Podcast appearances and mentions of Terry George

Il y a 30 ans, le Rwanda s'est retrouvé au centre d'une des tragédies les plus effroyables du XXe siècle :  800 000 morts en 100 jours, soit une moyenne de 5 personnes tuées chaque seconde.  Un génocide aussi rapide qu'impitoyable qui a principalement ciblé la minorité Tutsi, mais aussi des Hutus modérés qui se sont opposés à cette folie meurtrière. Les voisins se sont retournés contre les voisins, les amis contre les amis, transformant des communautés autrefois unies en champs de bataille. Mais comment en est-on arrivé là ? Quels ont été les facteurs et les événements qui ont conduit à un tel déchaînement de violence ? Et face à l'ampleur de ces massacres, quelle a été la réponse de la communauté internationale ? #3ème #terminale #HGGSP***T'as qui en Histoire ? * : le podcast qui te fait aimer l'Histoire Pour rafraîchir ses connaissances, réviser le brevet, le bac, ses leçons, apprendre et découvrir des sujets d'Histoire (collège, lycée, université)***✉️ Contact: tasquienhistoire@gmail.com***Suivez le podcast sur les réseaux sociaux***Instagram : @tasquienhistoireThreads : @tasquienhistoireTwitter : @AsHistoire Facebook : https://www.facebook.com/TasQuiEnHistoire*** Credits Son ***Petit Pays - Bande-annonce officielle HD@Pathehttps://www.youtube.com/watch?v=qlSF3tZ0s3A Track: The StorytellerMusic by https://www.fiftysounds.comTPE extrait - Propagande à la radio des milles collinesExtrait du film « Hôtel Rwanda » (réalisé par Terry George et produit par Lionsgate, 2005)@Forever Alonehttps://www.youtube.com/watch?v=DkzEHAPLVOU Déclaration de Bernard KOUCHNER à son retour du RwandaINA/ Inter actualités de 08H00 - 18.05.1994 https://www.ina.fr/ina-eclaire-actu/audio/00656725005/declaration-de-bernard-kouchner-a-son-retour-du-rwanda Interview d'un rescapé TutsiINA / Inter actualités de 08H00 - 26.06.1994 https://www.ina.fr/ina-eclaire-actu/audio/00664378004/interview-d-un-rescape-tutsi Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

After winning the Oscar for Best Live Action short for the 2011 film, "The Shore". Terry George goes off to make another movie dealing with Irish characters, this time though with Brendan Fraser, admittedly a non-Irish person who seems to almost have no business in this movie but we find him here anyway? We're very confused.

Movie Synopsis: American Gangster is a 2007 American biographical crime film directed and produced by Ridley Scott and written by Steven Zaillian. The film is fictionally based on the criminal career of Frank Lucas, a gangster from La Grange, North Carolina who smuggled heroin into the United States on American service planes returning from the Vietnam War, before being detained by a task force led by Newark Detective Richie Roberts. The film stars Denzel Washington and Russell Crowe with co-stars Ted Levine, John Ortiz, Josh Brolin, Chiwetel Ejiofor, Ruby Dee, Lymari Nadal and Cuba Gooding Jr. Development for the film initially began in 2000, when Universal Pictures and Imagine Entertainment purchased the rights to a New York magazine story about the rise and fall of Lucas. Two years later, screenwriter Steven Zaillian introduced a 170-page scriptment to Scott. Original production plans were to commence in Toronto for budget purposes; however, production eventually relocated permanently to New York City. Because of the film's rising budget Universal canceled production in 2004. After negotiations with Terry George, it was later revived with Scott at the helm in March 2005. Principal photography commenced over a period of five months from July to December 2006; filming took place throughout New York City and concluded in Thailand.

The next step on the Completely Similar express is an examination of another film about the Troubles... Some Mother's Son. The guys talk about this film leaving virtually NO cultural footprint at all, they discuss how the film represents the conflict from many different points of view while never fully vilifying one side or the other, the very relaxed election rules that would not be a good idea in 2023, comparisons with Hunger and the relative tame-ness of this movie and much more.   Next week: Cornetto! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.empireonline.com/movies/features/best-british-films/ Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Some Mother's Son stars Helen Mirren, Fionnula Flanagan, Aidan Gillen, David O'Hara, John Lynch, Tom Hollander and Ciaran Hinds; directed by Terry George. Is It Streaming? USA: available to rent Canada: Disney+ and available to rent UK: Disney+ and available to rent Learn more about your ad choices. Visit megaphone.fm/adchoices

Help Support Mike as an Actor and support his Podcast channel. Every new supporter will receive a custom NFT character from the show. https://www.patreon.com/mikefarrellAll characters will be uploaded on opensea https://opensea.io/collection/mikefar...Mike's Links here - https://linktr.ee/mikes_insta_life_Jim Sheridan was born in Dublin, Ireland on 6 February 1949.[2] He is the brother of playwright Peter Sheridan. The family ran a lodging house, while Anna Sheridan worked at a hotel and Peter Sheridan Snr was a railway clerk with CIÉ. Sheridan's early education was at a Christian Brothers school. In 1969 he attended University College Dublin to study English and History. In 1972, he graduated with a Bachelor of Arts degree in English. He became involved in student theater there, where he met Neil Jordan, who also was later to become an important Irish film director. After graduating from UCD in 1972, Sheridan and his brother began writing and staging plays, and in the late 1970s began working with the Project Theatre Company.In 1981, Sheridan emigrated to Canada, but eventually settled in the Hell's Kitchen section of New York City. He enrolled in NYU's Tisch School of the Arts and became the artistic director of the Irish Arts Center.Sheridan returned to Ireland in the late 1980s. In 1989, he directed My Left Foot, which became a critical and commercial success and won Daniel Day-Lewis and Brenda Fricker Academy Awards. He followed that with The Field (with Richard Harris) in 1990; then with In the Name of the Father in 1993, a fictionalized re-telling of the case of the Guildford Four. The film won the Golden Bear at the 44th Berlin International Film Festival.In 1996 he co-wrote Some Mother's Son with Terry George. The Boxer (with Daniel Day-Lewis) was nominated for a Golden Globe for best film drama in 1997. The film was Sheridan's third collaboration with Day-Lewis after My Left Foot and In the Name of the Father, making him the only director to work with Day-Lewis on three films. In 2003, he released the semi-autobiographical In America, which tells the story of a family of Irish immigrants trying to succeed in New York. The film received positive reviews and earned Samantha Morton and Djimon Hounsou Academy Award nominations. In 2005 he released Get Rich or Die Tryin', a film starring rap star 50 Cent.Sheridan helmed the 2009 film Brothers, starring Tobey Maguire and Jake Gyllenhaal, which was shot in New Mexico. He also directed the thriller Dream House, which starred Daniel Craig, Naomi Watts, and Rachel Weisz.Support the show

We return to our Daniel Day-Lewis Acteurist Oeuvre-view with 1996's The Crucible (directed by Nicholas Hytner with a screenplay by Arthur Miller, based on his 1953 play) and 1997's The Boxer, reuniting Day-Lewis with writer-director Jim Sheridan and writer Terry George from In the Name of the Father and returning to the subject of Northern Ireland and the Troubles. We discuss the ways in which The Crucible serves as a liberal allegory for McCarthyism and its depiction of the jouissance of hysteria and accusation, and then turn to The Boxer's examination of an impossible personal/political situation, which leads us to consider Day-Lewis's rare but memorable turns as a romantic hero. Time Codes: 0h 01m 00s:    THE CRUCIBLE (1996) [dir. Nicholas Hytner] 0h 43m 01s:    THE BOXER (1997) [dir. Jim Sheridan] +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In this episode, Andy and Stephanie discuss the more serious side of the crypt and Armenian genocide as they review Terry George's THE PROMISE. Andy gives a history lesson and Stephanie talks about color themes. Plus: a star-studded cast and a great script.

In this episode, Andy and Stephanie discuss the more serious side of the crypt and Armenian genocide as they review Terry George's THE PROMISE. Andy gives a history lesson and Stephanie talks about color themes. Plus: a star-studded cast and a great script.

Estamos no oitavo episódio da Parada Cultural das Nações, série especial do nosso podcast que refaz o tradicional desfile das delegações nas Olimpíadas – os próximos Jogos Olímpicos estão marcados para começar no dia 23 de julho de 2021, com a Cerimônia de Abertura em Tóquio –, mas com os destaques cinematográficos, musicais ou televisivos da atualidade nestes países. Desta vez, só da a Union Jack, já que passam por aqui os estandartes artísticos do Reino Unido, ou como no nome oficial de seu time, Grã-Bretanha e Irlanda do Norte, e de seu território ultramarino caribenho das Ilhas Virgens Britânicas. Ouça no lugar que você quiser: SoundCloud | Spotify | Deezer | iTunes | Google Podcasts | Orelo | Feed | Download Parada Cultural das Nações #8 > A partir de 10s Grã-Bretanha e Irlanda do Norte > A partir de 1min16s - Porta-bandeira: o filme Paddington 2 (2017), de Paul King - Destaques: a série de filmes britânica Small Axe (2020), de Steve McQueen (Mangrove; Lovers Rock; Red, White and Blue; Alex Wheatle e Education); os longas ingleses O Despertar de Fanny Lye (2019), de Thomas Clay, Você Não Estava Aqui (2019), de Ken Loach, e O Menino que Queria Ser Rei (2019), de Joe Cornish; as minisséries inglesas Chernobyl (2019), de Craig Mazin e Johan Renck, e The Little Drummer Girl (2018), de Michael Lesslie, Claire Wilson e Park Chan-wook; os cantores ingleses Dua Lipa, Harry Styles, Dizzee Rascal, Skepta, Stormzy, Kano, Wiley, Little Simz e Arlo Parks; a banda de rock escocesa Vistas; o longa escocês Legítimo Rei (2018), de David Mackenzie; a minissérie escocesa Retribution / One of Us (2016), de Harry e Jack Williams; a série galesa Requiem (2018), de Kris Mrksa e Blake Ayshford; o filme galês Gwen (2018), de William McGregor; a cantora pop galesa Marina (Marina and the Diamonds); a banda norte-irlandesa Two Door Cinema Club; e a série norte-irlandesa Derry Girls (2018-), de Lisa McGee - Citados: os escritores Shakespeare, Jane Austen, as irmãs Brontë, Virginia Woolf e Ian McEwan; os cineastas Louis Le Prince, Charles Chaplin e Alfred Hitchcock; produções documentais da BBC; as séries inglesas Broadchurch (2013-17), de Chris Chibnall, e Game of Thrones (2011-19), de David Benioff e D. B. Weiss; a banda de rock inglesa The Beatles; as bandas de rock escocesas Big Country, The Proclaimers, Belle and Sebastian, Travis e Franz Ferdinand; o filme escocês Trainspotting (1996), de Danny Boyle; a série escocesa Outlander (2014-), de Ronald D. Moore; a série galesa Hinterland ou Y Gwyll (2013-16), de Ed Talfan e Ed Thomas; banda de rock galesa Stereophonics e a cantora de soul conterrânea Duffy; as bandas norte-irlandesas Them (e seu vocalista Van Morrison, na carreira solo) e Snow Patrol; Mães em Luta (1996), filme do cineasta norte-irlandês Terry George, e Em Nome do Pai (1993) e O Lutador (1997), roteirizados por ele; e a série norte-irlandesa The Fall (2013-16), de Allan Cubitt Ilhas Virgens Britânicas > A partir de 14min47s - Porta-bandeira: a cantora Monéa - Destaques: o curta-metragem documental Picking Up The Pieces (2018), de Sebastian Feehan e Josh Bamford - Citados: escritores e poetas Alphaeus Osario Norman, Verna Penn Moll e Jennie Wheatley; o filme A Ilha do Pecado (1958), de Pat Jackson; e o cantor Iyaz Encerramento > A partir de 17min04s Confira a transcrição completa deste podcast no site: https://www.nervos.com.br/post/paradaculturaldasnacoes8-grabretanhaeirlandadonorte-ilhasvirgensbritanicas *Músicas presentes no podcast: “Brazilian Fantasy (Standard Version)”, de Alexandre de Faria; “God Save the Queen" (Hino do Reino Unido), de John Bull; “Venom”, de Little Simz; “Caroline”, de Arlo Parks; “15 Years”, de Vistas; “Purge The Poison”, de MARINA; “Dirty Air”, de Two Door Cinema Club; “Oh, Beautiful Virgin Islands" (Canção territorial das Ilhas Virgens Britânicas), de Kareem Nelson Hull e Ayana Hull; “GYPSY”, de Marvelus feat. Monéa

TESTO DELL'ARTICOLO ➜ http://www.filmgarantiti.it/it/articoli.php?id=285Per acquistare il dvd ➜ https://amzn.to/2VnJHjYTHE PROMISE, IL FILM SUL GENOCIDIO ARMENOIl genocidio armeno è stato narrato non molte volte dal cinema. Si ricordano solo La masseria delle allodole (2007) dei fratelli Taviani, Il padre (2014) di Fatih Akin, il tedesco Aghet del 2010 (ma è un documentario, peraltro mai distribuito in Italia) e Ararat (2002) di Atom Egoyan. Con ben altri mezzi si è mossa Hollywood nel 2016 producendo The Promise (che in italiano ha conservato il titolo originale, La promessa). Diretto da Terry George, schiera un cast di tutto rispetto: Christian Bale, Oscar Isaac, James Cromwell, Jean Reno. Alla voce corrispondente su Wikipedia troviamo che «la pellicola ha attirato su di sé operazioni di trolling e di voti negativi, forse da parte di gruppi nazionalisti turchi. Hollywood Reporter ha notato che la pagina del film sul sito Internet Movie Database è stata inondata da migliaia di voti a una stella, il voto minimo, già a partire dalla presentazione avvenuta al Toronto International Film Festival, così da abbassare il rating del film».Gli stessi mezzucci denigratori erano stati usati in Germania per Aghet, perché colà gli immigrati turchi sono numerosi e numerosi sono, tra questi, i sostenitori di Erdogan, che al solo sentir parlare di «genocidio armeno» va su tutte le furie. Com'è noto, il governo turco nega questa sua macchia storica, quantunque avvenuta cent'anni fa. C'è chi pensa che un riconoscimento ufficiale aprirebbe una serie pressoché infinita di vertenze risarcitorie, dal momento che la comunità armena al tempo del Metz Yeghern (il «Grande Male», così gli armeni chiamano il loro genocidio) era la più ricca dell'Impero ottomano. E la Turchia, malgrado le sue attuali manie di grandezza, è in piena crisi economica.Il film narra di un giovane armeno che nel 1914 sogna di studiare all'università a Istanbul ma non ne ha i mezzi. Si fidanza allora con una ragazza ricca e ne usa la dote per mantenersi agli studi. Nella capitale fa amicizia con un giornalista americano e la di lui compagna, della quale finisce per innamorarsi. Ma ha una promessa (da qui il titolo) da mantenere, così torna a casa e sposa la fidanzata. Quando questa rimane incinta, però, comincia il genocidio. Lui viene catturato dai soldati turchi e adibito ai lavori forzati in un campo da cui si esce solo morti: chi cade, o non ce la fa, viene ucciso sul posto. Durante un tentativo, abortito, di rivolta, riesce a fuggire. Ma al suo paese trova la sua famiglia sterminata. La moglie gravida è stata addirittura sventrata.Si unisce allora a un gruppo di profughi che cerca di difendersi a mano armata e di raggiungere il monte Mussa Dagh per trincerarvisi e vendere cara la pelle. L'episodio è vero e nel 1929 lo scrittore Franz Werfel gli dedicò il suo capolavoro, I quaranta giorni del Mussa Dagh. Intanto il giornalista americano (Christian Bale) è stato arrestato perché nella sua corrispondenza ha rivelato al pubblico americano quel che sta succedendo nell'Impero ottomano. Per farlo liberare interviene l'ambasciatore Morgenthau (James Cromwell), il quale minaccia il ministro dell'interno turco di un intervento americano. Il giornalista viene allora deportato a Malta, ma qui trova un ammiraglio francese (Jean Reno) e lo convince a soccorrere gli armeni assediati sul Mussa Dagh. Anche questo episodio è storicamente vero: fu una fregata francese a trarre in salvo gli armeni del Monte di Mosè (Mussa Dagh).Il film ha ritmi hollywoodiani e si segue fino all'ultimo col fiato sospeso. Anche se il finale è amaro. Fu il primo genocidio del Novecento (il primo in assoluto fu quello commesso nel 1793-1794 dai rivoluzionari francesi nella cattolica Vandea), del quale quasi subito si perse il ricordo. Hitler lo citava per far intendere che la «soluzione finale» per gli ebrei era praticabile: in poco tempo nessuno se ne sarebbe ricordato. È vero, la fiamma del ricordo vive solo se qualcuno la tiene accesa. O la riaccende. Anche dopo un secolo.Rino CammilleriFonte: La nuova Bussola Quotidiana, 19/02/2019

The boys are back for round 3, discussing Terry George's 2016 film The Promise starring Oscar Isaac, Christian Bale, and Charlotte Le Bon. The Promise | 2016 | PG-13 | 2h 12m Watch on Netflix Watch on VidAngel Rent on Amazon Prime Video Our next movie: About Time | 2013 | R | 2h 3m Watch on Netflix Watch on VidAngel Rent on Amazon Prime Video *Producer's note: Beyond the language typical to R-rated films, About Time does contain some nudity (there is a scene which takes place at a photography exhibit with some nude photos in the background). You can watch on VidAngel or just fast forward to avoid this without losing the plot, but we wanted to give fair warning for viewers to exercise discretion.

Sippers! Today' i'm joined by Oscar winning film maker Terry George. Terry was the screenwriter behind In The Name of The Father and The Boxer as well as writing and directing Hotel Rwanda. This episode is sponsored by supportlocalni.com - if you're looking for Christmas presents and want to support local businesses check them out. Podcast Merch available now - https://shane-todd-comedy.myshopify.com Patreon - https://www.patreon.com/teawithmepodcast YouTube - https://www.youtube.com/user/HarlemGunClub Get in touch with the show - teawithmepodcast@gmail.com

Pour ce deuxième podcast je vous raconte le génocide arménien : sujet que permet de mieux comprendre les revendications territoriales de ce peuple notamment dans le Haut-Karabakh. La discussion qui suit se fait aujourd'hui avec mon amie du BROADCAST Sarah, on vous parle du film La promesse, de Terry George.Bonne écoute et n'oubliez pas de vous abonner !!

We expect actors to dramatize a range of emotions as the characters they play; even, to some extent, when they’re playing a version of themselves on The Tonight Show or E! News. That’s what actors do, after all; they “act”—tearing up, raging, clowning, and otherwise emoting. So what secret magnetic field does Don Cheadle tap that allows him to convey all that with no detectable effort and a virtually unreadable face? He sits back, unruffled and self-possessed, while we do the work of reading into his performance whatever it is he needs us to know. This is not charisma of the “Let’s put on a show!” variety; it’s the kind that makes an actor impossible to look away from. The Hollywood Reporter noted in its review of his current series, House of Lies, “There’s an exceptional cast…, but everything revolves around the fact that Cheadle is riveting and impressively deft at being funny one moment, serious the next… He’s the giant magnet at the center of the show.” But a number of critics (and casting directors) looked under the radar long before a lot of us in the mass movie-going public, noting his uncannily facile power in films like Rebound: The Legend of Earl “The Goat” Manigault, Talk to Me, Devil in a Blue Dress, and Traffic. Most of us, though, wised up a few years later with the release of Hotel Rwanda, The Atlantic along with us: “[Producer and director] Terry George has, in Don Cheadle, perhaps the most underrated performer working in motion pictures. A character actor of uncommon range and charisma, Cheadle has over the last decade shown himself to be exceptional at playing characters both ineffectual and ferocious. Cheadle delivers a performance without seams, one in which the character’s later heroism is merely another facet of his earlier pragmatism. His genius makes Hotel Rwanda not only an important work of politics, but an important work of art.” It was a role George was honest in telling Cheadle he’d have to give to an actor with a bigger name, if he could get one. Cheadle’s reaction says a lot about him and how he sees his career. He told George he’d support the film in any way necessary regardless of whether he got the part, because it was a story that needed to be told. Cheadle honestly doesn’t care a whole lot about Oscars and fame and the like; he’s interested in longevity and the ability to make work that he believes has value—whether it puts him in front of or behind the camera. These days, he’s finding himself in both places, often simultaneously. He writes, directs, and stars in the upcoming film Miles Ahead, a take on musician Miles Davis so fiercely imaginative it demands its own genre. He’s also established his own production company, through which he’s now producing a new comedy for NBC—all while continuing to lead House Of Lies, which just became the first U.S. scripted series to shoot in Cuba. All to say, he’s going to need his preternatural calm more than ever. But it should be noted that in Cheadle’s case, “calm” does not mean “reserved.” He continues to be an outspoken advocate for issues like humanitarian aid to Darfur and climate change awareness through fundraising, and by making films and co-authoring books on the subjects. You get the feeling the man contains multitudes we’re only starting to see. Fittingly, we’ll let Miles summarize: “When you’re creating your own shit, even the sky ain’t the limit.”

Actor Roman Mitichyan co-stars opposite Jennifer Aniston as a chauffeur/bodyguard in Apple’s new series, The Morning Show premiering on Friday, November 1. He also played a comic balloon vendor opposite Jim Carrey in the Kidding series and can next be seen in starring opposite Stephen Lang in Rogue Warfare from Saban Films opening in theaters this weekend and stars opposite Bruce Willis and Michael Chiklis in Lionsgate 10 Miles Gone now in theaters. He is also Bruce Willis’ detective partner in the upcoming feature, Trauma Center . Roman was also featured opposite Keanu Reeves in John Wick: Chapter 3 – Parabellum. He’s particularly proud of his work opposite Christian Bale and Oscar Isaac in director Terry George’s The Promise, a 2016 feature about the Armenian genocide that was financed by Kirk Kerkorian, in which Roman played a freedom fighter battling the Ottoman Turks. He made his motion picture debut opposite Olivier Gruner and Lorenzo Lamas in director Jalal Merhi’s prison fighting drama, The Circuit 2: The Final Punch (2002). The following year, he made his TV debut in the Threat Matrix series. Roman’s additional feature credits include: Felon, Double Duty, Takers, Warrior, Deadline, Argo, Betrayal, Extraction, Crossroads, John Wick, Furious 7, Whiskey Tango Foxtrot, War Dogs, Message from the King, Cross Wars, Fury of the Fist and the Golden Fleece, Escape Plan 2: Hades, Vice, Shadow Wolves, American Skin, Cross 3 and All-Star Weekend. His TV series credits include: Dexter, Numb3rs, The Shield, Without a Trace, 24, CSI: Miami, Sons of Anarchy, The Division, Criminal Minds, Chuck, Vegas, CSI: NY, Revolution, Brooklyn Nine-Nine, Scandal, Agents of S.H.I.E.L.D., Scorpion, Castle, Person of Interest, Fear the Walking Dead, The Blacklist: Redemption, NCIS, Seal Team, Blue Bloods, Hawaii Five-0, NCIS: Los Angeles, 9-1-1, and Medical Police.

Terry George is an Oscar-winning film director from Belfast, Northern Ireland, known for movies like Hotel Rwanda, The Shore, In The Name Of The Father and much, much more.    In this rare conversation, we talk about why he creates the films he does, what genocide has taught him about forgiveness and the best piece of directing advice he’s ever been given.   // To see a 'treasure trove' of all things related to Terry (including a photo) please visit https://bestofbelfast.org/stories/terry-george-director   Best Of Belfast is Northern Ireland's #1 Interview Podcast. We've shared 100+ hour-long conversations with incredible people from Northern Ireland.   To find out more, or join 'The Producers Club' please visit https://bestofbelfast.org/   Cheers!   — Matt   

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This time, Terry George's Hotel Rwanda. Paul Rusesabagina is a manager at the Hôtel des Mille Collines in Kigali, who finds himself in the midst of the Rwandan Genocide of April 1994. With no outside aid, and with no other option, Paul sets about trying to protect the Tutsi refugees who have found shelter in the hotel from the Hutu militia amassed outside. At time of recording, it was ranked the 190th best movie of all time on the Internet Movie Database.

This week, we watch the film that portrays the historical events of the Rwandan Genocide through the story of a hotel manager who protected over 1,000 refugees in the midst of the massacre.  Don Cheadle portrays Paul Rusesabagina, a man who risked his family members lives, as well as his own, to save innocent lives in a performance that will most likely continue to define his career.  Hotel Rwanda (2004), directed by Terry George.

LA PROMESSE de Terry George (sortie le 29/11) Musique de Gabriel Yared Propos recueillis par Benoit Basirico

Director Terry George discusses his new film The Promise with fellow Director Tony Gilroy. The film tells the story of a love triangle between Mikael, a brilliant medical student, Ana, a dance instructor, and Chris, an American photojournalist during the waning days of the Ottoman Empire and during the Armenian genocide.

Deanna Fletcher is in conversation with Terry George; Academy Award winning director of 'The Promise'. This new film (starring Oscar Isaac and Christian Bale) is a love story for the ages wrapped in the dramatic true events experienced by the Armenian people during World War I. The director shares insights on great storytelling and has thoughts for up-and-coming film makers, while Joel Edwards (Christian Solidarity Worldwide) explains how persecution effects people even today. Comment and share your thoughts - join @heightofheart on Twitter & Instagram. --- Send in a voice message: https://anchor.fm/heightofheart/message

The Vegas Film Critic (Jeffrey K. Howard) reviews The Promise.

If an insane shootout like the one in Ben Wheatley's FREE FIRE ever broke out among critics, you can bet me and Joblo.com's Chris Bumbray would make it out alive. We bad like that, and it's also why he's the only one allowed on this episode of Cinema Royale to talk Wheatley's film starring Brie Larson, Cillian Murphy, Armie Hammer, and Sharlto Copley. Plus, we'll take THE PROMISE with Terry George's historical drama starring Oscar Isaac, Christian Bale, and Charlotte Le Bon.  It's a film that's already being projected to lose a bundle, and we'll tell you whether it deserves to or not. All this plus news on CAPTAIN MARVEL, GUARDIANS OF THE GALAXY 3, and more!  

Coming off of our review of "The Promise," we now bring you Kristen Lopez interviewing the writer/director of that film, Terry George, and actress Angela Sarafyan. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @negsbestfilmpodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2

For this week's main review, myself and Kristen tackle the highly controversial Armenian Genocide epic "The Promise" starring Oscar Isaac, Christian Bale & Charlotte Le Bon, written and directed by Terry George. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @negsbestfilmpodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2

If I didn't listen to my pain, I'd be dead.  I've interviewed hundreds of "successful" people. When they look back, they see two things: struggle and a story. These are hero stories -- choose yourself stories. Directed by pain, they found passion. Because they listened. I was alone, on the floor, broke, desperate, hopeless.  I ignored the pain. I wanted to die. And then something shifted. But you don't need to hit rock bottom to be successful. You just need something that ignites you.  "There's a moment, a chemistry, where people find a spark... something inside you triggers greatness," said Terry George. He wrote and directed the award winning film, Hotel Rwanda, and the upcoming film, The Promise, about a love story during WWII's genocide. "I'm not interested in suffering," he says. But he is. "I'm interesting in alleviating it." He grew up Catholic during Ireland's struggle for civil rights across a divided nation. "I got beaten up in playgrounds and shit like that. There was definitely a sense that you were not welcome to put it mildly." "That was was my education," he says.  He never thought about turning something horrific into a movie.  But that's exactly what he did. Through film, he connects us to human frailty, vulnerability and fear. He calls it "a universal language." That's the art of suffering. ------------What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!------------Visit Notepd.com to read our idea lists & sign up to create your own!My new book, Skip the Line, is out! Make sure you get a copy wherever books are sold!Join the You Should Run for President 2.0 Facebook Group, where we discuss why you should run for President.I write about all my podcasts! Check out the full post and learn what I learned at jamesaltuchershow.com------------Thank you so much for listening! If you like this episode, please rate, review, and subscribe to "The James Altucher Show" wherever you get your podcasts: Apple PodcastsiHeart RadioSpotifyFollow me on social media:YouTubeTwitterFacebookLinkedIn

If I didn't listen to my pain, I'd be dead.  I've interviewed hundreds of "successful" people. When they look back, they see two things: struggle and a story. These are hero stories -- choose yourself stories. Directed by pain, they found passion. Because they listened. I was alone, on the floor, broke, desperate, hopeless.  I ignored the pain. I wanted to die. And then something shifted. But you don't need to hit rock bottom to be successful. You just need something that ignites you.  “There’s a moment, a chemistry, where people find a spark... something inside you triggers greatness,” said Terry George. He wrote and directed the award winning film, Hotel Rwanda, and the upcoming film, The Promise, about a love story during WWII’s genocide. "I'm not interested in suffering,” he says. But he is. "I'm interesting in alleviating it.” He grew up Catholic during Ireland's struggle for civil rights across a divided nation. “I got beaten up in playgrounds and shit like that. There was definitely a sense that you were not welcome to put it mildly." "That was was my education," he says.  He never thought about turning something horrific into a movie.  But that's exactly what he did. Through film, he connects us to human frailty, vulnerability and fear. He calls it “a universal language." That’s the art of suffering. See omnystudio.com/listener for privacy information.

The latest episode of the Talkhouse Film podcast was recorded earlier this summer at the Sundance Resort, where the Sundance Screenwriters Lab took place. In conversation are lab mentor Scott Z. Burns, a regular collaborator with Stephen Soderbergh, and lab fellow Oorlagh George, who won an Oscar for producing her father Terry George's 2012 short The Shore, as they share stories from trenches, screenwriting wisdom — and a very memorable Bob Dylan story. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Terry George and Tony Gilroy reflect on the many influences and experiences that have informed their work and propelled their careers.

Terry George - Executive Director of Harold K.L. Castle Foundation The post TERRY GEORGE appeared first on Greater Good Radio - Leaders Inspiring Leaders.