Podcast appearances and mentions of eddie adams workshop

News reporting has got to be one of the toughest markets for a visual journalist to crack. But the whirlwind of 24/7 news cycles and the pressures of telling human stories in rural news deserts have not deterred today's guest, Keren Carrión, a photojournalist and short form video producer currently working on the NPR visuals team. Follow along as we chart Keren's evolution from stills to documentary video stories to vertical social media clips that can be absorbed in two minutes or less. We also learn about the many opportunities for feedback and career advancement she's explored, and the mix of internships and mentorship programs that have been central to her career success. When asked about parting advice for current students she notes, "I think it's really important to have a visual voice. And the only way to find that is to keep shooting. Yeah. And I will also say meet with as many people as possible, be mentored, go to portfolio reviews figure out how to elevate that voice."   Guest: Keren Carrión Episode Timeline: 2:28: Keren's early photo experiences, pairing pictures with stories for her high school paper. 5:05: Adding video to the mix in college and how this has influenced her storytelling. 10:40: Keren's advice to college students: Seek out networking and internship opportunities. 12:17: Momenta Workshops and other non-profit mentorship programs, and how these opportunities can shape creative vision and skills. 20:20: Working with Report for America in Texas, covering under-reported stories and rural news deserts. 26:22: The evolution of news media and Keren's work at NPR to create short form videos for distribution across social media platforms. 31:12: Keren's current gear, from iPhones to Sony mirrorless cameras, for shooting vertical videos 35:32: Non-traditional news reporting and how user-generated content is now shared by larger news organizations. 38:28: Keren's future aspirations to evolve with the industry and learn new skills as platforms and audiences change. 39:56: More advice for the next generation: Keep shooting to find and elevate your visual voice.   Guest Bio: Keren Carrión is a photojournalist and a short-form video producer currently working on the NPR visuals team. Originally from Puerto Rico, Keren graduated from George Washington University in 2019 with a BFA in Photojournalism. Prior to her current role, she spent two years as a photojournalist for KERA News, NPR's affiliate station in Dallas through Report for America. She has also worked with CNN as a video editor in Atlanta, and interned with Univision, USA Today, The Hill, and the New York Times Student Journalism Institute. Additionally, Keren is an alumna of the Eddie Adams Workshop and Momenta Photo Workshop's Project Puerto Rico. When Keren isn't working, she's probably sitting in the window seat of an airplane, heading to a new destination. If not, you can always find her with a camera in hand — or petting the nearest dog.   Stay Connected: Keren Carrión Website: https://www.kerencarrion.com Keren Carrión Instagram: https://www.instagram.com/kerencarrionphoto Keren Carrión on LinkedIn: https://www.linkedin.com/in/keren-carrion  Keren Carrión at Report for America: https://www.reportforamerica.org/members/keren-carrion/ Keren Carrión at NPR: https://www.npr.org/people/1213266959/keren-carrion   Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

Mackenzie Calle is a freelance documentary photographer and National Geographic Explorer based in Brooklyn. In 2024, she was awarded first prize in the World Press Photo Open Format category award (North & Central America) for her project the Gay Space Agency, and was a finalist for the Sony World Photography Awards.She was selected as a Magnum Foundation Counter Histories Fellow in 2022. That same year, she was named one of the Lenscratch 25 to Watch and was shortlisted for the PhMuseum Women Photographers Grant. In 2023, she was named as a Lens Culture Emerging Talent Award winner and received the Dear Dave Fellowship.Mackenzie is a graduate of NYU's Tisch School of the Arts with a degree in Cinema Studies and was awarded the Director's Fellowship to attend ICP's Documentary Practice and Visual Journalism Program. She was selected to Eddie Adams Workshop class XXXV. She is an Adjunct Lecturer at CUNY's College of Staten Island. Prior to her freelance career, she was a photo producer at NBC Universal. Her work has been exhibited at Fotografiska Stockholm, Photoville, Pride Photo Festival, and Noorderlicht International Photo Festival. Clients include National Geographic, The Washington Post, GAYLETTER, Discovery, MSNBC, and The Wall Street Journal.  In episode 255, Mackenzie discusses, among other things:Winning the WPP open categoryTangible and intagible benefits of winningHer journey to photographyHow the idea for the Gay Space Agency came aboutHow she set about making images to tell the storyThe goal to disseminate the story as widely as possibleHer experience of doing the Eddie Adams WorkshopLetting the story tell her what it wantsExperimentation being the fun partHer love of sport......and TV Referenced:Sally RideFrancis FrenchBillie Jean KingChristina De MiddelErika Larson Website | Instagram“For me, it's letting the story tell me what it needs. So it's not so much going in with a preconceived notion. You obviously go into most stories with some idea of what you're going to do, but every idea I have, that work in itself almost reveals or tells me kind of what it should be. So sometimes that means fiction, sometimes that does mean straight photojournalism, sometimes that means entirely imagined and staged projects…” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

A HANDY MAN—Photographers are gearheads. They're always throwing around brand names, model numbers, product specs.So when legendary photographer Eddie Adams asked today's guest, Dan Winters, if he knew how to handle a JD-450, it was a no-brainer. He had grown up with a JD-350. So yeah, the 450 would be no problem.But here's the funny thing: the JD-450 is not made by Nikon. Or Canon. Or Fuji. Or Leica. Not even his beloved Hasselblad. Nope. The JD-450 isn't made in Tokyo, Wetzlar, or Gothenburg.The John Deere 450 bulldozer is made in Dubuque, Iowa, USA.And what Eddie Adams urgently needed right at that moment, was someone to backfill, level, and compact a trench at his farm, which, coincidentally, was prepping to host the first-ever Eddie Adams Workshop, the world-renowned photojournalism seminar, at his farm in Sullivan County, New York, near the site of the 1969 Woodstock music festival.Get to know Dan Winters a little bit, and none of this will come as a surprise to you. It also won't surprise you that the bulldozer incident isn't even the funniest part of the story of how Winters got to New York City in 1988 to launch what has become one of the most distinguished careers in the history of editorial photography. A career which began with his first job at the News-Record, a 35,000-circulation newspaper in Thousand Oaks, California.The secret—spoiler alert—to his remarkable career, Winters will say, “is based in a belief that I'm being very thorough with my pursuits and being very realistic. I'm not lying to myself about the effort I'm putting into it. Because this is not a casual pursuit at all. This is 100 percent commitment.”Well, that, and out-of-this-world talent and vision. Print Is Dead (Long Live Print!) is a production of Magazeum LLC & MO.D ©2021–2024

Jessica Gallagher is a staff photojournalist currently working at the Baltimore Banner. She holds a degree in professional photography from Brooks Institute, graduating in 2016. She attended the Eddie Adams Workshop after graduation which led to a career in photo/journalism.  Gallagher is a member of the National Press Photographers Association and holds awards from Illinois … Continue reading "Episode 110: Jessica Gallagher (Documentary Photography)" The post Episode 110: Jessica Gallagher (Documentary Photography) first appeared on A Photojournalism Podcast for Everyone.

Santiago Lyon joins Nikita Roy to discuss how Adobe's Content Authenticity Initiative is taking an active role in combating misinformation through digital content provenance. He discusses how Adobe addresses ethical issues and brings transparency to its AI-enabled products, like the new generative fill feature in Adobe Photoshop. He also touches upon the transformative impact of generative AI on the roles of creatives. Santiago Lyon is the Head of Advocacy and Education for the Adobe-led Content Authenticity Initiative. He has more than 35 years of experience in photography as an award-winning photojournalist, photo editor, media executive, and educator. As a photographer for Reuters and The Associated Press, he won multiple photojournalism awards for his coverage of conflicts around the globe.  In 2003 he was a Nieman Fellow in journalism at Harvard University before being named Director of Photography at The Associated Press, a position he held until 2016. Under his direction, the AP won three Pulitzer Prizes for photography and multiple other major photojournalism awards worldwide. He was Chair of the Jury for the 2013 World Press Photo contest. Lyon serves on the boards of directors of the Eddie Adams Workshop and the VII Foundation. He also teaches regularly at the International Center of Photography in New York.Thoughts or questions? You can reach us here. Hosted on Acast. See acast.com/privacy for more information.

Photographers are gearheads. They're always throwing around brand names, model numbers, product specs.So when legendary photographer Eddie Adams asked today's guest, Dan Winters, if he knew how to handle a JD-450, it was a no-brainer. He had grown up with a JD-350. So yeah, the 450 would be no problem.But here's the funny thing: the JD-450 is not made by Nikon. Or Canon. Or Fuji. Or Leica. Not even his beloved Hasselblad. Nope. The JD-450 isn't made in Tokyo, Wetzlar, or Gothenburg.The John Deere 450 bulldozer is made in Dubuque, Iowa, USA.And what Eddie Adams urgently needed right at that moment, was someone to backfill, level, and compact a trench at his farm, which, coincidentally, was prepping to host the first-ever Eddie Adams Workshop, the world-renowned photojournalism seminar, at his farm in Sullivan County, New York, near the site of the 1969 Woodstock music festival.Get to know Dan Winters a little bit, and none of this will come as a surprise to you. It also won't surprise you that the bulldozer incident isn't even the funniest part of the story of how Winters got to New York City in 1988 to launch what has become one of the most distinguished careers in the history of editorial photography. A career which began with his first job at the News-Record, a 35,000-circulation newspaper in Thousand Oaks, California.The secret—spoiler alert—to his remarkable career, Winters will say, “is based in a belief that I'm being very thorough with my pursuits and being very realistic. I'm not lying to myself about the effort I'm putting into it. Because this is not a casual pursuit at all. This is 100 percent commitment.”Well, that, and out-of-this-world talent and vision.

In this episode we take to the the streets of Clonmel to showcase the 7 local artists whose work is currently brightening up the streets of our lovely town!-INSIDE/OUT is a project led by South Tipperary Arts Centre (STAC), as part of Faoin Spéir- In the Open Clonmel funded by the Arts Council of Ireland and in partnership with Tipperary County Council. INSIDE/OUT proposes to make the town of Clonmel an outdoor gallery, including mural/street art and large scale 2D art installations on buildings and walls around the town.This installation of works by 7 artists, based in or originally from Tipperary, was selected through an Open Call and represents Phase 2 of INSIDE/OUT. This phase sees the artists' work presented on a large scale and installed at two locations around the town, Davis Rd. and Market St., bringing colour and life to the streets. A downloadable map is available.Phase 3 of INSIDE/OUT will see artist Joe Caslin create a new temporary mural in the coming weeks which will be central to the exhibition and will also respond to the overarching theme of Faoin Spéir- In the Open Clonmel ; ‘Coming Out To Play'. This will be thecommission as part of this project, the first being ‘Tread Softly' by Canvazwhich was installed last Autumn as Phase 1 of this project.Joe Caslin is an Irish street artist, art teacher and activist. Best known for his beautifully rendered pencil drawings, which manifest as towering pieces of street art. His highly accessible work engages directly with the social issues of modern Ireland, on an unavoidable scale. Caslin confronts the subjects of suicide, drug addiction, economic marginalisation, marriage equality, stigma in mental health, direct provision, institutional power, inclusion, consent and most recently, the effects of the Covid19 pandemic on young people. The monochrome drawings Caslin creates hold a mirror up to the kind of society that we are, whilst asking us individually what kind of society we want to be a part of.Inside | Out - Open Call SelectedArtistsMaurice Caplice is an artist that works in Painting, Sculpture and Sound, working in Clonmel, Callan and Dublin. Caplice also works as an artist facilitator currently working for D.A.V Community group, Dublin and K.C.A.T art collective Callan. He has exhibited throughout Ireland and abroad in countries such as Spain,Norway, England, Cyprus and Slovenia.Marine Kearney is a French/Irish artist based in Clonmel, Ireland. Marine started in representative work, and with her experience moved to a more contemporary place. She is a graduate in advanced life drawing from the Crawford College of Fine Art. She mixes media to express herself and her Urban/Rural background.Emma Maher is an Irish artist originally from Thurles living in Edinburgh, Scotland. She studied Printmaking & Contemporary Practice at Limerick School of Art & Design graduating in 2014. As an avid watercolour artist and illustrator. For the Inside | Out project, Emma's piece incorporates both floral watercolours and human hands expressing intimacy, connection and a sense of belonging. Emma launched her small art business in April 2021, and has featured in a number of creative art magazines across the UK in the last 12 months. Nocht Studio was founded in Clonmel in 2018. Philip Ryan is a visual artist from Tipperary, currently residing in Waterford, Ireland. He founded Nocht, as a collaborative art practice with Martin McGloin in 2018. He graduated from the Dublin School of Architecture with first class honours in 2013 and has worked in the architecture and design industry in the UK, Ireland and New Zealand before focusing entirely on Nocht in late 2021. Martin McGloin is a Designer and Visual Artist from Sligo, Ireland. He founded Nocht as a collaborative art practice with Philip Ryan in 2018. He graduated from the Dublin School of Architecture in 2013 and has worked in the art and design industry in Ireland, the Netherlands and Germany. Laura O'Mahony is from Clonmel, Co. Tipperary. She is passionate about art and design and likes to create art that brightens the world around her. She has recently returned to creating art after finding her love for drawing and creating again. PressPlay Repeat (PPR) is a pseudonym favoured by Clonmel native Paul Sheehan. Starting out as a DJ, he progressed into live visuals for companies such as Reebok, HSBC and Hed Kandi Records. The place where image and sound intersect bring him great joy and he hopes that Hide And Seek, his exploration of play through the ages, shall conjure up some fond memories of your very own. Wojciech Ryzinski is a Polish photographer based in Co. Tipperary.He was a student at the Eddie Adams Workshop 2015 and the VII Masterclass 2016/2017. He finds his inspiration in everyday life, trying to see beyond the obvious. His work is inspired by classical documentary photography. It is never posed or pre-arranged in any way. For further info visit southtippartscentre.ie To contact the podcast email southtippartspodcast@gmail.comThanks for listening!

Jim Colton is currently Editor at Large at ZUMA Press and Editor-in-Chief of zPhotoJournal.com. He began his career in 1972 as a color picture editor for the Associated Press. Five years later, he joined Newsweek as Senior Photo Editor for International News. In 1988, he became Executive Vice-President and General Manager of Sipa Press in New York, before returning to Newsweek in 1992 as the Director of Photography. for 15 years Jim was the Photography Editor at Sports Illustrated. Colton was on the Board of Directors of the Eddie Adams Workshop and is a mentor for J Camp, a national program that recruits talented high school students, sponsored by the Asian American Journalists Association. He was presented with the “Golden Career Award” at FOTOfusion 2004 by the Palm Beach Photographic Centre, was the Jury Chairman for the World Press Photo contest in 2005, received an International Photography Awards “Lucie” for Picture Editor of the Year in 2007, was named Magazine Picture Editor of the Year in 2008 by the National Press Photographers Association and has been acknowledged as one of the 100 most important people in photography by American Photo. He's website is jimcolton.com and forget to check out the pottery. --- Support this podcast: https://anchor.fm/matt-brown57/support

We want to celebrate our guest Alexis Cuarezma in this encore presentation and also note what great info this episode offers for those interested in portrait lighting, especially for dance and sports photography.  Alexis' career has been growing steadily  since he joined us in 2019, he recently presented at the Eddie Adams Workshop and will be speaking at ImagingUSA in January 2022 and at the very interesting Pas de Deux Dance Photography Conference in Austin, Texas in February, 2022. Enjoy.   On today's episode of the B&H Photography Podcast, we welcome California-based advertising, sports, dance, and fashion photographer (and director), Alexis Cuarezma, who packs a considerable amount of practical and creative insight into our hour-long conversation. Ostensibly, Cuarezma was joining us to talk about his lighting techniques and, while he does dive deep into lighting schemes, we discuss so much more. Cuarezma is generous with is thoughts on production, composition, models, gear, self-promotion, and marketing really anything that he understands to help him in his burgeoning photo business. Just a glance at his work, and one will realize why Cuarezma is here to discuss lighting techniques, he has shot for Sports Illustrated (including six covers),Fortune magazine, Ring magazine, the New York Times, and his clients include Nike. Cuarezma emphasizes his belief that getting it right “in-camera” is the key to his success, not just for the sake of the final image, but for his creative process. Researching, planning, arriving early, being hands-on in every phase of the work, and understanding that your vision, when properly executed, will win over a client, is the other key to his success. With Cuarezma we discuss his decision-making process when creating a portrait; each of the small problems that needs to be solved to create the desired look that works best for his particular subject. While comfortable renting the needed gear to fulfill each project, he also discusses the gear he owns and uses, including Profoto B1 lights, Rosco Gels, and his Canon 5DS R. Join us for this insightful and very educational episode. Guest: Alexis Cuarezma Photograph © Alexis Cuarezma

In episode 146 UNP founder and curator Grant Scott is in his shed considering the past, present and possible future for editorial photography. Plus this week photographer Ana Caroline de Lima takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Ana Caroline de Lima is a Brazilian photographer, journalist and anthropologist whose work focuses on the documentation of cultural, social and environmental issues from an intimate perspective. Her work has been awarded both nationally and internationally and has been exhibited in more than 20 countries, in places such as the Getty Museum, Los Angeles. Ana is an Eddie Adams Workshop alumna and a member of Diversify Photo, Authority Collective, Women Photograph and Everyday Brasil. After years working in Andean countries, she founded Everyday Andes in 2019, to build a community of photographers working in the region and showing the Andes without stereotypes. Her clients as an anthropologist and photographer include Amazon Conservation, ActionAid and Care International. Currently based in São Paulo, de Lima is trained on how to work in extreme environments. https://en.antropologiavisual.com.br Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

In 2015 Dotan Saguy decided to focus on his lifelong passion for photography after a successful career as a high-tech entrepreneur. Since then Dotan attended the prestigious Eddie Adams Workshop, Missouri Photo Workshop, and studied photojournalism at Santa Monica College. Dotan's award-winning photographs have been published by National Geographic, The Guardian, The Los Angeles Times, and many others. Dotan teaches street photography and documentary workshops for Leica Akademie and Momenta Workshops.  In 2018 Dotan's first monograph about the endangered culture of Venice Beach, CA was published by famed German publisher Kehrer Verlag and was awarded Bronze by the prestigious Deutscher Fotobuchpreis 2018-19. Dotan's second monograph was released by Kehrer Verlag in September 2020. This new body of work documents the everyday life of a family of vehicle dwellers with their three young children on the streets of Los Angeles.   Websites Dotan Saguy Jamie Johnson Dotan’s Street Photography Workshop Dotan’s YouTube Channel   Sponsor Charcoal Book Club - Sign up today   Education Resources: Photo NOLA Ibarionex’s Workshop for Photo NOLA Momenta Photographic Workshops   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .  

Matthew discusses the 2020 Eddie Adams Photography Workshop.

Dotan Saguy was born in a small kibbutz five miles south of Israel's Lebanese border. Dotan grew-up in a diverse working class Parisian suburb, lived in Lower Manhattan during 9/11 and moved to Los Angeles in 2003. In 2015 Dotan decided to focus on his lifelong passion for photography after a successful career as a high-tech entrepreneur. Since then Dotan attended the prestigious Eddie Adams Workshop, Missouri Photo Workshop and studied photojournalism at Santa Monica College. Check out the full show notes for this episode on our website.

This week, take a look into the 2019 Eddie Adams Workshop. Each year, thousands of photographers submit their work to become one of the elite group of 100 students selected to be a part of the workshop.

On today's podcast I speak with photo journalist Santiago Lyon. Santiago spent years documenting conflicts in Afghanistan, Bosnia, Croatia, and El Salvador to name a few. Santiago later went on to become vice president and director of photography for the Associated Press where he worked for 13 years and earned several pulitzer prizes under his leadership. Currently Santiago is the director of editorial content at Adobe as well serving on the board of directors for the Eddie Adams Workshop. Santiago has a wealth of knowledge in the photography industry so I was excited to get a chance to speak with him. I hope you enjoy and thanks for listening! SPONSORED by PicDrop Use Promo code "photobanter" and get 2 months free at https://www.picdrop.com

In episode 13 UNP founder and curator Grant Scott is in his shed considering the recent RPS Hundred Heroines initiative and the CPR report by Kristen Chick Photojournalism's Moment of Reckoning.  Plus this week photographer Tom Stoddart takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Tom Stoddart began his photographic career on a local newspaper in his native North-East of England. In 1978 he moved to London and began working freelance for publications such as The Sunday Times and Time magazine. During a long and varied career he has witnessed such international events as the war in Lebanon, the fall of the Berlin Wall, the election of President Nelson Mandela, the bloody siege of Sarajevo, the wars against Saddam Hussein in Iraq. In 1997 Tony Blair gave Stoddart exclusive behind the scenes access to his election campaign as the Labour Party swept to victory after 18 years of Conservative government in the United Kingdom. Over the years Tom has worked with charities and NGO's such as Medecins Sans Frontieres, Oxfam, Christian Aid, Care International and Sightsavers. His extensive work on the catastrophic AIDS pandemic blighting Africa has been widely published and exhibited. His photography has been honoured with awards from World Press Photo, Visa pour l'image, Pictures Of The Year and the Eddie Adams Workshop. In 2012 his Perspectives retrospective outdoor exhibition was displayed at London's South Bank and attracted 225,000 visitors. Now established as one of the worlds most respected photojournalists, Stoddart is represented by, and works closely with Getty Reportage, to produce powerful photo-essays on the serious world issues of our time. www.tomstoddart.com You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto and on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book #New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in January 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay will be screened across the UK and the US in 2018. © Grant Scott 2018

Dotan Saguy was born in a small kibbutz five miles south of Israel’s Lebanese border. He grew up in a diverse working-class Parisian suburb, lived in Lower Manhattan during 9/11 and moved to Los Angeles in 2003. In 2015 Dotan decided to focus on his lifelong passion for photography after a successful career as a high-tech entrepreneur. For the last several years he has been working on a personal project documenting Venice Beach, California, which is one of Los Angeles's most iconic cultural locations. The result is his book . This latest conversation revolves around an in-depth discussion of his journey of seeing his Venice Project published as a book. Dotan attended the Eddie Adams Workshop, the Missouri Photo Workshop and studied photojournalism at Santa Monica College. Dotan's work has been published by National Geographic, PDN, Leica Fotografie International, ABC News, has been exhibited in several galleries across Los Angeles and has been awarded 1st place photo story from the nationwide Journalism Association of Community Colleges in 2016 and an honorable mention in the National Geographic Travel Photographer of the Year Award 2016. Resources:   Workshops & Apps Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .  

Matt Black is an associate member of Magnum Photos whose work has explored the connections between migration, poverty, agriculture, and the environment in his native rural California and in southern Mexico. He has photographed over one hundred communities across 44 U.S. states for his project The Geography of Poverty. Other recent works include The Dry Land, about the impact of drought on California’s agricultural communities, and The Monster in the Mountains, about the disappearance of 43 students in the southern Mexican state of Guerrero. Both of these projects, accompanied by short films, were published by The New Yorker. Matt is a contributor to the @everydayusa photographers’ collective and has produced video pieces for msnbc.com, Orion Magazine, and The New Yorker. He has taught photography with the Foundry Photojournalism Workshops, the Eddie Adams Workshop, Leica Fotografie International, and the Los Angeles Center of Photography. Anastasia Photo gallery in New York represents his prints. He became a Magnum nominee in 2015 and an Associate Member in 2017. He was named as Time's Instagram Photographer of the Year in 2014 having only started using the platform the previous year. He received the W. Eugene Smith Award in 2015. In 2016, he received the Robert F. Kennedy Journalism Award and was named a Senior Fellow at the Emerson Collective. His work has also been honored by the Magnum Foundation Emergency Fund, the Pulitzer Center on Crisis Reporting, the Center for Cultural Innovation, and others. In episode 075, Matt discusses, among other things: Working on home soil in ‘the other California’, The Central Valley His newspaper apprenticeship - "a wonderful introduction" to what he would end up doing... Personal projects - deciding if he couldn’t do it on his terms he didn’t want to do it at all His transition from film to digital The Geography of Poverty Editing and sequencing The Monster in the Mountains How he creates his distinctive aesthetic Website | Twitter | Facebook | Instagram “To me at this point, what photography is about, the only thing I care about when it comes to my work or other people’s work is ‘what is this person trying to say?’, ‘what lies behind all this?’. That’s what I respond to in work is, ‘what is this person trying to say and is it being done honestly or is their something deceptive about it or is there some kind of corner cutting or is it too clever? Those are the things that influence me. It doesn’t matter [whether it’s] colour, black and white, digital, conceptual, documentary. It’s the spirit behind it that moves me.” THIS EPISODE OF THE PODCAST IS SPONSORED BY THE CHARCOAL BOOK CLUB - THE LATEST AND GREATEST PHOTOBOOKS, EXPERTLY CURATED AND DELIVERED TO YOU DOOR WITH FREE SHIPPING AND NO HASSLES. **VERY SPECIAL LISTENER OFFER** USE CODE 'ASMALLVOICE' TO CLAIM A FREE BOOK OF YOUR CHOICE WHEN YOU JOIN!!! https://charcoalbookclub.com - INFORM THE MIND, INSPIRE THE SOUL

Episode 219 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Olympus Visionary, Mike Boening In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener: Olympus Visionary Mike Boening opens the show. Thanks Mike! Sponsors: - Get 20% off your order at PhottixUS.com using code PetaPixel20. More at LensShark.com/deals. - 5DayDeal's "The Complete Photography Bundle 2017" giveaway and bundle. Stories: A classic scam targets photographers...and it obviously works! (#) Yashica's "unprecedented" camera comes out and I'm speechless (no, I'm not). (#) Samyang releases its fourth AF lens....the AF 35mm f/1.4 FE. (#) CBS features the 30th Eddie Adams Workshop and why truly seeing matters. (#) An app to control Lightroom emerges, but would you find it useful? (#) EyeEm introduces a useful feature to save photographers time. (#) Outtake A reminder about my new show with Brian Matiash, the No Name Photo Show. Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

Dotan Saguy was born in a small kibbutz five miles south of Israel’s Lebanese border. He grew-up in a diverse working class Parisian suburb, lived in Lower Manhattan during 9/11 and moved to Los Angeles in 2003. In 2015 Dotan decided to focus on his lifelong passion for photography after a successful career as a high-tech entrepreneur. Since then Dotan attended the Eddie Adams Workshop, the Missouri Photo Workshop and studied photojournalism at Santa Monica College. Dotan's work has been published by National Geographic, PDN, Leica Fotografie International, ABC News, has been exhibited in several galleries across Los Angeles and has been awarded 1st place photo story from the nationwide Journalism Association of Community Colleges in 2016 and an honorable mention in the National Geographic Travel Photographer of the Year Award 2016. Dotan is currently working on several ground-breaking long term projects including an in-depth photo essay about the culture of Venice Beach and a photo documentary about the journey of people coming out of homelessness. Dotan lives in West Los Angeles with his wife and two children.   Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can follow Ibarionex on and .

Continuing with our series of conversations from the Eddie Adams Workshop, we sit with National Geographic photographer Steve Winter to talk about his work and career, specifically on capturing images and telling the stories of the big cats of the world. Winter started his photojournalism career in the social documentary tradition and, working for the famed Black Star agency, fate (and fear) pushed him into the world of wildlife photography. He tells us how his path shifted, how he blends photojournalism and wildlife photography and how specializing in one subject has benefitted his career. With many adventures and close calls under his belt, he relates how travel and gear logistics and long stretches away from home can be the hardest part of his job. He also talks gear choices, working with scientists and local trackers and drone photography. Winter’s work spans the globe and includes an ark full of creatures, but he is most recognized for his big-cat photography, which entails long expeditions in mountains and jungles and also the proficient use of camera traps to photograph elusive animals remotely, including the cougar know as P-22, which Winter photographed in its territory—the Hollywood hills. Guest: Steve Winter Photo: Copyright Steve Winter/National Geographic http://www.stevewinterphoto.com http://www.eddieadamsworkshop.com

The B&H Photography Podcast was very fortunate to be invited to the 29th Eddie Adams Workshop this year. The annual workshop, officially sponsored by Nikon, with support from B&H, is a unique and inspiring event, bringing together 100 young photographers with some of the world’s most recognized photojournalists and editors, including thirteen Pulitzer Prize winners, for four intense days of photographic presentation and collaboration. On today’s podcast, we discuss editing for newspapers and news sites and the working relationship between photojournalists and their editors. In the first half of the episode, we speak with Nancy Andrews, the former Director of Photography at The Detroit Free Press and current Ogden Visiting Professor for Media Innovation, Reed College of Media at West Virginia University, and Colin Crawford, the Deputy Managing Editor of Visual Journalism at the Los Angeles Times. Both started as photojournalists and we chat about the differences between photographers and editors, but we concentrate our talk on how an editor can guide a photographer to improve their work. After a short break, we resume with Pulitzer Prize-winning photographer Michael Williamson and MaryAnne Golon, Assistant Managing Editor and Director of Photography at the Washington Post. In addition to being colleauges, Williamson and Golon are old friends, and we discuss the working relationship between a photographer and an editor and how collaboration takes concept to completed series. Guests: Nancy Andrews, Colin Crawford, Michael Williamson, MaryAnne Golon Nancy Andrews and Colin Crawford: 01:18 Michael Williamson and MaryAnne Golon: 24:42 www.eddieadamsworkshop.com Image: Colin Crawford editing with students at the Eddie Adams Workshop. Photo: John R. Harris

The B&H Photography Podcast was very fortunate to be invited to the 29th Eddie Adams Workshop this year. The annual workshop, officially sponsored by Nikon, with support from B&H, is a unique and inspiring event, bringing together 100 young photographers with some of the world’s most recognized photojournalists and editors, including thirteen Pulitzer Prize winners, for four intense days of photographic presentation and collaboration. Tim Rasmussen, Director of Digital and Print Photography at ESPN, joined us for a chat in our improvised studio in the fabled barn on the Eddie Adams farm. Prior to ESPN, Rasmussen was the Assistant Managing Editor of Photography and Multimedia at the Denver Post and under his lead, their photo department earned three Pulitzer Prizes. Tim is also a member of the Board of Directors at the Eddie Adams Workshop and, in addition to having been a team leader, producer and editor at the workshop, he was a student in its very first year—1988. Our conversation with Rasmussen revolves around the workshop—how he came to attend the first-ever workshop, why it has become a breeding ground and “sanctuary” for two generations of talented photojournalists and, of course, around Eddie Adams himself. We also talk with Rasmussen about his own career, transition from photographer to editor, and how he ended up at ESPN. Within this relaxed conversation there is much to learn—about the threads of life and the nature of commitment, about the practice of photojournalism and, particularly for young photographers, about what an editor looks for when hiring a photographer. Guest: Tim Rasmussen Photograph of Eddie Adams by Tim Rasmussen https://www.bhphotovideo.com/explora/photography/features/podcast-thread-tim-rasmussen-and-eddie-adams-workshopl www.eddieadamsworkshop.com/

The B&H Photography Podcast was very fortunate to be invited to the 29th Eddie Adams Workshop this year. The annual workshop, officially sponsored by Nikon with support from B&H, is a unique and inspiring event, bringing together 100 young photographers with some of the world’s most recognized photojournalists and editors, including thirteen Pulitzer Prize winners, for four intense days of photographic presentation and collaboration. The team leaders and speakers are a who’s-who of the photojournalism community, and we took our opportunity to sit down with many of them for conversations that ranged from personal inspiration and technical innovation to the photographer-editor relationship and how to set a camera trap for mountain lions. In the weeks to come, we will present several of our “conversations from the barn,” thus named because we created an impromptu studio in the fabled barn on the Eddie Adams farm. Our first conversation joins Pulitzer Prize-winning photographer John H. White and photographer, artist, and educator Endia Beal. Mr. White could be considered the spiritual heart of the workshop and anyone who hears him speak will understand why. His work for Chicago’s daily newspapers dates back to the late 1960s, and he was on staff at the Chicago Sun-Times when he earned his Pulitzer. His work is well rounded, as any newspaper photographer’s should be, and covers events big and small, but it his depiction of Chicago’s African-American community that has garnered the most attention. We speak with him about his upbringing in North Carolina, his relationship with his subjects, including his friend Muhammad Ali, and the most important camera he has ever used. Endia Beal is an accomplished artist currently serving as Associate Professor of Art and the Director of the Diggs Gallery at Winston-Salem State University. Her early artistic work emerged from personal tragedy and called into question cultural and skin-color-based stereotypes in her hometown community. Her more recent work continues to pose questions, exploring the identity of minority women within the corporate space. Join us as we chat with these two remarkable people about their lives and work. Guests: Endia Beal and John H. White Photo: John H. White www.keepinflight.com www.endiabeal.com

Some days, I love my job, and this was most definitely one of those days. We were in a room of heroes, not just heroes of mine, but actual heroes, people who fill their lives, risk their lives, for passion and for the betterment of humanity. The gathering was called “The Pulitzer Prize Photographers,” held in celebration of the centennial of the establishment of the Pulitzer Prize and organized by the Eddie Adams Workshop, the Parsons School of Design, and supported, in part, by B&H Photo. It brought together Pulitzer-Prize-winning photographers from six decades, displayed their history lesson of potent journalism, and gave time and space for their stories to be told. At times, emotion filled the auditorium, tears were shed, but by the end of the night, there was joy—Nick Ut hamming it up in the photo booth, Adrees Latif and Ruth Fremson pressing limes for margaritas at the after-party. I shook hands with Robert Jackson, who captured the shooting of Lee Harvey Oswald, and thanked Daniel Berehulak—he risked his life to document the Ebola plague in West Africa, and in doing so, helped bring to an earlier end that horrible epidemic. Nancy Borowick, who chronicled her parent’s illnesses and deaths, seemed endearingly unaware of her might, and John White brought a smile to many faces, reminding us that as photographers we are “visual servants.” This episode of our podcast will do its best to bring you to this event, to share moments of insight from the speakers and provide a sense of the evening’s activities. Even if photojournalism is not your primary interest, enjoy, be moved, and be inspired by the experience and wisdom put forth at this gathering of greats.

Hello and welcome to the Photo Brigade podcast! It's been a few months since we've last posted a podcast and thats due to a number of circumstances. September I was traveling in Europe and had a personal family emergency, October was a crazy month with Eddie Adams Workshop and Photo Plus Expo in NYC, and we've been working on building some great partnerships as we move into 2016…but more on that later! Speaking of Photo Plus Expo, I was able to sit down for this podcast with our pal, John Harrington, AKA the Photo Business Guru. We talked about the latest issue of his best-selling photo business bible, Best Business Practices for Photographers, about social media, contracts, and much more! Sit Back, relax, and enjoy this episode of The Photo Brigade Podcast. 

On April 16th 2014, the MV Sewol, a ferry bound for the island of Jeju, capsized off the coast of Jindo County, the South-westernmost region of South Korea. Out of the 476 people on board, 304 died – most of them from Danwon High School in the city of Ansan. The Sewol disaster is one of the biggest human catastrophes in South Korea’s recent history and has triggered a significant amount of perplexity and soul-searching among its citizens. How could a disaster of this magnitude occur in such a technologically advanced country? Why were the rescue efforts so uncoordinated and inefficient? Is South Korea’s “palli palli” (fast) culture to blame; putting profit ahead of people’s safety? The families of the victims have been looking for answers ever since and continue to demand that an independent inquiry shed light on what really happened. Our guest for this episode, Jun Michael Park, has been following the Sewol families in their struggles, documenting their lives in the aftermath of the tragedy and their quest for truth and justice. We talk about his work, what the Sewol families are trying to achieve, and how we can explain the hatred far-right groups have demonstrated against them. Jun Michael Park is a documentary photographer and visual storyteller from Seoul. He has worked for Der Spiegel, Welt am Sonntag, Cicero Magazine and Brand Eins in Germany, as well as Greenpeace East Asia, Save the Children, Asia Society Korea Center and many more. Jun is a winner of a Silver Award in the Press-Feature Story category at Prix de la Photographie Paris (Px3) 2015 and is selected for this year's Eddie Adams Workshop in New York.

On this episode host Robert Caplin chats with travel photographer and destination workshop producer Mirjam Evers about her career, globetrotting, Photo Quest Adventures, Eddie Adams Workshop, and more! Sit back, Relax, and enjoy this episode of the Photo Brigade Podcast!

On this episode Robert Caplin chats the one-and-only Alyssa Adams, deputy editor at TV Guide Magazine and executive director of the Eddie Adams Workshop. Back in 1988, Alyssa and her late husband, Eddie Adams, founded this annual, tuition-free workshop that invites the 100 top students and early professional photographers, chosen strictly by the merit of their portfolios, to their barn in Jeffersonville, NY at the peek of Autumn, to participate in one of the industry's longest-running and respected workshops. They talk about Alyssa's background in design, how she got into the photo industry, how she and Eddie met, and they talk all about the workshop Robert attended a decade ago as a student and has since returned as a team producer. Sit back, relax, and enjoy this episode of The Photo Brigade podcast!  

On this episode Robert chats with his good friend Al Bello, who's been a staff sports photographer with Getty Images for over two decades. On top of being one of the greatest sports photographers, Al is one of the nicest photographers you could ever meet in our industry. Al and Robert connected at this year's Eddie Adams Workshop in Upstate New York where they both led the orange sports team along with Brad Smith of Sports Illustrated. Tehy talk about how he got into sports photography as a “darkroom boy” for a  magazine called The Ring, his lengthy career at Getty, the difficulty of balancing a career traveling the world and family life, his advice to the next generation of photographers, and much more. Sit back, relax, and enjoy our pond-side chat on this episode of The Photo Brigade podcast! 

For our 50th episode, we're bringing you something special. This past weekend Robert was a producer at the Eddie Adams Workshop where he sat down with the legendary, Pulitzer Prize-winning photographer Nick Ut. His photo from Vietnam of a 9-year-old girl running naked down a road after being severely burnt by a napalm bomb captivated the world and helped bring the war to an end. He's closing in on 50 years as a staff photographer with Associated press and is now based in LA. They discuss the day in 1972 when he took the infamous picture, how war has affected him on many levels, as well as the loss of numerous friends, colleagues, and how he followed in the footsteps of his his older brother, a photojournalist who was killed while covering the war. Sit back, relax, and enjoy this 50th episode of The photo Brigade Podcast!

On this episode Robert chats with Elizabeth Griffin, photo editor for Esquire.com and the Hearst Corporation. They both found themselves on an Acela Express train heading back to Manhattan from Boston where they were both were on assignment covering an elaborate Gregory Heisler Sports Illustrated cover shoot in Boston. They had a great discussion about everything from print promotion to email marketing, pricing standards, the Eddie Adams Workshop, portfolio reviews, her background as an intern at VII, Getty's new free embed function, social media, and much more. So sit back, relax, and have a cocktail with Robert and Elizabeth on a severely delayed train back to New York City on this episode of The Photo Brigade Podcast! 

Jonathan Hanson is a freelance photographer based in Baltimore, MD. His passion for culture, exploration and storytelling inspired him to leave his Midwestern roots for the East coast. His work is inspired by color, light and the relationships photography can often forge. He has travelled through Southeast Asia, Africa, Mexico and Canada. He received dual BA’s in Journalism and Creative Writing from Drake University.  In 2010, he was selected for the Eddie Adams Workshop and was named one of the top emerging photographers in the U.S. by The Magenta Foundation. http://jhansonphoto.com/ http://jhansonphoto.com/blog/ www.thecandidframe.com info@thecandidframe.com