Podcasts about painting pictures

Before my wife traveled to Zimbabwe recently, we sat at the dinner table one night chatting, and she said she felt some type of way about going home. Not dread exactly. Not simple excitement either. Something more tangled. Love and distance sitting next to each other, both equally true, both equally present.I understood exactly what she meant. That mix of longing and apprehension. Wanting to go and wanting to have already left. Missing home while wanting to keep the distance.We talked for a long time that evening, circling around something we both knew but struggled to name. The conversation kept returning to the same uncomfortable truth: home doesn't feel the same anymore. Not really. Not in the way we used to fit there, effortlessly, without thinking about it.We love the place we come from: Bulawayo. I miss it in ways that surprise me, in the middle of ordinary days when I'm doing something completely unrelated and suddenly the longing hits like a physical thing in my chest. But loving a place and fitting in it aren't the same thing. We're learning that the hard way.Maybe you know this feeling too. That pull toward home that sits alongside a quiet dread. The way you count down to a visit with genuine excitement and genuine anxiety living in the same breath. The strange guilt of missing a place while simultaneously knowing you can't stay there long. If you've felt this, if you've tried to explain it to someone and watched your words fail to capture the complexity, this is for you. Not to fix the tension but to name it. To give you language for what you already know inside but can't quite say out loud.I love reading fantasy. Right now I'm working through The Wheel of Time by Robert Jordan. It's a long series. Fourteen books. Epic in every sense of the word. While on a walk yesterday, I finished Book Five (I was listening to the audiobook) and as I was reflecting on what I had just experienced, that conversation with my wife came back to me and wouldn't leave because I'd found something that explains the feelings we were having.The story of the Wheel of Time follows a group of young people from a farming region called the Two Rivers. Small, quiet place. Everyone knows everyone. But they're forced to leave the Two Rivers to go on an epic adventure. One of them, Rand, discovers he's the prophesied Dragon Reborn. By Book Five, he's learned to channel immense power that could level cities if he loses control. He's seen wonders and horrors that no one from the Two Rivers could imagine. He's made choices that ripple across nations, decisions that affect the lives of thousands of people he'll never meet. He carries the weight of the world now. Literally.As I reflected on the ending of book five, the thought that was stuck on my mind is that there's no way Rand could go back to the Two Rivers and fit in anymore. He's become too big for it. The shape of his life has changed so fundamentally that the old mould can't hold him anymore.While I haven't quite gone on an epic adventure of world-changing proportions, I know that feeling. I live in it.There's a saying in isiNdebele. ‘Ukuhamba kuzal' inkosi,' which translates to ‘Traveling gives birth to kings.' When I was a boy, I thought it meant wealth and status. Kings as men with big houses and German cars that never break down and people who never stand in line at the bank. Now I know it means something quieter and heavier and harder to explain to someone who hasn't felt it. Travel enlarges you. It stretches the borders of who you are and what you can see and how you understand the world. And once you expand like that, you can't shrink back to your old size. Not without incurring a cost, anyway. The box that used to hold you comfortably now feels too small.Bulawayo raised me well. The city gave me a lot I needed to become who I am. It was a good childhood. A happy one. I have many fond memories.During the week after school, I rode bikes with friends. We were a small gang of boys, and we ruled our little corner of the world with the absolute certainty of children who don't know yet how small their kingdom is. We wandered the suburbs exploring. Down streets we weren't supposed to go down. Into yards we weren't supposed to enter. We walked kilometers and kilometers without thinking about it, without getting tired, just moving for the sake of moving and seeing what was around the next corner. Then we had to rush back to be home by six. That was the rule. Six o'clock before parents returned from work. We came back with dust up to our knees. Thick white dust that got into everything. You had to wash your legs before getting into the house. Rinse off all that evidence of your adventures before you were allowed to sit on the sofas or walk on the clean floors.If I was hanging out at a friend's house around mealtime, I'd be counted in automatically. No one asked if you'd eaten or if you were hungry. You were there so you were fed. The same isitshwala and mbida at every table, part of the shared life.Back then, every adult was your parent. In theory and in practice. If you were doing something you shouldn't be doing, any adult could correct you, and you accepted it because that was just how things worked. You knew all your neighbors. Not just their names but their business, their struggles, their joys.It was a small world. Homogeneous in ways I didn't realise then. We were all black. Almost all Ndebele. We all went to the same types of schools and the same types of churches. Our parents were teachers or nurses or clerks or government workers. Solid middle class or aspiring to it. We had the same references, the same jokes, the same understanding of how the world worked. Everyone fit the same basic mold with only minor variations.But it was the whole world. It was all I knew, and all I needed to know. The edges of that world felt far away, theoretical, not something I'd ever actually reach.Then I left.School finished. I worked for a few years. Opportunities appeared. I went to South Africa first. Then eventually moved to London. Each move feeling necessary at the time, practical, the obvious next step.But those moves weren't just geographic. They weren't just about changing addresses or learning new streets. They changed something fundamental to how I saw the world and my place in it.South Africa was the first crack in the homogeneity. Suddenly I was surrounded by people who weren't like me. They spoke different languages, practiced different religions, came from different economic realities entirely. I met some who grew up so poor that my middle-class Bulawayo childhood looked like luxury to them. I met others who grew up so wealthy they genuinely didn't understand what it meant to worry about money.I remember the first time I met someone who'd never been to church, who hadn't grown up with any religion at all. It broke something in my brain in a necessary way. In Bulawayo, you could assume everyone was Christian. Even people who didn't go to church regularly, even people who weren't particularly devout, still operated within a Christian framework. They knew the stories, the references, the basic moral architecture. But here was someone who didn't. Who saw the world through a completely different lens. Who'd built their ethics and their understanding of meaning from completely different materials.And there were people. A whole community of people who became our people for that season. We found a group of friends in South Africa who felt like our tribe. Like the kind of connection that happens once in a lifetime and surely lasts forever. We took trips together. Long road trips filled with singing and food and getting lost, but it didn't matter because getting lost was part of the adventure. We sang together at different churches, our voices finding harmonies that felt like something bigger than any of us individually. Sunday afternoons that stretched into evenings, having a braai at someone's house, talking about everything and nothing.It felt permanent. That's something you come to discover about these seasons. They feel permanent while you're in them. You can't imagine a version of your life where these people aren't central to it. This is our community. These are our people. This beautiful thing we've built together, it's going to last.It didn't. When we visit South Africa now, we sometimes see them. The friends from that season. We meet for coffee or dinner, and the warmth is real. The love is still there. But something has shifted. They've moved on to new things, new communities, new versions of themselves. We have too. We talk about the old days with affection and nostalgia, but we can't recreate them. Those people still exist, but that community doesn't. It served its purpose for that time and then it dissolved, the way morning mist dissolves when the sun gets high enough.That dissolution used to hurt more than it does now. The first time I really felt a community come apart, I fought it. I thought if we just tried harder, stayed more connected, made more effort, we could keep it alive. But communities aren't just about effort. They're about season and proximity and shared purpose and a thousand other factors that shift whether you want them to or not. Some relationships endure beyond the community. Those ones you carry with you, fold into the next chapter, hold on to across distance and time. But the community itself, that specific configuration of people in that specific place at that specific time, it has a lifespan.Then London. London has been something else entirely. A city so large and so diverse that you could live here for years and still only scratch the surface of it. On the Tube, you could hear ten different languages from five different countries between Baker Street and Paddington. At work, I collaborate with people from every continent, every background you can imagine. People who pray five times a day. People who have never prayed in their lives. People whose parents own businesses that span countries. People whose childhoods included winters that got to -40 degrees Celsius.Each of these encounters did something to me. Stretched me. Challenged assumptions I didn't know I was making. Showed me that the way I grew up wasn't the only way, wasn't the default, was just one option among infinite possibilities.And once you see that, once you really internalize it, you can't go back to thinking your small corner is the whole world. The box expands. The borders move. You become larger than you were.And here too, in London, we found people. Different people. A new community. We're part of something now that feels good and right and like it might last forever. Except we've been here before. We know how this goes. We can feel it already, the subtle shift. Not everyone at the same pace. Some people moving toward different things. The community is still beautiful, still real, but we're not at the apex anymore. We're on the other side of the hill. The slow, inevitable drift has begun. Now I'm learning to hold these dissolutions with more grace. To honor what was without demanding it last forever. To let the community be beautiful for its season and then let it go when the season ends. To trust that the next place will have its own people, its own version of belonging, its own sweet spot before it too shifts into something else.When I visit Bulawayo now, I aim for a sweet spot. Two weeks maximum. Week one is pure delight. Landing at the airport and stepping out into that heat that hits you like a wall. The heat in London is never like that. It's never this specific, this thick, this full of dust and sun and something else I can't name but would recognize anywhere. The air smells different. Feels different on your skin.People light up when they see you. Literally, like you're returning from war. Someone will say you look darker or lighter depending on their mood and the light. Someone will inspect you closely and declare you've gained weight or lost weight, both said with the same mix of concern and approval.You greet everyone. That's important. You have to get it right, or the elders will talk about how you've lost your manners overseas.The first morning you wake up early. Not because you set an alarm but because your body hasn't adjusted to the time and also because the sounds are different. Birds are singing in the trees at five in the morning. A rooster somewhere in the distance, because even in the city people rear their own chickens. The neighborhood waking up with its own particular rhythm.You take the long way to buy bread. You don't need to, but you do it anyway because you want to pass that corner where you used to meet up. You want to see if the tree's still there, if the wall still has that crack in it, if the world has stayed the same in your absence. Mostly it has.Friends come by. Friends you haven't seen in years but who fall back into conversation with you like no time has passed. You laugh from the belly about stupid things you did as kids. Remember that time when. Remember when we. The stories get better each time you tell them, embellished with time and distance and affection.For those first few days, it's all warmth. All belonging. You fit into the spaces you left behind like a hand sliding into a familiar glove. You belong to this place, and this place belongs to you. You could live here again. Of course, you could. How did you ever leave?Week two rolls in. There's no clear boundary, no moment when you can point and say here, this is where it shifted. It creeps in at the edges.At first, it's just a small tug. A quiet discomfort you can't quite name. The streets feel narrower somehow. Conversations start to loop back on themselves. The government, and power cuts, and the same stories about the same old people making the same choices. You've heard these stories before. You'll hear them again tomorrow. You still love the food. The braai meat, isitshwala, the texture of it in your fingers, the way it fills you differently than anything you eat in London. Smoke in your eyes. It's perfect. It's home.But by midweek, something else is present too. You can feel the box. The box has walls. The walls are closer than they used to be. Topics you can't discuss because they're too far outside the shared frame of reference. Questions you don't ask because you know the answer will just confirm the gap. You start to notice all the ways you've changed and they haven't, or they've changed and you haven't, or you've both changed but in different directions and now you're standing on opposite sides of a distance that love can't fully bridge.You start counting days. Six more. Five more. By the weekend, the sweetness is gone entirely. If you stay longer, nostalgia curdles into something else. Ache. Then impatience. Then a version of yourself you don't like. Complaining about everything. Feeling trapped in a place you're choosing to be.I've learned to leave before I sour. Before I start resenting the place I love. Before the people who love me start to see that restless part of me that can't settle.This is the pattern we've learned. Most times when that longing for home hits us, we go as far as South Africa instead of all the way to Zimbabwe. Not to meet family necessarily. That's not the main driver. We go to satisfy the ache without fully committing. To dip our toes in the water of home without diving all the way in.Because South Africa occupies this interesting middle space for us. It was the first place that loosened the homogeneity we grew up with. The first place where difference sat next to you on the taxi without anyone making a scene about it. People from everywhere. Accents from all over the continent and beyond stacking on top of each other. The people at the mall looking like a map of the world. Languages switching mid-sentence. Different ways of being existing side by side.It's bigger than Bulawayo. It breathes. It has room for multiplicity, for variation, for people who don't fit the standard mold. We can taste home there, catch the flavor of it in the accents and the food and the mannerisms, without feeling the walls close in quite as fast. We can last longer. Three weeks. Sometimes a month. Before the sweet spot ends and the confinement begins again.This is the part I struggle to explain to people back home. From their perspective, it can look like pride. Like we think we're better because we live overseas now. You think you're too good for us. That's the unspoken accusation, sometimes the spoken one.But it's not that. I wish it were that simple because then I could just correct my attitude and everything would be fine. It's not about better or worse. It's about geometry. About shape and fit. The shape of my life has changed. The container that used to hold it comfortably can't hold it anymore. Not because the container is bad or small or insufficient. Because I'm different. I've been poured into a larger mold and set there, and now I've hardened into a new shape.How do you explain that to someone who hasn't experienced it? There's a song by Sara Groves called “Painting Pictures of Egypt.” She sings: “And the places I long for the most are the places where I've been. They are calling out to me like a long-lost friend.”I feel that deeply. The places I long for most are the places where I've been. Bulawayo calls to me. South Africa calls to me. Not as they are now but as they were when I fit in them, when I belonged without question. Not just the places but the people. The communities that formed and felt permanent and then dissolved like they were never supposed to last at all.The song goes on: “And I want to go back, but the places they used to fit me cannot hold the things I've learned.”And there it is. The whole ache in two lines. I want to go back. The longing is real and deep and constant. But the places that used to fit me can't hold the things I've learned. Can't contain what I've seen. Can't accommodate who I've become. And the communities that once held me can't reform because we've all become different shapes, traveling different roads, even if we still carry affection for what we once had together.And then this line, the one that really gets me: “I am caught between the promise and the things I know.”Between the past and what's coming. Between what was and what might be. Between the comfort of the known and the pull of the unknown. Between the place I came from and the person I'm becoming. Between the communities that were and the ones that might yet be.That's where I live now. In that caught-between space.London is not home. Not yet. Maybe not ever in the way Bulawayo was home when I was a boy, and home meant the place where you belonged without having to think about it.Some days it feels like it might become home. Days when the city reveals some new corner, some unexpected beauty. Other days, it feels completely foreign. Like you're an actor playing a role, always slightly outside yourself.I have small rituals that stitch a sense of belonging in it. A particular bench in a park where the light falls a certain way in the afternoon and I sit and listen to my book. The Turkish restaurant where I order the same thing every time. A church where the singing rises in a way that feels like worship, even if it's not the four-part harmony I'm used to.So, I pack Bulawayo into my pockets and carry it with me. A proverb that surfaces when I need it. A recipe I recreate in a kitchen thousands of miles away that never quite tastes right, but it's close enough. The cadence that returns to my voice when I'm tired, the way I spoke when I was young, slipping through. I carry South Africa in my stride. That wider breath, that willingness to occupy space without apologizing. And I carry the people from there who still reach across distance, who check in, who remember. Not the whole community, but the threads that endured.I'm learning to be in many places at once without being torn apart by it. To hold multiple identities without having them collapse. To accept that communities form and dissolve and that's not failure, that's just the rhythm of a life lived across many places. It's exhausting. The constant negotiation, the code-switching, always standing at the border between worlds. Always saying goodbye to communities that felt permanent, always starting over with new people, always carrying the grief of what dissolved and the hope that this next thing might last. But it's also rich. I see things people who've only lived in one place can't see. I understand multiplicity in a way that only comes from living it.Frodo saves the Shire in The Lord of the Rings. He endures everything to protect it, to make it possible for hobbits to keep living their simple comfortable lives. He succeeds. He returns. The Shire is saved.But he can't live there anymore. The hearth is warm, but he feels cold in a way that no fire can touch. His friends celebrate and feast and marry and settle into peace, and he can't join them. Not really. He can be physically present, but he's not there the way he used to be there. The journey has marked him too deeply. It has changed him in ways that can't be undone.So eventually he leaves. Gets on a ship and sails away to a place where the changed and the marked and the unbelonging go. It's not defeat exactly. It's just honesty. An acknowledgment that some transformations are irreversible.I think about that a lot. About irreversible transformations. About the ways we save the places we love by becoming people who can no longer fully inhabit them. About how we form communities that feel eternal and then watch them dissolve, not because anyone did anything wrong but because that's what communities do when the season changes.This hits especially close to home for so many people I know. My friends who left Zimbabwe. My friends here in London. Most of us didn't leave for adventure or curiosity. We left for survival. For opportunity. To earn enough to support families back home. To pay the black tax. The responsibility to send money home.But here's the cruel irony: the places that pay you enough to save home are the same places that change you so fundamentally you can't fit back home anymore. You see different ways of life, meet people with different values, and form new reference points. Your frame of reference expands. Your assumptions shift. The way you think about time, about work, about what's possible - it all changes. Until one day you go back and realise you can no longer inhabit the place you're saving.The tax isn't just the money you send back. It's the piece of belonging you trade away to earn that money. You can't have both. If traveling makes kings, it also makes exiles. That's the part the proverb doesn't say out loud, but it's there in the subtext if you know how to look.The crown is vision. The ability to see farther, to connect dots across greater distances, to understand complexity and multiplicity and nuance. That's the gift. That's what you gain.The exile is the cost. You belong less easily. Home becomes complicated. The borders that used to feel solid and protecting now feel like walls that are too close, too rigid, too confining. Communities that felt permanent reveal themselves to be temporary. Relationships that seemed unshakeable shift when distance enters the equation. You can't unknow what you know. You can't unsee what you've seen. You can't shrink back down to fit in the space that used to hold you perfectly.That's freedom in one sense. You're not limited to one way of being, one way of seeing. The world is larger for you than it is for people who never left. It's also grief. Deep and ongoing grief for the simpler version of yourself who fit so neatly, for the belonging you can never quite reclaim, for the communities that dissolved, leaving only the sweetness of memory.I'm learning to let the freedom expand me and let the grief soften me and somehow keep both happening at the same time. It's not easy. Some days I do it better than others.I don't aim to fit perfectly anywhere now. I think I'm done with that as a goal.Could I go back if I had to? Yes. Humans are adaptable. Some people I know found middle grounds I didn't - stayed closer to home while still expanding, or settled in nearer countries where the distance isn't quite so far. Given enough time and necessity, I could reform myself to fit the old mould. But I'd have to make myself smaller. I'd have to let go of all those other places I've seen, those other ways of being or carry them silently, never speaking about them, living in permanent longing. Before circumstances force me to shrink back down, I'm choosing to honor the new shape I've become. To carry multiple homes instead of fitting completely in one.Perfection was an illusion anyway. It only felt perfect because my world was small enough that I couldn't see beyond its edges.Now I want something different. I want to carry this expanded world faithfully. To let it make me kinder because I've met people unlike me and learned they're still deserving of dignity. To make me more curious because every person might have a completely different map of reality. To make me less certain that my way is the only road. I want to keep space at my table for someone whose map looks nothing like mine, whose journey led them to conclusions I don't understand. To listen more than I defend.I want to honor the communities that form without demanding they last forever. To leave before I sour and return before I forget. To know my limits and respect them.Home is not a single address for me anymore. It's not a dot on a map. It's a constellation. Multiple points spread across distance, all connected by invisible lines, all part of the same larger map.Bulawayo lives in me, the dust on my legs after a long walk, kombis rattling past with bass thumping from speakers bigger than they should have, that comfortable embrace of familiarity. South Africa taught me difference doesn't have to mean distance, that multiplicity is just reality when you zoom out far enough, that beautiful communities can form and then end and that's fine. London is teaching me to be many things at once without apologizing, to build home from scratch in a place that doesn't know my childhood and forces me to be myself in the present tense. To start over again, with new people in a new place, knowing it might not last but showing up anyway.The constellation moves when I move. I carry it with me. Every place where I've stopped long enough to become a slightly different version of myself. Every person who walked alongside me for a time. Places and people. Enduring connections rather than permanent communities. Many ways of belonging rather than one.The work is simple in concept, difficult in execution. One star at a time. One small ritual. One phone call. One visit before I sour. One return before I forget. One season with people who matter. One graceful goodbye when the season ends.That's the work I'm learning. And if you're reading this, maybe it's your work too. Find your sweet spot. Honor it. Respect it. Return before you forget. Leave before you sour.And know that you're not alone in this strange expanded world. Some of us are walking this too. Carrying constellations. Learning to belong partially in many places rather than completely in one. Building homes that move when we move.Thanks for reading Just Reflections! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit justreflections.bhekani.com

Tired of your online courses feeling dry and unengaging? In this episode, we dive deep into the power of storytelling in course creation. Learn how to weave captivating narratives into your content to not only educate but also inspire and motivate your students. We'll cover:Unleashing the Power of Personal Anecdotes: How to share your own experiences to build trust and make learning more memorable.Creating Compelling Character Arcs: How to guide students through a learning journey using fictional characters.Painting Pictures with Your Words: Using vivid imagery, metaphors, and analogies to bring your content to life.Plus, discover a simple solution for adding storytelling elements to your existing courses!Don't let your courses fall flat. Learn how to connect with your students on an emotional level and create a truly transformative learning experience.Show Resources: Check out all podcast episodes and full transcripts (www.digitalcoursecreatorguide.com/podcast)Follow me on Facebook (facebook.com/digitalcoursecreatorguide) and on Instagram (instagram.com/digitalcoursecreatorguide) for daily tips and ideas

What does it mean to make Christ the center of your marriage? Husbands and wives cannot write their own lines. They have a role to play. Marriage was designed by God to paint a picture of Christ’s love for the church, and the respect of the church for her Savior. A husband’s role is to be like Christ, and a wife’s role is to be like an adoring church who loves her husband. So when you get up in the morning, what kind of picture are you painting when you roll over in bed and see your spouse? When you have breakfast together? When you contact one another throughout the day? Let it be a glorious and beautiful picture of Christ and His church!

Your favorite podcast is back with Episode 139! This episode is heavy as Ian and Boobie speak about the recent shootings in Savannah, and what's going on in the city. Also in this episode the guys take deep dive in all things Diddy, Charleston White's comments, Kel Mitchell's interview on Club Shay Shay, the Apple 100 best albums list, what's going on in the NBA Playoffs and much more! Tap in!

This might be the best episode of season 6 of Liquor Talk. So many people create false narratives for no reason and they are never ready for the backlash of creating false narratives. On this episode of Liquor Talk Vic welcomes Toy from the successful Toy podcast for probably the best episode of the season. You're gonna need the brown liquor of this conversation. Topics covered were overcoming wild lifestyles (15:00), why do church people create false pictures (31:00) why are the people closest to you secretly the opps (45:00) and so much more. Please support both platforms. --- Support this podcast: https://podcasters.spotify.com/pod/show/liquortalkpodcast/support

Thank you for listening and supporting me ! I love ya'll I had the honor to chat with one of the greatest of my generation Brent Faiyaz, ya'll knew he was a razzle dazzle of Dominican?? It was amazing! We spoke about his journey, my favorite songs and how impact on today's sound. I hope you enjoyed this interview as much as I did.  5:30 THE INTERVIEWS STARTS & I stopped talking lol 5 Minute Rant Summary:  Creative Consistency  Apps I use ? I use the Lemon8 app now, so apparently  I'm going to start sharing podcast advice ?? ( I love to lie, but I'm serious)  I'm bad at Twitter or X or whatever I want to be a Gen Z girly so bad, girl stop Apparently I LOVE Threads lmao  If you're pushing a platform don't shy away from new apps - that's where the opportunities lives.  I'm apart of this Meta initiative called “Dale Tu” apparently that was important to share. I'm proud the younger version of myself, she's dope. Xo,  Yulissa  --- Send in a voice message: https://podcasters.spotify.com/pod/show/yulissa-delgado06/message

Saudi Arabian Club Is Offering A Record Breaking $1.1 Billion To Bring Mbappè Over On A 1 Year Deal Fans think ASAP Rocky dissed Travis Scott at Rolling Loud “First you stole my flow, so I stole your b*tch/Then you stole my style, I need at least like 10 percent/ All due disrespect, I hope you take offense”. Sexyy Red is currently turning down $40,000 features. Quavo Aboard Miami Yacht Being Investigated For An Alleged Strong-Arm Robbery. Tiffany Haddish Reveals Common Broke Up w/ Her Suddenly Over The Phone, Says The Split ‘Wasn't Mutual'. Beanie Sigel says he intends to experiment with artificial intelligence as a way of bringing back his vocal tone. PinkyDoll a TIKTOK NPC CHARACTER says she makes about $7,000 per day from TikTok NPC streams Offset surpirsed fans by bringing out Cardi B during his Rolling Loud performance in Miami on Sunday night .A Study finds that Secretaries Lawyer's & Nurse's are most likely to cheat than Women in any other professions Drake Fires Back At Journalist Elliott Wilson Over Allegations That He Only Does Interviews ‘With Outsiders To Our Culture,' Rapper Says ‘The Youth Took Over' YNW Melly's Mom Says Out Of The 12 Jurors... 9 Said Not Guilty & 3 Said Was Guilty Which Led To A Mistrial Yung Miami Slams Naysayers Upset Over Her 10-Year-Old Son Throwing Money At Dancers During Rolling Loud Festival: ‘That's Why I Don't Post My Kids Monica Issues Apology After Jumping Into Crowd To Confront A Man Who She Says Hit A Woman During Her Detroit Concert: ‘Is You Out Yo F***ing Mind?!' Florida A&M has started an investigation into how the football locker room was accessed for a Boston Richey music video, and the use of licensed Florida A&M apparel that violates agreements. The Atlanta m*rder rate has reportedly gone down 35% since the YSL & YFN Crews have gotten locked up Megan Thee Stallion made fried pickles coated in hot cheetos Over 100 Cars inside an Atlanta Apartment complex were broken into by thieves Girl who threw her 36G bra at Drake at his show, reveals herself Magic Johnson Gets Emotional While Discussing New NFL Ownership Of The Washington Commanders As A ‘Proud Black Man': Breaking These Barriers…Is Important To Me Heated exchange between Draymond Green and Jordan Poole's dad continues. Drake said he met his rightful wife after kissing S*xyy Red Kyrie Irving Gifts $40,000 To 93-Year-Old Woman Fighting Land Developers Who Sued Her After She Rejected Offer To Purchase Her Property LSU basketball star Angel Reese going viral after posting this TikTok video Jayda Wayda creating content while listening to Gunna new hit song!! Is this out of pocket cause Lil Baby and Gunna ain't cool no more, or is this her just doing her job creating content while listening to whatever the popular songs are?? Juice Wrld ex Ally's new boyfriend was allegedly wearing one of Juice Wrld's old sweaters Thoughts? Painting Pictures' Rapper Superstar Pride Charged w/ First Degree Murder After Surrendering To Authorities New Music - Lil Baby & Lil Dann “ Family Freestyle “. G Herbo is set to serve five years in prison and three years of supervised release after pleasing guilty to fraud. He also has to pay a $250,000 fine, a mandatory special assessment of $100 restitution, and forfeiture to the extent charged in the agreement. 6ix9ine & Kodak Black are dropping a collab together Waka Flocka Flame, Wale & Roscoe Dash's “No Hands” is officially certified DIAMOND (10 million units sold). Dwight Howard Allegedly Told Man He's Said To Have Sexually Assaulted ‘I'm Not Like Gay Or Anything' Prior To Forcing Him Into Threesome w/ Transgender Woman. ‘. Deion Sanders says it wasn't like that when he was in college his son bought himself a Maybach from the money he made off his name BARBIE' had the biggest opening day for a movie at the global box office in 2023 after grossing $70.5 million The duo we never knew we needed.. Drake & Central Cee SNAPPED on this NEW freestyle

Descending from Nooksack and Lummi heritage, musical artist Lil Jim talks to Roy about fitness, mental health, and weaving together culture and music. Listen in to hear how influencing indigenous youth kept him in the music game, what defines native hip hop, and what is in store for the HGS SAVAGE Fam!You can listen to more Lil Jim and the HGS Savage Fam here:https://open.spotify.com/artist/0kQZHq5VI9QM8NpCvQ9Zet?si=b03rbiuUQ_qwyPyAE6UgaA

Painting pictures

In our text this week, we have a clash of authorities.  Jesus is in a battle.  A verbal battle.  A theological battle.  A spiritual battle.  Of course, there is no physical violence here, but make no mistake, this is a battle. The key question is one of authority. Over the next two chapters, Jesus will…

Jake Eisenberg, Kansas City Royals MLB Play-By-Play/Radio Announcer joins Unfinished! We discuss his unique journey to Kansas City, his crazy 2022 year in review, and the art of calling a baseball game!Please Subscribe & Leave a 5-Star Review!TIMESTAMPSIntroduction2 min - Broadcasting for the Omaha Storm Chasers & New York Mets in 20225 min-15min Becoming the broadcaster for the Kansas City Royals & how to approach the players. Jake's favorite of game days16:40 -28 Jake's journey to the big leagues & How much goes into being a minor league broadcaster & the responsibilities Jake handled pregame, in-game, & post-game.29 Min - the intricacies of Radio Broadcasting & how to paint a picture with words.40min - Reflection, Support System & the stories of baseball that connect us.51:30 - Hopes for this year & the 2023 Royals.

On tomorrow's Ag Business Episode I am profiling the Leopold Conservation Award that is given out by the Sand County Foundation each year to one farmer in 25 states.  The Sand County Foundation has a significant tie to Wisconsin and, of course, Aldo Leopold.  Whenever I think of old time Wisconsin, I immediately thing of Jerry Apps and his great story telling ability.  So, on today's re-cap episode I thought it would be great to revisit the second interview I ever did with Jerry.

2022-11-06 Painting Pictures Of Eqypt (Stephen Johnson) by Scott Warner

Adam Grimm, 2021 Ducks Unlimited Artist of the Year, joins the show to talk about his art and why he's decided to run to represent South Dakota District 4 in the SD House or Representatives. AdamGrimm.comYou can support The Interview by donating today at theinterviewpodcast.org

Tune in as we gauge the public view on all things that have to do with the Southern Tier

On this episode of Oluswole, Joey discusses spikeball, runner's high, Kodak Black and more. SUBSCRIBE: YouTube: http://bit.ly/3emmxoF CONNECT: Instagram: https://www.instagram.com/oluswole/ TikTok: https://www.tiktok.com/@oluswole Spotify: https://spoti.fi/3qseE3i Apple Podcasts: https://apple.co/2N39Pjf Google Podcasts: https://bit.ly/3emtENO

As Mark & Jenks battle the frigid weather they continue to paint pictures of pro wrestling using just their words! This week the guys response to a fan wanting to know more about Impact's Hard To Kill, what the expect from the WWE's Royal Rumble (without predictions) and AEW creating fresh stories every week. Mark announces a contest he would like to do for the Women's Rumble Match. Support the show (http://paypal.me/cancrushers)

Tim, 34 of Maryland, has been battling for 14 hard years to be the father to his children that he never had. Tim was able to finally bring his daughter home after an incident where her mothers bf was found in their family bathroom, laying on the floor, overdosed, with a needle on the ground not far from his lifeless body. Tim still has a son still  in the same dangerous household that his daughter just left he is currently trying to bring to safety. After years of custody battles and heartache, the mother of Tim's youngest son, who was pregnant at the time, decided to run off with the child and just pretended that Tim was able and willing. Tim now finds himself in two different custody battles in two different states, but he is up for the task at hand. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jpbrown/support

What are the challenges of being a football commentator for the BBC? How do they prepare for a match? Listeners quiz a man at the top of his game - John Murray. Plus, do you yearn for more entertainment programmes from the World Service? A listener in Kenya argues the case. Presenter: Rajan Datar Produce: Howard Shannon

Sermon

Which classical piece paints a picture in your mind? Join Melissa Dundis and listen to different pieces inspired by paintings on this episode of YourClassical Adventures. Episode 50 playlist Modest Mussorgsky: The Great Gate of Kiev — This piece was inspired by a painting of a great big gate, opening to a city in Russia. Modest Mussorgsky: The Great Gate of Kiev by Ralph Vaughan Williams: In the Fen Country - This piece is like a poem, using the music to describe the beautiful, wide open landscapes in England. Ralph Vaughan Williams: In the Fen Country by Sergei Rachmaninoff: The Isle of the Dead — This piece was based on a painting of an abandoned island surrounded by dark waters. Sergei Rachmaninoff: Isle of the Dead by YourClassical Adventures is available in your favorite podcast portal. Explore more from YourClassical Adventures! What are you curious about? Submit your feedback https://www.classicalmpr.org/story/2021/04/17/classical-kids-corner You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

For this weeks guest, we are joined by sports broadcaster/jack of all trades Dana Grey, who gives us the inside look at how he became the broadcaster for the best team on Earth: the Brooklyn Cyclones. From how he got into broadcasting, what his day job at B/R is all about (spoiler: it is very cool), and some great parting advice for anyone trying to enter the sports industry. Thanks so much for your conversation and wisdom Dana! Be sure to check out the clips on our Instagram! --- Send in a voice message: https://podcasters.spotify.com/pod/show/freeagentspod/message

Known as "the voice of professional rodeo", Bob Tallman joins Craig Weinberg on the show to talk about Bob's history in rodeo and how he sees the world today. Valuing each moment and cherishing it is part of what makes his commentary so captivating.If you want to find out more about Bob you can find him online atbobtallman.com and bobbytsjerky.com. You can find out more about MD Anderson HERE

The 3rd Album That Is Another Step Closer To His True Potential. RATE: 8/10 Favorites: Rapstar, Gang Gang, For The Love Of New York, Clueless, Toxic, Epidemic, GNF, Party Lyfe, Heart Of A Giant, Losses, So Real, Painting Pictures, Bloody Canvas, Black Hearted, Fame & Riches Least Favorites: Zooted Freestyle, Broken Guitars Keep On Craving My Lil Junkies

Moulz & Mel, plus The Third Member, @https://twitter.com/fromoldharlem (fromoldharlem), find out what's the deal with this Polo G guy they've been hearing about in their 1st Listen, New Album Review of his latest release, Hall Of Fame. --------------- Intro (0:00) -- The Rating System, Explained (3:16 - 8:25) -- Track 1: "Painting Pictures" (21:55) -- Track 2: "RAPSTAR" (36:40) -- Track 3: "No Return" (51:41) -- Track 4: "Toxic" (1:06:14) -- Track 5: "Epidemic" (1:10:26) -- Track 6: "GANG GANG" (1:15:54) -- Track 7: "Boom" (1:20:22) -- Track 8: "Black Hearted" (1:33:00) -- Track 9: "Broken Guitars" (1:36:25) -- Track 10: "GNF" (2:00:10) -- Track 11: "Go, Part 1" (2:29:01) -- Track 12: "Heart Of A Giant" (2:35:09) -- Track 13: "Zooted Freestyle" (2:37:50) -- Track 14: "Party Lyfe" (2:41:29) -- Track 15: "Losses" (2:55:09) -- Track 16: "So Real" (3:05:35) -- Track 17: "Fame & Riches" (3:14:37) -- Track 18: "For The Love Of New York" (3:19:24) -- Track 19: "Clueless" (3:28:28) -- Track 20: "Bloody Canvas" (3:41:33) -- Rating Hall Of Fame (3:49:09) -- Outro (3:52:34) Support this podcast

https://www.amazon.com/Choose-Prevail-Unexpected-Insights-Challenges-ebook/dp/B08HVT5PPL   Bilingual communications expert Sandy Rodriguez, author of motivational book Choose to Prevail, writes on topics ranging from finance to entertainment for different media outlets in both the U.S. and Mexico. She appears as a host in videos for lifestyle website En Cinco and multimedia company Heart of Hollywood Motion Pictures. Sandy is a former editorial coordinator for Mexican newspaper Reforma, one of the most influential publications in Latin America, and has translated tens of books from English to Spanish for major publishing houses. These include medical, self-help, and business books, novels, and titles focused on spirituality or personal growth by popular authors such as Louise Hay, Nick Vujicic, and Neale Donald Walsch. Multifaceted Sandy, who once took part in a prestigious fellowship program for international journalists at Seoul National University in South Korea, currently lives in Los Angeles, where she works as a certified court interpreter. She is a fitness enthusiast, burgeoning artist, and amateur winemaker.   #newseditor #courtinterpreter #winemaker #artpainter #freetimefreespill --- Support this podcast: https://anchor.fm/freetimefreespill/support

George Gallo is a man of many creative talents, including screenwriting, filmmaking, producing and painting. Since writing his first feature film, Wise Guys (1986), he has been involved in a number of successful movies including Golden Globe nominated Midnight Run (1988), and Bad Boys (1995).His most recent film, Vanquish (2021), follows a former drug courier (actor Ruby Rose) as she is forced back into a dangerous criminal underworld by a corrupt cop (Morgan Freeman) in order to save her daughter. In this fascinating interview with Richard Williams and Aiysha Jebali, director George Gallo discusses how the two worlds of filmmaking and painting intersect, what it's like to work alongside Morgan Freeman, and how hurricanes halted the filming of Vanquish (2021)! He also gives advice to aspiring filmmakers on the importance of having fun while making a film and allowing the film to exist without you. Credits:Presenters: Richard Williams & Aiysha JebaliVideo Editor: Millie HaywardAudio Podcast Editor: Juana RubioPrint version: Keren DaviesVisual Effects & Artwork: Richard WilliamsImages & Trailer courtesy of Lionsgate / Katrina Wan PR

The boys sit down with Dre and talk bout growing up, parenting and making choices. follow our guest ☞ @andrepalacefollow us ☞ @pnc_podcast@nolanprasad@akiokayaSponsor notes:Granville Room has been an oasis of authentic cocktail culture in the heart of the bustling Granville Entertainment District for 20 years. This unique and intimate bar is ideal for early evening cocktails and happy hour, dinner and snacks and late-night revelry with Vancouver's favourite DJs. Guest experience and safety have never been more important at Granville Room and they are committed to delivering a memorable experience in the safest setting possible. Due to the current health situation, Management has implemented a strict safety policy that includes social distancing, contact tracing, protective barriers, hand sanitizing stations, additional cleaning procedures and mandatory masks for staff.For more information and booking tables, please visit them @ safeandsoundent.com or @granvilleroom on ig. 

Podcast writer and narrator Lexi Hubb chats with Bill Troxler; composer, performer, and sound designer for The Bivalve Trail to discuss the meticulous scholarship and creativity that went into engineering the sounds that accompanied the storytelling of Thomas Downing. Soundscapes were created to illustrate to the listener where Thomas Downing is and  also the environmental sounds around him.  Music was selected to reflect the time period and create dramatic effect. The idea for this interview derived from wanting to bring listeners into understanding the painstaking effort that went into designing the sounds that underscored the story of Thomas Downing. THE BIVALVE TRAIL is produced by the Chincoteague Island Theatre Company and the Chincoteague Cultural Alliance. Researched, written, and narrated by Lexi Hubb. Podcast artwork by Angela Heady. Recording and post-production by Longtayle Studios. Music by Bill Troxler.For sources used and photos, go to chincoteagueca.org/bivalvetrail.html 

Welcome to Episode 75 of Caught My Ear! This week we give our opinions on the topic of separating the art from the artist. We also discuss our favourite tracks of the week. Enjoy!⏯ PLAYLISTS ⏯Spotify:https://open.spotify.com/playlist/1R9ZY1ZLU8o3BVEOOP3mAQ?si=MqrfHWNjQviIPBB_fBnedw YouTube:https://youtube.com/playlist?list=PLBlelo98WNb6h5dJcSu3ekBxcldeg9oez⏱ TIMECODES ⏱Song of the Week: 0:12(TW: SA, DV, r*pe) What's Trending: 5:54Under a Rock: 13:42Caught My Ear: 20:31

I'm not going to lie to you, it's been rough these past few days. Is it karma from the cool, mean prank I played last week? We’ll know in a matter of time.Check out our other NaNoWriMo content:Episode 15, Episode 14, Episode 9, Episode 8 More content:AluminiumLinings.comTwitter: @AluminiumLiningInstagram: @AluminiumLiningsFacebook: Aluminium Liningshttps://nanowrimo.org/

A solo show featuring an angry COVID-19 rant and some light-hearted commentary from Carmichael, CA, the place where Painting Pictures began in 2014. Young people, packing up an old house, robbing Sacramentans, and ordering beers in the pandemic

On this episode of In The Groove we got the chance to talk with the Editor in Chief Nate from Drag Illustrated. Nate took the time of his day to give us first hand ideas of what it like telling the story we get to read. When cracking open a fresh magazine to pulling up the articles online the story telling its what make the experience feel real. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sam-smith20/message Support this podcast: https://anchor.fm/sam-smith20/support

Gabe Q. Vest, aka Evil Gabe returns to Painting Pictures from bonnie Scotland to discuss the ongoing Coronavirus pandemic.

On this episode of "Getcha Popcorn Ready," artist and former actor and model Bria Murphy sits down with T.O. and Hatch to talk about what life is like when Eddie Murphy is your dad, why she refuses to live off of her famous father, why she stopped acting and modeling, her painting career, the existence of aliens, and more. Press play and get it popping! Follow us on social media! IG: @getchapopcast TW: @getchapopcast FB: Getcha Popcorn Ready Podcast A Notorious, LLC. Original Produced in Association with Workhouse Media Hosts: Terrell Owens and Matthew Hatchette Executive Producers: Peter Vincer and Mike Botticello Supervising Producer: Justin Monroe Videography: Steven Rhys Foster Sound: Alfonso Cano Graphics: Lamont Mims Creative Director: Chase Williamson Social Media Producer: Nick Jaicomo

Fellow Sacramento Boy and Mira Loma Matador, former museum curator and current fantasy football expert Jeff Krisko joins Painting Pictures to discuss current events and remind Gabe what they learned in high school.

In Episode 69 of Painting Pictures, Gabe is joined from Scotland by Evil Gabe, aka Gabriel Q Vest, to talk about the origin of Evil Gabe, Paonia CO, and life in Scotland.

In this message, Pastor Joe preaches from Isaiah 43, God's word to anticipate what He's going to do in the future. (Message from June 23, 2019.)

image of a black man and how we treat our own. --- Send in a voice message: https://anchor.fm/TheWhiteShow/message Support this podcast: https://anchor.fm/TheWhiteShow/support

The Way of Jesus: Prayer - Flying Kites and Painting Pictures February 17th, 2019 By: Russell Joyce

Ezekiel 29-32

Exodus is like a script we are all living out as we learn that we cannot live on bread alone.We started this past weekend with the song "Painting Pictures of Egypt" by Sara Groves which set up what we talked about. 

4/20 (Special Edition) take a ride with us as we take a look at the most know "Weed Rappers", " Weed Movies" and the war against weed. ALBUM REVIEWS: Kendrick Lamar's "Damn", Joey Bada$$'s "All-Amerikkkan Bada$$" and Kodak Black's "Painting Pictures"

Episode #69 VonteThePro Highlights 1) Reminiscing Ft A Boogie With The Hoodie WillGil Highlights 1) Patty Cake WillGil Dislikes 1) VonteThePro Dislikes 1) U Aint Never VonteThePro Ratings D WillGil Ratings C+

On this weeks episode we review the albums "Painting Pictures" by Kodak Black, "Already All Ready" by La'Porsha Renae, "Olivebranch" by Locksmith, "You Only Live 2wice" by Freddy Gibbs, and "Corner Stories" by Don Q.   TRC 60 Playlist   BEST ON SHUFFLE Email trc@thereportcardlive.com    Ambitious Image   Instagram @TRCPodcast @Soloyalclothinginc @Soloyal_customs @jnicollespeaks @moodz_lhe @Elysianbeauty   Twitter @trcpodcastlive   The Report Card Podcast Facebook   Soundcloud   Tumblr   Google+   Youtube   You can subscribe to us on iTunes, Google Music Play, iHeart Radio, Stitcher, Soundcloud, Youtube, Libsyn, and tuneIn. Grade Scale A+  100 Classic A     99-96 Classic A     95-92 Amazing A-    92 Amazing B+   91 Fire B     90-88 Fire B     87-84 Dope B-    83 Dope C+   82 Solid C     81-79 Solid C     78-75 Average C-    74 Average D+   73 Needed Work D     72-70 Needed Work D     69-65 Trash F     -65   Trash   Like. Comment. Subscribe,Review Thank you to everyone who listens weekly.      

Time Stamps Below: Our first podiversay is coming up, but in Ep. 43, we talk about back stabbers, crazy Texas storms, Iron Fist failing us, new music by Kendrick Lamar, Joey Badass, Logic, Drake, etc., try to figure out what Kodak Black is saying in Painting Pictures, Teacher-Student "relations", police brutality and why Disney would make Simba Gay? Maybe that was an April Fool's Day joke? Call us: (385) 325-2572 *FREE 30 Day Amazon Prime Trial: amzn.to/2lSgxZU **Deals on Amazon Fire Stick: amzn.to/2ksjP6g TIME STAMPS: 0:00 Simba is Gay in the Lion King? 4:15 Intro - Toothless, Powerless and Backstabbers 10:40 Broadway Lion King and Jared's missed chance at stardom 20:45 J missed Chappelle's Tix and aversion to "those people" 23:20 Leave us a voicemail for 4/20 anniversary and Ep 50 26:30 Shoutouts - #PodsInColor #PodSquad #PodsInColor #weallwin #PodIn #PodEcho #TryPod #27Savage 34:00 Commercials: Whatevaman Podcast, Hook's Rub's & Spices, FREE AMAZON PRIME TRIAL 36:30 Jordan Peele to direct legendary anime Akira? 50:30 Our final Iron Fist #Review 1:05:30 New Music: Kendrick Lamar, Kodak Black, Drake, Joey Badass, Joyner Lucas, Logic 1:14:00 Jared = turnt off that Jamaican rum mon...later on Rap City and Yo #MTV Raps 1:23:00 26 Savage's Lyrics are heat.... right? 1:23:40 How I Got Suspended? from #Twitter #TouchdownTurds 1:36:00 Idiot of the Week: Lonzo Ball, Naughty Teacher and Police Brutality 1:49:00 #TapYoLoveBox 1:52:00 Outtro - We #BlackingOut! #TapYoLoveBox #Disney #Simba #nowsink #getout #sunkenplace #tea #HUD #immigration #Immigrants #africa #government #idiot #staywoke #desiigner #box #eating #che #rainboweto #trump #news #fam #love #Fan #Love #podsincolor #podernfamily #podsquad #podecho #trypod #twitter #instagram #food #politics #Rainbow #Color #LGBTQ #Ricegums #drunk #liqour #howboutdat #trees #Anime #Akira #WFT #Meme #batgirl

Join hosts Khay Lo Ri, DJ Lloyd Willin', Deuce Touché, and David Roughin as they discuss the I-85 Fire, the Rikers Island Collapse, April Fools Day, Mexico's Anti Sexual Assault Campaign, Laptop Bombs, Kendrick Lamar's Humble, Painting Pictures, #UberBae, the NCAA Championship Game, Romo's Surprise Exit, and much more! Featured Segments - "Speak on it!" - Top 5 White TV Shows "Roughin's Word" - Water or Juice DOWNLOAD. LISTEN. WELCOME TO THE PREGAME.

My big brother Miles joins Painting Pictures to bounce around the spiritual, cultural, and political landscape of December 2016 in Craftsbury, Vermont. Beanies, cats, elections, Canada, and cozy pants are mentioned. Also, man cuts tiny piece of wood.

Chapter 2 marks the return of the Blank Canvas podcast Nathan welcomes artist PINS to talk about why he got into art, his latest exhibition 'No Face Like Phone' and the relationship between art and music. Dobby from Reprezent Radio also returns to talk on the news of Frank Ocean headling Lovebox and Wiley letting it all out on Twitter. Knucks - From Rome With Love Suli Breaks - The Graveyard Rachel Foxx - To You #BlankCanvas

Imagery - Matthew Decker is a recording artist from New York. He started his own label Matteo Mafia Records in 2012. His music is very different from today's popular music, with a vintage 1960s style aesthetic, combined with modern day pop, hip-hop, and trap. (Producer: Shefik | Production Assistant: Nick Rienzi)

Youth violence has been such a big topic in the news. Corey D. James is the founder and CEO of Painting Pictures Inc., a nonprofit organization dedicated to making an impact in the lives of disadvantaged youth. He has devoted his life and career to directly serving at-risk youth in urban communities as a youth mentor, group facilitator and motivational speaker.  A Franklin, NJ, native, James graduated from Cairn University in 2005 with a master’s of science in organizational leadership. He currently leads the NJ State University, Rutgers - Future Scholars program in Newark, NJ, a program dedicated to fostering students from urban communities into high-achieving college students.  Join Corey James and me on Tuesday, June 21, 10-11 A.M. CT US. We will be discussing his passion in reshaping the lives of young men and women by empowering them to seek brighter futures in an inspiring new book, “Painting Pictures: Reframing the World of Inner-City Youth.”

  I Can’t Make This Up is a podcast that your host, AJ DUNK *all caps*, has conversations with people from different walks of life.  In this episode AJ DUNK *all caps* will have a conversation with GreaseB that you CANNOT *all caps* make up. In this episode you will hear: What happens at a … Continue reading ICMTU ep 30 Painting Pictures with GreaseB

Writer, Elsewhere Studios resident and medievalist of Danish origin Arendse Lund joins Painting Pictures to talk Paonia, writing, medievalism, and translating Hans Christian Andersen.

Ky Burt the bearded and talented troubadour joins Painting Pictures for a post-goat-petting Paonia conversation about airplanes, commuting to work from a remote campsite in the national forest, making music, sense of place, and his upcoming summer tour.

Mechanical engineer, traveler, Paonia-lover and non-comedian Karolina Fernandez joins Painting Pictures to talk solar energy, community, relationships, and mindfulness.

Environmental activist, improv comic, tango dancer, clergyman, inspector, gearhead, and tiny-house builder Chris Garre joins Painting Pictures to discuss Ute Indians, Paonia populace and politics, and oil and gas extraction.

Kirk and Kyle talk about a controversial deleted scene from Back To The Future, Blade, Tim Burton, Meta-Eights, Almonds, Bo Burnham, and Animal’s retarded brother Scanimal. (Recorded 3/8/15)

Author, actor, sound engineer, scratch golfer, band manager, symphony conductor, and extremely nice guy John Climenhaga joins Painting Pictures to talk music industry, being an artist, and his dream of living in Paonia.

From Paonia, CO, artist and fellow Elsewhere Studios Resident Yasmine Pekonen joins Painting Pictures to discuss cats, creativity, destiny, and Finland. Podcast includes special real-talk personal analysis of marijuana.

David Waks brings his glorious smile to Painting Pictures to discuss deep webs, the evolution of cool, and earning one billion dollars.

Wellness guru Lucy Roberts joins Painting Pictures to discuss trends in food and health

A brief update on the state of affairs of the Painting Pictures podcast

Everything you need to know about the Painting Pictures podcast