Podcasts about fopp

1975; seems like it was only yesterday. During that time of high unemployment, you wondered if you ever would amount to more than a shoeshine boy. It was a bad time. You felt like you were standing on shaky ground, wondering if you would get hijacked, or trampled underfoot.  Who would of known that no matter how long it took, eventually you would become a shining star. This week you'll be listening to the songs in Billboard Top 40 from the week of May 17, 1975 that I'll play for you. You're bloody well right I will!Link to a listing of the songs in thisweek's episode: https://top40weekly.com/1975-all-charts/#US_Top_40_Singles_Week_Ending_17th_May_1975Data Sources: Billboard Magazine, where the charts camefrom and on what the countdown was based.Websites: allmusic.com, songfacts.com Wikipedia.com(because Mark's lazy)Books: “Ranking the 70's” by Dann Isbell, and Bill Carroll“American Top 40 With Casey Kasem (The 1970's) by PeteBattistini.Rejected Episode Titles:He Don't Love the ImmigrantWalking in Rhythm, I Got Trampled UnderfootMy Chevy Van Got HijackedShoeshine Boy Made My Shoes Look Like a Shining StarRainy Day Wildfire Some links to things we discussed in this episode:Album Art: #31  FOPP  https://www.discogs.com/master/91554-Ohio-Players-Honey/image/SW1hZ2U6MjE2Mzk5Mjc=#7 Only Sixteen https://www.discogs.com/master/105114-Dr-Hook-Bankrupt/image/SW1hZ2U6MzQxMjEyNjU=

Levi and BM unite with Lt. Fopp and learn to work together as a team to deal with "The Skywalkers." Main theme is "The Prisoner" by Stomfel performed by Kendall

Levi and BM unite with Fopp and learn to work together as a team to deal with "The Skywalkers" Main theme is "The Prisoner" by Stomfel performed by Kendall.This item has files of the following types: Archive BitTorrent, Item Tile, Metadata, PNG, Spectrogram, VBR MP3

Heute ist verkehrte Welt. Heute werde ich zur Abwechslung einmal von Dr. Leonhard Fopp interviewt. Er quetscht mich zum Kunstmarkt der Schweiz aus und was mir einfällt zu dessen Megatrends. 15 grosse Fragen darf ich beantworten. Ein spannendes Gespräch mit einem lieben, langjährigen Freund.

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 328 (Part 2 of 2): Trumpet and trombone player Marvin Pierce, who helped hold down the powerful horn section for one of the baddest funk & soul bands of all time -- the magnificent Ohio Players!  Joining the group at the outset of their Westbound Records emergence and remaining a core member during the rise to superstardom on Mercury records that began with 1974's sizzling-hot Skin Tight album, he stayed on through the early 1980s. That period included classic tracks like “Jive Turkey,” “Heaven Must Be Like This,” “Fire,” “I Want to Be Free,” “Fopp,” “Love Rollercoaster,” “Sweet Sticky Thing,” “Who'd She Coo?” “Far East Mississippi” and “Body Vibes.”  Pierce then left music behind to become a successful businessman specializing in technology for the golfing industry. In 2010, he co-founded Melbourne, Australia-based GPS Golf Solutions. Here he covers the Ohio Players' entire history, from rise to fall and everything in between. RECORDED FEBRUARY 2024 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 328 (Part 1 of 2): Trumpet and trombone player Marvin Pierce, who helped hold down the powerful horn section for one of the baddest funk & soul bands of all time -- the magnificent Ohio Players!  Joining the group at the outset of their Westbound Records emergence and remaining a core member during the rise to superstardom on Mercury records that began with 1974's sizzling-hot Skin Tight album, he stayed on through the early 1980s. That period included classic tracks like “Jive Turkey,” “Heaven Must Be Like This,” “Fire,” “I Want to Be Free,” “Fopp,” “Love Rollercoaster,” “Sweet Sticky Thing,” “Who'd She Coo?” “Far East Mississippi” and “Body Vibes.”  Pierce then left music behind to become a successful businessman specializing in technology for the golfing industry. In 2010, he co-founded Melbourne, Australia-based GPS Golf Solutions. Here he covers the Ohio Players' entire history, from rise to fall and everything in between. RECORDED FEBRUARY 2024 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Hoy, con motivo del 35º aniversario del primer disco de Soundgarden (Ultramega OK) tenemos en La Gran Travesía la primera parte del Especial dedicado a la banda de Seattle, sus inicios desde mitad de los años 80 hasta 1990. Sus EPs Screaming Life, Fopp, así como también su segundo disco Louder than Love y numerosas rarezas, versiones y directos. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Raquel Jiménez, Nicolás SDLRF, Javi Dubra, Peiper, Leticia, Javifer, Francisco Quintana, Pdr_Rmn, Sgd, José Luis Orive, Utxi73, Patri Lb, Raul Andrés, Jbasabe, Iñako GB, Tomás Pérez Martínez, Eugeni, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Edgar Xavier Sandoval, Hörns Üp, Víctor Bravo, Juan Carlos González, Francisco González, Vicente DC, Ángel Hernández, Marcos París, Dani, Vlado74, Luis Miguel Crespo, Daniel A, Redneckman, Elliott SF, Guillermo Gutiérrez, Sementalex, Jesús Miguel, Ángel Torres, Suibne, Mati, Dora, José Diego … y a los mecenas anónimos.

Mit meinem heutigen Gast Dr. Leonhard Fopp, der Unternehmensberater ist, spreche ich darüber was doppelte Unternehmensführung ist, und wie und warum Kunst und Kreativität ein Unternehmen aufblühen und erfolgreich werden lassen kann.Wir hören, warum dies so wichtig ist, und besprechen welchen Gewinn das für ein Unternehmen mit sich bringt, wenn die Mitarbeitenden in künstlerische und kreative Prozesse involviert werden, aber auch was ein professioneller Künstler für einen Mehrwert für ein Unternehmen generieren kann. 

After parting ways with their rambunctious older drummer Gary Young, slacker-gods Pavement followed a promising run of EP's and a killer debut album (heavily indebted to English post-punk bands like The Fall and Swell Maps) with Crooked Rain, Crooked Rain - a wry sunstroken take on 70's classic rock through the lens of the American independent underground. Featuring their biggest hits Cut Your Hair and Gold Soundz, Stephen Malkmus and his crew cemented themselves on this record as the zeitgeist-riding stars of the ironic indie age. Crooked Rain, Crooked Rain is also #424 on the Greatest Albums of All Time list by Rolling Stone, which means Liam Withnail and Christopher Macarthur-Boyd have listened to it, and now they're going to talk about it. Featuring digressions on Fopp, Purple Rain, Metallica, Modest Mouse, Smashing Pumpkins, Stone Temple Pilots, and the beef between Stormzy and Wiley from a few years ago. Featuring Secret Posho, Tattoo Woohoo/Tattoo Boohoo and YouTube Comment of the Week, this is Enjoy An Album. Enjoy!

Fopp, Davidwww.deutschlandfunkkultur.de, Studio 9Direkter Link zur Audiodatei

Zwei Basler Onlineportale, zwei unterschiedliche Meinungen: Andrea Fopp, Chefredaktorin des Onlineportals «Bajour» trifft im Streitgespräch auf Oliver Sterchi, Chefredaktor von «Primenews». Während Sterchi das Mediengesetz bekämpft, weibelt Fopp für ein Ja am 13. Februar.  Ausserdem: * Basler Regierung stellt Mobilitätsstrategie vor * Mann verstirbt nach Brand in Wohnung * Basler Unispital zählt wieder mehr Patientinnen und Patienten Weitere Themen: - Basel-Stadt präsentiert seine neue Mobilitätstrategie

120 Millionen Franken mehr sollen Schweizer Medien vom Bund erhalten. Ein Komitee lanciert ein Referendum dagegen. Sein Slogan: «Nein zu Staatsmedien». Andrea Fopp, Chefredaktorin von Bajour und Christian Keller, Chefredaktor bei Primenews, diskutieren darüber.

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 186, Part 2 of 2: Guitarist, singer, composer and producer Clarence “Chet” Willis, he of one of the greatest funk-soul bands of all time -- the mighty Ohio Players! Beginning in 1975 he became a mainstay with the group, trading guitar licks with the legendary Leroy “Sugarfoot” Bonner and joining keyboardist Billy Beck and drummer James “Diamond” Williams, both of whom have also been TRUTH IN RHYTHM guests, on backing vocals. Willis, Beck and Williams later formed the spinoff band called Shadow, and all of them more recently have been performing as today’s version of the Ohio Players. While The Ohio Players’ roots stretch back to the late 1950s, it wasn’t until “Funky Worm” hit No. 1 on the R&B chart in early 1973 that the group got a taste of major success. They would go on to notch four more chart-toppers, with two of those songs also making No. 1 on the pop chart. A move to Mercury Records saw the band refining its sound to the signature millions would love. It was marked by stronger songwriting and pristine production, inventive arrangements, the distinctive lead vocals of highly influential, one-of-a-kind talent Sugarfoot, as well as his nimble guitar playing, the falsetto background singing of Diamond and Beck, as well as the latter’s brilliant keyboard work and, of course, the former’s progressive and impeccable drumming.  Beck replaced enigmatic genius Walter “Junie” Morrison, who would go on to release eclectic solo albums and become a key contributor to Parliament-Funkadelic during the late 1970s. Add to that intoxicating aural mix, Marshall Jones’ rumbling bass, and horn players Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce and bandleader Clarence “Satch” Satchell, and last but not least Willis' guitar work and vocals, and you have the unmistakable magical funk perfection that was mid-1970s Ohio Players. Essential to their indelible sound and consistency was how self-contained of a unit they were, writing, arranging, producing and performing everything themselves. As if all that was not enough of a seduction, The Ohio Players were also famous for their sexy and provocative album covers showing young ladies in various stages of undress.  The Ohio Players’ creative and commercial peak took place from 1974-1977 when they unleashed the gold- or platinum-selling albums Skin Tight, Fire, Honey, Contradiction and Angel. During that time they were considered the biggest or close to the biggest funk or R&B band in the world -- rivaled only by the likes of Earth, Wind and Fire, Parliament-Funkadelic, WAR, Kool & the Gang, The Isley Brothers and The Commodores. The Ohio Players’ hits and classics include “Skin Tight,” “Jive Turkey,” “Heaven Must Be Like This,” “Fire,” “I Want to Be Free,” “Runnin’ From the Devil,” “Smoke,” “Love Rollercoaster,” “Fopp,” “Let’s Love,” “Sweet Sticky Thing,” “Who’d She Coo?”, “Far East Mississippi,” “Contradiction,” “Angel,” “Body Vibes,” “O-H-I-O,” “Merry Go Round,” “Funk-O-Nots” and “Take De Funk Off, Fly.”  While Sugar continued to record under the Ohio Players name in the 1980s, Diamond, Beck and Willis splintered off to form Shadow. They released three albums for Elektra Records between 1979-1981. The last one, Shadows in the Streets, is worth seeking out for slick funk cuts like “Born to Hustle” and “Sinister Way.” The trio reunited with Sugar for an Ohio Players comeback album called Back in 1988. That would be the group’s final studio album to date, but varying lineups would keep bringing the Players’ unique brand of funk to stages for performances that continue to this day, led by Diamond, Willis and Beck.   Here, Willis discusses his approach to guitar, the secret sauce that made The Ohio Players so special, unforgettable memories, band member talents and personalities, the group’s catchy new single, “Reset,” and impending album, and stage show.  RECORDED JANUARY 2021 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 186, Part 1 of 2: Guitarist, singer, composer and producer Clarence “Chet” Willis, he of one of the greatest funk-soul bands of all time -- the mighty Ohio Players! Beginning in 1975 he became a mainstay with the group, trading guitar licks with the legendary Leroy “Sugarfoot” Bonner and joining keyboardist Billy Beck and drummer James “Diamond” Williams, both of whom have also been TRUTH IN RHYTHM guests, on backing vocals. Willis, Beck and Williams later formed the spinoff band called Shadow, and all of them more recently have been performing as today’s version of the Ohio Players. While The Ohio Players’ roots stretch back to the late 1950s, it wasn’t until “Funky Worm” hit No. 1 on the R&B chart in early 1973 that the group got a taste of major success. They would go on to notch four more chart-toppers, with two of those songs also making No. 1 on the pop chart. A move to Mercury Records saw the band refining its sound to the signature millions would love. It was marked by stronger songwriting and pristine production, inventive arrangements, the distinctive lead vocals of highly influential, one-of-a-kind talent Sugarfoot, as well as his nimble guitar playing, the falsetto background singing of Diamond and Beck, as well as the latter’s brilliant keyboard work and, of course, the former’s progressive and impeccable drumming.  Beck replaced enigmatic genius Walter “Junie” Morrison, who would go on to release eclectic solo albums and become a key contributor to Parliament-Funkadelic during the late 1970s. Add to that intoxicating aural mix, Marshall Jones’ rumbling bass, and horn players Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce and bandleader Clarence “Satch” Satchell, and last but not least Willis' guitar work and vocals, and you have the unmistakable magical funk perfection that was mid-1970s Ohio Players. Essential to their indelible sound and consistency was how self-contained of a unit they were, writing, arranging, producing and performing everything themselves. As if all that was not enough of a seduction, The Ohio Players were also famous for their sexy and provocative album covers showing young ladies in various stages of undress.  The Ohio Players’ creative and commercial peak took place from 1974-1977 when they unleashed the gold- or platinum-selling albums Skin Tight, Fire, Honey, Contradiction and Angel. During that time they were considered the biggest or close to the biggest funk or R&B band in the world -- rivaled only by the likes of Earth, Wind and Fire, Parliament-Funkadelic, WAR, Kool & the Gang, The Isley Brothers and The Commodores. The Ohio Players’ hits and classics include “Skin Tight,” “Jive Turkey,” “Heaven Must Be Like This,” “Fire,” “I Want to Be Free,” “Runnin’ From the Devil,” “Smoke,” “Love Rollercoaster,” “Fopp,” “Let’s Love,” “Sweet Sticky Thing,” “Who’d She Coo?”, “Far East Mississippi,” “Contradiction,” “Angel,” “Body Vibes,” “O-H-I-O,” “Merry Go Round,” “Funk-O-Nots” and “Take De Funk Off, Fly.”  While Sugar continued to record under the Ohio Players name in the 1980s, Diamond, Beck and Willis splintered off to form Shadow. They released three albums for Elektra Records between 1979-1981. The last one, Shadows in the Streets, is worth seeking out for slick funk cuts like “Born to Hustle” and “Sinister Way.” The trio reunited with Sugar for an Ohio Players comeback album called Back in 1988. That would be the group’s final studio album to date, but varying lineups would keep bringing the Players’ unique brand of funk to stages for performances that continue to this day, led by Diamond, Willis and Beck.   Here, Willis discusses his approach to guitar, the secret sauce that made The Ohio Players so special, unforgettable memories, band member talents and personalities, the group’s catchy new single, “Reset,” and impending album, and stage show.  RECORDED JANUARY 2021 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

David walks us through his ideas that Futures projects should be seen to do something in the real world and that he believes that now is the time for a FOPP - a Future Orientated Political Party. He believes that we lack high quality images of possible futures and so he is about finding a language for futures literacy.

Der gebürtige St.Galler David Fopp forscht an der Uni Stockholm über Demokratisierungsprozesse. Seit Greta Thunberg 2018 in der Innenstadt von Stockholm ihren Schulstreik begann, steht er mit ihr im kontinuierlichen Austausch. Wie wird sich die Klimabewegung nach Corona entwickeln? Die Corona-Krise hat die Ökologie vorerst verdrängt. Der Schweizer Wissenschaftler David Fopp lebt und forscht in Stockholm und ist überzeugt, dass dies nicht so bleibt. Solange die Politik keine Lösungen für die drängendsten Probleme unserer Zeit habe, würden sich Bewegungen und Demonstrationen aus der Zivilbevölkerung verschärfen. Was haben die Black Lives Matter-Proteste, die #metoo-Bewegung und die Klimastreiks gemeinsam? David Fopp im Gespräch mit Dominic Dillier über neue Formen von Protestkultur.

Well shit, looks like the Budlight Blight fucked up our schedule and made us not create an episode for half a year. At least this comeback episode will be our deepest, most complex yet, right?Eh, not really. Instead, we kinda try a different route to sorta explain the feel and emotion overall of the album instead of talking about the various tracks. Something short and sweet, y'know?Seriously, we promise the next episode will be much longer.

Andrea Fopp ist Co-Chefredakteurin von Bajour, dem neuen Online-Medium aus Basel. Adelina Gashi arbeitet dort als Reporterin im Recherche-Team. Mit Dominic Pugatsch sprechen sie u.a. über ihre Recherchen in linksautonomen und rechtsradikale Netzwerken, die Rolle von Lokalmedien und was Qualitätsjournalismus aus ihrer Sicht ausmacht. Ein Gespräch auch über Vertrauen, Solidarität und Empathie - gerade in Zeiten von Covid-19. Mehr Infos: https://bajour.ch/ und www.gra.ch

dropping on the last day of Mental Health Awareness week, Matt is joined by BSUK broadcaster and PR dude Chris Knoblock (@cknoblock17) and Athletes Voice website editor and Norwich Iceni baseball player Andreas Fopp (@MoreBlueSocks) as they talk about links to baseball and sport and mental health and what we can do to be kind to each other during the global pandemic when sport might not be available. you can find Chris's work at http://www.cknoblock.com/ and at https://www.baseballsoftballuk.com/ Andreas work on athletes voice can be found at https://athletesvoice.blog if you need someone to reach out to in the UK, theres some great resources below: www.mind.org.uk/‎ ‎ mentalhealth-uk.org youngminds.org.uk nhs.uk samaritans.org

We dive into the first Soundgarden EP's, discuss Guns n Roses videos, debate using cannabis while podcasting, and so much more.Please visit us at thegrungepodcast.com.Also, find us on all social media platforms, as well as our Patreon page at patreon.com/thegrunge

Wie geht es Journalistinnen in Schweizer Medien? Antworten liefern die beiden Basler Medienfrauen Nora Bader und Andrea Fopp in ihrem Buch «Frau Macht Medien».

Welcome, everyone to Krzysztof Kieślowski Club. The first rule of Krzysztof Kieślowski Club is, of course, never spell club with a 'K', as it attracts entirely the wrong sort of clientele, and I'm not talking about Mortal Kombat fans. For me at least, the Polish director was very much part of baby's first attempt at cinephiling, as I approached the world cinema section in Fopp with a student loan burning its way through my back pocket. Those Three Colours DVDs were then lovingly put on a shelf, and I went off and watched Aliens again, or Violent Cop, or all the other nonsense I've subjected myself to. Twenty years and numerous shelves later, those DVDs remain unwatched, but that changes now. Well, technically it doesn't as couldn't be bothered finding the DVDs and just downloaded them, but that aside, we're looking at six of Kieślowski's films to see if he is all that and a bag of potato chips.

This week's episode of Hella Yeah we have our FIRST guest appearance. Its our boy Anthony Fopp (@FopperKnocker) and we hit on a number of topics. We retouched on Havasu, were able to catch up, and Fopp went off with some trendy topics within the likes of Elon Musk and Tesla. Surprise surprise, we introduced Anthony to @Hint Water and he was about that life. Don't forget to connect with us and give us feedback! You'll find a brand new post on Alex's Instagram page: @HoodieDavis and you may find a post to connect with Cody (@Clausen1786) R.I.P. Mac Miller. :( As always, you can email us at: HoodieDavisBusiness@gmail.com End shoutout to Fopp for joining us and a big push for his own company Gift Hitch! Thanks Fopp, you beautiful bastard. --- Support this podcast: https://anchor.fm/upstairsbasement/support

Quizmaster Frank Soldato and local cinema botherer Adam Grundy met up before Filmageddon's 'Edgar Wright or Wrong' quiz to escape the rain and have a few drinks. They also talk about seeing someone famous in Fopp, Baywatch, Tickled, as well as news about Han Solo's directors being replaced by that fella from Happy Days. They also touch on Friday 13th The Game which is THE BEST. Truly a throwback to a Terrible Interview! A huge thanks to the providers of prizes Dark Bunny Tees  & The Prince Charles Cinema. We were so proud to be able to give away some Edgar-inspired shirts and Baby Driver merch, as well as a haul of DVDs and blu Rays. Dead chuffed with it all. And, as promised, the photo of our meeting with Duncan Jones... http://imgur.com/a/QWP71

It is with a heavy heart that we learned Grunge Dad Chris Cornell died on May 18, 2017. To show some love to a man whose music has meant a lot to the both of us we bring you a special episode: Cornell Chat. Travel with us through the Chris' career, from Fopp to Higher Truth.

Sam and Danny are joined by Film Chat pal Dougal to discuss Bee Movie, Jerry Seinfeld's bizarre and misguided attempt to make an animated children's film. Sam would have happily spent a full hour just talking about that, but we tear ourselves away to review some more recent releases: Their Finest, the war drama about some fine Brits staying jolly against the odds, and Guardians of the Galaxy Vol. 2, the latest splash of expensive fun to spurt of out of the relentless Marvel fun machine.Also discussed: actors who fight younger clones of themselves, David Fincher's efforts to help Brad Pitt through his divorce via a pointless studio sequel, and Dougal's ill-fated Fopp visit. See acast.com/privacy for privacy and opt-out information.

Stardate 4th April 2012... In which Mike Royce and his ugly hero have a massive problem with Mass Effect 3, is frustrated with mismatched superhero video game fist fights, creates The Scarlet Widow, and bemoans the running times of recent blockbusters. Kris Heys discusses the mighty consoles of Earl Strider, manages to speed up production of The Hunger Games sequel by a year, reveals the future path of Marvel Studios, and brings us up to speed with the latest from the ‘retirement’ of grumpy George Lucas. A brand new Starburst Podcast is revealed, the wonders of FOPP are exposed, Disney sequels are given a mauling, and who would be the winner of ‘Seabiscuit Vs Warhorse’? [Dedicated in disrespect to the amazing and astonishing talent of movie director - Gary Ross] All recordings are issued under official license from Manchester Radio Online.

Tracklisting:01: Roy Davis Jr. Feat. XL – Reach (Get Large Vocal)02: DJ Circle – Sundance (Central Avenue’s Main Mix) with Andre Harris – The Sunset EP (Acapella)03: Jon Cutler feat. E-man – It’s Yours (DJ Fudge Remix)04: Alfred Azetto – Colors (Are Forever) (DJ Fopp Vocal Mix)05: Yves Murasca – All About House Music (Bongoloverz Remix)06: Knee Deep – Darlin07: Orlando Vaughan – Better Than Never (Earnshaw’s Latin Excursion)08: ElektroOrganik feat.Christian Fontana - The Monologue Session (Original Mix)09: Orienta Rhythm feat. Joi Cardwell – Happy (Orienta Rhythm Club Mix)10: Deep Swing & DJ Meme feat. Linda Jackson – Lift Up (Your Soul & Your Spirit)11: Micky More – Zero Gravity (Jask Thaisoul Mix) with Jask – Paradise (Spanish Sunset Pella)

In this session, herpes, the worst sales pitch in history and larping are discussed. Also in this episode, Harvey Keitel's masturbation and a special guest pound. Send us your thoughts, questions and death threats at weekly.tripound@gmail.com!

We can finally start putting the hands together (HT)! Some students encounter the most difficulties here, especially in the first few years of piano lessons. Although the methods presented here should immediately help you to acquire technique faster, it will take about two years to be able to really take advantage of everything that the [...]

Grand pianos: The soft pedal is used to change the mood of the sound from percussive to more serene and gentle when the soft pedal is depressed. It should not be used solely for producing a softer sound because it will also change the timbre. In order to play pianissimo, you will just have to [...]

Practice any new piece without the pedal HS, then HT, until you can play it comfortably HT at final speed. This is a critically important method of practice that all good teachers use with all their students. It may seem difficult, at first, to practice musically without the pedal where it is needed; however, this [...]

Bad habits are the worst time-wasters in piano practice. Most bad habits are caused by stress from practicing pieces HT, that are too difficult. Many of the bad habits from HT practice are difficult to diagnose, which makes them that much more dangerous. Clearly, the best defense against bad habits is HS practice. Non-musical play [...]

“Endurance” is a controversial term in piano practice. This controversy originates from the fact that piano playing requires control, not muscle power, and many students have the wrong impression that they will not acquire technique until they grow enough muscles. On the other hand, a certain amount of endurance is necessary … http://www.pianofundamentals.com/book/en/1.II.21

Hello, this is Henrik from Berlin, Germany. I just want to tell you, that I’m going to have my summer-break until the end of August. I promise, I will read the complete “Part II - Basic Procedures for Piano Practice” in this year. I’m not sure - yet - if I’ll do more. I’d like to say here [...]

Students who do not practice HS will always have a stronger RH than LH. This happens because the RH passages are generally more difficult, technically … http://www.pianofundamentals.com/book/en/1.II.20

Start all pieces by counting carefully, especially for beginners and youngsters. Children should be taught to count out loud because that is the only way to find out what their idea of counting is. It can be totally different from the intended one. You should understand the meter signature at the beginning of each composition [...]

You usually won’t go wrong by using the fingering marked on the music. Or, rather, if you don’t follow the indicated fingering, you will probably get into a lot of trouble … http://www.pianofundamentals.com/book/en/1.II.18

Having pointed out the dangers of slow play, we now discuss why slow play is indispensable. Always end a practice session by playing slowly at least once. This is the most important rule for good PPI. http://www.pianofundamentals.com/book/en/1.II.17

Repetitive slow play can be harmful when starting a new piece. We stated in section II.1 that playing slowly, and gradually ramping up the speed, is not an efficient way to practice piano. Let us examine this procedure to see why … http://www.pianofundamentals.com/book/en/1.II.16

There is only a certain amount of improvement you can expect during practice at one sitting, because there are two ways in which you improve. The first one is the obvious improvement that comes from learning the notes and motions, resulting in immediate improvement. … The second one is called post practice improvement (PPI) that [...]

The most important thing to do as you get up to speed is to relax. Relaxing means that you use only those muscles that are needed to play … http://www.pianofundamentals.com/book/en/1.II.14

Get up to speed as quickly as possible. Remember, we are still practicing HS … http://www.pianofundamentals.com/book/en/1.II.13 Could anybody write a custumer review in his/her country’s iTunes Store? Thank you bramm900 for your’s in the German Store! This is really encouraging! So folks support me in YOUR country. Write a custumer review in your country’s iTunes Store.

There is no faster way of memorizing than to memorize when you are first learning a piece and, for a difficult piece, there is no faster way of learning than memorizing it … http://www.pianofundamentals.com/book/en/1.II.12

Now that the LH CEG chord is satisfactory, try to switch suddenly from the chord to the quadruplet at several different bounce frequencies. You will now have to move the fingers but keep the finger motions to a minimum … http://www.pianofundamentals.com/book/en/1.II.11

Learning to play accurate chords is the first step in applying the chord attack … http://www.pianofundamentals.com/book/en/1.II.10

Suppose that you want to play the (LH) “do-so-mi-so” quadruplet (“Alberti accompaniment”) many times in succession, very fast (as in the 3rd movement of Beethoven’s Moonlight Sonata) … http://www.pianofundamentals.com/book/en/1.II.9

When practicing one segment, always include the beginning of the following segment. This continuity rule ensures … http://www.pianofundamentals.com/book/en/1.II.8

Essentially 100% of technique development is accomplished by practicing hands separately (HS). Do not try to develop finger/hand technique hands together (HT) … http://www.pianofundamentals.com/book/en/1.II.7

A most important learning trick is to choose a short practice segment. This trick has perhaps the largest effect on reducing the practice time because of many reasons … http://www.pianofundamentals.com/book/en/1.II.6

Returning to Fur Elise, there are two difficult sections with 16 and 23 bars. Start by practicing the most difficult sections first.These will take the longest time to learn, so they should be given the most practice time. Since the ending of most pieces is generally the most difficult, you will learn most pieces starting [...]

Starting a Piece: Listening and Analysis (Fur Elise) http://www.pianofundamentals.com/book/en/1.II.4

The right height of the bench and its distance from the piano is also very much a matter of personal taste. A good starting point … http://www.pianofundamentals.com/book/en/1.II.3

Everyone seems to have her/is own ideas about finger positions, so it is clear that there are no rigid rules. The only guidance is that the fingers should be in the most relaxed and powerful positions… http://www.pianofundamentals.com/book/en/1.II.2

Many students use the following practice routine … EVERY STEP OF THIS PROCEDURE IS WRONG! Note that the above practice routine is an “intuitive” method. We describe the components of a proper practice routine in the following sections. They are presented in approximately the order in which a student might use them from start to finish of a [...]

Teachers play a critical role in showing students how to play and practice musically. …

Although it is not easy to define music precisely, we can discuss how to play musically, as done througout this book. … http://fopp.henrik-pantle.de/ http://www.pianofundamentals.com

We must understand what technique means because not understanding technique leads to incorrect practice methods. …

The objective of this book is to present the best known mehtods for practicing piano. …

There is an intimate relationship between music and mathemathics. … Acknowledgement This book is dedicated to my wife Merry, whose love, support, and boundless energy is what enabled me to devote so much time to this project. If you feel that you have benefited from this book and wish to express your appreciation, please send a contribution to: [...]

Most of this book deals with one important point — namely, that the best piano practice methods are surprisingly counter-intuitive …

Why are these practice methods so revolutionary? For detailed answers …

This is the first book ever written on how to practice at the piano! …