Podcasts about Paul Kantner

Ain't no interview like a GRACE SLICK interview! That's right — the outspoken Rock-and-Roll-Hall-of-Fame singer of Jefferson Airplane, Jefferson Starship, and Starship, and the voice of the psychedelic rock generation and beyond is on the show. Whether she's talking about the playing of great guitar players she has known (everyone from her legendary Airplane/Starship bandmates to other heroes, including Jimi Hendrix and Jerry Garcia) or tackling any other subject under the sun — sex, drugs, and rock'n'roll; '60s counterculture; DeLoreans; Miles Davis; '80s pop culture; hilarious drummer antics (yes, your ears are burning, Donny Baldwin) — Grace is gloriously unfiltered and a true musical treasure. As guitarist of Jefferson Starship since 2012, I was thrilled to finally dive deep into these topics and more with Grace, who — along with her and Paul Kantner's daughter, China Kantner Isler — I've been lucky enough to call a friend for a decade now. Please help me thank GUITAR PLAYER and guitarplayer.com for making this episode happen. GUITAR PLAYER: Play better, sound better. — Jude Gold | Host/creator, NO GUITAR IS SAFE podcast.

Showfill by Miguel Venexen Progressive Music from: -Calgary -Italy X 2 -Argentina -USA X 2 -Germany X 2 -Mexico -France -Sweden -UK Last quarter of the show is the tip of the iceberg of a deep rabbit hole I've fallen into .... psychedelic synthy ambient stuff... more to come!Playlist: Wyzaker - Calvin & hobbes Unofficial ThemeLe Orme - Figure di cartoneNexus - Los sacerdotes malignosPaul Kantner and Jefferson Starship - A Child Is ComingMythos - Hero's DeathIconoclasta - Es una HistoriaAlusa Fallax - Splendida SensazioneAsia Minor - NightwindRagnarök - Dagarnas SkumRagnarök - Du och Jag (Bonus)Wyzaker - 3221The Enid - FoolThe Enid - The Tower of BabelPhideaux - Snowtorch (Part One)Klaus Schulze - Bayreuth Return

S4-Ep. 4 Jefferson Airplane-Surrealistic Pillow (RCA) Released Feb 1, 1967, and Recorded between October 31-Nov 22, 1966  Surrealistic Pillow (1967) is a defining album of the 1960s psychedelic rock era, marking the debut of Grace Slick as Jefferson Airplane's lead vocalist. The album blends folk, rock, and experimental sounds, with standout tracks like “Somebody to Love” and “White Rabbit,” which became anthems of the counterculture. With contributions from multiple band members, the album offers diverse vocals and songwriting styles, including Grace Slick's powerful delivery, Marty Balin's emotive ballads, and Paul Kantner's folk-rock influences. The album's success helped propel the band into mainstream recognition, while its psychedelic experimentation captured the spirit of the San Francisco scene. Produced with help from Grateful Dead's Jerry Garcia, Surrealistic Pillow is considered a genre masterpiece, with its influence still felt today. The cover art further symbolized the album's surreal, rebellious vibe, marking a cultural milestone in rock history. Signature Tracks "Somebody to Love," "Today,"  "White Rabbit" Playlist YouTube Playlist, Spotify Playlist  Full Album Full Album on YouTube Full Album on Spotify

Record Store Day Black Friday is November 29, and as we ramp up to the big day we offer the first of two specials. Pt. 1 features Jorma Kaukonen, founding member of the Jefferson Airplane and Hot Tuna, talking about the double album RENO ROAD, a collection of acoustic blues field recordings made with his longtime musical accomplice Jack Casady and released on Black Friday as an RSD Exclusive. In this conversation, Jorma recalls the heady times of the 1960s, and pays his respects to many of the fallen legends he's worked with over the years, including Paul Kantner, Janis Joplin, David Crosby, Phil Lesh, and even Jaco Pastorius. For more information about Record Store Day Black Friday (November 29) visit RecordStoreDay.com The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Regresamos al club The Matrix, pequeño local situado en el 3138 de Fillmore Street, en San Francisco. Un club abierto en 1965 por Marty Balin, cantante y líder de The Jefferson Airplane, grupo que dio su primer concierto en la noche de inauguración. Dos años y medio después, el 1 de febrero de 1968, y convertidos ya en una de las bandas más icónicas y exitosas de la contracultura, Jefferson Airplane regresaron a ese pequeño escenario para ofrecer una íntima actuación ante unos pocos elegidos.(Foto del podcast por Paul Kantner; Jefferson Airplane en 1968)Playlist;JEFFERSON AIRPLANE “Somebody to love”JEFFERSON AIRPLANE “Young girl Sunday blues”JEFFERSON AIRPLANE “She has funny cars”JEFFERSON AIRPLANE “Two heads”JEFFERSON AIRPLANE “Martha”JEFFERSON AIRPLANE “Kansas City”JEFFERSON AIRPLANE “The other side of life”JEFFERSON AIRPLANE “Today”JEFFERSON AIRPLANE “It’s no secret”JEFFERSON AIRPLANE “Blues from an airplane”JEFFERSON AIRPLANE “Plastic fantastic lover”JEFFERSON AIRPLANE “White rabbit”JEFFERSON AIRPLANE “Share a Little joke”Escuchar audio

Rock & roll journalist, author, and photographer Michael Goldberg is back on the podcast. He's got a brand new book titled Jukebox: 1967-2023 Photographs.Michael is best known as a writer, but for over 50 years he's also been photographing musicians and the photos in Jukebox are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Devo, the Clash, Bruce Springsteen, Jim Morrison, Lou Reed, Janis Joplin, Muddy Waters, Patti Smith, the Who, Neil Young, Jerry Garcia, Bob Dylan, Frank Zappa, Grace Slick and Paul Kantner, Tom Waits, The Ramones, and many many more.Most of the photos in this book have never been seen before, including rare 1970 photos of Jerry Garcia in his Larkspur home months before recording began for the group's classic album, American Beauty. Some of the photographs were taken at the homes of the artists or in their hotel rooms. The Ramones photograph was shot from the doorway of Goldberg's room at the Tropicana in L.A. Michael is here to share some stories behind the photos in the book.Purchase a copy of Jukebox: 1967-2023 Photographs ---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

George Beckerman joined me to talk about early TV, his first writing job, 1983's NBC Yummy Awards; Paul Winchell and Pinky Lee; growing up in Forest Hills; going to high school with Jerry Springer; going into the textile business; getting his suits on the cover of GQ; selling his business and moving to LA; writing a screenplay "Beverly Hills Shrink" for Fred Weintraub; writing a special "Blondes vs. Brunettes" directed by Steve Binder; seeing Joan Collins sans makeup and working with Don Novello; pitching 30 episode ideas to the producers of Alice; getting a job on TBS sitcom Safe at Home with pissed off cast; hiring Dan O'Shannon and Tom Anderson; an arrest during rehearsal; pitching for Head of the Class and a movie for Gene Wilder; first head of the Class "The Russians are Coming"; the problems and greatness of multi-cam comedies; writing "Child of the 60's" and meeting Lori Petty; writing "Parent's Night" and having 23 characters to write; writing Trouble in Perfectville for Robin Givens and having it changed; working with Tannis Vallely and her father on two different shows; Howard Hesseman; becoming friends with Robin Givens and her mother and needing to get Mike Tyson off the set; Leslie Bega and Khrystyne Haje; creating and leaving "Molloy"; becoming friends with Mayim Bialik; Jennifer Aniston; fighting with Bill Bixby on the set of "Man of the People"; Monty has great cast including Henry Winkler, David Schwimmer, and China Kantner - daughter of Grace Slick and Paul Kantner, but was short lived; The Jackie Thomas show was the most fun he had; trying to turn Jackie Thomas into a modern day Dick Van Dyke; playing tennis with Norm MacDonald; working with Chris Farley; meeting his wife Geraldine Leder writing for "Secret Service Guy" a show that never aired; having his film script optioned by Ben Stiller and not getting a budget; writing a Lifetime movie for Kirstie Alley; a Hallmark time travel movie; writing for children's television; making a short film "Autocowrecked"; writing a song with a member of Foster the People; the current state of TV as a business; Adam I. Lapidus and the Simpsons

Avec Led Zeppelin, Jefferson Airplane, Jimi Hendrix et U2. "Ten Years Gone", c'est le nom de ce classique de Led Zeppelin sur l'album "Physical Graffiti" de 1975. Robert Plant écrit les paroles en se remémorant une petite amie qui lui avait demandé de choisir entre elle et sa musique, dix ans plus tôt (interview avec le magazine Rolling Stone). En 1967, Jefferson Airplane publie son 2e album, "Surrealistic Pillow", véritable bande originale du "Summer of Love" de San Francisco, et la chanson "D.C.B.A. 25", accords utilisés et selon le guitariste Paul Kantner, le nombre est "une référence au LSD-25. Sur le deuxième album du Jimi Hendrix Experience, Axis : Bold As Love, le titre "If 6 Was 9" est un véritable hymne de la contre-culture où Hendrix revendique son individualité. Rejetant la conformité, il affirme son désir de vivre sa vie selon ses propres termes. Le titre oppose deux visions, celle de la jeunesse rebelle à celle des conservateurs. Sorti en 1967, "If 6 Was 9" a été utilisé dans les films Easy Rider, Point Break ou dans la série Mad Men. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

'SUSANNA HOFFS BANGLES LEGEND THE LOST INTERVIEWS' Susanna Hoffs is the beautiful, talented & iconic vocalist for the commercially successful all- female pop/rock/new wave/ band ‘The Bangles.' Hoffs angelic and awe-inspiring vocals are definitive on such Bangles classics as …“Manic Monday” (1985 #2 US Billboard Hit), “Walk Like an Egyptian” (1986 #1 US Billboard Hit), “If She Knew What She Wants” (1986 #29 US Billboard Hit), “Hazy Shade of Winter” (1987 #2 US Billboard Hit), “Walking Down Your Street” (1987 #11 US Billboard Hit),“In Your Room” (1988 #5 US Billboard Hit), and the breathtaking “Eternal Flame” (1988 #1 US Billboard Hit). Hoffs is also ‘The Bangles' rhythm guitarist and songwriter. THE BANGS: After Susanna Hoffs graduated from the University of California, Berkeley, where she studied theatre, dance, and art, she headed back to Los Angeles and placed an ad in The Recycler, an LA based classifieds newspaper. A trio began to form with the addition of Sisters Vicky Peterson (vocals/guitars) and Debbi Peterson (vocals/drums) while subsequently adding Annette Zilinskas on bass. After short stints with names such as ‘The Colours' and ‘The Supersonic Bangs,' the newly formed all-girl band eventually settled on ‘The Bangs' while swiftly becoming a vital part of the Los Angeles Paisley Underground scene. The Bangs debut single “Getting Out of Hand” was released on their label DownKiddie Records and caught the attention of KROQ deejay Rodney Bingenheimer who repeatedly played the record on his show. THE BANGLES: ‘The Bangs' were auspiciously mandated to change their name so the group dropped ‘The' and added the letters ‘les' to form ‘Bangles,' a banner that would flourish into one of the greatest all-female groups in rock and roll history. In 1982, under new manager Miles Copeland, The Bangles supported The English Beat on a UK tour. In 1983, the group made its first appearance on Dick Clark's American Bandstand. In 1984, ‘All Over the Place,' The Bangles first full-length album was released on CBS (Columbia) Records. Michael Steele had replaced Annette Zilinskas on bass. Steele began her music career as Micki Steele with The Runaways. ‘All Over the Place,' spawned the singles”Hero Takes a Fall,” and “Going Down to Liverpool” which featured Susanna's childhood neighbor and family friend Leonard Nimoy. The Bangles popularity escalated and was asked to join such acts as ‘Cyndi Lauper' and ‘Huey Lewis and the News' on tour.   Susanna Hoffs and The Bangles had captivated the attention of R&B/Pop/Funk/ music artist & songwriter ‘Prince.' Prince offered his penned single “Manic Monday” (1984) to The Bangles and the group promptly brought the tune into the recording studio. “Manic Monday” (1986) became The Bangles first big hit peaking at #2 on Billboards US Charts. Their second studio album ‘Different Light' (1986) produced by David Kahne peaked at #2 on the US Billboard Charts and is considered to be their most successful to date. Also in 1986, The Bangles opened for 'Queen' at Slane Castle, Ireland.   In 1987, “Walk like an Egyptian” won Best Video at the 15th Annual Music Awards and again at the 5th Annual American Video Awards. ‘Everything' (1988) The Bangles third studio album spawned the Top 5 Hit “In Your Room,” and their worldwide #1 single “Eternal Flame” penned by Susanna Hoffs, Billy Steinberg and Tom Kelly. The Bangles attained a well-deserved hiatus throughout the 90's but returned with rock and roll vengeance in 1999. They released their fourth studio album entitled ‘Doll Revolution' in 2003. Bassist Michael Steele officially left The Bangles in 2005 and the band decided to use guest bassists while on tour. The Bangles most recent album ‘Sweetheart of the Sun' was released in 2011. In January of 2014, The Bangles returned to the legendary Whisky A GO GO to celebrate the club's 50th anniversary. SUSANNA HOFFS: In 1991, Susanna released her debut solo album entitled ‘When You're a Boy' produced by David Kahne. The album spawned the Top 40 hit single “My Side of the Bed.” The release featured such musical luminaries as John Entwistle, Jim Keltner, and Donovan. In 1996, Susanna Hoffs released her second studio album entitled ‘Susanna Hoffs.' Based on a Saturday Night Live stint in the early 1990's, Hoffs performed in the band ‘Ming Tea' with … Mike Myers, Matthew Sweet, Christopher Ward and Stuart Johnson. The SNL skit morphed into a three comedy film series ... Austin Powers: International Man of Mystery (1997), Austin Powers: The Spy Who Shagged Me (1999), and Austin Powers in Goldmember (2002). Jay Roach, Susanna's husband directed the Austin Power series and ‘Ming Tea' performed in all three movies. In 2006, Susanna collaborated with alternative rocker Matthew Sweet under the name ‘Sid n Susie,' and released ‘Under the Covers' Volumes 1, 2 &3 featuring classic rock cover songs of the 60's,70's, and 80's. In 2012, Susanna released her critically-acclaimed studio album entitled ‘Someday.' Susanna's vocals are more radiant than ever. Hoffs collaborated with musical partner Andrew Brassell and producer Mitchell Froom on her best solo album to date. All the tracks are co-penned by Susanna Hoffs. Hoffs & Brassell continue to co-write music and hope to release a new album sometime in 2015. ‘Susanna Hoffs' performs at The Satellite in Los Angeles on July 18th with special guests Fred Armisen and Petra Haden. ‘The Bangles' kicked off their summer concert series on June 6th at The Coach House in San Juan Capistrano, California … click [Here] for a complete ‘Bangles' tour listing. Recently, I had the great pleasure of chatting with Susanna Hoffs of The Bangles and discussed … Her latest solo projects …Collaborating with Andrew Brassell … Producer Mitchell Froom … Early musical influences …The Bangles past & present … The inception of “Manic Monday,” “Eternal Flame,” “A Hazy Shade of Winter,” …and future plans as a solo artist & with ‘The Bangles.' PURCHASE THE ROCK STAR CHRONICLES Series one By RAY SHASHO Available At Bookbaby.com And amazon.com CHAPTER ONE SPOTLIGHTS INTERVIEWS WITH MANY OF THE MUSIC LEGENDS WHO ARE NO LONGER WITH US THE HARDCOVER EDITION IS A BONAFIDE COLLECTORS ITEM! …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   Support us on PayPal!

ROGER McGUINN LOST INTERVIEWS EPISODE 1 The Byrds become Roger McGuinn (lead guitars and vocals), Gene Clark (tambourine, vocals), David Crosby (rhythm guitars and vocals), Chris Hillman (bass guitar and vocals) and Michael Clarke (drums). Columbia Records signed The Byrds in 1965 and they recorded their first number one hit, a Bob Dylan penned song, “Mr. Tambourine Man.” The Byrds continued to score big commercially with their 1965 classic that was adapted from the book of Ecclesiastes in the Bible, “Turn! Turn! Turn!” “I'll Feel a Whole Lot Better,” was another huge hit for the group in 1965 featuring McGuinn's trademark jangling 12-string Rickenbacker. “Eight Miles High” was The Byrds 1966 Top 20 Psychedelic classic and “Mr. Spaceman” reached #36 on Billboard's Top 100, both were featured on their Fifth Dimension album.” Dylan's penned, “My Back Pages” released in 1967 #30 and “So You Want To Be A Rock ‘N' Roll Star,” also released in 1967 was a #29 Billboard Top 100 hit. Gene Clark left the band in 1966. David Crosby and Michael Clarke departed in late 1967. In 1968, Gram Parsons was hired and The Byrds recorded their critically acclaimed release, “Sweetheart of the Rodeo.” Later in 1968, Hillman and Parsons left. In 1969, The Byrds recorded “Ballad of Easy Rider” for a film starring Peter Fonda and Dennis Hopper. McGuinn also co-wrote, “Chestnut Mare” with Jacques Levy in 1969, a song intended to be featured in a musical inspired by Henrik Ibsen's Peer Gynt. McGuinn led several Byrds lineups until 1973 when the original quintet reunited and then disbanded after the release of their 12th and final album Byrds. Roger McGuinn rejoined Gene Clark and Chris Hillman in 1978 and recorded three successful albums for Capitol Records. In 1981, McGuinn returned to his folk roots and began to tour acoustically as a solo artist. McGuinn, Crosby and Hillman performed as The Byrds in 1989 and 1990 and recorded four new songs for their box set released in 1991. The Byrds were also inducted into the Rock and Roll Hall of Fame in 1991. PURCHASE THE ROCK STAR CHRONICLES Series one By RAY SHASHO Available At Bookbaby.com And amazon.com CHAPTER ONE SPOTLIGHTS INTERVIEWS WITH MANY OF THE MUSIC LEGENDS WHO ARE NO LONGER WITH US THE HARDCOVER EDITION IS A BONAFIDE COLLECTORS ITEM! …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com   Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know.   CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST WHERE HAVE ALL THE ROCK STARS GONE? Rock and Roll, the Blues, and Jazz are America's contribution to the arts, so why are we not fighting to preserve our own musical legacy and culture? Rooted from the early blues pioneers, the longevity of rock and roll is second to none. But strangely enough those legendary rock heroes that we were so accustomed to hearing every time we turned on our radios had mysteriously vanished from the mainstream. The music of the 1960's, 70's and even the 80's was an important juncture in all of our lives. So many of us timeline life's precious moments with the music we remember, when the music was so great, when the music mattered. The baby-boomer generation is financially imperative yet many of its entertainment standards have been renounced. One day, the plug was pulled on those legendary music artists. Hackers began stealing music across the internet. Online music stores popularized cheap digital singles and neglected to promote full-length albums. Radio stations changed formats to accommodate talk show radio jocks while rappers and electronic dance music menaced the airwaves. Notorious record companies began folding in droves. Record companies and radio stations that were once owned and operated by visionaries were now run by accountants and lawyers and the music world began promoting untalented wannabes. The economy plummeted, and radio stations became more concerned about how many consecutive commercials they could run instead of providing quality radio programming and entertainment value. Radio stations became corporate machines leaving no room for innovation. Throughout the 2000s, recording studios and live performances began using an audio processor called "Auto-Tune" to disguise off-key inaccuracies in vocal tracks. The device allowed virtually anyone without music skills to become a singer and new waves of mainstream radio stars were instantly fabricated. The business of music became stronger and more important than the art of music. For more than a decade, I've been on a rock and roll pilgrimage to help promote and save the greatest music the world has ever known. Before the internet and Napster, virtuoso musicians traditionally introduced their music by way of mainstream radio stations while anxious music enthusiasts hurried to their favorite record stores and purchased a copy of the artist's latest release. Talk radio wasn't popular because there was way too much great music to play over the airwaves. Advertisers didn't rule the airwaves, the music did. Rock legends toured the world to promote their latest albums and prices of concert tickets were extremely affordable. Proficient musicians, singers, and songwriters are what made the music so great. Support us on PayPal!

"Marijuana Magic: Enhancing Exercise and Easing PainLarry Mishkin discusses the debut of the song "Sugaree" by the Grateful Dead, sharing interesting facts about its origins and performance history. Additionally, he presents three stories from Marijuana Moment, highlighting how medical marijuana is linked to reduced pain and lower opioid dependency in chronic pain patients, enhances the runner's high and reduces pain during exercise, and improves the quality of life for military veterans while reducing their prescription drug use. Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  July 31, 1971: Astronauts Drive on the Moon1971: Apollo 15 astronauts David Scott and James Irwin drive the Lunar Roving Vehicle on the surface of the moon. It's the first off-planet automobile ride. Rumor has it that sometime during the show, Jerry stopped playing, pointed to the moon, and said, “just think, right now there are men sleeping on THAT” Confession, I listened to almost the entire show and was not able to locate that moment so I cannot confirm Jerry said it, but it sounds like something he might say and either way is just another cool Dead story to pass along. INTRO:                Sugaree                           Track No. 3                           Start – 1:14                            Sugaree" is a song with lyrics by long-time Grateful Dead lyricist Robert Hunter and music by guitaristJerry Garcia.[1] It was written for Jerry Garcia's first solo album Garcia, which was released in January 1972. As with the songs on the rest of the album, Garcia plays every instrument himself except drums, played by Bill Kreutzmann, including acoustic guitar, bass guitar, and an electric guitar played through a Leslie speaker. Released as a single from the Garcia album, "Sugaree" peaked at #94 on the Billboard Hot 100 in April 1972 and was Garcia's only single ever on that chart.[2]The song was first performed live by the Grateful Dead on July 31, 1971, at the Yale Bowl at Yale University,Even though it was on Jerry's solo album, it was clearly a Dead song from the start and here it is debuted by the Dead six months before the Garcia album's release. Maybe not the best version ever, but it is the first. Ultimately played 361 times by the Dead. Last played on July 8, 1995, the penultimate Dead show Always one of good buddy Mikey's favorite Dead songs, “What's shaking Sugaree?”.  Shout out to Mikey, Alex, Andy, Lynn, Harold who just saw Tedeschi Truck this past weekend at Red Rocks.  My wife and I had to miss it this year, but I know they all rocked out.  And, they were joined by Lori and Monte, more good Chicago friends, and Lori was part of the group at the Joanie Jam with Judy and Andy.  So lots of great musical cross relationships developing all the time.  THAT IS WHY WE GO TO SHOWS!   SHOW #1:                   Mr. Charlie                                    Track No. 4                                    Start – 1:15             This is also the breakout version of this song.  It was played a total of 50 times after its debut on 7/31/71 in New Haven, the same show at which Sugaree debuted. It was played at all 22 shows of the Europe '72 tour, including its last performance on May 26, 1972 at the Lyceum Ballroom in London, the last show of that famous tour. Lyrics by Robert Hunter, music by Pigpen.  It was Pig's song and as his time in the band dwindled, so did some of his tunes.  No post-Pig resurrection of the song by the band.Never released on a studio album, there are rumors of a planned album following Workingman's and American Beauty that would have included this song as well as Bertha, He's Gone, Loser, Brown Eyed Women, Ramble on Rose, Tennessee Jed, The Stranger (Two Souls in Communion), etc.  Might have even been enough tunes for a double album. Story is that the Dead abandoned it when they decided to get out of their Warner Bros. record deal. SHOW #2:          Hard to Handle                             Track No. 12                             Start – 1:06           "Hard to Handle" is a 1968 song written by American soul singer Otis Redding along with Al Bell and Allen Jones. Originally recorded by Redding, it was released in 1968 as the B-side to "Amen" (shortly after the singer's sudden death in 1967). The song also appears on the 1968 album The Immortal Otis Redding. Redding's version reached number 38 on the Billboard R&B chart and number 51 on the pop chart.[1]American rock band the Black Crowes covered the song for their 1990 debut album, Shake Your Money Maker, reaching number 26 on the Billboard Hot 100 with their rendition.Hard To Handle was performed by the Grateful Dead about 90 times between March 15, 1969 at the Black and White Ball, opened the show with it (The ball is the Bay Area's largest black-tie street party and a tradition since 1956 - a night for high society and just plain folks to mingle in gowns and tuxedoes around Civic Center Plaza to listen to music. ) and August 1971. It was subsequently performed only twice, on December 30 and 31, 1982, with Etta James taking the vocals and support from the Tower of Power horns.Another fun Pig lead that, like most of his other songs, died with him. SHOW #3:                  Sugar Magnolia                                    Track No. 24                                    3:10 – 4:23Still relatively new in the Dead's repertoire, I like the musical jam in this version and so does the crowd. We all know the lyrics but it is this kind of jamming that made this a Dead standard and favorite among Deadheads.  This version is still early enough that it appears in the middle of the second set, not yet having moved to its almost always spot as a second set closer.  Always sad when they get to the obvious set closer, but when it was Sugar Mag we all felt a lot better.   Notes from Deadheads mentioned this as one of the highlights of the show. SHOW #4:                  Darkness Jam                                    Track No. 28                                    0:56 – 2:06the 'Darkness' jam from the 1969 Youngbloods song, Darkness, Darkness which was done a few times in 1970; the most well-known version is in the 9/19/70 Not Fade Away where it's very clear. (They also do the China Cat riff in that NFA, which they did frequently (and at greater length) in the fall of 1971.). Played 4 times by the Dead in concert.  This is the LAST one. Darkness Darkness - Darkness, Darkness" is a song written by Jesse Colin Young in 1969, which has been covered by many artists. Young's band The Youngbloods released a version on their 1969 album Elephant Mountain. They released a version of the song as a single twice: in 1969, which reached #124 on the Billboard chart,[1] and in 1970, which reached #86 on the chart.[2] One of the various themed jams played by the Dead in their early years also including:Feelin' Groovy Jam - is basically four chords based on the 1966 Simon & Garfunkel song, and was frequently done in Dark Stars from '69-'72.Tighten Up Jam - The Tighten Up jam was a very common Latin-style jam theme in 1970. It's often called a proto-Eyes jam since Weir plays two repeating jazzy chords that are rhythmically similar to the opening of Eyes of the World; but they were commonly thought to be from Archie Bell & the Drells' 1968 tune.Mind Left Body Jam:      The Mind Left Body jam originated in the Planet Earth Rock n Roll Orchestra (PERRO) sessions (The Planet Earth Rock and Roll Orchestra (PERRO) is a nickname given to some artists who recorded together in the early 1970s.[1] They were predominantly members of Jefferson Airplane, the Grateful Dead, Quicksilver Messenger Service, and Crosby, Stills, Nash & Young .[2] ), where we can hear an early, faster version of the four descending chords. Paul Kantner took this riff for his 1973 song 'Your Mind Has Left Your Body,' which Garcia played pedal steel on. Garcia in turn adapted it into a Grateful Dead theme, which first showed up on occasion in '72, but started regularly entering the jams in fall '73. It added a transcendental feeling to many shows up through '74Spanish Jam:       Weir based the Spanish Jam on the song 'Solea' on Miles Davis' album Sketches of Spain, sometime in late '67 when the Dead started recording Anthem of the Sun. As it was, a little bit of the Spanish Jam actually got on the album, in the form of a short Davis-flavored trumpet break from Phil in the middle of Born Cross-Eyed (after the verse, "Think I'll come back here again, every now and then, from time to time"). For a moment, it seems like Garcia and the band are about to break into the Spanish Jam, but they quickly cut back to the song.... OUTRO:       Uncle John's Band                        Track No. 30                        1:28 – 2:44             An early version of an all time classic.  Already a crowd favorite, clapping, sing along.  Can't go wrong with an Uncle John's Band at the end of a show – actually closed out with Johnny B. Goode – no encore.  Other great stories of this show at Yale, runs in with the cops, gate crashers, gallons of electric Kool Aid at the gates.  Just another typical Dead show, but at one of the country's most prestigious schools.  Even the Ivies loved the Dead.      Still working on stories John Mayer says goodbye:            “These tours with @deadandcompany exist on an almost otherworldly plane – everyone, on stage and in the crowd, meets up in this shared dream, and on the last night, after the final note is struck, we leave it all on the stage. We bow, we hug, we share our love for one another and then… we disappear. I fly through the dead of night and wake up at home, where my ears ring, my heart sings, and I'm left with this mix of fatigue, joy, accomplishment, and deep appreciation for what I was able to be a part of,” Mayer shared. “I can feel the connected, collective experience of thousands of others who wake up feeling the same. I'll never get over the profound beauty and uniqueness of this, and we'll never in our lifetime see the likes of @bobweir@mickeyhart and @billkreutzmann, playing beyond all perceived limitations and expectations. It's nothing short of remarkable. Thank you one and all for allowing me a seat on this transcendent ride. ”     “Dead & Company is still a band – we just don't know what the next show will be,” Mayer wrote on social media. “I speak for us all when I say that I look forward to being shown the next shaft of light… I know we will all move towards it together.”

Pat pays tribute to Lance Reddick who has passed away, takes your calls, Tap n Talks, we pay tribute to the late Paul Kantner from Jefferson Airplane who had a Birthday today, listener Tim calls after seeing some fire balls in the sky… Happy Birthday to the late Nat King Cole..

Sometime around 2016, I got the sense that we were entering into a new era of rock history: a period when the musicians we loved and admired began to die... Listen, there had been many deaths before then, but they seemed reasonably few and far between...but 2016 seems to have been the year—for me, anyone—when I realized that many of our most beloved musicians were getting older and starting to die off... That one year alone we lost David Bowie, Glen Frey of The Eagles, Prince, Leonard Cohen, and George Michael....we lost both Keith Emerson and Greg Lake of the prog band Emerson, Lake, and Palmer...Paul Kantner of Jefferson Starship...Maurice white of Earth, Wind, and Fire...Beatles producer George Martin...and that's only a partial list... In 2017, it was Gord Downie, Tom Petty, Gregg Allman, Chris Cornell, ac/dc's Malcolm Young, Walter Becker of Steely Dan, and Chuck Berry, among others.... The following year, we lost Dolores O'Riordan of The Cranberries, Mark E. Smith of the fall, Avicii, Aretha Franklin, and Pete Shelley of The Buzzcocks. Then in 2019, Keith Flint of The Prodigy, Mark Hollis of Talk Talk,  Ranking Roger of The English Beat and General Public, Ric Ocasek of The Cars, drumming legend Ginger Baker...I could go on, but you get the idea... The one thing that binds all humans on this planet together is that some day, we're all gonna shuffle off into the great beyond... No one is getting any younger...and over the next decade, we're going to lose some of the personalities who have always been with there for us over the last 30, 40, 50, or even 60 years... With that grim reality in mind, I think the time has come for an annual look back for those whom we've lost in the last 12 months as a way to recognize their contributions to the world of music...this is 2022 in memoriam... Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode one hundred and fifty-eight of A History of Rock Music in Five Hundred Songs looks at “White Rabbit”, Jefferson Airplane, and the rise of the San Francisco sound. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-three-minute bonus episode available, on "Omaha" by Moby Grape. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum I refer to Back to Methuselah by Robert Heinlein. This is of course a play by George Bernard Shaw. What I meant to say was Methuselah's Children. Resources I hope to upload a Mixcloud tomorrow, and will edit it in, but have had some problems with the site today. Jefferson Airplane's first four studio albums, plus a 1968 live album, can be found in this box set. I've referred to three main books here. Got a Revolution!: The Turbulent Flight of Jefferson Airplane by Jeff Tamarkin is written with the co-operation of the band members, but still finds room to criticise them. Jefferson Airplane On Track by Richard Molesworth is a song-by-song guide to the band's music. And Been So Long: My Life and Music by Jorma Kaukonen is Kaukonen's autobiography. Some information on Skip Spence and Matthew Katz also comes from What's Big and Purple and Lives in the Ocean?: The Moby Grape Story, by Cam Cobb, which I also used for this week's bonus. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, I need to confess an important and hugely embarrassing error in this episode. I've only ever seen Marty Balin's name written down, never heard it spoken, and only after recording the episode, during the editing process, did I discover I mispronounce it throughout. It's usually an advantage for the podcast that I get my information from books rather than TV documentaries and the like, because they contain far more information, but occasionally it causes problems like that. My apologies. Also a brief note that this episode contains some mentions of racism, antisemitism, drug and alcohol abuse, and gun violence. One of the themes we've looked at in recent episodes is the way the centre of the musical world -- at least the musical world as it was regarded by the people who thought of themselves as hip in the mid-sixties -- was changing in 1967. Up to this point, for a few years there had been two clear centres of the rock and pop music worlds. In the UK, there was London, and any British band who meant anything had to base themselves there. And in the US, at some point around 1963, the centre of the music industry had moved West. Up to then it had largely been based in New York, and there was still a thriving industry there as of the mid sixties. But increasingly the records that mattered, that everyone in the country had been listening to, had come out of LA Soul music was, of course, still coming primarily from Detroit and from the Country-Soul triangle in Tennessee and Alabama, but when it came to the new brand of electric-guitar rock that was taking over the airwaves, LA was, up until the first few months of 1967, the only city that was competing with London, and was the place to be. But as we heard in the episode on "San Francisco", with the Monterey Pop Festival all that started to change. While the business part of the music business remained centred in LA, and would largely remain so, LA was no longer the hip place to be. Almost overnight, jangly guitars, harmonies, and Brian Jones hairstyles were out, and feedback, extended solos, and droopy moustaches were in. The place to be was no longer LA, but a few hundred miles North, in San Francisco -- something that the LA bands were not all entirely happy about: [Excerpt: The Mothers of Invention, "Who Needs the Peace Corps?"] In truth, the San Francisco music scene, unlike many of the scenes we've looked at so far in this series, had rather a limited impact on the wider world of music. Bands like Jefferson Airplane, the Grateful Dead, and Big Brother and the Holding Company were all both massively commercially successful and highly regarded by critics, but unlike many of the other bands we've looked at before and will look at in future, they didn't have much of an influence on the bands that would come after them, musically at least. Possibly this is because the music from the San Francisco scene was always primarily that -- music created by and for a specific group of people, and inextricable from its context. The San Francisco musicians were defining themselves by their geographical location, their peers, and the situation they were in, and their music was so specifically of the place and time that to attempt to copy it outside of that context would appear ridiculous, so while many of those bands remain much loved to this day, and many made some great music, it's very hard to point to ways in which that music influenced later bands. But what they did influence was the whole of rock music culture. For at least the next thirty years, and arguably to this day, the parameters in which rock musicians worked if they wanted to be taken seriously – their aesthetic and political ideals, their methods of collaboration, the cultural norms around drug use and sexual promiscuity, ideas of artistic freedom and authenticity, the choice of acceptable instruments – in short, what it meant to be a rock musician rather than a pop, jazz, country, or soul artist – all those things were defined by the cultural and behavioural norms of the San Francisco scene between about 1966 and 68. Without the San Francisco scene there's no Woodstock, no Rolling Stone magazine, no Rock and Roll Hall of Fame, no hippies, no groupies, no rock stars. So over the next few months we're going to take several trips to the Bay Area, and look at the bands which, for a brief time, defined the counterculture in America. The story of Jefferson Airplane -- and unlike other bands we've looked at recently, like The Pink Floyd and The Buffalo Springfield, they never had a definite article at the start of their name to wither away like a vestigial organ in subsequent years -- starts with Marty Balin. Balin was born in Ohio, but was a relatively sickly child -- he later talked about being autistic, and seems to have had the chronic illnesses that so often go with neurodivergence -- so in the hope that the dry air would be good for his chest his family moved to Arizona. Then when his father couldn't find work there, they moved further west to San Francisco, in the Haight-Ashbury area, long before that area became the byword for the hippie movement. But it was in LA that he started his music career, and got his surname. Balin had been named Marty Buchwald as a kid, but when he was nineteen he had accompanied a friend to LA to visit a music publisher, and had ended up singing backing vocals on her demos. While he was there, he had encountered the arranger Jimmy Haskell. Haskell was on his way to becoming one of the most prominent arrangers in the music industry, and in his long career he would go on to do arrangements for Bobby Gentry, Blondie, Steely Dan, Simon and Garfunkel, and many others. But at the time he was best known for his work on Ricky Nelson's hits: [Excerpt: Ricky Nelson, "Hello Mary Lou"] Haskell thought that Marty had the makings of a Ricky Nelson style star, as he was a good-looking young man with a decent voice, and he became a mentor for the young man. Making the kind of records that Haskell arranged was expensive, and so Haskell suggested a deal to him -- if Marty's father would pay for studio time and musicians, Haskell would make a record with him and find him a label to put it out. Marty's father did indeed pay for the studio time and the musicians -- some of the finest working in LA at the time. The record, released under the name Marty Balin, featured Jack Nitzsche on keyboards, Earl Palmer on drums, Milt Jackson on vibraphone, Red Callender on bass, and Glen Campbell and Barney Kessell on guitars, and came out on Challenge Records, a label owned by Gene Autry: [Excerpt: Marty Balin, "Nobody But You"] Neither that, nor Balin's follow-up single, sold a noticeable amount of copies, and his career as a teen idol was over before it had begun. Instead, as many musicians of his age did, he decided to get into folk music, joining a vocal harmony group called the Town Criers, who patterned themselves after the Weavers, and performed the same kind of material that every other clean-cut folk vocal group was performing at the time -- the kind of songs that John Phillips and Steve Stills and Cass Elliot and Van Dyke Parks and the rest were all performing in their own groups at the same time. The Town Criers never made any records while they were together, but some archival recordings of them have been released over the decades: [Excerpt: The Town Criers, "900 Miles"] The Town Criers split up, and Balin started performing as a solo folkie again. But like all those other then-folk musicians, Balin realised that he had to adapt to the K/T-event level folk music extinction that happened when the Beatles hit America like a meteorite. He had to form a folk-rock group if he wanted to survive -- and given that there were no venues for such a group to play in San Francisco, he also had to start a nightclub for them to play in. He started hanging around the hootenannies in the area, looking for musicians who might form an electric band. The first person he decided on was a performer called Paul Kantner, mainly because he liked his attitude. Kantner had got on stage in front of a particularly drunk, loud, crowd, and performed precisely half a song before deciding he wasn't going to perform in front of people like that and walking off stage. Kantner was the only member of the new group to be a San Franciscan -- he'd been born and brought up in the city. He'd got into folk music at university, where he'd also met a guitar player named Jorma Kaukonen, who had turned him on to cannabis, and the two had started giving music lessons at a music shop in San Jose. There Kantner had also been responsible for booking acts at a local folk club, where he'd first encountered acts like Mother McCree's Uptown Jug Champions, a jug band which included Jerry Garcia, Pigpen McKernan, and Bob Weir, who would later go on to be the core members of the Grateful Dead: [Excerpt: Mother McCree's Uptown Jug Champions, "In the Jailhouse Now"] Kantner had moved around a bit between Northern and Southern California, and had been friendly with two other musicians on the Californian folk scene, David Crosby and Roger McGuinn. When their new group, the Byrds, suddenly became huge, Kantner became aware of the possibility of doing something similar himself, and so when Marty Balin approached him to form a band, he agreed. On bass, they got in a musician called Bob Harvey, who actually played double bass rather than electric, and who stuck to that for the first few gigs the group played -- he had previously been in a band called the Slippery Rock String Band. On drums, they brought in Jerry Peloquin, who had formerly worked for the police, but now had a day job as an optician. And on vocals, they brought in Signe Toley -- who would soon marry and change her name to Signe Anderson, so that's how I'll talk about her to avoid confusion. The group also needed a lead guitarist though -- both Balin and Kantner were decent rhythm players and singers, but they needed someone who was a better instrumentalist. They decided to ask Kantner's old friend Jorma Kaukonen. Kaukonen was someone who was seriously into what would now be called Americana or roots music. He'd started playing the guitar as a teenager, not like most people of his generation inspired by Elvis or Buddy Holly, but rather after a friend of his had shown him how to play an old Carter Family song, "Jimmy Brown the Newsboy": [Excerpt: The Carter Family, "Jimmy Brown the Newsboy"] Kaukonen had had a far more interesting life than most of the rest of the group. His father had worked for the State Department -- and there's some suggestion he'd worked for the CIA -- and the family had travelled all over the world, staying in Pakistan, the Philippines, and Finland. For most of his childhood, he'd gone by the name Jerry, because other kids beat him up for having a foreign name and called him a Nazi, but by the time he turned twenty he was happy enough using his birth name. Kaukonen wasn't completely immune to the appeal of rock and roll -- he'd formed a rock band, The Triumphs, with his friend Jack Casady when he was a teenager, and he loved Ricky Nelson's records -- but his fate as a folkie had been pretty much sealed when he went to Antioch College. There he met up with a blues guitarist called Ian Buchanan. Buchanan never had much of a career as a professional, but he had supposedly spent nine years studying with the blues and ragtime guitar legend Rev. Gary Davis, and he was certainly a fine guitarist, as can be heard on his contribution to The Blues Project, the album Elektra put out of white Greenwich Village musicians like John Sebastian and Dave Van Ronk playing old blues songs: [Excerpt: Ian Buchanan, "The Winding Boy"] Kaukonen became something of a disciple of Buchanan -- he said later that Buchanan probably taught him how to play because he was such a terrible player and Buchanan couldn't stand to listen to it -- as did John Hammond Jr, another student at Antioch at the same time. After studying at Antioch, Kaukonen started to travel around, including spells in Greenwich Village and in the Philippines, before settling in Santa Clara, where he studied for a sociology degree and became part of a social circle that included Dino Valenti, Jerry Garcia, and Billy Roberts, the credited writer of "Hey Joe". He also started performing as a duo with a singer called Janis Joplin. Various of their recordings from this period circulate, mostly recorded at Kaukonen's home with the sound of his wife typing in the background while the duo rehearse, as on this performance of an old Bessie Smith song: [Excerpt: Jorma Kaukonen and Janis Joplin, "Nobody Loves You When You're Down and Out"] By 1965 Kaukonen saw himself firmly as a folk-blues purist, who would not even think of playing rock and roll music, which he viewed with more than a little contempt. But he allowed himself to be brought along to audition for the new group, and Ken Kesey happened to be there. Kesey was a novelist who had written two best-selling books, One Flew Over The Cuckoo's Nest and Sometimes A Great Notion, and used the financial independence that gave him to organise a group of friends who called themselves the Merry Pranksters, who drove from coast to coast and back again in a psychedelic-painted bus, before starting a series of events that became known as Acid Tests, parties at which everyone was on LSD, immortalised in Tom Wolfe's book The Electric Kool-Aid Acid Test. Nobody has ever said why Kesey was there, but he had brought along an Echoplex, a reverb unit one could put a guitar through -- and nobody has explained why Kesey, who wasn't a musician, had an Echoplex to hand. But Kaukonen loved the sound that he could get by putting his guitar through the device, and so for that reason more than any other he decided to become an electric player and join the band, going out and buying a Rickenbacker twelve-string and Vox Treble Booster because that was what Roger McGuinn used. He would later also get a Guild Thunderbird six-string guitar and a Standel Super Imperial amp, following the same principle of buying the equipment used by other guitarists he liked, as they were what Zal Yanovsky of the Lovin' Spoonful used. He would use them for all his six-string playing for the next couple of years, only later to discover that the Lovin' Spoonful despised them and only used them because they had an endorsement deal with the manufacturers. Kaukonen was also the one who came up with the new group's name. He and his friends had a running joke where they had "Bluesman names", things like "Blind Outrage" and "Little Sun Goldfarb". Kaukonen's bluesman name, given to him by his friend Steve Talbot, had been Blind Thomas Jefferson Airplane, a reference to the 1920s blues guitarist Blind Lemon Jefferson: [Excerpt: Blind Lemon Jefferson, "Match Box Blues"] At the band meeting where they were trying to decide on a name, Kaukonen got frustrated at the ridiculous suggestions that were being made, and said "You want a stupid name? Howzabout this... Jefferson Airplane?" He said in his autobiography "It was one of those rare moments when everyone in the band agreed, and that was that. I think it was the only band meeting that ever allowed me to come away smiling." The newly-named Jefferson Airplane started to rehearse at the Matrix Club, the club that Balin had decided to open. This was run with three sound engineer friends, who put in the seed capital for the club. Balin had stock options in the club, which he got by trading a share of the band's future earnings to his partners, though as the group became bigger he eventually sold his stock in the club back to his business partners. Before their first public performance, they started working with a manager, Matthew Katz, mostly because Katz had access to a recording of a then-unreleased Bob Dylan song, "Lay Down Your Weary Tune": [Excerpt: Bob Dylan, "Lay Down Your Weary Tune"] The group knew that the best way for a folk-rock band to make a name for themselves was to perform a Dylan song nobody else had yet heard, and so they agreed to be managed by Katz. Katz started a pre-publicity blitz, giving out posters, badges, and bumper stickers saying "Jefferson Airplane Loves You" all over San Francisco -- and insisting that none of the band members were allowed to say "Hello" when they answered the phone any more, they had to say "Jefferson Airplane Loves You!" For their early rehearsals and gigs, they were performing almost entirely cover versions of blues and folk songs, things like Fred Neil's "The Other Side of This Life" and Dino Valenti's "Get Together" which were the common currency of the early folk-rock movement, and songs by their friends, like one called "Flower Bomb" by David Crosby, which Crosby now denies ever having written. They did start writing the odd song, but at this point they were more focused on performance than on writing. They also hired a press agent, their friend Bill Thompson. Thompson was friends with the two main music writers at the San Francisco Chronicle, Ralph Gleason, the famous jazz critic, who had recently started also reviewing rock music, and John Wasserman. Thompson got both men to come to the opening night of the Matrix, and both gave the group glowing reviews in the Chronicle. Record labels started sniffing around the group immediately as a result of this coverage, and according to Katz he managed to get a bidding war started by making sure that when A&R men came to the club there were always two of them from different labels, so they would see the other person and realise they weren't the only ones interested. But before signing a record deal they needed to make some personnel changes. The first member to go was Jerry Peloquin, for both musical and personal reasons. Peloquin was used to keeping strict time and the other musicians had a more free-flowing idea of what tempo they should be playing at, but also he had worked for the police while the other members were all taking tons of illegal drugs. The final break with Peloquin came when he did the rest of the group a favour -- Paul Kantner's glasses broke during a rehearsal, and as Peloquin was an optician he offered to take them back to his shop and fix them. When he got back, he found them auditioning replacements for him. He beat Kantner up, and that was the end of Jerry Peloquin in Jefferson Airplane. His replacement was Skip Spence, who the group had met when he had accompanied three friends to the Matrix, which they were using as a rehearsal room. Spence's friends went on to be the core members of Quicksilver Messenger Service along with Dino Valenti: [Excerpt: Quicksilver Messenger Service, "Dino's Song"] But Balin decided that Spence looked like a rock star, and told him that he was now Jefferson Airplane's drummer, despite Spence being a guitarist and singer, not a drummer. But Spence was game, and learned to play the drums. Next they needed to get rid of Bob Harvey. According to Harvey, the decision to sack him came after David Crosby saw the band rehearsing and said "Nice song, but get rid of the bass player" (along with an expletive before the word bass which I can't say without incurring the wrath of Apple). Crosby denies ever having said this. Harvey had started out in the group on double bass, but to show willing he'd switched in his last few gigs to playing an electric bass. When he was sacked by the group, he returned to double bass, and to the Slippery Rock String Band, who released one single in 1967: [Excerpt: The Slippery Rock String Band, "Tule Fog"] Harvey's replacement was Kaukonen's old friend Jack Casady, who Kaukonen knew was now playing bass, though he'd only ever heard him playing guitar when they'd played together. Casady was rather cautious about joining a rock band, but then Kaukonen told him that the band were getting fifty dollars a week salary each from Katz, and Casady flew over from Washington DC to San Francisco to join the band. For the first few gigs, he used Bob Harvey's bass, which Harvey was good enough to lend him despite having been sacked from the band. Unfortunately, right from the start Casady and Kantner didn't get on. When Casady flew in from Washington, he had a much more clean-cut appearance than the rest of the band -- one they've described as being nerdy, with short, slicked-back, side-parted hair and a handlebar moustache. Kantner insisted that Casady shave the moustache off, and he responded by shaving only one side, so in profile on one side he looked clean-shaven, while from the other side he looked like he had a full moustache. Kantner also didn't like Casady's general attitude, or his playing style, at all -- though most critics since this point have pointed to Casady's bass playing as being the most interesting and distinctive thing about Jefferson Airplane's style. This lineup seems to have been the one that travelled to LA to audition for various record companies -- a move that immediately brought the group a certain amount of criticism for selling out, both for auditioning for record companies and for going to LA at all, two things that were already anathema on the San Francisco scene. The only audition anyone remembers them having specifically is one for Phil Spector, who according to Kaukonen was waving a gun around during the audition, so he and Casady walked out. Around this time as well, the group performed at an event billed as "A Tribute to Dr. Strange", organised by the radical hippie collective Family Dog. Marvel Comics, rather than being the multi-billion-dollar Disney-owned corporate juggernaut it is now, was regarded as a hip, almost underground, company -- and around this time they briefly started billing their comics not as comics but as "Marvel Pop Art Productions". The magical adventures of Dr. Strange, Master of the Mystic Arts, and in particular the art by far-right libertarian artist Steve Ditko, were regarded as clear parallels to both the occult dabblings and hallucinogen use popular among the hippies, though Ditko had no time for either, following as he did an extreme version of Ayn Rand's Objectivism. It was at the Tribute to Dr. Strange that Jefferson Airplane performed for the first time with a band named The Great Society, whose lead singer, Grace Slick, would later become very important in Jefferson Airplane's story: [Excerpt: The Great Society, "Someone to Love"] That gig was also the first one where the band and their friends noticed that large chunks of the audience were now dressing up in costumes that were reminiscent of the Old West. Up to this point, while Katz had been managing the group and paying them fifty dollars a week even on weeks when they didn't perform, he'd been doing so without a formal contract, in part because the group didn't trust him much. But now they were starting to get interest from record labels, and in particular RCA Records desperately wanted them. While RCA had been the label who had signed Elvis Presley, they had otherwise largely ignored rock and roll, considering that since they had the biggest rock star in the world they didn't need other ones, and concentrating largely on middle-of-the-road acts. But by the mid-sixties Elvis' star had faded somewhat, and they were desperate to get some of the action for the new music -- and unlike the other major American labels, they didn't have a reciprocal arrangement with a British label that allowed them to release anything by any of the new British stars. The group were introduced to RCA by Rod McKuen, a songwriter and poet who later became America's best-selling poet and wrote songs that sold over a hundred million copies. At this point McKuen was in his Jacques Brel phase, recording loose translations of the Belgian songwriter's songs with McKuen translating the lyrics: [Excerpt: Rod McKuen, "Seasons in the Sun"] McKuen thought that Jefferson Airplane might be a useful market for his own songs, and brought the group to RCA. RCA offered Jefferson Airplane twenty-five thousand dollars to sign with them, and Katz convinced the group that RCA wouldn't give them this money without them having signed a management contract with him. Kaukonen, Kantner, Spence, and Balin all signed without much hesitation, but Jack Casady didn't yet sign, as he was the new boy and nobody knew if he was going to be in the band for the long haul. The other person who refused to sign was Signe Anderson. In her case, she had a much better reason for refusing to sign, as unlike the rest of the band she had actually read the contract, and she found it to be extremely worrying. She did eventually back down on the day of the group's first recording session, but she later had the contract renegotiated. Jack Casady also signed the contract right at the start of the first session -- or at least, he thought he'd signed the contract then. He certainly signed *something*, without having read it. But much later, during a court case involving the band's longstanding legal disputes with Katz, it was revealed that the signature on the contract wasn't Casady's, and was badly forged. What he actually *did* sign that day has never been revealed, to him or to anyone else. Katz also signed all the group as songwriters to his own publishing company, telling them that they legally needed to sign with him if they wanted to make records, and also claimed to RCA that he had power of attorney for the band, which they say they never gave him -- though to be fair to Katz, given the band members' habit of signing things without reading or understanding them, it doesn't seem beyond the realms of possibility that they did. The producer chosen for the group's first album was Tommy Oliver, a friend of Katz's who had previously been an arranger on some of Doris Day's records, and whose next major act after finishing the Jefferson Airplane album was Trombones Unlimited, who released records like "Holiday for Trombones": [Excerpt: Trombones Unlimited, "Holiday For Trombones"] The group weren't particularly thrilled with this choice, but were happier with their engineer, Dave Hassinger, who had worked on records like "Satisfaction" by the Rolling Stones, and had a far better understanding of the kind of music the group were making. They spent about three months recording their first album, even while continually being attacked as sellouts. The album is not considered their best work, though it does contain "Blues From an Airplane", a collaboration between Spence and Balin: [Excerpt: Jefferson Airplane, "Blues From an Airplane"] Even before the album came out, though, things were starting to change for the group. Firstly, they started playing bigger venues -- their home base went from being the Matrix club to the Fillmore, a large auditorium run by the promoter Bill Graham. They also started to get an international reputation. The British singer-songwriter Donovan released a track called "The Fat Angel" which namechecked the group: [Excerpt: Donovan, "The Fat Angel"] The group also needed a new drummer. Skip Spence decided to go on holiday to Mexico without telling the rest of the band. There had already been some friction with Spence, as he was very eager to become a guitarist and songwriter, and the band already had three songwriting guitarists and didn't really see why they needed a fourth. They sacked Spence, who went on to form Moby Grape, who were also managed by Katz: [Excerpt: Moby Grape, "Omaha"] For his replacement they brought in Spencer Dryden, who was a Hollywood brat like their friend David Crosby -- in Dryden's case he was Charlie Chaplin's nephew, and his father worked as Chaplin's assistant. The story normally goes that the great session drummer Earl Palmer recommended Dryden to the group, but it's also the case that Dryden had been in a band, the Heartbeats, with Tommy Oliver and the great blues guitarist Roy Buchanan, so it may well be that Oliver had recommended him. Dryden had been primarily a jazz musician, playing with people like the West Coast jazz legend Charles Lloyd, though like most jazzers he would slum it on occasion by playing rock and roll music to pay the bills. But then he'd seen an early performance by the Mothers of Invention, and realised that rock music could have a serious artistic purpose too. He'd joined a band called The Ashes, who had released one single, the Jackie DeShannon song "Is There Anything I Can Do?" in December 1965: [Excerpt: The Ashes, "Is There Anything I Can Do?"] The Ashes split up once Dryden left the group to join Jefferson Airplane, but they soon reformed without him as The Peanut Butter Conspiracy, who hooked up with Gary Usher and released several albums of psychedelic sunshine pop. Dryden played his first gig with the group at a Republican Party event on June the sixth, 1966. But by the time Dryden had joined, other problems had become apparent. The group were already feeling like it had been a big mistake to accede to Katz's demands to sign a formal contract with him, and Balin in particular was getting annoyed that he wouldn't let the band see their finances. All the money was getting paid to Katz, who then doled out money to the band when they asked for it, and they had no idea if he was actually paying them what they were owed or not. The group's first album, Jefferson Airplane Takes Off, finally came out in September, and it was a comparative flop. It sold well in San Francisco itself, selling around ten thousand copies in the area, but sold basically nothing anywhere else in the country -- the group's local reputation hadn't extended outside their own immediate scene. It didn't help that the album was pulled and reissued, as RCA censored the initial version of the album because of objections to the lyrics. The song "Runnin' Round This World" was pulled off the album altogether for containing the word "trips", while in "Let Me In" they had to rerecord two lines -- “I gotta get in, you know where" was altered to "You shut the door now it ain't fair" and "Don't tell me you want money" became "Don't tell me it's so funny". Similarly in "Run Around" the phrase "as you lay under me" became "as you stay here by me". Things were also becoming difficult for Anderson. She had had a baby in May and was not only unhappy with having to tour while she had a small child, she was also the band member who was most vocally opposed to Katz. Added to that, her husband did not get on well at all with the group, and she felt trapped between her marriage and her bandmates. Reports differ as to whether she quit the band or was fired, but after a disastrous appearance at the Monterey Jazz Festival, one way or another she was out of the band. Her replacement was already waiting in the wings. Grace Slick, the lead singer of the Great Society, had been inspired by going to one of the early Jefferson Airplane gigs. She later said "I went to see Jefferson Airplane at the Matrix, and they were making more money in a day than I made in a week. They only worked for two or three hours a night, and they got to hang out. I thought 'This looks a lot better than what I'm doing.' I knew I could more or less carry a tune, and I figured if they could do it I could." She was married at the time to a film student named Jerry Slick, and indeed she had done the music for his final project at film school, a film called "Everybody Hits Their Brother Once", which sadly I can't find online. She was also having an affair with Jerry's brother Darby, though as the Slicks were in an open marriage this wasn't particularly untoward. The three of them, with a couple of other musicians, had formed The Great Society, named as a joke about President Johnson's programme of the same name. The Great Society was the name Johnson had given to his whole programme of domestic reforms, including civil rights for Black people, the creation of Medicare and Medicaid, the creation of the National Endowment for the Arts, and more. While those projects were broadly popular among the younger generation, Johnson's escalation of the war in Vietnam had made him so personally unpopular that even his progressive domestic programme was regarded with suspicion and contempt. The Great Society had set themselves up as local rivals to Jefferson Airplane -- where Jefferson Airplane had buttons saying "Jefferson Airplane Loves You!" the Great Society put out buttons saying "The Great Society Really Doesn't Like You Much At All". They signed to Autumn Records, and recorded a song that Darby Slick had written, titled "Someone to Love" -- though the song would later be retitled "Somebody to Love": [Excerpt: The Great Society, "Someone to Love"] That track was produced by Sly Stone, who at the time was working as a producer for Autumn Records. The Great Society, though, didn't like working with Stone, because he insisted on them doing forty-five takes to try to sound professional, as none of them were particularly competent musicians. Grace Slick later said "Sly could play any instrument known to man. He could have just made the record himself, except for the singers. It was kind of degrading in a way" -- and on another occasion she said that he *did* end up playing all the instruments on the finished record. "Someone to Love" was put out as a promo record, but never released to the general public, and nor were any of the Great Society's other recordings for Autumn Records released. Their contract expired and they were let go, at which point they were about to sign to Mercury Records, but then Darby Slick and another member decided to go off to India for a while. Grace's marriage to Jerry was falling apart, though they would stay legally married for several years, and the Great Society looked like it was at an end, so when Grace got the offer to join Jefferson Airplane to replace Signe Anderson, she jumped at the chance. At first, she was purely a harmony singer -- she didn't take over any of the lead vocal parts that Anderson had previously sung, as she had a very different vocal style, and instead she just sang the harmony parts that Anderson had sung on songs with other lead vocalists. But two months after the album they were back in the studio again, recording their second album, and Slick sang lead on several songs there. As well as the new lineup, there was another important change in the studio. They were still working with Dave Hassinger, but they had a new producer, Rick Jarrard. Jarrard was at one point a member of the folk group The Wellingtons, who did the theme tune for "Gilligan's Island", though I can't find anything to say whether or not he was in the group when they recorded that track: [Excerpt: The Wellingtons, "The Ballad of Gilligan's Island"] Jarrard had also been in the similar folk group The Greenwood County Singers, where as we heard in the episode on "Heroes and Villains" he replaced Van Dyke Parks. He'd also released a few singles under his own name, including a version of Parks' "High Coin": [Excerpt: Rick Jarrard, "High Coin"] While Jarrard had similar musical roots to those of Jefferson Airplane's members, and would go on to produce records by people like Harry Nilsson and The Family Tree, he wasn't any more liked by the band than their previous producer had been. So much so, that a few of the band members have claimed that while Jarrard is the credited producer, much of the work that one would normally expect to be done by a producer was actually done by their friend Jerry Garcia, who according to the band members gave them a lot of arranging and structural advice, and was present in the studio and played guitar on several tracks. Jarrard, on the other hand, said categorically "I never met Jerry Garcia. I produced that album from start to finish, never heard from Jerry Garcia, never talked to Jerry Garcia. He was not involved creatively on that album at all." According to the band, though, it was Garcia who had the idea of almost doubling the speed of the retitled "Somebody to Love", turning it into an uptempo rocker: [Excerpt: Jefferson Airplane, "Somebody to Love"] And one thing everyone is agreed on is that it was Garcia who came up with the album title, when after listening to some of the recordings he said "That's as surrealistic as a pillow!" It was while they were working on the album that was eventually titled Surrealistic Pillow that they finally broke with Katz as their manager, bringing Bill Thompson in as a temporary replacement. Or at least, it was then that they tried to break with Katz. Katz sued the group over their contract, and won. Then they appealed, and they won. Then Katz appealed the appeal, and the Superior Court insisted that if he wanted to appeal the ruling, he had to put up a bond for the fifty thousand dollars the group said he owed them. He didn't, so in 1970, four years after they sacked him as their manager, the appeal was dismissed. Katz appealed the dismissal, and won that appeal, and the case dragged on for another three years, at which point Katz dragged RCA Records into the lawsuit. As a result of being dragged into the mess, RCA decided to stop paying the group their songwriting royalties from record sales directly, and instead put the money into an escrow account. The claims and counterclaims and appeals *finally* ended in 1987, twenty years after the lawsuits had started and fourteen years after the band had stopped receiving their songwriting royalties. In the end, the group won on almost every point, and finally received one point three million dollars in back royalties and seven hundred thousand dollars in interest that had accrued, while Katz got a small token payment. Early in 1967, when the sessions for Surrealistic Pillow had finished, but before the album was released, Newsweek did a big story on the San Francisco scene, which drew national attention to the bands there, and the first big event of what would come to be called the hippie scene, the Human Be-In, happened in Golden Gate Park in January. As the group's audience was expanding rapidly, they asked Bill Graham to be their manager, as he was the most business-minded of the people around the group. The first single from the album, "My Best Friend", a song written by Skip Spence before he quit the band, came out in January 1967 and had no more success than their earlier recordings had, and didn't make the Hot 100. The album came out in February, and was still no higher than number 137 on the charts in March, when the second single, "Somebody to Love", was released: [Excerpt: Jefferson Airplane, "Somebody to Love"] That entered the charts at the start of April, and by June it had made number five. The single's success also pushed its parent album up to number three by August, just behind the Beatles' Sgt Pepper's Lonely Hearts Club Band and the Monkees' Headquarters. The success of the single also led to the group being asked to do commercials for Levis jeans: [Excerpt: Jefferson Airplane, "Levis commercial"] That once again got them accused of selling out. Abbie Hoffman, the leader of the Yippies, wrote to the Village Voice about the commercials, saying "It summarized for me all the doubts I have about the hippie philosophy. I realise they are just doing their 'thing', but while the Jefferson Airplane grooves with its thing, over 100 workers in the Levi Strauss plant on the Tennessee-Georgia border are doing their thing, which consists of being on strike to protest deplorable working conditions." The third single from the album, "White Rabbit", came out on the twenty-fourth of June, the day before the Beatles recorded "All You Need is Love", nine days after the release of "See Emily Play", and a week after the group played the Monterey Pop Festival, to give you some idea of how compressed a time period we've been in recently. We talked in the last episode about how there's a big difference between American and British psychedelia at this point in time, because the political nature of the American counterculture was determined by the fact that so many people were being sent off to die in Vietnam. Of all the San Francisco bands, though, Jefferson Airplane were by far the least political -- they were into the culture part of the counterculture, but would often and repeatedly disavow any deeper political meaning in their songs. In early 1968, for example, in a press conference, they said “Don't ask us anything about politics. We don't know anything about it. And what we did know, we just forgot.” So it's perhaps not surprising that of all the American groups, they were the one that was most similar to the British psychedelic groups in their influences, and in particular their frequent references to children's fantasy literature. "White Rabbit" was a perfect example of this. It had started out as "White Rabbit Blues", a song that Slick had written influenced by Alice in Wonderland, and originally performed by the Great Society: [Excerpt: The Great Society, "White Rabbit"] Slick explained the lyrics, and their association between childhood fantasy stories and drugs, later by saying "It's an interesting song but it didn't do what I wanted it to. What I was trying to say was that between the ages of zero and five the information and the input you get is almost indelible. In other words, once a Catholic, always a Catholic. And the parents read us these books, like Alice in Wonderland where she gets high, tall, and she takes mushrooms, a hookah, pills, alcohol. And then there's The Wizard of Oz, where they fall into a field of poppies and when they wake up they see Oz. And then there's Peter Pan, where if you sprinkle white dust on you, you could fly. And then you wonder why we do it? Well, what did you read to me?" While the lyrical inspiration for the track was from Alice in Wonderland, the musical inspiration is less obvious. Slick has on multiple occasions said that the idea for the music came from listening to Miles Davis' album "Sketches of Spain", and in particular to Davis' version of -- and I apologise for almost certainly mangling the Spanish pronunciation badly here -- "Concierto de Aranjuez", though I see little musical resemblance to it myself. [Excerpt: Miles Davis, "Concierto de Aranjuez"] She has also, though, talked about how the song was influenced by Ravel's "Bolero", and in particular the way the piece keeps building in intensity, starting softly and slowly building up, rather than having the dynamic peaks and troughs of most music. And that is definitely a connection I can hear in the music: [Excerpt: Ravel, "Bolero"] Jefferson Airplane's version of "White Rabbit", like their version of "Somebody to Love", was far more professional, far -- and apologies for the pun -- slicker than The Great Society's version. It's also much shorter. The version by The Great Society has a four and a half minute instrumental intro before Slick's vocal enters. By contrast, the version on Surrealistic Pillow comes in at under two and a half minutes in total, and is a tight pop song: [Excerpt: Jefferson Airplane, "White Rabbit"] Jack Casady has more recently said that the group originally recorded the song more or less as a lark, because they assumed that all the drug references would mean that RCA would make them remove the song from the album -- after all, they'd cut a song from the earlier album because it had a reference to a trip, so how could they possibly allow a song like "White Rabbit" with its lyrics about pills and mushrooms? But it was left on the album, and ended up making the top ten on the pop charts, peaking at number eight: [Excerpt: Jefferson Airplane, "White Rabbit"] In an interview last year, Slick said she still largely lives off the royalties from writing that one song. It would be the last hit single Jefferson Airplane would ever have. Marty Balin later said "Fame changes your life. It's a bit like prison. It ruined the band. Everybody became rich and selfish and self-centred and couldn't care about the band. That was pretty much the end of it all. After that it was just working and living the high life and watching the band destroy itself, living on its laurels." They started work on their third album, After Bathing at Baxter's, in May 1967, while "Somebody to Love" was still climbing the charts. This time, the album was produced by Al Schmitt. Unlike the two previous producers, Schmitt was a fan of the band, and decided the best thing to do was to just let them do their own thing without interfering. The album took months to record, rather than the weeks that Surrealistic Pillow had taken, and cost almost ten times as much money to record. In part the time it took was because of the promotional work the band had to do. Bill Graham was sending them all over the country to perform, which they didn't appreciate. The group complained to Graham in business meetings, saying they wanted to only play in big cities where there were lots of hippies. Graham pointed out in turn that if they wanted to keep having any kind of success, they needed to play places other than San Francisco, LA, New York, and Chicago, because in fact most of the population of the US didn't live in those four cities. They grudgingly took his point. But there were other arguments all the time as well. They argued about whether Graham should be taking his cut from the net or the gross. They argued about Graham trying to push for the next single to be another Grace Slick lead vocal -- they felt like he was trying to make them into just Grace Slick's backing band, while he thought it made sense to follow up two big hits with more singles with the same vocalist. There was also a lawsuit from Balin's former partners in the Matrix, who remembered that bit in the contract about having a share in the group's income and sued for six hundred thousand dollars -- that was settled out of court three years later. And there were interpersonal squabbles too. Some of these were about the music -- Dryden didn't like the fact that Kaukonen's guitar solos were getting longer and longer, and Balin only contributed one song to the new album because all the other band members made fun of him for writing short, poppy, love songs rather than extended psychedelic jams -- but also the group had become basically two rival factions. On one side were Kaukonen and Casady, the old friends and virtuoso instrumentalists, who wanted to extend the instrumental sections of the songs more to show off their playing. On the other side were Grace Slick and Spencer Dryden, the two oldest members of the group by age, but the most recent people to join. They were also unusual in the San Francisco scene for having alcohol as their drug of choice -- drinking was thought of by most of the hippies as being a bit classless, but they were both alcoholics. They were also sleeping together, and generally on the side of shorter, less exploratory, songs. Kantner, who was attracted to Slick, usually ended up siding with her and Dryden, and this left Balin the odd man out in the middle. He later said "I got disgusted with all the ego trips, and the band was so stoned that I couldn't even talk to them. Everybody was in their little shell". While they were still working on the album, they released the first single from it, Kantner's "The Ballad of You and Me and Pooneil". The "Pooneil" in the song was a figure that combined two of Kantner's influences: the Greenwich Village singer-songwriter Fred Neil, the writer of "Everybody's Talkin'" and "Dolphins"; and Winnie the Pooh. The song contained several lines taken from A.A. Milne's children's stories: [Excerpt: Jefferson Airplane, "The Ballad of You and Me and Pooneil"] That only made number forty-two on the charts. It was the last Jefferson Airplane single to make the top fifty. At a gig in Bakersfield they got arrested for inciting a riot, because they encouraged the crowd to dance, even though local by-laws said that nobody under sixteen was allowed to dance, and then they nearly got arrested again after Kantner's behaviour on the private plane they'd chartered to get them back to San Francisco that night. Kantner had been chain-smoking, and this annoyed the pilot, who asked Kantner to put his cigarette out, so Kantner opened the door of the plane mid-flight and threw the lit cigarette out. They'd chartered that plane because they wanted to make sure they got to see a new group, Cream, who were playing the Fillmore: [Excerpt: Cream, "Strange Brew"] After seeing that, the divisions in the band were even wider -- Kaukonen and Casady now *knew* that what the band needed was to do long, extended, instrumental jams. Cream were the future, two-minute pop songs were the past. Though they weren't completely averse to two-minute pop songs. The group were recording at RCA studios at the same time as the Monkees, and members of the two groups would often jam together. The idea of selling out might have been anathema to their *audience*, but the band members themselves didn't care about things like that. Indeed, at one point the group returned from a gig to the mansion they were renting and found squatters had moved in and were using their private pool -- so they shot at the water. The squatters quickly moved on. As Dryden put it "We all -- Paul, Jorma, Grace, and myself -- had guns. We weren't hippies. Hippies were the people that lived on the streets down in Haight-Ashbury. We were basically musicians and art school kids. We were into guns and machinery" After Bathing at Baxter's only went to number seventeen on the charts, not a bad position but a flop compared to their previous album, and Bill Graham in particular took this as more proof that he had been right when for the last few months he'd been attacking the group as self-indulgent. Eventually, Slick and Dryden decided that either Bill Graham was going as their manager, or they were going. Slick even went so far as to try to negotiate a solo deal with Elektra Records -- as the voice on the hits, everyone was telling her she was the only one who mattered anyway. David Anderle, who was working for the label, agreed a deal with her, but Jac Holzman refused to authorise the deal, saying "Judy Collins doesn't get that much money, why should Grace Slick?" The group did fire Graham, and went one further and tried to become his competitors. They teamed up with the Grateful Dead to open a new venue, the Carousel Ballroom, to compete with the Fillmore, but after a few months they realised they were no good at running a venue and sold it to Graham. Graham, who was apparently unhappy with the fact that the people living around the Fillmore were largely Black given that the bands he booked appealed to mostly white audiences, closed the original Fillmore, renamed the Carousel the Fillmore West, and opened up a second venue in New York, the Fillmore East. The divisions in the band were getting worse -- Kaukonen and Casady were taking more and more speed, which was making them play longer and faster instrumental solos whether or not the rest of the band wanted them to, and Dryden, whose hands often bled from trying to play along with them, definitely did not want them to. But the group soldiered on and recorded their fourth album, Crown of Creation. This album contained several songs that were influenced by science fiction novels. The most famous of these was inspired by the right-libertarian author Robert Heinlein, who was hugely influential on the counterculture. Jefferson Airplane's friends the Monkees had already recorded a song based on Heinlein's The Door Into Summer, an unintentionally disturbing novel about a thirty-year-old man who falls in love with a twelve-year-old girl, and who uses a combination of time travel and cryogenic freezing to make their ages closer together so he can marry her: [Excerpt: The Monkees, "The Door Into Summer"] Now Jefferson Airplane were recording a song based on Heinlein's most famous novel, Stranger in a Strange Land. Stranger in a Strange Land has dated badly, thanks to its casual homophobia and rape-apologia, but at the time it was hugely popular in hippie circles for its advocacy of free love and group marriages -- so popular that a religion, the Church of All Worlds, based itself on the book. David Crosby had taken inspiration from it and written "Triad", a song asking two women if they'll enter into a polygamous relationship with him, and recorded it with the Byrds: [Excerpt: The Byrds, "Triad"] But the other members of the Byrds disliked the song, and it was left unreleased for decades. As Crosby was friendly with Jefferson Airplane, and as members of the band were themselves advocates of open relationships, they recorded their own version with Slick singing lead: [Excerpt: Jefferson Airplane, "Triad"] The other song on the album influenced by science fiction was the title track, Paul Kantner's "Crown of Creation". This song was inspired by The Chrysalids, a novel by the British writer John Wyndham. The Chrysalids is one of Wyndham's most influential novels, a post-apocalyptic story about young children who are born with mutant superpowers and have to hide them from their parents as they will be killed if they're discovered. The novel is often thought to have inspired Marvel Comics' X-Men, and while there's an unpleasant eugenic taste to its ending, with the idea that two species can't survive in the same ecological niche and the younger, "superior", species must outcompete the old, that idea also had a lot of influence in the counterculture, as well as being a popular one in science fiction. Kantner's song took whole lines from The Chrysalids, much as he had earlier done with A.A. Milne: [Excerpt: Jefferson Airplane, "Crown of Creation"] The Crown of Creation album was in some ways a return to the more focused songwriting of Surrealistic Pillow, although the sessions weren't without their experiments. Slick and Dryden collaborated with Frank Zappa and members of the Mothers of Invention on an avant-garde track called "Would You Like a Snack?" (not the same song as the later Zappa song of the same name) which was intended for the album, though went unreleased until a CD box set decades later: [Excerpt: Grace Slick and Frank Zappa, "Would You Like a Snack?"] But the finished album was generally considered less self-indulgent than After Bathing at Baxter's, and did better on the charts as a result. It reached number six, becoming their second and last top ten album, helped by the group's appearance on the Ed Sullivan Show in September 1968, a month after it came out. That appearance was actually organised by Colonel Tom Parker, who suggested them to Sullivan as a favour to RCA Records. But another TV appearance at the time was less successful. They appeared on the Smothers Brothers Comedy Hour, one of the most popular TV shows among the young, hip, audience that the group needed to appeal to, but Slick appeared in blackface. She's later said that there was no political intent behind this, and that she was just trying the different makeup she found in the dressing room as a purely aesthetic thing, but that doesn't really explain the Black power salute she gives at one point. Slick was increasingly obnoxious on stage, as her drinking was getting worse and her relationship with Dryden was starting to break down. Just before the Smothers Brothers appearance she was accused at a benefit for the Whitney Museum of having called the audience "filthy Jews", though she has always said that what she actually said was "filthy jewels", and she was talking about the ostentatious jewellery some of the audience were wearing. The group struggled through a performance at Altamont -- an event we will talk about in a future episode, so I won't go into it here, except to say that it was a horrifying experience for everyone involved -- and performed at Woodstock, before releasing their fifth studio album, Volunteers, in 1969: [Excerpt: Jefferson Airplane, "Volunteers"] That album made the top twenty, but was the last album by the classic lineup of the band. By this point Spencer Dryden and Grace Slick had broken up, with Slick starting to date Kantner, and Dryden was also disappointed at the group's musical direction, and left. Balin also left, feeling sidelined in the group. They released several more albums with varying lineups, including at various points their old friend David Frieberg of Quicksilver Messenger Service, the violinist Papa John Creach, and the former drummer of the Turtles, Johnny Barbata. But as of 1970 the group's members had already started working on two side projects -- an acoustic band called Hot Tuna, led by Kaukonen and Casady, which sometimes also featured Balin, and a project called Paul Kantner's Jefferson Starship, which also featured Slick and had recorded an album, Blows Against the Empire, the second side of which was based on the Robert Heinlein novel Back to Methuselah, and which became one of the first albums ever nominated for science fiction's Hugo Awards: [Excerpt: Jefferson Starship, "Have You Seen The Stars Tonite"] That album featured contributions from David Crosby and members of the Grateful Dead, as well as Casady on two tracks, but  in 1974 when Kaukonen and Casady quit Jefferson Airplane to make Hot Tuna their full-time band, Kantner, Slick, and Frieberg turned Jefferson Starship into a full band. Over the next decade, Jefferson Starship had a lot of moderate-sized hits, with a varying lineup that at one time or another saw several members, including Slick, go and return, and saw Marty Balin back with them for a while. In 1984, Kantner left the group, and sued them to stop them using the Jefferson Starship name. A settlement was reached in which none of Kantner, Slick, Kaukonen, or Casady could use the words "Jefferson" or "Airplane" in their band-names without the permission of all the others, and the remaining members of Jefferson Starship renamed their band just Starship -- and had three number one singles in the late eighties with Slick on lead, becoming far more commercially successful than their precursor bands had ever been: [Excerpt: Starship, "We Built This City on Rock & Roll"] Slick left Starship in 1989, and there was a brief Jefferson Airplane reunion tour, with all the classic members but Dryden, but then Slick decided that she was getting too old to perform rock and roll music, and decided to retire from music and become a painter, something she's stuck to for more than thirty years. Kantner and Balin formed a new Jefferson Starship, called Jefferson Starship: The Next Generation, but Kantner died in January 2016, coincidentally on the same day as Signe Anderson, who had occasionally guested with her old bandmates in the new version of the band. Balin, who had quit the reunited Jefferson Starship due to health reasons, died two years later. Dryden had died in 2005. Currently, there are three bands touring that descend directly from Jefferson Airplane. Hot Tuna still continue to perform, there's a version of Starship that tours featuring one original member, Mickey Thomas, and the reunited Jefferson Starship still tour, led by David Frieberg. Grace Slick has given the latter group her blessing, and even co-wrote one song on their most recent album, released in 2020, though she still doesn't perform any more. Jefferson Airplane's period in the commercial spotlight was brief -- they had charting singles for only a matter of months, and while they had top twenty albums for a few years after their peak, they really only mattered to the wider world during that brief period of the Summer of Love. But precisely because their period of success was so short, their music is indelibly associated with that time. To this day there's nothing as evocative of summer 1967 as "White Rabbit", even for those of us who weren't born then. And while Grace Slick had her problems, as I've made very clear in this episode, she inspired a whole generation of women who went on to be singers themselves, as one of the first prominent women to sing lead with an electric rock band. And when she got tired of doing that, she stopped, and got on with her other artistic pursuits, without feeling the need to go back and revisit the past for ever diminishing returns. One might only wish that some of her male peers had followed her example.

So, sorry about last week's missing episode! But this week we are back and badder than ever. We are kicking it with the first time the words Jefferson Starship made it into the world's collective maw. What we really have though is an all star solo record featuring Kanter, Slick, Crosby, Garcia, and way more. Check it out with us. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

in this episode we listen in on two great Bay Area bands straight from the Summer Of Love from the mid 60's, Jefferson Airplane and The Quicksilver Messenger Service. Jefferson Airplane were the first commercially successful band straight from the Haight & Ashbury District in San Francisco. They remained successful over many decades, enduring many musical styles. The Quicksilver Messenger Service had a great reputation for their live performances. They were the cutting edge of the Bay Area bands.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org) Check out thesze products and services. Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

Playlist puntata nr. 03 01 - Paul Kantner and Grace Slick – Have You Seen the Stars Tonite 02 - Steppenwolf – The Pusher 03 - Amen Dunes – Splits are Parted 04 - Beach Boys – Don't Worry Baby 05 - Rokes – Un'anima Pura 06 - Mishka – Give You All the Love 07 - George Michael – Cowboys and Angels 08 - Morgan Delt – I Don't Wanna See What's Happening Outside 09 - Philip Glass – Einstein on the Beach 10 - XTC – Humble Daisy 11 - Vieux Farka Tourè – Les Racines 12 - Ry Cooder – El Ufo Cayò 13 - Young Rascals – Groovin' 14 - Glenn Jones – John Jackson of Fairfax, Virginia 15 - Frazey Ford – September Fields 16 - Two Circles – Lodestar 17 - Kate Bush – Aerial Tal / Painter's Link 18 - Lau Nau – Kuljien Halki Kuutharan 19 - Pink Floyd – Brain Damage

Former Quiet Riot Bassist CHUCK WRIGHT Calls For The End Of War In His Powerful New Single!  Hello once again everyone I'm your host Ray Shasho and welcome to another edition of Interviewing the Legends. Brought to you by The Rock Star Chronicles Series One my new book featuring over 45 intimate conversations with the greatest music legends the world will ever know. Available now at bookbay.com and amazon.com. Chuck Wright is an American bassist, songwriter, singer, music producer, and live event producer, best known as a long-time (26 years) member of the multi-platinum Heavy Metal band Quiet Riot. He originally joined Quiet Riot in 1982, playing bass on the tracks "Metal Health (Bang Your Head)" and "Don't Wanna Let You Go," as well as singing background vocals on all the tracks from the 1983 multi-platinum album Metal Health. World-renowned Bassist, Chuck Wright, who has worked alongside everyone from Alice Cooper to Slash to Greg Allman and toured the globe as a long-time member of multi-platinum rockers Quiet Riot steps into the spotlight with his first-ever solo album! The album includes contributions from 40 guest performers including members of Mr. Big, Skid Row, Tesla, Dream Theater, Janes Addiction, Asia, Jefferson Starship, acclaimed solo artists and many others. Wright exhibits a diversity and breadth of musical styles that make this one of the most unique and exciting hard rock releases of the year! Please welcome singer, songwriter, producer, and legendary Quiet Riot bassist CHUCK WRIGHT to Interviewing the Legends …   PURCHASE THE NEW ALBUM BY CHUCK WRIGHT ENTITLED SHELTERING SKY Featuring the powerful new single “Throwin' Stones” Available now at Amazon.com and Cleopatra Records   Former bassist for '80s metal heroes Quiet Riot, Chuck Wright, steps into the spotlight with his first ever solo album! The album includes contributions from a number of Wright's peers including Dream Theater keyboardist Derek Sherinian, Yngwie Malmsteen vocalist Jeff Scott Soto, Mr. Big drummer Pat Torpey, House Of Lords guitarist Lanny Cordola and more! Wright exhibits a diversity and breadth of musical styles that makes this one of the most unique and exciting hard rock releases of the year! Quote“Chuck Wright's new solo album Sheltering Sky is my pick for album of the year so far. Masterfully produced and engineered and featuring 11 distinct tracks of epic musical bliss. This melodious masterpiece will appeal to enthusiasts in all quarters.”  Ray Shasho Music Journalist, Talk Show Host, Author For more information About CHUCK WRIGHT visit www.chuckwright.com Official website www.facebook.com/ChuckWrightOfficial Facebook /www.instagram.com/chuckwrightbass Instagram https://twitter.com/chuckwrightbass Twitter https://cleorecs.com/store/shop/chuck-wrights-sheltering-sky-cd/   CHUCK WRIGHT DISCOGRAPHY With Quiet Riot Metal Health (1983) (Bass on “Metal Health” & “Don't Wanna Let You Go”) Condition Critical (1984) (Backing Vocals. Bass on Born To Rock) QR III (1986) Terrified (1993) (backing vocals) Down to the Bone (1995) Quiet Riot 10 (2014) Road Rage (2017) Hollywood Cowboys (2019) With Giuffria Giuffria (1984) Gotcha! (1985) (Original Motion Picture Gotcha! Soundtrack) With House of Lords House of Lords "debut" (1988) Sahara (1990) The Power and the Myth (2004) Live in the UK (2007) Anthology (2008) With Heaven & Earth Dig (2013) Hard to Kill (2017) -------------------------------------- Other Releases Gregg Allman - "I'm No Angel" (1987) Ted Nugent - If You Can't Lick 'Em...Lick 'Em (1988) Impellitteri - Stand in Line (1988) Ann Lewis - Meiki (1988) Kuni- Masque (1986) Nobuhiko Satoh - Turning Point (1988) Doro Pesch - Doro (1990) Rock vs. Rap - Mash-Up (1990) Sam Kinison - Leader of the Banned (1990) Bad Moon Rising - Bad Moon Rising (1991) Atsuki - Dinosaur (1991) N.W.O.B.H.M. All Stars (1991) Impellitteri - Grin and Bear It (1992) Magdalen - Revolution Mind (1993) Shack Of Peasants - Classic Blues, Vol. 1 (1993) Bad Moon Rising - Blood (1994) Blackthorne - Afterlife (1994) Magdalen - The Dirt (1995) The CMC's - All In A Day from Everyday Death Sentence (1995) Children of Zion - Reggae Worship Vol. II (1995) Pata - Raised On Rock (1995) Carol Huston - Grace (1995) Black On Blond - Wild Anticipation (1995) Chaos Is The Poetry - Chaos Is The Poetry (1996) Every Day Life - Disgruntled (1996) Magdalen - End Of Ages (1996) Murderer's Row - Murderer's Row (1996) Honey - Paradise (1997) Eyes (featuring Jeff Scott Soto) - Eyes (1998) Lanny Cordola - Salvation Medecine Show (1998) Stuart Smith - Heaven and Earth (1999) Magdalen - End Of The Ages (1999) Humanary Stew: a Tribute to Alice Cooper (1999) 28if - 28if (1999) (With Tommy Thayer of KISS) Odd Man Out - Y2K (2000) SX-10 (featuring Sen Dog and Everlast) - Mad Dog American (2000) Teddy Andreadis - Innocent Loser (2000) David Glen Eisley - Stranger from the Past (2000) Atsuki Yokozeki Project - Raid (2001) Katt Lowe and the Othersyde (2001) Luminosity (2001) Milkweed (2001) A Tribute To Blondie (various artists) (2001) Essential Metal Masters (2001) Katt Lowe - Katt Lowe and the Othersyde (2001) A Tribute To Limp Bizkit - Mutated .. Manipulated .. Translated (2002) Ephesians Project (2002) Freddy Cannon - Have A Boom Boom Christmas (2002) A Tribute To Bruce Springsteen - Made In The USA (2002) Impellitteri - Very Best of Impellitteri: Faster Than the Speed of Light (2002) Catena (2003) David Glenn Eisley - The Lost Tapes (2003) Hedeki - Drunk Punk (2003) Jeff Eaton - Wish You Were Here (2003) Kevin Gales - I Didn't Count On This (2003) Maskless (with Raven James) (2003) Paul Shortino - Sacred Place (2003) Broby - Hard to Kill (2004) Audrey Forrest (2004) Matt Sorum - Hollywood Zen (2004) Mr. Big - Greatest Hits (2004) Mr. Big - Influences and Connections (2004) Chris Catena - Freak Out (2004) Numbers of The Beast - A Tribute To Iron Maiden (2004) James Christian- Meet the Man (2004) Hollywood Rocks! (2004) (Audio companion to Hollywood Rocks: The Ultimate Guide to the 1980's Hollywood, California Rock-N-Roll Music Scene) Cypress Thrill (2004) Rock vs. Rap (2004) Michael Schenker - Heavy Hitters (2005) Bad Moon Rising - Full Moon Collection (2005) Odd Man Out - Greatest Hits (2005) Stephen Pearcy - Stripped (2006) Travers and Appice - Bazooka (2006) Can You Rock? Sing and Play the Songs of [Led Zeppelin (2006) A Tribute to Thin Lizzy (2006) Pat Travers - Superstition (2006) Out of Ruin - What I Can't See (2007) Southern Rock Tribute to Gretchen Wilson (2007) Chris Catena - Booze, Brawds and Rockin Hard (2007) Saints of the Underground (w/ Jani Lane)- Love the Sin, Hate the Sinner (2008) Adrian Gaylsh - Earth Tones (2008) Northern Light Orchestra - Spirit of Christmas (2009) I Feel Free: Eric Clapton Salute (2009) Northern Light Orchestra - Celebrate Christmas (2010) KUNI - Kuni Rock (2011) Keep Calm And Salute Queen (2015) Northern Light Orchestra - Star of the East (2017) Bob Kulick - Skeletons in the Closet (2017) David Glen Eisley & Craig Goldy - Blood Guts & Games (2017) Chris Catena's Rock City Tribe - Truth in Unity (2020) Chuck Wright's Sheltering Sky - (2022)     Order now while supplies last! RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover  or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!

Adrian Belew is a legendary guitarist well-known for his diverse travels around the musical map. He is a multi-instrumentalist whose solo records are critically acclaimed. His moving singing voice and prolific songwriting has endeared a loyal fan base of music lovers. His music is being discovered everyday by more and more listeners thirsty for great music with a creative standard not often pushed by the commercial music industry. Adrian has signed with Bliss Entertainment, distributed exclusively by Ingrooves Music Group. “Elevator” will be the first Adrian Belew solo recording released through streaming. Adrian and management chose the Ingrooves Music Group channel based on the Ingrooves technology and the Universal global distribution channel. As with all artists, the optimization of music sales revenue is key to picking their distribution and marketing partners. The first single “a13” is now available! Elevator will feature 12 brand new Belew compositions, all completely written, performed and produced by Belew and which cover ballads to art rock to avant-pop music. It will also feature 38 of Adrian's recent digital paintings as well as the lyrics to the songs.   WATCH FOR THE RELEASE  OF THE BRAND-NEW ALBUM  BY ADRIAN BELEW Entitled ELEVATOR The New single A13 IS OUT NOW! Adrian Belew is the world's greatest experimental whammy twang bar, czar rhino and stunt guitarist extraordinaire. With a resume that features some of the biggest names in music including David Bowie, Nine Inch Nails, King Crimson, Talking Heads, Paul Simon and Tori Amos, Adrian is famous for pushing the boundaries of the guitar in both technical and tonal exploration. ALSO PURCHASE POP SIDED BY ADRIAN BELEW At https://adrianbelew.net/   FOR MORE INFORMATION  ABOUT ADRIAN BELEW Visit https://adrianbelew.net/ Official website https://adrianbelew.net/news/facebook/ Facebook https://twitter.com/theadrianbelew Twitter   ADRIAN BELEW 2022 ELEVATOR TOUR 07.13.22 St. Paul, MN – Turf Club 07.14.22 Milwaukee, WI – Shank Hall 07.15.22 St. Charles, IL – Arcada Theatre 07.16.22 Indianapolis, IN – Hi-Fi Annex 07.18.22 Chicago, IL – City Winery 07.19.22 Chicago, IL – City Winery 07.21.22 Cincinnati, OH – The Ludlow Garage 07.22.22 Cleveland, OH – Rock & Roll Hall of Fame 07.23.22 Ferndale, MI – Magic Bag 07.24.22 Oakmont, PA – The Oaks Theater 07.26.22 Nashville, TN – City Winery 07.27.22 Atlanta, GA – City Winery 07.29.22 Asheville, NC – The Grey Eagle 07.30.22 Washington, DC – City Winery 07.31.22 Annapolis, MD – Rams Head 08.01.22 Ashland, VA – Ashland Theatre 08.03.22 S. Burlington, VT – Higher Ground 08.04.22 Plymouth, NH – The Flying Monkey 08.05.22 Boston, MA – City Winery 08.06.22 Newton, NJ – The Newton Theatre 08.12.22 Woodstock, NY – Bearsville Theater w/Tony Levin, Pat Mastelotto & Friends 08.14.22 Homer, NY – Center for the Arts of Homer 08.16.22 Philadelphia, PA – City Winery 08.18.22 New York, NY – City Winery 08.19.22 Albany, NY – The Egg 08.20.22 Ridgefield, CT – Ridgefield Playhouse   ADRIAN BELEW DISCOGRAPHY Studio albums Lone Rhino (1982) Twang Bar King (1983) Desire Caught By the Tail (1986) Mr. Music Head (1989) Young Lions (1990) Inner Revolution (1992) The Acoustic Adrian Belew (1993) Here (1994) The Experimental Guitar Series Volume 1: The Guitar as Orchestra (1995) Op Zop Too Wah (1996) Belew Prints: The Acoustic Adrian Belew, Vol. 2 (1998) Salad Days (1999) Side One (2004) Side Two (2005) Side Three (2006) e (2009) Pop-Sided (2019) Elevator (2021)   Live albums Side Four (2007) Live Overseas (2009)   Contributions with Frank Zappa 1979: Sheik Yerbouti ("Flakes", "Jones Crusher", "City of Tiny Lites") 1983: Baby Snakes Soundtrack 1992: You Can't Do That on Stage Anymore, Vol. 6 [2CD] ("The Poodle Lecture", "Is That Guy Kidding Or What?", "White Person", "Tryin' To Grow A Chin") 2008: One Shot Deal ("Heidelberg", recorded Feb. 24, 1978) 2010: Hammersmith Odeon (recorded Jan-Feb 1978) [3CD] with David Bowie 1978: Stage (recorded Apr-May 1978) [2CD] 1979: Lodger ("Fantastic Voyage", "Move On", "Red Sails", "DJ", "Boys Keep Swinging", "Repetition", "Red Money") with Talking Heads & David Byrne 1980: Remain in Light 1981: The Catherine Wheel 1982: The Name of This Band Is Talking Heads with King Crimson 1981: Discipline 1982: Beat 1984: Three of a Perfect Pair 1994: Vrooom EP 1995: Thrak 1996: Thrakattak 2000: the construKction of light 2001: Vrooom Vrooom 2003: The Power to Believe with Herbie Hancock 1981: Magic Windows with Tom Tom Club 1981: Tom Tom Club with Ryuichi Sakamoto 1981: Left-Handed Dream 1990: The Arrangement 1994: Soundbytes with Joe Cocker 1982: Sheffield Steel with Jean Michel Jarre 1984: Zoolook with Laurie Anderson 1984: Mister Heartbreak 1986: Home of the Brave (soundtrack) 1994: Bright Red with Cyndi Lauper 1986: True Colors with Paul Simon 1986: Graceland 1990: The Rhythm of the Saints with The Bears 1987: The Bears 1988: Rise and Shine 2001: Car Caught Fire 2007: Eureka! with Mike Oldfield 1989: Earth Moving with Nine Inch Nails 1994: The Downward Spiral 1999: The Fragile 2008: Ghosts I-IV 2013: Hesitation Marks with Sara Hickman 1998 Two Kinds of Laughter with Béla Fleck & the Flecktones 2000: Outbound with William Shatner 2004: Has Been with Porcupine Tree 2005: Deadwing with Tony Levin 2006: Resonator with N.y.X 2016: The News with Gizmodrome 2017: Gizmodrome   Order while supplies last! RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS Support us!

The highly anticipated debut album from RIOT ACT, the band initially formed by former classic era Riot members Rick Ventura and Lou Kouvaris is previewed with their "Wanted". The full-length album is available now and is sure to please fans of the early 80's era of Riot. The album will also come with a 12-track bonus CD of classic Riot tracks recut, these recordings feature the final ever recordings of Lou Kouvaris, who tragically passed away of Covid19 in early 2020. RIOT ACT performed at the Heavy Metal Hall Of Fame in 2020 while Rick and Lou were inducted as Riot members in 2018 Please welcome the brilliant guitarist from RIOT ACT... RICK VENTURA to Interviewing the Legends ...     PURCHASE The highly anticipated debut album from Riot Act accompanied with a 12-track bonus CD of classic Riot tracks re-recorded. CLOSER TO THE FLAME BY RIOT ACT At amazon.com The album also comes with a 12-track bonus CD of classic 1979-1981 Riot tracks recut. These recordings feature the final ever recordings of Lou Kouvaris, who tragically passed away of Covid 19 in early 2020. The deluxe double album set was released April 1 in Europe and April 15 in the US and Canada on Global Rock Records. The highly anticipated debut album from Riot Act, the band initially formed by former 'classic era' Riot members Rick Ventura and Lou Kouvaris, is titled Closer To The Flame, which is sure to please fans of the late 70s, early 80s era of Riot as well as fans of classic hard rock everywhere. Riot Act features former Riot guitarist Rick Ventura, talented lead vocalist Don Chaffin, Paul Ranieri on bass and Claudio Galinski on drums.  Rick Ventura was a member of the classic lineup of Riot from 1979-1984.   FOR MORE INFORMATION ABOUT RICK VENTURA And RIOT ACT  VISIT www.riotactband.com Official website www.facebook.com/riotactbandofficial Facebook https://twitter.com/riotactband Twitter www.instagram.com/riotactband Instagram   Order while supplies last! RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover  or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS Support us!

Norwegian combo MEER have started their activity firstly as a duo (Johanne Margrethe and Knut) under the moniker of TED GLEN EXTENDED back in 2008. After releasing their ep in 2012, they have expanded the lineup to eight members, who have developed their musical style and changed their project name into MEER. For their intention to launch a mixture of orchestral pop, classical music and progressive rock, they released their debut eponymous album in 2016. Upon their second album entitled "Playing House" out in 2021 via a Bergen-based label Karisma Records. If you like your progressive rock symphonic, orchestral, melodic, catchy and with lots of energetic spurs, you will find something to like in the music of Meer. Please welcome vocalist Johanne Kippersund, guitarist Eivind Strømstad, drummer Mats Lillehaug and bass player Morten Strypet of  Norway's Progressive rock sensation MEER to Interviewing the Legends… PURCHASE THE MOST RECENT RELEASE BY NORWAY'S PROG SENSATION M E E R entitled ‘PLAYING HOUSE'   5 stars … QuoteAn incredible group of artistic voices & musicians sophisticated … sexy…epic…brilliant… Many tracks could easily be a soundtrack to a hit movie! ALSO Their self-titled DEBUT ALBUM ‘M E E R' Available at www.meerband.com FOR MORE INFORMATION ABOUT M E E R VISIT www.meerband.com Official website www.facebook.com/MEERmusikk Facebook www.instagram.com/meermusic Instagram www.facebook.com/papercrownsongs Paper Crown with Johanne Kippersund www.papercrownmusic.bandcamp.com Paper Crown www.karismarecords.no Karisma Records   AND PURCHASE  RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS ORDER YOUR COPY WHILE SUPPLIES LAST! Support us!

Hello once again everyone I'm your host Ray Shasho and welcome to another edition of Interviewing the Legends. Brought to you by The Rock Star Chronicles Series One my new book featuring over 45 intimate conversations with the greatest music legends the world will ever know. Available now at bookbay.com and amazon.com. The James Gang is one of classic rock's earliest power trios. Though the band's line-up changed numerous times during a seven-year existence, rock historians and fans cite the lineup of Joe Walsh, Jim Fox, and Dale Peters as the James Gang's definitive line up. The James Gang became an influential source for decades after the band's demise in 1976. It's most famous member, Joe Walsh, left the band early on to join the Eagles and his replacement, Tommy Bolin, later quit to join Deep Purple, never giving the band a proper fighting chance at becoming superstars. The band hit its stride with James Gang Rides Again. The lineup of Walsh, Fox, and Peters proved to be a hit success as the album went gold, peaking at number 20 on Billboard. With the addition of keyboards, the band's hard boogie and groove found new heights on Rides Again 's collection of hard rockers and sensitive ballads. The riff-heavy track "Funk 49," a sort of follow up to Yer Album 's "Funk Number 48," hit number 40 on Billboard and today has one of the most memorable classic rock riffs. In 1971, the James Gang kept their songwriting energy vibrant with the release of Thirds. The album, once again hit Billboard at number 27 while the instantly recognizable single "Walk Away," stopped at number 51. Things were going great for the band and the future looked good until the winter of 1971 when Walsh, the true driving force of the James Gang, left the group. In the late 1990s, the James Gang reunited with Peters, Fox, and Walsh for the occasional show, including a 1996 election rally for President Bill Clinton at Cleveland State University. Please welcome the only James Gang member that has appeared on every album … drummer Jimmy Fox to Interviewing the Legends … Very Special Thanks to John Herdt for arranging this interview with Jimmy Fox.   JAMES GANG DISCOGRAPHY Yer' Album 1969 James Gang Rides Again 1970 Thirds 1971    Straight Shooter 1972 Passin' Thru 1972          Bang 1973 Miami 1974   Newborn 1975 Jesse Come Home 1976         Live album James Gang Live in Concert 1971        JAMES GANG Singles "I Don't Have the Time" 1969    "Funk #48" "Stop"1970 "Take a Look Around"         "Funk #49"   "Walk Away"1971           "Midnight Man"   "Looking for My Lady"1972        "Madness"     "Had Enough"       "Must Be Love"1973 "Got No Time for Trouble"          "Standing in the Rain"1974        "Cruisin' Down the Highway"   "Merry-Go-Round"1975 "I Need Love"1976            PURCHASE RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover  or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST     Support us!

MARC STORACE was already internationally successful with the Swiss cult band "TEA" in the 1970s. TEA released 5 albums and 3 singles. In 1979 Marc became the voice of KROKUS. After their first album with Marc, "Metal Rendez-Vous" (with the hit "Bedside Radio"), the rise to a successful international career was unstoppable. KROKUS played several world tours and sold over 15 million records and won many gold and platinum awards. After internal quarrels, KROKUS broke up and Marc released the album “Blue” in 1991 with the band “Blue”. The hit "You Can't Stop The Rainfall" is still played on the radio today. In the 90s and 2000s Marc starred in 2 feature films (“ANUK” and “HANDYMAN”), and again achieved gold status with various KROKUS formations and 3 albums. Marc stayed present with his fans with many guest appearances such as “Rock Meets Classic”, “Sweet 50th Anniversary”, “Ken Hensley live in Switzerland”, “Schubert In Rock”, or on the albums of Manfred Ehlert's “Amen” and the rock opera “Test”. In 2008 the music scene was surprised with the news that the original formation of KROKUS would go on tour again. The success was indescribable. Tours in the USA, Japan, Europe and South America as well as 3 new studio albums, which in turn achieved platinum status, proved that KROKUS was still flourishing after more than 2000 shows in the last 30 years. In December 2019, KROKUS played their farewell concert in the sold out Hallenstadion in Zurich. Marc started working on his solo career at the beginning of 2021. His first solo CD is released in the USA & Canada February 5th, 2022 and going on tour with his own band “STORACE” in autumn is in the works. The fans will be amazed at the enthusiasm and freshness with which “STORACE” rocks the stage. He will showcase songs from his new CD and from his long career since the 1970s. Swiss hard rockers Krokus have retired. But singer Marc Storace is obviously not ready to stop. As STORACE, the now 70-year-old has his solo debut with LIVE AND LET LIVE. He does what he does best: he rocks. Without delivering a pure imitation of his former band. A bluesy undertone has crept in again and again, as in "Time Waits For No One", he has a rich power ballad in the program with "Lady Of The Night", the piano-driven "Don't Wanna Go" lets the emotions run wild. With "Paradise" you can hear folk influences, while the Rocker otherwise presses hard on the classic rock pedal. With LIVE AND LET LIVE, Storace has succeeded in making an excellent, heterogeneous new beginning that will win over both old Krokus fans and new listeners alike. Please welcome the distinctive and powerful voice of Swiss Hard Rock legends KROKUS and new band STORACE ... MARC STORACE to Interviewing the Legends ...   PURCHASE THE BRAND-NEW SOLO RELEASE From STORACE Entitled ‘LIVE AND LET LIVE' Available at Amazon.com And  www.indiemerchstore.com  "Hard rockin' humanizing enlightenments from a legendary singer & his incredible new band!" 5 stars! ... By Ray Shasho Music Journalist For more information about MARC STORACE Visit https://en.storace.ch Official website www.facebook.com/marcstorace facebook www.instagram.com/marcstorace Instagram https://krokusonline.seven49.net/ Krokus official site www.krokusonline.com Krokus facebook   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover  or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST BOOK REVIEW -By Literary Titan (5) STARS   Support us!

BILLY STOKES is a rock guitarist & songwriter from Tucson, Arizona.  He went to So Cal and tried to make it but ended up in the military... the army to be exact.  He traded his guitar for a gun and found himself in Germany. In 1997, Billy Stokes was injured in the line of duty. When he was released from the hospital he decided to pick up where he left off decades before and began writing the songs that appear on his powerful album Muscle & Blood. The album features rock legends … Frank Marino, Pat Travers, Les Dudek, Barry Sparks, and Marc Storace of the Swiss rock giant Krokus. The album received the Producers Choice Awards 2020 Best Rock Album. Pat Travers plays lead guitar on the songs “Firestorm” and “Money Slave” while Les Dudek plays lead guitar on “Down On Me” and “Fort Stockton Boogie.”  The amazing Frank Marino of Mahogany Rush plays lead guitar on “The Beast.”  Storace sings all 16 songs including the Robin Trower classic “Twice Removed From Yesterday.” Guitarist Billy Stokes has also worked with Legendary Drummers Carmine and Vinny Appice, Heavy Metal Bassist Rudy Sarzo and Drumming great Corky Laing. Stokes recently teamed up with Mike Varney producer, guitarist, and label owner. They are scheduled to record a new album with such greats as drummer Ansley Dunbar and special guests. They are finalizing the song arrangements and are very excited. On a personal note, Billy recently rescued his in laws from the Ukraine.... Please welcome honored Army vet… rock guitarist & songwriter …BILLY STOKES to Interviewing the Legends … PURCHASE THE LATEST RELEASE By BILLY STOKES Entitled ‘MUSCLE & BLOOD' Featuring Rock Legends PAT TRAVERS FRANK MARINO LES DUDEK MARK STORACE BARRY SPARKS available at www.facebook.com/billystokesmuscleandblood and AMAZON.COM   FOR MORE INFORMATION ABOUT BILLY STOKES VISIT www.facebook.com/billystokesmuscleandblood Facebook https://communityfundraising.woundedwarriorproject.org/ Wounded Warrior Project www.allusionstudios.com/about-us Allusion Studios   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!

THERE IS a calm, serene spirituality about Ann Wilson in 2022 which instantly draws you to her. She feels like a warm, wise someone who has seen enough bullshit to know how to avoid it calmly, and someone who is at peace with whatever she needs to be at peace with. Perhaps that is why the soul (and, indeed title) of her latest album, Fierce Bliss, offers such universally entertaining, engaging, honest and safe harbor from these unpredictable times. It is classic rock comfort food of the finest ingredients, carrying a richness and light that allows you to escape into timeless nostalgia, 11 perfectly weighted and selected songs ranging from Wilson's own co-penned originals to breathtaking covers and collaborations. One of the premier hard rock vocalists of all-time, Ann Wilson smashed boundaries with her band Heart, the 8-times platinum, 35 million-plus selling Rock and Roll Hall of Fame trailblazers who formed in 1973. During a decades-long career, Wilson rode the roller-coaster of fame, fortune and madness, learning both joyous and hard, hard lessons along the way. In recent times, she'd managed to find a band out on the West Coast that she toured with, and as the pandemic started in March 2020, Wilson found herself with time to absorb both her life and her future. Please welcome the legendary Singer and Songwriter for rock and roll Hall of Famers HEART… ANN WILSON to Interviewing the Legends … PURCHASE THE LATEST ALBUM BY ANN WILSON entitled FIERCE BLISS At amazon.com And  www.annwilson.com   For more information about ANN WILSON visit www.annwilson.com Official website www.facebook.com/officialannwilson Facebook https://twitter.com/AnnWilson Twitter www.instagram.com/annwilson Instagram     ANN WILSON TOUR DATES 2022 Wed, MAY 4 Great American Music Hall San Francisco, CA Thu, MAY 5 Uptown Theatre Napa Napa, CA Sat, MAY 7 Pala Casino Spa & Resort Pala, CA Mon, MAY 9 El Rey Theatre Los Angeles, CA Tue, MAY 10 El Rey Theatre Los Angeles, CA Fri, MAY 13 Scotiabank Arena Toronto, Canada Mon, MAY 16 Centre Vidéotron Quebec City, Canada Sat, JUN 11 Frederick Brown Jr Amphitheater Peachtree City, GA Mon, JUN 13 The Basement East Nashville, TN Tue, JUN 14 The Basement East Nashville, TN Thu, JUN 16 Seminole Hard Rock Hotel & Casino Tampa Tampa, FL Fri, JUN 17 Parker Playhouse Ft Lauderdale, FL Fri, JUN 24 ATI Field at Joliet Memorial Stadium Joliet, IL Sat, JUL 30 FloydFest??? Talk about this event?   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST BOOK REVIEW -By Literary Titan (5) STARS   Support us!

Born in Glasgow, Scotland, and raised in the Tropic of Canada, Lawrence Gowan enjoyed a lengthy and successful solo career with four Platinum and three Gold albums and one Gold single to his credit, prior to joining Styx in 1999 as keyboardist and one of their three lead vocalists. In 1998, Gowan was invited to play his original piece “Healing Waters” with the BBC Orchestra at the opening of Princess Diana's Memorial at her home in Althorp, England. Four of Gowan's songs have been certified with SOCAN (ASCAP) Classic Awards, each having surpassed 100,000 spins on Canadian radio. In 2011 he was awarded a star on the Walk of Fame from his hometown of Scarborough, Toronto Canada.  As a member of Styx, Gowan has recorded four studio albums, three live DVDs/Blu-rays and toured the world over, playing more than 1,600 shows with the band. He continues to abide in the hope that the Gods of Rock will smile upon him for many years to come. Please welcome multi-instrumentalist… songwriter and lead singer for Rock Legends STYX …LAWRENCE GOWAN to Interviewing the Legends ….   PURCHASE THE LATEST RELEASE BY STYX entitled 'CRASH OF THE CROWN'  (5) STARS! And 'THE SAME STARDUST' On  EP BY STYX At amazon.com   FOR MORE INFORMATION ABOUT LAWRENCE GOWEN and STYX Visit https://styxworld.com/ STYX official website www.facebook.com/styxtheband facebook https://twitter.com/STYXtheband twitter www.instagram.com/styxtheband instagram https://www.youtube.com/user/styxtheband YouTube https://gowan.bombplates.com/ Lawrence Gowen official website   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST BOOK REVIEW -By Literary Titan (5) STARS   Support us!

PAT TRAVERS is one of the most indominable guitar slingers of his generation. An unstoppable force of bold tone, electrifying musicianship, and dynamic performance. No wonder he's been able to persevere through numerous decades of musical fads and trends, staying true to his artform and calling. And now Pat Travers and his band steps forward once again with a blazing new single, “Push Yourself.” Built around Travers' trademark Fender Strat, “Push Yourself” crackles with intensity and bravado. The guitar playing is matched in grittiness and power by Travers' own vocals, which ring out like a wakeup call to anyone thinking that this veteran blues rocker will be resting on his laurels. In addition to the single being available on all digital platforms, it will also be pressed on limited edition RED 7” vinyl backed with another new cut “Full Spectrum” both of which are set to appear on Travers' new studio album coming later this year! PAT TRAVERS BAND has scheduled several concerts this spring and summer, including select dates with CACTUS. Please welcome Monster guitarist/singer/songwriter … PAT TRAVERS to Interviewing the Legends …   GET THE BRAND NEW  SINGLES “PUSH YOURSELF” And “FULL SPECTRUM” or the vinyl AVAILABLE NOW AT Amazon.com also Purchase ‘SWING' BY PAT TRAVERS Legendary guitarist Pat Travers gets swinging on a set of big band classics from '40s & '50s on this unique project! Features full band rock arrangements of Louis Prima's "Sing Sing," Duke Elington's "Take The 'A' Train," Glenn Miller's "In The Mood" and many more! Available on both digipak CD and vinyl in your choice of BLUE or RED! At amazon.com   For more information about PAT TRAVERS VISIT www.pattravers.com official website www.facebook.com/pattraversband facebook https://twitter.com/PATTRAVERSBAND twitter   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!

Neal Morse formed and played in many bands in his youth, learning and mastering several instruments along the way. In 1995, he wrote and recorded with his band Spock's Beard The Light, an album based firmly in the then unfashionable progressive (‘prog') rock genre. This album quickly became a modern prog classic and began to bring Neal and the band global recognition. In 2000, he also joined forces to form Transatlantic, a ‘prog rock supergroup' that won further acclaim - and yet more fans - across the world. A second supergroup with Mike Portnoy followed - Flying Colors –with whom he earned his first #1 international chart position. Forging out on his own in 2003, Neal has made a series of ground-breaking albums. In 2015 he formed The Neal Morse Band. Neal Morse's latest releases are Innocence and Danger by The Neal Morse Band, The Absolute Universe by Transatlantic and most recent release Troika by D'Virgilio, Morse & Jennings. Please welcome multi-instrumentalist, singer, songwriter, composer, and Prog Rock & Christian Rock legend… NEAL MORSE to Interviewing the Legends …   PURCHASE THE BRAND-NEW RELEASE by D' Virgilio, Morse & Jennings entitled Troika   THE NEAL MORSE BAND LATEST entitled INNOCENSE AND DANGER AND THE LATEST RELEASE BY TRANSATLANTIC The Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas entitled THE ABSOLUTE UNIVERSE ALL (3) RELEASES ARE AVAILBLE NOW at www.nealmorse.com   FOR MORE INFORMATION ABOUT NEAL MORSE VISIT www.nealmorse.com official website www.facebook.com/nealmorse facebook https://twitter.com/nealmorse twitter www.instagram.com/neal_morse_official/   FOR MORE INFORMATION ABOUT TRANSATLANTIC VISIT www.transatlanticweb.com Transatlantic official website https://www.facebook.com/TransatlanticMusic/ Transatlantic on facebook https://twitter.com/transatlantic99 Transatlantic on twitter www.instagram.com/transatlanticofficial Transatlantic on instagram TRANSATLANTIC - the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are pleased to announce tour dates for North America and UK/Europe to take place in 2022. The tour will be in support of the group's epic release The Absolute Universe which was released earlier this year in multiple versions. The North America dates kick off April 15th in Glenside, PA and concludes with performances at Morsefest 2022 and Cruise to the Edge. Meanwhile, the Europe/UK dates take place in July beginning with the ARTmania festival in Romania.   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST Support us!

Roger Fisher was founding guitarist of the rock group Heart, globally known through the sales of more than 30 million albums. Roger has played in almost every major city in North America. He has also toured Europe, Japan, Australia, Uzbekistan, and Russia, and performed at massive events in the Czech Republic, Japan, Canada, and the United States for as many as 300,000 people at a single rock show. He has appeared on a multitude of television shows and television broadcasts for more than 60 million people in Europe. Songs featuring Roger's songwriting and iconic guitar riffs have been used in numerous TV commercials, TV shows, video games, and in many movies. A diverse variety of other artists have covered his material. “I'm not an atheist, nor do I conform to any religion. I belong to no political party. I believe in breathing.” His timeless anthem guitar intro to Barracuda is frequently used in major sports broadcasts, political movements, etc. Tony Robbins refers to Barracuda as part of the turning point in his life. The opening riff of Barracuda was voted, by over a half million people via the magazine, Ultimate Classic Rock, “BEST GUITAR RIFF OF ALL TIME!” The original line-up of Heart was inducted into the Rock And Roll Hall Of Fame in 2013. Rog continues to release new material with brother Mike, aka Magic Man. Please welcome Hall of Fame guitarist and songwriter with Heart… Roger Fisher and cofounder of Heart … the Magic Man himself Michael Fisher to Interviewing the Legends …. PURCHASE THE LATEST RELEASES BY HEART GUITAR LEGEND ROGER FISHER & MICHAEL FISHER 'REACH FOR THE SKY' BORN TO FLY at www.rogerfisher.com   ALSO Heart of the Blues by ROGER FISHER & THE HUMAN TRIBE at  www.rogerfisher.com AND ROGER FISHER & THE HUMAN TRIBE HUMAN TRIBE TEA At Roger Fisher & The Human Tribe Store https://humantribe.square.site/   For more information About  ROGER FISHER & MICHAEL FISHER Visit https://borntoflyband.com/home Born to Fly Official website www.rogerfisher.com official website www.facebook.com/Rog4Real Facebook www.instagram.com/rogerfishermusic Instagram www.rogerfisher.com/heartoftheblueswhiskey Roger Fisher Heart of the Blues Whiskey Mike and Roger Fisher, co-founders of rock group Heart, wanted their own whiskey. After trying many different samples to get an idea of the direction they wanted to go, Rose City and the boys discovered a blend that Mike and Rog immediately recognized as “IT.” 100% Rye, 100 proof, aged in oak barrels, this experience is… well, let Roger tell it, “I've compared Heart Of The Blues with many, many others. What is special about it is, for a 100-proof liquor, it doesn't assault the tongue like most others. It is simply more smooth. And the taste!!! It is sweet, with a flavor that simply delights. And it is light. Not a dark or heavy sensation, it floats like a butterfly on your tongue.” Named after their 2018 album release, HEART OF THE BLUES, the music was inspired by time spent in the Mississippi Delta, home of the foundation of jazz, blues, rock, and all subsequent related styles of music. Roger Fisher and his band will spearhead the introduction of their whiskey with live performances across the nation.  The art of music is like the art of distillation: go to any length to produce the best, most fulfilling and inspiring work.   PURCHASE RAY'S BOOK ... THE  ROCK STAR CHRONICLES SERIES ONE   Featuring Roger Fisher CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover  or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ... TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS     Support us!

The Kentucky Headhunters formed in 1968 when brothers Fred and Richard Young and cousins Greg Martin and Anthony Kenney a Southern Rock and Blues band, Itchy Brother. In 1986, they renamed the band. The band's first album won awards in several categories, the 1989's “Pickin' on Nashville” became a hit and sold over 2 million copies. The Kentucky Headhunters are an international success and their music blends multiple genres. The band mixes honky-tonk music, blues, rock, country rock and Southern Rock that appeals to many music aficionados everywhere, not just the South. The award-winning band's latest release is entitled That's a Fact Jack. “How Could I.” is the first single released from the new album. The song was co-written with the band's friends and colleagues Black Stone Cherry. The Kentucky Headhunters' line-up is … Richard Young on rhythm guitar, lead and backing vocals, Fred Young on drums and backing vocals, Greg Martin on lead guitar and backing vocals and Doug Phelps on bass guitar and backing vocals. Family connections exist between The Kentucky Headhunters and Black Stone Cherry's drummer, John Fred Young who is a founder member of the band and the son and nephew of The Kentucky Headhunters' Richard Young and drummer Fred Young. That's a Fact Jack is available now at amazon.com. Please welcome lead guitarist for The Kentucky Headhunters …GREG MARTIN to Interviewing the Legends … PURCHASE THE LATEST RELEASE BY  THE KENTUCKY HEADHUNTERS entitled  THAT'S A FACT JACK! At AMAZON.COM GRAMMY® Award-winning southern rock, blues and country group The Kentucky Headhunters announced their latest album, That's A Fact Jack! The twelve-track album includes eleven all-new songs, each penned by members of the Headhunters, as well as one cover tune: Rick Derringer's “Cheap Tequila.” During a time of uncertainty for our nation, the Headhunters believe the upcoming compilation is just what the doctor ordered. “The Kentucky Headhunters have always been road warriors and makers of music for ourselves and the fans of our music,” says Richard Young, a founding member of the band. "We felt it was appropriate at this time in our society to make some fun music for folks and a statement for the world at large.”   FOR MORE INFORMATION ABOUT GREG MARTIN AND THE KENTUCKY HEADHUNTERS VISIT http://kentuckyheadhunters.net/ Official website www.facebook.com/kentuckyheadhunters Facebook https://twitter.com/kyheads?lang=en Twitter www.instagram.com/thekentuckyheadhunters/?hl=en Instagram www.gregmartin.com Greg Martin official website https://www.facebook.com/people/Greg-Martin/100063665072545/ Greg Martin Facebook   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS     Support us!

Hall of Fame forward Rick Barry is the only player ever to lead the NCAA, NBA, and ABA in scoring. His name appears near the top of every all-time offensive list. He scored more than 25,000 points in his professional career and in four different seasons averaged more than 30 points. He was named to 12 All-Star teams, four All-NBA First Teams, and five All-ABA First Teams. Barry was a nearly unstoppable offensive juggernaut, a passionate competitor with an untempered desire to win.  Barry is widely known for his unorthodox but extraordinarily effective underhand free throw technique. His career .880 free throw percentage ranks No. 1 in ABA history, and at the time of his retirement in 1980, his .900 percentage was the best of any NBA player. In 1987, Barry was honored as one of the league's greatest players of all-time by being named to the NBA 75th Anniversary Team. Today he is a professional pickleball player who has competed in multiple events and placed in the top 3. Please welcome Hall of Fame NBA Basketball player, motivational speaker, basketball clinician, low handicap golfer and outstanding tennis and pickleball player … RICK BARRY to Interviewing the Legends… For more information about RICK BARRY Visit https://twitter.com/rick24barry?lang=en Rick Barry on Twitter www.hoophall.com The Naismith Memorial Basketball Hall of Fame https://www.basketball-reference.com/players/b/barryri01.html Basketball Reference www.nba.com/news/history-nba-legend-rick-barry NBA history https://pickleballconnections.org/ Pickleball Connections   NBA RECORDS Regular season Only player in history to lead the NCAA, ABA and NBA in scoring Led the NCAA in scoring in 1964–65 (973 points, 37.4 ppg) Led the NBA in scoring in 1966–67 (2,775 points, 35.6 ppg) Led the ABA in scoring in 1968–69 (1,190 points; 34.0 ppg) Youngest player to score 57 points in a game: 21 years, 261 days (57 points, San Francisco Warriors at New York Knicks, December 14, 1965) Free throws, consecutive, ABA game: 23, at Kentucky Colonels, February 7, 1969 Assists, forward, game: 19, at Chicago Bulls, November 30, 1976 Playoffs Scoring 30 or more points in all games, any playoff series: 6 games, vs. Philadelphia 76ers, 1967 NBA Finals Points, 7-game ABA series: 281, vs. Denver Rockets, 1970 semifinals Points scored, Game 7, any ABA-NBA playoff series: 52, at Denver Rockets, April 28, 1970 Field goal attempts, 6-game series: 235, vs. Philadelphia 76ers, 1967 NBA Finals Field goal attempts, game: 48, vs. Philadelphia 76ers, April 18, 1967 Field goal attempts, quarter: 17, at Philadelphia 76ers, April 14, 1967 Steals, quarter: 4, second quarter, at Chicago Bulls, May 11, 1975 Tied with many other players NBA Finals Highest scoring average (career): 36.3 Scoring 30 or more points in all games, any championship series: 6 games, vs. Philadelphia 76ers, 1967 NBA Finals Tied with Elgin Baylor, Michael Jordan, Hakeem Olajuwon, Shaquille O'Neal, and Kevin Durant. Field goals made, game: 22, vs. Philadelphia 76ers, April 18, 1967 Tied with Elgin Baylor Field goal attempts, 6-game series: 235, vs. Philadelphia 76ers, 1967 NBA Finals Field goal attempts, game: 48, vs. Philadelphia 76ers, April 18, 1967 Field goal attempts, quarter: 17, at Philadelphia 76ers, April 14, 1967 Steals, 4-game series: 14, vs. Washington Bullets, 1975 NBA Finals (3.5 spg) All-Star Field goal attempts, game: 27 (1967) Steals, game: 8 (1975) Personal fouls, game: 6, twice (1966, 1978) Disqualifications, career: 2 Tied with Bob Cousy   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover  or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   Support us!

Graham Parker is a British rock singer and songwriter, who is best known as the lead singer of the popular British band Graham Parker & the Rumour. Despite moderate commercial success, Parker has been hailed by critics as one the most prominent musicians of his generation, with his wittily heated, often class-conscious lyrics and energy-fueled music preceding the arrival punk rock and new wave music. Many fellow musicians such as Bob Dylan, Bruce Springsteen and Frank Black have expressed admiration towards his music. Parker also played himself in the comedy ‘This is 40' starring Paul Rudd…Leslie Mann… Megan Fox, Jason Seigel, Albert Brooks, Melissa McCarthy and John Lithgow. Please welcome singer…songwriter…musician…author… the legendary GRAHAM PARKER to Interviewing the Legends…   Purchase The latest releases  by GRAHAM PARKER ‘CLOUD SYMBOLS' And ‘FIVE OLD SOULS' (LIVE) TRACKLIST 1 Old Soul (Live) 2 Things I've Never Said (Live) 3 Back Door Love (Live) 4 Band Introduction (Live) 5 Hotel Chambermaid (Live) 6 White Honey (Live) 7 Ancient Past (Live) 8 Bathtub Gin (Live) 9 Lady Doctor (Live) 10 Dreamin' (Live) 11 Every Saturday Nite (Live) 12 You Left the Water Running (Live) 13 Not If It Pleases Me (Live) 14 Hold Back the Night (Live) 15 Rockin' Hawk (Live) 16 Heat Treatment (Live) 17 Soul Shoes (Live) Available at amazon.com Squeezing Out Sparks Solo Acoustic  40th Anniversary By Graham Parker Available at amazon.com ALSO ‘ANOTHER GREY AREA' By GRAHAM PARKER 40th Anniversary Edition Digitally remastered and expanded 40th Anniversary Edition of Graham Parker's 1982 solo debut including five bonus tracks. Another Grey Area is the pivot point in Parker's remarkable career. While the singer-songwriter is justly famous for the work he did with the Rumour during the first five years of his record-making, 1975-1980, his parting of the ways with that pub-rock band allowed him to explore a different kind of singing and a different kind of songwriting. Recorded in New York with producer Jack Douglas (John Lennon, Aerosmith) and musicians that included members of Billy Joel's band, Another Grey Area spotlights Parker's evolving vocal abilities on one of his strongest batches of songs to date. Digitally remastered by six-time Grammy Award-winning engineer Mark Wilder with new liner notes by four-time Deems Taylor Award-winner Geoffrey Himes, based on two interviews with Graham Parker, 40 years apart. Available at amazon.com PURCHASE RAY'S BEST-SELLING BOOK ENTITLED Thank you, Graham, for being on the show today … we hope to see you performing in Florida one day soon! THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!

Micki Free's newest CD titled Turquoise Blue is heralded by Carlos Santana and Billy Gibbons, among many others. Grammy-winning blues-rock guitarist Micki Free's new disc showcases his mastery of tone on its 13 originals, plus an incredible cover of Jimi Hendrix's classic “All Along the Watchtower.” Micki is a former member of acclaimed R&B group Shalamar (“Dancing in the Sheets”). The album was recorded, mixed and mastered by Ken Riley at Rio Grande Studios in Albuquerque, New Mexico. Special guests on Turquoise Blue include Gary Clark Jr., Steve Stevens, Christone “Kingfish” Ingram and Cindy Blackman Santana. Free teased the album's release with his debut single, “Bye 2020,” featuring additional guitar pyrotechnics from long-time Billy Idol six-stringer Steve Stevens. Please welcome Rock/Blues guitarist-singer-songwriter and Grammy winner MICKI FREE to Interviewing the Legends …   PURCHASE THE NEW RELEASE By MICKI FREE entitled Turquoise Blue Available at amazon.com   For more Information  about MICKI FREE visit www.mickifree.com official website www.facebook.com/OfficialMickiFree facebook https://twitter.com/freemickifree twitter www.instagram.com/MickiFree instagram   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover  or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS     Support us!

Ross the Boss, is a guitarist, known as a founding member of both the punk band the Dictators, and the heavy metal band Manowar. Death Dealer began as an online collaboration but quickly gelled into a supergroup. The band toured the world for their two albums 2013 "Warmaster" and 2015 "Hallowed Ground". On January 18, 2017, Ross was inducted into the Hall of Heavy Metal History for his contributions to speed metal while in Manowar. Ross' latest effort, Born of Fire, is his - which arrived a few years after their chart breaking 2018 effort, By Blood Sworn. While Ross the Boss used this time for extensive touring, they still found time to build their latest epics - which undoubtedly excite fans worldwide. Born of Fire is pounding yet fresher and heavier out of the speakers than before - without forgoing any of the typical Ross the Boss trademarks. And Ross' future plans are simple. “Touring hard. Doing well. And just continue doing what we're doing. I think the record will speak for itself, and the future will be golden for this band.” Please welcome monster guitarist and founding member of both the punk band the Dictators, the heavy metal band Manowar and Death Dealer… ROSS THE BOSS to Interviewing the Legends. PURCHASE THE MOST RELEASE BY ROSS THE BOSS Entitled BORN OF FIRE At amazon.com   For more information  about ROSS THE BOSS Visit www.ross-the-boss.com official website www.facebook.com/RossTheBoss facebook https://twitter.com/officialrtb twitter www.instagram.com/the_ross_the_boss_official/?hl=en Instagram www.deathdealermetal.com Death Dealer official website www.facebook.com/deathdealerband Death Dealer facebook www.instagram.com/deathdealerband/ Death Dealer Instagram http://thedictatorsnyc.com/band/ The Dictators official website   PURCHASE RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS     Support us!

Georgian singer/songwriter and rock poet Nash Albert was, among others, the frontman of the successful Soviet alternative/indie band Blast (Blast Unit Moscow), the British NME described Blast as “the godfathers of the Russian alternative scene. However, Nash started his musical career with the band Salamandra in Moscow. In 1991, together with Salamandra, all good friends from the college, Nash went to America for touring and to build up a career. Atlantic Records' boss Ahmet Ertegun supported him to record his first single. Texas-based English guitarist Alan Shacklock produced the tracks. By then, Shacklock had already achieved an excellent reputation as a member of the band Babe Ruth and most notably as a producer for the Steve Gibbons Band, Bonnie Tyler, The Alarm and Jeff Beck. In 1994 Salamandra split. While the band went back to Europe, Nash Albert stayed in the US for a few more years.  It wasn't until 2019 that Salamandra and Nash came full circle again. The old bandmates started composing and arranging song material for a new Nash Albert solo album somewhere deep in the Gregorian mountains. This is how “Yet” was born, the brand-new release by Nash Albert. Officially released worldwide on the 28th of January,.2022.  Please welcome singer/songwriter/musician and rock poet …NASH ALBERT to Interviewing the Legends…. Purchase the latest release  by NASH ALBERT entitled ‘YET' 'YET' involved some unusual experiments with sound. Tim Palmer used state-of-the-art analogue processing on the mixing stage while Ilya & Nash did some weird things with magnetic tape making sure each song has its signature feel. Bob Ludwig uploaded the final mastered version of ‘Yet' just a few weeks before the lockdown caused by COVID-19 pandemic. The track list itself has some '2001: A Space Odyssey' forefeeling. You almost grasp a meaning to everything, but it stays slightly beyond the horizon. Available at amazon.com   For more information about NASH ALBERT Visit www.nashalbert.com official website https://ru-ru.facebook.com/nashalbertcom/ facebook https://twitter.com/nashalbertmusic twitter www.facebook.com/blastunitmoscow Blast Unit Moscow facebook   PURCHASE RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover  or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS     Support us!

JETHRO TULL has recently released their first studio album of new material in over 18 years entitled The Zealot Gene available now on amazon.com. Please welcome multi-instrumentalist, singer, songwriter, composer, and band leader for the legendary Jethro Tull & my personal rock hero… Mr. Ian Anderson to Interviewing the Legends. PURCHASE THE ZEALOT GENE BY JETHRO TULL OUT NOW The first new studio album by JETHRO TULL In two decades The Zealot Gene will be offered in the following formats: Special Edition Digipak CD Gatefold 2LP+CD+LP-booklet Limited 2CD+Blu-ray Artbook Limited Deluxe 3LP+2CD+Blu-ray Artbook The Deluxe 3LP+2CD+Blu-ray Artbook comes on white vinyl and includes a 3rd LP with the rough demos. It also includes a slipmat and a numbered art print. The blu-ray includes a 5.1 surround sound mix by Jakko Jakszyk (King Crimson). available NOW at amazon.com   For more information  about IAN ANDERSON and JETHRO TULL VISIT www.jethrotull.com official website www.facebook.com/officialjethrotull facebook https://twitter.com/jethrotull twitter www.instagram.com/jethrotull instagram   JETHRO TULL 2022 CONCERTS Date City   Venue         Country Tour: JETHRO TULL 18th February 2022      LISBOA      COLISEU DOS RECREIOS    Portugal 19th February 2022      Porto          Super Bock Arena         Portugal 16th March 2022          Madrid       Circo Price Spain 18th March 2022          Cartagena   El Batel      Spain Tour: JETHRO TULL The Prog Years 25th March 2022          Bienne        Palais des Congrès        Switzerland 26th March 2022          Lausanne   Salle Métropole   Switzerland Tour: JETHRO TULL 8th April 2022    Kiev International Centre of Culture and Arts Ukraine Tour: JETHRO TULL The Prog Years 24th April 2022 Tampere     Tampere Concert Hall Finland POSTPONED from 7th of January 25th April 2022   Helsinki     House of Culture          Finland 26th April 2022 Turku         Turun Konserttitalo      Finland Tour: JETHRO TULL 2nd May 2022     Umea         Folkets Hus         Sweden 4th May 2022      Karlstad     CCC Sweden 5th May 2022      Västerås     Västerås Konserthus     Sweden 16th May 2022    Linköping Crussellhallen     Sweden POSTPONED from the 24th of January 17th May 2022    Stockholm Cirkus         Sweden POSTPONED from the 25th of January 22nd May 2022   Gothenburg         Konserthuset       Sweden POSTPONED from the 23rd of January Tour: JETHRO TULL The Prog Years 26th May 2022    Bielsko-Biała       Cultural Centre   Poland 28th May 2022   Poznan       Sala Ziemi Poland 29th May 2022    Gdańsk       Stary Maneż        Poland Tour: JETHRO TULL 9th June 2022     Seville         Cartuja Center     Spain POSTPONED from 16th December 2021 12th June 2022   Barcelona   Pedralbes Festival         Spain 2nd July 2022     Mikulov      Amphitheatre      Czech Republic 4th July 2022      Loket          Amphitheatre Loket     Czech Republic 16th July 2022    Eisenach    Burg Creuzburg   Germany 17th July 2022    Dinslaken   Burgtheater Dinslaken Germany 27th July 2022    Schwerin    Freilichtbühne    Germany 28th July 2022    Dresden     Junge Garde        Germany 29th July 2022    Leipzig       Parkbühne Germany 5th August 2022 Salzgitter-Salder Schloss Salder     Germany 13th August 2022         Trnava        Mestský amfiteáter       Slovakia 19th August 2022         Faversham, Kent          A New Day Festival      United Kingdom 10th September 2022   St Petersburg      DK Lensoveta      Russian Federation 11th September 2022   Moscow      Crocus City Hall Russian Federation 13th September 2022   Nizhny Novgorod         Kremlin Hall       Russian Federation 1st October 2022          Mannheim Rosengarten        Germany 2nd October 2022        Ulm   Congress Centrum        Germany 10th October 2022       Essen          Lichterburg         Germany 12th October 2022        Berlin         Admiralspalast    Germany 13th October 2022        Hamburg   Laeiszhalle Germany 14th October 2022        Bremen      Metropol Theater         Germany Tour: JETHRO TULL The Prog Years 8th November 2022     Ludwigsburg       Forum Ludwigsburg, Theatersaal   Germany 9th November 2022     München    Circus Krone       Germany 10th November 2022   Nürnberg   Meistersingerhalle        Germany 17th November 2022    Paris Olympia Hall       France 27th November 2022   Lugano       Palazzo Dei Congressi Switzerland 28th November 2022   Zurich        Volkshaus Switzerland   JETHRO TULL Discography Studio albums This Was (1968) Stand Up (1969) Benefit (1970) Aqualung (1971) Thick as a Brick (1972) A Passion Play (1973) War Child (1974) Minstrel in the Gallery (1975) Too Old to Rock 'n' Roll: Too Young to Die! (1976) Songs from the Wood (1977) Heavy Horses (1978) Stormwatch (1979) A (1980) The Broadsword and the Beast (1982) Under Wraps (1984) Crest of a Knave (1987) Rock Island (1989) Catfish Rising (1991) Roots to Branches (1995) J-Tull Dot Com (1999) The Jethro Tull Christmas Album (2003) The Zealot Gene (2022)   Solo Studio albums (1983) Walk into Light (1995) Divinities: Twelve Dances with God (2000) The Secret Language of Birds (2003) Rupi's Dance (2012) Thick as a Brick 2 (2014) Homo Erraticus   Live albums Year           Name (2005) Ian Anderson Plays the Orchestral Jethro Tull (2014) Thick as a Brick – Live in Iceland   PURCHASE RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES (featuring Ian Anderson) SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS     Support us!

MISSING PERSON'S LEAD SINGER DALE BOZZIO RELEASES AUTOBIOGRAPHY ENTITLED LIFE IS SO STRANGE – MISSING PERSONS, FRANK ZAPPA,PRINCE & BEYOND Dale Bozzio is an American rock and pop vocalist. She is best known as co-founder and lead singer of the '80s new wave band Missing Persons and also known for her work with Frank Zappa. While with Zappa, she performed significant roles in two of his major works, Joe's Garage (1979) and Thing-Fish (1984). In her solo career, Bozzio has released four albums and one EP so far. Bozzio co-founded Missing Persons in 1980 with former Zappa musicians and Terry Bozzio. In addition to being the band's lead vocalist, she also contributed lyrics. Missing Persons released one EP and six albums, including Spring Sessions M (1982), which achieved gold record status. After Missing Persons disbanded in 1986, Bozzio was signed to Prince's Paisley Park label which released her first solo album, Riot in English (1988). The album's first single, "Simon Simon", successfully charted. Bozzio subsequently reformed Missing Persons and continues to perform the band's repertoire at venues across the United States. She has also participated periodically in reunions of the original band and has continued her work as a solo artist. In 2014, Bozzio was signed to Cleopatra Records and released a second studio album in 2020 titled DREAMING. Please welcome American rock and pop vocalist best known as co-founder and lead singer of the '80s new wave band Missing Persons and for her work with Frank Zappa DALE BOZZIO to Interviewing the Legends … Purchase The New Book  by Dale Bozzio with Keith Valcourt “LIFE IS SO STRANGE” One of music's most recognizable and influential artists, Missing Person's, Dale Bozzio, shares her most intimate and inspirational moments in this superb autobiography! Bozzio kisses and tells ALL, weaving stories from throughout her entire life including her childhood, her time as a Playboy bunny, her fateful introduction to Frank Zappa, her meteoric rise with Missing Persons, her love affair and collaborations with Prince, and so much more! Hardcover book of 300+ full color pages with incredible never-seen-before photos from Dale's personal archive as well as lyric sheets, poetry, and various other memorabilia! Also includes a collectible 7" PINK vinyl with recut versions of "Destination Unknown" and a remix of "Mental Hopscotch" by Kevin Haskins of Bauhaus! Purchase now at www.facebook.com/DaleBozzio Purchase THE MOST RECENT RELEASE BY MISSING PERSONS featuring DALE BOZZIO ‘DREAMING' At amazon.com   For more information about DALE BOZZIO Visit www.dalebozzio.today Official website www.facebook.com/DaleBozzio Facebook   PURCHASE RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!