuff. ,Steve Baldikoski:.Michael Jamin:All right everyone, thank you so much. Remember, we offer, we got a lot of great stuff for you on my website. You can get on my newsletter, you get my free all that stuff. Go to michaeljamin.com and find out what we got there. And I got another webinar coming up. All right everyone, thanks so much. Until next, next week, keep writing.Phil Hudson:This has been an episode where screenwriters need to hear this with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving a review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

In this special episode of T'd up! we say bye to Connor as he passes the torch to a new era with a new podcast announcement right here on the Taco Bout Network! Thank you, Connor! Thanks for turning in! be sure to like & subscribe for more content!SPONSORS:Estela's Fresh Mex https://www.estelasfreshmex.com/Vibrant Credit Union https://vibrantcreditunion.org/Lane Family Wealth Management https://www.lanefamilywm.com/Atlantic Coca-Cola Bottling Co. https://www.atlanticbottling.com/Kimble & Beecher Family Dentistry https://www.kimballandbeecher.com/Diamond Ridge Construction https://www.diamondridgeiowa.com/Foundry Distilling Co. https://foundrydistillingcompany.com/...The Summit Restaurant & Bar https://thesummitiowa.com/Elray's Live & Dive: http://elraysliveanddive.com/aboutRecenter: https://therecenter.com/

The Knicks need someone to step up behind Jalen Brunson and hit outside shots. Plus, what's the ceiling for this team and a look at where the Knicks have matchup advantages over the Heat. Hour 3.

The Way Home Season 1 Episode 4 Recap 'What's My Age Again?' This week's episode of "The Way Home" was definitely one of the most emotional. Listen in as Megan and Wendy recap episode 4 of the Hallmark hit series. This recap contains spoilers! A recap, scene by scene with commentary about the characters of Port Haven. Also, "Noticed in the 90s" and "Homie of the Week." Have you told your friends about "The Way Home" and our awesome recap podcast? Email the show at meganandwendy@gmail.com. The time Alice spends in the past with her mother Kat as a teen offers her an unexpected perspective. In present day, Kat makes surprising discoveries of her own that will have lasting implications. Del tries to hold on to a connection to her relationship with Colton and must set aside her pride and ask Elliot for help. Meanwhile, Brady pays a visit to Landry Farm. Photo: Sadie Laflamme-Snow, Alex Hook, Samuel Braun Credit: ©2023 Hallmark Media/Photographer: Michael Tompkins News and Notes about "The Way Home" Episode 4 Episode 4 was directed by Nimisha Murkerji. Murkerji also directed episode 3. Award-winning writer, director, and producer. Her breakout film was called "65_RedRoses" about a woman's battle with Cystic Fibrosis. This film was initially selected by Oprah Winfrey for her Documentary Club on OWN before being acquired by Netflix and Hulu. Other director credits include Disney+ "Big Shots," "Big Sky," and "Virgin River." "The Way Home" still pulling in strong live viewership numbers. Episode 4 ranked 25 out of 150 in original cable telecasts for Sunday, February 5, 2023 per showbuzzdaily.com. The breakdown is 1.6 million live viewers and 0.13 of the 18-49 demographic. Songs included in "The Way Home" episode 4: "Summer Girls" by LFO. This song was released in the summer of 1999 and reached number 1 on the Billboard Hot Singles Sales chart in 1999. "This Year's Love" by David Gray. This song was originally released in March 1999. The single peaked at number 20 on the UK Singles Chart. Notable references in this week's episode included: Episode title comes from a Blink-182 single "What's My Age Again?" released in 1999 Aerosmith "The Blair Witch Project" (1999) Virgin Cola

Rob & Kay talk to Megan Rees about pitching after she got some great advice, recently, from some Hollywood screenwriter Big Shots on her TV pilot, Hot Town. Our Weekly Resource: Megan was recently featured pitching her screenplay on the Screenwriting Life Podcast with Meg LeFauve (and guest Joe Forte) where she, and others who participated, got great advice in a live workshop at the Austin Film Festival. This serves as not only another great place to hear our wonderful guest, but also to get some great advice for yourself from folks who know what it's like to be down in the trenches. This is one of the best podcasts out there, IMHO. LINK to register for the "How to Make a Movie for $1000" Virtual Workshop! Coupon code BMOFO23 for 30% off Notes From the Episode: Zack's Original Instagram video (for our Twitter Drama Bumper) Rob's YouTube Channel Cinema Challenge Series, Round 1 ("How to Make a Movie for $1000") Megan's Twitter Zack's Twitter Kay's Twitter Rob's Twitter Email us(!)

The Way Home Season 1 Episode 3 Recap ‘I Don't Want to Miss a Thing' Megan and Wendy recap Hallmark Channel's new hit series "The Way Home." What to expect: a recap, scene by scene, with commentary about the Landry family trauma and theories about Jacob's disappearance. Also, "Noticed in the 90s" and "Homie of the Week." Email the show at meganandwendy@gmail.com. Girls Gone Hallmark is a weekly Hallmark movie review podcast. Listen as they recap the brand new Hallmark Channel series "The Way Home" starring Andie McDowell. Kat starts a new job at the local paper and finds herself covering a much different kind of story than she did in Minneapolis. The reporter in her becomes suspicious of Alice's newfound contentment in Port Haven which, unbeknownst to her, is fueled by the time Alice is spending in the past with the Landrys during a happier time. Meanwhile, when Del gets an offer to buy the boat Colton bought for them, the prospect of selling it stirs up mixed emotions. Photo: David Webster, Sadie Laflamme-Snow, Alex Hook Credit: ©2023 Hallmark Media/Photographer: Michael Tompkins News and Notes about "The Way Home" Episode 3 Episode 3 was directed by Nimisha Murkerji. Award-winning writer, director, and producer. Her breakout film was called "65_RedRoses" about a woman's battle with Cystic Fibrosis. This film was initially selected by Oprah Winfrey for her Documentary Club on OWN before being acquired by Netflix and Hulu. Other director credits include Disney+ "Big Shots," "Big Sky," and "Virgin River." Hallmark Channel scoring big views with "The Way Home". This week's episode pulled in 1.4 million live viewers as reported by Showbuzzdaily.com. Songs included in "The Way Home" episode 3: "There She Goes" - originally released by The La's in 1989 and re-released by Sixpence None the Richer in 1999 for the movie "Snow Day." This song also appears in episode 1 of "Gilmore Girls." "...Baby One More Time" by Britney Spears. This was the best selling single of 1999. Notable references in this week's episode included: "Back to the Future" (1988) Red Hot Chili Pepper's "Californication" (1999) Dial up modems

You may recognize the President's new Chief of Staff, as his former COVID Czar, Jeff Zients. He's the one who said the unvaxed will suffer a winter of severe illness and death!   .

Mega-TV producer and showrunner David E. Kelley's numerous cult dramas, dark comedies and crime mysteries include: L.A. Law, From the Hip, Chicago Hope, Doogie Howser, To Gillian on Her 37th Birthday, Picket Fences, The Practice, Ally McBeal, Snoops, Mystery Alaska, Lake Placid, Boston Public, Boston Legal, Harry's Law, Monday Mornings, The Crazy Ones, Goliath, Stephen King's Mr. Mercedes, Goliath, Big Little Lies, Hulu's Nine Perfect Strangers, The Undoing, Big Sky, The Lincoln Lawyer, Big Shots and Anatomy of a Scandal. He currently as of the recording was attached to helm the upcoming Peacock's The Calling, Love and Death and a new interpretation of Scott Turow's Presumed Innocent for Apple TV+!   Was he basically Steven Bochco 2.0 or did he evolve into his new formula? What cancelled show needed another year on the air? Why is he so good at blending legal tropes with witty dark off-color comedy? And more admiration of this TV producing legend.       MAIN LINKS: LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview Instagram: https://www.instagram.com/jacked_up_podcast/     SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/ Podbean: https://jackedupreviewshow.podbean.com Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218 RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz Anchor: https://anchor.fm/s/a46297c/podcast/rss PocketCasts: https://pca.st/0ncd5qp4 CastBox: https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222

Episode Notes Join us as we dive into the mind of the great Tane McClure. She'll take us on her journey from Days of our lives to Legally Blonde ————————————————— This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.com ————————————————— Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/ https://teespring.com/stores/still-toking-with ————————————— Follow our guest https://www.mcclurefilms.com/tane-mcclure-producer https://www.imdb.com/name/nm0566044/ https://en.wikipedia.org/wiki/Tan%C3%A9_McClure https://www.instagram.com/tanemcclure/ https://twitter.com/tanemcclure ————————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening Dead Dork Radio https://live365.com/station/Dead-Dork-Radio-a68071 Check out Green Matters: https://www.facebook.com/GreenMattersMiddleboro/ Tane McClure is a lifelong entertainment industry professional with many Film, Television, and Music credits to her name. Speaking of "names", Tane McClure's road to success has been paved with many names including: Tane Cain: RCA Recording artist: Top 40 single "Holding On" and Tahnee Cain with her band "Tryanglz" for the original "Terminator" soundtrack. From model, singer, actress, producer, director, editor, and screenwriter and novelist. Tane has been honored with award winning and nominated productions including the National Journalism Award for the Fox LA News documentary, "Love Betty White" The Betty White Story, and the nominated "Just Call Me Hef" The Hugh Hefner Story, as well as the Emmy Nominated "Station Fires" for Fox News, and her "Best Fantasy Feature" award winning film "Trance" which was honored in the New York International Independent Film and Video Festival. Some of Tane McClure's other noteworthy projects include, the international "Montwood" Perfume Commercial campaign, "Ivy Levan" Music Video (Randy Jackson), "Big Shots" series with Emmy winning journalist Giselle Fernandez for Los Angeles Magazine, and the highly acclaimed "Inside Autism" (for LeafWing For Professionals) an inspiring educational dramatic film about a boy with Autism struggling to succeed in a regular classroom environment. One of Tane's most recent accomplishments is her collaboration with the commercial production company Media Giant, where she wrote, produced and directed many television commercials as well as the award winning short film "Rockstar", about a teenager that overcomes adversity through his music. Rockstar's awards include Best Short Film, Best Music, Best Cinematography and many nominations: Best Director, Best Editor, Best VFX, Best Sound and more. Tane McClure is the daughter of actor Doug McClure, who is best known as "Trampas" from the western series "The Virginian". Tane became an actress at an early age playing the part of an orphan in "The Virginian" episode "Small Parades". Tane has since acted in over 50 films including playing Reese Witherspoon's mom in "Legally Blonde", and she has produced, directed, and edited over 100 hours of content for many major companies and networks around the world. Tane's mother, Faye Brash, who is of Hawaiian/Polynesian descent, was a singer, and her grandmother, Mae Brash was also a gifted Opera singer. From an early age, Tane was inspired by her Hawaiian heritage and their love of music. With her father Doug McClure, an actor and her mother a singer... Music, Film and Television came together for Tane in many of her aspirations. Being confident with music, sound, picture, editing, and graphics has enabled Tane to be one of the very best in her field as a director, producer and editor. "As an independent film director, I feel that often, the most interesting scenes in a film include the unexpected moments that were never actually specifically written in the script. When an actor takes a beat or two longer to get his emotions together while the camera is rolling, but the scene has not technically begun. Sometimes those quiet moments are the most honest and fresh. He is not "acting", he is simply "feeling", and THAT to me, can be magic on film." Tane McClure is the author of a new book: "Rescue Heart: A Love Story", based on a feature film screenplay also written by Tane. Tane McClure Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/aff710ef-eb6c-4cde-8f0f-c3fb73d8c142 This podcast is powered by Pinecast.

Schweezy attempts to cancel himself by talking about Big Shots on Disney Plus, Thanksgiving Food Fails, One Must Go Thanksgiving Food Edition, Garth Brooks announcing his Las Vegas Residency, Mike Tyson and Evander Holyfield making ear edibles, money actually buying happiness, a man who ate 40 rotisserie chickens, and advice on using your parents s3x toys, teenagers, carrying a conversation on a dating app, woman simps, and more. . . . Patreon: Patreon.com/TheSchwegCast . . . Follow Schweezy: linktr.ee/TheSchweezy . . Sponsors: Novilla: https://www.novilla.net/?rfsn=5637876... FNX Fitness: fnx.grsm.io/schwegcast​​​​​​​ Privacy: https://privacy.com/join/2N62A Drizly: drizly.com/i/rkqax​​​​​ Honey: joinhoney.com/ref/odmta0f

This Week on WE NEED 2 TALK...K caught Kristy by surprise with some huge news. Plus, The Greatest Beer Run, RHOBH, Luckiest Girl in the World, Big Shots, Welcome to Wrexham, Tell Me Lies, Bad Sisters, Friend of the Family, One of Us is Lying, Love is Blind, Tom & Gisele, Bob Kraft's wedding, he Challenge, Charcuterie Boards and James Corden.

This episode will expire in 24 hours! Missed an episode? Pick it back up anytime! Want the back catalog? Become a supporter on Patreon! patreon.com/mercuryradio More info about ARTC And Mercury at artc.org/mercury  Follow us on Twitter @mercury870 Script available at http://mercuryradio.libsyn.com

I'm dumb white boy (sometimes) and Norm from A Question of Character is a black dude from Chicago, so we felt we absolutely had to cover Big Shots - a film about a dumb white boy (sometimes) and a black kid from Chicago. This is not a great film, but it's definitely the best film about a white kid from suburban Chicago that was made without John Hughes' involvement. I absolutely love it. It also has what might be the worst rap song of all-time.

Another week another episode of the #1 Podcast for all things high school basketball in the state of Alabama. The entire crew is back in the building and DWill The Coach and Coach Chill Will breakdown what Coach Chill Will saw this past weekend at the Midfield Summer Hoop Fest. And we lose more top talent to out-of-state schools. #SMH

On the latest episode of the DDSP, Tyler and Austin talk all things NBA Playoffs in what has been an entertaining first round so far. They also run through notable roster moves in the NFC, and discuss some quick topics in the 'Double Dup' segment. All this and more on this episode of the Double Dup Sports Podcast! 

Donovan Mitchell took over the game in the third quarter and then played the 4th quarter perfectly with unselfish passes and he and the Utah Jazz were rewarded.Nickell Alexander-Walker stole the show making two corner 3s off Donovan passes and his defensive effort on Zach LaVine and DeMar DeRozan showed the most important aspect of his game.At the same time Juancho Hernangomez might be an answer for the Utah Jazz in a 15 minute roll off the bench. Looking deeper into his numbers and his career and there is something that might be able to help the Utah Jazz.Give the front office some credit. Joe Ingles with a brace on his knee wasn't going to help the Jazz to a win last night and the two new guys were vital in the win.0:00 Open3:00 Donovan Mitchell was marvelous7:00 the off the boucne 310:00 Mitchell making the right plays14:00 Alvin Gentry on Nickell Alexander-Walker22:00 A case for Juancho Hernangomez as a 15 minute a night playerLocked On Jazz Podcasthttps://www.lockedonjazz.net/LockedOnJazz.com https://buff.ly/2FEZTVYApple https://apple.co/3Dc8QBqSpotify https://spoti.fi/3IfvgVXStitcher https://bit.ly/3pkGyzBGoogle https://bit.ly/3I8TwJzFollow David Locke on Twitter:https://twitter.com/DLocke09#NBA #UtahJazz #DonovanMitchell #RudyGobert #NBAPodcastDavid Locke and Ron Boone also bring you POSTCAST after each Jazz game Learn more about your ad choices. Visit podcastchoices.com/adchoices

Donovan Mitchell took over the game in the third quarter and then played the 4th quarter perfectly with unselfish passes and he and the Utah Jazz were rewarded. Nickell Alexander-Walker stole the show making two corner 3s off Donovan passes and his defensive effort on Zach LaVine and DeMar DeRozan showed the most important aspect of his game. At the same time Juancho Hernangomez might be an answer for the Utah Jazz in a 15 minute roll off the bench. Looking deeper into his numbers and his career and there is something that might be able to help the Utah Jazz. Give the front office some credit. Joe Ingles with a brace on his knee wasn't going to help the Jazz to a win last night and the two new guys were vital in the win. 0:00 Open 3:00 Donovan Mitchell was marvelous 7:00 the off the boucne 3 10:00 Mitchell making the right plays 14:00 Alvin Gentry on Nickell Alexander-Walker 22:00 A case for Juancho Hernangomez as a 15 minute a night player Locked On Jazz Podcast https://www.lockedonjazz.net/ LockedOnJazz.com https://buff.ly/2FEZTVY Apple https://apple.co/3Dc8QBq Spotify https://spoti.fi/3IfvgVX Stitcher https://bit.ly/3pkGyzB Google https://bit.ly/3I8TwJz Follow David Locke on Twitter: https://twitter.com/DLocke09 #NBA #UtahJazz #DonovanMitchell #RudyGobert #NBAPodcast David Locke and Ron Boone also bring you POSTCAST after each Jazz game Learn more about your ad choices. Visit podcastchoices.com/adchoices

Metta World Peace & 7x NBA Champion Robert Horry, aka "Big Shot Bob", discuss his all-time favorite "Big Shots", the evolution of his game throughout the years in the league, his thoughts on not being in the Hall Of Fame, an important lesson he learned from a High School State Championship loss, what it means to be a great teammate & why it's so important to him, the greatness of Shaquille O'Neal, the 2021 Lakers & their chances, his All-Time Starting Five, and the birth of his nickname! Plus, Metta & Rob have a discussion about Mental Health, Rob shares his very personal battles he's had thru the tragic death of his daughter, how he prioritizes mental health issues, and his advice for reaching out to fellow teammates & friends. Presented by Boost Mobile!

Ray and Robert think they're big shots because of their jobs.

Bryce Henson is a business owner, public speaker, coach, and author with a passion for fitness and changing lives. He is also the CEO of FitBody Bootcamp - the world's fastest growing fitness bootcamp franchise! With over 10+ years of experience in the fitness industry, Bryce owns 2 FitBody Bootcamp locations, and co-leads the FBBC Elite Mastermind group (an exclusive coaching group for high-performing fitness professionals). You don't want to miss this episode! In this episode, you'll learn: How Bryce's parents' divorce is Godsent Why Bryce carries a coin to remind him of death any moment The one weird thing Bryce does to always keep growing Plus, so much more!! And don't forget...  We only spread our message when you share this knowledge with others that need it, so if you enjoy this episode, please share it on your social and tag @zanderfryer, and don't forget to subscribe to the podcast on iTunes and give us a 5-star rating, so you don't miss any other great episodes. For more info on Zander and Sh*t You Don't Learn In College, go to:  www.zanderfryer.com

Join us as we introduce ourselves to the world and share what this podcast is all about. Jeremy uncovers the mission for Big Shots, Alyssa shares how her vocation meets calling meets passion, and Ryan talks about who his ultimate "get" for the podcast would be. We also talk about pineapple shirts, why Will Ferrell was awesome on The Office, Justin Bieber and much more!  Visit www.the2911group.com/podcast for more info. 

The Nuggets win an absolutely sensational game behind a fantastic comeback by the Big 3... MPJ shows defensive chops...Jamal Murray has huge stones... Jokic superlatives... attacking WCJ... Denver is gaining on the Big Shots...There is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus.Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15” and you'll get 15% off your next order. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What is it about talking to executives, senior leaders or others with a 'title' that makes us nervous?  Let's unpack how to get your head right before any important conversation or encounter. ***JOIN THE FORGE***Sign up for more info about our online leadership immersion experience.https://badassagile.com/the-forge/****** Don't forget to join us in the Badass Agile Listener Lounge on Facebook for member exclusives, livestreams and previews! https://www.facebook.com/groups/badasslistenerlounge/ We're also on YouTube!  Follow the podcast, enjoy some panel/guest commentary, and get some quick tips and guidance from me: https://www.youtube.com/channel/UCf6I_bii9oUSI8fkN1BOk6g ****** Our mission is to create an elite tribe of leaders who focus on who they need to become in order to lead and inspire, and to be the best agile podcast and resource for effective mindset and leadership game. Contact us (contact@badassagile.com) for elite-level performance and agile coaching, speaking engagements, team-level and executive mindset/agile training, and licensing options for modern, high-impact, bite-sized learning and educational content.

What is it about talking to executives, senior leaders or others with a 'title' that makes us nervous?  Let's unpack how to get your head right before any important conversation or encounter. ***JOIN THE FORGE***Sign up for more info about our online leadership immersion experience.https://badassagile.com/the-forge/****** Don't forget to join us in the Badass Agile Listener Lounge on Facebook for member exclusives, livestreams and previews! https://www.facebook.com/groups/badasslistenerlounge/ We're also on YouTube!  Follow the podcast, enjoy some panel/guest commentary, and get some quick tips and guidance from me: https://www.youtube.com/channel/UCf6I_bii9oUSI8fkN1BOk6g ****** Our mission is to create an elite tribe of leaders who focus on who they need to become in order to lead and inspire, and to be the best agile podcast and resource for effective mindset and leadership game. Contact us (contact@badassagile.com) for elite-level performance and agile coaching, speaking engagements, team-level and executive mindset/agile training, and licensing options for modern, high-impact, bite-sized learning and educational content.