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When it comes to assessing practice success, understanding various returns on investment is critical. Kiera and Kristy explain what the Dental A-Team is looking for when it comes to understanding the success (or lack thereof) of various investments. They specifically touch on the power of five different KPIs that'll keep your practice in line. Episode resources: Subscribe to The Dental A-Team podcast Schedule a Practice Assessment Leave us a review Transcript: K iera Dent (00:00) Hello, Dental A Team listeners. This is Kiera and today it's the KK podcast. Kiera and Kristy hanging out today. Kristy, how you doing today?   DAT Kristy (00:10) Good, it's a good day.   Kiera Dent (00:12) It's a great day. you like, I feel like I want to like KK. I mean, it's not, it's only two K's everybody listening, but I feel like it's like the Kit Kat. I don't know. It feels kind of like that between you and me. don't know why, but yeah, double the, or we could be like double mint, like double the flavor, double the fun. It's Kieran Kristy on the pod. Like there's just the two of us cause there's no other K names in the consultant world. It's just Kieran Kristy. So I mean, we got   DAT Kristy (00:36) That's right.   Kari and Kristy, you got it.   Kiera Dent (00:40) Kiera and Dana, so that could be my initials, cute. Then there's Kiera and Trish, but there's Trish and Tiffanie. Then there's Kiera and Brittany, no BS, Britt, she's on her own realm. And then we've got Monica. So, see, it's the two Ks, it's the double the, like, we're just gonna have fun here. Like, you get two of us, two brilliant brains. And believe it or not, Kristy and I actually might just be rivaling for like some of the biggest gains this quarter, so.   DAT Kristy (00:55) Yes, it does.   Kiera Dent (01:07) ⁓ not that we're here just for gains on clients, but Kristy does give me a run for my money, which all the consultants do. And Kristy's just like, she's, she's coming on hot this, this quarter. So I thought it'd be really fun, Kristy, for us to kind of dig into. Like either quarterly or twice a year annual reviews that we kind of do with clients and how you assess it. And we show the ROI that clients are getting, just cause I think it's important for clients to see like, what should you be assessing in your practice quarterly or two times a year?   How's the practice going? And Kristy, I think you're really, really strong in this. And I think you're really talented at looking at the practice and about their numbers and about, like, you love that. You and I will geek about numbers all day long, which is why it's the KK club, the KitKat club. Like we're here for the numbers. We're here for the fun. ⁓ But yeah, Kristy, kind of take it away of how do you set this up? What do you look at with clients when you're assessing their practices? Because always client style is like, I want ROI on consulting. And you do like,   amazing job at showing that ROI. So kind of take it away of what do we look at? How do we determine ROI? And I know this is your jam. This is what you love to do.   DAT Kristy (02:15) I love it. You're right. I do. You know, we all.   Kiera Dent (02:18) Do hear that little   giggle? I hope everybody heard that. Like that's Kristy's like. Kristy lives for this stuff and it makes me so happy because I do too. Like it's fun. It's fun to get the gains.   DAT Kristy (02:28) Yeah,   absolutely. Well, you and I have talked about this before. So many doctors just look   their bank account to see if they're on track or off track. And it's such a false sense of security looking at or lack of security, one of the two. with that being said, ⁓ there truly is like five   Kiera Dent (02:36) you   Mm-hmm.   DAT Kristy (02:48) KPIs that we're going to look at. And a couple of them are lag measures. A couple of them are lead measures.   ⁓ first view would be production net production collections. Yeah.   Kiera Dent (03:01) Yeah, don't even get into that gross. We don't want gains that are fake all y'all, okay? Like get   out. ⁓ Jason and I were talking the other day about guys, there's this, okay, Kristy, I'm gonna go on Tanger for a second. There's this really attractive actor on this show we're watching and I'm like, truly I was so disappointed when they kind of cut him from a couple episodes. I was like, no, she's gotta get back together with this guy because he's so good looking. And my husband and I, we look, because he looks pretty short.   DAT Kristy (03:13) you   Kiera Dent (03:28) So I like scoped him and I was like, how tall is this guy? And he says he's six foot and Jason's like, there's no way he's six foot. He's like, but do you ever hear some guy come in and they're like, yeah, I'm like 5'11". He's like, no, they all push them to the six foot. And I feel like that's what gross production is. It's like all of us are like, yeah, like I'm basically six foot. Yeah, I'm basically like a millionaire. Yeah, I'm basically there. Like, so we're talking, no, get out. We're here for like actual gains that you're actually getting net production.   my little side tangent, it's okay. It's okay if you're 5'10". It's okay if you're 5'9". It's okay if you're 5'11". We in production want to know the real number that we can actually collect, not the artificial one that makes you feel good when you're chatting with friends. You can fluff your height, but don't fluff your production.   DAT Kristy (04:15) love that 100%. So we got the net production and then the collections,   Kiera Dent (04:16) you   DAT Kristy (04:22) dollar for dollar percentage. Obviously we want them to be 98 % or higher. And then on the flip side, where are we diagnosing? What's our case acceptance? And so many people just look at the percent of case acceptance, but I also want to look at the dollars of what you're diagnosing because is it enough to reach your goal?   you know, where's your profit point at and what do we need to hit? Because we can celebrate 100 % case acceptance, which I don't think anybody ever has 100%, but you know, if you're getting 50 % case acceptance, which is still a very good percentage, 50 % of what? If we need to hit 150 every month and we're only hitting 100, it's not enough to get us there. So those would be the main five KPIs that   ⁓ tell us the health of your practice, right? And go ahead, care.   Kiera Dent (05:18) I   was gonna say, and Kristy, as you said that, diagnosing, don't think people realize is as important as it is. For whatever goal you wanna hit, there's a industry standard that you need to diagnose three times what you wanna produce. So if you wanna produce 100 grand, you need to be diagnosing 300,000 minimum to be able to get there, and you better hope you've got a great treatment coordinator who can close. And this is actually like...   I'm gonna like give a little secret away that we'll see if people are smart enough to pick up on in future years. This is the number one thing I actually look for in a consultant. I look to see, do an interview, we give them some stats and if a consultant cannot pick up this practice like without fail, they come in and they wanna talk block scheduling, they wanna talk other things. But I need a consultant to be able to see that a lot of times the reason a practice is not hitting their goals is due to a lack of diagnosis. And another reason we do that is because   Kristy and I are not dentists and we're not here to tell you how to diagnose. We're just here to help you see that based on industry standards and what you should be diagnosing of a healthy practice. If you're not getting enough diagnosis and doctors, you've got to hear this. If you are not diagnosing enough, this is a doctor issue and we're not saying to overdiagnose, but you have to diagnose enough. If you're not diagnosing enough and there's not enough treatment coming through, your practice will not grow. And that's not your team's fault. That's a you problem.   And so making sure that you, your hygienist, you use AI, but Kristy, I'm so glad you brought that up because production collections are always easy. But what impacts that, like you said, is the diagnosis, then the case acceptance, the new patients. And that's where it says lead and lag. Like everybody's looking at the lag of production collection, but it's like, what did we do to get there? And Kristy, I love that you bring these five things up every single quarter, every single, like twice a year with your clients, because people don't realize your bank account is a lag measure.   of what you've been doing in the practice. And then like another one is your overhead and what are you spending? Because if those things are in check, but we're spending everything we're making, we're not saving for taxes. Well, yeah, that's a real fun moment. Your bank account's really gonna look bleak, even if everything's working in the practice. So I really hope people take note because it's such a good thing for people to be aware of.   DAT Kristy (07:09) .   Absolutely. to that point, Kiera, like so many people think if that number isn't where they want it, let's go get more new patients. And then they want to spend more money on more new patients. And nine times out of 10, this is exciting time of the year because we're halfway through the year. Take a look at what you did treatment plan. I mean, I see a lot of practices, you know, let's for easy math, they're diagnosing a million dollars and we've closed 500,000. Holy cow. Even if you captured, you know,   percent of that difference like what would that mean to your bottom line and this is a perfect time to take a step back and go my gosh we have five months left in the year what would that look like break it down chunk it down to simple   pieces that your team can digest and you guys have fun with it. It's all about getting patients healthier. Let's face it, you're not diagnosing things patients don't need. So let's go get it. Let's get our patients healthy and gamify it. See one more crown a day or one more implant a month. What is it? Right?   Kiera Dent (08:35) Yeah. And Kristy, I think something you do so well that I hope people heard is you're not going for the big gains. You're going for the little like squeeze the juice, like get the last bit of toothpaste out of the tube of toothpaste. And I don't think people like that's not sexy. It's like, hey, I heard this podcast that I'm supposed to like go look at these small things versus we're getting all these new patients and we signed up for marketing. Well, but like this is where the elite practices shine. This is where the like really superior   Practices go people are like here. How do you do it? How do you guys like add? 20,000 40 that I Kristy I was looking at some of your stats girl. You're like, like I said, I love a good hustle and some of your practices you're adding like 50,000 a month to their practices and that's Incredible and people like how you do it Kristy's literally telling you it's through squeezing the tube of toothpaste in these small little moves that actually are not that hard going and getting new patients and signing up for marketing and all that that to me is actually hard fixing your diagnosis   getting your whole team on board, looking to see at what our production collections are, making sure our collections are tight. Those things are way easier. They're not as fun, they're not as sexy, but way easier than having to go like hunt and fish for new patients, even though it's way more fun to tell people you signed up for marketing. It's not fun to be like, yeah, we got a new billing thing in place. Like we got our AR fixed. That's not fun to admit, but it's way fun on the bank account and the profitability side too.   DAT Kristy (09:58) Yeah,   100%. And again, ⁓ so going back to the new patients, they want to spend more money to get it. But then have you looked at like, how are we answering the phone? How are we capturing the patients that are calling? Maybe you really don't need to spend any more money to cap, you know, they're coming in, we're just not capturing them, you know, and I'm always a fan of, you know, there's the internal marketing and external.   everything Fred Joyle said it best right everything is marketing we are marketing so get real intentional and get in relationship with your patients figure out what they want and tie their care back to it you know   Kiera Dent (10:39) Mm-hmm.   Yeah, I think it's brilliant. And I think it's like you said, everything we do is marketing. And so if we realize that and so many people want external marketing, and I think to me, the reason people want external marketing, and I'm not here to say not to do external marketing, I think it's a, it is a piece and a part of it. But I think it feels like a diet pill sometimes, like, let's just let's just throw money over there. And let's hope it fixes our problems. Let's out produce our problems rather than fixing our problems. And I really want people to realize like,   elite business ownership and being part of the elites, and we're not talking big practices, there's no right size to it. That all comes actually from doing these small little things and internal marketing, once again, is so good. These patients already love you. You already have a base of people that love you. And if you treat those people really well, rather than constantly going to try and swoop and get more people in, those people then refer, they refer better people to you.   It's easier. I have a practice and it was wild. They're like, Kiera, we signed up with marketing and we're trying to get it. And again, this is not a bash on any marketing companies. It is definitely necessary. ⁓ but they're like, but we're just not getting more, more new patients. Talk to another client. They're like, we, we just signed up with a marketing company and it's actually gone down. And I'm like, well, tell me what were you doing before to get patients? And they're like, we were at the church, we were in this magazine. And I'm like, well, get back in that because it was, it was showcasing the good things you're doing. It was being this like,   more B2B, it was being more connected rather than just trying to go for the masses and it's wild because internal marketing can be so much more effective if done right. And like you said, be in a relationship with your patients and know what they want. And great Google reviews, great Google reviews are your fastest, easiest marketing. So pay with Swell, like let's throw another plugin for Swell. It's been a few months since I put them in.   Go to Swell, SwellCX.com. Tell them Dental A Team sent you. Literally Zeke and I met when he founded the company. So you still get like founding prices, because that was the promise he and I made that you guys would get that. But honestly, just get your Google reviews up. Save the money. I don't know. Kristy, you and I are such birds of the same feather. That's why we're KitKat over here. We just think very similarly. And I think that's why we get very similar results as well.   DAT Kristy (12:55) Yeah, I think that the other big thing here is to recognize so many people are afraid of numbers. The members just start to tell a story and what we fail to realize is there's a system behind every one of those numbers. And if the number isn't where we want it, we need to pull up that system and figure out the system's a recipe, right? It's our cookbook. If it's not where we want it, then let's go back and figure out, did we mess up the recipe? You know, or   is the recipe, we're following it to a T and we just need to change up and find a new recipe because it's not getting the result. So ⁓ I love digging into those numbers because that tells us where we need to focus on this quarter to get the results we want.   Kiera Dent (13:40) And I really love that you said numbers just tell a story and there's a system behind the number and this makes it so much easier like going back There's a podcast I did a little while ago where I talked about the yes model and Dental A Team to help you say yes to more It's focusing on you as a person your vision which Kristy alludes to like are we on track or not for that vision and then E stands for earnings and profitability and S stands for systems and if you put them in that order So you've got your vision then we look at the numbers just like Kristy said   then you put into place the systems based on what those numbers tell you, it becomes a much more manageable and easier to digest process rather than being like, I need all the systems. And it's like, no, no, no, you just need the systems based on what the numbers tell you because I'm sure you're doing a lot more right than you think you are.   DAT Kristy (14:25) Absolutely. And I also think, you know, it's a good time to take a step back and evaluate where you are on the culture scale too, right? Happy team creates happy patients and happy patients pay and refer. So it all goes hand in hand.   Kiera Dent (14:39) Good   thoughts on there. Okay, so what else do you go? You go through the production collections, diagnosis, case acceptance, new patients, lead lag measures. Then you move into, we on track, off track for our goals of where we're at this year? What are the things that we could do now to get there by end of year? Are they still relevant? Are we still on track? What else do you look at with your clients when you're doing these assessments, Kristy?   DAT Kristy (15:02) Yeah, well, I always like to start the year off with projecting where we're going. And so also calculating back to that. And you and I talked about overhead. If we take what our average overhead is for the year, are we on track for meeting that or not?   Right? Because we can project all day long. I can want to make $3 million, but this $3 million cover overhead expenses and our savings for the year. So always measuring back to that. And if we're off track figuring out how can we get on track, right? Did doctor take off more time or do we need to add in a Friday to get to goal? You know, those types of things. Or are you, ⁓   okay with where we're projected to land and you feel confident about that. You know, once in a blue moon, well, I shouldn't say once in a blue moon because you and I do get them up there, but you know, it also relieves them and they can maybe even take an extra week off or a few days off because they're ahead of goal. Yeah.   Kiera Dent (16:06) Totally.   And those are the fun ones. That's what we want. We want to be ahead. We don't want to always be behind. And I agree with you, Kristy. The offices that are ⁓ diligent and consistent at looking at these, we look at these monthly, we look at these quarterly, we look at these annually, we assess, we redirect. It's like, I don't know. I feel like what you do is there's a plane. I just flew back from Greece, which was a very long flight. And it was very fun. This is where I watched.   DAT Kristy (16:13) Mm-hmm.   Kiera Dent (16:35) so many of these shows of this very good looking actor. I thought I was like, how tall is this man? While my husband's sitting next to me, it's okay, it's all right. We're allowed to have a few celebrity crushes. ⁓ But on our flight back, it was like a 12, 13 hour flight home. And I think about if that pilot would not have checked to see if we were a few degrees off, I could have easily ended up somewhere else. And that's just by a few degrees. And so what I feel you're doing, Kristy, on these quarterly, these monthly, these annual check-ins is making sure   that we're still navigating towards Greece or towards wherever we're trying to get. And are we on track or like you said, do we need to do a small navigation at a Friday, change this, look at our spending to be able to end up there at the end of the year or like, are we so far off course? So we need to like correct a little bit and then get back on track for next year. But the hope is that we catch that soon enough because we're never gonna go in a straight line. It will never be perfectly across. There will always be hiccups, there will be turbulence, there will be.   things that you gotta go around, you gotta redirect places. But if we're constantly looking at it, we stay much more on course and charter to where we want to go rather than like hoping and wishing we end up where we actually set out to go.   DAT Kristy (17:43) Yeah, 100%. And sometimes it's also looking, where are we spending? Right? Is there something that crept in there? We talked about this before too, with, you know, the subscriptions or, I mean, it's funny because the very first doctor that   I remember him telling a story about an airline and I was just sharing this recently with a client. I think it was like American, you guys could probably Google it and find it, but it's back in the day when they would serve meals to everybody and this airline decided that they could cut one olive.   Kiera Dent (18:17) Hmm?   DAT Kristy (18:17) and it cut their bottom line by a ton. Like what is the cost of one olive? So where can we tighten the ship a little bit? Those things are kind of, again, have fun with it, gamify it. Get your team involved. Let them be part of the solution.   Kiera Dent (18:37) Yeah,   and Kristy, I love that because we talk about this olive, the FedEx trucks and then chicken nuggets. And going back to it, the black olive airline cut, it was one olive, saved them $40,000 annually. I just pulled it up to sea and it was on American Airlines. And Tiff and I talk about the chicken nugget, like they used to serve five chicken nuggets, which was the right amount. Well, they dropped it to four. Four is not enough, so now you...   Upsell to 10 and I'm like that's one chicken nugget. This is one olive and I agree with you Kristy for me This is the fun of business like how can I go find that one olive or that one chicken nugget Tim and I get really excited when we find a whole chicken farm. Like that's a good one I'm like, wow, that was that was like a really good idea or a whole salad But again, it's to cut costs but improve patient care. Like what are they? mean even today Kristy, Shelbi, Britt and I were going through our expenses in dental a team   DAT Kristy (19:25) Mm-hmm.   Kiera Dent (19:30) and we looked and we have Adobe and we still use Adobe for contracts. But Shelbi looked at it, we're paying 65 and we use Canva and our marketing team doesn't need all the entire suite of Adobe anymore. But that was something we put into place like five years ago. We've been paying 65 bucks every single month when we only need to be paying 19. Not that that matters. And so many people are just like, well, here it's 40 bucks. And I'm like, okay, you want to play a game with me? I'll play a game. It's 65 minus 20.   DAT Kristy (19:57) me.   Kiera Dent (20:00) Okay, so 45 times that by 12 times that by five years is 2,700 bucks that I've been overpaying just on a subscription that's doing nothing for our company that I could have cut. And I'm like, I know you might not get out of bed for 2,700 bucks, but I'm like, you find that subscription, you find this subscription, you find that one, all those little, do you think someone really was excited on American Airlines to save $40,000 when it's a multi-billion dollar business? But 40,000 here, 20,000 there.   DAT Kristy (20:26) Right.   Kiera Dent (20:29) 50 bucks here. also think Kristy, to me, it's the discipline of auditing, of looking. It's more than I think the olive or the Adobe subscription or the chicken nugget. It is the constant innovation to look, to be the most savvy business that we can possibly be. And then we flip to the other side and give the best service that we can as well.   DAT Kristy (20:51) 100 % I agree with you, Kiera. Yeah, it's just those small incremental things. And it's about being intentional versus doing it by default, right? Let's do it intentionally so that when we get to the end, there's no surprises.   Kiera Dent (20:52) you   love that because I hate surprises in December as a business owner. Oh, I used to dread December's like and it's a great time to travel. It's a great time to hang out with family. But I used to cry like beginning of December, it was tears every single year. And then by the end of the year, I was exhausted. had nothing left for family and it's supposed to be such a fun time that I agree with you, Kristy. It's like no tears. The projections are there we were prepared. I don't know there really is a saying like if you are prepared, you will not fear and I'm like, it really is that case and also   Like CPAs, I'm gonna rag for a second. They rag on consultants. This is a love relationship we have with CPAs and consultants. I get so annoyed that like CPAs don't tell you till December. And I'm like, no, have the meeting in July. Have the meeting in October. Figure it out because you still have time to pivot. And that's what Kristy and I wanted to come on today is there's still time to pivot if you look at these items, you look at the things we're discussing, you look to see what can we do. There's still time. It's like, we're not at the 11th hour.   hoping to try to make up time in such a short amount of time. call your CPAs, find out where you're at on your tax liabilities. Are you on track for saving that? There's so many times that we have our meeting with the CPA and he's like, Kiera, I need to up and increase and start cutting. And I'm just annoyed every time, but I'd rather do that over the course of six months rather than one month, because I still have time to make that correction with it, not hurting as much as it could.   DAT Kristy (22:30) It's so true, so true. And the efforts to get there are a lot smaller when we can dilute it over five months versus two weeks, because we didn't look till the end of the year.   Kiera Dent (22:42) especially the two weeks in December where we're not producing so we're not even collecting and we have to pay more. It's just a really like nasty path. So I'm like, no, no, no, just don't plan for December. Have that be your gravy slush time. Get it all done in 11 months. But like even that kind of thinking, Kristy, I don't think is common. I think it's very abnormal to think, well, if my December is only going to be two weeks, why am I banking on that as a full month? Why don't I bank on? And this is back to mine and Kristy, like we love the projections. We love to think of like   DAT Kristy (22:59) No.   Kiera Dent (23:12) How could I get this done in 11 months? How can we give you vacations? How can it be done in this many weeks? And that's something, Kristy, I really do feel like it's the Kit Kat Club over here. Like we really do think in such a similar way, but I want you to realize like this is how Kristy and I are able to throw gains. We're able to help practices get to where they want to be, but also with it being easy, happy teams, happy culture, not a lot of stress, ⁓ and just kind of doing the small minutiae things that actually make insane gains.   for a practice. We help find the olives, Kristy. Every so often we might get a tomato, but it's the small olives that actually make the huge impact for a practice.   DAT Kristy (23:42) Right? Yeah, let's get the olives. Yeah.   100%, 100%. And hopefully we can show it's easy. It's not hard. It truly isn't hard. It's one patient at a time and just capturing a little bit more.   Kiera Dent (24:03) Yeah. And then Kristy, I think it's really fun what you do for your clients too, is you show them the ROI that you brought to them through AR, through production, through overhead savings. So that way a client, regardless of their bank account saying, can literally see that in the course of working together, this is what we've been able to accomplish together. Because I think as a business owner, it is so easy to forget like what it felt like when I couldn't lift 20 pounds, now that I'm lifting 50 pounds.   Like it's so easy because 50 pounds becomes your new normal, but you're like, no, no, no, no. Remember how we started and you couldn't even lift like five pounds. Then you got up to 20, then you got up to 50. I think it's very easy for clients to forget where they started because their new norm is where we've grown them to.   DAT Kristy (24:48) Yeah, it's so true. mean, you know me, I love analogies and it's almost like your periopatient that's been coming in every three months and now they're healthy and so they want to push it back out and it's like you forgot it's this effort coming every three months that's gotten you healthy and the minute we change it, things start to slide, you know, so. ⁓   Yeah, mean, hopefully, hopefully we can always show that value in it. They still have to do the boots on the ground hard work, but you know.   even Tiger Woods has a coach, right? And that coach can see around corners to see things a little bit faster maybe when things aren't moving the same. You your swing's off, what's happening, what's going on, you know, and to keep you back on track. it's fun, it's fun partnering with clients and being able to see that and course correct and help them achieve their goals.   Kiera Dent (25:43) ⁓ I love it. Kristy, I agree with you. And I think that that's why we have the passion for consulting. We have the passion for practices. We have the passion for wanting you to strike. It's crazy because like, I don't know, we have a tagline, which marketing told me I need to get rid of because it's more about me than it is about you. And it does not make sense to me. ⁓ where it says like your success as a practice is truly Dental A Team's passion. Like this is what gets me and Kristy up out of bed. This is what makes us want to get on a podcast and share with you is   you being successful, you getting your dreams, you hitting these goals is what we are obsessed and so passionate about. So I think it's so fun. So I'd say, Kristy, if practice is listening right now, what would be kind of like your bow on our podcast today that you'd say like, okay, from everything we've talked about, what do they take away? What can they go implement? ⁓ Because sometimes it can feel like, well, what's my first step to be able to get on this path of slight course corrections to get to my final destination with ease.   DAT Kristy (26:42) Yeah, well first off, if you haven't figured out your goal, maybe look at what you finished at last year and at least strive for 10 % above that because we know that that's at least keeping up with inflation. Again, I don't know if that's meeting your overhead needs, but at least it's a good point. And then reverse engineer it. See how far you're off track from that for the year.   and ⁓ what's one more day or one more thing every day. Hopefully you're doing some sort of morning huddle and ⁓ inside of the morning huddle, everybody has a part to play, right? So admin, look, is there any balances that need to be collected?   ⁓ patient wise in doctor's schedule, is there anybody that could come back in through hygiene? Hygiene, if we have undiagnosed treatment and we know there is, because we see those numbers every day in morning huddle and it's almost like crazy alarming the amount. Usually it's more than what you're even producing for the day. So, gamify it and try to turn those patients into healthy patients by converting their treatment. ⁓   know just those simple things right there is going to make a big difference to your year end.   Kiera Dent (27:55) I that. I love it, Kristy, so much. And I love that you have the passion and the love. I love that you will also sit down with your clients. And I think that that's the discipline and maybe like the fast track of using a consultant is, Kristy, you prepare these for your clients. You think about it. You're looking down the line of things they're maybe not even considering doing. They're not thinking about midway. How are we doing? What are our projections? Are we on track? Are we off track? Where are we at? And I think having a consultant, like you said, with even Tiger Woods,   looking around the corner, looking down the line. Kristy and I are both like, we're watching the clock. We know we only have so many more months in the year. Where are you at? How can we make sure that we're constantly keeping you on track to get to your goals? Where maybe you're just having a fun summer vacation or you're just coming back. Like we know that that's our job is to be looking down the line for you, watching out for you, projecting for you, course correcting with you. ⁓ Even when you're in the day to day problems. And I think Kristy, that's just a   a shout out to you and a shout out to consultants because this is why we do what we do. So if you, if you are like most business owners, including myself, when I first started and you hate numbers, that's why there are people like Kristy and myself that exist because we love to get into the nitty gritty. We love to look for those olives. We love to help you go do the dentistry and we're going to sit here and help make sure your business and your team and your practice is flourishing. So that way the hard work you put into being a dentist pays off for you in the end. So Kristy love this, love what you do for our clients.   Love being the, the KK Kit Kat, whatever we want to be over here. mean, it might stick. We might be Kit Kats for Halloween. You never know, but Kristy just super appreciate you and all that you do for our clients and for our company and you as a human being, you're just a gem. And I'm so freaking lucky to work with you.   DAT Kristy (29:28) Yeah.   Thank you. It's my honor and you know what? We're stronger as a team, I have to say. So no matter what consultant you have in our company, you get all of us. So we collaborate, we cheer each other on, just like hopefully you're cheering your team on. So happy to help.   Kiera Dent (29:49) Bye.   Kristy,   you said that so well and it is true. I see you and all the consultants like have little meetings on your calendars of connecting and chatting and I do agree. We all help each other out. We want all of our clients to succeed no matter who you're working with. So for all of you, if you're struggling or you're like, gosh, I really would love that help or just having someone, I'll just put our arm around you and like, we're here to help you. We're here to support you. We're here to guide you. We're here to look around that corner. Reach out, Hello@TheDentalATeam.com. And as always, Kristy, thanks for being with me. Thank all of you for listening.   and we'll catch you next time on the Dental A Team Podcast.  

Laci welcomes comedians, writers, and actor besties Jenny Slate, Max Silvestri, and Gabe Liedman (I Need You Guys' podcast) to catch up on her adventures in Ireland, learning about Berlin's KitKatClub, and getting help at the airport at any cost. They also discuss Steve Farzam, the “fake firefighter” who was arrested without bail for impersonating a first responder in connection with the Palisades fire, and his problematic hero-complex addiction that keeps landing him behind bars. Stay schemin'!Listen to “I Need You Guys” every Tuesday on the SiriusXM app or wherever you get your podcasts.CON-gregation, catch Laci's TV Show Scam Goddess, now on Freeform and Hulu! Did you miss out on a custom-signed Scam Goddess book? Look no more, nab your copy on PODSWAGKeep the scams coming and snitch on your friends by emailing us at ScamGoddessPod@gmail.com. Follow on Instagram:Scam Goddess Pod: @scamgoddesspodLaci Mosley: @divalaciJenny Slate: @jennyslateMax Silvestri: @maxsilvestriGabe Liedman: @gabeliedmanI Need You Guys Podcast: @ineedyouguysshow Research by Kathryn Doyle  SOURCEShttps://magazine.atavist.com/2017/not-fuzz-police-impersonator-santa-monica-steve-farzamhttps://magazine.atavist.com/2020/the-con-continues-not-fuzz-update-steve-farzamhttps://smdp.com/news/crime/longtime-police-impersonator-steve-farzam-arrested-for-pretending-to-be-firefighter-during-palisades-fire/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scam Goddess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mickey-Jo was recently invited to attend another gala night at the West End production of CABARET, currently running at the Kit Kat Club at the Playhouse Theatre in London.The production, directed by Rebecca Frecknall and originally starring Eddie Redmayne and Jessie Buckley has recently welcomed new stars in Reeve Carney (Hadestown) as The Emcee and Eva Noblezada (The Great Gatsby) who returns to the role of Sally Bowles shortly after performing in the Broadway production.Check out today's video for Mickey-Jo's thoughts on what the production is like with these brand new stars as well as new additions to the supporting cast including Ruthie Henshall...•00:00 | introduction03:20 | thoughts on the show07:51 | Eva as Sally14:00 | Reeve as The Emcee22:29 | the other new stars28:45 | the featured cast36:05 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Hey Broadway Besties! Time for our weekly check-in on the Broadway News, Top Selling Shows, and this week, it's all about the upcoming season on Broadway! Bryn is on FTM this week!!! We recap Cabaret at the Kit Kat Club and Amaze at New World Stages.Follow Bryn's on Insta & TikTok: @brynharveyraymond In Broadway News:

Det här är berättelsen om en opolerad vansinneskvartett som revolutionerade funkrocken och som inte drog sig för att dra ner brallorna på scen. Lyssna på alla avsnitt i Sveriges Radio Play. Svetten rinner längs Anthony Kiedis rygg när han kliver av scenen. Det är en söndag i juli 1983 och strippklubben Kit Kat Club i Los Angeles har nyligen börjat arrangera rockkonserter, men den här spelningen gick inte som Red hot chili Peppers hade tänkt sig. Det nya bandet har redan gjort sig kända för att vara riktigt bra live men ikväll var det som att publiken knappt såg dem, än mindre brydde sig om musiken. De verkade bara ha ögon för stripporna som dansade på scenen. Backstage får den adrenalinstinne sångaren en idé. Han tänker inte nöja sig med en halvdan spelning. Ivrigt övertalar han de andra i bandet om att de ska göra ett extranummer som publiken inte kommer att kunna strunta i.När Red Hot Chili Peppers kliver ut på scenen igen är reaktionen en helt annan. Killarna är helt nakna, sånär som varsin strumpa på kuken. Bandets ikoniska specialnummer Socks on cox är fött. Medverkande: Sofia Bergström och Freddi Ramel.Programmet är gjort av Alexandra Sannemalm sommaren 2025Producent Joanna KorbutiakExekutiv producent Lars TruedsonSlutmix Fredrik NilssonProgramledare Joanna KorbutiakP3 Musikdokumentär produceras av Tredje Statsmakten MediaLjudklippen i programmet kommer från: CBS 60 minutes, podcasten The Joe Rogan Experience, Much Music, BBC's 'Rough Guide to LA, Funky Monks, den nederländska tv-kanalen TMF9, MTW News, Super bowl 2014, Youtube-kontot Mellowship, RHCPNews och andra fankonton på Youtube.

Diesmal haben wir Josef Grinspun zu Gast. Wir fragen ihn, was verheiratete Paare machen. Außerdem reden wir über Partys ab 30. Erika erzählt über ihre turbulente Schulzeit. Kommunikation ist wichtig in Beziehungen. Wir besprechen, was Konsens im Kit Kat Club bedeutet. Und Comedy muss authentisch sein.

It's your last chance to visit Broadway's Kit Kat Club and the Tony-winning sensation, Cabaret. But the revival is still-making history, two black actors are playing 'The Emcee' and 'Sally Bowles', on Broadway. Tony and Emmy winner Billy Porter, and Olivier-nominee Marisha Wallace are on this episode of the pod, chatting with Paul Wontorek. And later, you'll hear from The Tony-winning Set and Costume Designer, Tom Scutt.

This episode we are joined by Olivier Award nominated actor, writer and performer Rob Madge!  Rob is currently starring at the Emcee in West End's Cabaret at The Kit Kat Club and is also known for their one person show, My Son's a Queer (But What Can You Do?).  Their other credits include Mary Poppins, the 25th Anniversary Concert of Les Miserables at the O2, Buyer & Celler, and has performed at the London Palladium for their Christmas Pantomime shows since 2022. They return this year as The Diva or Dreams in Sleeping Beauty. They are currently working on an adaptation of Charley's Aunt playing at Watermill Theatre this fall! And they are working on a new musical set to come out next year!We talk with Rob about their experience bringing My Son's a Queer to New York, their hopes of doing Shakespeare, truly knowing that musical theater was what they were meant to do and much more!

Neurologist Dr. Carolyn Brockington helps separate fact from myth when it comes to common brain health concerns. Also, Al sits down with a lesser-known figure of the Harlem Renaissance movement, as 2025 marks the 100-year anniversary. Plus, Billy Porter stops by to catch up and discuss his return to Broadway as the Emcee in ‘Cabaret at the Kit Kat Club.' And, our Shop TODAY team shares a few space-saving products to help you fit as much as possible into your suitcase the next time you travel.

New York City boasts top-quality restaurants from a variety of culinary types and countries of origin. If you're coming to NYC for the first (or fifth) time, there are five cuisines you must try as part of your explorations!Here are the five must-have cuisines when visiting New York City:PizzaBagelsSandwichesItalianDesserts

Mickey-Jo recently returned to the West End production of CABARET at the Kit Kat Club for a gala performance welcoming their new stars, Rob Madge and Hannah Dodd.The revival, which has been directed by Rebecca Frecknall, reconceived the Playhouse Theatre in London as the Kit Kat Club when it first opened in 2021 and has since starred many brilliant performers in these iconic roles, recently celebrating 1500 performances in London.Check out Mickey-Jo's thoughts on the show's remarkable achievement and the fascinating performances of its latest stars...•00:00 | introduction03:42 | Rob Madge as the Emcee13:35 | Hannah Dodd as Sally BowlesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Connor and Dylan are joined by Graham Phillips (Little Shop of Horrors, 13). Suddenly, Graham y'all! The twins are gagged to have this star of stage and screen on the podcast to honor his highly anticipated return to the New York stage. But first, the boys gag over Orville Peck and Eva Noblezada in Cabaret at the Kit Kat Club. Graham is currently starring as Seymour in Little Shop of Horrors, alongside longtime friend and castmate Liz Gillies. From the workshops of 13 to the streets of Skid Row, they're finally reunited onstage. Graham discusses what it's been like joining the show, spills tea on the roles-that-almost-were over the years, and a possible clowning storyline. We ask about highlights from The Good Wife (and what he would've done on The Good Fight!), memories from Riverdale, and his film studio that he runs with his brother: Phillips Pictures. Chemistry reads with Zachary Quinto, wrap parties with Calista Flockhart and Harrison Ford, and late night karaoke sessions with Liz Gillies and 13 alums are allllll mentioned. Stick around to find out what Graham's (and Seymour Krelborn's) enneagram type is! Catch Graham in Little Shop of Horrors through July 27th only.Follow Graham on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway! Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Governor Maura Healey joins for Ask the Governor.GBH News executive arts editor Jared Bowen discusses the Boston Public Art Triennial, Cabaret at the Kit Kat Club and the fate of Iran's architectural treasures with escalation of war.Harvard national security expert Juliette Kayyem discusses the emerging details of the U.S. strike on Iran and the proposed "Golden Dome"  US-wide missile defense system.Boston Globe Love Letters columnist Meredith Goldstein discusses some of her recent columns and podcast episodes including how to deal with a partner's moodiness and the role of artificial intelligence in dating.

Tenemos en el estudio a Ale Ballina que es ahorita la directora residente en Cabaret, como alguna vez lo fue en Los Miserables, y que habiendo también dirigido proyectos propios tiene mucho que contar de cómo es este multiverso de dirección que ahorita en Kit Kat Club la tiene ensayando a muchos, muuuuuchos nuevos integrantes.

[REBROADCAST FROM April 10, 2024] Country singer Orville Peck continues his Broadway debut alongside two-time Tony nominee Eva Noblezada in “Cabaret” at The Kit Kat Club. Peck stars as the Emcee and Noblezada as Sally Bowles. The two discuss stepping into their roles in this Broadway revival through July.

Whether it be programming, curating, booking, or producing tracks, Ocean is one of those DJs who is an all-rounder. Surrounded by Hong Kong's nightlife as her early abode, Ocean has held a residency at highly regarded OMA Club for many years. Ocean made ground in the region playing major festivals and clubs including Epizode, Wonderfruit, Intro, Equation, and Sonar HK. She was also tapped to represent Hong Kong at the Shi Fu Miz festival's first live edition of Boiler Room. Since her first booking to play in Berlin in 2010, she's made trips frequently around the world and is regarded as an ambassador for Hong Kong's scene. Alongside embarking on her annual Europe tour, Ocean has played in world-renowned festivals and clubs including Sisyphos Berlin, Club Der Visionaere, Golden Gate, Kit Kat Club, About Blank and Melt Festival, Feel Festival & Wilde Mohere Festival, Serialism, Biotop Records label night & many more. Always armed with a diverse sound palette, Ocean has also played with top international artists like, Priku, Cesare vs Disorder, youANDme, Eduardo De La Calle, Efdemin, Sam Barker, and Oskar Offermann among many others. Ocean has also been unleashing tasteful releases on labels and collaborating with top-tier artists: "AuditoryTouch" EP on Moteur Ville Musique (Detroit) with remixes by Eduardo de la Calle, Jay Tripwire, and Joal… “The Same Boat” EP on Berlin Biotop Label… “White Eyes” with Mr. Ho (Klasse Wrecks)… Remixing for Stelios Vassiloudis`s EP on Otake Records (Poland)… A single on We Are Play Music from Ecuador…and more. The most recent vinyl & digital release, titled “Dimah” EP on Opilec Music (Turin,Italy). Ocean's works have been recognised and snapped up by an array of music platforms and channels over the years leading her to present exclusive mixes on international channels including 6 am Group, Mixmag Asia, Meoko, Serialism Records, Decay Records, Paradox Egg London, to name a few. With a signature sound void of pretension, comfortably setting her own unique journey aside from any trend, enveloping listeners with a true representation of her character and story, as basslines pump and roll between slicing snares and adrift delicate vocals. Ocean has forged a deserved reputation for purveying supremely high-grade sounds that harmoniously envelop all the glorious shades of minimal, techno, house, and beyond. Keep an eye on Ocean Lam: https://instagram.com/ohypnotic https://soundcloud.com/ocean-1 Listen to more electronic music on Intaresu https://intaresu.com

It was announced today that Rob Madge and Hannah Dodd would succeed Billy Porter and Marisha Wallace as The Emcee and Sally Bowles in the West End production of CABARET.The revival, which has been directed by Rebecca Frecknall, reconceived the Playhouse Theatre in London as the Kit Kat Club when it first opened in 2021 and has since starred many brilliant performers in these iconic roles.Check out Mickey-Jo's recap of this exciting news to find out why he's particularly excited about this latest casting...•00:00 | introduction01:59 | on the show04:49 | Rob Madge12:13 | Hannah Dodd•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Meatball and Big Dipper chat about eating charcuterie at The Kit Kat Club, wearing small wigs, smelling like milk and pennies and the Tik Tok airport theory. Plus meal prep versus pizza, what to do when the vibe changes in the sauna, and not knowing the name of the winner of the Twink Pageant in North Carolina. And they listen to your voicemails too!Listen to Sloppy Seconds Ad-Free AND One Day Early on MOM PlusCall us with your sex stories at 213-536-9180!Or e-mail us at sloppysecondspod@gmail.comFOLLOW SLOPPY SECONDSFOLLOW BIG DIPPERFOLLOW MEATBALLSLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Meatball and Big Dipper chat about eating charcuterie at The Kit Kat Club, wearing small wigs, smelling like milk and pennies and the Tik Tok airport theory. Plus meal prep versus pizza, what to do when the vibe changes in the sauna, and not knowing the name of the winner of the Twink Pageant in North Carolina. And they listen to your voicemails too! Listen to Sloppy Seconds Ad-Free AND One Day Early on MOM Plus Call us with your sex stories at 213-536-9180! Or e-mail us at sloppysecondspod@gmail.com FOLLOW SLOPPY SECONDS FOLLOW BIG DIPPER FOLLOW MEATBALL SLOPPY SECONDS IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoices

Last week, country singer Orville Peck made his Broadway debut alongside two-time Tony nominee Eva Noblezada in “Cabaret” at The Kit Kat Club. Peck stars as the Emcee and Noblezada as Sally Bowles. The two discuss stepping into their roles in this Broadway revival through July.

Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

Nick and Angela welcome a fashion icon to Dish HQ. Born in Pennsylvania, Billy Porter was always destined for greatness. In 1992 he won the TV show Star Search, scooping the $100,000 prize ahead of a very young Britney Spears. He took his talent to Broadway and in 2013 won a Tony Award for his portrayal of Lola in Kinky Boots. In 2018, Billy played Pray Tell in the BBC2 series Pose, a role that earned him critical acclaim and a Primetime Emmy Award. He released his memoir, Unprotected, in 2021. Billy Porter is currently starring in Cabaret at the Kit Kat Club in London, alongside Marisha Wallace as Sally Bowles. Nick mixes a fiery lime margarita for Billy, while Angela whips up a delicious Greek chicken with orzo. Our trio sip champagne with their meal, a le mesnil blanc de blanc grand cru brut nv, chosen by the experts at Waitrose. Billy Porter is up there with the most entertaining guests we've ever had on Dish. He's only been in the UK a few months, but he has some thoughts… On customer service at Christmastime and British cooks' ‘subtle' approach to seasoning. Billy tells some great stories about his early career and shares some beautiful sentiments about his amazing mother. You can now watch full episodes of Dish on YouTube  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode. Dish is a S:E Creative Studio production for Waitrose Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mickey-Jo was recently invited to attend another gala night at the West End production of CABARET, currently running at the Kit Kat Club at the Playhouse Theatre in London.The production, directed by Rebecca Frecknall and originally starring Eddie Redmayne and Jessie Buckley has recently welcomed new stars in Billy Porter (Pose, Kinky Boots) and Marisha Wallace (Guys and Dolls, Waitress) as The Emcee and Sally Bowles.Check out today's episode for Mickey-Jo's thoughts on what the production is like with these brand new stars...•00:00 | introduction01:41 | overview04:12 | Marisha as Sally14:13 | Billy as The Emcee24:04 | the rest of the company•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Anita Rani speaks to Emma Webber and Sinead O'Malley Kumar, mothers of Barnaby and Grace, both 19, who were killed in Nottingham in June 2023. They'll be responding to the findings of a major review of the NHS care of Valdo Calocane, the man who attacked their children. The Oscar-nominated actress Mikey Madison tells Clare McDonnell about playing the title role in Anora, a film about a sex worker in New York. Mikey spent months embedded in a strip club to fully immerse herself in the world. The film is nominated for six Academy Awards as well as BAFTAs and Golden Globes.New research has quantified for the first time how many young people have been diagnosed with gender dysphoria by GPs in England. Anita hears from Professor of Health Policy, Tim Doran, about the work academics at the University of York are doing. They studied a decade's worth of NHS records and discovered a 50-fold increase in this particular diagnosis between 2011 and 2021. However each general practice will only see one or two such patients each year. The West End star Marisha Wallace, the latest actor to play Sally Bowles in Cabaret at The Kit Kat Club in London, performs a song from the show.The actor and writer Daisy May Cooper talks to Clare McDonnell about the second series of the BBC female-friendship thriller, Am I Being Unreasonable, which she both co-wrote and stars in. Presenter: Anita Rani Producer: Rabeka Nurmahomed Editor: Rebecca Myatt

The West End star Marisha Wallace joins Anita Rani in the studio. She's the latest actor to play Sally Bowles in Cabaret at The Kit Kat Club in London, alongside Billy Porter who plays Emcee. Marisha talks about the significance of them both playing these roles together and her journey to the top. The UN has reported that more than 100 female prisoners were raped and then burned alive during a jailbreak in the Congolese city of Goma. The conflict in eastern DR Congo dates back to the 1990s but has rapidly escalated in recent weeks. Since the start of 2025, more than 400,000 people have been forced from their homes, according to the UN's refugee agency. We're joined by Anne Soy, the BBC's Deputy Africa Editor & Senior Correspondent based in Nairobi. What's it like giving birth in prison? New play Scenes from Lost Mothers, currently touring universities and prisons, explores the real-life experiences of pregnant women and new mothers in prison. Performed by actors with lived experience of the criminal justice system, or at risk of entering it, it's based on research from the Lost Mothers Project and explores the impact of separating imprisoned mothers from their newborns. We hear from the project's lead, midwife and associate professor, Dr Laura Abbott, and a mother shares her experience. Emma Hakansson is an ex-model turned ethical fashion campaigner and film director, who founded her own organisation - Collective Fashion Justice. She joins Anita to talk about her new film featuring a community of women in the Amazon who make a sustainable leather alternative which helps keep their environment protected. Presenter: Anita Rani Producer: Sarah Jane Griffiths Editor: Deiniol Buxton

In this Raw + Rising episode, Joshua sits down with Raphael Papo, a classically trained violinist and entrepreneur straddling Berlin and London. Raphael's work is as interdisciplinary as it is intriguing, spanning his performance in Fiddler on the Roof at Regent's Park Open Air Theatre, an unforgettable nude appearance at the real-life Kit Kat Club, and his mission to integrate classical music into corporate and educational spaces.Joshua and Raphael dive into the evolving landscape of artistic specialization and the shifting role of skill-based work in today's creative economy. They explore how artists can adapt to stay relevant, serve their communities, and lean into uncharted territories. Borrowing wisdom from David Bowie, Raphael shares how he's navigating the balance of creativity and challenge, ensuring, as Bowie once said, “his feet aren't quite touching the bottom.”Listen now!Raphael's Social Media:https://www.instagram.com/raphaelpapo/Join our Patreon for ad-free early access to episodes, exclusive discounts, weekly Q&As, and so much more. Visit https://www.patreon.com/CreativeRiskPodcast today!Submit your story to Raw & Rising, the mini-series spotlighting hustling creatives—those self-producing, diversifying their income, and tackling challenges head-on. Visit www.artists-strategy.com/creative-risk to pitch your story today. Artist Tax Prep: Affordable tax preparation services for artists & others with self-employment income. "I've been working with them for a few years now and love them." - MikeArtist Tax Prep Websitehttps://www.artisttaxprep.com/Artist Tax Prep Instagramhttps://www.instagram.com/artisttaxprep/Email info@artisttaxprep.com and mention Creative Risk for a free 15 minute "fit check." —Thanks for listening!Join our email list for our weekly newsletter with deep insight on our personal artistic journeys: www.artists-strategy.com/signupSubscribe on Apple Podcasts: podcasts.apple.com/us/podcast/creative-risk/id1706381310Subscribe on Spotify: open.spotify.com/show/5hzvD8HgCjOo1NcA5zBDN4?si=404a2369523a45cbFollow Us on IG: www.instagram.com/creativeriskpod/Follow Us on TikTok: www.tiktok.com/@creativeriskpod— “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts.

Tony-winner Bebe Neuwirth continues her awesome Broadway run in Cabaret at the Kit Kat Club. Tamsen chats with Bebe about the role, her epic career, and a whole lot more. Plus, he's ready for his close-up. Paul Wontorek talks with one of the stars of Sunset Boulevard, Tom Francis about this radically reimagined new telling, as well as starring alongside Nicole Scherzinger.

One of this month's hottest tickets in London is a new production of the Tennessee Williams play CAT ON A HOT TIN ROOF at the Almeida Theatre. This new staging of the classic American play, directed by Rebecca Frecknall (Cabaret at the Kit Kat Club, A Streetcar Named Desire) stars Daisy Edgar-Jones as Maggie and Kingsley Ben-Adir as Brick. Check out this full review to find out what Mickey-Jo thought of the new production, and whether we might see it transfer to the West End... • 00:00 | introduction 01:43 | the play 10:01 | the production 19:20 | the performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Follow me on Instagram Disco & kitcsh grooves from Felix Da Housecat, Peaches, Sylvester, Danny Krivit, Madonna, Bob Sinclar, Full Intention, Sexual Harrassment… Next date: Dec 31 - Universal Melodies @ Peckham Arches, London Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. This month I'm donating all monies to the ALS Foundation. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform.  

Follow me on Instagram My unreleased Disclosure remixes, another hot Or:la remix, garage rollers, jazz house... Next dates: Dec 13 @ KitKatClub, Berlin / Dec 31 - Universal Melodies @ Peckham Arches, London Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. This month I'm donating all monies to the ALS Foundation. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Yuksek & DESTIINO - Imagery [Lumière Noire Records] Tucan Discos - NameYourPrice Edit 011 [Les Yeux Orange]  Fat White Family - Visions Of Pain (Tim Goldsworthy Remix) [Domino Recording Co. Ltd] Joe Goddard - Progress (Black Science Orchestra Vocal Remix) [Domino Record Co.] Orchestre Poly Rythmo De Cotonou Benin - UnitéAfricaine (Sol Power All-Stars Remix) [Canopy Records] Melome Clement & L'International Orchestre Poly-Rythmo - Zo Tche Kpo Do Te (Sol Power All-Stars Remix ft The Ibibio Horns) [Canopy Records] Man Power - Inner Space [Live At Robert Johnson]  Dj Steaw - Neruda [Rutilance Recordings] Dj Steaw feat. Mona Lee - Feed Your Spirit [Rutilance Recordings]  Future Classic: GIDEÕN feat. Rush Davis - Wire God [Homo-Centric Records]

“Moana 2” star Auli'i Cravalho tells Stephen how she nailed a British accent for her role in “Cabaret at The Kit Kat Club” on Broadway, and why she's thrilled to continue to be the voice of “Moana” eight years after the first film came out. Catch her latest work in “Moana 2,” which is in theaters now!    Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow me on Instagram My unreleased Disclosure remixes, another hot Or:la remix, garage rollers, jazz house... Next dates: Dec 13 @ KitKatClub, Berlin / Dec 31 - Universal Melodies @ Peckham Arches, London Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. This month I'm donating all monies to the ALS Foundation. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Tigerbalm feat. Joy Tyson - Profunda Alma [Razor-N-Tape]  Ben Gomori - Sleazy Like Sunday Morning [Monologues Records] Tigerbalm feat. Joy Tyson - Profunda Alma (M.A.D. Acid Tribal Mix) [Razor-N-Tape]  Disclosure feat. Kelis - Watch Your Step (Ben Gomori's Unreleased Frankie We Miss You Remix) [SoundCloud] Disclosure feat. Channel Tres - Lavender (Ben Gomori's Unreleased 4x4 Bounce) [SoundCloud] Rob Swinga - The Doobie (Todd Edwards Remix) [Bambossa Records] Archie Hamilton feat. HQA - Let The Light In (Extended Garage Dub) [Defected] Kingpin Cartel - You Are [Rekids] Kingpin Cartel - Shakedown [Rekids] Joe Goddard feat. Laima - Rapid Fire [Domino Record Company] Or:la - Chant (Pearson Sound Edit) [fabric Originals] Future Classic:  Edd - No Coffee Break [Juliet Records] Edd - Garage Sale Jazz [Juliet Records]

The Broadway revival of CABARET, currently playing at the August Wilson Theatre in New York, has recently welcomed Adam Lambert to the cast as their new Emcee. Lambert, who is best known as a vocalist and lately a frontman for Queen, has replaced Olivier Award winner Eddie Redmayne who opened this production when it first started in London. Check out this mini review for Mickey-Jo's thoughts on Lambert's performance and how it's affected the entire production. • 00:00 | introduction 02:18 | history / context of this revival 06:03 | Adam Lambert as the Emcee 18:28 | how this affects the show • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Ahead of starring as Ariel in Jamie Lloyd's new Shakespeare production of The Tempest at Theatre Royal Drury Lane, Mason Alexander Park took time out of rehearsals to discuss their second West End role – the first being a fan-favourite spell as the Emcee in Cabaret at the Kit Kat Club. They also reflect on the rollercoaster world of filming hit series The Sandman and performing in Cabaret at the same time. Hosted on Acast. See acast.com/privacy for more information.

Let me tell you something about life, old chum. It's only a cabaret. Kill Nazis. November is for the musicals and we're RAISING THE CURTAIN & BELTING THE CHORUS all month long and it's time to hit up a Bob Fosse joint in this iconic adaptation starring stage legend and Queen of the Theatre Nerds, Liza Minelli. Bob is learning this shit for the first time but you theater nerds already know about the most prolific film in Minelli's life and career and it's none other than Fosse's 1961 hit “CABARET” also starring Michael York, Joel Grey and more. There is no richer era to strike negative social parallels than early to mid-century Germany. The Kit Kat Club seems like a grand ‘ol time but it's only a matter of time before the audience turns on their entertainment. In the thick of it is Sally Bowls, lore accurate OG Manic Pixie Dream Girl, and her timid soon-to-be lover, Brian. It's a freewheeling, song slinging, sugar baby life. Love has its ups and downs and sometimes you end hooking up with your girlfriend's sugar daddy. It's a rather unique story to tell to a broad audience in 1972 (and before). Let's talk Sally Bowls, old chum. It's only a cabaret and here's a link we found: https://archive.org/details/cabaret-1972_202208 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

U Guys, RuPaul's Drag Race Star and Cabaret at the Kit Kat Club's Marty Lauter is here! This week's BroadwayWorld Recap has all the latest Bway news, including some very exciting announcements about new Broadway-bound musicals. Then I am joined by Broadway performer and drag artist, Marty Lauter, also known as Marcia Marcia Marcia! A graduate of the Boston Conservatory, Marty made their Broadway debut as a vacation swing in Kinky Boots, eventually going on to launch to stardom on season 15 of the hit reality tv drag competition show, RuPaul's Drag Race as their drag persona, Marcia Marcia Marcia. We talk about the intersection of drag and theater, and their personal experience with gender identity in the world of the arts. Marty also shares about their drag journey, and their experience playing Victor and understudying The Emcee in Broadway's Cabaret at the Kit Kat Club. We also touch on their regional work and National Tour debut with the 1st Nat'l company of Hello, Dolly! with Carolee Carmello. Marty is so lovely, U don't wanna miss this episode! Follow Marty/Marcia on Instagram: @marciax3nyc Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway is getting Charmed by TV Star Alyssa Milano. Alyssa sits down with Tamsen to chat about making her Broadway debut as 'Roxie Hart' in Chicago, plus a whole lot more. And later, Paul Wontorek talks to the new stars of Cabaret at The Kit Kat Club, Adam Lambert and Auli'i Cravalho.

Michael Ahomka-Lindsay is back In The Frame! After leaving medical school to pursue a career as an actor, Michael trained at the Royal Conservatoire of Scotland. He made his professional debut as Benny in Luke Sheppard's production of Rent at the Hope Mill Theatre and then toured as Maugrim in The Lion, The Witch and The Wardrobe.Michael last featured on the podcast after starring as Emmett in Lucy Moss' revival of Legally Blonde at Regent's Park Open Air Theatre. After performing in To The Streets for Birmingham Hippodrome, Michael originated the role of Jack Kelly in the reimagined UK premiere of Newsies at Troubadour Wembley Park Theatre and played David in the highly acclaim production of Choir Boy at Bristol Old Vic.Michael is currently coming to the end of his run as Clifford Bradshaw in the West End revival of Cabaret at the Kit Kat Club and is rehearsing for the European premiere of Reverberation by Matthew Lopez at the Bristol Old Vic. Michael came into the podcast booth to discuss everything he's been up to over the past two years. He reflects on all-things Newsies, explains why Choir Boy was such a special job and talks about going straight from Cabaret to Reverberation, and lots more pops up along the way.Michael plays Cliff in Cabaret at the Kit Kat Club until 21st September and stars in Reverberation at the Bristol Old Vic 2nd October - 2nd November 2024. Follow Michael on Instagram: @michaelahomka_ Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

In this episode of Postcards from the Kitchen, host Elaine Acker sits down with Keira Crooms to reminisce about their recent five-day adventure in New York City. They share their experiences, favorite spots, and some unexpected delights as they explore the city's culinary and cultural gems. From luxurious transportation and cozy hotel stays to unforgettable meals and unique tours, this episode is packed with tips and stories that will inspire your next trip to the Big Apple.Key Takeaways: • Transportation Tip:Start your New York adventure in style with a ride from NYC Platinum Transport. Elaine explains why having a personal driver like Vinny is worth every penny, adding a touch of luxury and convenience to your trip. • Hotel Highlight:Discover the charm of the Arlo Midtown, a stylish urban living hotel. Elaine and Keira rave about its compact yet well-designed rooms, comfortable beds, and the perfect location for exploring the city. • Dining Experience:Dine at the iconic Tavern on the Green in Central Park. Keira and Elaine share their enchanting evening, complete with twinkling lights, excellent service from Plato, and the best ceviche they've ever tasted. • Fun in Times Square:A spontaneous photo shoot in the heart of Times Square adds a memorable twist to their trip. Learn about NYC Photographers and how to capture the perfect NYC moment without breaking the bank. • Broadway Insights:The duo shares their mixed feelings about the cabaret at the Kit Kat Club, highlighting the importance of choosing the right seats and avoiding costly drink packages. • Greenwich Village Food Tour:Join Elaine and Keira as they indulge in a walking food tour of Greenwich Village, tasting everything from macaroni and cheese to fish tacos. Listen to their tips on enjoying this delicious and educational experience. • Zabar's Delight:A stop at Zabar's, Elaine's favorite deli and kitchenware haven, leaves Keira in awe of the store's vast selection and tempting offerings. • Sunset Cruise on the Hudson:Wrap up your NYC trip with a sunset cruise on La Barca Cantina, a floating Mexican fiesta that offers stunning views of the city skyline and the Statue of Liberty.Did you enjoy this episode? Make sure to subscribe, rate, and leave a review on your favorite podcast platformDo you want to publish a cookbook? Visit The Cookbook Creative and find out how to publish your own cookbook. We can take you from the idea to Amazon in as little as 90 days!

On the latest Whisper in the Wings from Stage Whisper, we cross the Atlantic and head to the West End, where we were joined by actor Michale Ahomka-Lindsay. He chatted with us about his latest work in the world wide phenomenon that is Cabaret at the Kit Kat Club. This was such a wonderful conversation, and it was so much fun getting a behind the scenes look into this incredible show. So make sure you hit play, and get your tickets now for this brilliant production!Cabaret at the Kit Kat ClubNow Playing@ The Playhouse Theatre (London, UK)Tickets and more information are available at kitkat.club/cabaret-londonAnd be sure to follow Michael and Cabaret to stay up to date on all their upcoming projects and productions: Michael: @michaelahomka_Cabaret: @kitkatclubldn

Welcome back to the Magician On Duty Journey Series! On this edition we welcome Julian Falk (@JulianFalkk) Celebrating over a decade behind the decks, Julian Falk has firmly established himself as a versatile force in the electronic music scene. With 11 years of DJing under his belt, Julian has delved into the rich spectrum of house and techno subgenres, blending their diverse hues into a unique sonic tapestry that continues to evolve. Julian's musical journey has taken him to some of the world's most esteemed and underground venues, including the iconic Sisyphos, Kater Blau, and Kit Kat Club in Berlin. These clubs have witnessed his ability to craft immersive musical experiences, captivating audiences and guiding them through unforgettable auditory adventures. Beyond his prowess as a DJ, Julian has played a pivotal role in nurturing the electronic music community. For the past nine years, he has not only curated his own events but also collaborated with various collectives and friends to create festivals that resonate deeply with attendees. Julian's sound is in a constant state of transformation, ever-evolving yet consistently telling a compelling story and evoking profound emotions. His sets are a playful yet daring invitation to explore one's innermost feelings. By creating a space that encourages trust, introspection, and exploration, Julian's music whispers to each listener, "I'm here just for you, to hold the space, so you don't have to worry about anything or anyone else. So you can really let go - and go." I hope you enjoy this episode as much as I did! Follow Julian Falk here: https://soundcloud.com/julianfalkk https://www.instagram.com/julianfalkk https://linktr.ee/julianfalkk

Happy Pride Fiends! Alright we know it's July, but we had one more pride episode on the books so we're giving it to you anyway. This one is for the musical theater fans! Before The stonewall there was the Edorado Cabaret, a german, multi locational, enlightened, anything goes wonderland where liberation was was abundant. We have learned that you cannot talk about LGBTQ+ history without mentioning Weimar Republic era Berlin. There, for a time, life really was beautiful. This is the story of the real  Kit Kat Club and the glittery, tragic history that inspired the musical Cabaret. This episode had us riveted, and if you like it as much as we did, be sure to watch the Netflix documentary Eldorado: Everything the Nazi's Hate, link below.    Click To Learn More https://about.netflix.com/en/news/eldorado-everything-the-nazis-hate https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/ https://adventuresintimeandgender.org/stories/the-club-history/ https://perspectives.ushmm.org/item/photo-of-the-eldorado-club   WWBD Merch Buy your WWBD swag here!  Join the Conversation       

Dylan and Connor are joined by MiMi Scardulla (Cabaret at the Kit Kat Club, A Beautiful Noise). Happy Pride month, y'all! And what a way to celebrate – by hearing all about MiMi's stunning engagement to her partner, her queer awakening, and why representation means so much, even now in 2024. Years after seeing MiMi bust it DOWN in Kristin Chenoweth's For the Girls on Broadway, the twins finally meet the icon, the legend, the star herself. Currently welcoming everyone to the Kit Kat Club as Texas in Cabaret, MiMi talks all things related to the Broadway revival. She fills the boys in on her own Ring of Keys moment in the arts (it's a two-for-one!) and the queer awakening Ring of Keys she had several years ago. We gush over friend of the pod - and MiMi's real life best friend - Tyler Hanes. Their friendship origin story is to die for, y'all. We get into A Beautiful Noise, The Heart of Rock and Roll, We Are The Tigers, and MORE. This ain't Texas, y'all… even though it kind of is. ;)Follow MiMI on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

In this episode, we discuss the Tony nominated best musical revival CABARET at the KIT KAT CLUB. Please note that this episode will contain spoilers about the show. If you haven't seen the show yet, you can catch CABARET playing at the KIT KAT CLUB at the August Wilson Theatre.  Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Please share your thoughts on CABARET on our podcast cover post. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a wonderful movie! This week Nando and Diggins make the recording of the podcast of the interent of the culture of the humanity for the movie of the summer of the year of the decade of the century of the millenia, Kingdom of the Planet of the Apes. They nitpick the apes, the humans, and of course the kingdom.   Reccomendations Diggins - Hundreds of Beavers (movie) Nando - Cabaret at the Kit Kat Club (play), Stand Up Comedy Solutions (special)   Mostly Nitpicking on Twitter The Nando v Movies Discord Roses and Rejections All of Nando's Links   Mostly Nitpicking theme by Nick Porcaro Logo by Michelle Chapman

Welcome to Cabaret At The Kit Kat Club! The star-studded Broadway revival is nominated for 9 Tony Awards. Including acting nominations for it's two big stars. On this episode, Tamsen chats with Tony and Oscar winner Eddie Redmayne. He plays 'The Emcee'. After that, Paul Wontorek sits down with 'Sally Bowles', herself, Gayle Rankin. Willkommen!

Connor and Dylan are joined by Henry Gottfried (Cabaret at the Kit Kat Club, Waitress). Much like Cabaret's Ernst fatefully meeting Cliff on the train, Henry meets the twins on the pod for a serendipitous and lovely conversation. We go all in on Cabaret at the Kit Kat Club: gagging for Gayle Rankin, a gorgeous German accent, and what it's like for audiences to receive this story. Henry? A STAR. The boys also FINALLY get into Taylor Swift's The Tortured Poets Department. Bonus track: Connor & Dylan & Henry & Oomfs. Additionally, Henry regales the twins with stories of growing up in an artistic environment in Tennessee, and a very unique Into the Woods Ring of Keys that even had the twins gagging. Hear all about Henry getting cast in NBC's Peter Pan: Live, going on tour with Pippin and Bright Star, and making pies with the original cast of Waitress (and live capture film!). We also chat about Henry's directing experiences, his adoration for Alyse Alan Louis, Dylan's addiction to The Notebook album, and Connor's Queer as Folk journey. You don't want to miss this breezy, insightful, and delightful conversation with Henry. Visit him at the Kit Kat Club eight times a week!Follow Henry on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Velkommen, bienvenue! Welcome to the Cabaret at the Kit Kat Club! That's right, we are bring the Kit Kat Club to you as we talk to the cast, creatives, and Broadway's biggest celebrities ahead of the opening night. Hear the behind the scenes inside scoop to a show like never before. From what it was like to bring a production from the UK to the US, reviving an iconic show in such an innovative way, completely redesigning a Broadway theatre and what it's been like to perform in the round, and so much more. Hear from stars such as Eddie Redmayne, Ato Blankson-Wood, Henry Gottfried, Marty Lauter (Marcia, Marcia, Marcia), BERNADETTE PETERS, Harvey Fierstein, Julie Benko, Julia Lester, Tom Francis, Dylan Mulvaney and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're excited two new books: The Extinction of Irena Rey by Jennifer Croft and Why We Remember: The Science of Memory and How It Shapes Us by Charan Ranganath. Then Dave shares his thrilling experience at Guys and Dolls in London. This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/StrongSense and get on your way to being your best self. Links The Extinction of Irena Rey by Jennifer Croft Flights by Olga Tokarczuk Excerpt of The Extinction of Irena Rey by Jennifer Croft Why Translators Should Be Named on Book Covers 27 Great Books In Translation Why We Remember: The Science of Memory and How It Shapes Us by Charan Ranganath Nye at the National Theatre, London National Theatre Tour info Six, The Musical around the world Guys and Dolls at the Bridge Theatre, London Cabaret at the Kit Kat Club, London Transcript of this episode. The Library of Lost Time is a Strong Sense of Place Production! https://strongsenseofplace.com Do you enjoy our show? Want access to fun bonus content? Please support our work on Patreon. Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can find us at: Our site Instagram Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Former MusicalSplaining queen Lindsay Ellis joins us as we gather FOR THE LAST TIME to discuss the Fosse and Mendes versions about the goings on in Weimar Germany's Kit Kat Club. Musicals are discussed, thanks are given, and shows are ended.Get 40% off an annual subscription to Nebula by going to nebula.TV/musicalsplainingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.