Podcasts about heide museum

Under The Gloss with Phoebe Burgess

Play Episode Listen Later Nov 28, 2023 54:05

Lee Miller cut a glamorous figure among the Bohemian art circles of Paris. As a fashion model she captured the eye and heart of Man Ray; as a gifted photographer she rivalled his artistic vision, photographing their world with Surrealist wit and a feminist conviction. Lee's career lasted 16 years up until her time as a photojournalist in Nazi occupied Europe, when the horrors of the Holocaust led her to quit photography. Antony Penrose is Lee Miller's only child and in charge of her archive which, incredibly, he only discovered after her death. Surrealist Lee Miller is on at the Heide Museum of Modern Art in Victoria.Daniel takes a tour of an exhibition designed to evoke the sounds and feel of a Fijian family home -- only fragmented, the same way that memory works. Artist Salote Tawale has partially recreated a real-life fishing raft and house in an installation that mixes paintings, sculpture, and video karaoke at Carriageworks in Sydney.

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In death, Lee Miller is finally being heard

Play Episode Listen Later Nov 9, 2023 113:37

For a woman who died at just 70 years old, Lee Miller seems to have squeezed a hundred different lives into one lifetime. After all, who else could say that they had been pulled from the path of a car by Condé Nast himself, modelled across the pages of Vogue, studied photography and collaborated with famous surrealist Man Ray in Paris, as well as becoming one of the first and only female frontline photographers in World War II. And yet, it wasn't until her son Antony went through her attic after her death that anyone knew anything about this incredible woman. On this episode of Under The Gloss, Phoebe dives into a story that has captivated the Vogue Australia team amid the opening of a Lee Miller exhibition at Victoria's Heide Museum of Modern Art. Speaking with Antony Penrose, Lee Miller's son, and Kendrah Morgan, Head Curator at the Heide, Phoebe unpicks the incredible life of Lee Miller and asks the question: why is it only now that we are learning this woman's name? See omnystudio.com/listener for privacy information.

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Undeceive by Evelyn Tsitas

Scarlet Stiletto Bites

Play Episode Listen Later Oct 20, 2023 45:40

Evelyn Tsitas is writer, artist, and curator. Her published and performed works range across fiction, nonfiction, stage, and journalism. Evelyn's short story “Undeceive” won the first prize trophy and Innovation Prize in the 2008 Scarlet Stiletto Awards and while it piqued the interest of publishers it was deemed too innovative – as it was in verse! By that stage, however, Evelyn was on a path to academic research, thanks to her short story “Xenos” which won the Scarlet Stiletto Innovation prize in 2007 and became the basis for Evelyn's PhD research into speculative fiction and hybridity.“Xenos” featured a female protagonist on the wrong side of the law who may or may not be quite human, and was written while Evelyn was at a Bioethics conference listening to a presentation about the transplantation of animal parts into humans. Evelyn went on to curate three large-scale thematic exhibitions anchored in her scholarship: Future U (2022), Pleasure (2019) and My Monster: The Human Animal Hybrid (2018) at RMIT Gallery. She currently works at Heide Museum of Modern Art, and is also writing a non-fiction book based on her research, as well as a speculative art-crime novel inspired by her short story Stealing Back the Relics, about regenerated body parts and ancient reliquaries, published in And Then... The Great Big Book of Awesome Adventure Tales! Vol 1 (Clan Destine Press). Evelyn says that there is no doubt that winning the coveted red shoe opened doors within the crime writing sisterhood, and gave her the confidence to stamp herself with the ‘crime writing' brand – even though her work will always be oddly hybrid and speculative, image-based and narrative.CreditsConcept designer, co-producer, and narrator: Susanna LobezCo-producer: Carmel ShuteAnnouncer: Leigh RedheadProductionManager: Tim CoyGraphic Designer: Caz BrownCopyright Sisters in Crime Australia

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Federal Budget Analysis With Chris Wallace and Rachel Withers; Dorothy Wickham On The Realities Of Life And Politics In Solomon Islands; Nature Sound Recordist Andrew Skeoch On How To Listen Deeply To Nature

Play Episode Listen Later May 16, 2023 141:13

Amy returns with a federal budget analysis and is joined by politics regulars Chris Wallace and Rachel Withers. Solomon Islander journalist Dorothy Wickham speaks from Honiara about what life is really like in Solomon Islands. She explains the political realities and domestic concerns of Solomon Islanders as their country finds itself in the middle of a geopolitical tussle between China, the US and Australia. Dorothy is editor at the Melanesian News Network and her latest essay is published in Australian Foreign Affairs. Plus, a special nature conversation with Andrew Skeoch, one of Australia's best-known nature sound recordists. Andrew will talk about his fascinating field work and take us through some of his nature sound recordings of birds and mammals in the forests and deserts of Europe, Australia and Solomon Islands. He also discusses an upcoming immersive sonic walk and workshop he is running, which invites participants to partake in sound walking as an active creative practice. Andrew will appear at Acoustic Ecologies as part of Open Nature on Saturday 20th May at the Heide Museum of Modern Art in Bulleen. His new book is called, Deep Listening To Nature.

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Public Art Collection – Arts Centre Melbourne

Art Gallery of South Australia

Play Episode Listen Later Feb 20, 2023 14:16

Five significant sculptures from Arts Centre Melbourne's Public Art Collection will find temporary new homes at McClelland, Australia's pre-eminent Sculpture Park and Gallery and Heide Museum of Modern Art during... LEARN MORE The post Public Art Collection – Arts Centre Melbourne appeared first on Sunday Arts Magazine.

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Floor Talk - Sampling Future Traditions with Melissa Keys and Sera Waters

Play Episode Listen Later Feb 8, 2023 32:55

Thank you for listening to this track produced by the Art Gallery of South Australia. Sera Waters imagines a new future for us all – one where ancient textile traditions can craft hope in the face of climate change. Join us for this engaged discussion between artist Sera Waters and Melissa Keys, Senior Curator at Heide Museum of Modern Art set against the backdrop of Waters' current Guildhouse Fellowship exhibition, Future Traditions. For more information visit agsa.sa.gov.au Photo: Saul Steed

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Interview with Kendrah Morgan, Acclaimed Modernist Sculptor Barbara Hepworth At The Heide

Uncommon Sense – Triple R FM

Play Episode Listen Later Feb 8, 2023 38:05

Kendrah Morgan, Head Curator at the Heide Museum of Modern Art speaks in-depth about the first survey exhibition in Australia of modernist sculptor Barbara Hepworth's (1903–1975) work. Inspired by the landscape and human form, Hepworth was one of the leading British artists of her generation and the first woman sculptor to achieve international recognition. She was also the first Western artist to pierce the form in 1932. Her abstract works are timeless and continue to inspire audiences and artists today. Kendrah explains the span of Hepworth's oeuvre, the materials she used, and the discrimination she faced being a talented woman in a male-dominated medium. BARBARA HEPWORTH – IN EQUILIBRIUM is showing at the Heide until March 13. Book at https://www.heide.com.au/exhibitions/barbara-hepworth-equilibrium/ Broadcast on February 7 2023.

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HOW WE VALUE WORK with Bruce Munro

Wabi Sabi Series

Play Episode Listen Later Feb 7, 2023

If there was one thing you think society should talk more about, what would it be?“Something that I am passionate about because we get it so wrong is; How we value and remunerate our work?”_________If you've been lucky enough to travel to Uluru and see the breathtaking light installation at the base of the monolith you'll be excited to meet my guest today! The ‘Field of Light' as that art installation is known, was a project that initially was only going to showcase for a few short months but has become so popular that it's been extended time & again. It truly is a breathtaking sight. The Field of Light is the brainchild and magical work of British artist Bruce Munro who is very well-known for producing large immersive light-based installations in many locations around the world. These dynamic exhibitions are made up of thousands of components and incredible logistic feats in their own right - let alone being so beautiful and bringing so much joy to all those that see them. Bruce is an artistic diarist, who has spent over 30 years collecting and recording ideas and images in his sketchbooks, which he returns to over time as source material. Language, literature, science, and music have also greatly influenced his work. Frequently, Bruce's subject matter is his own experience of fleeting moments of rapport with the world and existence in its largest sense of being part of life's essential pattern. His reoccurring motif is the use of light on an environmental scale in order to create an emotional response for the viewer. Bruce completed a B.A. in Fine Arts at Bristol in 1982. Shortly after he moved to Sydney where he worked in design and lighting, inspired by Australia's natural light and landscape. Returning to England in 1992 he settled in Wiltshire, but his love for Australia was never lost and it was fitting when he finally got to realise his dream to light up the Central desert in such a magical way. Bruce's work has been shown at Museums and Botanical Gardens internationally, notably, Longwood Gardens, Pennsylvania, The Victoria & Albert Museum, London; Waddesdon Manor for the Rothschild Collection, Buckinghamshire; Beyond Limits 2016 for Sothebys at Chatsworth House; Messums, Wiltshire and the Heide Museum of Modern Art in Melbourne. His work Field of Light continues to be exhibited at Uluru, NT, Australia, Sensorio, California, USA and at the LBJ Wildflower Centre in Austin, TX, USA. Bruce's work is held in private and public museum collections internationally including Cheekwood Garden and Art Museum, TN, the Ashmolean Museum, Oxford and Texas Tech University TX.Whilst he's a global superstar in this world as his work has been featured at Museums and Botanical Gardens internationally, it was Bruce's down to earth manner and sheer love of creativity and the process that I remembered fondly the first time I met him all those years ago. I'm so happy to be sitting down with him once again. I hope you enjoy this conversation as much as I did - Bruce is such a wonderful being and brings such joy to the world.For more information about Bruce, check out these places;-Website: www.brucemunro.co.uk Instagram: @brucemunrostudioFacebook: @brucemunrostudioHead to michellejcox.com for more information about the ONE QUESTION podcast, your host or today's guestsConnect with Michelle on Linkedin here:- @MichelleJCoxConnect with Michelle on Instagram here:- @michellejcoxConnect with Michelle on Facebook here - @michellejcoxAND, if you have a burning topic you'd love people to talk more about, or know someone who'd be great to come on the One Question podcast, please get in touch;- hello@michellejcox.com

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Australia's New Arts And Cultural Policy With Jo Caust And Ben Eltham; Political Lives – Prime Ministers And Their Biographers; Acclaimed Modernist Sculptor Barbara Hepworth At The Heide

Play Episode Listen Later Feb 7, 2023 130:53

Amy speaks with Dr Ben Eltham from Monash Uni and Associate Professor Jo Caust from Melbourne Uni as they delve into the details of Australia's new arts and cultural policy, REVIVE. They talk about how these policy changes will reposition the arts in Australia and affect artists, musicians, writers, actors, and more. They analyse what sectors have benefited from the policy and what areas have been neglected. Professor Chris Wallace returns to speak in-depth about her new book, Political Lives: Australian Prime Ministers and Their Biographers. Chris tells Australian political history anew through her account of prime ministers, their biographies and their biographers – examining their motivations and relationships. Kendrah Morgan, Head Curator at the Heide Museum of Modern Art sits down to speak about the first survey exhibition of modernist sculptor Barbara Hepworth's (1903–1975) work in Australia. Inspired by the landscape and human form, Hepworth was one of the leading British artists of her generation and the first woman sculptor to achieve international recognition. BARBARA HEPWORTH – IN EQUILIBRIUM is showing at the Heide until March 13.

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Acclaimed Modernist Sculptor Barbara Hepworth At The Heide

Play Episode Listen Later Feb 7, 2023 38:05

Kendrah Morgan, Head Curator at the Heide Museum of Modern Art sits down to speak about the first survey exhibition of modernist sculptor Barbara Hepworth's (1903–1975) work in Australia. Inspired by the landscape and human form, Hepworth was one of the leading British artists of her generation and the first woman sculptor to achieve international recognition. BARBARA HEPWORTH – IN EQUILIBRIUM is showing at the Heide until March 13.

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Unfair campaign access to aged residents, Iranian-Australian women's voices, Barbara Hepworth at Heide

Wednesday Breakfast

Play Episode Listen Later Nov 29, 2022

7.00am Acknowledgement of Country 7. 08am Claudia speaks with public health researcher and aged care advocate Dr Sarah Russell about alleged disparity among political candidates in relation to access to residents of retirement villages and aged homes during election campaigns. Sarah is the director of Aged Care Matters. She was an Independent candidate for the federal seat of Flinders in the May election.@AgedMatters fb AgedCareMAtters 7.30am Jacob speaks with Australian-Iranian women, Delaram, Aida, and Nazanin about the Mahsa Amini protests calling for greater freedoms for women, and an end to Iran's oppressive regime. Special thanks to Jahan for his assistance in this piece. 8.07am Kendrah Morgan, curator at Heide Museum of Modern Art, speaks about the new Barbara Hepworth sculpture exhibition.http://heide.com.auFor access information see:https://wp.heide.com.au/app/uploads/2022/10/Access-Information_2022.pdf Songs: Better in Blak by Thelma Plum, Why by Kutcha Edwards, Better Things by Kee'ahn

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Snuff Puppets, Barbara Hepworth and The Waste Land

SmartArts

Play Episode Listen Later Nov 10, 2022 46:19

Andy Freer, the CEO and artistic director of the 30-year-old Melbourne puppet company Snuff Puppets talks about the world premiere of ‘SWAMP'; Heide Museum of Modern Art's artistic director, Lesley Harding, on Heide's latest exhibition ‘Barbara Hepworth: In Equilibrium'; Director Kirsten von Bibra joins Identity Theatre founder and performer Ray Swann to discuss their adaptation of TS Eliot's ‘The Waste Land'. With presenter Richard Watts.

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What to know about the great Barbara Hepworth, an artist asks for family stories + fish traps, re-told

Play Episode Listen Later Nov 1, 2022

Dame Barbara Hepworth is a revered figure in British art, who has never had a dedicated solo show in Australia.Her abstract sculptures echo the coastal landscape where she lived, and the human body. She wanted viewers to touch her artwork and move around it, and she rejected the pristine art gallery. For Barbara Hepworth: In Equilibrium, Lesley Harding and Kendrah Morgan chat to Daniel about curating 40 of Hepworth's works for the Heide Museum of Modern Art.My Thing is... auto fiction. In her latest work, filmmaker and visual artist Pilar Mata Dupont attempts to distil and reconcile personal accounts of her family's memories of 20th-century Argentina and its painful political divisions. Las Hormigas is on at the Perth Institute of Contemporary Arts (PICA).Kieren Karritpul creates larger-than-life paintings, drawings and textiles that explore the cultural and spiritual dimensions of the handmade fish traps and nets made by women in his family. Based at Nauiyu in the Daly River region of the Top End, Kieren speaks to producer Rosa Ellen from his exhibition at Tolarno Galleries in Melbourne.

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What to know about the great Barbara Hepworth, an artist asks for family stories + fish traps, re-told

RN Drive - Separate stories podcast

Play Episode Listen Later Nov 1, 2022

Dame Barbara Hepworth is a revered figure in British art, who has never had a dedicated solo show in Australia. Her abstract sculptures echo the coastal landscape where she lived, and the human body. She wanted viewers to touch her artwork and move around it, and she rejected the pristine art gallery. For Barbara Hepworth: In Equilibrium, Lesley Harding and Kendrah Morgan chat to Daniel about curating 40 of Hepworth's works for the Heide Museum of Modern Art. My Thing is... auto fiction. In her latest work, filmmaker and visual artist Pilar Mata Dupont attempts to distil and reconcile personal accounts of her family's memories of 20th-century Argentina and its painful political divisions. Las Hormigas is on at the Perth Institute of Contemporary Arts (PICA). Kieren Karritpul creates larger-than-life paintings, drawings and textiles that explore the cultural and spiritual dimensions of the handmade fish traps and nets made by women in his family. Based at Nauiyu in the Daly River region of the Top End, Kieren speaks to producer Rosa Ellen from his exhibition at Tolarno Galleries in Melbourne.

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Sidney Nolan's search for paradise

The Drawing Room

Play Episode Listen Later Feb 21, 2022 21:30

Sidney Nolan remains one of Australia's most respected artists. His work can be found in museums across the country, and his iconic depiction of Ned Kelly was even used in the opening ceremony of the Sydney Olympics. But who was the man behind the icon? How did an intimate relationship with a married couple—and it's bitter end—shape Nolan's later life? And how do we grapple with Nolan's legacy today? Kendrah Morgan and Dean Cross discuss Nolan and two exhibitions at the Heide Museum of Modern Art.

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Sidney Nolan's search for paradise

Play Episode Listen Later Feb 21, 2022 21:30

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Heide Museum of Modern Art

Art Guide Australia Podcast

Play Episode Listen Later Nov 28, 2021 13:34

Melbourne, Australia: Heide Museum of Modern Art is delighted to open the much anticipated Healing Garden within the museum grounds on Tuesday 23 November 2021. Inspired by Heide founder Sunday... LEARN MORE The post Heide Museum of Modern Art appeared first on Sunday Arts Magazine.

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Alice Crowe ~ Botanist, meditator + specialist in radical life pivots

Futuresteading

Play Episode Listen Later May 16, 2021 49:20

This week, Catie sits down with Alice Crowe in her plant-filled Melbourne home for a chat over tea and marmalade toast. Alice is a Botanist, kitchen gardener at Heide Museum of Modern Art, founder of The Lush Forest, president of Growing Farmers and former litigation lawyer who underwent a pretty radical life pivot -- ample inspiration for anyone who’s ever wanted to ‘just quit everything’ to see what happens next.We talk: pulling the pin on conventional success, the primal energy of the rainforest, boring habits (that make for a beautiful life), can backyard farming feed the world? and things you can’t go to your grave without knowing.SHOW NOTESThe journey from litigation lawyer to botany nerd.The perils and pure distraction of perpetual busy-ness. When your body says NUP.When external metrics of success don’t align with your internal compass.Quitting a corporate career without a plan. Taking three months off to do who-knows-what.How quickly wellness returns when you Just Stop.How a short horticulture course at Burnley College became a Master of Science (Botany).Idolising people who wear secateurs on their belt.Approaching nurseries as a mature-age assistant with no skills and no experience.The joy of pottering around watering geraniums. Realising that the simple, non-intellectual stuff is where it’s at for happiness.An epiphany thanks to Ficus elastica.How to honour what your heart wants when that’s not necessarily what the world wants.Less noise during the pandemic = more clarity.Boring habits that facilitate contentment, peacefulness.Why being in a tropical rainforest is a primeval, sensory experience.Brain explosion! How did we get these amazing plants and universe?Things you can’t go to your grave not knowing.The delight in the mundane and the magic of dumb questions.Why everyone should look at something through a microscope once daily!Photosynthesis = SORCERY.The story of plant evolution is the story of the earth.Why we need more scientific literacy to fight misinformation that hobbles climate action.The folly of mental striving. We’ve got what we’ve got. The paradox of changemaking: Is it more effective when you’re not out to succeed?Rebecca Solnit.The garden of your mental health.Meditation as foundation.Why true acceptance is truly courageous.The myth of the individual, self-sufficient unit.No individual can fight a system. How to get on the systems waves with others!How Growing Farmers began and how it’s transforming backyards, local food systems, new farmer opportunities and (with any luck) the planet.Building non-transactional community relationships.Will we go down the tech farming or agroecology road?Why all the academic arguments in the world aren’t a substitute for just giving it a go.Why shifting our current paradigm and lifestyle is terrifying!Practising new systems while things are relatively ‘stable’.Talking to kids who are scared about climate change. LINKS YOU'LL LOVEAlice on InstaThe Lush ForestHeide Museum of Modern ArtGrowing FarmersRebecca SolnitJonathan Lear -- Radical HopeSupport the show (https://www.buymeacoffee.com/futuresteading)

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The Long Run #4: Robert Owen on colour and oneness

Play Episode Listen Later May 13, 2021 26:04

“Art is this amazing subject,” says Robert Owen. “It comes from different people and it contributes to cultural identity in a way that can question ourselves…" In this fourth episode of The Long Run, our podcast series talking to artists who’ve had careers spanning 60 years, Owen talks about what it means to create over six decades, and what he feels is the truth of his art: a sense of oneness. Now based in Melbourne, Owen has led an incredible life of creating, working across painting, sculpture, photography, installation, and public art. While his works are cemented in geometry and abstraction, they quite stunningly bring together a range of references from philosophy, poetry, music, literature, art history, mathematics and science. In this podcast Owen’s talks through his early practice and his ideas on art. He discusses his love of a certain shade of blue, memories of his childhood in Wagga Wagga, and the uncertainty he felt as a young artist. Owen also mentions the four years he spent on the Greek island of Hydra from 1963, living and working alongside well-known creatives like Leonard Cohen, and his time in Britain in the late 1960s working under constructionist painters. Finally, Owen tells us about the spiritual elements of abstraction, his reflections on a practice of 60 years, and his current survey show, Blue Over Time at the Heide Museum of Modern Art. The Long Run is an ongoing podcast series, and you can listen back to previous episodes with Gareth Sansom, Wendy Stavrianos and John Wolseley. Blue Over Time: Robert Owen—A SurveyRobert OwenHeide Museum of Modern Art Until 23 May This series is kindly sponsored by Leonard Joel Auctioneers and Valuers, based in Melbourne and Sydney. Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

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The Long Run #4: Robert Owen on colour and oneness

Art Guide Australia Podcast

Play Episode Listen Later May 13, 2021 26:05

“Art is this amazing subject,” says Robert Owen. “It comes from different people and it contributes to cultural identity in a way that can question ourselves…"In this fourth episode of The Long Run, our podcast series talking to artists who've had careers spanning 60 years, Owen talks about what it means to create over six decades, and what he feels is the truth of his art: a sense of oneness.Now based in Melbourne, Owen has led an incredible life of creating, working across painting, sculpture, photography, installation, and public art. While his works are cemented in geometry and abstraction, they quite stunningly bring together a range of references from philosophy, poetry, music, literature, art history, mathematics and science.In this podcast Owen's talks through his early practice and his ideas on art. He discusses his love of a certain shade of blue, memories of his childhood in Wagga Wagga, and the uncertainty he felt as a young artist. Owen also mentions the four years he spent on the Greek island of Hydra from 1963, living and working alongside well-known creatives like Leonard Cohen, and his time in Britain in the late 1960s working under constructionist painters.Finally, Owen tells us about the spiritual elements of abstraction, his reflections on a practice of 60 years, and his current survey show, Blue Over Time at the Heide Museum of Modern Art.The Long Run is an ongoing podcast series, and you can listen back to previous episodes with Gareth Sansom, Wendy Stavrianos and John Wolseley.Blue Over Time: Robert Owen—A SurveyRobert OwenHeide Museum of Modern Art Until 23 MayThis series is kindly sponsored by Leonard Joel Auctioneers and Valuers, based in Melbourne and Sydney.Produced and presented by Tiarney Miekus, engineering by Patrick Telfer, and music by Mino Peric.

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Bodylex, Take Back and MTC's Act 2

SmartArts

Play Episode Listen Later Mar 18, 2021 220:30

Resident comic book artist Bernard Caleo returns to the studio for the first time since lockdown with this month’s Drawn Out, discussing Zach Snyder’s ‘Justice League’ cut, Taiyo Matsumoto’s ‘Ping Pong’ as well as Safdar Ahmed’s ‘Still Alive’, which Bernard helped publish. Drawn from the stories of refugees detained in the Villawood Immigration Detention centre, ‘Still Alive’ is based on the Walkley-award winning webcomic ‘Villawood: Notes from an immigration detention centre’.Dancer and former lawyer Rhys Ryan chats about 'Bodylex', a dance work exploring how our bodies navigate the laws and regulations imposed on them. Blending legal theory and choreography, this new work for three dancers will premiere at Dancehouse.Multidisciplinary artist Candy Bowers talks about 'TAKE BACK!', a co-production between MAV and Darebin FUSE festival featuring a team of female and gender-diverse artists of colour both onstage and behind the scenes. Including both live performances and digital content, the performance explores and challenges the racialized gaze.Finally, MTC CEO Brett Sheehy announces the company’s Act 2 program playing during the second half of this year: ‘The Lifespan of a Fact’, a comic Broadway turn on the nature of truth, ‘The Truth’, a dark comedy on marital troubles, ‘Sunday’, the story of Heide Museum of Modern Art founder Sunday Reed, ‘Jacky’, Green Room Award Winner Declan Furber Gillick’s MTC debut, ‘Cyrano’, a gender-flipped adaptation of the Edmond Rostand classic, and ‘As You Like It’, which reunites the creative team behind MTC hit ‘Twelfth Night’.

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Mirka: "A gigantic collection in a small museum" - Mirka: "A gigantic collection in a small museum"

SBS French - SBS en français

Play Episode Listen Later Feb 16, 2021 7:12

The Jewish Museum of Australia, in partnership with William Mora Galleries and supported by Heide Museum of Modern Art, presents MIRKA – an intimate, previously unseen view into the rich and fascinating life of the late Mirka Mora (1928–2018). - Nous parlons à William Mora, le fils de Mirka Mora, à propos de l'exposition au Jewish Museum of Australia

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Emma Shortis with US politics; Charles Massy on ‘Call of the Reed Warbler’ – a new regenerative agriculture; Remembering Joy Hester – a pioneering Australian modernist artist

Play Episode Listen Later Feb 2, 2021 135:12

Amy returns for her first show of 2021! Dr Emma Shortis, Research Fellow at the EU Centre of Excellence, RMIT, delivers the US Politics Wrap talking about the Capital coup and media reporting of it, Joe Biden’s first days and actions as US President, the impending impeachment trial, and more. Author and regenerative farmer Charles Massy joins Amy to discuss the re-release of his acclaimed book, Call Of The Reed Warbler: A New Agriculture, A New Earth. We talk about the extensive environmental, health, and economic benefits of regenerative agriculture (the alternative to industrial agriculture), as well as the connection between soil health and human health. Charles shares why the transition to regenerative farming practices is urgent now more than ever. The Heide Museum of Modern Art's senior curator Kendrah Morgan stops by to discuss their major retrospective exhibition, Joy Hester: Remember Me, which marks the centenary of Hester's birth by exploring the range and depth of Hester's expressionistic and modernist works.

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Hadley Agrez, CEO Melbourne International Jazz Festival talk to David

Viewpoints, 97.7FM Casey Radio

Play Episode Listen Later Jan 18, 2021 7:55

Heide Museum of Modern Art is delighted to announce full program details for the inaugural Heide Summer Festival which will activate the museum’s much-loved sculpture park with an outdoor event series designed to support local […] http://media.blubrry.com/sunday_arts_magazine/p/joy.org.au/sundayarts/wp-content/uploads/sites/276/2021/01/Heide.mp3 Podcast: Play in new window | Download (Duration: 7:55 — 9.1MB) Subscribe or Follow Us: Apple Podcasts | Google Podcasts | Spotify | RSS The post Hadley Agrez, CEO Melbourne International Jazz Festival talk to David appeared first on Sunday Arts Magazine.

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The Artists of Colour Initiative, MQFF Interrupted & Heide Summer Festival

SmartArts

Play Episode Listen Later Nov 12, 2020 39:30

Back in September, an initiative and Kickstarter campaign was launched to help provide both financial assistance and industry support for BIPOC theatre performers. Tarik Frimpong, founder of the Artists of Colour Initiative joins Richard to talk about the announcement of the six finalists. Prizes include scholarships from the Patrick School of Arts, plus a share of the total money raised from the crowdfunding campaign.The coronavirus pandemic's arrival in Australia in March 2020 caused multiple arts festivals to cancel events earlier in the year. One such event was the Melbourne Queer Film Festival which was 5 days into its programming when restrictions and lockdowns began. Program Director of MQFF, Spiro Economopoulos, joins Richard to chat about MQFF Interrupted, the online relaunch of the festival’s 2020 programming. Streaming from November 19th to 30th, the program will show the best of top-notch queer cinema.As restrictions ease, Artistic Director of Heide Museum of Modern Art, Lesley Harding joins Richard to chat about the gallery’s 2021 programming announcements, the future plans of the gallery, and Heide Summer Festival, an outdoor event series designed to support local performing artists, live music and cultural festivals. Tickets for the Summer Festival will go on sale from December 1st with Heide reopening on November 28th.AOC Initiative WebsiteTop Six Finalist Announced for AOC | Arts ReviewMelbourne Queer Film FestivalHeide Re-opens November 28th Heide Summer Festival

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The European Exchange with Dr Natasha Cica

Play Episode Listen Later Jul 30, 2020 23:29

Dr Natasha Cica is the founding director of Kapacity.org. She is a former CEO of Heide Museum of Modern Art, and established the Inglis Clark Centre at the University of Tasmania. Natasha was co-editor of the Griffith Review 39: Tasmania – The Tipping Point. She is an honorary professor at the Australian National University. In this episode, Henry talks to Natasha about her new piece in this month's edition of the Griffith Review: The European Exchange. To access Natasha's work visit: https://law.anu.edu.au/event/public-event/griffith-review-european-exchange. This interview was originally broadcast on 3SER's 97.7FM Casey Radio in June 2020. It was produced by Rob Kelly.

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Heide Museum of Modern Art Re-Opening 30 June 2020

Interviews by Brainard Carey

Play Episode Listen Later Jun 25, 2020 16:08

Heide Museum of Modern Art will celebrate the centenary of Australian modernist artist Joy Hester (1920-1960) with a major survey of her distinctive oeuvre. Joy Hester: Remember Me is the first solo exhibition of Hester’s […] http://media.rawvoice.com/joy_sundayartsmagazine/p/joy.org.au/sundayarts/wp-content/uploads/sites/276/2020/06/Morgan.mp3 Podcast: Play in new window | Download (Duration: 16:08 — 18.5MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Heide Museum of Modern Art Re-Opening 30 June 2020 appeared first on Sunday Arts Magazine.

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The Aside - Unity - State Conference - Tara Daniel (Research Papers)

The Aside Podcast

Play Episode Listen Later Jan 19, 2020 22:29

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association In this episode of The Aside we present memorable moments from the 2019 Drama Victoria State Conference - Unity - Exploring diversity and inclusion in drama education. This moment is from the Presentations and Research Papers session with Tara Daniel from Heide Museum. Please feel free to email asidepodcast@outlook.com to ask a question. We will try to answer on a future podcast.

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Zara Stanhope

Play Episode Listen Later Jul 9, 2019 25:38

Zara StanhopeCuratorial ManagerAsian and Pacific Art As a curator practising within institutions and independently Zara Stanhope focuses on expanding engagement with contemporary art across the Global South. She is currently the Lead Curator for Post hoc by Dane Mitchell, New Zealand’s pavilion at the 58th Venice Biennale. Currently Curatorial Manager, Asian and Pacific Art at Queensland Art Gallery|Gallery of Modern Art (QAGOMA), Stanhope is the lead curator on the 10th Asia Pacific Triennial (APT) for 2021 and led the 9th Asia Pacific Triennial in 2018. Other recently curated exhibitions and collaborations include Dane Mitchell’s Iris, Iris, Iris (Mori Art Museum, Tokyo and Auckland Art Gallery Toi o Tāmaki, New Zealand, 2017–18, co-curator Mami Kataoka); Ann Shelton: Dark Matter (Auckland Art Gallery 2016–17); Out of Office, Public Share collective, RMIT Project Space, Melbourne 2017); Space to Dream: Recent Art from South America (Auckland Art Gallery, 2016, co-curator Beatriz Bustos); Yang Fudong: Filmscapes (Centre for the Moving Image and Auckland Art Gallery, 2014–15, co-curator Ulanda Blair), and TransVersa: Artists from Australia and New Zealand (Museo de Arte Contemporáneo, Santiago, Chile, 2006, co-curator Danae Mossman). Stanhope is commissioning editor of and has contributor to: Ann Shelton: Dark Matter, Auckland Art Gallery (2016); The Māori Portraits: Gottfried Lindauer’s New Zealand, co-edited with Ngahiraka Mason, Auckland University Press and Auckland Art Gallery (2016); and collected symposium papers Artmatter 01: Engaging Publics/Public Engagement, Auckland Art Gallery and AUT University, 2014 and Artmatter 2: Agency and Aesthetics, co-edited with Ann Shelton, Auckland Art Gallery and Massey University (2018). Her other recent publications include: ‘Living in These Times’ in Gregor Kregar, Gow Langsford Gallery and Gregor Kregar, Auckland (2018); ‘Everything Now’ in Us V Them: Tony de Lautour, Christchurch Art Gallery Te Puna o Waiwhetū (2018); ‘We Journey on through These Rough Waters’ in APT9, Queensland Art Gallery|Gallery of Modern Art (2018), Found in Translation (for Richard Maloy: Things I Have Seen) Youkobo Art Space, Tokyo (2017). She is a regular contributor to art magazines and journals, recently publishing: ‘Curating APT9: Staying with the Questions’, Art Monthly Australasia, iss 313, Summer 2018–19: 34–39 and ‘Home Truths: The Politics of Debility in Recent Projects by Shannon Novak’, Art New Zealand, iss 68, Summer 2018–19: 62–65. Institutional roles Stanhope has held include: Deputy Director and Senior Curator at Heide Museum of Modern Art, Melbourne, Australia (2002−08); inaugural Director of Adam Art Gallery, Victoria University of Wellington, New Zealand (1999–2002); and Assistant Director, Monash University Gallery, Melbourne, Australia (1993–99). She is an Adjunct Professor in the School of Art and Design at AUT University, Auckland and at RMIT University, Melbourne, and holds a PhD from the School of Arts and Social Sciences at the Australian National University, Canberra which focused on the international development of socially engaged art practices. Dancers, part of Women's Wealth' in The 9th Asia Pacific Triennial of Contemporary Art (APT9)Queensland Art Gallery | Gallery of Modern Art (QAGOMA)Start date 24 November 2018End Date 28 April 2019OPENING WEEKEND Vuth Lyno, 'House-Spirit' 2018, installation viewThe 9th Asia Pacific Triennial of Contemporary Art (APT9)Queensland Art Gallery | Gallery of Modern Art (QAGOMA)Start date 24 November 2018End Date 28 April 2019OPENING WEEKEND

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Clare Wright on women's suffrage, Australian history and not running for office

Yarra Libraries Podcast

Play Episode Listen Later Mar 14, 2019 61:52

“this is the great moment, the thing that women all over the world are united in, was this fight for the vote... because with the vote they’ll be able to change all these other things. Without the vote they are powerless.” – Clare Wright As the first country to secure women the right to vote and stand for parliament, Australia led the way on one of the greatest moral issue of the early 20th Century. Yet this aspect of our history has largely been forgotten. Clare Wright, award-winning historian, writer and public commentator, has made a career of shining light onto these forgotten aspects of Australian history. With You Daughters of Freedom she continues this work, bringing to life the women’s suffrage movement in Australia. Late last year we had the privilege of hosting her at Bargoonga Nganjin, North Fitzroy Library, where she discussed the book with Natasha Cica, director of Kapacity.org. This is an edited recording, with audience questions revoiced by Yarra Libraries in some sections for clarity. Natasha Cica is the director of Kapacity.org, former CEO of Heide Museum of Modern Art and founding director of the Ingliss Clarke Centre. Clare Wright is an award-winning historian, writer and public commentator who has worked in politics, academia and the media. Her bestselling Beyond the Ladies Lounge: Australia’s Female Publicans, was published in 2003 and was followed in 2013 with The Forgotten Rebels of Eureka. Based on a decade of archival research into women’s roles in the Eureka stockage, it won the Stella prize in 2014, and was adapted into the successful young adult titles We Are the Rebels. You Daughters of Freedom is the second title in her Democracy series.

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Art x Fashion special

Play Episode Listen Later Mar 5, 2019 54:05

Jewellery designer Rene Skelton works in studio, has fashion found its place in the art world? RMIT head of fashion and design Professor Robyn Healy, Sass & Bide co-founder Heidi Middleton, and writer and curator Miranda Hine discuss, the NSW inquiry into museums report in Arts News with Claire Nichols, the catwalk comes to the gallery for Gorman: Ten Years of Collaborating at Heide Museum of Modern Art, and the art of the suit with Daniel Friedman of LGBTQ tailoring specialists Bindle & Keep.

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Art x Fashion special

New Stories, Bold Legends: Stories from Sydney Lunar Festival

Play Episode Listen Later Mar 5, 2019 54:05

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S1 Episode 2: Elaine Chia, CEO of City Recital Hall

Play Episode Listen Later Jan 14, 2019 31:47

Elaine Chia is CEO of City Recital Hall, one of Sydney’s leading arts, entertainment and festival venues. Her career spans music, theatre and visual arts, and she is a passionate advocate for the arts. Elaine’s formal introduction into arts management began with the Australian Youth Orchestra. Her role on her first symphony orchestra tour was to source and coordinate host families for 110 young musicians in 10 cities across Australia. In 1996, she managed the National Music Camp with 240 music students and 100 staff and volunteers. Her role as coordinator, wrangler, persuader and responsible big sister was thus cemented. Elaine’s journey next took her to Belvoir St Theatre as business manager, then to Sydney Conservatorium of Music as marketing and development manager. Elaine moved to Melbourne in 2004 where she took on the role of acting CEO of the AMEB, and later, business and finance manager at Heide Museum of Modern Art. She returned to the Sydney Conservatorium in 2007, to the newly created role of international development manager. She established new off-shore programs and tours in Asia, Europe and the United States. In 2010 Elaine joined the Australia Council for the Arts, where she oversaw the Australian representation at three Venice Biennales, and the redevelopment of the new Australian Pavilion, which opened in 2015 on time and on budget. Both projects were delivered as public-private partnerships. She joined City Recital Hall in 2016 as the first CEO of the not-for-profit company established to manage and curate an annual program at the 1238-seat venue. In 2.5 years, the number of concert and events presented by the company has quadrupled. Elaine is the chair of Contemporary Asian Australian Performance, a resident company at Carriageworks which is dedicated to making exceptional contemporary Asian Australian work for all audiences. She also actively supports the arts as a donor, because she can, and therefore, simply, she should. When Elaine is not living and breathing the arts, she loves to run, mainly to balance out her love of gelato. https://www.cityrecitalhall.com/ https://newstories.net.au/elaine-chia/

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Ep 59: Melinda Harper

Talking with Painters

Play Episode Listen Later Nov 18, 2018 44:31

Melinda Harper is one of Australia's leading abstract artists. Her works, filled with geometric forms and often with an explosion of colour, have been fascinating art lovers for over 30 years. Whether its hundreds of rectangles crammed onto the canvas or wavy forms filled with psychedelic stripes, your eye is going to be subjected to a feast of colour and form. In this episode we talk about, amongst other things, colour, why she paints in oils when acrylics would appear to be the obvious choice, and how, when she was at art school, her approach was not at all in fashion. Harper has been exhibiting for over 30 years and has had over 25 solo shows. In 2015, one of Australia's leading art institutions, Heide Museum of Modern Art, held a major survey of her work called 'Colour Sensation: The Works of Melinda Harper'. Her work is contained in the permanent collections of the National Gallery of Australia, National Gallery of Victoria, Art Gallery of NSW and other public and private collections. I caught up with Harper at her home near the town of Castlemaine, in the beautiful goldfield regions of Victoria. To hear the podcast interview press 'play' under the feature photo above. A short video of Harper in her studio will be posted to this website, Facebook, Instagram and YouTube soon. Show Notes Melinda Harper at Olsen Gallery Judy Chicago Judy Chicago's installation 'The Dinner Party' Hans Hofmann Jackson Pollock Lee Krasner Hans Hofmann's painting 'Pre-dawn', 1960, National Gallery of Australia Marcel Duchamp Hans Hofmann website demonstrating the 'push and pull' theory https://www.youtube.com/watch?v=ct8FlM4jq50

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Beyond Nostalgia: Designing for Change

Lectures and Presentations

Play Episode Listen Later Oct 18, 2018 120:00

The Featherston Contour chair is an icon of mid-century modernist nostalgia as copies flood the market and the original chairs fetch exorbitant prices at auction. Yet its designer, Grant Featherston, had little time for nostalgia. As he saw it, the important question facing architects and designers was how to live in a post industrialised, technological and urbanised world. He fought tirelessly to make design for social need as important as design for financial profit. Hosted by the Heide Museum of Modern Art a panel of design experts will explore key social issues in contemporary design practice before taking questions from the audience. Presented on Saturday 8 September 2018.

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Ep 42: Lottie Consalvo

Talking with Painters

Play Episode Listen Later Mar 25, 2018 51:19

Lottie Consalvo is not only a painter. She works across performance art, photography, video and sculpture. She’s had 9 solo shows in painting alone in just 8 years and has had many more performances and group shows. In 2015 she was one of only 10 artists chosen to take part in a residency in Sydney with world famous performance artist Marina Abramovic and her solo exhibition of painting and sculpture ‘In the remembering’ opened recently at Heide Museum of Modern Art, one of Australia's most important museums. What's most surprising is that this is all at only 32 years of age. In this podcast episode, recorded in front of a live audience at Newcastle Art Gallery, we talk about her life and how she got where she is. She also talks about the way she has brought her painting and performance art together particularly in her work 'Ages and Ages', currently hanging at Heide Museum of Modern Art, pictured above. It was fascinating to hear about the private performance she carried out within that space in order to complete the work. To hear the interview press 'play' or 'subscribe' beneath the feature photo above. You can see a short video of Consalvo including footage of her in her studio on the Talking with Painters YouTube channel here. Current shows 'In the remembering', Heide MOMA, Melbourne, 10 March - 17 June 2018 Show notes: Lottie Consalvo Lottie Consalvo at Dominik Mersch Lottie Consalvo on Instagram Museum of Modern Art, Heide Kaldor Public Art projects - Marina Abramovic Consalvo painting in Holy Holy music video 'Willow Tree' Newcastle Art Gallery Lottie Consalvo talks about her work on the Talking with Painters Youtube Channel https://www.youtube.com/watch?v=VeawssZJxdU

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A World Of One's Own: Wild Thing — Jenny Watson

ACCA Podcast

Play Episode Listen Later Feb 18, 2018 41:18

Wild Thing: A conversation with artist Jenny Watson. What does it mean to be an 'Aussie Artist'? What is wildness and how do we allow it space to thrive? Tai and Jenny share their love of horses and the freedoms they offer to us as young girls whilst taking a close look at the Australian and international gallery scene and the ‘sober business of art'. They talk about the importance of depicting ‘broken women’ and female iconoclasts in paintings and the power of imagining other versions and stories for yourself. Additional resources: 'The Fabric of Fantasy' at Heide Museum of Modern Art, 2017–18: https://www.heide.com.au/exhibitions/jenny-watson-fabric-fantasy 'I, Tonya' (2017) https://en.wikipedia.org/wiki/I,_Tonya Image: Jenny Watson 2009, Chandigarh. Photograph: Andrew Wilson

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Uncommon Sense - 11 July 2017

Play Episode Listen Later Jul 10, 2017 106:37

This week on Uncommon Sense we have four excellent interviews, conducted by our host Amy Mullins:New Matilda's Ben Eltham on the latest in federal politics.Australian stencil artist Luke Cornish (E.L.K) chatted about his latest body of work,Zero To The Left, inspired by his recent trips to Syria and on display at the Metro Gallery in Armadale.Philosopher Clive Hamilton joined Amy in the studio to talk about his new book,Defiant Earth: The Fate of Humans in the Anthropocene,and how human activity has created a new and dangerous epoch.Curator Lesley Harding spoke aboutCall of the Avant-Garde: Constructivism and Australian Art, an exhibition at the Heide Museum of Modern Art, running from5 July 8 October.

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Uncommon Sense - 24 January 2017