Podcasts about Desert X

Episode Summary: In this episode, host Chris Clarke revisits the spirited discussion surrounding the High Desert Art Fair and its portrayal in media. Cindy Bernard and Bernard Leibov engage in a dialogue to address critiques and misconceptions, particularly related to an LA Times article that stirred emotions within the Morongo Basin. Their conversation navigates the crucial roles of artists in economic and cultural spheres while emphasizing the need for nuanced understanding among residents and media alike. As the episode unfolds, Cindy and Bernard elaborate on key differences between various art events like the High Desert Art Fair and Desert X, underscoring their distinct roles in cultural development. They explore the often-contentious relationship between commerce and creativity. Their exchanges offer critical insight into the dynamics of art, community, and conservation in the desert landscapes. Key Takeaways: The High Desert Art Fair has been a growing initiative offering free and subsidized opportunities for local artists, contributing significantly to the community's cultural economy. There is a clear distinction between art fairs, like the High Desert Art Fair, and international biennials, such as Desert X, each serving different purposes and audiences. Addressing public misconceptions, the guests stress the importance of education and nuanced dialogue between new artistic movements and long-standing community members. The podcast underscores the value of local movements toward smart cultural and economic integration, contributing to more balanced community development in desert regions. Cindy Bernard and Bernard Leibov highlight the necessity for creative expression and economic sustainability to coexist in an evolving rural landscape. Notable Quotes: "The desert needs all sorts of people in order to be the economic place that it is. It's an environmental place, but it's also an economic place." — Cindy Bernard "Let's allow people some grace… We're all trespassing in a sense." — Bernard Leibov "Art and culture's existence in desert regions is crucial not only to expression but also to fostering economic opportunities." — Cindy Bernard "We are all adapting and learning, and education about the land and community is crucial for any new player in the desert landscape." — Bernard Leibov Resources: Visit Desert Trumpet for local news coverage in the Morongo Basin. Explore Boxo Projects to learn more about artists' residencies and programs in Joshua Tree. Reference the guidelines for artists on land use developed by key organizations, including the Mojave Desert Land Trust. This engaging dialogue brings to light the complex dynamics of the desert art scene and community interface, packed with insights on fostering sustainable cultural economics. Tune in to the full episode and continue joining us for more explorative discussions on art, culture, and conservation in "90 Miles from Needles."Become a desert defender!: https://90milesfromneedles.com/donateSee omnystudio.com/listener for privacy information.

How about a kinder, cheaper Desert X from Ducati? Check out that valve maintenance interval!!!https://www.ducati.com/us/en/bikes/desertx/desertx-v2Greg Castillo Joins us from FlatOut Garage. Guy Martin gets 12 points on his license and now has a suspended license. https://www.bbc.com/news/articles/c86exgd6z01oIn honor of Greg: Honda launches a FTR125 Monkey bike in the Philippineshttps://www.topgear.com.ph/moto-sapiens/motorcycle-news/honda-monkey-ftr-125-bims-2026-a5361-20260323Support the showRemember folks...Ride Fast and Take Chances! check out our Youtube channel at https://www.youtube.com/c/ClevelandMoto

In this episode we share the specs on the Ducati Desert X V2 and the 2026 Yamaha Tenere 700 World Raid. Then we discuss weights and powers of the midweight ADV segment and ask if they are getting too heavy.Buying Riding Gear? Use our affiliate link and help out the podcast https://imp.i104546.net/3eZdXdHelp us support the pod or buy us a coffee! https://www.buymeacoffee.com/tdtmotorcyclesSpecial thanks to Derek Brown for our new song and logo! Check out his stuff belowdb SPL links:https://www.dbspl.studio/https://www.instagram.com/db_spl_/Glenarvon:https://www.glenarvonmusic.comhttps://www.instagram.com/glenarvonmusic/------------------Send us your questions and comments totdtmotorcycles@gmail.comFollow Us: Instagram: @gleblapham @meech2dbeech YouTube: @gleblapham

Programa 8 de la temporada 7 del TwinTrail Talks, hoy entrevistamos a los de TwinTravel, hablamos de la nueva Ducati Desert X V2, y la PowerLap de la KTM Adventure R 2025. Comentamos algunas otras novedades del mundo del trail, y terminamos el programa con el Consultorio de Charly y la Chusta de la semana. Descubre el TwinTrail Adventure Club aqui: https://www.twintrailexperience.es/tw... #aprilia #KLiM

Episodio 31 de la sexta temporada del TwinTrail Talks, hoy terminamos de comentar las novedades del EICMA 2025, y tenemos una PowerLap muy especial con una Ducati Desert X Rally. Terminamos como siempre con el Consultorio de Charly y la Chusta de la semana. Apuntate a nuestro curso Online "Como preparar un viaje a Marruecos" y participa en el sorteo de un Viaje a Marruecos y una Aprilia Tuareg 660: https://www.marruecostrail.com/ #aprilia #OutbackMotortek #CamelAdv #KLiM Únete a nuestro Discord en TwinTrail: / discord

Episodio 29 de la sexta temporada del TwinTrail Talks, novedades Ducati con la Desmo 450 EDX, modelo enduro, una nueva Desert X V2, y Kove con la nueva 800 GT, algunas otras novedades del mundo del trail, y finalizamos el programa con el versus, el Consultorio de Charly y la Chusta de la semana. Apuntate a nuestro curso Online "Como preparar un viaje a Marruecos" y participa en el sorteo de un Viaje a Marruecos y una Aprilia Tuareg 660: https://www.marruecostrail.com/ #aprilia #OutbackMotortek #CamelAdv #KLiM Únete a nuestro Discord en TwinTrail: / discord

Episodio 23 de la sexta temporada del TwinTrail Talks, hoy hablamos de un nuevo motor 2T fabricado por Alpha Otta, las fotos finales de la BMW F450GS, nuevos colores de Triumph y alguna otra novedad del mundo del trail. Versus de la semana entre la Honda Africa Twin 1100 y la Ducati Desert X. Terminamos el programa como cada semana con el Consultorio de Charly y la Chusta de la semana. #aprilia #OutbackMotortek #CamelAdv #KLiM Únete a nuestro Discord en TwinTrail: / discord

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

On this edition of Meandering Musings: Neil recounts a recent visit to an outdoor art installation in the desert. For more about Neil Peterson and to read more Meandering Musings visit https://meanderingmusings.net/ Like the podcast? Please help us grow our audience, tell your friends about Meandering Musings and leave us a review on Apple Podcasts. The Edge Foundation edgefoundation.org

State lawmakers and the governor are squabbling about two areas of the budget that need immediate attention. What those fights say about the prospects for approving a new spending plan. And, a documentary shines light on the work of Native American architects. That and more on The Show.

Today on AirTalk, California approved a $3 billion loan for Medi-Cal amidst looming federal cuts. Want to get paid to be politically engaged and hold your public officials accountable? A local initiative called "LA Documenters" will train and pay you to take notes at public meetings. We'll be discussing the outdoor art exhibition, Desert X, which explores the legacy of land art in the Coachella Valley. Forever 21 opened its doors in Highland Park in 1984 and became a mall staple but as malls themselves become more obsolete by the day, the clothing company filed for bankruptcy protection yet again. What are the factors that might finally do the fast fashion company in? Today for our look into SoCal history, we're appreciating L.A.'s rich history of Spanish-language news weekly publications. Today on AirTalk: $3 billion Medi-Cal loan approved amidst looming federal cuts (0:15) Local program pays you to hold officials accountable (11:54) Land art in the Coachella Valley (23:56) At 41 years old, Forever 21 may shut down (33:09) SoCal History: LA Spanish-language publications (44:28)

Find more of my photos on Instagram | PixelFed More from my Instagram Feed Read more on this topic: Aeonium In The Garden [Photography] Salvia sagittata, Liberty Public Market, San Diego, California [Photography] Cholla (Cylindropuntia) at Desert X, Coachella Valley, California (2 photos) Epiphyllum Bloom In The Garden [Photography] Cholla (Cylindropuntia) at Desert X, Coachella Valley, California [Photography]

Episodio 19 de la quinta temporada del TwinTrail Talks, hoy empezamos el programa con nuestro invitado especial a la sección de Mc Martin sin filtro, seguimos el programa con algunas novedades del mundo trail y el VS de la BMW F900GS y la Ducati Desert X Rally. Terminamos como siempre con el Consultorio de Charly y la Chusta de la semana. Reserva tu plaza para probar la Aprilia Tuareg 660 en este link: https://www.twintrailexperience.es/ap... #aprilia #OutbackMotortek #CamelAdv #KLiM Únete a nuestro Discord en TwinTrail: / discord

Artist Serge Attukwei Clottey joins EMPIRE LINES live at the Eden Project in Cornwall, to discuss Afrogallonism, uplifting communities with upcycled plastic waste, and how the traditional Ghanaian harvest festival of Homowo challenges colonial hierarchies of gender. Accra-based artist Serge Attukwei Clottey works across installation, performance, photography, painting, and sculpture, exploring personal and political narratives rooted in histories of trade and migration. He refers to his practice with yellow plastic, Kufuor-era, cooking oil cans as ‘Afrogallonism', using found and recycled materials to create a dialogue with the city's cultural history and identity, whilst exploring the meanings that are invested in everyday objects, and how they circulate in local and global economies. Referencing Ghana's historic wealth, a region known as the Gold Coast during British colonial rule during 19th and 20th century, Serge's installations like Follow the Yellow Brick Road (2015-2020) also serve a practical function, in creating wealth and employment for the local community. On display alongside his existing work at the Eden Project is a new audio piece, a remembrance of famine that once befell pre-colonial Ghana, and is once again impacting farmers as a consequence of climate change. Serge talks about his family's migration from city of Jamestown/Usshertown, in British Accra, to La (Labadi), on the coast, and how water has long infiltrated his practice. We discuss the realities of resource extraction and consumption captured by his work, connecting with the likes of Romauld Hazoumè, El Anatsui, Zina Saro-Wiwa, and Wura-Natasha Ogunji. Serge shares his interest in political performance art, and collaborating with young people. We open My Mother's Wardrobe (2015-2016), in which Serge invited men to wear women's clothes and make-up to perform everyday and ritual tasks, disrupting conventions of gender and sexuality imposed upon and appropriated by many African countries during colonial rule. And Serge talks about his commissions across the world, from Desert X, to Kew Gardens, and the National Portrait Gallery in London, where his Windrush Portrait of Mr. Laceta Reid proudly stands. This episode was recorded live at Reclaim - a weekend of talks and events at the Eden Project in Cornwall, curated to support mental and planetary wellbeing - in January 2024: edenproject.com/visit/whats-on/reclaim Acts of Gathering runs at the Eden Project in Cornwall until 14 April 2024. For more, hear curators Misha Curson and Hannah Hooks in the episode on Learning from Artemisia, Uriel Orlow and Orchestre Jeunes Étoiles des Astres (2019-2020): pod.link/1533637675/episode/0e8ab778b4ce1ad24bc15df3fec5a386 For more about African masks and performance, listen to Osei Bonsu, curator of A World in Common: Contemporary African Photography at Tate Modern in London: pod.link/1533637675/episode/386dbf4fcb2704a632270e0471be8410 About Ashanti Hare, and the south-west arts ecology, hear curator Ashish Ghadiali on Radical Ecology's recent exhibition at KARST in Plymouth: pod.link/1533637675/episode/146d4463adf0990219f1bf0480b816d3 For more ‘African' textiles, hear Dr. Chris Spring on Thabo, Thabiso and Blackx, Araminta de Clermont (2010): pod.link/1533637675/episode/a32298611ba95c955aba254a4ef996dd And on sea/water as a historical archive, listen to these episodes on: John Akomfrah's Arcadia (2023), at The Box in Plymouth: pod.link/1533637675/episode/31cdf80a5d524e4f369140ef3283a6cd Julianknxx's Chorus in Rememory of Flight (2023), at the Barbican in London: pod.link/1533637675/episode/1792f53fa27b8e2ece289b53dd62b2b7 WITH: Dr. Serge Attukwei Clottey, Accra-based visual artist. ART: ‘Noko Y3 Dzen (There's Something in the World) (2018–Now)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Segundo programa de la 5 temporada del TwinTrail Talks, hablamos con Charly Sinewan de la nueva Ducai Desert X Rally que ya vimos en el EICMA 2023, y que por fin está ya disponible. Hablamos de las tres marcas más vendidas de motos TRAIL este pasado 2023, curiosidades de las motos de media cilindrada y algunas cosas más. Si quieres venir al Homenaje de Charly el 25/02 en Catellolí, apúntate en este formulario: https://forms.gle/DypNF3ViyLPSkKF86

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

Cara Romero, born 1977 (Chemehuevi/ American) In a fine art photographic practice that blends documentary and commercial aesthetics, Cara Romero (Chemehuevi Indian Tribe) creates stories that draw from intertribal knowledge to expose the fissures and fusions of Indigenous and non-Indigenous cultural memory, collective history, and futurity. Romero has held solo exhibitions in the US, UK, and Germany. Her recent group exhibitions include Our Selves: Photographs by Women Photographers at the Museum of Modern Art and Water Memories at the Metropolitan Museum of Art (2022). Her public art projects include #TONGVALAND presented in Los Angeles by NDN Collective (2021); Restoration: Now or Never with Save Art Space in London (2020), and Desert X in the Coachella Valley (2019).  Widely collected, Romero's photographs are in private and public collections including those at the Denver Art Museum, the Peabody Essex Museum, The Hood Museum, the Minneapolis Institute of Art, the MoMA, the Nelson-Atkins Museum of Art, Los Angeles County Museum of Art, and the MET. Romero was raised between the rural Chemehuevi reservation in California's Mojave Desert and the urban sprawl of Houston. She is based in Santa Fe.

What is the role of public art in our communities? And how has it changed across the timespan of human history? From the mysterious construction of Stonehenge in Scotland to Anish Kapoor's Cloud Gate (affectionately called ‘The Bean') in Chicago, public art has always served a purpose. Whether it provides a space for sacred rituals or acts as a monument to a bustling metropolis, public art has the power to spark conversations and deepen our sense of community. Today, we are honored to welcome back Badir McCleary, whose passion and commitment to public art has led him across the country for Remote, an exclusive video series in partnership with NOT REAL ART! exploring and documenting public art in all its glorious complexity. Tuning in you'll hear us catch up with Badir, as we chat about the episodes he's done for Remote thus far, the fascinating artworks and artists he's come across, and what he's uncovered about the ever-evolving role of public art. Discover key lessons from his two-part series in Washington DC about the government's role in public art, how his eye-opening conversation with Charles Dixon deepened his knowledge of producing these types of artworks, along with a whole host of insights from other fascinating cities he's covered like Los Angeles and San Antonio. Our conversation also unpacks key themes in public art, such as the role of technology in contemporary pieces, why allocating resources to marketing and storytelling is essential, how public art can foster community engagement, plus a whole lot more. Join us today as we delve into the multi-faceted nature of public art and the immense sense of wonder it can instill in all of us!Key Points From This Episode:Catching up with Badir on the work he's been doing for Remote, his series on public art.Public art in San Antonio and how it has grown and flourished over the last decade.Insights into his two-part series on Washington DC for Remote.Key differences in how people engage with public art versus art in a gallery or museum.Chicago's thriving public art scene and why Badir would love to do a Remote episode on it.Unpacking the role of scale in public art, especially for contemporary pieces.How technology can be used to educate and provide information on public art pieces.The importance of allocating resources to marketing and storytelling for public artworks.Reflecting on Desert X, the first installation of his Remote series, and why it's worth watching.How the function of public art has evolved over centuries.Why Badir's Remote episode set in Philadelphia is so special to him.Philadelphia's beautiful use of markers sharing the cultural history of public spaces.Inspirational lessons from Badir's interview with Charles Dixon.Insight into Badir's upcoming episode on Austin and other parts of Texas.Unpacking the significance of public art in our nation's capital, Washington DC.For more information, please visit http://notrealart.com/badir-mcCleary

Artists have been attracted to the Desert since the 1800's for one main reason: The Light.Nobody chronicles this and the desert art scene more than Palm Springs Life and this weeks guest, Editorial Director of all of Desert Publications periodicals, Steven Biller. From his start as sports editor at Florida Atlantic University, to today's work at the region's premiere magazines, Steven has led an incredible life. As a former chair of the Palm Springs Art Museum and a founder and board member of the biennial Desert X event, he has driven the love and understanding of arts in this valley as much as any single individual.Get up close and personal with Steven Biller on this episode of Big Conversations, Little Bar with Patrick Evans and Randy Florence.Recorded live at the center of the Coachella Valley, Skip Paige's Little Bar.

G'day guys, Angus & I discuss the topic of Motorcycle Maintenance & Repair. We have the Motorcycle Trivia Game, Listener Comments, Rant of the Week and some Interesting Motorcycle News. As usual we go on and off topic! ! Hope you enjoy :-) Cheers... Mark Ducati's DESERT X … a Rally Variant for 2024? https://transmoto.com.au/ducatis-desertx-a-rally-variant-for-2024/ Australian Internet Speed: https://worldpopulationreview.com/country-rankings/internet-speeds-by-country 24-hour Motorcycling Distance Record: https://www.autoweek.com/news/industry-news/a44148359/24-hour-motorcycle-distance-world-record-new-york-to-la/

Remote, Badir McCleary's video series on public art, opens with an ambitious statement from the L.A.-based filmmaker: “In a world full of vibrant creativity and captivating stories, there are secrets waiting to be uncovered. From towering sculptures to interactive murals, each stroke and structure is a testament to the boundless imagination of artists who dared to dream big.”Created in partnership with NOT REAL ART, Remote transports viewers to hidden corners of the globe, where public art ignites conversation, breathes life into forgotten neighborhoods, and transforms entire cities into living galleries. On today's podcast episode, host and NOT REAL ART founder Scott “Sourdough” Power sits down with longtime friend and collaborator Badir Mcleary to discuss the filmmaker's interest in public art as a force for radical change.“Public art was a great topic for this project,” Badir tells Scott. “You don't have to worry about galleries closing. People can easily access what we're talking about. It makes everyone feel included. It's not, ‘Oh. Well, you might have missed it,' or ‘You had to have a ticket.' No. You just go.”“Desert X,” the series' first installment, sees the filmmaker toting his camera to Coachella Valley in search of site-specific desert installations hiding in plain sight of L.A. “Even though [L.A.] is bustling with a bunch of creatives and creative things, [...] there's just so much more out there,” Badir says, explaining the idea behind Remote and its first episode. “I go to a lot of places in search of art, especially out and around California,” he continues. “There's a lot of stuff that's out in the deserts and just an hour or two drive right outside the city.” The second episode in Badir's Remote series, “Aesthetic Information as Public Art,” transports viewers to the filmmaker's hometown of Philadelphia, where murals and markers shape the city's cultural and historical identity. “Philly, for the most part, is a mural- and graffiti-heavy city, filled to the brim with art schools and universities but no true art scene,” says Badir, who now lives and works in L.A. “It has completely done a 180 turn since my youth by providing more opportunities for arts-based activities and mentorship for emerging artists.”Want a preview of the third episode? Tune into today's episode with Badir McCleary, who gives listeners a sneak peek into the incredible stories behind the Remote series. Key Points From This Episode:Badir reflects on his experience of creating Remote (and why it doesn't feel like work).How this project is helping him become a better storyteller.Ways that Remote has forced Badir to step outside of his comfort zone.Why the editing process is such a challenge, especially when it comes to content about art.The key to making videos that are impactful and keep viewers coming back for more.How viewers can use Remote as a guide to “what's cool out there in art.”A sneak peek into episode two, which explores markers and murals in Philadelphia.The types of leaders that are vital to the survival of any creative community.Teasers for episodes three, four, five, and six of Remote!Questioning what happens to public art when it “comes inside.”How Remote is working towards the vision of making art accessible to everyone.The importance of feedback (and the positive responses that Badir has already received).Ways that Badir

We head to Coachella Valley in Southern California, where artists from all over the world gather to create art within the desert landscape for an exhibit called Desert X. Producer | Camera | Editor: Genia Dulot

Neville Wakefield is a curator and writer interested in exploring the ways in which art behaves outside of institutional contexts. He offers that art is most successful, enlightening, and provocative when it goes beyond stereotypical labels and white spaces and is revealed in new spaces that suggest new paradigms. Previously MoMA PS1's Senior Curatorial Advisor and Frieze Projects' Curator, Wakefield is the co-founder of Elevation1049, a site-specific biennial in Gstaad, Switzerland, Artistic Director of Desert X, and the force behind Desert X AlUla in Saudi Arabia.He and Zuckerman spoke about starting as a writer, sailing, getting lost, no right or singular approach, embracing uncertainty, constructing your own narrative, the aesthetics of disappointment, lowering barriers of entry, and finding beauty in unexpected places!

Californians who install rooftop solar after Friday will now earn less for the electricity they generate thanks to new energy rules kicking in Friday. The solar industry has seen an influx of customers rushing to secure lower rates, but some worry that boom will become a bust. Then, artificial intelligence has caused San Diego-based tech company Qualcomm to remodel its mission. Finally, our local deserts have two major art events — Coachella and Desert X. We'll have details and tips on how to go.

This weekend in the arts: Coachella or "couch-ella," Desert X; piñatas, Wayne Thiebaud, contemporary dance and contemporary classical music

Creators Ariela Barer and Daniel Goldhaber on their new film about eco-terrorism How to Blow Up A Pipeline. And how a potential Oscars rule change meant to boost movie-going could impact the smallest distributors. Plus, a trip to Desert X. Support Retake by donating now at LAist.com/join

This week we're joined by Graham Wetterhahn, Sara Beil, and KJ Knies of After Hours Theatre Company to talk about The Tempest: An Immersive Experience, their current collaboration with the Shakespeare Center LA. The gang at After Hours Theatre Company are some of our favorite people to talk shop with.Show NotesThe Tempest: An Immersive ExperienceAfter Hours Theatre CompanyShakespeare Center LANext Stage: Spotlight Sessions & Deep DivesImagi-Ne'er-Do-Wells w/ Jenn Wong & Noah Nelson - April 23, 2023Review Rundown for 4.4.23The Immersive 5 with Brett Jackson of Imagi-Ne'er-Do-WellsDesert X 2023 Begets Apathy and Heartbreaking Magic (Review) Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Reserva ya tu plaza en: https://www.twintrailexperience.es/aprilia-tuareg-660-experience-2023/ Síguenos en Facebook y Instagram para no perderte nada! ➜ https://es-es.facebook.com/twintrail/ ➜ https://www.instagram.com/twin_trail Y no te olvides de visitarnos en: ➜ https://www.twintrail.com ➜ https://www.twintrailexperience.es #LetTheAdventureBegin #TwinTrail #MotoTravel #BigTrail #MotoTrail #Klim #MotoZ #DualSport #Offroad

The 3rd season of Extreme E is underway! Join James Baldwin and Michael Lamonato for a full team by team debrief of Rounds 1 and 2 in Saudi Arabia for the Desert X Prix. -- Follow Extreme E -- Website | Instagram | Facebook | YouTube | TikTok | Twitter | Snapchat -- Follow James -- James Baldwin Produced by James Baldwin for Extreme E

Síguenos en Facebook y Instagram para no perderte nada! ➜ https://es-es.facebook.com/twintrail/ ➜ https://www.instagram.com/twin_trail Y no te olvides de visitarnos en: ➜ https://www.twintrail.com ➜ https://www.twintrailexperience.es #LetTheAdventureBegin #TwinTrail #MotoTravel #BigTrail #MotoTrail #Klim #MotoZ #DualSport #Offroad

Extreme E 02 Inga Stracke an der Strecke Desert X Prix Neom: Vom Rennreifen mit Reishülsen zum Basketballfeld Extreme E Desert X Prix – Stracke an der Strecke blickt in die Wüste am Roten Meer zum Start der Extreme E in die 3. Saison. Packende Renn-Action, aktive Nachhaltigkeit, das ist die Extreme E. Inga Stracke plaudert mit dem zweimaligen DTM-Champion Timo Scheider, und Catarina Silva, Produktmanagerin bei Continental, dem exklusiven Reifenpartner und Gründungsmitglied der Extreme E. Timo erzählt, wie die Extreme E ein Umdenken in Punkto Nachhaltigkeit im täglichen Leben bewirkt, warum sein Team Carl Cox Motorsport die besten Partys haben wird, und wie cool das Racing in der extreme E ist. Catarina verrät uns was ein Basketball-Spielfeld mit den Reifen von Saison 1 zu tun hat, und wie Continental es schafft, unter anderem mit Reishülsen die neuen Extreme E-Reifen mit 43% recycelten oder erneuerbaren Materialien herzustellen, wie sich das direkt auf unsere Strassenreifen auswirkt, und wie sie durch Gewichtsreduzierung bei Logistik und Transport nachhaltiger werden. VIEL SPASS beim Anhören! Ich freue mich über Likes und folgt mir für mehr – am besten im Abo z.B. über Itunes, Spotify, Soundcloud, RTL + und überall wo es Podcasts gibt Ciao, Eure Inga Stracke an der Strecke

Extreme E Desert X Prix – Stracke an der Strecke blickt in die Wüste am Roten Meer zum Start der Extreme E in die 3. Saison. Packende Renn-Action, aktive Nachhaltigkeit, das ist die Extreme E. Inga Stracke plaudert mit Mattias Ekström, dem zweimaligen DTM-Champion, Rallycross-Weltmeister und frischgebackenem Race of Champions Titelsieger, und mit Mark Schneider, Pressesprecher des deutschen Teams ABT Cupra XE. Es geht um „bring your own bowl“, Auswildern von Gazellen und Straußen, Pflanzen von Palmen, aber auch um knallhartes Racing, Hammer-Action in der Wüste und Spaß am Strand. Es geht um aktive Gleichberechtigung im Rennsport - Mattias Ekström verrät, warum auch die Teamkolleginnen immer stärker werden und was er über die Nachhaltigkeitsbemühungen der Extreme E denkt. VIEL SPASS beim Anhören! Ich freue mich über likes und folgt mir für mehr – am besten im Abo z.B. über Itunes, Spotify, Soundcloud, RTL + und überall wo es Podcasts gibt Ciao, Eure Inga Stracke an der Strecke

Pues si amigos! la Guardia Civil se pasa a lo eléctrico! ⚡️ Y en nuestro tema técnico, vamos a hablar sobre una mejora muy importante! Las suspensiones de tu moto! Son suficientes tal y como vienen de serie? o hay que modificarlas? Comentamos todas las opciones! Además, analizaremos en nuestro versus dos grandes motos! La KTM 890 ADV R y la nueva Ducati Desert X! Sin duda, dos de las motos con un carácter offroad más cañero! 🤟 Síguenos en Facebook y Instagram para no perderte nada! ➜ https://es-es.facebook.com/twintrail/ ➜ https://www.instagram.com/twin_trail Y no te olvides de visitarnos en: ➜ https://www.twintrail.com ➜ https://www.twintrailexperience.es #LetTheAdventureBegin #TwinTrail #MotoTravel #BigTrail #MotoTrail #Klim #MotoZ #DualSport #Offroad

Zeinab Alhashemi is an Emirati conceptual artist based in Dubai. Since graduating from Zayed University with a BA in arts and science specialising in multimedia design, she has become known for her large-scale contemporary site-specific installations. Alhashemi is fascinated with capturing the transformation of the UAE and examines the contrast and interdependence between the abstract, geometric shapes of urbanism and the organic forms associated with her country's natural landscape. Since the days of Alhashemi's childhood, the familiarity of traditional scenery and nature has largely been disturbed to facilitate the rise of the man-made. In her experimental installations, she searches for a new identity appropriate to the modern condition and deconstructs the viewers' understanding of their surroundings, introducing an alternative point of view, and creating a new perception of that reality. Drawing inspiration from the natural topography of the UAE, Alhashemi experiments with a variety of materials to position the viewer over the intangible boundary between the natural and the artificial. While colour and texture make her work reminiscent of the traditional landscape, such familiarity is disturbed by the striking contrast of industrial materials that remind the viewer of human interference. Alhashemi's work captures the essence of her homeland today, striking a delicate balance between modernism and tradition in an unexpectedly harmonious coexistence. She has participated in numerous art fairs and festivals such as Sikka Art Fair, Dubai Design Week, and Sharjah Biennial 11 and was recently commissioned by the Institute de France and the Department of Culture and Tourism (DCT) Abu Dhabi to showcase her work at the inauguration of the Louvre Abu Dhabi. Currently she is one of the artists in residence for SETI-Institute in San Francisco, and her work was featured in EXPO2020 Dubai at the Sustainable Pavilion. She also participated in Desert X in AlUla, KSA in 2022.

Join Ray and Todd this episode as we head to Martinborough to ride some sick new Ducati Motorcycles. Also thanks to Protecta Insurance for sponsoring the show, Motorcycle insurance, for motorcyclists, by motorcyclists. see protectainsurance.co.nz for a quote today.

On tonight's Live Ontwowheels Beau is BACK from Smortcon and we get to see the debut of the video he made while on this travels! Oh, and he dumped his Tiger 900 in a creek. Perfect Sunglasses for Riders: https://bit.ly/3nXSet9*(if you buy these it helps the show!)This week's episode is sponsored by Revzilla's RPM program: http://bit.ly/chaseRPMIt's amazon prime for motorcycle gear! Check it out at the link above!Audio Versions of the show HERE!Apple Podcasts: https://apple.co/2OW73gOSpotify: https://spoti.fi/2OFWpdOGoogle Podcasts: https://bit.ly/3thQyukBEST way to SUPPORT this channel and WIN bikes we BUILD! Sign up here: https://wbrgarage.com/Buying Gear? Support the show when you buy from Revzilla with the link! Revzilla Link: http://bit.ly/L2Wrevzilla(This is an affiliate link. When you click on it and purchase anything on Revzilla you pay the same but it helps support the show!)Join our Live Ontwowheels DISCORD: https://discord.gg/8erHCTJMzk___________________________________Jo Patt on the BetsCollege Football/Sports betting podcastListen on: Apple Podcasts Spotify

On tonight's Live Ontwowheels Chase plans on spending the entire show explaining why the Ducati DesertX is the best ADV bike and hopefully giving himself enough reason to purchase one! Perfect Sunglasses for Riders: https://bit.ly/3nXSet9*(if you buy these it helps the show!)BEST way to SUPPORT this channel and WIN bikes we BUILD! Sign up here: https://wbrgarage.com/This week's episode is sponsored by Revzilla's RPM program: http://bit.ly/chaseRPMIt's amazon prime for motorcycle gear! Check it out at the link above!Audio Versions of the show HERE!Apple Podcasts: https://apple.co/2OW73gOSpotify: https://spoti.fi/2OFWpdOGoogle Podcasts: https://bit.ly/3thQyukBuying Gear? Support the show when you buy from Revzilla with the link! Revzilla Link: http://bit.ly/L2Wrevzilla(This is an affiliate link. When you click on it and purchase anything on Revzilla you pay the same but it helps support the show!)Join our Live Ontwowheels DISCORD: https://discord.gg/8erHCTJMzk___________________________________

Desert X? Norden? MV Agusta?? This episode, we play matchmaker to help Ibba decide on his next bike! Want spoilers? Check out out Facebook Page to see what Ibba picked!

Susan Davis is the Founder & President of DESERT X,  a site-specific, contemporary art exhibition that is held in the Coachella Valley of Southern California every two years. Since 2017, DESERT X has pushed the boundaries of art beyond the gallery walls to present work that engages with the public in desert environments, through unique installations created by acclaimed artists from around the world.While responding to and amplifying the dramatic range of land and seascapes within  the desert environment, Desert X is also a visual articulation of the critical issues facing our world today -- including conservation, climate change, segregation, false historical narratives,  and indigenous land rights.Since 2020, Susan Davis has expanded Desert X beyond California – producing two biennial exhibitions in the striking landscapes of the AlUla region of Saudi Arabia.  With Desert X returning in 2023, we spoke with Susan about the process of creating a site specific endeavor of this enormous scale,  the responsibility of art to spark crucial dialogue  and why she always welcomes a little controversy. 

Hoy programa movidito! Veremos a la nueva y esperada Ducati Desert X en la Power Lap! Creéis que superará a sus competidoras?! Veremos las "novedades" de las "nuevas" BMW R 1250 GS. Consultorio de Charly con todas vuestras preguntas.

A few episodes ago we did a bracket challenge to help Chase decide what his next bike should be since he knows he wants an ADV bike. Yamaha's Tenere 700 came out victorious but after from time to think on it Chase feels like Ducatis DesertX didn't get a fair shake!Perfect Sunglasses for Riders: https://bit.ly/3nXSet9*(if you buy these it helps the show!)This week's episode is sponsored by Revzilla's RPM program: http://bit.ly/chaseRPMIt's amazon prime for motorcycle gear! Check it out at the link above!Audio Versions of the show HERE!Apple Podcasts: https://apple.co/2OW73gOSpotify: https://spoti.fi/2OFWpdOGoogle Podcasts: https://bit.ly/3thQyukCheck out our latest build and WIN the FINISHED motorcycle here: http://bit.ly/WBRpatreonBuying Gear? Support the show when you buy from Revzilla with the link! Revzilla Link: http://bit.ly/L2Wrevzilla(This is an affiliate link. When you click on it and purchase anything on Revzilla you pay the same but it helps support the show!)Join our Live Ontwowheels DISCORD: https://discord.gg/8erHCTJMzk___________________________________Show Notes:Get tickets for Get on ADV Fest!: https://getonfest.buffalochip.com/

We continue our planet focused season this week with curator Diana Campbell, who is committed to fostering a transnational art world. Championing socially engaged artistic practices of underrepresented artists and regions has earned her recognition on the annual ArtReviewPower100 list.

Examining the complexities of contemporary Indigenous identity, culture, and representation, Nicholas Galanin works from his experience as a Tlingit and Unangax̂ artist. Embedding incisive observation and reflection into his oftentimes provocative work, he aims to redress the widespread misappropriation of Indigenous visual culture, the impact of colonialism, as well as collective amnesia. Galanin reclaims narrative and creative agency, while demonstrating contemporary Indigenous art as a continually evolving practice. As he describes: “My process of creation is a constant pursuit of freedom and vision for the present and future. I use my work to explore adaptation, resilience, survival, dream, memory, cultural resurgence, and connection and disconnection to the land.” Galanin unites both traditional and contemporary practices, creating a synthesis of elements in order to navigate “the politics of cultural representation.” Speaking through multiple visual, sonic, and tactile languages, his concepts determine his processes, which include sculpture, installation, photography, video, performance, and textile-based work. This contemporary practice builds upon an Indigenous artistic continuum while celebrating the culture and its people; Galanin contributes urgent criticality and vision through resonant and layered works. The online viewing room at Peter Blum can be seen here. Nicholas Galanin (b. 1979, Sitka, Alaska) earned a BFA at London Guildhall University (2003), an MFA at Massey University, Palmerston North, New Zealand (2007), and apprenticed with master carvers and jewelers. He currently lives and works with his family in Sitka, Alaska. Galanin participated in Desert X, Palm Springs (2021); Biennale of Sydney (2020); Venice Biennale (2017); Whitney Biennial (2019); and Honolulu Biennial (2019). Galanin's work is in permanent collections including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; Philadelphia Museum of Art; Art Institute of Chicago; The Phillips Collection, Washington, D.C.; Art Bridges, Bentonville, AR; Detroit Institute of Arts; The National Gallery of Canada, Ottawa; The Museum of Fine Arts, Houston; Denver Art Museum; Los Angeles County Museum of Art; Princeton University among others. He received an award from American Academy of Arts and Letters (2020) and received a Soros Arts Fellowship (2020). Loom, 2022 prefab children's school desks and chairs with graphite and pencil carving, 100 x 83 x 54 inches (254 x 210.8 x 137.2 cm) World Clock, 2022 monotype on paper and accumulating stacks of The New York Times installation: dimensions variable monotype: 30 x 22 1/2 inches (76.2 x 57.1 cm) The New York Times: 11 1/4 x 12 inches, each

Welcome to the next episode of NorCal and Shill today's guest is Jeff Frost. You can find him on Twitter @Jeff_Frost. His website is frostjeff.com and his Instagram is @frostjeff.Jeff uses time and sound as his two primary mediums often expressed through a number of sub mediums, including painting photography, video and installation. Frost's work has been shown at Mana Contemporary, his own Desert X installation, California Museum of Photography, Museum of Art and History, Lancaster (MOAH), Museum of Sonoma County, the Palm Springs Art Museum, the Center for European Nuclear Research (CERN), in Los Angeles International Airport, among many others.  He has won numerous awards at international film festivals, including Clarmont-Ferrand, international film festival, and ECU, the European independent film festival. He was both a producer and subject of the 2017 docu-series fire chasers. That same year, he contributed to the national geographic series One Strange Rock.In 2015, he was commissioned to create art for U2's acclaimed international tour Innocence+Experience. He has been featured in numerous publications and TV interviews, such as the New York Times, Art Forum, Art Net, National Ggeographic, PBS News Hour, Time Magazine, and American Photo. His work has been described as "celestial light paintings" by co-founder of Google earth, Chikai Ohazama.  You can find his work on SuperRare and Foundation.Links:Twitter Jeff FrostInstagramhttps://www.frostjeff.com/SuperRareFoundationVimeo Jeff Frost "Circle of Abstract Ritual"

Are Internet motorcycle forums still viable? still useful? If they are headed the way of the dodo, what is (or should) replace them? Pete talks about recreating a project bike blog (Tanshanomi.com), then we look at YouTube video channels that are both technical and entertaining. Eric has had a close look at the Desert X. Phil Reed of Ducati gave him all the details, and Eric passes them along to us. Pete's been window shopping, and trying to determine if a new bike or Can-Am Spyder is in his future. Here are YouTube channels we refer to in this episode: Paul Brodie BSA Power Set (Angus D. Campbell) Revzilla 44 Teeth Cager On Two Wheels Taylor McKenzie Missenden Flyer Lyndon Poskitt - Races 2 Places The Classic Motorcycle Channel Michael Waller - Britannia Motorcycle Mike Festiva Brian Rupnow

In this episode, join us as we discuss the inaugural Extreme E event, including our first impressions, the weekend's environmental activism, and a debate on the inclusion of the fan powered “grid play.” --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/speed-trap-pod/support

Salutations SOTAns! In the news, we discuss the findings of the recently published Art Museum Staff Demographic Survey 2018, which notes that diversity in art museum staff is *marginally* increasing. Then, the big moment is here for the project Jasa has been working on, Desert X! After two years in the making, the opening week is here. Jasa relates the experience about working behind the scenes on a biennial and highlights the unique experience of the exhibition in the desert. Sarah brings us a wonderful interview with local artist, Dakota Hoska. References: Art Museum Staff Demographic Survey 2018 “Diversity in Museum Leadership Has Marginally Increased Since 2015, New Survey Says” – Hyperallergic Desert X Dakota Hoska's Website MN Original special on Dakota Hoska from 2017 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sota/message Support this podcast: https://anchor.fm/sota/support

Greetings SOTA listeners! This week, the news and critical topic are combined in the wake of the disappearance of an installation Desert X exhibition. Vandalism and theft of public art is no uncommon occurrence when objects are placed in the public sphere and the Twin Cities has encountered these issues in recent history as well. Why even put up public art, especially temporary installations, if they're vulnerable? We then bring you an interview with local artist, Sophia Songmi, whose work approaches difficult dichotomies: the artists' identity as both Chinese and Korean, subversive media messaging and patriarchal power, and self-sacrifice versus self care. References: “Desert X Sculpture by Eric N. Mack Vanishes Under Mysterious Circumstances” – Artnews Sophia Songmi's Website --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sota/message Support this podcast: https://anchor.fm/sota/support