Podcast appearances and mentions of latoya ruby frazier

Nizan Shaked is our guest this month! Shaked is Professor of Contemporary Art History, Museum, and Curatorial Studies at UC Long Beach, and most recently the author of Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022). She speaks to Lauren Wetmore about the resources offered by criticality, writing for ”liberals that I want to become more radical,” and researching her forthcoming book Art Against the System, for which she recently won a Warhol Arts Writers Grant. Shaked offers artist LaToya Ruby Frazier's book The Notion of Family (Aperture, 2014) to consider the devastation perpetrated by imperial industry, its connection to art systems, and how artists provide models for how to deal with authoritarianism.Many thanks to this episode's sponsors, Centre PHI and Night Gallery, for their support of our work.Our deepest thanks to Nizan Shaked for her contribution to this season.And a big thank you to Jacob Irish, our editor, and Chris Andrews, for production assistance.

In this episode, I sit down with LaToya Ruby Frazier, a visionary artist whose work intersects social justice, cultural change, and the American experience. Recognized as one of Time 100's most influential people of 2024, LaToya shares insights into her groundbreaking practice, which blends photography, video, performance, and installation to amplify voices often excluded from dominant narratives.We explore the inspiration and meticulous process behind her latest installation, More Than Conquerors, currently on view at the Baltimore Museum of Art. LaToya discusses the vital role of community health workers during the COVID-19 pandemic, the systemic injustices they face, and the significance of honoring these unsung heroes through art.From her reflections on growing up in a steel town to her commitment to bridging the working class and creative sectors, LaToya offers a powerful perspective on the intersection of art and activism. Whether you're interested in socially engaged art, health equity, or the power of storytelling, this episode delivers an inspiring and thought-provoking conversation. Tune in to hear LaToya's vision for transformative, community-centered art. Photo Credit: Sean Eaton ★ Support this podcast ★

Exploring Social Justice Through Photography: A Conversation with LaToya Ruby Frazier Welcome to the 10 Frames Per Second podcast, where photojournalism meets social advocacy. Hosted by Joe Giordano and Molly Roberts, this podcast dives deep into the world of photography and its role in addressing social issues. In this episode, we are honored to have … Continue reading "Episode 129: LaToya Ruby Frazier (Documentary Photography)" The post Episode 129: LaToya Ruby Frazier (Documentary Photography) first appeared on A Photojournalism Podcast for Everyone.

Episode No. 682 is a holiday clips episode featuring artist Leslie Martinez. Martinez is included within "Shifting Landscapes," which is at the the Whitney Museum of American Art in New York until January 2026. The exhibition considers how evolving political, ecological, and social issues motivate artists as they address the world around them (which is to say US artists are addressing land and landscape as they have since the days of Ralph Waldo Emerson and Thomas Cole.) The show was curated by Jennie Goldstein, Marcela Guerrero, and Roxanne Smith, with Angelica Arbelaez. Seven previous MAN Podcast guests are in the exhibition, including Robert Adams (Episode No. 41,  227, 555), Teresita Fernández, LaToya Ruby Frazier, An-My Lê, Patrick Martinez, Amalia Mesa-Bains, and Alison Saar. Martinez was previously featured in solo shows at MoMA PS1 in Queens, and the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. For images, see Episode No. 635. Instagram: Leslie Martinez, Tyler Green.

An artist, activist, community builder and teacher. LaToya Ruby Frazier's art-making ideas come together in her first retrospective exhibition. Jeffrey Brown has a look for our series, Art in Action, exploring the intersection of art and democracy and for our ongoing arts and culture coverage, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

An artist, activist, community builder and teacher. LaToya Ruby Frazier's art-making ideas come together in her first retrospective exhibition. Jeffrey Brown has a look for our series, Art in Action, exploring the intersection of art and democracy and for our ongoing arts and culture coverage, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

In a week where:Two elderly Just Stop Oil protesters are charged after attempting to break into the Magna Carta.The BAFTA TV Awards go down.Northern Lights shine across the UK, US & Canada. Egypt joins South Africa's ICJ Genocide case. Kendrick Lamar's "Not Like Us" debuts at No. 1 on Billboard Hot 100.In Sports: (12:42) My thirst for the Summer Olympics grows as we near towards the two weeks of non-stop sport. But with the positive of hosting, comes the inevitable negative of the vulnerable getting shafted somehow. (Article By Umer Hussain, Adam Ali, MacIntosh Ross & Shakiba Moghadam) In TV: (29:13) The case for preservation is an essential one in my mind, especially in this day & age where shows/films can disappear from streaming sites in a flash. Enter a search for a VHS tape. (Article By Jason Okundaye)In Life: (41:54) Year on year, life expectancy grows. With the prospect of more and more of us growing older for longer, it would be a great idea to future-proof potential problems with significant societal change. (Article By Martin Wolf)Lastly, in Photography: (55:11) Got another Photography exhibition that I would love to hit: Artist/Activist LaToya Ruby Frazier and how she uses her art to shine a light on forgotten communities. (Article By Veronica Esposito) Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://medium.com/@the5thelementIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

Opening this weekend at the Museum of Modern Art is the first wholistic survey of artist and activist LaToya Ruby Frazier, who was just named as one of Time Magazine's 100 Most Influential People of 2024. Frazier was born in the industrial down of Braddock, Pennsylvania, and travels to working class communities around the country using her art as a form of social documentary, from Flint, to Pittsburgh, to Baltimore. LaToya Ruby Frazier: Monuments of Solidarity is on view at MoMA from May 12 to September 7, and Frazier joins us to preview her exhibition.

This time, we're joined by the artist LaToya Ruby Frazier, just before the opening of her major new exhibition 'Monuments of Solidarity' at the Museum of Modern Art in New York. “This exhibition spiritually uplifts people,” she says. “It inspires people to be the change they need, but it also inspires them to be better human beings. To look beyond the self, to look beyond individualistic desires, to think about the fact that you are connected to an ecosystem and a world around you. People won't be the same. This is a transformative exhibition.” We delve into LaToya's faith and the impact of art on our lives, its power not only to shine light into the darkness, but to move through people and communities and so to create profound, lasting change. Enjoy.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with photographer and interdisciplinary artist Charles H. Lee.About Artist Charles Lee:Charles Lee is an interdisciplinary artist, curator, researcher and storyteller whose work exploits the fissures in the versions of U.S. history that we have been taught. His work confronts the fallacy of U.S. iconography and encourages critical dialogue questioning origins of American myths, the obfuscation of Black cultural creators and innovators from the historical archive and empowers Black viewers with a more accurate depiction of their histories and encourages the building of future histories. The stories offer insight into the notion of what it means to be a Black American today. The work rebuilds histories by uncovering truths that have been hidden. By unearthing these narratives the work also traces a lineage from deep in the historical past in order to move forward in the future as in the Ghanaian (Akan) principle of Sankofa. Whether it be film, photography, installation, sculpture or sound, Lee chooses whichever means of expression he sees fit for the dissemination of a feeling of belonging and identity. He is the recipient of the 2022 Edwin Anthony & Adelaine Boudreaux Cadogan Scholarship and Contemporary Art Award, All College Honors, Graduate Merit Scholarship, the 2021 Pabst Open Door Grant and is a 2022 Recology Artist in Residence. His work has been exhibited both nationally and internationally. Lee's first solo exhibition, “Sweat & Dirt,” opens November 7th, 2023 at SF Camerawork.Visit Charles' Website: CharlesHLee.comFollow Charles on Instagram: @ohhh_so_siriusFor more on Charles' exhibit at SF Camerawork, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

À partir d'elle.Des artistes et leur mèreLE BAL, Parisdu 12 octobre 2023 au 25 février 2024Interview de Julie Héraut, Responsable Exposition et Recherche chez LE BAL, et commissaire de l'expositionpar Anne-Frédérique Fer, à Paris, le 11 octobre 2023, durée 23'45, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/18/3490_a-partir-d-elle_le-bal/communiqué de pressecommissariat :Julie Héraut, Responsable Exposition et Recherche chez LE BAL« Sans doute je serai mal, tant que je n'aurai pas écrit quelque chose à partir d'elle ». Cette phrase de Roland Barthes dans son Journal de deuil en date du 15 décembre 1978, un peu plus d'un an après la mort de sa mère, annonce l'écriture au printemps 1979 de son célèbre ouvrage La Chambre claire. Essai théorique sur la nature du médium photographique, le texte s'articule autour d'une quête : retrouver, en image, la vérité du visage aimé, celui de sa mère disparue.La mère, dont le regard est certainement le premier miroir de soi mais aussi du monde qui nous entoure, reste l'un des motifs fondamentaux de l'histoire de l'art. Les oeuvres assemblées ici, éminemment distinctes tant par les contextes dans lesquelles elles ont été conçues (sociaux, géographiques, temporels) que par les approches formelles et esthétiques qui ont guidé leur réalisation, ont toutes en commun de dépasser le seul témoignage intime. Entre critique sociale, quête de soi, conjuration ou apaisement, qu'elles incarnent la réalité de la présence ou les effets de l'absence, toutes mettent en jeu la question de la filiation et ce qu'il en reste.Celle que nous croyons si bien connaître n'est-elle pas toujours une énigme, une image qui requiert un acte conscient, volontaire, de mise au point – Asareh Akasheh, Gao Shan, Dirk Braeckman, Hervé Guibert ? Son histoire, celle tue ou celle transmise, en héritons-nous – Anri Sala, LaToya Ruby Frazier, Michele Zaza, Karen Knorr ? Quand un éloignement physique s'impose, comment combler la distance – Mona Hatoum, Chantal Akerman ? Dans ces tête-à-tête, l'implication volontaire de la mère au sein des dispositifs formels imaginés par les artistes devient souvent propice à l'humour et à l'irrévérence – Ragnar Kjartansson, Ilene Segalove, Hannah et Bernhard Blume – quand ils ne sont pas l'occasion d'interroger, défier ou repenser les règles d'un ordre social et moral pesant voire annihilant – Michel Journiac, Christian Boltanski, Mark Raidpere. Enfin quand la mère tend à disparaitre – Jochen Gerz, Paul Graham, Pier Paolo Pasolini – ou qu'elle n'est déjà plus, comment se construit une nouvelle image – Lebohang Kganye, Sophie Calle, Rebekka Deubner, Ishiuchi Miyako, Hélène Delprat ?De personnage, la mère devient ici figure, d'accès au monde, de jeu, d'identification, mais aussi de perte et de nostalgie : « Pour vous livrer le fond de mon émoi, l'image de ma mère » – Samuel Beckett.Julie Héraut Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/latoya_ruby_frazier_a_creative_solution_for_the_water_crisis_in_flint_michigan ■Post on this topic (You can get FREE learning materials!) https://englist.me/135-academic-words-reference-from-latoya-ruby-frazier-a-creative-solution-for-the-water-crisis-in-flint-michigan--ted-talk/ ■Youtube Video https://youtu.be/be1phB8h_ps (All Words) https://youtu.be/Q-B6MB6889c (Advanced Words) https://youtu.be/eo_adftgP-c (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

This episode of the pod kicks off with Lindsay, David, and Elisabeth reflecting on how artworks have changed (or reinforced) their perspectives on what art is, and whether or not Elisabeth is really “auditioning” for the role of co-host. Starting at about 9:00, guest Mary Louise Schumacher kicks off the conversation with a reflection about witnessing Milwaukee artist Roy Staab joyfully re-discovering his own artwork while watching it get destroyed in a storm.  Throughout the conversation, Mary Louise shares about her trajectory from political and technology reporter to art critic, to director of the forthcoming documentary film, Out of the Picture. She reflects on how art critics draw on a much more “embodied” kind of writing than other more objective forms of journalism.   Out of the Picture arose out of asking the question “what does it mean to write about art today?” Turning her camera on the interesting people in the art world who are writing about art, in the process Mary Louise and her team of collaborators ended up documenting extraordinary changes in visual culture and media. Since the beginning of the film, over the last ten years, 'Art” has evolved to include NFTs, social movements, memes and monuments, (oh my!) and visual culture shapes how we see the world more than ever. Out of the Picture raises questions including: how are power and privilege conferred on voices within the art world? And the question of how precious the work of art criticism actually is.  Mary Louise also reflects on how the simultaneous openness, intimacy, and obscurity of the Milwaukee art scene promotes a special kind of artistic thriving, and periods of richness within our arts ecosystem.  She closes with a fantasy edict to instate an Arts & Culture Administrator for the City of Milwaukee to help Art to be more valued in our community.    Instagram: @Marylouises  Due to the unprecedented number of shout-outs contained in this episode, we decided to do our best to represent all of the individuals and entities. Please enjoy the following absurdly long list of links: :  https://www.outofthepicturemovie.com/ (Out of the Picture)   https://www.youtube.com/watch?time_continue=2&v=Ue4q0Twd_So&feature=emb_logo (Sunset Theatre by Sarah Gail Luther)   https://okmke.org/ (Open Kitchen)  https://en.wikipedia.org/wiki/Nature_Belle_(Staab) (Nature Bell by Roy Staab)  https://mam.org/info/quadracci.php (The Quadracci Pavillion)    https://www.linkedin.com/in/nicholaslujero/ (Nicholas Lujero)   https://www.linkedin.com/in/cindy-eggert-johnson/?trk=org-employees&originalSubdomain=be (Cindy Eggert Johnson)  https://www.markescribano.com/ (Mark Escribano)  https://www.thisismilwaukee.us/johnathonolsen (Jonathan Olson)  https://www.corridorfilm.com/ (Corridor the film)  http://katieavilastudio.com/ (Katie Avila Loughmiller)  http://www.naomiwaxman.com/resume (Naomi Waxman)  https://www.lyndensculpturegarden.org/residency/pegi-christiansen-distance (Pegi Taylor Christiansen)  https://www.linkedin.com/in/katie-heil-a75b821a/ (Katie Heil)   https://www.jasper-johns.org/ (Jasper Johns)  https://www.rauschenbergfoundation.org/ (Robert Rauschenberg)  https://latoyarubyfrazier.com/ (LaToya Ruby Frazier)  https://whitecube.com/artists/artist/doris_salcedo (Doris Salcedo)  https://www.hankwillisthomas.com/ (Hank Willis Thomas)  http://postcommodity.com/About.html (The Post Commodity Collective)  https://en.wikipedia.org/wiki/Jerry_Saltz (Jerry Saltz)  https://www.linkedin.com/in/jen-graves-96bb123/ (Jen Graves)  https://www.bostonglobe.com/about/staff-list/staff/jenee-osterheldt/ (Jenee Osterheldt)  https://hragvartanian.com/ (Hrag Vartanian)  https://genreurbanarts.com/ (Genre Urban Arts)  ...

LaToya Ruby Frazier spent five years photographing people and places in Flint, Michigan. Karen Michel reports. And, Occidental College professor Peter Dreier talks about the "Right to Organize" ordinance in San Francisco that forces landlords to bargain with tenant associations. It is considered the first of its kind in the U.S.

Falamos com a Aline Valek (autora dos livros As Águas-Vivas Não Sabem de Si e de Cidades Afundam em Dias Normais) sobre homens sendo abusivos com inteligências artificiais, vídeos de reação, cyberpunk x solarpunk, uma campanha tensa da Levi's e as fotógrafas LaToya Ruby Frazier e Ariella Azoulay. Não-lançamentos: livro e podcast do John Green, “The Rick Gervais Show” e o game Okami. Link para o curso sobre criatividade e escrita online da Aline: https://www.domestika.org/pt/courses/1981-tecnicas-criativas-para-transformar-ideias-em-textos https://www.instagram.com/surra_de_ref/

We need water to live. But with rising seas and so many lacking clean water — water is in crisis and so are we. This hour, TED speakers explore ideas around restoring our relationship with water. Guests on the show include legal scholar Kelsey Leonard, artist LaToya Ruby Frazier, and community organizer Colette Pichon Battle.

In this episode, we talk with Aaron Turner about the place of identity in abstract photography and art. He discusses the inspiration behind his photographic projects, and why he chose to pursue abstraction as a medium of expression. Aaron shares the reasoning behind his decision to document his family and local community, while noting the issues that need to be considered when doing so. Aaron also talks about the experience of Black photographers following the death of George Floyd and emphasises the need to readdress the mainstream narrative of photographic history and its exclusion of Black photographers. What you'll find inside: On abstract artists who were connected to the Black Arts Movement: “On one side of their practise they were deemed, by their fellow Black artists, as not contributing to the cause. Again, because their work was kind of in that realm of geometric abstraction and so you don't see moments of, what we call now, Black joy. ... We are not painting an image, or depicting an image of Black dignity. You're painting triangles and squares and circles.” (7:10) “What the perception could be is that they're trying to pass as a white artist. But if you really look into their work, and the symbols and the choices that people use in their work. Like Howardena Pindell, for example, and why she used the circle. I encourage everyone to look that up, it's pretty fascinating. It comes from a place of her identity and her childhood. She's not an artist trying to pass for white.” (12:18) “The feedback that I got about documenting my own community and documenting my family was that it was not serious journalism, it was not serious work, right? It wasn't taken seriously... until you have a person like a Latoya Ruby Frazier, at least for me as an individual, I see myself in her, right? In terms of having like the wherewithal and the bravery to sort of do those things.” (16:28) “Now, I know this is probably true for a lot of photographers after what happened with George Floyd in Minnesota, and how people sorta had this - I don't even know what you would call it because there are so many things that have happened since - but now all of a sudden Black photographers are sought after globally. To sort of go into communities and make the work when people have been trying to say you should have been sending us there in the first place all these other years ago.” (26:31) “Just because I'm Black, doesn't mean I get all the rights and privileges of going into a Black community and documenting. I still have to do my job as a journalist, I still have to gain people's trust. I still have to be ethical up to my standards. You know, that's what I have to do with my family. Like I don't get to just raise the camera up to my family, right? They have to get comfortable with me doing those things.” (36:09) “Go back in history and ask: why are things the way they are?” (40:12) “Self-publish, get the work out there yourself, don't wait for a big publication to add authenticity to it, don't wait for someone else to deem it valuable. Find value in it yourself.” (46:17)“I think as photographers we have to move beyond what some people describe as photoland or the photo world. Because other things are happening around us and we have to be aware of those things to be more effective at what it is that we do.” (47:05)What does photo ethics mean to Aaron?“Do unto others as you would have them done unto you. That's a principle I was raised with and still live by to this day. It's not always easy to do that. It's not just as simple as saying that it's a different world when you act out and live that. ... I think being ethical is practising empathy, in the various ways that it's possible to do that. Put ourselves in other people's shoes but also I think self-awareness in all interactions with people. Like being aware of the role that you play or different power dynamics or what you're trying to accomplish by interacting with people. When you make an image of someone, what you're taking, what they're giving. When someone allows in their space, to spend time with them, you know, what they're giving up, what you're giving up, what they're taking, what you're taking. Maybe also like selflessness. Going into something, figuring out how it can benefit someone other than ourselves. I think that can go a long way. And so I think that also ties into, you know, why are we picking up the camera in the first place? Would we do it if we weren't paid for it? You know, how everyone kind of comes to that way of thinking, or that understanding for themselves based on their life and decisions. So that's what ethics is for me.” (43:07)Links:The Center for Photographers of Color Yesterday Once More Black AlchemyThe Black Arts Movement Frank BowlingHowardena PindellPassing by Nella Larsen The Imitation of LifeLatoya Ruby FrazierMatt EichReflections in Black by Deborah WillisEugene RichardsDorothea LangeGordon ParksRoy DeCaravaKerry James Marshall

Edinboro grad LaToya Ruby Frazier, associate professor of Photography at the School of the Art Institute of Chicago and fellowship recipient of the John D. and Catherine T. MacArthur Foundation’s MacArthur Fellows Program, continues to make headlines for her work as a photographer and activist. In her 2019 address at the Edinboro University Commencement Ceremony, Frazier discussed the mission of her art and career, focusing on inequalities in education, economics and the environment. In this episode of "Tartan Talks" we look back to Frazier's address to the Class of 2019 where she inspired the next generation of Edinboro grads. And check out her most recent feature in the New York Times: https://www.nytimes.com/2021/03/01/t-magazine/latoya-ruby-frazier-photography.html.

Episode No. 482 features curator Shawnya L. Harris and artist Marie Watt. Harris is the curator of "Emma Amos: Color Odyssey," a retrospective of Amos's career that opens Saturday, Jan. 30 at the Georgia Museum of Art at the University of Georgia. Amos was important in bringing second-wave feminism into American art, in addressing many American and art histories within her work, and in making work that synthesized her interest in printmaking, weaving and painting. "Emma Amos" will remain on view in Athens through April 25, when it will travel to the Munson-Williams-Proctor Arts Institute in Utica, NY and the Philadelphia Museum of Art. The show features about 60 paintings, prints and woven works. The show's outstanding catalogue, which features essays by Lisa Farrington, LaToya Ruby Frazier, Laurel Garber, Kay Walkingstick, and Phoebe Wolfskill, was published by the Georgia Museum of Art. It's available from GMOA for $40, and should be on Indiebound and Amazon soon. On the second segment, Marie Watt discusses her work on the occasion of  "Companion Species" at the Crystal Bridges Museum of American Art and the Museum of Native American History, both in Bentonville, Ark. (As of show-posting, Crystal Bridges is open; "Companion Species" will be on view there through May 24. MONAH has yet to announce its re-opening plans.) The exhibition spotlights and builds upon Watt's Companion Species (Speech Bubble), which Crystal Bridges recently acquired. Watt is a citizen of the Seneca Nation whose work often explores ideas related to community, history, storytelling. She often works in textile, including in works that are partially sewed by community-embracing sewing circles. She has had solo exhibitions at the National Museum of the American Indian, the Boise Art Museum, the Seattle Art Museum, the Missoula Art Museum, and the Jordan Schnitzer Museum of Art at Washington State University. She sits on the board of the Portland (Ore.) Art Museum.

Original broadcast date: August 7, 2020. We need water to live. But with rising seas and so many lacking clean water — water is in crisis and so are we. This hour, TED speakers explore ideas around restoring our relationship with water. Guests on the show include legal scholar Kelsey Leonard, artist LaToya Ruby Frazier, and community organizer Colette Pichon Battle.

We need water to live. But with rising seas and so many lacking clean water — water is in crisis and so are we. This hour, TED speakers explore ideas around restoring our relationship with water. Guests on the show include legal scholar Kelsey Leonard, artist LaToya Ruby Frazier, and community organizer Colette Pichon Battle.

Artist LaToya Ruby Frazier spent five months living in Flint, Michigan, documenting the lives of those affected by the city's water crisis for her photo essay "Flint is Family." As the crisis dragged on, she realized it was going to take more than a series of photos to bring relief. In this inspiring, surprising talk, she shares the creative lengths she went to in order to bring free, clean water to the people of Flint.

Die Künstlerin LaToya Ruby Frazier lebte fünf Monate in Flint, Michigan. Sie dokumentierte das Leben der von der Wasserkrise der Stadt betroffenen Menschen in einer Fotoreportage mit dem Titel "Flint is Family". Da die Krise kein Ende nahm, wurde ihr klar, dass mehr nötig sein würde als eine Fotoserie, um den Menschen zu helfen. In diesem inspirierenden, erstaunlichen Vortrag spricht sie über den kreativen Prozess, den sie in Gang brachte, um den Menschen in Flint zu kostenlosem, sauberem Wasser zu verhelfen.

L'artiste LaToya Ruby Frazier a vécu cinq mois à Flint, dans le Michigan, et a décrit la vie des personnes touchées par la crise de l'eau dans cette ville dans le cadre de son reportage photo « Flint is Family ». Alors que la crise se prolongeait, elle s'est rendu compte qu'il allait falloir plus qu'une série de photos pour y remédier. Dans ce discours inspirant et surprenant, elle nous partage les efforts créatifs qu'elle a déployés pour apporter de l’eau propre et gratuite aux habitants de Flint.

A artista LaToya Ruby Frazier morou durante cinco anos em Flint, em Michigan, documentando a vida das pessoas afetadas pela crise aquífera e realizou um ensaio fotográfico chamado “Flint is Family”. Enquanto a crise aquífera se prolongava, LaToya percebeu que seria necessário mais do que uma série de fotografias para trazer alívio para a população. Nesta palestra inspiradora e surpreendente, ela compartilha o seu empenho em trazer água limpa e gratuita para a população de Flint.

La artista LaToya Ruby Frazier pasó cinco meses viviendo en Flint, Michigan, documentando la vida de los afectados por la crisis del agua presente en la ciudad para su ensayo fotográfico: "Flint es familia". Como la crisis parecía no tener fin, se dio cuenta de que unas fotos que proporcionasen alivio no iba a ser suficiente. En esta inspiradora y sorprendente charla, LaToya comparte lo mucho que se esforzó para proporcionar agua limpia a los habitantes de Flint.

Artist LaToya Ruby Frazier spent five months living in Flint, Michigan, documenting the lives of those affected by the city's water crisis for her photo essay "Flint is Family." As the crisis dragged on, she realized it was going to take more than a series of photos to bring relief. In this inspiring, surprising talk, she shares the creative lengths she went to in order to bring free, clean water to the people of Flint.

Artist LaToya Ruby Frazier spent five months living in Flint, Michigan, documenting the lives of those affected by the city's water crisis for her photo essay "Flint is Family." As the crisis dragged on, she realized it was going to take more than a series of photos to bring relief. In this inspiring, surprising talk, she shares the creative lengths she went to in order to bring free, clean water to the people of Flint.

Prof. Harvey talks about the work of photographer Latoya Ruby Frazier who documents the news of the Lordstown, Ohio plant closing and the impact it had on the workers, families and community at large. 

Not gunna lie, i had a pretty big art crush on Rory Mulligan long before i met him to talk about his work for this show. I remember first discovering his work on the J&L Books website in the special edition section. They had published a small book of his work in an edition of 10 called Freddie. You couldn’t find it anywhere, but there were enough pictures on the site to get a feel for what he was up to. But I remember thinking to myself - what exactly was he up to?There was a strange, dark, melancholic but humorous tone to his photos. There was a quality in them that i felt reflected a certain tradition of documentary style art photography, but his voice was lyrical was uncanny in all of them. As I’ve gone to speak with photographers for this show, Rory’s name has often come up as someone who’s work has had a big influence on them - especially some of the younger ones.Rory got his MFA at Yale, has had solo shows in the US and Japan, and his work has been featured in Blind Spot, Newspaper and MATTE Magazines to name a few. Rory is a master printer too - the go to for Latoya Ruby Frazier, Tod Papageorge, Justine Kurland and Mark Steinmetz - if those four names don’t give you any sense of a level of quality demanded in their work, I really don’t know who does. All traditional black and white hand printing, so delicate and subtle and nuanced - a fine art unto itself...We got together at his studio in in an abandoned aerosol spray can factory in Yonkers, New York, the same town which he grew up in. That landscape of his childhood is the same one that he continues to explore in his work today…. See acast.com/privacy for privacy and opt-out information.

Frazier considers the work, legacy and influence of artist and photojournalist Gordon Parks and his contemporaries.

Frazier considers the work, legacy and influence of artist and photojournalist Gordon Parks and his contemporaries.

지난 12년 동안, 라토야 루비 프레지어는 펜실베니아의 브래독에서 사진속 친구들과 이웃들 그리고 가족들을 가지고 있었습니다. 이 마을은 "러스트 벨트 경기부양"의 대표적 모델로써 인정받았지만, 프레지어의 사진은 경제 불평등과 심각한 환경파괴에 관한 이야기를 들려줍니다. 짧고, 강력한 이야기 속에서 여러분들은 그동안 보지 못했던 세상에 대한 이야기를 공유할 수 있습니다.

In den letzten zwölf Jahren fotografierte LaToya Ruby Frazier Freunde, Nachbarn und Familien in Braddock, Pennsylvania. Obwohl die Stahlstadt kürzlich als Aushängeschild der Wiederbelebung des "Rust Belt" bejubelt wurde, erzählen Fraziers Bilder eine andere Geschichte, von der wahren Bedeutung von Ungleichheit und ökologischer Vergiftung. In diesem kurzen, beeindruckenden Vortrag wird ein Einblick in eine zutiefst persönliche und oft unsichtbare Welt möglich.

Nos últimos 12 anos, LaToya Rubi Frazier fotografou amigos, vizinhos e familiares em Braddock, na Pensilvânia. Embora a cidade do aço ultimamente tenha sido aclamada como um exemplo da "revitalização do Cinturão da Manufatura," as imagens de Frazier contam uma história diferente, do impacto real da desigualdade e da toxicidade ambiental. Nesta poderosa palestra curta, a TED membro compartilha um olhar profundamente pessoal de um mundo muitas vezes invisível.

Durante los últimos 12 años, LaToya Ruby Frazier ha fotografiado a amigos, vecinos y familiares de Braddock, Pensilvania. Pero aunque la ciudad de acero ha sido aclamada últimamente como el emblema de la revitalización económica del "Cinturón de óxido", las imágenes de Frazier cuentan una historia diferente, la del impacto real de la desigualdad y la toxicidad ambiental. En este charla corta y poderosa, la Becaria TED comparte una visión muy personal de un mundo a menudo invisible.

For the last 12 years, LaToya Ruby Frazier has photographed friends, neighbors and family in Braddock, Pennsylvania. But though the steel town has lately been hailed as a posterchild of "rustbelt revitalization," Frazier's pictures tell a different story, of the real impact of inequality and environmental toxicity. In this short, powerful talk, the TED Fellow shares a deeply personal glimpse of an often-unseen world.

Depuis 12 ans, LaToya Ruby Frazier a photographié amis, voisins et famille à Braddock en Pennsylvanie. Et bien que la ville du métal ait dernièrement été nommé symbole de la « redynamisation de la Rust Belt » (ceinture industrielle), les photos de Frazier racontent une toute autre histoire, celle de l'impact des inégalités et de la toxicité de l'environnement. Dans cette courte et puissante vidéo, l'intervenante donne un aperçu très personnel d'un monde dont on parle peu.

Our weekly look at all things photographic with Sarah Jacobs and PhotoShelter co-founder Allen Murabayashi.   Get the podcast: http://bit.ly/ilovephoto Watch the broadcast: http://bit.ly/ilovephotoyt   1:55 Kathy Ryan’s Office Romance 4:57 Nafise Motlaq’s Iranian Fathers and the Diverse Daughters They’ve Raised 8:33 Yukari Chikura preserves tradition in Japan 12:07 Robin Moore’s In Search of Lost Frogs 13:37 Pete Muller on Being a Journalist in the Midst of Ebola 15:47 Syracuse disinvites Pulitzer winner Michel du Cille over Ebola concerns 18:44 Relonch and Seek Thermal 23:34 LaToya Ruby Frazier’s Notion of Family 25:53 Magnum Photos, and Founders, Will Come to Life in Upcoming TV Show 27:52 Suzanne Sease’s Usage and Pricing of Photography in Social Media 30:21 Photo Blogs Are Proliferating: How Photographers Can Make the Most of Them  34:08 The most iconic photos in history recreated in impressive live action 36:53 Interview w. photog Jonpaul Douglass of #PizzaintheWild