Podcasts about Martha Gellhorn

durée : 00:59:55 - Les Nuits de France Culture - par : Albane Penaranda, Albane Penaranda - Correspondante de guerre, Martha Gellhorn a traversé le 20e siècle en le racontant avec sa plume. En 2016, "Une vie une œuvre" dresse le portrait de cette journaliste intrépide qui fut aussi l'épouse d'Ernest Hemingway. Grâce à une archive, on entend la voix de Martha Gellhorn, enregistrée en 1983. - réalisation : Virginie Mourthé

Pilar Rubio Remiro, doctora en Historia del Arte, profundiza en esta charla en la intensa relación entre la periodista Martha Gellhorn y el escritor Ernest Hemingway, destacando su influencia en el periodismo de guerra y la narrativa del siglo XX. Explica que en las relaciones de creadores funciona más la complementariedad que la igualdad.

„Der Krieg ist aus!“ – dieser Satz fiel häufig in den letzten Kriegswochen vor 80 Jahren. Auch die amerikanische Kriegsreporterin Martha Gellhorn hat ihn notiert, als sie die Befreiung des Konzentrationslagers Dachau durch Soldaten der US-Armee miterlebte. Mit einer Lesung erinnern das Buddenbrookhaus, das Günter Grass-Haus und das Willy-Brandt-Haus gemeinsam mit dem Theater Lübeck an das Ende des Zweiten Weltkriegs in Europa vor 80 Jahren. Schauspielerinnen und Schauspieler des Theaters lesen Texte der drei Nobelpreisträger Thomas Mann, Günter Grass und Willy Brandt und weiterer Persönlichkeiten wie Martha Gellhorn, Erich Kästner oder Margret Bovari. Die Texte sind mehrheitlich Zeitdokumente von März bis Mai 1945, als Nazideutschland von den Alliierten Siegermächten befreit wurde und am 8. Mai 1945 endgültig kapitulierte. Ein Schwerpunkt der Lesung sind Zeitzeugenberichte über das Kriegsende in Lübeck. Die Lesung der SchauspielerInnen Luisa Böse und Johannes Merz vom Theater Lübeck fand am 7. Mai 2025 in Lübeck statt. Die Bundeskanzler-Willy-Brandt-Stiftung online: Webseite: www.willy-brandt.de/ Newsletter: www.willy-brandt.de/newsletter/ Instagram: www.instagram.com/bwbstiftung/ Facebook: www.facebook.com/BundeskanzlerWillyBrandtStiftung/ YouTube: www.youtube.com/@BWBStiftung Bildnachweis: ©Olaf Malzahn

Ahead of HARDtalk's closure, at the end of this month after 27 years, here's a chance to look back at some of the most memorable interviews of the programme's early years. It's an extraordinary archive featuring interviews with Donald Trump, Nelson Mandela, Nina Simone, Robin Williams and Martha Gellhorn.

Dr. Sarah Lonsdale is an accomplished journalist, author, and lecturer at City University of London. With a career spanning over three decades, Sarah has written for major newspapers, including The Observer, and has dedicated her work to uncovering untold stories—particularly those of trailblazing women in history. Her latest book, Wildly Different: How Five Women Reclaimed Nature in a Man's World, explores the lives of remarkable women who defied societal expectations to forge their own paths in the great outdoors.   In this episode, Sarah shares her journey from working as a journalist since 1988 to becoming a passionate educator and historian of women's stories. She discusses the challenges women have faced in both journalism and exploration, the importance of rewriting history to include the female perspective, and the incredible women who inspired Wildly Different.    From mountaineers and adventurers to environmental pioneers, Sarah's research sheds light on the resilience, courage, and passion of these extraordinary figures.   What to Expect in This Episode:

Todos llevamos máscaras en esta vida para intentar ocultar aquella realidad de nosotros que nos disgusta. Algunos aparentan autosuficiencia, otros buscan compasión. Unos se esconden bajo una supuesta frialdad intelectual, otros bajo un aspecto físico, o una pretendida indiferencia. Y hay quien ha desarrollado tal esquizofrenia que asume un papel diferente, según dónde o con quién se encuentre. Ciento veinticinco años después, el personaje que se hizo Ernest Hemingway (1899-1961) se sigue confundiendo con su persona. Cuando comienza a trabajar en un periódico de Kansas City, Hemingway deja de ir a la iglesia, a pesar de las recriminaciones de su madre. Comienza a escribir relatos y disfruta de la pesca, pero está obsesionado con su virilidad –siempre cuestionada por una madre que le viste de niña, como si fuera gemelo de su hermana Marcelline, mientras trata a su marido como un pelele–. El escritor intenta alejarse de ella, pero cuando tiene problemas, vuelve constantemente a buscar su ayuda, como hacía con otras figuras maternales a lo largo de su vida. Hemingway se marcha voluntario a Italia con la Cruz Roja en la Primera Guerra Mundial. Allí tiene un desengaño sentimental con una enfermera en un hospital de Milán –como los protagonistas de "Adiós a las armas"–, cuando es ingresado por una herida de mortero. En casa es recibido como un héroe, pero acaba exagerando tanto lo que allí pasó, que cuesta ya distinguir las mentiras de la realidad. No tardará en abandonar el Oak Park de su infancia, pero Oak Park nunca le abandonará a él. En este programa de radio "Al Trasluz" escuchamos fragmentos del libro "Adiós a las armas", leído por Eugenio Barona, así como escenas de la película de Richard Attenborough, "En el amor y la guerra" (1986), sobre los años de juventud del escritor. Las canciones que acompañan el relato tienen, todas ellas, relación con la historia. Cita a Hemingway: el cantante británico Chris De Burgh, nacido en Argentina y nacionalizado irlandés (It´s Me - An I´m Ready To Go 1997); la cantante de country Juice Newton (I´m Dancing As Fast As I Can 1982); así como la neoyorquina Lana del Rey (Religion 2015). La música que suena de fondo son de las bandas sonoras de la película "En el amor y la guerra" por George Fenton y la miniserie de televisión de HBO sobre Hemingway y su esposa Martha Gellhorn por Javier Navarrete, así como la suite dedicada al escritor por Bill Lorraine. El diseño sonoro, la realización y las mezclas son de Daniel Panduro, el texto y la narración de José de Segovia.

Reconocida periodista y escritora, fue la tercera esposa de Ernest Hemingway y una de las corresponsales de guerra más destacadas del s. XX. Durante la Segunda Guerra Mundial, Gellhorn se convirtió en la única mujer presente en el Desembarco de Normandía. Llegó de forma clandestina tras ocultarse en un barco hospital- Una valentía y determinación que le llevaron a cubrir en sus reportajes los eventos más cruciales del conflicto. Un legado que ha inspirado de sobremanera el periodismo de guerra. Y descubre más historias curiosas en el canal National Geographic y en Disney +. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Martha Gellhorn hat als Journalistin die großen Konflikte des 20. Jahrhunderts hautnah miterlebt. Ihre Kriegsreportagen haben Leser*innen in weiten Teilen der Welt informiert. Die Mainzer Live-Hörspielgruppe „Mienenspiel“ bringt Martha Gellhorn nun auf die Bühne.

Allied journalists parachute into France and land on the beaches with the invasion force. Legendary reporter Martha Gellhorn stows away on a ship, determined to beat her estranged husband, Ernest Hemingway, to the D-Day scoop. And a homing pigeon known as Gustav brings the first news of D-Day to Britain… A Noiser production, written by Edward White. As featured on D-Day: The Tide Turns. For ad-free listening, join Noiser+. Click the Noiser+ banner to get started with a 7-day free trial. Or, if you're on Spotify or Android, go to noiser.com/subscriptions Learn more about your ad choices. Visit podcastchoices.com/adchoices

Allied journalists parachute into France and land on the beaches with the invasion force. Legendary reporter Martha Gellhorn stows away on a ship, determined to beat her estranged husband, Ernest Hemingway, to the D-Day scoop. And a homing pigeon known as Gustav brings the first news of D-Day to Britain… A Noiser production, written by Edward White. For ad-free listening, join Noiser+. Click the Noiser+ banner to get started with a 7-day free trial. Or, if you're on Spotify or Android, go to noiser.com/subscriptions Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rosario Raro se cuela siempre con habilidad en las pequeñas y grandes historias de la Segunda Guerra Mundial. Fue así como entramos en la estación de Canfranc, y como ahora desembarcamos en Normandía con la reportera Martha Gellhorn, que colabora The Ghost Army, un ejército fantasma creado en Hollywood para engañar a los nazis. Prohibida en Normandía es una novela que nos ha encantado. Va ya por la segunda edición y comenzará su aventura internacional en Portugal. Jesús Carrasco llegó a nuestra vida gracias a Intemperie, una novela que fue recibida con un aplauso clamoroso de la crítica. El autor recuperaba el mundo rural, con una prosa original, donde se juntaban lo sencillo y lo lírico.Y el último texto que ha entregado a la imprenta es Elogio de las manos, premio Biblioteca Breve. En la sección de Audiolibros, La furia, de Alex Michaelides, al que descubrimos con una novela que nos impactó: La paciente silenciosa.Y entramos en la Librería Shakespeare and Company. Últimas recomendaciones:Libros de bolsillo, de diez euros para abajo.

fWotD Episode 2634: Ernest Hemingway Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 21 July 2024 is Ernest Hemingway.Ernest Miller Hemingway (; July 21, 1899 – July 2, 1961) was an American novelist, short-story writer and journalist. Best known for an economical, understated style that significantly influenced later 20th-century writers, he is often romanticized for his adventurous lifestyle, and outspoken and blunt public image. Most of Hemingway's works were published between the mid-1920s and mid-1950s, including seven novels, six short-story collections and two non-fiction works. His writings have become classics of American literature; he was awarded the 1954 Nobel Prize in Literature, while three of his novels, four short-story collections and three nonfiction works were published posthumously.Hemingway was raised in Oak Park, Illinois, in the Chicago area. After high school, he spent six months as a cub reporter for The Kansas City Star before enlisting in the Red Cross. He served as an ambulance driver on the Italian Front in World War I and was seriously wounded in 1918. His wartime experiences formed the basis for his 1929 novel A Farewell to Arms. He married Hadley Richardson in 1921, the first of four wives. They moved to Paris where he worked as a foreign correspondent for the Toronto Star and fell under the influence of the modernist writers and artists of the 1920s' "Lost Generation" expatriate community. His debut novel The Sun Also Rises was published in 1926.He divorced Richardson in 1927 and married Pauline Pfeiffer. They divorced after he returned from the Spanish Civil War, where he had worked as a journalist and which formed the basis for his 1940 novel For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940. He and Gellhorn separated after he met Mary Welsh in London during World War II. Hemingway was present with Allied troops as a journalist at the Normandy landings and the liberation of Paris. He maintained permanent residences in Key West, Florida, in the 1930s and in Cuba in the 1940s and 1950s. On a 1954 trip to Africa, he was seriously injured in two plane accidents on successive days, leaving him in pain and ill health for much of the rest of his life. In 1959 he bought a house in Ketchum, Idaho, where, on July 2, 1961, he shot himself in the head.This recording reflects the Wikipedia text as of 00:03 UTC on Sunday, 21 July 2024.For the full current version of the article, see Ernest Hemingway on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Matthew.

durée : 00:59:55 - Les Nuits de France Culture - par : Albane Penaranda, Albane Penaranda - Correspondante de guerre, Martha Gellhorn a traversé le 20e siècle en le racontant avec sa plume. En 2016, "Une vie une œuvre" dresse le portrait de cette journaliste intrépide qui fut aussi l'épouse d'Ernest Hemingway. Grâce à une archive, on entend la voix de Martha Gellhorn, enregistrée en 1983. - réalisation : Virginie Mourthé

durée : 00:59:53 - Les Nuits de France Culture - par : Albane Penaranda - Correspondante de guerre, Martha Gellhorn a traversé le 20e siècle en le racontant avec sa plume. En 2016, "Une vie une œuvre" dresse le portrait de cette journaliste intrépide qui fut aussi l'épouse d'Ernest Hemingway. Grâce à une archive, on entend la voix de Martha Gellhorn, enregistrée en 1983.

80 ans après le Débarquement des alliés en Normandie, le 6 juin 1944, ce D-Day qui allait permettre la victoire sur les Nazis, c'est l'heure des hommages pour les derniers survivants, des vétérans pour certains plus que centenaires. 150 000 hommes ont débarqué, Américains, Canadiens et Britanniques. Et une femme, la journaliste américaine Martha Gellhorn. À l'arrière, c'était autre chose.  À l'arrière, les femmes ont joué un rôle crucialAvant les années 2000, elles n'étaient pas autorisées à combattre dans l'armée britannique. Mais pour le Jour J, elles ont travaillé sur le renseignement, les écoutes, la logistique. C'est le reportage de notre correspondante à Londres, Marie Billon.1984,  2014,  2024, trois célébrations du D-Day, trois significations Le 6 juin, une date emblématique, un marqueur comme on dit dans l'Histoire de France. Ce récit national et international est placé aujourd'hui sous le signe de la présence du président ukrainien Volodymyr Zelensky et de l'absence du président russe Vladimir Poutine. On retrouve l'historien du fait guerrier Stéphane Audoin-Rouzeau, directeur d'étude à l'École des Hautes Études en Sciences Sociales. Que disent ces célébrations sur l'état du monde ?Un rival d'Orban en campagne en Hongrie Et ces célébrations du D-Day interviennent tout juste quelques jours avant les élections européennes. On annonce déjà une vague brune pour ce scrutin, avec la montée en puissance des partis populistes et d'extrême droite. En Hongrie, c'est une surprise d'une toute autre nature qui s'invite dans la campagne. Le parti nationaliste du Premier ministre Viktor Orban est défié par un ancien cadre du Fidesz Peter Magyar. Il promet d'en finir avec la corruption et d'apporter plus de démocratie. Les sondages lui accordent 20 à 25% d'intention de vote. Anastasia Becchio l'a suivi en campagne sur les rives du lac Balaton.

80 ans après le Débarquement des alliés en Normandie, le 6 juin 1944, ce D-Day qui allait permettre la victoire sur les Nazis, c'est l'heure des hommages pour les derniers survivants, des vétérans pour certains plus que centenaires. 150 000 hommes ont débarqué, Américains, Canadiens et Britanniques. Et une femme, la journaliste américaine Martha Gellhorn. À l'arrière, c'était autre chose.  À l'arrière, les femmes ont joué un rôle crucialAvant les années 2000, elles n'étaient pas autorisées à combattre dans l'armée britannique. Mais pour le Jour J, elles ont travaillé sur le renseignement, les écoutes, la logistique. C'est le reportage de notre correspondante à Londres, Marie Billon.1984,  2014,  2024, trois célébrations du D-Day, trois significations Le 6 juin, une date emblématique, un marqueur comme on dit dans l'Histoire de France. Ce récit national et international est placé aujourd'hui sous le signe de la présence du président ukrainien Volodymyr Zelensky et de l'absence du président russe Vladimir Poutine. On retrouve l'historien du fait guerrier Stéphane Audoin-Rouzeau, directeur d'étude à l'École des Hautes Études en Sciences Sociales. Que disent ces célébrations sur l'état du monde ?Un rival d'Orban en campagne en Hongrie Et ces célébrations du D-Day interviennent tout juste quelques jours avant les élections européennes. On annonce déjà une vague brune pour ce scrutin, avec la montée en puissance des partis populistes et d'extrême droite. En Hongrie, c'est une surprise d'une toute autre nature qui s'invite dans la campagne. Le parti nationaliste du Premier ministre Viktor Orban est défié par un ancien cadre du Fidesz Peter Magyar. Il promet d'en finir avec la corruption et d'apporter plus de démocratie. Les sondages lui accordent 20 à 25% d'intention de vote. Anastasia Becchio l'a suivi en campagne sur les rives du lac Balaton.

En `Prohibida Normandía´ la escritora Rosario Raro nos cuenta la aventura que vivió Martha Gellhorm, la única mujer corresponsal de guerra que logró llegar a Normandía, al intentar cubrir el Desembarco en las playas de Francia, cuando las mujeres lo tenían prohibido. "Ella estaba muy convencida de la función social del periodismo y sobre todo en los conflictos armados". "No la perdonaron que contara que más de 30.000 civiles franceses murieran bajo las bombas de los aliados". 

Sur les 150.000 hommes qui ont débarqué, il y avait une seule femme, une passagère clandestine cachée sur un navire-hôpital car les stratèges en avaient décidé ainsi. Elle s'appelait Martha Gellhorn, elle était grand reporter au magazine américain Collier's et c'était la femme... d'Ernest Hemingway ! Du lundi au vendredi, Lorànt Deutsch vous donne rendez-vous dans la matinale de RTL. Chaque jour, l'animateur de "Entrez dans l'histoire" revient sur ces grands moments qui ont façonné notre pays.

The Spanish Civil War was a brutal and maddeningly complex historical event, with enormous repercussions on Ernest Hemingway's life and career. To guide us through the many moving parts and frayed relationships, we welcome back Amanda Vaill to One True Podcast. Vaill's essential book, Hotel Florida: Truth, Love, and Death in the Spanish Civil War, guides us through the events of the war, including the private adventures of Hemingway, Martha Gellhorn, John Dos Passos, Robert Capa, Gerda Taro, and more. We discuss what the war meant to Hemingway and his writing that would follow, and how many of his relationships would never be the same. 

Cuando se cumplen 80 años del 'Día D' en Normandía, la escritora Rosario Raro propone en su nueva novela un prisma distinto de este episodio que certificó el curso definitivo de la Segunda Guerra Mundial: el de Martha Gellhorn, reportera de guerra y única mujer que participó en el desembarco.

This episode will focus on the Spanish Civil War and how one particular incident – the murder of accused Fascist spy José Robles – ruptured the relationship between Ernest Hemingway and John Dos Passos.To sort out the many moving parts to this chapter of Hemingway's life, we welcome Stephen Koch, the author of The Breaking Point: Hemingway, Dos Passos, and the Murder of José Robles. Koch takes us through the complicated relationship between Hemingway and Dos Passos, what ended it, and how it ended. Koch also explores Robles's role in Spain, Martha Gellhorn's presence, and the legacy of this intricate web of relationships.Join us as we discuss Hemingway, Dos Passos, and the Robles Affair!

Have you ever thought what it would be like to jump on a plane in a war zone? Not sure if you'll be blown out of the sky or not? Would fear stop you, or propel you? Join Emily Brandenburg as she takes a look at the life of Martha Gellhorn, who was one of the first female war correspondents of the 20th century.    To support this podcast, please consider leaving a 5-star review, sharing on social media, or buying Emily a cup of coffee. Your support is what keeps this podcast going!   Sources: Bio of Martha Gellhorn Sailing from San Francisco to Honolulu China in 1941   Don't forget to follow Emily on Instagram @ebdesignagency    

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before email, when long distance telephone calls were difficult and expensive, people wrote letters, often several each day. Today, those letters provide an intimate and revealing look at the lives and loves of the people who wrote them. When the author is a brilliant writer who lived an exciting, eventful life, the letters are especially interesting. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupéry, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always: Martha Gellhorn's Letters of Love and War 1930-1949 (Firefly Books, 2022) is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's fiction of the time sold well: The Trouble I've Seen (1936) -- her Depression-Era stories based on the FERA activities, with an introduction by H.G. Wells; A Stricken Field (1940) -- a novel inspired by the German-Jewish refugee crisis and set in 1938 Czechoslovakia; The Heart of Another (1941) -- stories edited by Maxwell Perkins; and The Wine of Astonishment (1948) -- her novel about the liberation of Dachau, which she reported for Collier's. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of "the people who were the sufferers of history." Renewed interest in her life makes this new collection, packed with newly discovered letters and pictures, fascinating reading. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Vom Spanischen Bürgerkrieg 1936 bis zur amerikanischen Invasion in Panama 1989: Die Amerikanerin Martha Gellhorn begleitete als Kriegsreporterin die großen militärischen Konflikte des 20. Jahrhunderts. Inmitten von Grauen, Tod und Elend zwang sie sich hinzusehen und zu berichten - nicht von Heldentaten an der Front, sondern darüber, was Krieg im Leben der einfachen Leute anrichtete.

EPISODE 1636: In this KEEN ON show, Andrew talks to Brooke Kroeger, author of UNDAUNTED, about how fearless women like Ida Wells, Martha Gellhorn and Joan Didion changed American journalism Brooke Kroeger is a journalist, professor emerita at NYU, and the author of six books, the latest of which is Undaunted: How Women Changed American Journalism, published by A.A. Knopf in May 2023. It explores how women have fared in American journalism's most competitive and highly valued bastions, the ones men have dominated in the 180 years since mass media began. Her earlier books are Nellie Bly: Daredevil, Reporter, Feminist (1994, an NPR Best Books of the Year); Fannie: The Talent for Success of Writer Fannie Hurst (1998, a St. Louis Post-Dispatch Best Books of the Year); Passing: When People Can't Be Who They Are (2003, a Post-Dispatch Best Books of the Year); Undercover Reporting: The Truth About Deception (2012, finalist, Frank Luther Mott/Kappa Tau Alpha Research Award of the American Journalism Historians Association), and The Suffragents: How Women Used Men to Get the Vote (Gold Medal in US History in the 2018 Independent Publisher Book Awards and a finalist for the 2018 Sally and Morris Lasky Prize of the Center for Political History.) Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Voces como la de la corresponsal americana, Martha Gellhorn o la del escritor Miguel de Unamuno dieron voz al conflicto que arrancó el 17 de julio de 1936 con la sublevación militar contra la Segunda República

On this episode, Andrew chats with director Luzia Schmid about her stunning documentary Trained to See, which is screening at the Castlemaine Documentary Film Festival. It will launch at the in person screening on June 17, with online sessions available to everyone in Australia afterwards. Trained to See tells the story of three American women journalists - Martha Gellhorn, Lee Miller, and Margaret Bourke-White - who each documented the Second World War in a fearless manner, putting themselves on the front line to capture their stories. Throughout Trained to See, we hear their stories from correspondence and journals that they kept during the period, and ultimately get to see the difficulties they faced as the power of misogyny arose during the war. This is both a powerful and engaging film, and is one of the finest archival documentaries of the year. As mentioned, Trained to See is available to watch for Australian audiences via CDocFF.com.au, alongside other great films including the brilliant football-focused documentary Equal the Contest, directed by Mitch Nivalis, and tells about their journey to push for equality in Aussie football. Other films available to watch online are Watandar My Countryman, The Thief Collector, Into the Ice, Weed & Wine, and Young Plato. For more information about the Castlemaine Documentary Film Festival, read interviews with Mitch Nivalis and Festival Director Claire Jager, and read Nadine's review of Trained to See here. See omnystudio.com/listener for privacy information.

On this episode, Andrew chats with director Luzia Schmid about her stunning documentary Trained to See, which is screening at the Castlemaine Documentary Film Festival. It will launch at the in person screening on June 17, with online sessions available to everyone in Australia afterwards. Trained to See tells the story of three American women journalists - Martha Gellhorn, Lee Miller, and Margaret Bourke-White - who each documented the Second World War in a fearless manner, putting themselves on the front line to capture their stories. Throughout Trained to See, we hear their stories from correspondence and journals that they kept during the period, and ultimately get to see the difficulties they faced as the power of misogyny arose during the war. This is both a powerful and engaging film, and is one of the finest archival documentaries of the year. As mentioned, Trained to See is available to watch for Australian audiences via CDocFF.com.au, alongside other great films including the brilliant football-focused documentary Equal the Contest, directed by Mitch Nivalis, and tells about their journey to push for equality in Aussie football. Other films available to watch online are Watandar My Countryman, The Thief Collector, Into the Ice, Weed & Wine, and Young Plato. For more information about the Castlemaine Documentary Film Festival, read interviews with Mitch Nivalis and Festival Director Claire Jager, and read Nadine's review of Trained to See here.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Heather and Joanne discuss the increased visibility–and resultant online abuse–of women journalists in 2023, and reflect on four pioneering voices: Anne Royall, Martha Gellhorn, Ethel Payne, and Lisa Olson. What barriers have American women climbed over to have a voice in reporting the nation's news?  Join CAFE Insider to listen to “Backstage,” where Heather and Joanne chat each week about the anecdotes and ideas that formed the episode. Head to: cafe.com/history Listen to “Up Against The Mob: The Springfield Crew”: apple.co/3x4sgYj For more historical analysis of current events, sign up for the free weekly CAFE Brief newsletter, featuring Time Machine, a weekly article that dives into an historical event inspired by each episode of Now & Then: cafe.com/brief For references & supplemental materials, head to: cafe.com/now-and-then/women-journalists-and-their-fight-to-be-heard/ Now & Then is presented by CAFE and the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jacke talks to "serial biographer" Carl Rollyson about his new two-volume biography of William Faulkner, The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (Volume 1) and The Life of William Faulkner: This Alarming Paradox, 1935-1962 (Volume 2). CARL ROLLYSON, Professor of Journalism at Baruch College, The City University of New York, has published more than forty books ranging in subject matter from biographies of Marilyn Monroe, Lillian Hellman, Martha Gellhorn, Norman Mailer, Rebecca West, Susan Sontag, and Jill Craigie to studies of American culture, genealogy, children's biography, film, and literary criticism. Additional listening suggestions: William Faulkner - A Rose for Emily William Faulkner - Dry September Baldwin v. Faulkner Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the latest episode of the Hatchards podcast our guest was the historian Sarah Watling, author of Tomorrow Perhaps the Future, an enthralling group biography of a handful of female writers and rebels who aided the Republican side in the Spanish Civil War during the 1930s.Nancy Cunard, Sylvia Townsend Warner, Martha Gellhorn, Gerda Taro and Josephine Herbst – among others – all felt compelled, to varying degrees, to aid the spirited but ultimately doomed defence against Franco's fascist regime. But what was it about this particular conflict – more so than most others in history – that prompted such widespread and fierce solidarity from the outside? And what kind of legacy did the war leave on these women who travelled to a war zone and risked their lives for a cause they felt morally compelled to support?We spoke to Sarah about the role of the writer in war; explored some of the fascinating personalities featured within her book – most notably the pioneering American journalist Martha Gellhorn; the Spanish Civil War in the popular imagination, and why it is so stubbornly synonymous with just a handful of famous men; parallels between the war in Spain and contemporary causes such as the Ukraine war and Black Lives Matter; and whether or not Nancy Cunard would be an entertaining or insufferable presence on Twitter.Tomorrow Perhaps the Future was published by Vintage on February 9 and is available from Hatchards.co.uk as well as our shops on Piccadilly, at St. Pancras Station and in Cheltenham.

In the summer of 1936, Spain descended into a brutal civil war between its democratically elected government and a nationalist insurgency led by General Francisco Franco. Sarah Watling tells Jon Bauckham about the fearless female writers and activists who joined the fight against Franco and sought to alert the world to Spain's plight – from famed journalist Martha Gellhorn to nursing pioneer Salaria Kea. (Ad) Sarah Watling is the author of Tomorrow Perhaps the Future: Following Writers and Rebels in the Spanish Civil War (Vintage, 2023). Buy it now from Amazon: https://www.amazon.co.uk/Tomorrow-Perhaps-Future-Following-Writers/dp/1787332403/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty Hosted on Acast. See acast.com/privacy for more information.

(Bonus) Martha Ellis Gellhorn (8 November 1908 – 15 February 1998) was an American novelist, travel writer, and journalist who is considered one of the great war correspondents of the 20th century. Gellhorn reported on virtually every major world conflict that took place during her 60-year career. She was also the third wife of American novelist Ernest Hemingway, from 1940 to 1945. She died in 1998 by apparent suicide at the age of 89, ill and almost completely blind. The Martha Gellhorn Prize for Journalism is named after her.

In this live interview from the 19th Biennial Hemingway Society Conference in Sheridan, Wyoming, we talk with John Sutton and Chris Warren about Hemingway's summers spent in Wyoming and Montana and how his experiences in the American West left their mark on his stories and novels.John Sutton is the director of the NEH “Creating Humanities Communities along Wyoming's Hemingway Highway” Grant project. Chris Warren is the author of Ernest Hemingway in the Yellowstone High Country.During this interview, we explore the lack of critical attention on Hemingway's time in this part of the U.S.; friendships he made (and the friends he invited) out west; his likening of Wyoming to Spain, and Spain to Africa; key locations, such as Spear-O-Wigwam, L Bar T,  Pilot, Index, and much more; and, of course, numerous novels and stories, including A Farewell to Arms, For Whom the Bell Tolls, "The Gambler, the Nun, and the Radio," and "A Man of the World."  

In the lead-up to the Hemingway Society conference in Wyoming and Montana, we welcome Darla Worden to explore some fascinating connections between Hemingway and the American West.Worden is the author of the book Cockeyed Happy: Ernest Hemingway's Wyoming Summers with Pauline. She's also the founder and director of the Left Bank Writers Retreat in Paris and the Wyoming Writers Retreat. Although we may not associate Hemingway with the American West, Worden describes the importance of Hemingway's summers in Wyoming in the late 20s and 30s, his writing of A Farewell to Arms, his time with his second wife Pauline, and his love of the outdoors. Worden uses these Wyoming days to examine Hemingway's evolving persona, the complexities of his marriage and fatherhood, and the way Wyoming factors into his fiction. We even get the chance to discuss the obscure story from Winner Take Nothing, "Wine of Wyoming"!

In which guest host Tony tells the story of Martha Gellhorn, the only woman at D-Day and her nearly 70 years covering global conflicts, Phil talks about the importance of seizing opportunity, and we have our first every bird interruption on the podcast. You can support or become a member of History's B-Side here: https://historysbside.com/support