Podcasts about Michael Ballhaus

This month we sit down with Vulture critic Angelica Jade Bastién, author of the newsletter Madwomen & Muses, where she recently started writing about “Movies That Fuck.” In honor of “cinematic sensuality,” we chat about Bram Stoker's Dracula (1992), Francis Ford Coppola's ode to ahistorical melodrama and doomed romance. We get into: Roman Coppola's practical effects, Keanu's accent work, crossing oceans of time to find you, Michael Ballhaus (and whether this is the dark b-side of The Age of Innocence), Eiko Ishioka with the muscle armor and tiny glasses, do young people want to be turned on by the movies (or at all), and more.--Further reading/viewing: The Costumes are the Sets (a 15-minute doc on the film's Oscar-winning costumes), and James Hart on the transformation of Dracula's script.--The Bright Wall/Dark Room Podcast is hosted by⁠⁠ Veronica Fitzpatrick⁠⁠ &⁠ Chad Perman⁠⁠, produced by⁠⁠ Eli Sands⁠⁠, and edited by ⁠⁠Buczar⁠⁠. Our theme music is composed by Chad. --This episode is sponsored by ⁠Galerie⁠, a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema.To enjoy one month of Galerie for free—and then receive 50% off the next three months—visit ⁠Galerie.com⁠ and enter the code “BWDR” when you sign up.

Director Martin Scorsese, editor Thelma Schoonmaker, director of photography Michael Ballhaus, actor and producer Griffin Dunne, and producer Amy Robinson

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖3️⃣0️⃣ | DRÁCULA DE BRAM STOKER Este clásico moderno dirigido por Francis Ford Coppola, guionizada por James V. Hart, adaptando la novela de Bram Stoker, nos traslada al año 1890, en el que un joven abogado llamado Jonathan Harker viaja a un castillo perdido de Transilvania, donde conoce al conde Drácula, que en 1462 perdió a su amor, Elisabeta Protagonizada por Keanu Reeves, Winona Ryder y Gary Oldman, esta obra completa un reparto de lujo con la figura de Anthony Hopkins, Richard E. Grant o Sadie Frost. Considerada una de las mejores películas de vampiros de la historia, en la que tiene especial relevancia la fotogragía, a cargo de Michael Ballhaus y la música, en manos de Wojciech Kilar. ¿Conoces a Bram Stoker, el creador de Dracula?. ¿Sabías que el rodaje no estuvo exento de polémicas? ¿Qué sabes sobre la colorimetría de esta película?. Y debatimos, ¿Es una reformulación del mito de Dracula? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Drácula de Bram Stoker. SECCIONES ▪️ Contexto ▪️ Bram Stoker, el creador de Dracula ▪️ Un rodaje polémico ▪️ La importancia de la colorimetría ▪️ ¿Es una reformulación del mito de Dracula? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x30-podcastwood-dracula-de-bram-stoker/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga @Juanlu_Uno INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024

This week, the schnooks talked about ‘Goodfellas' in our featured segment 'Films of 1990'.  After Dave tells you whether or not he liked ‘Ghostbusters: Frozen Empire', we gripe about AirBnB and autocorrect, rob a few trucks, pinch a few goons, then set the scene. We'll give you some context, talk about other movies that came out in 1990, about Paul Sorvino cutting garlic, Scorcese's parents' perfect casting, whether or not we're animale, and *why Dave didn't like the movie*.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro; 7:28 Gripes; 14:39 ‘Goodfellas': Films of 1990; 1:14:29 What You Been Watching?; 01:25:17 Next Week's Episode Teaser Additional Cast/Crew/Mentions: Robert DeNiro, Ray Liotta, Joe Pesci, Martin Scorcese, Michael Ballhaus, Nicholas Pileggi, Lorraine Bracco, Paul Sorvino, Frank Sivero, Samuel L. Jackson, Frank Vincent, Gina Mastrogiacomo, Catherine Scorsese, Charles Scorsese, Debi Mazar, Lorraine Bracco, Tony Bennett, Sid Vicious. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
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Nashville's pre-eminent film critic, connoisseur & Prince devotee Jason Shawhan returns to Movie Club as we talk Prince's 2nd film UNDER THE CHERRY MOON. We get into Prince's ever-practical wardrobe choices, Jerome Benton's woefully short film career, the rather progressive queerness of the film, “Martin Scorsese's Pee Wee's Big Adventure”, Wendy & Lisa, The Linn LM-1 drum machine, Prince's proteges, Michael Ballhaus, smuggling pimento cheese across state lines, why this is Prince's finest film, Morris Day & The Time, the sheer awfulness of Graffiti Bridge, Kristin Scott-Thomas, Siskel & Ebert missing the point and our own mistakes of believing the received wisdom on this film - thus avoiding it - in younger days. Join the ⁠Craig & Friends Patreon⁠ For more Jason Shawhan: ⁠⁠⁠https://x.com/jshawhan?s=21&t=2TXy7cSLOHZN-Ef4khov0A⁠⁠⁠ ⁠⁠⁠http://rebirthoftheflesh.blogspot.com/⁠⁠⁠ Jason & Sam Inglis host ⁠FEARLESS PRETENDER⁠- The Only Podcast That Provides Extensive Analysis of Every-Single Film & Television Show Featuring Jennifer Jason-Leigh. Hear my guest spot on the episode devoted to the bizarro Rodney Dangerfield classic ⁠EASY MONEY⁠

We followed phenomenal cinematographer Michael Ballhaus to The Bitter Tears of Petra von Kant (1972) directed by Rainer Werner Fassbinder and OH BOY did we dig it! Huge apologies for Erik's near constant hacking. No amount of gin would help.

Aufwachsen bei freigeistiger Mutter, ohne Vater, wurde Margarethe von Trotta frühzeitig geprägt von der Haltung, als Frau alles sein zu können, wenn man es sich erkämpft. Sie erzählt von anfänglichen Schwierigkeiten als Frau in ihrem Metier akzeptiert und anerkannt zu werden, zu einer Zeit als in der BRD Frauen beruflich wenig zugestanden wurde. Diese Folge liefert einen Einblick in die warmherzige, scharfsinnige und engagierte Arbeitsweise von Margarethe von Trotta und veranschaulicht nebenbei, welchen Weg wir in der Emanzipation bereits zurückgelegt haben und wie wichtig dafür das Engagement einzelner unerschrockener Frauen wie z.B. Margarethe von Trottas war.Sie erläutert, warum man viel freier in der Arbeit ist, wenn man einen Plan hat, den man dann bei Bedarf auch umschmeißen kann, wie wichtig es ist, einen angstfreien Raum zu schaffen, in dem alle gerne zum Set kommen und warum Trotta unterwürfige Figuren nur als Nebenrollen erträgt. Ein Gespräch über die Macht von Erziehung, die Filmgeschichte Deutschlands und das Portraits einer echten Filmikone. Diese Folge von Close-up wird Euch von MUBI präsentiert, einem globalen, kuratierten Streaming-Dienst, Filmverleih und Produktionsfirma, die großartige und visionäre Filme aus der ganzen Welt zu Euch bringt.Ab sofort könnt Ihr mit MUBI aber auch ins Kino gehen: Mit MUBI GO erhalten Mitglieder jede Woche ein kostenloses Kino-Ticket, um einen handverlesenen, neuen Film im Kino zu erleben. Als Close-up-Hörer:innen könnt Ihr MUBI, und damit für begrenzte Zeit auch MUBI GO, jetzt 30 Tage lang kostenlos ausprobieren: Unter MUBI.com/close-up. Für einen ganzen Monat großartiges Kino kostenlos.Ein Podcast der Deutschen Filmakademie.Podcast Homepage · Facebook · InstagramMehr zum Host:Christian Schwochow Facebook und InstagramChristian Schwochow AgenturFoto:Schnitt: Rainer SchwochowAufnahme: Pharos Studio MünchenMusik: Martin TodsharowProduktion: Deutsche Filmakademie e.V. / Jule Bartram, Inga GoossensTechnische Umsetzung: Sophie NietheKapitel00:01:04 Aufwachsen in Ruinen00:10:23 Die Prägung einer freidenkenden Mutter und eines abwesenden Vaters00:19:13 Paris00:24:21 Freundeskreis von filmbegeisterten Philosophiestudierenden und Pariser Kinoerlebnisse der Nouvelle Vague00:33:19 Einstieg in die deutsche Filmszene und Kontakt zu Volker Schlöndorff, erste Arbeit als Schauspielerin bei dem Film „Baal"00:41:04 Buchentwicklung mit Volker Schlöndorff an gemeinsamen Projekten und Co- Regie bei „Die verlorene Ehre der Katharina Blum“00:52:15 Erste eigene Regiearbeit01:02:27 Arbeitsweise: zwischen Intuition und Plan01:10:40 Kamera mit Michael Ballhaus und Franz Rath01:18:15 Umgang mit Kritik, Gegenwind von der Presse01:29:15 Zusammenarbeit mit Barbara Sukowa01:37:02 Balance zwischen Geschichtstreue und Fiktion bei der Entwicklung von historischen Figuren01:43:15 Was würden Sie jungen Filmemacher:innen mit auf den Weg geben?

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Los Angeles-based literary manager Jarrod Murray returns to the show to discuss Robert Redford's 'Quiz Show', a true story of the massive 1950s scandal that revealed to the American public for the first time that the burgeoning television industry and the levers of power that control media were capable of profound deceit. We discuss the film's many iterations, possible directors, and might-have-been performances as well as the incredibly deep bench of performers the film ultimately wound up with (including great character actors like David Paymer, Hank Azaria, Griffin Dunne, and even a wonderful turn from director Martin Scorsese). Then we discuss the real story behind the film, and the ways director Robert Redford and screenwriter Paul Attanasio grapple with the quiz show scandal's multifaceted ramifications in the era after the post-war boom. Finally, we discuss the film's legacy, or lack thereof, and why this film may not have found its deserved purchase with viewers in the 90s and why there's still room for it to be reclaimed in 2023. Follow Jarrod Murray on Twitter.....Our theme song is "Mirror" by Chris Fish 

https://notesonfilm1.com/2023/04/09/thinking-aloud-about-film-beware-of-the-holy-whore-rainer-werner-fassbinder-west-germany-1971/ I've been watching all the Fassbinder films I can get my hands on in chronological order and find this the culmination of his early works, a great film about filmmaking to rank alongside Minnelli's TWO WEEKS IN ANOTHER TOWN (1962) Godard's CONTEMPT (1963) or Truffaut's DAY FOR NIGHT (1973). Richard hasn't seen a Fassbinder film for two decades and finds it harder to get into. We discuss the structure, the marvellous visual and dramatic handling of a very large cast, the gorgeous glossy look –surprising in Fassbinder films to this point -- and snake-like long takes (Michael Ballhaus is the cinematographer), the psycho-sexual power dynamics in the narrative and we admire Hannah Schygulla. A main take-away from this conversation with Richard is how Fassbinder's early work points to a type of cinema and a type of queer representation that the AIDS pandemic brought an end to and of which QUERELLE might be a nodal point. BEWARE OF THE WHOLY WHORE is ostensibly based on Fassbinder's experience of filming WHITY (1971) but it is a difficult film to see at this point and that aspect has largely been left out of the discussion.

En este episodio conversamos sobre la película del año 1988, “The Last Temptation of Christ” del director Martin Scorsese, protagonizada por Willem Dafoe, Harvey Keitel y Barbara Hershey.

For the first week of our paradoxical Comfort Films Crime Month, John and Georgia team up with special guest Christopher Witty to make a move against the Lucchese crime family as they discuss the quintessential crime classic, Goodfellas. We discuss Martin Scorsese's flawless direction, Michael Ballhaus's stunning cinematography, the late great Ray Liotta's unforgettable and unmatchable portrayal of Henry Hill, Robert DeNiro's stone cold Jimmy Conway, Joe Pesci's Oscar-winning turn as Tommy Devito, the emotional depth in Lorraine Bracco's Karen Hill, Scorsese's improv-based rehearsal process, Nicholas Pileggi's Wiseguy and its transformation into a screenplay, why we love Frankie Carbone, and last, but certainly not least, the hilarious dinner scene with Martin Scorsese's mother, Catherine, with Frank Vincent "waiting" in the car. Take some advice from Jimmy Two Times and give us a listen, give us a listen!

Wir sehen uns auf Martins Wunsch hin Martin Scorseses „Departed – Unter Feinden“ an. Das Original aus Hong Kong haben wir zwar nicht gesehen, aber dennoch haben wir beide Spaß an Scorseses stargespicktem Meisterwerk. Wir beobachten dabei das Hauptfigurentrio um Leonardo Di Caprio und Matt Damon, die sich beide um Jack Nicholson spiegeln. Inhaltlich befassen wir uns mit moralischen Fragen der Handlung und der Aktionen der Figuren. Der Korpsgeist der Polizei, die Machtverhältnisse innerhalb der Mafia, das Kompetenzgerangel verschiedener Behörden und die Macht des Zufalls sind ebenfalls Themen mit denen wir uns beschäftigen. "I went to films" erscheint einmal pro Monat mit einem neuen Audiokommentar zu einem Film. Unterstützt uns mit einem kleinen Beitrag: https://steadyhq.com/iwenttofilms/ > Den Film gibt es hier: https://tidd.ly/38HFJwm In der kommenden Ausgabe besprechen wir "Scream - Schrei": https://tidd.ly/3y674Tq Hinweis: Die Affiliate-Links entsprechen nicht automatisch der Version, die wir im Podcast besprechen. Mit den Kauf könnt ihr uns aber unterstützen!

Marking a mini-milestone, cohosts Dino and Mike tear their hearts out in I Eat Movies #25: Heartbreakers (1984). Joined by their very first special guest, Jonathan Hertzberg of Fun City Editions, the trio discuss at length writer/director Bobby Roth's early beginnings with a quartet of independent dramas before ascending to a storied career in both film and television. Highlighting Fun City Editions' latest release and its themes of friendship, male insecurity, romance and communication, the fellas examine this proto-bromance that features universally solid turns from the likes of Peter Coyote (E.T. the Extra-Terrestrial), Nick Mancuso (Tell Me That You Love Me), Carol Wayne (Surf II) and more. In addition, we dissect the electric sounds of Tangerine Dream's remarkable score and Michael Ballhaus' (After Hours) beautiful photography in this deeply layered gem not seen on home video since the VHS era and now resurrected for the first time in HD and loaded with bonus features! Don't feel blue and cheer up, I Eat Movies #25: Heartbreakers (1984) is here to be your friend. Heartbreakers is available now from Fun City Editions at www.VinegarSyndrome.com Fun City Editions can be found on Instagram, Facebook, Twitter and at www.funcityeditions.com

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 222: Goodfellas Released 15 June 2022 For this episode, we watched and talked over Martin Scorsese's crime classic Goodfellas, based on the book Wise Guys by Nicholas Pileggi, who wrote the screenplay with Scorsese. Thelma Schoonmaker handled the editing, the cinematography was by Michael Ballhaus and the cast includes Ray Liotta, Robert de Niro, Joe Pesci, Lorraine Bracco and Paul Sorvino. It cost $25m and made about $47m at the box office. It was nominated for seven Academy Awards including Best Picture and Best Director and Joe Pesci won Best Supporting Actor. It has a 96% rating on Rotten Tomatoes. BEST PICK – the book is out now from all the usual places, including… From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alison Sandy, Amanda Grey, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anne Dellamaria, Annmarie Gray, Anthea Murray, Ben Squires, Carlos Cajilig, Caroline Moyes Matheou, Cathal McGuire, Catherine Jewkes, Chamois Chui, Charlotte, Charlotte M, Conrad Uno, Craig Boutlis, Daina Aspin, Dave Kloc, David Fraser, David Gillespie, Della, Drew Milloy, Drogo Danderfluff, Elis Bebb, Elizabeth McClees, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Gavin Brown, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, Imma Chippendale, Jane Coulson, Jess McGinn, Joel Aarons, Jonquil Coy, Joy Wilkinson, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katie Hammonds, Katy Espie, Kurt Scillitoe, Lawson Howling, Lewis Owen, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Mary Traynor, Matheus Mocelin Carvalho, Matt Price, Michael Walker, Michael Wilson, Mike Evans, Pat O'Shea, Peter, Rebecca O'Dwyer, Richard Ewart, Robert Heath, Robert Orzalli, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

Director Martin Scorsese, actors Ray Liotta, Lorraine Bracco, Paul Sorvino, and Frank Vincent, co-screenwriter Nicholas Pileggi, producers Irwin Winkler and Barbara De Fina, director of photography Michael Ballhaus and editor Thelma Schoonmaker

Newman New Year continues and so does the journey of Fast Eddie Felson! This week, our look back at the career of Paul Newman features the follow-up story to THE HUSTLER, 1986's THE COLOR OF MONEY! Jon, David & Brent take a look at the the casting of Tom Cruise & where this fell into his rising stardom, Martin Scorsese's career path in the 1980's & why he opted to take this film, the under-appreciation of Mary Elizabeth Mastrantonio, the visual style of the film & so much more! Plus, early memories of the film, the soundtrack, Michael Ballhaus' cinematography, a debate on if this is a true sequel or more of a stand-alone film, awards recognition, how it holds up today & more!   Fast Eddie isn't what he used to be... or is he... it's THE COLOR OF MONEY!   Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Screen Ireland's POV Scheme was established to support women filmmakers, and in 2020 four live-action fiction titles were commissioned with a budget limit of €400,000. In this podcast, which was recorded last April, POV Writer/Directors Kate Dolan and Antonia Campbell-Hughes talk to us about working on their two films You Are Not My Mother and It Is In Us All respectively. This event has been made possible with the support of the BAI. About Kate Dolan Kate graduated from the National Film School at IADT in 2012. There, she majored in Directing. After working at ad agency TBWA for a year and a half after graduation Kate then took the leap to work on her writing & directing full time. She started working on commercials and writing in her spare time. In 2014, she attended Berlinale Talents to develop a short entitled Little Doll at the Short Film Script Station. The short then had its premiere at Berlinale 2016. For her work with Little Doll, she was included in the British Council's fiveFilms4freedom 2016 Global List – 33 inspiring people from around the world promoting freedom, equality and LGBT rights every day. In 2017, she made her Screen Ireland funded short, Catcalls, an irreverent horror about a sexual predator who gets what's coming to him. The film won Best Short Film at the YDA Ireland in 2018. Kate was included in the Irish Times list “Top 50 to Watch in 2019.” Her POV film You Are Not My Mother is scheduled to screen at the 46th Toronto International Film Festival (TIFF). Antonia Campbell-Hughes Antonia is a highly acclaimed actress with a wealth of awards and nominations under her belt. After a breakout leading role in Rebecca Daly's The Other Side of Sleep at Directors Fortnight/Cannes, she went on to receive the 2012 Screen International ‘Star of Tomorrow' title, followed by the prestigious Berlinale Shooting Stars award. She has received international acclaim for her brave film work, namely 3096Days, shot by Michael Ballhaus who received the Golden Bear at Berlinale 2016. She had a BAFTA-winning performance as Kelly in Kelly+Victor. Antonia wrapped leading in Colum Eastwood's thriller Black Medicine shot in Belfast. Antonia is among the main cast with Claes Bang and Brian Cox in TV Pilot for 8-part series, Little Room. 2018 saw Antonia complete Cordelia, playing the title role. QUEST FOR LOVE, Antonia's debut short as writer/director starring Kerry Condon (Galway Film Fleadh '18), received glowing praise. 2019 saw Antonia second short ACRE FALL BETWEEN feature as part of THE UNCERTAIN KINGDOM project (BFI/NI screen). Antonia's Screen Ireland POV/Catalyst feature It Is In Us All was shot on location in Ireland 2020, led by Cosmo Jarvis. #WomenInFilm #WFTIreland #WIFTI #IrishFilm https://wft.ie/

Episode 264: The Crew's fighting a giant steampunk spider while watching Barry Sonnenfeld's Wild Wild West. After ruling the Fourth of July box-office with Independence Day and Men in Black, Will Smith stumbles with this box-office bomb. The critics and audiences weren't happy with the film. The story is bad, Smith and Kevin Kline lack their usual charisma, and all the blue screen composites are terrible (especially for a $170 million budget). But the production design, props, costume design, and music are truly amazing. Will Smith kills the title song, which may be the best thing to come out of this film. Correction: Judy Garland's version of A Star is Born isn't the original, it's also a remake. If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

In the tradition of great crossovers like the Jetsons and Flintstones, Abbott & Costello and the Universal Monsters, 2019 Will Smith and 1999 Digital Will Smith we bring you a podcast crossover like none other. Mike Gravagno and Ryan Haley of Movie of the Year stop by to battle over MOVIES. Topics include Cinema Veritae, Michael Ballhaus, Slim Pickens, The Cannon Group and more. Plus games like FMK and What's That Movie About? Warm up the projector, pop some corn, and join us at the picture show.Check out Movie of the Year, Superhero Show Show, and more awesome podcasts wherever you download them or at https://yourpopfilter.com/.You can even support them via Patreon: https://www.patreon.com/yourpopfilterOtherwise, register to vote and vote! Mail your ballot early or drop it off ASAP. And be good to each other. Oh, and it's BIOpic not biOPic. :) 

Michael Ballhaus gehörte zu den besten Kameraleuten der Welt. Er drehte mit Rainer Werner Fassbinder, Martin Scorsese und Francis Ford Coppola. Stars wie Michelle Pfeiffer oder Robert De Niro brachte er zum Leuchten.

Er gehörte zu den besten Kameraleuten der Welt: Der Deutsche Michael Ballhaus. Er setzte Stars wie Robert De Niro, Meryl Streep oder Leonardo DiCaprio ins rechte Licht. Berühmt wurde das "fliegende Auge Hollywoods" durch eine Szene in dem Mafia-Film "GoodFellas":

Er gehörte zu den besten Kameraleuten der Welt: Der Deutsche Michael Ballhaus. Er setzte Stars wie Robert De Niro, Meryl Streep oder Leonardo DiCaprio ins rechte Licht. Berühmt wurde das "fliegende Auge Hollywoods" durch eine Szene in dem Mafia-Film "Good Fellas". Autorin: Christiane Kopka

Episode 206: The Crew's trying to escape the Motaba virus while watching Wolfgang Petersen's Outbreak. The film was a box-office hit in 1995, and had a loaded cast with hot newcomers (Kevin Spacey, Patrick Dempsey, and Cuba Gooding Jr.) and veteran talent (Dustin Hoffman, Rene Russo, Donald Sutherland, and Morgan Freeman). Wolfgang Petersen treats the story like a disaster film, which makes it entertaining but ultimately unrealistic. The Crew discusses... If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

Von Fassbinders "Angst essen Seele auf" zur künstlerischen Selbstaufgabe, von der 360° Kamerafahrt zu Michael Ballhaus. --- Send in a voice message: https://anchor.fm/2schuss3treffer/message

Episode 199: The Crew's running thru the streets of SoHo as they discuss Martin Scorsese's After Hours. Griffin Dunne is Paul, a word processor stuck in the SoHo district of New York. He's trying to get home after a bad date, but runs into problem after problem. Martin Scorsese and Cinematographer, Michael Ballhaus add loads of creative energy to the lighting and camerawork. The Crew discusses... If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

Wie immer gibt es am Tag vor den Oscars eine Feier in der Villa Aurora. Zum ersten Mal wird allerdings das Michael-Ballhaus-Stipendium verliehen, und zwar an die Kamerafrau Judith Kaufmann, eine der wenigen erfolgreichen Frauen im Kamerargewerbe. Sie hat schon mehrere Preise erhalten, ist in Deutschland und Europa sehr geachtet für ihre Arbeit, hat auch schon Angebote aus Hollywood bekommen, bisher aber immer abgelehnt. Das Ballhaus-Stipendium wurde vom deutschen Außenminister Heiko Maas in Zusammenarbeit mit der Deutschen Filmakademie ausgelobt.

Episode 192: The Crew's smoking out a rat while discussing Martin Scorsese's The Departed. The film that finally got Scorsese his Oscar; the film won 4 Oscars in total including Best Picture. So much talent is involved here, both in front and behind the camera. And this film doesn't disappoint... it's a fast paced thrilling and funny piece of entertainment. They discuss! If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

Glaubt man den vom Stockholm Syndrom arg gebeutelten Anhängern der Marvel Studios, dann ist Martin Scorsese ein nerviger alter Mann, der die Welt nicht mehr versteht, und GOODFELLAS einer von viel zu vielen immer gleichen Gangsterfilmen, die Opa Marty gedreht hat. Und totgeredet ist die toxische Maskulinität von GOODFELLAS ja sowieso. In einem Anfall von nicht unerheblicher Hybris sagt Ein Filmarchiv: weit gefehlt, oh Mighty Acolytes of Marveldom! Wir reden darüber, wie der Film mit unerhörter Variation ein Spannungsfeld zwischen materiellem Realismus und Subjektivität schafft. Wie er gleichzeitig männliche Nostalgie zu bedienen scheint, sie aber gleichzeitig auch als solche sichtbar macht und verdammt. Und über Thelma Schoonmakers Schnittkunst, Michael Ballhaus‘ kraftmeiernde Kamera, die sich über die eigene Virtuosität lustig macht.

  Mat began his career as a production assistant on the film Gangs of New York, where he was mentored by legendary DP, Michael Ballhaus.     After starting out as an editor primarily for commercials, a chance encounter with Director Nicolas Winding Refn led him to his first film project, Bronson, starring Tom Hardy. Mat continued to work with Nicolas on his films Valhalla Rising, Drive, Only God Forgives, and The Neon Demon.   Mat’s most recent film is Sicario: Day of the Soldado for Stefano Sollima.   Additionally, he is working with Nicolas on the crime series, Too Old to Die Young for Amazon Studios.  

Im Jahre 1974 läuft der vom WDR günstig produzierte Kunstfilm im Prime-Programm der ARD und kommt damit direkt in die Wohnzimmer derer, mit denen Rainer Werner Fassbinder hier (wieder einmal) bitter-böse abrechnet: MARTHA ist ein wütender Angriff auf das Bürgertum, eine krasse Satire, die zu einem fast unerträglichen Horror-Stück mutiert und die Bürgerlichkeit mit ihren Repressionsmechanismen anhand einer schrecklichen sadomasochistischen Ehe auseinandernimmt. Fassbinders masochistisch veranlagte, naiv-arrogante Martha ist dabei genauso unsympathisch wie ihr sadistischer Ehemann Helmut oder auch alle anderen Akteure. Wir reden darüber, wie Fassbinder selbst sein liebstes Genre, das Melodram, opfert, um dessen Rolle als des Bürgerlichen liebste Erzählform auszustellen. Zudem schauen wir auf das Verhältnis zwischen Fassbinders mise-en-scene auf Basis von Kurt Raabs Produktionsdesign und Michael Ballhaus‘ freier, präzise im Raum agierender Kamera.

A longtime collaborator with Rainier Werner Fassbinder and Martin Scorsese, Michael Ballaus passed away in 2017 leaving a legacy of great cinematography. We dig into THE PASSION OF THE CHRIST and THE HOUSE ON CARROLL STREET as an entry point to discuss what, exactly, the cameraman brings to a motion picture. 

Matthew Bannister on Robert Pirsig, author of the best selling book Zen and the Art of Motorcycle Maintenance. Shobha Nehru, the Hungarian woman who married into India's most powerful political dynasty - and used her position to confront Prime Minister Indira Ghandi about human rights abuses. Michael Ballhaus, the cinematographer who worked closely with Martin Scorsese. Leo Baxendale, the cartoonist and publisher who created the Bash Street Kids and Minnie the Minx. And Bruce Langhorne, the guitarist on some of Bob Dylan's best known songs. Producer: Neil George.

In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco and Emily Buder get excited about the 16th edition of the Tribeca Film Festival opening this week, and discuss whether (finally!) Netflix might let us see its films in theaters. We also say goodbye to the genius cinematographer Michael Ballhaus and remember his storied career working with Rainer Werner Fassbinder, Martin Scorsese, and Francis Ford Coppola. Tech writer Charles Haine joins us to share more previews of the big NAB gear expo that starts this weekend. He also answers an Ask No Film School question about creating Digital Cinema Packages for your movie. As always, we also bring you the latest gear news, upcoming grant and festival deadlines, this week’s indie film releases, and other notable things you might have missed while you were busy making films. You can see all the links from this show in this week’s podcast post at nofilmschool.com http://nofilmschool.com/2017/04/indie-film-weekly-042017-podcast

On this week's episode we discuss the cinematographer behind the Goodfellas' tracking shot, THE Mr. Tambourine Man, a man who single handedly reinvented the electric guitar and the last living person to be (verified) born in the 1800s.

IntroLast Week Tonight with John Oliver Ostern / Blühendes Barock Ludwigsburg Erdogan / Trump R.I.P. Michael Ballhaus Vimeo: The Cinematography Of Michael Ballhaus Hörbücher Hanya Yanagihara – Ein wenig Leben Castle Freeman – Männer mit Erfahrung Outro Charles Mingus Sextet feat. Eric Dolphy – Take The A-Train Trump's Ostern

Umbau: VOX schiebt Musikformate; Unfassbar: Comedy Central lebt; Umgestaltung: Janine Kunze greift zum Hammer; Unerwartet: MTV zeigt Gesicht. FERNSEHEN 00:08:03 | Körber sah: "Top, die Wette gilt!" 00:16:26 | VOX baut Dienstagabend um 00:20:34 | Kerner kommt im ZDF nie drauf 00:25:53 | Comedy Central Deutschland lebt noch 00:28:45 | Hammer! Janine Kunze ist zurück 00:32:18 | VIVA-Milka mit neuer Show 00:36:05 | MTV hat wieder ein Gesicht 00:38:17 | ESC beim RTL 00:41:14 | "Hammes glotzt" Insel-Edition KuH DER WOCHE 00:50:51 | Nicht geworden: Simpsons-Loop in Australien WEIDENGEFLÜSTER 00:57:13 | Euer Viehdback zur Folge 262 01:12:44 | Danke für Euren Support FILM 01:13:33 | Michael Ballhaus verstorben 01:24:33 | Kinocharts 01:28:48 | Kinostarts 01:30:46 | DVD-Neustarts 01:32:29 | Fernsehkino 01:33:37 | "Star Wars"-News der Woche QUOTENTIPP 01:37:34 | Letztes Mal: "Verdachtsfälle" (Donnerstag, 6. April, 16:00 Uhr, RTL) 01:39:55 | Diese Woche: "Bauer sucht Frau – Ostern mit den Kultpaaren" (Montag, 17. April, 19:05 Uhr, RTL) Alle Wortbeiträge dieser Folge sind eigene Meinungen – teils satirisch – oder Kommentare.

Martin Scorsese-sorozatunk negyedik részében az 1993-as The Age of Innocence (Az ártatlanság kora) című kosztümös filmet tekintettük meg, ezzel szándékolatlanul is úgy alakítva a menetrendet, hogy egy maffiafilmet mindig egy Scorsesetől szokatlan választás kövessen (majd meglátjátok, a blokkunk harmadik részében hogyan folytatódik a sorminta). A film Edith Wharton 1921-es Pulitzer-díjas regényének feldolgozása. Elgondolkodtunk, hogy sikerült ebből az alaphelyzetből Scorsese-nek egy teljesen férfiközpontú filmet összehoznia, aminek kapcsán kielemezzük a főszereplők alakításait is. De vajon az ekkor már Oscar-díjas Daniel Day-Lewis, a kilencvenes évek ikonikus színésznője, Michelle Pfeiffer, vagy a kosztümös filmek üdvöskéje, Winona Ryder lesz-e a műsorvezetők titkos kedvence? Ki az, aki magához képest meglepően visszafogott alakítást nyújt, és ki az, akinek a szerepén összekülönbözünk? Megnézzük, beleillik-e a film tematikája Marty filmográfiájába, mindentudó narrátorokként köszörüljük a nyelvünket a béna szerelmeseken, és még a 19. századi úri szalonokba is bevisszük a maffiát. A Kitekintőben álmodozunk kicsit azon, hogy milyen egyéb, tőle szokatlan műfajokban látnánk szívesen Scorsese-től filmeket. A helyezettjeinket a szokásos aloldalon megleshetitek. Frissítés: az adás megjelenésének napján, már a felvétel és a vágás után érkezett a szomorú hír, hogy a film operatőre, Michael Ballhaus elhunyt, így már nem tudtuk korrigálni az adásban róla elhangzottakat. Nyugodjék békében! Linkek A Vakfolt podcast facebook oldala Vakfolt címke a Letterboxdon András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu A főcímzenénket az Artúr zenekar szerezte, akiket megtaláltok a Facebookon és a Twitteren is.

Er ist der Mann hinter der Kamera. Der Mann neben dem Regisseur, der als Berater unverzichtbar ist und vorher weiß, wie eine Szene auf der Leinwand aussehen wird. Michael Ballhaus gehört zu den einflussreichsten und international prominentesten Cinematographern der Welt. In Berlin geboren und Franken aufgewachsen entdeckte er über die künstlerischen Kontakte seiner Eltern die Liebe zur Fotografie. Momente in Bildern festzuhalten, wurde seine große Leidenschaft und später reichte ihm das Lichtbild als Ausdrucksform nicht mehr aus und er begann eine Karriere als Kameramann. Über das Fernsehen gelangte er zum Kino. Die 15 Filme, die er gemeinsam mit Rainer Werner Fassbinder drehte, machten ihn in Europa bekannt. Die Tür nach Hollywood wurde durch deutsche Kollegen geöffnet und er betrat diese neue Welt als neugieriger, wissensdurstiger, aber erfahrener Fachmann der schnell gefragt und beliebt war. Wie er zu seinem Stand kam und was er über seine Weggefährten zu berichten hat, ist das Thema dieses biografischen Specials. Seine Zeit mit Martin Scorsese, seine Zusammenarbeiten mit Wolfgang Petersen, Mike Nichols, James L. Brooks oder Volker Schlöndorff werden gestreift, gespickt mit interessanten Informationen über das Filmemachen und witzigen Anekdoten zum extravaganten Business der amerikanischen Traumfabrik. https://vimeo.com/129547006

Er ist der Mann hinter der Kamera. Der Mann neben dem Regisseur, der als Berater unverzichtbar ist und vorher weiß, wie eine Szene auf der Leinwand aussehen wird. Michael Ballhaus gehört zu den einflussreichsten und international prominentesten Cinematographern der Welt. In Berlin geboren und Franken aufgewachsen entdeckte er über die künstlerischen Kontakte seiner Eltern die Liebe zur Fotografie. Momente in Bildern festzuhalten, wurde seine große Leidenschaft und später reichte ihm das Lichtbild als Ausdrucksform nicht mehr aus und er begann eine Karriere als Kameramann. Über das Fernsehen gelangte er zum Kino. Die 15 Filme, die er gemeinsam mit Rainer Werner Fassbinder drehte, machten ihn in Europa bekannt. Die Tür nach Hollywood wurde durch deutsche Kollegen geöffnet und er betrat diese neue Welt als neugieriger, wissensdurstiger, aber erfahrener Fachmann der schnell gefragt und beliebt war. Wie er zu seinem Stand kam und was er über seine Weggefährten zu berichten hat, ist das Thema dieses biografischen Specials. Seine Zeit mit Martin Scorsese, seine Zusammenarbeiten mit Wolfgang Petersen, Mike Nichols, James L. Brooks oder Volker Schlöndorff werden gestreift, gespickt mit interessanten Informationen über das Filmemachen und witzigen Anekdoten zum extravaganten Business der amerikanischen Traumfabrik. https://vimeo.com/129547006

The Movie Geeks have dug through the archives to replay of some of our most fascinating and popular interviews.  In this episode of The Best of Movie Geeks United, we present our interviews with three giants in the field of cinematography: Michael Ballhaus (Goodfellas, The Departed), Dariusz Wolski (Pirates of the Carribean: The Curse of the Black Pearl, The Martian), and Robert Richardson (Casino, JFK, Django Unchained).

“Yes, Christopher lived for all women, but he died for one." Prince has always been a flamboyant and eclectic musician, and with the album and film “Purple Rain,” he found a new art form he enjoyed. And one he won an Oscar for — Best Original Song Score. With his next film, he had conflicts with the director so took over and directed it himself. Join us — Pete Wright and Andy Nelson — as we wrap up this year's short guilty pleasure with Pete's pick — Prince's 1986 film “Under the Cherry Moon.” We talk about what's in the film and why, despite its flaws, Pete still gets so much pleasure from this film. And we talk about its flaws and everything that doesn't work in the film. We chat about the actors — Prince, Jerome Benton, Kristin Scott Thomas, Steven Berkoff, Francesca Annis and more — and look at what each of them brings to the table. We discuss the black-and-white look of the film and ponder the reasoning for it, wondering if perhaps cinematographer Michael Ballhaus may know why Prince opted to show it this way despite having filmed it in color. And we touch on the original director and what the circumstances were under which she left the film. It's the guiltiest of guilty pleasures and Pete still loves it despite all its flaws. Regardless of what either of us thinks, we have a great conversation about it. Tune in! Film Sundries Original theatrical trailer Original poster artwork Flickchart Trailers of the Week Andy's Trailer: People Places Things — “Jemaine Clement. Who needs another reason to watch this movie? Not me. This looks really sweet and touching, and of course he's hilarious." Pete's Trailer: Mississippi Grind — “This is just the kind of road movie that lights me up: poker, bad luck, and the open road, baby. Ryan Reynolds and Ben Mendelssohn look great together — this is one I'm going to catch." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

“Yes, Christopher lived for all women, but he died for one." Prince has always been a flamboyant and eclectic musician, and with the album and film “Purple Rain,” he found a new art form he enjoyed. And one he won an Oscar for — Best Original Song Score. With his next film, he had conflicts with the director so took over and directed it himself. Join us — Pete Wright and Andy Nelson — as we wrap up this year’s short guilty pleasure with Pete’s pick — Prince’s 1986 film “Under the Cherry Moon.” We talk about what’s in the film and why, despite its flaws, Pete still gets so much pleasure from this film. And we talk about its flaws and everything that doesn’t work in the film. We chat about the actors — Prince, Jerome Benton, Kristin Scott Thomas, Steven Berkoff, Francesca Annis and more — and look at what each of them brings to the table. We discuss the black-and-white look of the film and ponder the reasoning for it, wondering if perhaps cinematographer Michael Ballhaus may know why Prince opted to show it this way despite having filmed it in color. And we touch on the original director and what the circumstances were under which she left the film. It’s the guiltiest of guilty pleasures and Pete still loves it despite all its flaws. Regardless of what either of us thinks, we have a great conversation about it. Tune in! Film Sundries Original theatrical trailer Original poster artwork Flickchart Trailers of the Week Andy’s Trailer: People Places Things — “Jemaine Clement. Who needs another reason to watch this movie? Not me. This looks really sweet and touching, and of course he’s hilarious." Pete’s Trailer: Mississippi Grind — “This is just the kind of road movie that lights me up: poker, bad luck, and the open road, baby. Ryan Reynolds and Ben Mendelssohn look great together — this is one I’m going to catch." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

Prince has always been a flamboyant and eclectic musician, and with the album and film “Purple Rain,” he found a new art form he enjoyed. And one he won an Oscar for — Best Original Song Score. With his next film, he had conflicts with the director so took over and directed it himself. Join us — Pete Wright and Andy Nelson — as we wrap up this year's short guilty pleasure with Pete's pick — Prince's 1986 film “Under the Cherry Moon.” We talk about what's in the film and why, despite its flaws, Pete still gets so much pleasure from this film. And we talk about its flaws and everything that doesn't work in the film. We chat about the actors — Prince, Jerome Benton, Kristin Scott Thomas, Steven Berkoff, Francesca Annis and more — and look at what each of them brings to the table. We discuss the black-and-white look of the film and ponder the reasoning for it, wondering if perhaps cinematographer Michael Ballhaus may know why Prince opted to show it this way despite having filmed it in color. And we touch on the original director and what the circumstances were under which she left the film. It's the guiltiest of guilty pleasures and Pete still loves it despite all its flaws. Regardless of what either of us thinks, we have a great conversation about it. Tune in!

Prince has always been a flamboyant and eclectic musician, and with the album and film “Purple Rain,” he found a new art form he enjoyed. And one he won an Oscar for — Best Original Song Score. With his next film, he had conflicts with the director so took over and directed it himself. Join us — Pete Wright and Andy Nelson — as we wrap up this year's short guilty pleasure with Pete's pick — Prince's 1986 film “Under the Cherry Moon.” We talk about what's in the film and why, despite its flaws, Pete still gets so much pleasure from this film. And we talk about its flaws and everything that doesn't work in the film. We chat about the actors — Prince, Jerome Benton, Kristin Scott Thomas, Steven Berkoff, Francesca Annis and more — and look at what each of them brings to the table. We discuss the black-and-white look of the film and ponder the reasoning for it, wondering if perhaps cinematographer Michael Ballhaus may know why Prince opted to show it this way despite having filmed it in color. And we touch on the original director and what the circumstances were under which she left the film. It's the guiltiest of guilty pleasures and Pete still loves it despite all its flaws. Regardless of what either of us thinks, we have a great conversation about it. Tune in!

Just in time for Easter, Rob & Mike look at the making of and controversy surrounding Martin Scorsese's controversial film, The Last Temptation of Christ. Interviews include cinematographer Michael Ballhaus and professor Darren J. N. Middleton.Learn more about your ad choices. Visit megaphone.fm/adchoices

Just in time for Easter, Rob & Mike look at the making of and controversy surrounding Martin Scorsese's controversial film, The Last Temptation of Christ. Interviews include cinematographer Michael Ballhaus and professor Darren J. N. Middleton.

Bonus interview with cinematographer of World on a Wire and producer of The Thirteenth Floor, Michael Ballhaus.Learn more about your ad choices. Visit megaphone.fm/adchoices

Bonus interview with cinematographer of World on a Wire and producer of The Thirteenth Floor, Michael Ballhaus.

"Je travaille différemment avec chaque cinéaste. Scorsese, par exemple, pense avant tout aux images et un aspect essentiel de son méticuleux travail de préparation pour le tournage de ses films est de faire une liste détaillée des plans qu'il me remet. Cette liste exprime pour moi le rythme et la durée de respiration de chaque scène." (Extrait d'un entretien avec Michael Ballhaus)