Podcasts about Visual journalism

In this episode, we welcome Jonah Kessel. Jonah is the Deputy Director of Opinion Video at The New York Times. His work there is a hybrid of explanatory and investigative short form documentary and other innovative forms of visual journalism. In his career, he's been recognized by a variety of organizations, including two World Press Photo awards, four times as a Multimedia Journalist of the Year from Pictures of the Year International, the Robert F. Kennedy Award for Justice and Human Rights Reporting, and the Innovative Storytelling Award from the National Press Foundation. In our chat, Jonah shares his backstory, path to The New York Times, and his experiences helping run the Opinion Video department. In addition, he talks at length about covering the 2024 U.S. Presidential Election. The Making Of is presented by AJA:Meet AJA Ki Pro GO2Easily record up to four channels of simultaneous HEVC or AVC to cost-efficient USB drives and/or network storage with flexible connectivity, including four 3G-SDI and four HDMI digital video inputs, to connect to a wide range of video sources.Find out more hereZEISS Cinema & The Making Of present: A Conversation with Lawrence Sher, ASCZEISS Cinema is pleased to host a live interview with Lawrence Sher, ASC. Join Michael Valinsky from the podcast The Making Of as he discusses Lawrence's work on the upcoming feature JOKER: FOLIE à DEUX, as well as his past films and the indispensable filmmaking website ShotDeck. The ZEISS team will be on hand with our lenses and camera technologies as well!Join us for bites, beer, wine and a conversation not to be missed! Register for free hereFrom our Friends at Broadfield…All-new pricing for RED KOMODO and KOMODO-X unlocks exceptional cinema quality, global shutter performance, and the power of RED to filmmakers at every level. The KOMODO is a compact cinema camera featuring RED's unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. The KOMODO-X is the next evolution with all-new sensor technology that multiplies frame rate and dynamic range performance within a new advanced platform.Inquire hereUpcoming Event: Cine Gear Atlanta | October 4-5thThousands of industry professionals will surge to attend this year at Trilith Studios in Fayetteville, Georgia. A focal point of Southern filmmaking, Cine Gear 2023 drew thousands to the studio, which houses productions like Black Adam and Francis Ford Coppola's Megalopolis. Visitors met with equipment exhibitors from across the globe, attended panels and workshops from the International Cinematographer's Guild, the ASC, and numerous tech brands, and partied at the Friday night Southern Cine Soirée.Get your passes hereOWC Atlas Ultra CFexpress Cards:Experience the unparalleled performance and reliability of Atlas Ultra CFexpress Type B 4.0 cards purpose-built for professional filmmakers and photographers to capture flawlessly and offload files quickly in the most demanding scenarios.Check it out herePodcast Rewind:Sept 2024 - Ep. 46…“The Making Of” is published by Michael Valinsky.Partner with us and promote your products to 82,000 film, TV, video and broadcast professionals reading this newsletter. Simply email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Data visualization is one of the most precious applications of design for social and political purposes, and a powerful tool for journalists and historians. In this episode, Anjali Singhvi, senior staff editor for spatial investigations at The New York Times, discusses with Paola how she deploys design in her reporting practice to highlight facts, resolve ambiguous narrations, and provide readers with the tools to uncover truth. In her work, Anjali unravels details and reconstructs events both recent––a fatal fire in the Bronx, for instance, or apartment building collapses in southern Turkey or on the Florida coast––and past, as she and her team did in 2023 by giving a first comprehensive visual account of the Tulsa Race Massacre of 1923. An expert in forensic 3D reconstructions of crime scenes and digital investigations, Anjali is keen to explain her background, the role of investigative visual journalism, and to describe a typical New York Times investigation––the process and the research involved, from journalists and institutions to citizen reporting and user-generated data. You can find images of Anjali's work on our Instagram grid @design.emergency. Please join us for future episodes of Design Emergency when we will hear from other global design leaders who, like Anjali, are at the forefront of positive change.Design Emergency is supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

“Paul Ninson is the founder and executive director of Dikan Center based in Accra, Ghana. Dikan Center is a visionary non-profit institution dedicated to shaping the next generation of Africa's creative leaders. Founded in 2022, Dikan Center is swiftly gaining recognition for its unwavering dedication to visual education, establishing the first photo library in Africa comprising an extensive collection of African history and books.  Before establishing the Dikan Center, Paul accumulated a diverse professional background, contributing his talents to globally renowned entities like BBDO, AstraZeneca, Vivo Energy, Next Door, and Humans of New York, where he served as a producer and photo editor. Paul's educational journey led him to acquire a degree in Industrial Art from the Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Furthering his expertise, he immersed himself in the realm of Documentary Practice and Visual Journalism at the distinguished School of the International Center of Photography in New York.  Recognised for his achievements through features in prominent publications and his roles as a leader and educator, Paul's mission is to impact whiles making visual education accessible in Africa. He accomplishes this through innovative initiatives & programming such as educational programs, Curating, culture heritage & archiving, and community engagement.  Paul has lectured and continues to teach at various schools and programs, such as Dikan School, Babson College, ICP, Nassau Community College, etc. He has curated exhibition extensive in Ghana.” Text and photo credit: paulninson.com

FLUX Car Charging Solutions CEO Allison Eastman had a winding path before FLUX. Starting out in healthcare in the early 2000’s, she moved around the country while advancing her career into various management roles. In the middle of her career, she obtained a degree in Visual Journalism and worked as a freelance photographer for a […] The post Empowering Electric Journeys: Unveiling FLUX Car Charging Solutions appeared first on Business RadioX ®.

Welcome to Episode 1197 Cynthia Chaplin interviews Ariana Tsuchiya, in this installment of Voices, on the Italian Wine Podcast. More about today's guest: Ariana Tsuchiya completed her BBA at the University of Miami with an emphasis on Marketing and a minor in Visual Journalism. After studying abroad in Rome, she realized her passion for food and beverage and was inspired to become a sommelier. Moving back home to Hawaii she worked at Alan Wong's Honolulu and studied and trained into the position of sommelier. She is currently the first local woman to attend the CMS-A advanced course, a Certified Specialist in Spirits and Wines with the SWE, and holds a Level 3 award in Sake from the WSET. Her current role as a Beverage Director for G.Lion Hawaii allows her to keep her curiosity and spread the love of wine with others every day. To learn more visit: Website: https://www.alohawinefoundation.org/ Instagram: @arianatsuchiya Linkedin: https://www.linkedin.com/in/ariana-tsuchiya-50504644/ Twitter: arianatsuchiya About today's Host: Cynthia Chaplin is a VIA certified Italian Wine Ambassador, a professional sommelier with FIS and the WSA, a member of Le Donne del Vino, and a Professor of Italian wine and culture. Born in the USA, she's lived in Europe since 1990. Italian wine, in particular rosé, is her passion. She works with embassies, corporations and private clients, creating and presenting tastings, events, seminars and in-depth courses. Cynthia is a wine writer, a judge at international wine and sake competitions, she consults with restaurants and enotecas developing comprehensive wine lists and food pairings, and she advises clients who want to curate an Italian wine collection. She currently works for Vinitaly International in Verona as a Project Manager, Educator, and the host of VOICES Series on The Italian Wine Podcast, focusing on diversity and inclusion in the global wine industry. To learn more visit: Facebook: Italian Wines in English Instagram: kiss_my_glassx Linkedin: https://www.linkedin.com/in/cynthia-chaplin-190647179/ Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodcast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, Cin Cin!

This month, the Florida Board of Medicine voted to ban gender-affirming care for many transgender youth. The ban prevents minors who were not already receiving care from beginning treatment such as hormones or puberty blockers. It's the first such rule from a state medical board, but it may not be the last. The rule flies in the face of scientifically-backed guidelines established over years by The World Professional Association for Transgender Health and recommendations from accredited medical groups such as the American Medical Association. Physicians who study or provide gender-affirming healthcare have noted the ban is based on flawed research and misinterpretation, and influenced by disinformation narratives pushed by the right-wing. And this disinformation has seeped into all facets of the public discourse about transgender care and identity. We speak with Dr. Meredithe McNamara, an adolescent medicine physician and assistant professor of pediatrics at the Yale School of Medicine, who testified against the Florida ban at a recent public meeting; and Alberto Cairo, the Knight Chair in Visual Journalism at the University of Miami in Florida, and whose son has been diagnosed with gender dysphoria.  

This month, the Florida Board of Medicine voted to ban gender-affirming care for many transgender youth. The ban prevents minors who were not already receiving care from beginning treatment such as hormones or puberty blockers. It's the first such rule from a state medical board, but it may not be the last. The rule flies in the face of scientifically-backed guidelines established over years by The World Professional Association for Transgender Health and recommendations from accredited medical groups such as the American Medical Association. Physicians who study or provide gender-affirming healthcare have noted the ban is based on flawed research and misinterpretation, and influenced by disinformation narratives pushed by the right-wing. And this disinformation has seeped into all facets of the public discourse about transgender care and identity. We speak with Dr. Meredithe McNamara, an adolescent medicine physician and assistant professor of pediatrics at the Yale School of Medicine, who testified against the Florida ban at a recent public meeting; and Alberto Cairo, the Knight Chair in Visual Journalism at the University of Miami in Florida, and whose son has been diagnosed with gender dysphoria.  

Eileen Clegg has been a long-time pioneer in visual journalism. She is the founder of Visual Insight, and is now also the CEO of vTapestry, which automates the creation of visual summaries of online meetings. She is the author of seven books including Claiming Your Creative Self and Creating a Learning Culture.

This month we're talking with Kaitlin Grunder, who you may know as the Marketing and Social Media Manager for Pulte Financial Services, but did you know this about Kaitlin?   Originally from Chicago until the 5th grade, her family moved to Dallas for 2 years, and then Atlanta where she attended 7th to the 11th grade. Her family was impacted by the recession following the mortgage crisis of the late 2000s. Instead of fulfilling her senior plans to be Captain of the volleyball and basketball teams and editor of the yearbook, she moved to Castle Rock her senior graduating from Castle View High School. She attended Auburn University where she studied Journalism. Kailin even negotiated her own Major of Visual Journalism with a Minor in Business Marketing. Feels moving around taught her to be flexible and she enjoys change and feels antsy if there's not change Parents and two younger brothers all live in Caste Rock, CO Created a book cover which got her discovered by an ad agency. Has never really taken a real vacation and she is finally taking her first trip to Mexico with her boyfriend Finds being outdoors working in the yard or hiking in nature restorative which she describes as "it refills my cup". Music is a passion and all-time favorite artist is The Weekend. She is celebrating her 4th employment anniversary with Pulte Financial Services in October

Ein Gespräch mit Prof.in Dr.in Karen Fromm. Über Fotografie und wirklich fast alles was damit zu tun. Dabei kommen Arbeiten von Andrea Grützner genauso vor wie die Suche nach einer Antwort auf die Frage: Was wird Fotografie? Die Antwort ist groß und führte uns über die sogenannte Bilderflut bis zu dem angeblichen Tod der Fotografie. Wir versuchen zwar, das Gespräch über Begrifflichkeiten nicht Überhand nehmen zu lassen, glücklicherweise gelingt das nicht immer. Dass es auch um die Image-Matters-Plattform, das Fotografiestudium in Hannover und Visual Journalism geht versteht sich von selbst. Das alles in etwas mehr als einer Stunde. Könnte man fast kompakt nennen. Karen Fromm ist seit 2011 Professorin im Studiengang Visual Journalism and Documentary Photography an der Hochschule Hannover. Sie studierte Kunstgeschichte, Literaturwissenschaften und Kultur- und Medienmanagement in Heidelberg, Hamburg und Berlin, sie promovierte an der Humboldt-Universität zu Berlin zum Thema ‚Das Bild als Zeuge. Inszenierungen des Dokumentarischen in der künstlerischen Fotografie seit 1980‘. Von 1995 bis 1997 leitete sie die Galerie Pfefferberg in Berlin und ab 1999 das Referat für Ausstellungen und Corporate Design bei Gruner+Jahr. Bis 2011 war sie auch Mitglied der Geschäftsleitung bei der Photo- und Presseagentur FOCUS. Das angesprochene Zitat zu den Schiffern auf hoher See ist im Original von Otto Neurath und lautet wie folgt: „Es gibt keine tabula rasa. Wie Schiffer sind wir, die ihr Schiff auf offener See umbauen müssen, ohne es jemals in einem Dock zerlegen und aus besten Bestandteilen neu errichten zu können. Nur die Metaphysik kann restlos verschwinden.“ https://visualjournalism.de http://image-matters-discourse.de/ https://www.foto-kunst-theorie.de/4-fragen-an-karen-fromm/ https://www.andreagruetzner.de/erbgericht Foto: Raimund Zakowski

Ein Gespräch mit Prof.in Dr.in Karen Fromm. Über Fotografie und wirklich fast alles was damit zu tun. Dabei kommen Arbeiten von Andrea Grützner genauso vor wie die Suche nach einer Antwort auf die Frage: Was wird Fotografie? Die Antwort ist groß und führte uns über die sogenannte Bilderflut bis zu dem angeblichen Tod der Fotografie. Wir versuchen zwar, das Gespräch über Begrifflichkeiten nicht Überhand nehmen zu lassen, glücklicherweise gelingt das nicht immer. Dass es auch um die Image-Matters-Plattform, das Fotografiestudium in Hannover und Visual Journalism geht versteht sich von selbst. Das alles in etwas mehr als einer Stunde. Könnte man fast kompakt nennen. Karen Fromm ist seit 2011 Professorin im Studiengang Visual Journalism and Documentary Photography an der Hochschule Hannover. Sie studierte Kunstgeschichte, Literaturwissenschaften und Kultur- und Medienmanagement in Heidelberg, Hamburg und Berlin, sie promovierte an der Humboldt-Universität zu Berlin zum Thema ‚Das Bild als Zeuge. Inszenierungen des Dokumentarischen in der künstlerischen Fotografie seit 1980‘. Von 1995 bis 1997 leitete sie die Galerie Pfefferberg in Berlin und ab 1999 das Referat für Ausstellungen und Corporate Design bei Gruner+Jahr. Bis 2011 war sie auch Mitglied der Geschäftsleitung bei der Photo- und Presseagentur FOCUS. Das angesprochene Zitat zu den Schiffern auf hoher See ist im Original von Otto Neurath und lautet wie folgt: „Es gibt keine tabula rasa. Wie Schiffer sind wir, die ihr Schiff auf offener See umbauen müssen, ohne es jemals in einem Dock zerlegen und aus besten Bestandteilen neu errichten zu können. Nur die Metaphysik kann restlos verschwinden.“ https://visualjournalism.de http://image-matters-discourse.de/ https://www.foto-kunst-theorie.de/4-fragen-an-karen-fromm/ https://www.andreagruetzner.de/erbgericht Foto: Raimund Zakowski

How can we best communicate our data science findings using #dataviz? Alberto Cairo, PhD is a journalist, designer, and the Knight Chair in Visual Journalism at the School of Communication of the University of Miami (UM). He is the author of How Charts Lie, The Truthful Art, The Functional Art, and Nerd Journalism. He is also the director of the visualization program at UM's Center for Computational Science. Our Data Science Zoominars feature interactive conversation with data science experts and a Q+A session moderated by Rafael A. Irizarry, PhD, Chair, Department of Data Science at Dana-Farber Cancer Institute.

Data Journalism is a hot topic in the news business. Reporters working in diverse media and diverse markets are increasingly being asked to work with data. What exactly makes for good data journalism and what does a reporter need to understand to use data well. Those are a few of the questions discussed on The Data Journalism Podcast and that is the focus of this episode of Stats and Stories with guests Alberto Cairo and Simon Rogers. Alberto Cairo is a journalist and designer, and the Knight Chair in Visual Journalism at the School of Communication of the University of Miami. He is also the director of the visualization program at UM's Center for Computational Science. He has been head of information graphics at media publications in Spain and Brazil. He is the author of several books including his upcoming, How Charts Lie: Getting Smarter About Visual Information, Cairo currently consults with companies and institutions like Google and the Congressional Budget Office, and has provided visualization training to the European Union, Eurostat, the Centers for Disease Control and Prevention, the Army National Guard, and many others. Simon Rogers is an award-winning data journalist, writer and speaker. Author of ‘Facts are Sacred‘, published by Faber & Faber in the UK, China and South Korea. He has also written a range of infographics for children books from Candlewick. Data editor on the News Lab team at Google, based in San Francisco, he is director of the Data Journalism Awards and teaches Data Journalism at Medill-Northwestern University in San Francisco and has taught at U Cal Berkeley Journalism school.

Hoy en EsÉxito hablamos con Alberto Cairo, periodista y diseñador de gráficos. Alberto es el Knight Chair in Visual Journalism en la facultad de comunicación de la University of Miami, en Florida. También es director de visualización del Institute for Data Science and Computing en la misma universidad. Alberto es de La Coruña, empezó trabajando en La Voz de Galicia, luego en Diario 16 y fue el director del departamento de gráficos interactivos de El Mundo. La primera vez que trabajó en Estados Unidos fue en 2005, cuando estuvo de profesor en la University of North Carolina, Chapel Hill, luego trabajó en Brasil, y desde 2012 vive en Miami. Además de su trabajo como profesor, Alberto es consultor para organizaciones gubernamentales, y empresas privadas, y es el autor de cuatro libros sobre diseño de gráficos informativos y visualización, incluyendo su último libro How Charts Lie, publicado en 2019. Estas son las notas del episodio: Alberto Cairo en la University of Miami: https://com.miami.edu/profile/alberto-cairo/ Alberto Cairo en Twitter: https://twitter.com/AlbertoCairo/status/1496661810132537357?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet%7Ctwtr%5Etrue El último libro de Alberto: How Charts Lie https://www.amazon.com/How-Charts-Lie-Getting-Information/dp/1324001569 El podcast de Alberto: https://anchor.fm/ddjpodcast Universidad de Santiago de Compostela: https://www.usc.gal/es La Voz de Galicia: https://www.lavozdegalicia.es University of North Carolina, Chapel Hill: https://www.unc.edu Universidad Carlos III de Madrid: https://www.uc3m.es/Home Chiqui Esteban en Twitter: https://twitter.com/chiquiesteban?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Mario Tascón en Twitter: https://twitter.com/mtascon?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Fernando Baptista en Twitter: https://twitter.com/fg_baptista?lang=es Rich Beckman: https://ncsma75.unc.edu/project/rich-beckman/ El corazón gigante del museo de ciencias en Filadelfia: https://www.fi.edu/exhibit/giant-heart  

Karen Marshall is a documentary photographer and Chair of the Documentary Practice and Visual Journalism Program at ICP. We talk about her recent book, Between Girls published by Kehrer Verlag. The project started in 1985 when Karen began photographing a group of teenagers in New York City. A decade older than them, her intent was to look at the emotional bonding that happens between girls at age 16 and document the emblematic relationships that often develop at this time in their lives. 10 months into the project Molly Brover, Karen' first and closest connection in this project, was killed while on vacation and the project became more than its original idea. Between Girls is a 30 year long visual story of the lives of the core group of friends that started with Molly Brover. http://www.karenmarshallphoto.com This episode is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Working with the most respected names in contemporary photography, Charcoal selects and delivers essential photobooks to a worldwide community of collectors. Each month, members receive a signed, first-edition monograph and an exclusive print to add to their collections. - www.charcoalbookclub.com Karen Marshall is a documentary photographer whose work examines the psychological lives of her subjects within the social landscape. Her photographs have appeared in numerous publications including The New York Times Magazine, the London Sunday Times, The Atlantic, New York Magazine, NPR Picture Show, GUP Magazine, and PDN. Marshall is the recipient of artist fellowships and sponsorships through the New York Foundation for the Arts, as well as grants and support from private foundations. Her photographs have been widely exhibited internationally and are part of several collections, including the Feminist Artbase at the Brooklyn Museum. Karen Marshall is Chair of the Documentary Practice and Visual Journalism program at the International Center of Photography in New York City.

Visual journalists are no strangers to trauma – including those working far from the frontlines. Deadlines, PTSD, financial uncertainty, imposter syndrome, protest, pandemic, harassment, maintaining relationships, and even success can be traumatic. Today we discuss how we as visual storytellers navigate this challenging field and deal with the uncertainty and mental toll it takes. and Featuring Patrick Baz and Tom Saater

The internet and its various social media platforms have given anyone with a username – and a little courage – the opportunity to publicly speak their mind. Calling out, cancelling, and flat-out cyber bullying, you see it all these days. Host Tasneem Alsultan wonders, when it comes to the visual journalism industry, what are the roots of this phenomenon, and will it actually lead to change? She speaks with three people who have found different ways to speak out, all with the same goal of making the industry a little more fair for us all. Featuring Khadija Farah, Asim Rafiqui and John Edwin Mason

When we ourselves become victims of sexual harassment and abuse, how do we navigate the process of speaking out? How can we support each other and build a safer industry? And just how inclusive has the #MeToo movement been? In this episode of Repicture, cohosts Tasneem Alsultan and Nyasha Kadandara discuss the sexual harassment of women within the visual journalism industry. Featuring Anastasia Taylor-Lind, Kristen Chick and Tanvi Mishra

Co-hosts Tasneem Alsultan and Nyasha Kadandara ask seven photographers if there is a photo they wish they had taken but didn't. Featuring Fabiola Ferrero, John Edwin Mason, Patience Zalanga, Barry Christianson, Anastasia Taylor-Lind, Tom Saater and Tanvi Mishra.

Repicture is a podcast featuring candid conversations with photographers, academics, reporters and editors on the ethics and practice of visual storytelling. Co-hosts Nyasha Kadandara and Tasneem Alsultan take on the topics of representation, mental health, sexual harassment, call-out culture and accountability, making mistakes and self reflection. Repicture aims to bring what are often private conversations into the public arena.

In this episode, Eric speaks with celebrated artist Gustave Blache III who talks about his journey as an artist; his education, working with gallerists and establishing his unique style of painting -- combining traditional painting methods of portraiture with journalism in a brand of art which he affectionately terms, Visual Journalism: series of paintings that documents the lives of  and  highlights the process and unique labors of everyday society from mop makers to prison entertainment... the process of discovering and the challenges of gaining access these unique stories and occupations... and how he develops a relationship of trust with his subjects. He discusses some of his most notable work; including the Leah Chase series  that documented national culinary star chef in the kitchen and the dining room in one of New Orleans' most famous restaurants, Dooky Chase Restaurant and his most recent project "Rodeo Lifers". Gustave  discusses the establishment of the Gustave Blache Art Scholarship with The School of Visual Arts and the Louisiana Endowment for the Humanities; and Blache's commitment to community and education.For more visit: www.ericsperspective.comGuest Bio:  Gustave Blache III  is an American figurative artist from  New Orleans, Louisiana, currently residing in  Brooklyn, New York. He is best known for his works in series that highlight the process and unique labors of everyday society. Blache is largely credited for combining traditional painting methods of portraiture with journalism in a brand of art which he affectionately terms, Visual Journalism. His documentary style format uses a series of paintings, dedicated to one subject, to tell the story of an overlooked individual or process. Labor is usually at the center of Blache's series' and depiction of laborers including The Curtain Cleaners, The Mop Makers, Leah Chase: Paintings by Gustave Blache III, and Simon Parkes Art Conservation (SPAC). From April 24, 2012 to September 16, 2012, the New Orleans Museum of Art exhibited Blache's most notable series up to date, Leah Chase: Paintings by Gustave Blache III. The exhibition documented national culinary star chef Leah Chase in the kitchen and the dining room in one of New Orleans' most famous restaurants, Dooky Chase Restaurant. In 2018 Gustave established the Gustave Blache Art Scholarship with The School of Visual Arts and the Louisiana Endowment for the Humanities. The scholarship covers half the tuition for two students from Louisiana chosen to attend the School of Visual Arts in New York City. The scholarship is an extension of a Blache's commitment to community and education.Eric's Perspective : A podcast series on African American art with Eric HanksSUBSCRIBE: http://bit.ly/2vVJkDn

Do you know what “flatten the curve” means? If so it's likely in part due to the hard work by data visualization designers over the last year. Our society is now more data driven than ever; as everything is quantified, counted, and dumped into spreadsheets, and it's easy to be overwhelmed by numbers. Data visualization designers work to sort through the numbers using both science and creativity to find the stories they have to tell, and help us understand the world a little better. But what goes into designing an effective data visualization, and how do you balance the art and the science of it? In this episode of Wireframe, host Khoi Vinh, and producers Dominic Girard and Pippa Johnstone, learn how designers are building charts, games, and more to take the numb out of numbers.If you've been fighting over housework during lock down, you're not alone. Designer Amy Cesal and her husband, Zander Furnas used data visualization to clean up the messy business of their own household chores, and made the invisible, visible, along the way. Shirley Wu, worried that people weren't taking the pandemic seriously enough. Her data visualization game, People of the Pandemic, helps us understand the consequences of defying stay at home orders. And Alberto Cairo outlines the responsibilities data visualization designers must balance when designing with data. He's the author of How Charts Lie, and the Knight Chair in Visual Journalism at the School of Communication of the University of Miami.The New York Times visualization we referenced is here. The Washington Post's most read article is a data visualization that you can see here. Listen to NASA's X-ray sonification here, the sonification of American COVID deaths here, and Jordan Wirfs-Brock's sonification of last year's stock market volatility here (it happens at 4:18). Find a transcript to this episode here.

En este episodio platico con Alberto Cairo, Knight Chair in Visual Journalism por la Universidad de Miami y autor de "How Charts Lie" y "The Truthful Art". Durante la plática, hablamos de las verdades y mentiras que pueden representar los gráficos, de cómo ellos pueden ser utilizados para difundir fake news y de lo que se necesita para tener una sociedad con mayores aptitudes para identificar la veracidad de las historias que consumimos.Cairo recuerda que los contenidos más vistos del New York Times y El País durante la pandemia consistieron en trabajos gráficos. En la conversación, Cairo y yo hablamos sobre lo complejo que resulta encontrar el punto medio para que el trabajo cumpla desde el aspecto gráfico, pero también contenga la información necesaria para que la audiencia se lleve una historia lo más contextualizada posible de aquello que está consumiendo. Escucha este episodio para profundizar en metodologías, pensamientos y principios del periodismo de datos. Suscríbete aquí a nuestro newsletter: https://www.storybaker.co/ See acast.com/privacy for privacy and opt-out information.

Liza Donnelly joins Mike on this episode to talk about her creative journey in becoming a cartoonist for the New Yorker, Medium, Cosmopolitan, and so many other publications. She talks about her mindset, tools and what it takes to become a successful cartoonist by sharing her stories and experiences along the way. Liza’s drive to...

Tim with Nurse Tracy in progress Tim Okamura investigates identity, the urban environment, metaphor, and cultural iconography through a unique method of painting - one that combines an essentially ‘realist’ approach to the figure with collage, spray paint and mixed media. The juxtaposition of the rawness and urgency of street art and academic ideals has created a visual language that acknowledges a traditional form of story-telling through portraiture, while infusing the work with resonant contemporary motifs. Born in Edmonton, Canada, painter Tim Okamura earned a B.F.A. with Distinction at the Alberta College of Art and Design in Calgary, Canada before moving to New York City to attend the School of Visual Arts in 1991. After graduating with an M.F.A. in Illustration as Visual Journalism, Okamura moved to Brooklyn, New York, where he continues to live and work. Tim Okamura - a recipient of the 2004 Fellowship in Painting from the New York Foundation for the Arts – has exhibited extensively in galleries throughout the world, including the U.S., Canada, Italy, Germany, Hong Kong, Japan, Ecuador and Turkey, and has been selected nine times to appear in the prestigious BP Portrait Award Exhibition at the National Portrait Gallery in London, England. In 2006, Okamura was short-listed by the Royal Surveyor of the Queen’s Picture Collection for a commissioned portrait of the Queen of England. In 2013, the University of North Carolina hosted a retrospective exhibition of Okamura’s work that focused on nearly a decade of production. Okamura received an invitation to The White House in the Fall of 2015 to honor artists whose work addresses issues of social justice – there he received a letter of commendation from Vice President of the United States, Joe Biden. Okamura’s painting titled “I Love Your Hair” was selected in 2016 for inclusion in the “American Portraiture Today” exhibition, featured at the Smithsonian National Portrait Gallery in Washington, D.C. and subsequently toured museums across the United States. Several of Okamura’s works were recently featured in the “Still I Rise” exhibition at the Massachusetts Museum of Contemporary Art. Tim Okamura’s art is on display in the permanent collections of the Davis Museum at Wellesley College, Jiménez Colón Museum in Puerto Rico, The Sonja Haynes Stone Center for Black Culture and History at the University of North Carolina, The Alberta Foundation for the Arts, the Toronto Congress Center, the Hotel Arts in Calgary, Canada, and Standard Chartered Bank in London, England. Collectors include Uma Thurman, Meg Ryan, John Mellencamp, DJ Black Coffee, Ahmir “Questlove” Thompson, athletes Courtney Lee and PK Subban, director Ben Younger, and actors Bryan Greenberg, Hill Harper, Annabella Sciorra, and Spike Lee. "PPE", 48 x 60", oil, color pencil and graphite, 2021 "Two Front War", 55 x 56, oil on canvas, 2021 "Nurse Tracy", 40 x 60", oil on linen, 2021      

“Remains to be Seen,”offers a rare perspective on former industrial, commercial, residential and natural sites across the U.S.

We’ve all seen charts come through our social media feeds or on the news. More than ever, in a time when conversations are increasingly driven by numbers—for example, in relation to the COVID pandemic—charts are ostensibly used to communicate essential information. But how much can we trust those charts? And how do they influence our perception of truth? Leading data visualization expert Alberto Cairo joined us in this livestreamed primer, introducing a core competency on analyzing charts, diagrams, and infographics. He argued that, to be informed citizens, we must all be able to decode and use the visual information that politicians, journalists, and even our employers present us with every day. Considering the decoding of charts an essential new literacy in our data-driven world, he examines contemporary examples ranging from election result infographics to global GDP maps, box office record charts—and even COVID graphics—to share the positives and negatives of relaying data visually. Alberto Cairo is the Knight Chair in Visual Journalism at the School of Communication of the University of Miami. He has consulted with companies and institutions such as Google and the Congressional Budget Office on visualizations. Buy the Book: https://www.elliottbaybook.com/book/9780393358421  Reference Alberto Cairo's presentation: https://www.dropbox.com/sh/jk4ginxyai6ylqu/AABvqdyT1hJtyFN9nKNHyX9Ba?dl=0   Presented by Town Hall Seattle. To become a member or make a donation click here. 

Carol Marin is joined by two Chicago journalists whose careers have been defined by telling stories with a camera. First, Paul Nagaro looks back at his nearly 50 years behind the camera at NBC Chicago and shares the biggest lessons he's learned along the way. Then, recent DePaul graduate Jonathan Aguilar recounts the weeks and months immediately after his graduation in which he photographed the civil unrest following the police killing of George Floyd in Minneapolis.

This week Anna Wiederkehr (@wiederkehra), Senior Visual Journalist for FiveThirtyEight, discusses finding the balance of data visualization and written word by letting the numbers reveal the how or why of a story. Being a visual person, Anna breaks down how she learned to love code while taking us through a career roadmap for those who aren’t technically minded. We dig into how data journalism benefits from long format reporting over the noise of the 24-hour news cycle and discuss a future where we can watch augmented reality basketball stats while sitting in the stands. She talks about owning your small wins and allowing yourself to try the shitty ideas while also having a plan for any and all possibilities in case the data throws you a curveball. Finally, we discuss the rise of a collaborative newsroom and knowing your value as new type of creator in the traditional world of journalism. Show Notes p5 – a JavaScript library for creative codingProcessing – a flexible code software for visual arts2020 Election ForecastAnna’s Pinterest BoardsVisual VocabularyData Vis CatalogueData Vis Project

This week's Conversations with Data podcast features Alberto Cairo, the Knight Chair in Visual Journalism at the School of Communication of the University of Miami. As an expert in data visualisation, he is also director of the visualisation programme of the Center for Computational Science. He talks to us about the latest edition of his new book "How Charts Lie", his favourite resources and why he thinks data visualisation isn't magic.

Visual Journalism in a Pandemic COVID-19 is dominating the news and made me think about covering a story about a pandemic. How would you cover a story like this in your area? What kind of precautions would you take before and during the coverage of Read More ...

Alberto Cairo is a journalist and designer, and the Knight Chair in Visual Journalism at the School of Communication of the University of Miami (UM). He is also the director of the visualization program at UM’s Center for Computational Science. He has been head of information graphics at media publications in Spain and Brazil.The author of several textbooks, Cairo currently consults with companies and institutions like Google and the Congressional Budget Office, and has provided visualization training to the European Union, Eurostat, the Centers for Disease Control and Prevention, the Army National Guard, and many others. He lives in Miami, Florida.

Alberto Cairo is not only a highly revered mind in the data visualization world, he brings a fresh perspective on keeping your charts honest in his brand new book, How Charts Lie..If you're looking for a way to create and interpret charts accurately and in integrity, this interview is for you.Alberto is a celebrated visualization educator, designer, and consultant. He is the Knight Chair in Visual Journalism at the School of Communications of the University of Miami and he is also the director of visualization program at UM's Center for Computational Science.He is also the author of two other data viz Bibles The Truthful Art, and The Functional Art.In this episode, Alberto Cairo provides his unmatched wisdom on chart creation and interpretation. He debunks the myth of "a picture speaks a thousand words" when it comes to visualization and shares how to create charts that are as close to the truth as possible.In This Episode, You'll Learn…What Alberto's new book explores the different positive and negative influences that charts have on our perception of truth.What he believes was at the root of #SharpieGate and many other media-fueled debacles over data vizHis thoughts about the myths of charts and how to think about them differently.How no statement we make is absolutely true and what we can do to try and move toward the truth end of the spectrum.The importance of expressing your level of confidence in facts you are presenting, but to also understand there may be other interpretations.The "Me" Factor and how you can use it to make your visualizations more engaging to your audience.Ecological fallacy and amalgamation paradoxes that should become part of a general knowledge.People, Resources, & Links MentionedHow Charts Lie: Getting Smarter about Visual Information by Alberto CairoThe Truthful Art: Data, Charts, and Maps for Communication by Alberto CairoGood Charts: The HBR Guide to Making Smarter, More Persuasive Data Visualizations by Scott BerinatoThe Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Lifeby Mark MansonSpurious Correlations by Tyler VigenMistakes Were Made (but Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts by Carol TavrisThinking Fast and Slowby Daniel KahnemanINZightSettlers of Catan Board GameHow to Keep Up with Alberto:

The idea behind this show is pretty simple: We invite scholars, makers, and professionals out to brunch for an informal conversation about their work, and then we turn those brunches into a podcast.It’s a tough job, but somebody has to do it.Alberto Cairo is an associate professor and the Knight Chair in Visual Journalism at the University of Miami’s School of Communication. The former director for infographics and multimedia at Editora Globo, the magazine division of the biggest media group in Brazil, he has been described by Microsoft as having “spent his entire career in the vanguard of visual journalism.”In September, Alberto visited Notre Dame’s online master’s program in data science and delivered a public lecture as part of the College of Science’s John A. Lynch Lecture Series. He is the author of three books, including How Charts Lie, which is being published by W.W. Norton & Company literally next week. Well, next week from when we’re releasing this episode. So, just to be safe: The book comes out—or if you’re listening to this in the future, came out—Tuesday, Oct. 15, 2019.And here, Alberto and host Ted Fox talk all about it, from the five different categories of lies charts can tell us to why calling the book How Charts Lie is a provocation, an invitation to think about how we read and misread them—not a rejection of their usefulness and importance.Because one thing becomes clear when talking to Alberto: He likes charts. So much so that he’s devoted an entire book to helping us get better at how we use them.LINKSAlberto’s Book: How Charts LieAlberto’s Piece from Scientific American: Graphics That Seem Clear Can Easily Be Misread

Travis Fox, the Director of Visual Journalism at CUNY's Craig Newmark Graduate School of Journalism, was inspired by Ta-Nehisi Coates' piece "The Case for Reparations" and decided that he wanted to help tell the story of systemic racism in the USA. But instead of telling the story from the ground, he took to the skies with his drones to show how practices like redlining of neighborhoods have created visible marks on the landscape. Rich neighborhoods abut impoverished ones by a single road, flood zones filled with low income housing, and highways that flow through impoverished areas with no ability to build a political fight.In this episode of Vision Slightly Blurred recorded at Photoville 2019, Sarah and Allen interview Travis about the impetus for the project, why a middle-aged white man is telling the story, and the future of drones in storytelling. It's an episode you won't want to miss.

Photojournalists Alexandra Avakian, Carol Guzy and Yunghi Kim reveal their stories. What drives them to the frontline and keeps them returning. A documentary that gives insight into a very small group of brave and passionate women committed to the engagement of conflict, even after all the other cameras are gone. An intimate portrait about a select group of story tellers. A documentary by Andrea Pritchard Andrea Pritchard is an accomplished photographer and visual artist. Her background having touched on, includes all aspects of visual arts, which translates into dynamic and striking imagery. She is a Fine Arts graduate from John Abbott College. Holds a Graduate Degree in Visual Journalism and a Bachelor of Fine Arts from Concordia University, Montreal. Her images document and capture evocative and emotional moments. Andrea began photographing and documenting at the age of seven. This evolving passion has been a constant thread throughout her life. She has been a designer, art director, creative director and has worked with and mentored many talented artists. Her work has been featured at the National War Museum of Ottawa as part of the exhibit "Vimy – Beyond the Battle”. Andrea’s telling portrait of Carol Guzy is featured as part of the Nikon Ambassadors program. She has been a contributor to The Link Newspaper and her work has also been featured on several photography sites including, Exposure, Art of Mob, The Whole Story, Adore Chroma Magazine. She has exhibited at Concordia University, John Abbott College, Desjardins, the Segal Center and The Story of the Creative New York, among others. She was nominated for a JUNO for her album design work for April Wine. Andrea is the creator and director of RISK: Women on the Frontline. Andrea Pritchard, Carol Guzy, Alexandra Avakian, Yunghi Kim https://www.facebook.com/RiskWomenPhotojournalists/ www.andreapritchard.com

Nicholas Jandora is a music video director also known as Jandora Media. In the past he has worked with recording artists Lil Skies, Landon Cube, Yung Pinch, Lil Gnar and more. Being genuine, humble and selective with who he works with has helped him get to where he is today. Born and raised in Martinsburg, West Virginia, he started making YouTube sketch comedy videos with his friends in high school. He attended Shepherd University for 1.5 years and then transferred to West Virginia University where he majored in Visual Journalism. Even with professors, friends and family suggesting he get a job after graduating, he saw the success other music video directors were having which gave him the confidence to go for it. Working with local artists in the beginning taught him how to maneuver and understand what his self-worth was. Instead of taking constructive criticism personally, he uses it to help better prepare himself for his next project. He has surrounded himself with other music video directors such as Cole Bennett and Lonewolf who all encourage and enjoy seeing each other succeed. If there was any advice he’d give to his younger self it be to keep working. In this Episode Nicholas discusses seeing his work inspire others to chase their passions is what makes him happy, collaborating helps us create the best results, manifesting something from nothing, you have to lose in order to win, what scares him the most is being stagnant and understanding that every story is different. - If you enjoy this podcast, please leave us a 1 sentence review on the iTunes Podcast App with your honest feedback OR screenshot this Episode, post it to your Instagram Story tagging @NicholasJandora & @PurposeintheYouth!  - Connect with Nicholas! Instagram: @NicholasJandora Twitter: @NicholasJandora YouTube: @JandoraMedia    Connect with your favorite bearded man, Bobbbaaaay: Instagram: @Bobbbaaaay Twitter: @Bobbbaaaay Subscribe to our YouTube Channel for new interviews (and more) Follow us on Spotify Follow us on Soundcloud Subscribe to iTunes Follow us on Instagram: @PurposeintheYouth

The following podcast episode made me uncomfortable. I communicate for a living, and my trade is words. I stare frequently at blank cursors on my computer screen because I haven't found the exact word to properly convey an adjective, identifier, or emotion. I wade into controversial waters with caution, because I know how certain words can be interpreted in unintended ways. So when I invited Noelle Walker, an extraordinary and accoladed reporter for KXAS-TV in Dallas/Fort Worth, to discuss life as a woman in journalism in 2018, I knew it would require her to be vulnerable - and for me to join her. I would need to challenge my own assumptions and choices, including with words. I would need to accept the ways in which I might be a part of the problem. I would need to avoid presuming to already understand what the problem might be. I would need to worry less about saying the wrong thing or using the wrong word and worry more about keeping my mouth shut and listening. I would need to live in the uncomfortable. But I welcomed it. I wrote earlier this year how equal representation in media isn't just a task for the underrepresented, and I meant it. If I don't use my position and platform to confront difficult issues and illuminate perspectives that aren't my own, then I'm not doing my job as a journalist. That's how I feel about my work on the air, and it's how I feel about this blog. That's why I asked Walker to be my guest on Episode #68 of the Telling the Story podcast. To be fair - and I mentioned this during our conversation - I could have asked Walker about any number of journalism-related topics and learned an inordinate amount. But I focused on this one because she just spoke at the Women in Visual Journalism conference in Denver, and I wanted to interview someone from that event about the lessons for all of us - specifically the younger journalists, women and men, who listen to this podcast. As expected, Walker offered tremendous insights and anecdotes, which one might expect from an experienced reporter who's worked in numerous big cities and even freelanced at the network level. (For an example of this work - and the process behind it - check out my recent podcast with Walker's frequent photographic partner, Ryan Oliveira.) → The post PODCAST EPISODE #68: Noelle Walker, reporter, KXAS-TV appeared first on Telling The Story.

Intervistiamo Matteo Moretti, designer e ricercatore alla Università di Bolzano. Negli anni si è dedicato a realizzare e studiare progetti di visual journalism.

In this DataTalk, Dr. Cairo shares ways to improve your data visualizations and steps to avoid making common data visualization errors. Dr. Alberto Cairo is the Knight Chair in Visual Journalism at the School of Communication of the University of Miami (UM), where he heads specializations in infographics and data visualization. He’s also director of the visualization program of UM’s Center for Computational Science and Visualization Innovator-in-Residence at Univisión.

Alberto Cairo @albertocairo is the Knight Chair in Visual Journalism at the University of Miami. He's also director of the visualization program at UM's Center for Computational Science. He's the author of The Functional Art: An Introduction to Information Graphics and Visualization and The Truthful Art: Data, Charts, and Maps for Communication . He also writes regularly about visualization in his personal blog . He has been director of visualization at news publications in Spain (El Mundo) and Brazil (Globo magazines,) and he's currently a consultant for companies such as Google and Microsoft. Cairo also organizes two annual conferences, the Digital Humanities + Data Journalism Symposium , and VizUM.

Alberto Cairo @albertocairo is the Knight Chair in Visual Journalism at the University of Miami. He's also director of the visualization program at UM's Center for Computational Science. He's the author of The Functional Art: An Introduction to Information Graphics and Visualization and The Truthful Art: Data, Charts, and Maps for Communication . He also writes regularly about visualization in his personal blog . He has been director of visualization at news publications in Spain (El Mundo) and Brazil (Globo magazines,) and he's currently a consultant for companies such as Google and Microsoft. Cairo also organizes two annual conferences, the Digital Humanities + Data Journalism Symposium , and VizUM.

Alberto Cairo is the Knight Chair in Visual Journalism at the University of Miami. He teaches data visualization and infographics in our Journalism and Interactive Media Masters programs, and he is also the director of the Visualization Program at UM's Center... The post Episode #120: Alberto Cairo appeared first on PolicyViz.

Alberto Cairo is the Knight Chair in Visual Journalism at the University of Miami. He teaches data visualization and infographics in our Journalism and Interactive Media Masters programs, and he is also the director of the Visualization Program at UM's Center... The post Episode #120: Alberto Cairo appeared first on PolicyViz.

Alberto Cairo, UM's Knight Chair in Visual Journalism, joins The Great Battlefield to discuss the challenges inherent in designing intelligible infographics for the general public -- and the societal consequences of accidentally sending the wrong message. He also gives a tease of his lecture tour, “Visual Trumpery.” | Episode 86

This episode we discuss data journalism with Matteo Moratti, an Italian designer skilled in web, motion and data visualization. He teaches “Web and interactive graphics” at the  Faculty of Design and Arts of the Free University of Bozen-Bolzano - and researches methodologies and practices of Visual Journalism. Matteo’s projects have been awarded in the Data Journalism Award 2015 and the European Design Award. Finally, he was a Jury member of the World Press Photo's Digital Storytelling contest in 2017 and is going to be on the jury again in 2018.  SHOWNOTES Projects designed and led by Matteo @teo_moretti www.about.me/matteomoretti http://www.peoplesrepublicofbolzano.com/ http://europadreaming.eu/en   Matteo’s academic papers and reflections on his own projects as a designer and researcher  http://www.tandfonline.com/doi/abs/10.1080/14606925.2017.1352842 https://unibz.academia.edu/MatteoMoretti   Projects & recommendations discussed on the show BBC podcast More Or Less: Behind the Stats http://www.bbc.co.uk/programmes/p02nrss1/episodes/downloads Battling Infectious Diseases in the 20th Century: The Impact of Vaccines http://graphics.wsj.com/infectious-diseases-and-vaccines/ Deaths in Syria https://www.nytimes.com/interactive/2015/09/14/world/middleeast/syria-war-deaths.html Raw Graphs http://rawgraphs.io/ For a free tutorial see https://learno.net/courses/charting-tools-for-the-newsroom Spurious Correlations; A project looking at data and correlations and showing that correlation does not always equate causation. http://tylervigen.com/spurious-correlations If your looking for some starter information and tools, you might find our #immjma classmates useful - https://beijingimmj.wordpress.com/infographics-data-visualisation/

Returning to Podcast Your Data! this week is Alberto Cairo! You may remember him from one of our very first podcasts over a year ago. As the Knight Chair of Visual Journalism at the University of Miami, he has in-depth experience with the state of data journalism today. He discusses his lecture tour “Visual Trumpery,” fake data and more with Dan Murray on this week’s podcast. Subscribe to Podcast Your Data through iTunes, Stitcher, Pocket Casts or your favorite podcasting app.

Thomas Kerr, the editorial cartoonist for The Wave since 2010, is professional illustrator and a graduate of the Alberta College of Art & Design. He holds a Masters in Visual Journalism from School of Visual Arts. He has been published in every major newspaper in the United States with his editorial illustration seen on the pages of  The New York Times,  Boston Globe, The Wall Street Journal, The Chicago Tribune,  Newsday, The Village Voice, The L.A. Times, The San Francisco Chronicle amongst many others. Prof. Kerr’s work is syndicated by Now What Media via the INX group. He is currently a tenured professor at St. John’s University teaching Illustration.  He sits down with The Wave's maninging Editor to discuss his career and his craft.

In this episode, Devi chats with Jacob Foko about the path of Humanitarian Photojournalism. Jacob Foko, Prince of the Baleng in West regional part of Cameroon, Africa, is an award-winning photojournalist, experienced multimedia producer, and passionate humanitarian.  Devi & Jacob discuss: Humanitarian Photojournalism defined The “University of Life” What Jacob learned when doing the project of “Hundred Faces of Poverty” Giving a voice to the story of those who do not have a voice in society Africa in miniature The inspiration of Jacob's exceptional mother Guiding countries to do good work through the power of Humanitarian Photojournalism What gave Jacob the courage to face death, so that the stories of other’s could live What it took for him to be Valedictorian Doing what you do best and doing it very well How to know what stories to tell The lens that is necessary to shine light on what is invisible to most of the society How humanitarian photojournalism fits into Spiritual Entrepreneurship The powerful lesson that Jacob learned from his encounter with President Bill Clinton and more...  More about Jacob: He spent fourteen years as a staff photographer and reporter for Cameroon Radio and Television (CRTV) as well as the magazines Libre Afrique, Africa Express, Africa International and Jeune Afrique Economie. His most celebrated project, “Cameroon’s 100 Faces of Poverty” in 2002, earned him an invitation from the U.S. Ambassador to Cameroon to speak about the challenges of being a photojournalist in an unfriendly political environment. He is a visual and multimedia producer and documentary filmmaker graduated from Brooks Institute in Santa Barbara, California with a Bachelor’s Degree in Visual Journalism and a Master of Arts in New Media Journalism from Full Sail University in Orlando, Florida. He served as keynote speaker at both graduations and simultaneously received an “Outstanding Achievement Award” and an “Advance Achievement Award.” In addition, he was presented the Association of Private Sector Colleges and Universities (APSCU) “GREAT Award for Excellence, Achievement and Talent” on Capitol Hill in Washington D.C. Jacob has established a non-profit organization and a production company called Global Humanitarian Photojournalists, Inc. (GHPJ) in 2007, and Blue World Media Network (BWMN) in 2011. The aim is to document and spread awareness of worldwide poverty and human rights abuses, as well as to present the stories of people and organizations making a difference to abused and at-risk populations.

Eileen Clegg is a visual journalist and founder of the company Visual Insight. She is known for her visual facilitation of human interactions, and for her history timeline murals, most recently the Women Inventors and Innovators mural. She has a passion for “I.A” (human intelligence augmentation), inspired by her mentor, Dr. Douglas Engelbart, the pioneer in personal computing. In 2016, she assembled a team for a start-up company, TTenTT (pronounced “Tent”), which visually facilitates online meetings through dynamic, curated conversations.

What does Trump’s election mean for data and visual journalism? Dr. Nikki Usher, Assistant Professor of Media and Public Affairs at The George Washington University, explored this topic as she discussed her new book, "Interactive Journalism: Hackers, Data, and Code," at the University of Oregon on February 23 2017. Dr. Usher then joined us in the Demystifying Media podcast studio to look ahead to what’s next for interactive journalism across the world. Joining Professor Usher in this conversation were Damian Radcliffe, the Carolyn S. Chambers Professor of Journalism, Dr. Seth Lewis, holder of the Shirley Papé Chair in Electronic Media and Kaitlin Bane a doctoral student at the University of Oregon. Watch our interview with Nikki in the studio: https://youtu.be/WUvu4bAw5XA Watch our highlight reel from Nikki's talk: https://www.youtube.com/watch?v=oh1RUF2hvIg&feature=youtu.be Want the full talk? Watch it here: https://youtu.be/ZCCGCq9ph9Q Want to listen to this interview a different way? Find us wherever you get your podcasts: iTunes: https://podcasts.apple.com/us/podcast/demy%E2%80%A6ia/id1369395906 Stitcher: https://www.stitcher.com/podcast/university-of-oregon-school-of-journalism-and-communication/demystifying-media-podcast?refid=stpr Spotify: https://open.spotify.com/show/2Och6Oxpkhyo1nC7D6psHI Find more Demystifying Media talks on YouTube: https://www.youtube.com/watch?v=EiELNjgZJJI&list=PLoqXTlv_f5zEJifP55GP1ghtQjY3tzoI0 Watch our Q&As with media experts on fake news, data journalism, privacy in the age of Google, indigenous media, technology trends, Facebook algorithms, and so much more: https://www.youtube.com/watch?v=iTiuV9h-MKA&list=PLoqXTlv_f5zGu5TJeuL1SMBVCXlM4ViyL Read the transcript for this episode: https://www.scribd.com/document/463626797/Demystifying-Media-1-Visual-Journalism-in-the-Age-of-Trump-with-Nikki-Usher

The B&H Photography Podcast was very fortunate to be invited to the 29th Eddie Adams Workshop this year. The annual workshop, officially sponsored by Nikon, with support from B&H, is a unique and inspiring event, bringing together 100 young photographers with some of the world’s most recognized photojournalists and editors, including thirteen Pulitzer Prize winners, for four intense days of photographic presentation and collaboration. On today’s podcast, we discuss editing for newspapers and news sites and the working relationship between photojournalists and their editors. In the first half of the episode, we speak with Nancy Andrews, the former Director of Photography at The Detroit Free Press and current Ogden Visiting Professor for Media Innovation, Reed College of Media at West Virginia University, and Colin Crawford, the Deputy Managing Editor of Visual Journalism at the Los Angeles Times. Both started as photojournalists and we chat about the differences between photographers and editors, but we concentrate our talk on how an editor can guide a photographer to improve their work. After a short break, we resume with Pulitzer Prize-winning photographer Michael Williamson and MaryAnne Golon, Assistant Managing Editor and Director of Photography at the Washington Post. In addition to being colleauges, Williamson and Golon are old friends, and we discuss the working relationship between a photographer and an editor and how collaboration takes concept to completed series. Guests: Nancy Andrews, Colin Crawford, Michael Williamson, MaryAnne Golon Nancy Andrews and Colin Crawford: 01:18 Michael Williamson and MaryAnne Golon: 24:42 www.eddieadamsworkshop.com Image: Colin Crawford editing with students at the Eddie Adams Workshop. Photo: John R. Harris

John Walton (Senior Broadcast Journalist, BBC News) gives the third talk in the conference.

Alberto Cairo, Knight Chair in Visual Journalism at the University of Miami, joins Dan Murray to talk about his new book The Truthful Art, crafting the story, design and infographics, real-time data technology and who he would bring with him to a deserted island.

Visual journalism is the practice of strategically combining words and images to convey information. Ellen Lovelidge says it's a way to tell highly impactful stories. Find out what it can do for your brand. ThinkLikeAJournalist.com See the show notes.

As founder and creative director of 5W Infographics and former art director of National Geographic Magazine from 2008 to 2014, Juan Velasco is one of the biggest names in information design today.While in Berlin last fall to lead a two-day Gestalten workshop, the data visualization expert sat down with Gestalten.tv to share his views on the difference between visual journalism and text-based reporting. He also explains the process behind his own rich yet clear narratives and points out some areas for improvement within this popular and ever-evolving field.Gestalten is also very excited to join forces with Juan Velasco this month to bring our successful workshop The Power of Infographics to Singapore. This two-day workshop, hosted with partner Methodology on January 29-30, 2015, explains the role of infographics in visual storytelling and how to create your own.

Amanda Farnsworth, editor, Visual Journalism for the BBC, gives a talk for the Reuters Institute seminar series