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This is the climax of the summer's Matthew arc. Everything since Trinity has been building toward Peter's answer to the question Jesus finally asks him directly: “Who do you say that I am?” Today Peter answers, and the answer shapes everything that follows.* Track One begins Exodus — the birth of Moses, protected by an unlikely coalition of women who defy Pharaoh's murderous order. Psalm 124 sings the deliverance from the other side. * Track Two brings us Isaiah's call to remember the rock from which we were hewn, paired with Psalm 138's personal thanksgiving. * The Epistle turns an important corner: after eleven chapters of theological argument, Paul opens Romans 12 with “therefore” — the practical application begins. Present your bodies. One body, many members. Different gifts, all needed.For preachers continuing a series: this is the destination. The confession is what the summer has been building toward. Next week the Gospel will turn — Peter will be corrected, the way of the cross will be named — but this week we stop and let the confession stand.The ReadingsExodus 1:8–2:10First Reading (Track One) — The Midwives and the Birth of MosesSummaryA new king arises in Egypt who does not know Joseph. Threatened by the growing number of Hebrews, he enslaves them and orders the Hebrew midwives to kill every male child at birth. But the midwives — Shiphrah and Puah, named by the text against Pharaoh's namelessness — refuse. When Pharaoh escalates and orders all male children thrown into the Nile, three more women defy him: Moses's mother, who hides him and then places him in a basket on the river; his sister, who watches from the reeds; and Pharaoh's own daughter, who finds the baby and takes him as her own. Deliverance begins through the courage of women.Key Ideas for Preaching* The story of Israel's deliverance begins with women whose defiance no one wrote down until much later. An unlikely coalition forms across ethnic and class lines. Where in your congregation might God's deliverance be already beginning through people whose work no one has yet noticed?* Shiphrah and Puah are named by the text. Pharaoh, the most powerful man in the story, is not. The narrator has decided who matters. What might it mean for your congregation to notice whose names Scripture chooses to lift up?* The midwives lie — or, dissemble at the very least — to Pharaoh, and the text approves — God deals well with them. Where in your congregation has an obedience to institutional authority been quietly mistaken for faithfulness, when a deeper faithfulness would have refused?Significant Cautions* Do not idealize any of the characters. The midwives are ordinary working women doing what they can. Pharaoh's daughter defies her father but does not free the Hebrews. Their courage is real and it is also partial.* The civil disobedience reading of this text is available, but should not be pressed into any particular contemporary political program.* Say the names — Shiphrah and Puah — from the pulpit when you can. Pharaoh's namelessness is part of the text's judgment on him.Psalm 124The Psalm (Track One) — If It Had Not Been the LordSummaryA psalm of thanksgiving for deliverance, sung from the safe side. If it had not been the Lord who was on our side when enemies rose against us, when the waters would have swept us away, we would have been overwhelmed. Our help is in the name of the Lord, who made heaven and earth.Key Ideas for Preaching* The psalm is written in retrospect — thanksgiving from safety, not desperate pleading in the moment. What might it look like for your congregation to make a practice of naming past deliverances honestly, so that hope in future ones is grounded in something remembered?* Paired with today's Exodus reading, the psalm reads like a song sung generations after the midwives did their quiet work in a birthing room. What began as unnoticed courage becomes a whole people singing.Significant Cautions* Be careful not to preach this in a way that identifies contemporary political opponents as the “enemies” God delivers us from. The psalm is looking back at Egypt, not writing policy for today.Isaiah 51:1–6First Reading (Track Two) — Look to the RockSummaryA word of comfort to God's people in exile. Look to the rock from which you were hewn, the quarry from which you were dug — remember Abraham and Sarah, from whom your whole people came. God is bringing comfort to Zion, making her wilderness like Eden. Instruction will go out; justice will be a light to the peoples. The heavens will vanish like smoke and the earth wear out like a garment, but God's salvation will endure forever.Key Ideas for Preaching* The prophet asks the people to remember. Look to the rock. Remember Abraham and Sarah. Where in your congregation has the loss of memory made the current moment feel more precarious than it should?* The pairing of “the heavens will vanish like smoke” with “my salvation will be forever” is a striking piece of realism about what lasts. Where has your congregation been placing lasting trust in what will not last?* Paired with the Gospel, this text sets up the wordplay Jesus will use with Peter — “on this rock.” Isaiah's rock is Abraham and Sarah; Matthew's rock is Peter's confession. Both texts are asking about the ground beneath our feet.Significant Cautions* The imagery of Zion's restoration is specific to Israel's exile. Do not press it into a program for any modern nation.* “Look to the rock from which you were hewn” is an invitation to remember, not a mandate to romanticize the past.Psalm 138The Psalm (Track Two) — Do Not Forsake the Work of Your HandsSummaryA psalm of personal thanksgiving that expands to a global vision. The psalmist gives thanks with his whole heart and praises God's steadfast love. All the kings of the earth will one day praise God. The closing line is a prayer that God will not forsake the work of God's hands.Key Ideas for Preaching* “The Lord will fulfill his purpose for me… do not forsake the work of your hands.” That is one of the most reassuring sentences in the Psalter — a prayer that trusts God is not done. Where in your congregation are people who need to hear that they are still the work of God's hands?* The psalm begins with a personal thanksgiving and ends with all the kings of the earth. What might your sermon do with a psalm whose horizon widens that quickly?Significant Cautions* “All the kings of the earth” praising God should not be read as a program for religious empire. It is a prayer for a widening praise, not a mandate.Romans 12:1–8The Epistle — A Living Sacrifice; One Body, Many MembersSummaryAfter eleven chapters of theological argument, Paul turns a corner. “I appeal to you, therefore, brothers and sisters, by the mercies of God, to present your bodies as a living sacrifice.” Do not be conformed to this world, but be transformed by the renewing of your minds. Paul then turns to community life: think of yourselves with sober judgment. We are one body with many members, and no member is complete without the others. Different gifts have been given — prophecy, ministry, teaching, encouragement, giving, leading, showing mercy — and each should be exercised in the measure of faith God has given.Key Ideas for Preaching* “Present your bodies as a living sacrifice” is one of the strangest images in Paul. Sacrifices in the ancient world were dead. Living sacrifices are not a category. Paul is describing a whole life, offered without being consumed. What does it look like to preach whole-life offering in a culture that keeps splitting body from soul, work from worship?* Paul opens the practical section with an appeal for humility — think of yourself with sober judgment, not more highly than you ought. This is his first instruction for community life. Where in your congregation might humble self-assessment be the missing precondition for everything else Paul goes on to ask?* The list of gifts is illustrative, not comprehensive. Some are visible (prophecy, teaching, leading). Others are quieter (ministry, showing mercy, giving with generosity). Where in your congregation have visible gifts been overvalued and quieter gifts overlooked?Significant Cautions* “Present your bodies as a living sacrifice” has been misused to justify Christians accepting abuse or unhealthy suffering. That is not what Paul is describing. Handle the language carefully in pastoral contexts where suffering is not chosen.* The gifts list has sometimes been made into a personality test. Paul is describing what happens in a healthy community, not offering a diagnostic for individuals.Matthew 16:13–20The Gospel — Peter's Confession at Caesarea PhilippiSummaryJesus takes his disciples to Caesarea Philippi — a city built by Herod's son at the base of Mount Hermon, next to a massive rock cave that was a shrine to the Greek god Pan, and named after Caesar. In this heavily symbolic place, Jesus asks two questions. First: who do people say that the Son of Man is? The disciples report the various answers — John the Baptist, Elijah, Jeremiah, one of the prophets. Then the sharper question: who do you say that I am? Peter answers: you are the Messiah, the Son of the living God. Jesus blesses him — this insight, he says, has come from God, not from human reasoning. Then comes the famous wordplay: you are Peter, and on this rock I will build my church.* (see excursus below) Peter is given the keys of the kingdom. And the disciples are charged to tell no one that Jesus is the Messiah.Photo by Emile Guillemot on UnsplashKey Ideas for Preaching* The setting is not accidental. Caesarea Philippi was named after Caesar and built next to a shrine to Pan. When Jesus asks “who do you say that I am?” he is asking in the shadow of empire and of another religion's holy place. What does it mean for your congregation to make Peter's confession in the shadows of the powers of our own moment?* The other answers the disciples report — John the Baptist, Elijah, Jeremiah — are good answers. Great prophets. Faithful witnesses. But they are not enough. Where might your congregation be settling for a good answer to who Jesus is when a deeper one is being offered?* Jesus tells Peter the confession did not come from “flesh and blood” — it was given to him by God. The confession is not a reward for Peter's cleverness; it is a gift from the Father. Where in your congregation has faith been imagined as something we work out, when the text describes it as something we receive?* Whatever your tradition makes of the Petros/petra wordplay, the fundamental picture is worth preaching: the church is built on a confession. Not on our cleverness, not on our numbers, not on our building, not on our institutional strength. On a confession. What would change if your congregation actually believed that?Significant Cautions* The Petros/petra wordplay has been the site of long controversy between Catholic and Protestant traditions. Both readings have real defenders; do not preach one as the only faithful option.* “The gates of Hades will not prevail” has been used triumphally in ways Jesus's own life will complicate — he is about to head to Jerusalem and be crucified. The victory the passage promises is not the kind that avoids the cross.* The command to tell no one has puzzled readers for centuries. This is the “messianic secret” that runs through Matthew and Mark, and scholars have not settled its meaning. Do not preach a confident theory as if it were obvious.An exursus on the text: I found the following brief commentary from You.com to be helpful in my deliberation of how much to make of the difference between Petros and petra:* The Petros/Πέτρος vs. Petra/πέτρα Contrast (Matthew 16:18)Lexical and Grammatical Background* Πέτρος (Petros): Masculine, used as Simon's new name, means “rock” or “stone.” In Koine Greek, it is not used generically for “small stone”—that would be λίθος (lithos)* πέτρα (petra): Feminine, means “bedrock,” “massive rock,” or “rock formation.” Used metaphorically for a strong foundation* Gender Accommodation: The distinction is primarily grammatical—πέτρα is feminine and unsuitable as a male name, so the masculine Πέτρος is used for SimonAramaic Background* Kepha (כֵּיפָא): In Aramaic, the same word is used for both Peter's name and “rock,” with no gender distinctionJesus likely spoke Aramaic, so the Greek distinction is a translation artifact, not a theological oneMatthew 16:13–20 is a foundational passage for Christian theology and ecclesiology. The Petros/petra wordplay, rooted in Aramaic and preserved in Greek, affirms Peter's foundational role without excluding the importance of his confession or the broader apostolic witness. The passage's other key terms—ἐκκλησία, πύλαι ᾅδου, κλεῖδες τῆς βασιλείας, δήσῃς/λύσῃς, Υἱὸς τοῦ θεοῦ τοῦ ζῶντος—draw deeply from Jewish, Old Testament, and Greco-Roman backgrounds, establishing the church as a new, Christ-centered community with authority, resilience, and a confession rooted in divine revelation.Thematic ConnectionsThe Gospel is the climax of the summer's Matthew arc. Since Trinity we have been reading with Peter and the disciples — call, sending, warning, welcome, feeding, walking on water, encounter with the Canaanite woman — and today the question that has been building finally gets asked directly. Peter answers, and the answer shapes everything that follows.On Track One, the Exodus reading pairs with the Gospel in a specific way. Israel's deliverance begins with midwives whose courage no one recorded until later; the church, in the Gospel, is built on a confession made by a fisherman in the shadow of a pagan shrine. Both texts insist that the beginnings of God's great works often happen in unnoticed places, through unexpected people.On Track Two, Isaiah's “look to the rock from which you were hewn” and the Gospel's “on this rock” are worth reading side by side. Isaiah asks the people to remember Abraham and Sarah as their foundation. Jesus builds the church on the foundation of Peter's confession. Both texts are asking the same question in different tenses: what is the ground beneath your feet?Romans 12 sits inside the day as the “so what.” If Peter's confession is true, something has to change about how we live. Present your bodies. Think of yourselves with sober judgment. Use your gifts for the good of the whole body. Paul is describing what a community looks like when it takes Peter's confession seriously.For preachers finishing the summer series: this is the destination. Next week the Gospel will turn — Peter will be corrected, the way of the cross will be named — but this week we stop and let the confession stand. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

This is one of the more challenging Sundays of the year, and its texts all press toward the same difficult question: who is inside God's people, and by what authority is the boundary drawn?The Gospel gives us the story of the Canaanite woman — a scene that has troubled Christian readers for centuries because Jesus appears, at first, to refuse her request and to compare her people to dogs. What she does with his answer, and what he does with hers, is one of the most striking moments in Matthew. We will handle the passage with care and honesty about how difficult it is.The Old Testament tracks lead toward the Gospel from complementary angles. Track One brings us the moment of reconciliation in Genesis — Joseph revealing himself to the brothers who sold him — paired with Psalm 133's famous celebration of kindred living together in unity. Track Two brings us Isaiah's expansive invitation to foreigners to join themselves to the Lord, paired with Psalm 67's prayer for God's blessing to reach all nations. The Epistle continues in Romans 11 with what may be Paul's clearest word against the church's later attempts to replace or displace Israel: God has not rejected his people, and the gifts and the calling of God are irrevocable.For preachers continuing a series: the Matthew arc is now on the threshold of Peter's great confession at Caesarea Philippi, which comes next week. But before Jesus arrives there, the Gospel takes him first through a challenging encounter with a Gentile woman who insists on being heard.The ReadingsGenesis 45:1–15First Reading (Track One) — Joseph Reveals HimselfSummaryThe Joseph story reaches its most tender turning point. Joseph has been elevated in Egypt. His brothers, driven by famine, have come to Egypt to buy grain, not knowing that the powerful Egyptian official standing in front of them is the brother they sold into slavery decades ago. Joseph has tested them, wept privately more than once, and now can hold back no longer. He sends the Egyptians away so that he can weep in private with his family. And then he tells them: I am Joseph, your brother, whom you sold into Egypt. They are speechless with fear. He reassures them, kisses them, and weeps again.Key Ideas for Preaching* This scene has been prepared by pages of pain. The reconciliation does not happen quickly, and it does not happen because the brothers deserve it. Where in your congregation are people carrying the pain that comes before reconciliation, and how might this text steady them without pretending the timeline is short?* Joseph names what happened plainly — I am Joseph, whom you sold into Egypt. He does not paper over the wrong. But he also does not turn the naming into a weapon. What does it look like to preach a reconciliation that tells the truth about what happened without weaponizing it?* Joseph's theological interpretation — that God sent him ahead of the brothers to preserve life — has been misused throughout Christian history as a formula for “God used the bad thing for good.” Read within the story, it is Joseph's hard-won meaning, offered to his brothers as a gift so they can live with what they did. Where in your congregation has “God used it for good” been forced on people prematurely, and how might Joseph's own timing correct that?* The reconciliation happens through tears, not explanation. Joseph weeps three times in this scene. How might your sermon honor the role of grief in real reconciliation — the weeping that has to happen before the family can eat together again?Significant Cautions* “God sent me before you to preserve life” is Joseph's interpretation of his own experience. It should not be handed to any suffering person as an explanation of what God is doing in their life. Joseph earned that meaning through years of hardship; no one else should have to earn a lecture on it.* The reconciliation is real but incomplete. The brothers remain afraid. Jacob will hear the news and be transformed. The years of harm have consequences that this scene does not undo. Do not preach reconciliation as if it erases the past.* The trafficking of Joseph, which we read about two weeks ago, is not made good by his elevation. Do not use his rise to soften the reality of what was done to him.Psalm 133The Psalm (Track One) — How Very Good and PleasantSummaryOne of the shortest psalms in the Bible, and one of the most quoted. How very good and pleasant it is when kindred live together in unity. The psalm reaches for two vivid images — oil running down Aaron's head onto his beard and clothing, and dew falling on the mountains — to describe what such unity is like. The psalm closes with the observation that this is where the Lord commanded blessing.Photo courtesy of the Catholic ScotKey Ideas for Preaching* The psalm's images are surprisingly bodily — oil on the head, running down the beard, falling on the collar; dew on mountains. Unity, for the psalmist, is something felt and touched, not just theorized. Where has your congregation reduced unity to an idea that can be agreed on, when the psalm imagines something more embodied?* Read alongside today's Genesis reading, the psalm's celebration of kindred in unity comes at the cost of what preceded it in Joseph's story. Unity is real, and it is also the fruit of long, painful work. How might your sermon hold both together?Significant Cautions* Do not preach unity as the suppression of difference. The psalm celebrates kindred living together, not kindred pretending to be identical.* “Kindred” can be read narrowly — only our people, only our tribe. In light of today's Isaiah and Matthew readings, the wider point of the day is that God's kindred is larger than we thought.Isaiah 56:1, 6–8First Reading (Track Two) — A House of Prayer for All PeoplesSummaryThe prophet speaks a word from God that extends the covenant beyond the boundaries of ethnic Israel. The verses selected for today focus on foreigners who have joined themselves to the Lord — they are welcomed to the holy mountain, their offerings will be accepted, and God's house will be called a house of prayer for all peoples. God declares plainly: I will gather still others besides those already gathered. (The verses between 1 and 6, not included in the reading, extend the same welcome to eunuchs — a striking expansion for its time.)Key Ideas for Preaching* The prophet is naming a widening of the people of God that many in the community would have resisted. Foreigners are welcomed. God's house is a house of prayer for all peoples. Where in your congregation is this widening still contested, and how might Isaiah's word speak to it?* The verses skipped by the lectionary include the equally striking welcome of eunuchs — people who could not have children and were, in the ancient world, excluded from full covenant standing. The wider prophetic vision includes people whose bodies and identities the community had already written off. What might it look like to name that omitted section in your sermon, so that its welcome is not left silent?* “I will gather still others besides those already gathered.” That is God's own commitment to keep expanding the people. Where has your congregation quietly assumed that the gathering is complete?Significant Cautions* Do not use this text to bless or condemn any modern political program — the prophet is speaking about God's covenant people, not about state immigration policy.* “House of prayer for all peoples” was quoted by Jesus in the temple. That connection is worth naming, but be careful not to use the connection to displace the original Jewish audience of the prophet.Psalm 67The Psalm (Track Two) — Let All the Peoples Praise YouSummaryA short psalm that opens with the language of the priestly blessing — may God be gracious to us and bless us — but extends outward almost immediately. The whole point of God's blessing on this people is that God's saving power might be known among all nations. “Let all the peoples praise you, O God; let all the peoples praise you.” The psalm closes with the harvest and God's blessing reaching to the ends of the earth.Key Ideas for Preaching* The blessing on this people, in this psalm, is for the sake of all peoples. God's grace does not stop with those who first receive it. Where has your congregation received God's grace as if it were for their consumption, and how might this psalm turn it outward?* The refrain “let all the peoples praise you” is repeated for emphasis. It is not a decorative flourish; it is the psalm's central conviction. What might your sermon do with the specific vision of every people praising God?Significant Cautions* Do not read “all the peoples” as a program for religious conquest. The psalm imagines every people praising God, not becoming absorbed into any one particular tradition.Romans 11:1–2a, 29–32The Epistle — The Irrevocable GiftsSummaryPaul asks the direct question: has God rejected his people, Israel? His answer is emphatic: by no means. He himself is a Jew, an Israelite, a descendant of Abraham, and God has not rejected the people God foreknew. The lectionary jumps ahead to Paul's summary: the gifts and the calling of God are irrevocable. All — Jews and Gentiles both — have been disobedient in various ways, and God has bound all to disobedience so that God may have mercy on all.Key Ideas for Preaching* Paul, a Jew writing to Gentile Christians, is at pains to insist that God has not abandoned Israel. In a Christian tradition that has too often taught the opposite, Paul's word is worth reading slowly and letting land. What does it look like to preach this text in a way that names, and refuses, the church's long anti-Jewish history?* “The gifts and the calling of God are irrevocable.” That is one of the most beautiful sentences Paul ever wrote. God does not take back what God has given. Where in your congregation are people afraid that God has taken back what God once gave them — a calling, a gift, an assurance — and how might Paul steady them?* “God has imprisoned all in disobedience so that God may be merciful to all.” That is a startling formulation. The mercy is the point; the disobedience is the honest naming of what has to be met by mercy. How might your sermon land the “so that God may be merciful to all” without softening or hurrying?Significant Cautions* This passage is one of the clearest arguments in Scripture against the church's later teaching that Christianity has replaced Judaism. Preach it against that teaching plainly, without softening. Paul is not saying God has moved on from Israel — he is saying explicitly the opposite.* “God has imprisoned all in disobedience” has been misread as a claim that God causes sin. Paul is describing a spiritual condition, not authoring it. Handle the language carefully.* The universal reach of God's mercy in this text — “mercy on all” — has sparked long debates. Do not try to settle those debates on the pulpit. Let Paul's language stand.Matthew 15:(10–20), 21–28The Gospel — The Canaanite WomanSummaryTwo scenes here, though many preachers focus on the second. In the first (verses 10–20, optional), Jesus teaches that what defiles a person is not what enters the body but what comes out of it — out of the heart. The teaching pushes against the ritual purity system that separated people. Then the second scene: Jesus withdraws to the region of Tyre and Sidon — Gentile territory. A Canaanite woman comes out to him, crying for mercy — her daughter is tormented. Jesus does not answer her. The disciples urge him to send her away. He says, “I was sent only to the lost sheep of the house of Israel.” She kneels before him: “Lord, help me.” He says, “It is not fair to take the children's food and throw it to the dogs.” Her answer is one of the most famous lines in the Gospels: “Yes, Lord, yet even the dogs eat the crumbs that fall from their masters' table.” Jesus responds: “Woman, great is your faith. Let it be done for you as you wish.” Her daughter is healed instantly.Key Ideas for Preaching* This is one of the hardest passages in the Gospels. Jesus's initial response to the Canaanite woman is not kind. He ignores her, then he says his mission is not to her people, then he uses language that compares her people to dogs. Preachers have handled this text in a dozen different ways over the centuries, and there is no scholarly consensus about what to make of Jesus's behavior. Be honest with your congregation about the difficulty rather than pretending it resolves neatly.* What the passage clearly does is present a Gentile woman as faithful, quick-witted, and correct. She wins the argument. Her faith is what Jesus praises. Where in your congregation has faith been imagined as something that agrees with authority quietly, and how might this woman's persistent, argumentative faith rewrite that picture?* Jesus's ministry visibly expands in this scene. Whatever the initial exchange means, the ending is that a Gentile woman's daughter is healed by the same Jesus whose ministry has, until now, focused on Israel. Something has widened. How might your sermon honor the widening without smoothing over what came before it?* The woman does not accept the terms of the exchange. She does not say, “You're right, I don't deserve it.” She reframes the metaphor and turns it back on Jesus with a wit and dignity that carry the whole scene. What might your people learn from her about the faithfulness of persistent asking — even, sometimes, of talking back?* The word “Canaanite” is Matthew's specific choice (Mark calls her Syrophoenician). Matthew is deliberately reaching back to the ancient enemies of Israel — the Canaanites — and making a point about how far God's welcome now extends. Take a moment to name this if you have space; it deepens the scene considerably.* Read alongside Isaiah 56 and Romans 11, this scene is part of a day whose whole shape is the widening of God's people. The Gospel is the hardest text of the day, but it does not stand alone. How might your sermon set it inside the day's larger movement rather than reading it in isolation?Significant Cautions* Do not paper over Jesus's initial words. He calls the woman's people, in effect, dogs — a real slur in the ancient world. Sermons that pretend the language is not shocking miss what the passage is doing.* Different faithful readers make different sense of Jesus's initial response. Some read it as testing the woman. Some read it as Jesus giving voice to the prejudice of his time so that his final answer breaks it. Some read it as Jesus's own limited understanding being challenged and changed. Do not preach as if the question has been settled. Faithful readings differ.* Whatever you make of Jesus's initial response, be clear that the woman is not being taught a lesson about her place. The passage is not endorsing Jesus's opening line. The woman's answer, and Jesus's praise of her faith, together indicate that her side of the exchange is the right side.* “Great is your faith” has sometimes been used to shame people whose prayers are not answered — as if the woman got what she asked for because she believed hard enough, and anyone who has not received healing lacks her faith. Preach against that misuse plainly.* The optional verses (10–20) about what defiles a person are worth including if you have time. They set up the second scene: Jesus has just said that ritual purity does not determine who is close to God. The Canaanite woman is the immediate test case.Thematic ConnectionsThe Gospel is the natural center for the day, and it is one of the most difficult passages the year hands us. The whole day pushes toward the same question: who is inside God's people, and by what authority is that boundary drawn?On Track One, Joseph's reconciliation with his brothers gives us a picture of unity that has been earned through long grief. The reunion is real, and it is also incomplete — the brothers remain afraid, and the years cannot be undone. Psalm 133 celebrates unity, but the Genesis story has already shown us how much labor unity actually takes. Preachers on Track One can hold the difficulty of the Gospel alongside the fact that the widening of God's family has never been quick or clean.On Track Two, the connection to the Gospel is more direct. Isaiah 56 announces that foreigners will be welcomed to the holy mountain and that God's house will be a house of prayer for all peoples. Psalm 67 celebrates the ways God's blessing on this people is for the sake of all peoples. Read alongside the Canaanite woman's story, the track prepares the ear for the widening that is happening in the Gospel scene, however uncomfortable the way in.Romans 11 sits inside the day as the most direct word for preachers who have followed the Romans arc across the summer. God has not rejected God's people. The gifts and the calling of God are irrevocable. God's mercy is extended to all. This is Paul's answer to the anti-Jewish readings of Romans 9–10 that have plagued Christian history. If you have preached those chapters, this is the Sunday to name plainly where Paul actually lands.For preachers continuing a series: the Matthew arc is now on the edge of Peter's great confession at Caesarea Philippi, which comes next week. But before Jesus arrives there, he has this encounter that widens his ministry beyond Israel. The Gospel is preparing us to hear Peter's confession as an answer to a question that has been growing more urgent throughout these summer weeks: who is this Jesus, and who is he for? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

The Gospel picks up on the same night as last week's feeding of the five thousand. Immediately after Jesus feeds the crowd, he sends the disciples across the sea, dismisses the crowd, and goes up the mountain to pray alone. A storm rises. Some time before dawn, Jesus comes to them, walking on the water. Peter, characteristically, asks to join him — and takes a few steps before he starts to sink. It is one of the most famous scenes in the Gospels, and one of the most misused. We want to handle it with care.The Old Testament tracks reach the Gospel by very different paths. Track One begins the Joseph story — the coat, the favoritism, the brothers' plot, and the trafficking of Joseph into Egypt. Psalm 105 remembers that same descent as part of God's long providence. Track Two brings us Elijah at Horeb, exhausted and suicidal, meeting God not in the wind or earthquake or fire but in the sound of sheer silence — paired with Psalm 85's beautiful image of steadfast love and faithfulness meeting each other. The Epistle continues into Romans 10, with Paul's insistence that the word of faith is not far away but near — on our lips, in our hearts — and his celebration of the beautiful feet of those who carry good news.For preachers continuing a series: the Matthew narrative arc is picking up momentum. The identity of Jesus is being asked with increasing urgency — the disciples' confession at the end of this scene (“Truly you are the Son of God”) anticipates the great confession at Caesarea Philippi in two weeks. Something is building.The ReadingsGenesis 37:1–4, 12–28First Reading (Track One) — Joseph Sold Into SlaverySummaryThe Joseph story begins; this will become the longest narrative in the book of Genesis. Jacob favors Joseph — the son of his old age — and dresses him in the famous coat that will follow him into legend. The brothers see the favoritism, feel the sting of Joseph's dreams that place him above them, and cannot bring themselves to speak peaceably to him. When Jacob sends Joseph to check on his brothers at pasture, they see him coming from a distance and plot his death. Reuben talks them out of murder and throws him into a pit, hoping to rescue him later. Judah spots a caravan of traders and suggests selling him instead. The brothers sit down to a meal while Joseph is in the pit. Then they pull him out, sell him for twenty pieces of silver, and let him disappear into Egypt.Key Ideas for Preaching* The family in this story is genuinely dysfunctional. Parental favoritism produces jealousy; jealousy produces murderous rage; rage becomes trafficking. Genesis does not clean any of this up. What does it look like to preach honestly about the destructive patterns in a family that many of your people have inherited in their own?* Reuben tries to save Joseph without confronting the brothers. Judah calculates a middle path — profit rather than murder. Neither of these is heroism. Where in your congregation has quiet compromise passed for moral courage, and how might the text expose that?* The most chilling detail in the scene is that the brothers sit down to eat while Joseph is in the pit. Cruelty and appetite living together in the same body. Where has your congregation grown comfortable eating while others suffer, and what would it look like to notice again?* The Joseph story that begins here will end with reconciliation and rescue. But the reconciliation is decades away. What does it look like to preach the opening of a story whose good ending we know, without collapsing the pain of the beginning?Significant Cautions* The trafficking of Joseph is a real evil, not just a plot device. Do not use it as a metaphor in a way that minimizes what actually happened to him — or what still happens to trafficked people today.* “God used it for good” is where this story eventually ends up, but it does not begin there. Do not use the eventual outcome to blame the victim or to bless the brothers' cruelty in advance.* Joseph is not blameless in the family dynamic. His dreams and his coat are part of what has produced the tension. But that does not make him deserve any of what happens.* Do not preach Jacob's favoritism as a charming quirk. It is a wound the family will carry for generations.Psalm 105:1–6, 16–22, 45bThe Psalm (Track One) — Joseph in FettersSummaryThis section of the great remembering psalm now focuses on Joseph specifically. God sent a famine on the land; he sent a man before them — Joseph, sold as a slave. His feet were hurt with fetters, his neck put in a collar of iron, until his word came true and God's word tested him. Then the king sent for him and set him over his household. The psalm remembers Joseph's suffering openly, as part of God's long faithfulness.Key Ideas for Preaching* The psalm names Joseph's suffering openly — feet in fetters, neck in iron — before it names his elevation. It does not skip over the pain. What does it look like for your congregation to remember the hard chapters of God's people alongside the good ones, without pretending either did not happen?* “The word of the Lord tested him.” That is a striking phrase. Joseph's suffering is not caused by God's word, but it is what he had to endure while God's word did its slow work. Where in your congregation are people enduring something long and hard while God's promise seems to be delayed?Significant Cautions* “The word of the Lord tested him” can be misread to suggest that God causes suffering to test people. The psalm is describing the experience of waiting for God's promise, not endorsing a theology of trial.1 Kings 19:9–18First Reading (Track Two) — Elijah at HorebSummaryElijah has just fled Queen Jezebel's threat on his life after killing the prophets of Baal on Mount Carmel. Exhausted and suicidal — in the verses just before our reading, he asks God to take his life — he has walked forty days into the wilderness and arrived at Horeb, the mountain of Moses. He goes into a cave. The Lord's voice asks: “What are you doing here, Elijah?” Elijah answers with a complaint. God tells him to stand on the mountain. Wind splits rocks; earthquake shakes; fire burns — but the Lord is in none of these. Then a sound of sheer silence — or, in older translations, a still small voice. Elijah wraps his face in his mantle. God asks the same question again. Elijah gives the same answer. God sends him back with an assignment to anoint successors, and with the correction that seven thousand others in Israel have not bowed to Baal.Key Ideas for Preaching* Elijah is not simply tired. He is suicidal. Just before our reading, he has asked God to take his life. What does it look like to preach on this text with tenderness for those in your congregation who have been that low, without preaching over their heads?* God does not lecture Elijah out of his despair. In the verses just before ours, God feeds him and lets him sleep before saying anything at all. Only then comes the question — twice — “What are you doing here?” That is pastoral care, not correction. How might your sermon model the same slowness with people in crisis?* The famous line is that the Lord was not in the wind or the earthquake or the fire, but in the sound of sheer silence. That is not a general rule about how God speaks; it is what Elijah needed to hear that day. Where in your congregation are people expecting God only in the dramatic, and how might this text open the possibility of a quieter meeting?* God's correction of Elijah's “I alone am left” is the one honest word in the whole scene. Elijah has been sure of his isolation, and he has been wrong. Seven thousand others have stayed faithful. Where in your congregation are people convinced they are alone in their faithfulness, and how might the text steady them?* God sends Elijah back to work. The vision is not the end. The next day begins. What does it look like to preach that quiet encounters lead to ordinary faithfulness, not away from it?Significant Cautions* Do not universalize “God is in the quiet.” God is in the dramatic too, elsewhere in Scripture. The text describes what Elijah needed that day, not a doctrine about how God always comes.* Do not treat Elijah's suicidal despair as a stage he had to move through to reach the still small voice. The despair is real, and any congregant hearing this text may be living it. Handle with care, and if it fits your context, name real resources for those who need them.* The seven thousand who have not bowed to Baal are named to correct Elijah's loneliness, not to diminish his suffering. Do not use this line to tell someone in real isolation that they are wrong to feel alone.* “Still small voice” is one translation choice among several. “Sound of sheer silence” is another. If you dwell on the phrase, mention that faithful translators disagree — both readings are honest attempts at a Hebrew phrase that resists a single English equivalent.Psalm 85:8–13The Psalm (Track Two) — Steadfast Love and Faithfulness MeetSummaryA short psalm of confidence. The psalmist commits to hear what God will speak — a word of peace to God's people. God's salvation is near. Steadfast love and faithfulness will meet; righteousness and peace will kiss each other. The land will yield its increase; righteousness will go before God and prepare a way.Key Ideas for Preaching* The image at the center is remarkable: steadfast love and faithfulness meeting, righteousness and peace kissing. The qualities we sometimes hold apart — mercy and truth, justice and peace — belong together in God. Where has your congregation been forced to choose between qualities that should meet, and how might this psalm free them from the false choice?* Paired with the Gospel, the psalm's promise that God speaks peace prepares us to hear Jesus' “take heart; do not be afraid” across the water. What might it look like to let the psalm set the ear before the Gospel arrives?Significant Cautions* The kiss of righteousness and peace is a poetic image, not a policy platform. Do not press it into a specific political program on the pulpit.Romans 10:5–15The Epistle — The Word Is Near YouSummaryPaul insists that the word of faith is not far away. It is not up in heaven or down in the deep; it is near — on our lips and in our hearts. If we confess with our lips and believe in our hearts, we are saved. There is no distinction between Jew and Greek: the same Lord is Lord of all, and everyone who calls on the name of the Lord shall be saved. Paul closes with the chain that has echoed through Christian preaching ever since — how are they to call if they have not believed? how are they to believe if they have not heard? how are they to hear without someone to proclaim? And how beautiful are the feet of those who bring good news.Key Ideas for Preaching* Paul's insistence is that the word is near — not far, not hard to reach, not on the other side of a wall. The proclamation of the gospel does not require a journey to a mountain. Where has your congregation been treating the word as if it were still up in heaven, and how might Paul's nearness correct that?* “How beautiful are the feet of those who bring good news.” The image is homely — ordinary walking feet on ordinary ground. Where in your congregation are people already walking with good news, without knowing that the walking itself is being called beautiful?* Paul's chain — how are they to hear without a proclaimer? — is not about ministerial guilt. It is a description of how the word travels. What might your congregation do differently if they saw themselves as one link in that chain, not as those who have to carry the whole load?Significant Cautions* “Everyone who calls on the name of the Lord will be saved” has been used narrowly, to test who is inside and outside. Paul's flow of thought here is expansive, not restrictive. The point is how widely the invitation goes, not how narrow the gate is.* The “no distinction between Jew and Greek” line has sometimes been misread to argue that Christianity has replaced Judaism. Paul, a Jew, is not saying that. He is saying that God's covenant is expanding, not being reassigned.* “How beautiful are the feet” has been used to guilt people into evangelistic performance. Paul is celebrating the goodness of the walking, not measuring how many miles you have covered.Matthew 14:22–33The Gospel — Walking on WaterSummaryImmediately after the feeding of the five thousand, Jesus makes the disciples get into the boat and cross the sea while he stays behind to dismiss the crowds. He goes up the mountain to pray, alone. The boat is far from shore, battered by the wind, when in the fourth watch of the night — sometime before dawn — Jesus comes to them, walking on the sea. They are terrified. He speaks: take heart; it is I; do not be afraid. Peter, characteristically, asks for proof — command me to come to you on the water. Jesus does. Peter walks a few steps on the water toward Jesus. Then he notices the wind, becomes afraid, and starts to sink. Lord, save me. Jesus immediately reaches out and catches him: you of little faith, why did you doubt? They climb into the boat; the wind stops. The disciples in the boat worship him: truly you are the Son of God.Key Ideas for Preaching* Notice where Jesus is when the storm starts. He is on the mountain praying, alone. Last week we watched him serve from within his grief; this week he is in the deeper solitude that grief-serving people need. What does it mean that the compassion of Christ is fed by his own solitude with the Father?* Jesus does not calm the storm before coming to the disciples. He comes across the storm, in the storm, walking on the very water that is battering them. Where in your congregation are people waiting for the storm to end before Christ arrives, when the text is showing them a Christ who comes in the middle of it?* “Take heart; it is I; do not be afraid.” The Greek behind “it is I” is ego eimi — “I am” — the same phrase used for God's name at the burning bush. Matthew is signaling that this walking figure is not just a man. What might it mean for your congregation to hear the walking Jesus as the God who once named himself I AM at Sinai?* Peter's boldness and Peter's fear are the same Peter. He asks to walk; he walks; he notices the wind; he sinks. Every reader recognizes this. Where in your congregation are people ashamed of the same mix — of the boldness that took them out onto the water and the fear that pulled them back — and what would it mean for them to hear that Peter is us?* Jesus reaches out immediately. There is no delay. There is no lecture first. There is no letting Peter sink a little longer so that he learns. Christ catches him as soon as he cries out. Where in your congregation are people afraid that Christ will let them sink, and how might this immediacy steady them?* “You of little faith, why did you doubt?” The phrasing is often preached as harsh, but the tone in the Greek is more tender — a real question, an invitation to wonder. Jesus is not shaming Peter for the doubt; he is asking him to look at it. How might your sermon receive this question the way it might have been asked — quietly, on the water, one hand still in Peter's?Significant Cautions* “You of little faith” has been used to shame doubt for centuries. The tone in Matthew is not the tone of most sermons that quote it. Handle with care.* Do not preach this as a “have more faith” sermon. Peter did not sink because his faith was too small; he sank because he took his eyes off Christ and looked at the storm. The prescription is not more effort but redirected attention.* “Walking on water” has been metaphorized in ways that empty the story of its actual claim about who Jesus is. The scene is not a self-help image; it is Matthew making a claim about the identity of Christ.* Do not use this text to blame those whose lives are storm-tossed for their lack of faith. The storm was not caused by the disciples' unfaithfulness; it was simply where they were.* The disciples' confession at the end — “truly you are the Son of God” — is the first time in Matthew a group of disciples says this out loud. Do not skip past its weight. It is the fruit of the encounter, not just a closing line.Thematic ConnectionsThe Gospel is the natural center for the day. Matthew has placed the walking on water immediately after the feeding of the five thousand — the same Christ, the same disciples, the same night. The feeding showed us what Christ does when the crowd is hungry. The walking on water shows us what he does when his own disciples are afraid. Both scenes hinge on a compassion that acts from within the situation, not at a safe distance.On Track One, Joseph's story is beginning. The opening chapter of a long saga in which God's promise is delayed by human cruelty, delivered eventually, and revealed as having been at work through the whole terrible middle. The pairing with the Gospel is more thematic than direct: Joseph, like Peter, is going to spend time sinking before he is caught. Psalm 105 gives us the tradition's own reading of Joseph's suffering — feet in fetters, neck in iron — as part of the long work of God's fidelity. Preachers can hold Joseph's descent and Peter's sinking together, both as stories of God's people going down before God's rescue comes.On Track Two, Elijah at Horeb and the Gospel share a striking feature: God comes not in the loud and dramatic but in something quieter — the sound of sheer silence for Elijah, and, for the disciples in the storm, the walking figure and the tender “take heart.” Psalm 85's promise that God speaks peace prepares the ear. The whole track invites a congregation to trust that God shows up in ways more tender than dramatic. But it can also honor the moments when the dramatic is what is needed — as it is when Peter is sinking and Jesus reaches out immediately.Romans 10 sits inside the day as the invitation. The word is near — on our lips, in our hearts. There is no distance to cross to reach God's love. The Christ who walks across the water in the Gospel is the one whose word is already inside us in Romans. And the beautiful feet of the messengers are also, quite specifically, the feet that stepped out of the boat and, briefly, walked on the water.For preachers continuing a series: the Matthew arc keeps unfolding. The identity of Jesus is being asked with more urgency each week. Peter's confession at the end of this scene (“truly you are the Son of God”) anticipates the great confession at Caesarea Philippi in two weeks. The Gospel is building toward something. This is a public episode. 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This Sunday marks a shift in the Gospel. The parables arc that ran through the last three Sundays gives way to a return to Jesus in action. Matthew 14 gives us the feeding of the five thousand — one of the most famous miracles in Christian memory, and the only miracle told in all four Gospels. After weeks of listening to Jesus tell stories about the kingdom, we now watch him embody the kingdom — with a hungry crowd, a deserted place, and five loaves.Photo by nilufar nattaq on UnsplashThe Old Testament tracks lead toward the Gospel in different ways. Track One brings us one of the most famous scenes in Genesis — Jacob's night at the river Jabbok, wrestling with a stranger who turns out to be more than a stranger. Track Two gives us Isaiah's great invitation to the thirsty and hungry to come and eat without money and without price. Both pair naturally with the Gospel's feeding.The Epistle turns a corner as well. Romans 8 has been running under the Sundays since Proper 9, and it culminated last week in the great crescendo: nothing can separate us from the love of God. Today Paul opens Romans 9 in a completely different key — anguish, unceasing sorrow, grief for his own people, Israel. It is a difficult passage and easy to preach badly. The guide handles it with care.For preachers continuing a series: the parables arc has closed. The next several weeks return to Matthew's narrative — the feeding this week, walking on water next week, the Canaanite woman the week after. Jesus is on the move again, and Matthew's pen is following him.The ReadingsGenesis 32:22–31First Reading (Track One) — Jacob at PenielSummaryJacob is returning to face his brother Esau after twenty years away. He has sent his family and possessions across the Jabbok in the night and been left alone. There, in the darkness, a man wrestles with him until daybreak. Neither prevails; the stranger strikes Jacob's hip, and Jacob's hip is put out of joint. As morning is coming, the man asks to be released. Jacob refuses without a blessing. He receives one: a new name — Israel, “one who has striven with God and prevailed.” Jacob names the place Peniel, “the face of God,” because, he says, he has seen God face to face and lived. He limps away into the sunrise.Key Ideas for Preaching* Jacob is at the darkest point of the story so far. He has cheated his brother, been cheated by his uncle, and now must face the brother he wronged. The wrestling comes at exactly this moment. Where in your congregation are people in the darkest stretch of their story, and what might it mean for them to hear that this is exactly where God has been known to show up?* The wrestling is not tidy. Jacob is not blessed for pious cooperation. He is blessed because he held on through a struggle he did not choose. What might it mean for your people that a faithful life includes wrestling — with God, with the questions we cannot resolve, with our own patterns — and not only calm assent?* Jacob asks for a blessing and receives a limp. The blessing is real, and so is the wound. He walks away permanently changed. Where in your congregation have people received both a blessing and a mark from their encounter with God, and how might this text help them make peace with the mark?* The new name — Israel, “one who has striven with God” — becomes the name of a whole people. The identity of God's people is not “one who has agreed with God” but “one who has striven with God.” What does it look like to preach faithful striving, not just faithful agreement?Significant Cautions* Do not romanticize the wrestling into an image of triumphant persistence. Jacob does not defeat God. He simply refuses to let go, and he is wounded in the encounter.* “I have seen God face to face” is Jacob's claim in awe, not a doctrine. Do not build a theological system on the specific language of the encounter.* The wound to the hip is not a moral punishment. It is what encounter with the holy sometimes costs. Preach it gently.Psalm 17:1–7, 15The Psalm (Track One) — I Shall Behold Your FaceSummaryA prayer for help from someone under real pressure. The psalmist asks God to hear his cry, to test his heart, to keep him under God's wing. He is being pursued by enemies who want to bring him down. The closing verse turns to hope: “I shall behold your face in righteousness; when I awake I shall be satisfied.”Key Ideas for Preaching* The psalmist is honest about the pressure he is under. He is not pretending to be calm. Where in your congregation are people under real pressure who need permission to name it in prayer without dressing it up?* Paired with Jacob's wrestling, the psalm's closing hope — “I shall behold your face” — takes on unexpected weight. Both texts imagine a face-to-face meeting with God as the goal, however costly the road there. What does it mean to preach a faith where seeing God face to face is worth the wrestle?Significant Cautions* The psalmist's claim of innocence can sound self-righteous. Read in context, it is a plea for a fair hearing, not a boast about moral perfection.Isaiah 55:1–5First Reading (Track Two) — Come to the WatersSummaryOne of the great invitations in the prophets. Everyone who thirsts is called to come to the waters. Everyone without money is called to come, buy, and eat — without money and without price. The prophet asks why we spend our money on what is not bread, our labor on what does not satisfy. God's covenant is renewed as an everlasting one, in the pattern of God's steadfast love for David.Key Ideas for Preaching* The invitation is remarkable. Come, buy, and eat — without money and without price. God's economy runs on a different currency than the market's. Where in your congregation has the culture of transaction crept into people's sense of what they can receive from God?* “Why do you spend your money for that which is not bread, and your labor for that which does not satisfy?” That is a question worth reading slowly in a culture built on selling us things that will not satisfy. What might your sermon do with that question, alongside the Gospel's picture of a crowd fed for free?* Paired with today's Gospel, the connection is direct. Both texts describe God feeding people freely. What does it mean for your congregation that the free feeding of the multitude is not a departure from the God of Israel but an expression of exactly who this God has been all along?Significant Cautions* The invitation to “come, buy, and eat without money” is easy to spiritualize in ways that let the church off the hook for the actual hungry. Do not use this text to sanitize scarcity in the world.Psalm 145:8–9, 14–21The Psalm (Track Two) — You Open Your HandSummaryAnother section of the great hymn to God's compassion. God is gracious and merciful, slow to anger, good to all. God upholds the falling, feeds every living thing in its season, and is near to all who call. The closing verses affirm that God fulfills the desires of those who fear him and preserves those who love him.Key Ideas for Preaching* “The eyes of all look to you, and you give them their food in due season. You open your hand, satisfying the desire of every living thing.” This is divine hospitality on a cosmic scale. How might your sermon place today's feeding of the five thousand inside this larger picture — God's steady, ongoing feeding of everything alive?* “The Lord is near to all who call on him.” Not near to some. Not near to the deserving. Near to all. Where has your congregation quietly assumed nearness was on a shorter list?Significant Cautions* “The Lord watches over all who love him, but the wicked he will destroy” appears in this section of the psalm. Handle it carefully. Do not use it to license human judgment against people we have decided are wicked.Romans 9:1–5The Epistle — Paul's Grief for His PeopleSummaryThe tone in Romans changes sharply. After the crescendo of chapter 8, Paul opens chapter 9 in grief. He has, he says, unceasing sorrow in his heart. He would wish himself cut off from Christ if it would somehow bring his own people, the Israelites, into what he has come to know in Jesus. The passage names what belongs to Israel: the adoption, the glory, the covenants, the giving of the law, the worship, the promises, the patriarchs, and — according to the flesh — the Messiah himself.Key Ideas for Preaching* Paul is anguished about his own people. He is not writing them off. He is not preaching against them. He is grieving because he loves them and because he has come to believe something that separates them from him. What does it look like to preach on grief for people we love who see the world differently — not with contempt, but with the ache Paul is describing?* The list Paul gives — adoption, glory, covenants, law, worship, promises, patriarchs, and the Messiah — is a list of gifts to Israel. Paul is not disparaging his own tradition; he is celebrating it, even in his grief. How might your sermon guard against the anti-Jewish readings that have plagued this passage in Christian history?* Paul's willingness to wish himself cut off from Christ, if it would help his people, is one of the most striking lines in the letter. He is not being noble; he is naming the depth of his love for people he cannot make see what he sees. Where in your congregation has love for someone across a divide taken people to that kind of place?Significant Cautions* This passage has been used to argue that Christianity has replaced Judaism, or that Jewish people have been cut off from God. Paul does not say this. He says the opposite — the covenants, the promises, the patriarchs, and even the Messiah belong to Israel. Preach against the anti-Jewish uses of this passage plainly.* “According to the flesh comes the Christ” should not be pressed into subtle anti-Jewish readings. Paul's point is that the Messiah is Jewish — a claim he is making with pride, not with distance.* Paul's grief for people he loves who do not yet share his faith should not be turned into a permission slip for aggressive evangelism. His posture is anguished, not strategic.Matthew 14:13–21The Gospel — The Feeding of the Five ThousandSummaryJesus has just heard the news of John the Baptist's execution. He withdraws to a deserted place by himself, but the crowds follow him on foot from the towns. When he sees them, he has compassion for them and cures their sick. Evening comes. The disciples want him to send the crowd away so they can buy food in the villages. Jesus tells them: “You give them something to eat.” They protest that they have only five loaves and two fish. He orders the crowds to sit down on the grass. Then he takes the loaves and the fish, looks up to heaven, blesses, breaks, and gives them to the disciples, who give them to the crowd. All eat and are filled. Twelve baskets of leftovers are gathered. Five thousand men were there, besides women and children.Key Ideas for Preaching* Jesus does this in grief. He has just lost John the Baptist — his cousin, his herald, the one who baptized him. He withdrew, we are told, to a deserted place by himself. The crowd follows him anyway. And he has compassion for them. What does it look like for your congregation to hear that the compassion of Christ comes even from within his own grief — not after it, not despite it, but from within it?* “You give them something to eat.” That is what Jesus says to the disciples' request that the crowd be sent away. The disciples want the problem to become someone else's. Jesus places it in their hands. Where has your congregation quietly asked God to send the hungry away, and how might Jesus' instruction reset that?* The math is off. Five loaves, two fish, five thousand men plus women and children. The disciples are not wrong that the numbers do not work. Jesus is not asking them to make the numbers work; he is asking them to bring what they have. What does it look like for your congregation to bring what they have without pretending it will be enough?* Jesus takes, blesses, breaks, and gives. Those four verbs are eucharistic language. Matthew wants us to hear this feeding and the Last Supper together — one continuous action of Christ receiving and blessing and breaking and giving what has been placed in his hands. How might your sermon let your people feel that the meal they celebrate at this table participates in the meal on the grass?* Twelve baskets of leftovers — one for each disciple. The abundance is not only for the crowd; it is also, quite specifically, for the ones who thought there would not be enough. What does it look like to preach the specific reassurance of the leftovers for the ones who serve, who fear running out?Significant Cautions* Two common readings of the miracle circulate. One is that Jesus miraculously multiplied the loaves. The other is that Jesus shamed people out of their hoarded food and everyone shared. Both readings have their defenders. Do not be dogmatic about which is right. Both are ways of taking the story seriously.* “You give them something to eat” has been used to bless a heroic view of Christian service that leaves people burned out. Jesus takes what the disciples bring and multiplies it; he does not ask them to solve the problem alone.* The crowd is not fed as a reward for good behavior. They are fed because they are hungry. Do not preach this text in a way that suggests God's feeding is conditional on our faithfulness.* Do not moralize the miracle into a lesson primarily about our attitudes. The story is fundamentally about what Christ does with what is placed in his hands.Thematic ConnectionsThe Gospel is the natural center for the day and one of the most famous scenes in Christian memory. The feeding of the five thousand is the only miracle story that appears in all four Gospels. Matthew tells it here with particular attention to Jesus' grief, the disciples' anxiety about scarcity, and the four eucharistic verbs — take, bless, break, give.On Track One, Jacob's night at the Jabbok pairs with the Gospel in a way that is more thematic than direct. Both scenes describe an encounter with God that changes something. Jacob is renamed and limps away. The disciples are handed a task that seems impossible and end up with twelve baskets of leftovers. Both stories insist that God works through what feels like the wrong scale.On Track Two, the connection to the Gospel is direct. Isaiah's invitation to come to the waters and buy food without money, and Psalm 145's picture of God feeding every living thing in its season, both flow into the Gospel's picture of a crowd being fed on the grass. The God of the Old Testament tracks is the God of the Gospel feeding. This is one story about one God.Romans 9 sits inside the day as its most difficult companion. Paul's grief for his people who do not yet see what he sees is a heavy word to preach, and preachers should handle it with care to avoid the anti-Jewish readings that have plagued this passage. Read alongside the Gospel, one connection is worth noticing: Paul, like Jesus in Matthew 14, is grieving. He is not withdrawn from the world's pain; he is inside it. His anguish is the anguish of a person who loves someone he cannot fix.For preachers continuing the series: the parables arc has closed. Matthew 14 returns us to Jesus in action, with the feeding this week, walking on water next week, and the Canaanite woman the following week. The Matthew narrative is picking back up — and it is picking back up in a scene of extravagant, embodied grace. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

Here in the middle of summer (and, perhaps, one of our sparser crowds of the season) we have a very busy parable section in Matthew 13: five short parables packed into a dozen verses. That's a lot of focus to to try to hold in one sermon — so we likely have some choices to make heading into sermon prep this week.This is the third Sunday inside Matthew's parables chapter, and it is the busiest of them. The Gospel gives us five short parables — mustard seed, yeast, hidden treasure, pearl, and net — each doing its own quick work. A single sermon can barely do justice to one of them. The preacher's honest choice this week is whether to preach one image well or gesture at all five superficially (and, most likely, ineffectively). This guide covers each parable but assumes the preacher will pick.The Old Testament tracks head in very different directions. * Track One continues with Jacob — now at his uncle Laban's house, working seven years for Rachel and being deceived at the wedding. It is a painful text, and its painfulness is part of what it has to say. * Track Two brings us to Solomon at Gibeon, offered anything in a dream and asking for wisdom to lead God's people well. * The Epistle continues in Romans 8 and gives us some of the most beloved verses Paul ever wrote — the Spirit interceding with sighs too deep for words, all things working together for good, nothing able to separate us from the love of God in Christ.For preachers continuing the series: this is week three of the parables arc. The Sower (Proper 10) named God's lavish scattering. The Wheat and the Weeds (Proper 11) named God's patient sorting. This week the parables come in a burst, each offering a different angle on what the kingdom of heaven is actually like.The ReadingsGenesis 29:15–28First Reading (Track One) — Jacob, Leah, and RachelSummaryJacob has fled his own family and arrived at his uncle Laban's household. He falls in love with his younger cousin Rachel and agrees to work seven years for her. Seven years pass; the wedding feast is held; and Jacob wakes in the morning to discover he has been given Leah, the older sister, instead. He confronts Laban. Laban answers, without apology, that the younger cannot be given before the elder in that country. Jacob agrees to serve another seven years for Rachel. The deceiver from earlier chapters has been deceived himself, and the family that will grow out of these two marriages will carry the weight of the wedding-night trick for generations.Key Ideas for Preaching* This is Jacob's first taste of being on the receiving end of the kind of scheming he has been practicing. In earlier chapters, he tricked his brother and his father; now his uncle tricks him. The narrator does not moralize — the pattern is simply allowed to sit there. What does it look like for your congregation to notice the patterns they have set in motion, without either shame or excuse?* Laban's “the younger cannot be given before the elder” is a pointed line. Jacob, the younger, took what belonged to Esau, the elder. Now he is told he cannot take the younger before the elder. The text is doing quiet, painful work. Where in your congregation might God be doing similarly quiet work — through consequences, not lectures?* The story does not pretend Leah is loved. It does not pretend Rachel is safe from her sister's grief. It refuses to give us the reassuring resolution we might want. What does it look like to preach honestly on a text that leaves this much untidy?Significant Cautions* Do not romanticize the line about seven years feeling like a few days. Read in context, it opens a story that will produce enormous grief for at least three of the four people involved.* The women in this story — Leah and Rachel — pay the highest price for the men's schemes. Be honest about that, without turning them into abstractions or setting one against the other.* Do not use this text to comment on modern marriage practices in ways it cannot bear. It is a story about deception and consequences, not a template for how marriages should work.Psalm 105:1–11, 45bThe Psalm (Track One, primary option) — Remember the CovenantSummaryA hymn of thanksgiving for God's faithfulness across the long history of Israel. The opening verses call the people to praise and to remember. The middle rehearses the covenant with Abraham — the promise of the land, the seed, the everlasting covenant — which the lectionary selects to keep the focus tight. The closing line is a single word of praise.Key Ideas for Preaching* The psalm is essentially a call to remember. What God did for Abraham, Isaac, and Jacob is not distant history but the reason today's community has cause to sing. What does it mean for your people to keep the long memory of what God has done, in a culture that keeps them focused on the immediate?* Read alongside today's Genesis reading, the psalm's serene retelling sits in some tension with the messy reality Jacob is living through in Genesis 29. The psalm knows the story ends well; Jacob does not. Where in your people's lives is God's long faithfulness working through a story that does not yet feel serene?Significant Cautions* The “land I have promised” language has a long and painful history when misused to justify the taking of land from other people. Handle it with care.* The psalm's cheerfulness can mask real complexity in the underlying history. Do not erase Leah's grief with a hymn about Jacob's story.Psalm 128The Psalm (Track One, alternative option) — Blessed Is EveryoneSummaryA short psalm of blessing for the person who fears the Lord. Their labor is fruitful; their household flourishes; they live to see their children's children. The psalm assumes a stable, agricultural, patriarchal household and pronounces blessing over it.Key Ideas for Preaching* The psalm's picture of blessing is domestic, ordinary, and generational — not heroic, not dramatic. Just a table set, a family gathered, a life lived faithfully across time. Where in your congregation has the ordinary been undervalued, and how might this psalm give it its due?* Paired with the Genesis reading, this psalm offers a striking contrast — Jacob's marriage is not the picture of blessing this psalm describes. What might it look like to preach both — the ideal the psalm names and the reality the Jacob story exposes — without pretending they can be neatly resolved?Significant Cautions* The psalm's vision of a blessed household is culturally specific. Do not preach it in a way that suggests those without spouses or children are outside God's blessing.1 Kings 3:5–12First Reading (Track Two) — Solomon Asks for WisdomSummaryEarly in his reign, Solomon has a dream at Gibeon. God appears and asks him what he wants. Solomon does not ask for wealth, or long life, or victory over his enemies. He asks for an understanding heart — the wisdom to lead God's people well. He is a young king, he says, and does not know how to govern. God is pleased and gives him what he asked for, along with the things he did not ask for.Key Ideas for Preaching* Solomon's request is startling for its self-awareness. He knows he does not know. Where in your congregation has the honest admission of what we do not know been avoided in favor of confident-sounding leadership, and what might this text invite instead?* The wisdom Solomon asks for is specifically for the sake of others — to govern God's people well. This is not personal enlightenment; it is a request for the equipment to serve. How might your people hear this as a model for the kind of wisdom their vocations actually need?Significant Cautions* The wider story of Solomon complicates this scene. He will not, over the long run, live up to the wisdom he receives here. Do not preach the dream as if it were the whole of Solomon's reign.* “Ask for whatever you want” language can be misused. God is not a wish-granter; the text is showing us what a rightly ordered heart asks for, not licensing bargain-hunting prayer.Psalm 119:129–136The Psalm (Track Two) — The Unfolding of Your WordsSummaryAnother short section of the great acrostic psalm on God's word and law. The chosen verses celebrate God's decrees as wonderful, ask for God's face to shine on the psalmist, and end with a line of surprising grief: “my eyes shed streams of tears, because your law is not kept.”Key Ideas for Preaching* The psalmist's tears are the grief of someone who loves what God intended and sees the world falling short of it. What in your congregation's life would break their hearts if they let it — and what does the psalm suggest we do with that grief?* “The unfolding of your words gives light.” The word does not give light all at once; it unfolds. How might your sermon honor the slow way God's word actually opens itself to us?Significant Cautions* The psalmist's love for God's law can be misread as legalism. It is not. It is a love for what God has revealed as good.Romans 8:26–39The Epistle — Nothing Can Separate UsSummaryThe climax of Romans 8, and some of the most beloved verses Paul ever wrote. The Spirit intercedes for us with sighs too deep for words. All things work together for good for those who love God. And then the closing crescendo, one of the great passages of the New Testament: nothing — not hardship, persecution, famine, sword, powers, principalities, or anything else in all creation — can separate us from the love of God in Christ Jesus.Key Ideas for Preaching* The Spirit intercedes for us when we do not know how to pray. That is one of the most comforting sentences in the New Testament for people in seasons when prayer has stopped working. Where in your congregation are people quietly convinced they are failing at prayer, and how might Paul steady them?* “All things work together for good” has become a widely repeated line and is often misused. Paul is not saying every bad thing that happens is secretly good, or that suffering will always be visibly redeemed. He is naming something more specific — that God is at work within all things toward good. How might your sermon preserve the comfort of the verse while defending it from its worst uses?* The closing crescendo names actual sufferings by name — hardship, persecution, famine, sword. Paul is not offering an abstract promise. He is naming the very things his readers were facing and insisting that none of them can separate them from the love of God. Where in your congregation are people quietly assuming they might have been separated already, and what would it mean for them to hear this list read aloud with their own name in it?Significant Cautions* “All things work together for good” is one of the most misused verses in the Bible — especially at funerals and in hospital rooms, where it has been used to justify or minimize real suffering. Preach against that misuse plainly.* “Those God foreknew he also predestined” opens onto centuries of debate. Faithful readers come down differently. Do not preach as if the question has been settled.* The comfort of the closing verses is only meaningful when the sufferings named are taken seriously. Do not skip lightly over famine and sword; they are what Paul's hearers were living, and they are what many of ours are living too.Matthew 13:31–33, 44–52The Gospel — Five Parables of the KingdomSummaryFive short parables in quick succession. The kingdom is like a mustard seed — tiny at first but growing into something birds nest in. Like yeast a woman works into flour until the whole batch is leavened. Like treasure hidden in a field that someone finds and joyfully sells everything to buy. Like a merchant finding one pearl worth all he has. Like a net cast into the sea that catches everything and is only sorted after being pulled in. Jesus asks the disciples if they have understood, and closes with one more image: the scribe trained for the kingdom, bringing out of his storeroom what is new and what is old.Key Ideas for Preaching* The mustard seed is a strange choice. Mustard was considered an invasive weed in first-century Palestine, not a tree. Jesus is comparing the kingdom to what is often unwanted, wild, and hard to contain. Where in your congregation has the kingdom been imagined as tidy, and what would it look like to hear it named as invasive?* The yeast image is done by a woman — quiet, hidden, domestic work. The kingdom is often like that: invisible until the whole batch has risen. Where in your congregation has the visible been overvalued, and what would it mean to honor the yeast?* The hidden treasure parable turns on joy. The person sells everything not out of duty but out of gladness. When has your congregation known that kind of joy — a joy that made the giving up easy? How might your sermon call it forth again?* The pearl merchant is not a lucky farmer stumbling on treasure. He is searching. Some people come to the kingdom by accident; some by long looking. Which of your people are the seekers, and what might they need to hear this morning?* The net catches everything — good and bad — and is only sorted at the end. This is the wheat and weeds again, in miniature. What does it mean that the same kingdom-shape shows up in five different images? Where might your congregation be tempted to prefer one image and dismiss the others?* The closing line about the scribe bringing out what is new and what is old is one of the most graceful sentences in Matthew. What does it look like for your congregation to hold both — the ancient wisdom of the tradition and the new thing God is doing among them — without pitting one against the other?Significant Cautions* The mustard-seed-as-invasive-weed reading is worth naming, but do not turn the whole parable into a horticulture lecture. Let the image do its work.* The “sold all he had” imagery has been used to bless coercive giving. Jesus is describing joy, not running a stewardship campaign.* The net parable closes with fierce judgment language — furnace, weeping, gnashing of teeth. Handle it with the same care as last week's wheat and weeds. The point is that the sorting is not ours.A single sermon cannot honestly cover all five parables. Do not try. Pick one — or a pair — and let it breathe.Thematic ConnectionsThis is week three of the parables arc, and the pattern is coming into focus. Two weeks ago the Parable of the Sower named God's lavish scattering. Last week the Parable of the Wheat and the Weeds named God's patient sorting. This week we get five different angles on what the kingdom is actually like. Small and invasive (the mustard seed). Hidden and pervasive (the yeast). Discovered by accident and worth everything (the treasure). Discovered by long searching and worth everything (the pearl). Mixed and eventually sorted (the net).Preachers have a real choice this week. The mustard seed and yeast pair naturally, both about small things producing outsized results. The treasure and pearl pair naturally, both about joyfully giving up everything for something worth more. The net stands alone and pulls the arc back toward last week's parable. Almost any one of these will preach; trying to do all five will not.On Track One, the Genesis reading offers a striking counterpoint to the Gospel's celebration of the kingdom. Jacob thinks he is buying joy for seven years of labor. He discovers he has bought Leah, and must labor seven more years for Rachel. The parables of the treasure and the pearl both assume that what is bought is truly worth what it costs. Jacob's story shows what happens when we buy the wrong thing. A preacher can hold both — the joy the parables assume and the ache the Genesis story exposes — without pretending they resolve neatly.On Track Two, Solomon at Gibeon asks for the very wisdom the parables describe. The scribe trained for the kingdom, the one Jesus names at the close of the Gospel, could just as well be Solomon at the dream — a young leader who knows he does not know, asking for what only God can give.Romans 8 sits under the day as the great steadying word. The Spirit intercedes for us in our confusion. All things are held together in God's purpose. Nothing can separate us from the love of Christ. Whether we are seeking the kingdom or stumbling into it this week, God's love is prior to our finding it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

We have built some real momentum in the readings for this first half of summer. Of course, you may have a congregation that is in a week, out a week — or, if you have lots of snowbirds, either your sanctuary feels more full or more empty. But the texts march on, and so do we!This is the second Sunday inside Matthew's parables chapter. Last week the Parable of the Sower opened the section; this week we get the Parable of the Wheat and the Weeds. Both parables share an image of a field, a sower, and a problem — but they ask different questions. The Sower asks what happens to the word once it has been scattered. The Wheat and the Weeds asks how to live in a field where good and bad are mixed and indistinguishable, and what to do when the impulse rises to sort it out ourselves.Image courtesy of Sickle of Truth: A Bible Student BlogThe Old Testament tracks both lead toward the Gospel in different ways. * Track One follows Jacob deeper into Genesis — to the famous dream at Bethel, where Jacob, fleeing his brother's anger, lays his head on a stone and sees a ladder reaching to heaven. Psalm 139 pairs with that scene by insisting there is no place where God's presence does not reach. * Track Two offers a choice between Wisdom of Solomon's meditation on the lenient sovereignty of God and Isaiah's short, sharp declaration of God's uniqueness; both are paired with Psalm 86, including its prayer for an undivided heart. * The Epistle continues the long climb through Romans 8 — today's portion includes some of Paul's most stirring language about being children of God, the groaning of creation, and the patience of hope.A note for preachers following a series: this Sunday continues the new arc of parables. The Sower (last week), the Wheat and the Weeds (today), and in coming weeks the Mustard Seed, the Yeast, the Hidden Treasure, the Pearl, and the Net — these images are the way Jesus has chosen to talk about the kingdom of heaven. Our job as preachers, increasingly, is to slow down enough to let the images do their work.The ReadingsGenesis 28:10–19aFirst Reading (Track One) — Jacob's Dream at BethelSummaryJacob is on the run. He has just cheated his brother Esau out of their father's blessing, and Esau has vowed to kill him. Rebekah has sent him toward her brother's house in Haran, ostensibly to find a wife but really to keep him alive. The selected verses pick him up somewhere on the road, alone, in an unnamed place at sundown. He takes a stone, puts it under his head, and lies down. And he dreams: a ladder, or stairway, with its foot on the ground and its top reaching up into the heavens, and the angels of God going up and down on it. God stands beside him — or above the ladder — and renews the covenant once given to Abraham: this land, descendants beyond counting, blessing for all the families of the earth. And then the line on which the whole scene turns: I am with you and will keep you wherever you go. Jacob wakes, and the first words out of his mouth are: Surely the Lord is in this place — and I did not know it. He is afraid. He calls the place awesome. He sets up the stone as a pillar, pours oil on it, and names the place Bethel — house of God.Key Ideas for Preaching* Jacob is fleeing the consequences of his own deception. The grace God gives him in this dream is given to a manipulator on the run. Where in your congregation are people quietly assuming that God's presence is reserved for those who have their lives sorted out, and how might Jacob's story interrupt that?* “Surely the Lord is in this place — and I did not know it.” That is one of the most honest lines in Genesis. Jacob discovers that God has been somewhere he did not expect, and he himself was the last to notice. Where in your people's lives might God have been present in a place they did not credit, and what would it look like to wake up to it now?* The ladder is set up on the earth. The traffic on it is two-way — angels ascending and descending. Heaven and earth are connected, and the connection runs in both directions. How might this image steady a congregation that imagines God as remote, or imagines spiritual life as something we have to climb up to?* The promise God speaks to Jacob is mostly about presence: I am with you and will keep you wherever you go. Not just here at this holy site, but on the road. What might it mean for your people that the God of Bethel is the same God of every uncomfortable, unconsecrated place their lives will take them?Significant Cautions* Do not romanticize Jacob into a hero of the dream. He is, at this point in Genesis, a deceiver running from his consequences. The point of the scene is not Jacob's virtue but God's grace toward someone who has not earned it.* “House of God” language can be too quickly applied to a church building. The place Jacob names Bethel is a piece of open ground with a stone in it. The text is not really endorsing sacred architecture; it is naming places where God surprises us.* The promise that Jacob's offspring will inherit the land has had a long and painful history of being used to justify the taking of land from other people. If you touch this part of the text, handle it carefully and avoid reading the ancient promise as a blanket endorsement of any modern claim.Psalm 139:1–12, 23–24The Psalm (Track One) — You Have Searched Me and Known MeSummaryOne of the most intimate and personal psalms in the Bible. The opening verses celebrate God's deep knowledge of the psalmist — sitting down and rising up, the thoughts before they are spoken, the path before it is taken. The middle section asks the question Jacob might have asked: where can I go from your presence? The answer is: nowhere. Not heaven, not Sheol, not the wings of the morning, not the deepest sea, not the darkness. Even the darkness is not dark to God; the night is as bright as the day. The lectionary skips the harder middle verses and picks up at the closing: search me, O God, and know my heart; test me and know my thoughts; see if there is any wicked way in me, and lead me in the way everlasting.Key Ideas for Preaching* This psalm reads like a meditation on Jacob's realization — surely the Lord is in this place, and I did not know it. The psalm extends that to every place. Where in your congregation might people need to hear that there is no place outside God's attention, and what does that mean for the places they are quietly afraid to go?* “Even the darkness is not dark to you; the night is as bright as the day.” That is one of the most beautiful sentences in the psalms. How might your sermon let your people feel the kindness of that line — not God's surveillance, but God's presence in the very darkness they have been hiding in?* The closing prayer asks God to search the psalmist — not to judge but to lead. That is a remarkable posture. Where in your people's lives might openness to being known by God be more freeing than the long work of self-management?Significant Cautions* God's constant knowing can feel like surveillance, especially to people who have lived under abusive or controlling authorities. Be gentle with this language. The God of Psalm 139 holds us, not watches us.* The omitted middle verses (19–22) contain harsh language about hating God's enemies. The lectionary leaves these out for good reason. If you reach for them, handle them with care.Wisdom of Solomon 12:13, 16–19First Reading (Track Two, primary option) — You Are Lord of AllSummaryFrom the book of Wisdom, part of the Apocrypha (or deuterocanonical books, depending on tradition). The selected verses celebrate God's universal sovereignty and patient mercy. There is no other God beside this one, the text says, and this God's strength is the source of righteousness. Because God is sovereign over all, God can afford to be lenient — to spare all, to be patient with all, to leave room for repentance. And then the closing line that may be why the lectionary pairs this with today's Gospel: through such acts, God teaches the people that the righteous must be kind.Key Ideas for Preaching* The connection the text makes between God's sovereignty and God's mercy is striking. Because God is in total command, God can be patient. Cruelty and impatience are the marks of weakness, not strength. Where in your congregation has impatience been mistaken for moral seriousness, and what would it look like to learn the patience of the strong?* “The righteous must be kind.” That is, in five words, the ethical conclusion the text draws from God's character. Where in your congregation has righteousness been imagined as something other than kindness, and what might shift if these two were not allowed to come apart?Significant Cautions* Some traditions (most Protestant ones) do not consider Wisdom canonical. If your congregation's tradition uses Isaiah 44 instead, the next section of this guide covers it.* “The strong are merciful” can sometimes shade into a paternalism that treats mercy as something dispensed from on high. The text is reaching for something different — a mercy that flows from confidence, not condescension.Isaiah 44:6–8First Reading (Track Two, alternative option) — I Am the First and I Am the LastSummaryA short, sharp declaration of God's uniqueness. The Lord, the King of Israel, the Lord of hosts, declares: I am the first and I am the last; besides me there is no god. Who is like me? Let them speak. Who can declare the things to come as I have done? Do not fear, do not be afraid. You are my witnesses. Is there any god besides me? There is no other rock; I know not one.Key Ideas for Preaching* “Do not fear, do not be afraid.” That phrase, echoing several Sundays back in Matthew 10, anchors this short text. The reason not to fear is the same: there is no rival power. What does it look like for your people to hear that the deepest threats they imagine have, in the end, no real competing authority?* “You are my witnesses.” That is a striking thing for God to say. It places God's people inside the testimony, not at the edge of it. Where in your congregation might the language of witness need to be recovered — not as performance, but as the kind of life that quietly testifies to what is true?Significant Cautions* “There is no other god” has sometimes been used in interreligious contexts in ways that flatten and demean other faiths. Isaiah is speaking inside a particular ancient struggle against idolatry, not handing the church a position paper on world religions.Psalm 86:11–17The Psalm (Track Two) — An Undivided HeartSummaryA continuation of the psalm we already heard a few weeks ago (Proper 7). The selected verses contain one of the most quoted lines from the psalms: teach me your way, O Lord, that I may walk in your truth; give me an undivided heart to revere your name. The psalmist gives thanks for God's steadfast love and deliverance, names the trouble he is in (the insolent and the ruthless are after his life), and pleads for help, for a sign of favor, for God's strength.Key Ideas for Preaching* “An undivided heart.” That is a request many of us would not dare to pray, because we know how divided our hearts are. The psalmist is honest about needing to be given a single-mindedness he does not yet have. Where in your congregation might the gift of an undivided heart be more needed than the discipline of trying to manufacture one?* The psalmist names that ruthless people are after his life — and then, in the same psalm, names God as merciful and gracious. Both things are true at the same time. The psalm does not pretend the threats are not real in order to praise God. How might your people learn to hold real danger and real praise in the same prayer?Significant Cautions* “Show me a sign of your favor, so that those who hate me may be put to shame” is honest prayer but easy to weaponize. Be careful preaching this verse in a way that gives moral cover to grudges your congregation is already nursing.Romans 8:12–25The Epistle — Children of God, Heirs with Christ, Creation GroaningSummaryPaul continues the unfolding of Romans 8. We are debtors not to the old way of living, he says, but to the Spirit. All who are led by the Spirit of God are children of God — not slaves anymore, but adopted, with the right to call out, in the most intimate language Paul can find, Abba! Father! If we are children, we are heirs, joint heirs with Christ, sharing in his suffering and in his glory. The passage then opens out into one of the most cosmic visions in the New Testament. The sufferings of this present time are not worth comparing with the glory about to be revealed. The creation itself waits, with eager longing, for the revealing of the children of God. The creation has been subjected to futility — not by its own choice — in hope. It groans. We groan with it. We who have the first fruits of the Spirit groan inwardly as we wait for adoption and the redemption of our bodies. We were saved in hope, and hope that is seen is not hope. We wait, with patience, for what we do not yet see.Key Ideas for Preaching* Paul calls God by the name Jesus called him — Abba. That is the Aramaic word a child would have used, intimate, not formal. The Spirit makes us able to use that word too. What might it shift in your people's prayer life to hear that the language of intimacy with God is not reserved for spiritual experts?* Paul includes the whole creation in the work of redemption. The trees, the soil, the seas, the suffering creatures — they are not background scenery to the human drama. They are part of it. They groan; they wait. How might this widen your congregation's sense of what salvation includes?* “Hope that is seen is not hope.” Christian hope, by definition, is hope in something we cannot yet point to. We do not have it in hand; we wait for it. Where in your congregation has hope been collapsed into optimism, and how might Paul's patience steady it?* The passage holds together suffering and glory in a way that does not minimize either. Paul does not say the suffering is not real; he says it is not the final word. What does it look like for your congregation to grieve honestly and hope honestly in the same breath?Significant Cautions* “If we suffer with him” has sometimes been used to bless suffering that should be opposed. Paul is talking about the cost of belonging to Christ, not about staying in abusive relationships or harmful situations. Be careful here.* The adoption language has been used in ways that exclude or shame those for whom adoption is a complicated family experience. The word is theological here — about being made part of God's family by grace — but it lands on a particular set of human stories. Handle it with awareness.* “The sufferings of this present time are not worth comparing with the glory” can be heard cruelly by someone in real, present suffering. Paul is not minimizing their pain. He is naming an even larger reality. Say so.* The cosmic creation imagery (the whole creation groaning) has sometimes been used to bless any sentimental view of nature. Paul has something more specific in mind — a creation broken, in hope of being remade. Do not flatten this into pantheism or sentimentality.Matthew 13:24–30, 36–43The Gospel — The Wheat and the WeedsSummaryJesus tells another parable. The kingdom of heaven, he says, is like someone who sowed good seed in his field. While everyone was asleep, an enemy came and sowed weeds in among the wheat, and went away. When the plants came up and bore grain, the weeds appeared as well. The servants come to the master, alarmed: did you not sow good seed? Where did these weeds come from? An enemy has done this, he answers. They offer to go and pull them up. The master refuses. No, he says — in pulling up the weeds, you would uproot the wheat with them. Let both grow together until the harvest. At harvest time, the reapers will sort them out. The lectionary then jumps to Jesus' private interpretation with his disciples. The sower of the good seed is the Son of Man. The field is the world. The good seed are the children of the kingdom; the weeds are the children of the evil one; the enemy is the devil. The harvest is the end of the age, and the reapers are angels. The weeds will be gathered and burned. The righteous will shine like the sun in the kingdom of their Father. Let anyone with ears listen.Key Ideas for Preaching* The weed in this parable is almost certainly darnel — a real plant that looks identical to wheat in the early stages of growth. You cannot tell them apart until the grain heads form. The master's refusal to let the servants pull up the weeds is not a moral instruction about tolerance; it is a botanical fact. They literally cannot tell. How might your sermon take that fact seriously and let it reshape the whole feel of the parable?* The servants in the parable are confident. They are sure they know which plants are weeds. The master, gently, refuses their confidence. Where in your congregation has confidence about who is in and who is out crept in, and what would it look like to take the master's caution seriously?* Jesus tells the disciples that the field is the world — not the church. That is worth saying out loud. The parable is not giving the church permission to be lenient about who belongs inside its life. It is talking about the much larger field of the world, where good and evil grow together, and where we are not the reapers. What does it look like for your congregation to know the difference between the church's discernment and the final judgment of the world?* The history of Christian attempts to pull up the weeds in advance is, frankly, awful. The church has identified the wrong people as weeds in every generation. Where in your congregation's past, or in your congregation's present, has someone been pulled up who was, in fact, wheat? How might honest naming help your people walk more humbly into the future?* The parable is not a call to moral passivity. The wheat still has to be tended. Injustice still has to be opposed. What the parable forbids is the human attempt to do the final sorting now. How might your sermon hold together active love for what is good and patient restraint from premature judgment?Significant Cautions* This parable has been used in some of the most damaging ways imaginable — to identify whole groups of people as “weeds”. Every Christian generation has done it, and every Christian generation has been at least partly wrong. Be especially careful with any application of this parable to actual people.* “The field is the world” means just that. The parable is not a license for the church to be lax about its own internal life. Paul and other New Testament writers have plenty to say about that. But the parable is talking about the larger field, where the final sort is not ours.* The interpretation in verses 36–43 is fierce — furnace, weeping, gnashing of teeth. Be careful with this language. It is in the text, but it is not the central point. The central point is the master's caution to the servants in the first half: let both grow together. The judgment language is the backdrop, not the foreground.* “Let anyone with ears listen” has been preached as a kind of warning. It is better heard as an invitation. The parable is doing slow, careful work; the listening it asks for is patient.* The parable can be misused in the opposite direction — as a license to ignore evil because the harvest is coming. It does not say that. It restrains us from premature sorting; it does not absolve us from active love and justice in the meantime.Thematic ConnectionsThe Gospel is the natural center for the day. The Parable of the Wheat and the Weeds is one of the most pastorally and politically important parables in Matthew, and the preacher who slows down with it will find that it has much to say to the moment in which most congregations are gathered — a moment in which the human impulse to sort people into wheat and weeds has rarely felt more intense.On Track One, Jacob's dream at Bethel pairs with the parable in a quiet but pointed way. Jacob is, by any honest measure, a weed in his family's field at this point in Genesis. He has cheated his brother and is running from the consequences. And God meets him with grace. The story is its own commentary on the parable: the people we would have written off as weeds turn out to be, in God's hands, wheat in the making. Psalm 139 widens the point: there is no place where God's knowing does not reach, no darkness God does not see clear through. The God who finds Jacob on the road is the same God who finds us in whatever country we have been hiding in.On Track Two, the connection runs through the question of who has the right to judge. Wisdom of Solomon names God as the sovereign whose strength expresses itself in patience. Isaiah names God as the one and only — with no real rivals to fear. Psalm 86 asks for the gift of an undivided heart. Together, these texts ease the listener into the Gospel's harder claim: the final word about wheat and weeds is not ours.Romans 8 sits inside the day as the cosmic frame. The whole creation groans. We groan with it. The hope we wait for is not yet visible. The patience Paul asks for is the same patience the master asks for in the parable — a willingness to let the field be the field, to let the harvest be the harvest, to trust that the One who set this all in motion has not lost track of any of it. The same Spirit who lets us cry Abba is the Spirit who teaches us to wait.For preachers continuing the series: the parables arc is now two weeks old. The Sower last week named God's lavish scattering. The Wheat and the Weeds this week names God's patient deferral of judgment. Together they form a particular picture of the kingdom — generous in its giving, patient in its sorting, and not finally in our hands. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

This guide covers the readings appointed in the Revised Common Lectionary for the Seventh Sunday after Pentecost (Proper 10), Year A, falling on July 12, 2026.The Gospel turns a new corner this morning. For six Sundays we have been reading through Jesus' words to his disciples — the sending discourse of Matthew 10 and the closing invitation of Matthew 11. Today we move from instruction to story.Matthew 13 opens what is sometimes called the parables chapter, where Jesus shifts into the long, slow, indirect work of telling stories about the kingdom of heaven. The Parable of the Sower is the first of these stories — and, fittingly, it is a story about how words like these actually land.The Matthew sending discourse is complete. The next several weeks will move through parables — the sower, the wheat and tares, the mustard seed, the pearl, the net. The shape of Jesus' teaching shifts from imperative to image, and the shape of our preaching may shift with it.The Old Testament tracks both lead naturally toward the Gospel, in different ways. * Track One brings us deeper into Genesis with the family of Jacob and Esau — twins struggling in the womb, parents picking favorites, a birthright traded for a bowl of stew. * Track Two brings us Isaiah's beautiful image of rain and snow that do not return to the heavens without watering the earth, paired with Psalm 65's celebration of God's lavish care for the soil. * The Epistle moves into Romans 8 — one of the high points of the New Testament — opening with the famous declaration: there is therefore now no condemnation for those who are in Christ Jesus.The ReadingsGenesis 25:19–34First Reading (Track One) — Jacob and EsauSummaryTwo movements in one passage. * In the first, after years of barrenness, Rebekah conceives twins. They struggle so violently in her womb that she goes to inquire of the Lord, who tells her two nations are inside her — two peoples destined to be divided, with the elder serving the younger. The twins are born: Esau first, ruddy and hairy; then Jacob, with his hand grasping Esau's heel. * The second movement skips ahead to their adulthood. Esau is a skilled hunter, his father's favorite. Jacob is quieter, more domestic, his mother's favorite. One day Esau comes in from the field famished. Jacob is making stew. Esau demands some, and Jacob makes him swear to sell his birthright first. Esau swears, eats, and goes on his way. The narrator's verdict is blunt: thus Esau despised his birthright.Key Ideas for Preaching* The struggle inside Rebekah's womb is named long before the brothers can do anything to cause it. The text suggests that some of what shapes our lives starts before we have any agency in it. How might your congregation hear this without flattening it into determinism — recognizing the conditions we did not choose, while still taking seriously the choices we now make inside them?* The oracle that “the elder shall serve the younger” reverses the standard social order. God's choosing does not follow the rules of human inheritance. Where does your congregation still quietly assume that God's blessing tracks with rank, age, status, or success — and how might this reversal interrupt that?* Esau trades his birthright for a single meal. He gets what he wants in the moment and loses what would have been his future. Where in your congregation has the urgency of the immediate crowded out what people will later wish they had kept?* The parents pick favorites. Isaac loves Esau; Rebekah loves Jacob. Genesis does not pretend that this family is healthy. What might it mean to read these stories with both reverence for what God is doing and clear eyes about what is going wrong?Significant Cautions* Do not make Jacob the hero or Esau the villain. The text is more honest than that. Jacob is a calculating manipulator; Esau is impulsive and short-sighted. Both will need grace.* “The elder shall serve the younger” has been used in some traditions to claim that Christianity has replaced an older covenant. That is a misuse. The text is about this specific family, not a doctrinal program.* Esau's loss of his birthright has sometimes been preached as a warning about losing your salvation through carelessness. That is more than the text says. It is a moral judgment about despising what was given, not a soteriological warning.* Parental favoritism is destructive. Do not preach this story in a way that normalizes it or treats it as a charming family quirk.Psalm 119:105–112The Psalm (Track One) — A Lamp to My FeetSummaryA short section of the longest psalm in the Bible. Each stanza of Psalm 119 begins with a successive letter of the Hebrew alphabet, and each stanza is a meditation on God's word and law. This section opens with one of the most famous lines in the psalms: “your word is a lamp to my feet and a light to my path.” The psalmist commits to obey God's righteous ordinances. He acknowledges that his life is constantly in danger — “I hold my life in my hand continually” — but does not forget the law. The wicked have laid snares, but he has not strayed. He has taken God's decrees as an inheritance forever.Key Ideas for Preaching* A lamp is a small, focused light — enough to take the next step, not enough to see all the way down the road. What does it mean for your congregation to have a faith that gives them light enough for the next step rather than visibility of the whole journey?* The psalmist names that his life is “continually in his hand” — meaning, in continual peril. The psalm does not pretend that following God spares us from difficulty. What does it look like for your people to keep walking faithfully in a season when nothing feels safe?* The psalmist takes God's decrees as an inheritance “forever.” This is the same language Jacob and Esau will fight over in today's Genesis. How might your sermon set these two inheritances side by side — what we receive from God, and what we trade away?Significant Cautions* The piety of Psalm 119 can sound boastful out of context. Read in full, the psalm is more a series of vows and longings than self-congratulation. Be careful not to use a line from it to humble-brag from the pulpit.* “Your word” should not be flattened into “the Bible says” in a way that closes down honest inquiry. The psalmist's relationship to God's word is a long love affair, not a system of proof-texts.Isaiah 55:10–13First Reading (Track Two) — As the Rain Comes DownSummaryThe closing of Isaiah's great chapter of invitation. The verses for today open with one of the most beautiful images in the prophets: as the rain and snow come down from the heavens and do not return without watering the earth…. The chapter closes with extravagant joy: you shall go out in joy and be led back in peace; the mountains and hills shall burst into song; all the trees of the field shall clap their hands. Where the thornbush stood, the cypress will grow; where the brier was, the myrtle.Key Ideas for Preaching* The image is one of the most natural and concrete in the prophets: rain comes down, waters the earth, makes things grow. The word of God works the same way, the text says — patiently, naturally, without immediate visible effect, accomplishing what it sets out to do. What does it look like for your congregation to trust God's word the way they trust rain to do its work?* The closing image of mountains singing and trees clapping is one of the most joyful pictures of God's restoration in the prophets. The whole creation joins the celebration. How might your sermon let your congregation feel the size of the joy the prophets imagined — not just our private gladness, but a joy that mountains and trees join?* Where the thornbush stood, the cypress will grow. The text imagines not just restoration but improvement — what was harsh giving way to what is beautiful. Where in your congregation's life or your community's life has thornbush been growing for too long, and what would it look like to keep hoping for cypress?Significant Cautions* “God's word will not return empty” has been used as a triumphalist confidence — as if any sermon, or any evangelistic effort, is guaranteed success. The text is about God's faithfulness, not our methods. Be careful with this verse.* The closing imagery is poetic and visionary. Do not turn it into a literal prediction of what is about to happen. Isaiah is helping his people imagine; let your people imagine, too.Psalm 65:(1–8), 9–13The Psalm (Track Two) — You Visit the EarthSummaryA psalm of thanksgiving for God's provision through the natural world. The opening verses (which the lectionary makes optional) celebrate God's awesome works — silencing the roaring of the seas and the tumult of the peoples. The main section then turns to the soil itself. God visits the earth and waters it. God provides grain. God softens the ridges and blesses the growth. The wagons of God overflow with abundance. The pastures of the wilderness drip with goodness; the hills gird themselves with joy; the meadows are covered with flocks; the valleys are decked with grain. They shout and sing together for joy.Key Ideas for Preaching* The psalm imagines God as a farmer working the land — visiting, watering, softening, blessing. This is a wonderfully embodied picture of God's care for the world. Where in your congregation has the picture of God become too abstract, and how might this earthy image steady it?* The earth itself is described as joyful. The hills gird themselves with joy. The meadows shout. The valleys sing. The praise of God in this psalm is not just human; it is cosmic. How might your sermon include the praise of the creation as part of the worship of your people?* The psalm pairs naturally with Isaiah and with the Parable of the Sower. The whole day is, in a sense, about good soil — about what makes things grow, about the patience of fields and the joy of harvest. What does it mean for your people to take their place inside that picture?Significant Cautions* The agricultural imagery can fall flat in urban congregations or for those without much connection to growing things. Take a moment to translate where needed — to help people who have not held soil feel what the psalm is celebrating.* If you use the optional opening verses, do not let their language about God forgiving transgressions become a transactional reading. These are people overflowing with thanks, not making a payment.Romans 8:1–11The Epistle — No CondemnationSummaryAfter the long, painful description of the inner war in Romans 7, Paul opens chapter 8 with one of the great thunderclaps of the New Testament: there is therefore now no condemnation for those who are in Christ Jesus. The law of the Spirit of life in Christ has set us free from the law of sin and death. What the law could not do, God did by sending the Son. The selected verses describe two different orientations of life: * the mind set on the flesh, which is hostile to God, and * the mind set on the Spirit, which is life and peace.The passage closes with the promise that if the Spirit of God dwells in you — and Paul insists it does — then God who raised Christ from the dead will give life to your mortal bodies as well.Key Ideas for Preaching* “There is therefore now no condemnation.” That is the gospel in seven words. After the heaviness of Romans 7, Paul does not say there is now some condemnation, or only a little, or condemnation managed by your performance. He says no condemnation. Where in your congregation are people still walking around as if some part of them were under condemnation, and what would change if they took Paul at his word?* Paul describes two different mindsets — flesh and Spirit. He is not talking about the body. He is talking about whether we live oriented around our own self-defended life or around the life of God breathed into us. How might your sermon help your people tell the difference in their own daily lives?* The closing verse is one of the most physically hopeful in the New Testament: God will give life even to our mortal bodies. The Christian hope is not escape from the body but its raising. What might it shift in your congregation to hear that the resurrection includes the body, not just the spirit?Significant Cautions* “Flesh” language in Paul has often been used to denigrate the physical body and bodily life. That is not what Paul means. Flesh in Paul is closer to the self-organized-against-God, not the body. Say so clearly.* “No condemnation” should not be flattened into “anything goes.” Paul is naming what is true about your standing before God, not endorsing every choice you might make.* The “if anyone does not have the Spirit of Christ” line has been used to test other people's salvation. Paul's whole flow of thought is reassurance, not threat. Keep the assurance in the foreground.* The Spirit language has sometimes been used in ways that exclude people who do not have particular emotional or charismatic experiences. The Spirit's work is wider than what feels like the Spirit at any given moment.Matthew 13:1–9, 18–23The Gospel — The Parable of the SowerSummaryThe crowds press in on Jesus, and he gets into a boat to teach them from offshore. He tells the story of a sower who goes out to sow. Some seed falls on the path and is eaten by birds. Some falls on rocky ground, springs up quickly, and withers without root. Some falls among thorns and is choked. Some falls on good soil and yields a remarkable harvest — thirty, sixty, even a hundred times what was planted. Let anyone with ears listen. The lectionary skips the section in which the disciples ask Jesus why he speaks in parables, and goes directly to his interpretation. Each soil represents a kind of reception. The path is the one who hears without understanding; the seed is snatched away. The rocky ground is the one who receives joyfully but, having no root, falls away under pressure. The thorns are the one whose hearing is choked by the cares of the world and the lure of wealth. The good soil is the one who hears, understands, and bears extravagant fruit.Key Ideas for Preaching* The sower in the parable scatters seed everywhere — on path and rocks and thorns and good soil alike. He does not check the ground first. This is one of the most striking pictures of God's lavishness in any parable. Where in your congregation has there been a quiet calculation about who is worth speaking the word to, and how might this image interrupt it?* The four soils are types of hearing, not types of people. Anyone might find themselves in any of the four conditions, depending on the season of their life. Where in your congregation are people in danger of being preached at as “the rocky ground” or “the thorns,” when in fact they are people whose conditions have changed and could change again?* The yield from good soil is extravagant. Thirty, sixty, or a hundred times what was planted is wildly more than ancient agriculture typically produced. The parable is not just about which soil is best; it is about the surprising abundance of what even one good response can produce. What does it look like to preach hope about what one faithful hearing can yield over time?* Jesus' interpretation calls out “the cares of the world and the lure of wealth” as a particular kind of choking thorn. He is not condemning attention to daily life; he is naming what happens when those concerns become the whole horizon. Where in your congregation's life has the daily slowly become the whole, and how might today's parable invite a recalibration?* The parable is the first in a long string of parables in Matthew 13. It is, in a sense, a parable about parables — about how images and stories actually land in people. What does it mean to preach a sermon that takes seriously how it itself will be heard?Significant Cautions* The four soils are easy to use diagnostically — “which soil are you?” — in a way that produces anxiety. Be careful with this. The parable is not a personality test, and the soils are conditions that change with the seasons of a life.* The parable has been used to blame failure to flourish on the hearer rather than on the conditions. Some hearts are stony because life has been stony to them. Be gentle.* “The cares of the world and the lure of wealth” can quickly become a preacher's broadside, especially against people in financial stress. Jesus' point is about what choosing to be absorbed by these does to a soul, not a condemnation of anyone living with real economic pressure.* The “evil one snatches” language has been sensationalized in some preaching traditions. Keep it where Jesus keeps it — as part of an explanation, not as a dramatic centerpiece.Thematic ConnectionsThe Gospel is the natural center for the day, and it is the first of a series of parables that will fill the next few weeks. Matthew is asking us to slow down, to listen to stories, to receive the kingdom of heaven through images rather than instructions.On Track One, Genesis gives us a family in which inheritance is despised and grasped — Esau trading his birthright for a meal, Jacob calculating his way into a position God had already promised him. The Psalm names God's word as a lamp to the feet — a small, faithful light. Read alongside the Gospel, the Genesis story poses the question of what we do with what is given us. Esau let his birthright go for a stew. The path, the rocks, and the thorns let the word go for similar reasons. The good soil holds what has been received and lets it become a harvest.On Track Two, Isaiah and Psalm 65 both celebrate the natural processes through which God's purpose works. Rain comes down. The earth softens. Seeds grow. The whole creation eventually joins the praise. The pairing with the Parable of the Sower is beautiful: the patient, ordinary, often invisible work by which the word of God accomplishes what it sets out to do. The harvest is real, even when we cannot see the seed underground.Romans 8 sits inside the day as a steady ground. There is no condemnation. The Spirit of God is at work in those who belong to Christ. The various soils of the Gospel, the family dysfunction of Genesis, the slow growing of Isaiah — none of these has the final word. The final word belongs to the Spirit who gives life even to our mortal bodies.The parables of the kingdom (chapter 13) begin here. The shape of Jesus' teaching shifts from imperative to image, and the shape of our preaching may shift with it. The Parable of the Sower is a particularly fitting place to start, because it is a story about how stories like these actually land. If your congregation has been on the long Matthew arc with you, this is a natural place to invite them into a new way of listening.And ain't that grand?Thanks for reading Lectionary Lab 2.0! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

Tonight we continue our journey through every Track One in the Yes catalog, picking up where Part 1 left off and moving into the 1980s, 90s, and early 2000s. This episode covers a wide range of eras, lineups, and sounds as the band evolves through some of its most dramatic changes.1.   Yours Is No Disgrace – Yesshows (1980)2.  Owner of a Lonely Heart – 90125 (1983)3.  Hold On – 9012Live: The Solos (1985)4.  Rhythm of Love – Big Generator (1987)5.  Themes – Anderson Bruford Wakeman Howe (1989)6.  I Would Have Waited Forever – Union (1991)7.  The Calling – Talk (1994)8.  Siberian Khatru – Keys to Ascension (1996)9.  I've Seen All Good People: A. Your Move / B. All Good People – Keys to Ascension 2 (1996) 10. New State of Mind – Open Your Eyes (1997)11. Homeworld (The Ladder) – The Ladder (1999)12. Yours Is No Disgrace – House of Yes: Live from House of Blues (2000)13. Magnification – Magnification (2001)14. Close to the Edge- Yes Symphonic Live 2009

In this session, we cover the readings appointed in the Revised Common Lectionary for the Sixth Sunday after Pentecost (Proper 9), Year A, falling on July 5, 2026.Of course, you may be in search of something “patriotic” to say with the Independence Day celebration (aka, July 4) in America. That's not really our bag here at the Lectionary Lab, but I'll see if I can't whip up a little something for the Thursday Sermon (on Wednesday) — which I will send out this week on Tuesday for the holiday!This Sunday turns a corner. Last week closed the four-week Matthew 10 sending discourse with the small image of a cup of cold water. This week, the Gospel offers what may be the most beloved invitation in all of Scripture: come to me, all you who are weary and are carrying heavy burdens, and I will give you rest. After weeks of being called, sent, warned, and welcomed, the same Jesus turns to his disciples and says: come.The Old Testament tracks both lead toward that Gospel, but they get there along very different roads. Track One brings us a tender story from Genesis — the long account of Abraham's servant finding Rebekah — paired with either Psalm 45's royal wedding song or Song of Solomon's love poem. (The lectionary offers the two as alternatives, and this guide treats both fully.) Track Two brings us Zechariah's vision of a humble king coming on a donkey rather than a war horse, paired with Psalm 145's sweeping celebration of God's compassion for all. The Epistle moves into Romans 7 — Paul's honest, piercing description of the war between intention and action.A small but real continuity is worth noticing as you prepare. Rebekah's first kindness in Genesis 24, in the verses just before our reading, was to draw water for a thirsty servant — and then for his camels. That echo of last week's cup of cold water is the lectionary doing some quiet preaching on its own. For preachers following a sermon series, this Sunday opens a new arc; the Matthew 10 cycle is complete, and Matthew 11 begins a new movement that will carry into the parables in the weeks ahead.A small but real continuity is worth noticing as you prepare. Rebekah's first kindness in Genesis 24, in the verses just before our reading, was to draw water for a thirsty servant — and then for his camels. That echo of last week's cup of cold water is the lectionary doing some quiet preaching on its own.The ReadingsGenesis 24:34–38, 42–49, 58–67First Reading (Track One) — The Finding of RebekahSummaryThis is selected portions of the longest chapter in Genesis. After Sarah's death, Abraham sends his trusted servant back to his homeland to find a wife for Isaac. The selected verses give us three moments: the servant explaining his mission to Rebekah's family, his retelling of the prayer he had silently prayed at the well and how Rebekah had appeared at exactly the right moment, and the close of the story — Rebekah's choice to go, her family's blessing, her journey to Canaan, and the meeting with Isaac in the field. Isaac, the text tells us, brings her into the tent that had been his mother's, and is comforted after his mother's death.Photo by james ballard on UnsplashKey Ideas for Preaching* Rebekah's first kindness, in the verses just before our reading, was to draw water for the servant — and then to draw water for his ten thirsty camels. After last week's cup of cold water, the echo is hard to miss. What does it mean for your congregation that a story this important to the family of Israel begins with the small kindness of a young woman drawing water for thirsty strangers?* When the servant prayed, he says, his prayer was answered before he had finished speaking. The text holds together strong human action and quiet divine arrangement, neither one swallowing the other. Where does your congregation tend to imagine that God's providence and human kindness compete, and how might this text suggest they work together?* Rebekah's “I will go” is one of the clearest moments of agency for a woman in Genesis. She is asked, and she chooses. What does it look like to honor the women in your congregation by reading this story with careful attention to her voice, not just to the men around her?* The story closes with Isaac being comforted after the death of his mother. He has barely spoken since the binding two chapters ago — and now, quietly, the text tells us he is starting to heal. How might your sermon let your people feel that healing often happens slowly, in ordinary ways, after the wounds we cannot easily name?Significant Cautions* The story has often been used to bless arranged marriages or to model dating advice. The text is doing something much larger; do not flatten it into a prescription for modern relationships.* The servant's prayer at the well has sometimes been read as a model for laying out tests to see if God will give the right sign. That is a small and anxious use of a story that is mostly about quiet divine arrangement, not negotiated tests.* Sarah, who dies just before this story, was wronged in this family in ways the text does not resolve. Be honest that the comfort Isaac receives at the end of the chapter does not erase the harder family history that has come before.Psalm 45:10–17The Psalm (Track One, primary option) — A Royal Wedding SongSummaryA wedding song — one of the few psalms not addressed to God but to a king and his bride. The selected verses focus on the bride. She is counseled to leave her own people and join her husband. She is described in glorious clothing, accompanied by joyful companions, and brought with celebration into the king's palace. The psalm closes with a promise that her sons will be princes in all the earth.Key Ideas for Preaching* The psalm describes a celebration — joy at a wedding, glad procession, glorious clothing. After several weeks of demanding texts, what would it look like to let your congregation feel the goodness of celebration as a faithful response to God?* The Christian tradition has often read this psalm allegorically as the marriage of Christ and the church. There is real poetic richness in that reading. How might it shape your sermon to let the psalm be both a wedding song and an image of the love that holds the church?Significant Cautions* “Forget your people and your father's house” has been a difficult line throughout the psalm's history. In its original setting, it describes a foreign princess marrying into Israel — a major dislocation. Modern readers are right to feel the strangeness of the line. Do not preach it in a way that suggests God ever asks anyone to simply forget where they come from.* The psalm focuses almost entirely on the bride's appearance and her function as the producer of royal sons. That is one voice within Scripture, not the whole of what Scripture says about women. Be careful with how you handle the imagery in a contemporary congregation.Song of Solomon 2:8–13The Psalm (Track One, alternative option) — Arise, My LoveSummaryAn alternative reading to Psalm 45. The Beloved's voice rings out across the hills: “the voice of my beloved! Look, he comes, leaping upon the mountains, bounding over the hills.” The lover calls the Beloved to come away. Winter is over. The flowers appear. The fig tree puts forth its early fruit. Arise, my love, my fair one, and come away.Key Ideas for Preaching* The book of Song of Solomon, surprisingly to many in the pews, is in the Bible — and most of what it celebrates is human, embodied love. What does it do for your congregation to hear that the Scriptures have room for an unabashed celebration of human longing?* The image of winter ending and the world flowering again has been used by faithful readers across generations as a picture of God's renewing work. How might your sermon let the text speak both as a love poem and as a picture of what God's love does to a frozen heart?Significant Cautions* The text has, for most of its history in the church, been allegorized into a song about Christ and the church or God and the soul. That tradition is rich. But it has sometimes been used to apologize for the book's frankly erotic content. The text was given to us as it is. Be careful not to scrub it for modern propriety.* Be careful, on the other hand, not to use this text to baptize any contemporary picture of romance. The poem describes mutual longing, mutual delight, and the breaking of seasons; it is not a manual for human relationships and should not be flattened into one.Zechariah 9:9–12First Reading (Track Two) — The Humble KingSummaryA vision of a king coming to Jerusalem — but not the kind of king the people are expecting. He is humble and righteous, victorious yet riding on a donkey rather than a war horse. When he comes, he will cut off the chariot from Ephraim and the war horse from Jerusalem. The bow of battle will be broken. He will command peace to the nations, and his rule will reach from sea to sea. The reading closes with a word to the “prisoners of hope” — return to your stronghold, double restoration is on the way.Key Ideas for Preaching* The king Zechariah envisions is humble — he comes riding a donkey rather than a war horse. Power that does not look like power. This is the picture the Gospels will pick up at the entry to Jerusalem, and it is the picture Jesus offers of himself in today's Gospel as “gentle and humble in heart.” What does it mean for your congregation to follow this kind of king in a world that still measures power by chariots?* The peace this king brings includes cutting off the implements of war. Not making them better; getting rid of them. Where in your congregation has the language of peace been allowed to coexist with the quiet building up of weapons of one kind or another?* “Prisoners of hope” is one of the strangest and most beautiful phrases in the prophets. The people of God are imagined as captives — but captives of hope, not despair. What might it mean to your people to hear themselves named that way?Significant Cautions* This text is most often heard on Palm Sunday, when it gets read as a prediction of Jesus' entry to Jerusalem. Hearing it now, outside that context, gives a preacher a chance to let it speak first in its own voice. Be careful not to rush it toward Christ in a way that strips it of its own original power.* “Peace to the nations” has sometimes been used to bless military adventures branded as bringing peace. The text says the opposite. The peace comes from disarmament, not from victory.Psalm 145:8–14The Psalm (Track Two) — Good to AllSummaryA great hymn of praise to God's goodness. The Lord is gracious and merciful, slow to anger, abounding in steadfast love. God is good to all, and God's compassion is over all that God has made. All God's works give thanks; the faithful bless God. God's kingdom is everlasting. The Lord upholds those who are falling and raises up those who are bowed down.Key Ideas for Preaching* “The Lord is good to all, and his compassion is over all that he has made.” That is a remarkably wide claim. Not good to the worthy. Good to all. Where has your congregation accepted, without thinking, the idea that some are inside God's compassion and some are not?* The psalm is full of universal language — all, every, all that he has made. This is one of the cosmic visions of God's reach in the Hebrew Bible. How might your sermon let your congregation feel the size of that reach?* “The Lord upholds all who are falling, and raises up all who are bowed down.” This pairs beautifully with the Gospel's invitation to come to Christ and find rest. What does it look like to preach to those who are falling — gently, without shame?Significant Cautions* “Slow to anger” can be heard bitterly by people who have been crying out for justice for a long time. Do not preach this verse without making room for that experience.* “Upholds all who are falling” can land cruelly on those whose loved ones did, in fact, fall and not get caught. Be careful with this verse near grief.Romans 7:15–25aThe Epistle — The War WithinSummaryOne of the most psychologically piercing passages in the New Testament. Paul describes the experience of doing what he does not want and not doing what he wants. “I do not understand my own actions. For I do not do what I want, but I do the very thing I hate.” He finds, he says, a kind of law at work in him — that when he wants to do good, evil is right there. He delights in God's law in his inmost self, but another law is at work in his body. The passage rises to a cry: “Wretched man that I am! Who will rescue me from this body of death?” And then, almost without taking a breath, it pivots: “Thanks be to God through Jesus Christ our Lord!”Key Ideas for Preaching* This is one of the most honest descriptions of the human condition anywhere in Scripture. Paul does not pretend to have mastered himself. He names the experience that everyone in the room recognizes — wanting to do better and finding the same old patterns returning. What does it mean for your congregation to hear that the Bible knows this experience by heart?* The cry “wretched man that I am” is not despair. It is honest grief that something is broken — and it leads directly to the cry for rescue. How might your sermon teach your people that naming what is broken in themselves is not the same as despairing of themselves?* The pivot at the end is not a quick fix. “Thanks be to God through Jesus Christ our Lord” does not mean the internal struggle disappears overnight. Paul will go on in chapter 8 to describe how the Spirit groans with us in the meantime. Where might your sermon hold the honesty of the struggle and the hope of the rescue together, without rushing past either?Significant Cautions* This passage has been argued about for centuries — whether Paul is describing his pre-Christian past, his ongoing experience as a believer, or some other voice altogether. Faithful readers come down differently. Do not preach as if the question has been settled.* The passage has sometimes been used to bless moral failure — “even Paul couldn't do it, so why try?” That is a misuse. Paul is naming the struggle, not surrendering to it.* The “body of death” language has sometimes been used to disparage the physical body as the source of sin. That is not what Paul says. The whole human person, body and mind together, is involved in the struggle, not the body alone.* “Try harder” sermons that ignore Paul's actual point are common with this text. The point is not effort. The point is the rescue.Matthew 11:16–19, 25–30The Gospel — Come to Me, All Who Are WearySummaryTwo paired sections of Matthew 11. In the first, Jesus complains about his generation. They are like children in the marketplace who cannot be pleased — neither the dance music nor the funeral song moves them. John came as an ascetic and was called demon-possessed. Jesus came eating and drinking and was called a glutton. The wisdom of God will be vindicated, he says, by what it actually produces. The reading then skips ahead — past the harsh woes against the Galilean cities, which the lectionary omits — to Jesus' thanksgiving. He thanks the Father for hiding things from the wise and revealing them to infants. And then the famous invitation: come to me, all you who are weary and are carrying heavy burdens, and I will give you rest. Take my yoke upon you, and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. My yoke is easy, and my burden is light.Key Ideas for Preaching* The opening verses describe a generation that cannot be pleased by either austerity or celebration. Where in your own time do you see the same dynamic — a culture that rejects every kind of religious witness, on different grounds? How might your sermon take that pattern seriously rather than dismiss it?* Jesus says wisdom is vindicated by what it produces — its deeds. Not by its claims, its slogans, or its theology, but by what comes of it in actual lives. Where in your congregation has wisdom been measured by talk rather than by fruit, and how might today's text reset that?* The thanksgiving in verse 25 is for what God reveals to “infants” — the simple, the small. That has often been misread as anti-intellectual. It is not. It is a critique of the kind of wisdom that is too sure of itself to receive a gift. What does it mean for your people to come to God like infants — open-handed, not pre-loaded with answers?* The famous invitation — “come to me, all you who are weary” — is offered to everyone, no test required. After four weeks of Matthew 10's increasingly demanding sending discourse, this is the gentlest possible turn. How might your sermon help your congregation feel the contrast and receive the invitation?* A yoke is the wooden frame that binds two oxen together so they can pull a load. A well-fitted yoke makes the work bearable; a poorly fitted one is torture. Jesus offers an easy yoke — one that fits, one that pairs the weary person with him. What does it look like for your people to be yoked with Christ in their actual daily work?* “Rest for your souls.” Not just rest for the body, though that matters too. Rest in the deeper place. What kind of rest are your people most in need of, and how might today's text point them toward it?Significant Cautions* The “easy yoke” should not be flattened into the claim that following Jesus is without cost. We have just spent four Sundays on the cost of being sent. The yoke is easy because of who it is shared with, not because the work is small.* The “hidden from the wise” language has been misused to bless anti-intellectualism. Jesus is not against thinking. He is against the kind of self-satisfied wisdom that cannot receive what is given.* “Come to me, all you who are weary” has been preached in ways that minimize the systemic causes of human weariness. People are not just personally tired; many are exhausted by work conditions, economic pressure, racism, and political structures that are wearing them down. The invitation is real, but it does not let the church off the hook for addressing what is producing the weariness.* The “yoke” image has been used by abusive religious systems to bind people to harmful authorities. Be careful that nothing in your sermon sounds like that. Jesus' yoke is gentle. Anything that is not is not his.Thematic ConnectionsThe Gospel is the natural center for the day, and it offers one of the most beloved invitations in all of Scripture. After four Sundays inside the Matthew 10 sending discourse — in which Jesus has called, sent, warned, and welcomed his disciples — the same Gospel now offers them, and us, a startling change of key. Come to me. Find rest. The same Jesus who was sending people out is the one who now invites them in.The Old Testament tracks both lead toward that Gospel along very different roads. * On Track One, Genesis 24 gives us a tender story of God's providence working through human kindness and choice. Isaac, whose binding we read about two Sundays ago, is now being comforted. Rebekah's voice (and her camels) carry forward last week's cup of cold water into a new generation. Whether you choose Psalm 45 or Song of Solomon, the paired text celebrates love that comes when winter ends. The whole track has the quality of a thaw — a turning toward warmth after the heaviness of recent weeks.* On Track Two, Zechariah's vision of the humble king on a donkey leads directly into the Gospel's “gentle and humble in heart” Jesus. Psalm 145 widens the scope: God's mercy is for all, God's compassion over everything that has been made. The track invites a congregation to see the kingdom of God as fundamentally gentle in nature.* Romans 7 sits inside the day in a fascinating way. After the Gospel's invitation, Paul's honest description of the war between desire and action gives a name to one of the heavy burdens we carry. The rest Jesus offers is not the absence of that struggle. It is the company in which the struggle is held.For preachers continuing a sermon series, this week opens a new arc. The four-week Matthew 10 sending discourse is complete. * Matthew 11 begins a movement that will carry into parables and signs in the weeks ahead. The transition from “go out” (Matthew 10) to “come to me” (Matthew 11) is itself the heart of this Sunday's word. Sending and rest are not opposites; they are two sides of the same life. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

Yessounds Episode 59 is here! This week we're kicking off a new two‑part series called Opening Moves, a run through every Track One from the classic Yes albums. Part 1 takes us from the 1969 debut all the way to Drama, exploring how each era begins.If you love hearing the band evolve from album to album, this one's for you. Part 2 is coming soon… enjoy the ride! Beyond And Before – Yes (1969) No Opportunity Necessary, No Experience Needed – Time And A Word (1970) Yours Is No Disgrace – The Yes Album (1971) Roundabout – Fragile (1971) Close To The Edge – Close To The Edge (1972) Siberian Khatru – Yessongs (1973) The Revealing Science Of God (Dance Of The Dawn) – Tales From Topographic Oceans (1973) The Gates Of Delirium – Relayer (1974) Going For The One – Going For The One (1977) Future Times / Rejoice – Tormato (1978) Machine Messiah – Drama (1980)

This guide covers the readings appointed in the Revised Common Lectionary for the Fifth Sunday after Pentecost (Proper 8), Year A, falling on June 28, 2026.This Sunday closes the four-week arc of Jesus' sending discourse in Matthew 10. The shape of that arc is worth holding in view as you prepare. Four weeks ago, Jesus called Matthew the tax collector from his table. Three weeks ago, he sent the twelve out with empty hands. Two weeks ago, he warned them about the cost of being sent. This week, the discourse closes with three short verses about welcome — a cup of cold water, a household opening its door, a small kindness that Jesus says is received as if it were given to him. After the heaviness of last week, the gentleness of this closing is itself part of the message: found, sent, warned, now received.The Old Testament tracks pull in very different directions. Track One brings us Genesis 22 — the binding of Isaac — paired with Psalm 13's repeated cry of “how long.” This is one of the hardest texts in all of Scripture, and the guide says so plainly. Some preachers will choose to preach it, and the guide tries to help them do so with care. Some will choose not to, and that is a legitimate decision; the cautions section makes the case that the choice should be made with information rather than avoidance. Track Two brings us Jeremiah's confrontation with the false prophet Hananiah, paired with Psalm 89's exuberant praise. The Epistle continues in Romans 6, where Paul presses the practical implications of having been freed in baptism.The ReadingsGenesis 22:1–14First Reading (Track One) — The Binding of IsaacSummaryThis is one of the most difficult passages in all of Scripture. Without warning, the narrator tells us that God is going to test Abraham, and then God asks him to do something unspeakable — to take his beloved son Isaac, the long-awaited child of the promise, and offer him as a burnt offering. Abraham rises early the next morning, says nothing to anyone, and sets out with two servants and the boy. On the third day, he leaves the servants behind. He places the wood on Isaac's back. Isaac, walking beside him, finally speaks the question that shatters the silence of the scene: “Father, the fire and the wood are here, but where is the lamb for a burnt offering?” Abraham answers, “God himself will provide.” At the place of sacrifice, Abraham builds an altar, binds his son, places him on the wood, and reaches out his hand for the knife. At the last possible moment, an angel calls his name. Do not lay a hand on the boy. Abraham looks up and sees a ram caught in a thicket. He calls the place “The Lord will provide.”Key Ideas for Preaching* Three times in this chapter, Abraham answers with the same word — “Here I am.” Once to God, once to Isaac, once to the angel who stops him. The same single-hearted availability that gets Abraham into this terrible scene is also what lets him hear the voice that stops him. What might it mean for your congregation that the posture of being fully present to God includes the readiness to be interrupted?* The line “God will provide” is spoken by Abraham before the ram appears. He does not say it after the rescue, looking back; he says it on the way up the mountain, before he knows how. What might it look like for your people to speak the provision before they can see it — not as denial of the situation, but as honest trust in the character of God?* The ram was caught in the thicket the whole time. The provision was already there. Abraham had to keep climbing to find it. Where in your congregation has the help they are pleading for actually been present all along, waiting to be seen rather than waiting to be made?* The story ends with a name: “The Lord will provide.” Generations of pilgrims will later climb that mountain remembering not the test but the providing. What might it mean for your congregation to name the places in their own lives the same way — not by what almost happened, but by what God did?* Some preachers will choose not to preach this text, and that is a legitimate decision. The text is genuinely painful, and the work of holding it carefully is real. If you do preach it, what would it look like to let your people feel the horror of the scene rather than rushing past it toward a moral?Significant Cautions* This text has been used to argue that faith requires the suspension of ordinary ethics — that whatever God commands, however terrible, must be obeyed without question. That is a dangerous reading, especially in a world where people have committed real violence claiming divine instruction. The story actually ends the practice of child sacrifice in its ancient context; it does not bless it.* The text has often been read as a kind of preview of God's giving up his own Son on the cross. There are echoes worth noticing, but pressed too hard, this reading turns God into someone who almost kills children. That has done real damage in a hospital room or beside a grave. Handle the connection gently if you make it at all.* “God tested Abraham” can land cruelly on people whose suffering has been described to them as a test. The text does not offer a general theology of suffering as divine examination. Be careful not to extend the scene into a blanket explanation for any congregation member's grief.* Sarah is entirely absent from this chapter. Some Jewish tradition has heard her cry in the silence, and her death in the very next chapter has been linked to this scene. Be honest about her absence rather than papering over it.* The story has been used to bless the harm of family members in the name of religious obedience. Be especially careful that nothing in your sermon could be heard that way — particularly in light of the kinds of misuses we noted last week in Matthew 10.Psalm 13The Psalm (Track One) — How Long?SummaryThis is one of the shortest psalms in the Bible — six verses — and one of the most concentrated. It opens with the question “how long” asked four times in two verses: how long will God forget? how long will God hide? how long must the psalmist bear pain? how long will the enemy be exalted? Then a brief, urgent prayer for God to look and answer. And then, unexpectedly, a turn. “But I trusted in your steadfast love. My heart shall rejoice in your salvation. I will sing to the Lord, because he has dealt bountifully with me.” The lament does not erase itself, but it ends in trust.Key Ideas for Preaching* “How long” appears four times in two verses. There is no embarrassment about the repetition. Where in your congregation are people quietly afraid that their “how long” prayer has gone on too long, and what would it free in them to hear that the Bible knows that prayer by heart?* The turn at the end of the psalm is not a resolution. The problem has not gone away. What has shifted is who the psalmist is remembering. How might this teach your people what to do when their situation has not changed but their grip on God needs steadying?* Read alongside Genesis 22, the psalm gives voice to what Abraham, and perhaps Isaac, and perhaps Sarah could not say out loud. How might pairing the two texts honor the unspoken cry inside the more famous story?Significant Cautions* “I will rejoice in your salvation” can be turned into a command to feel better. The psalmist arrives at that line; he does not start there. Be careful not to use this psalm to shame those who are still living in the “how long” verses.Jeremiah 28:5–9First Reading (Track Two) — The Test of a ProphetSummaryThis is part of a longer scene. Jeremiah has been prophesying that the Babylonian exile will be long — a generation or more. Hananiah, another prophet, has been promising the opposite: that the exile will be brief and that God is about to break the yoke of Babylon quickly. The selected verses give Jeremiah's reply. He says, in effect: I would love for your prophecy to be true. May God do what you say. But the prophets who came before us prophesied war and disaster and pestilence; the prophet who promises peace is recognized as a true prophet only when the peace actually arrives. The test of a true word from God is whether it bears out in time.Key Ideas for Preaching* Jeremiah does not dismiss Hananiah out of hand. He says, in effect, “amen — may the Lord do as you have prophesied.” Then he names the harder truth. What does it look like for your congregation to take seriously the appeal of every comforting message, including the ones that turn out to be false?* Jeremiah's test of a true prophet is whether the word comes to pass. That is a slow test. It does not yield quick certainty. Where in your congregation has the desire for fast answers led people toward voices that sound encouraging but do not bear out?* The bigger backdrop is that the people of God are being asked to live faithfully through a long, hard time — not to expect a quick rescue. What might it mean for your congregation to hear that some of the most pressing questions of faith are about how to live well inside a hard season, not how to escape it?Significant Cautions* This text has been used to demand that anyone with a hopeful word be dismissed as a false prophet. Jeremiah does not say that. He says that some hopeful words turn out to be false. He does not say all of them are.* Be careful with the implication that suffering and hardship are always the more spiritually credible message. That framing has its own pastoral dangers, especially in contexts where genuine deliverance is in fact what God is bringing.Psalm 89:1–4, 15–18The Psalm (Track Two) — Of Your Steadfast Love I Will SingSummaryA hymn celebrating God's steadfast love and faithfulness. The opening verses promise to sing God's praise forever, and remember God's covenant with David — the promise to establish his line. The second set of verses turns to the people: happy are those who know the festal shout, who walk in the light of God's face. Their strength is from God; their joy is in God's name. The lectionary selects only the praise sections of a longer psalm that, by its end, becomes a sustained complaint about whether God has kept the very promises being celebrated here.Key Ideas for Preaching* “I will sing of your steadfast love forever.” The opening commitment is to a long song, not a passing feeling. What does it look like for your congregation's praise to be the kind of thing they intend to keep singing for a long time, regardless of how a given week has gone?* “Happy are the people who know the festal shout.” That suggests there is a kind of joy that has to be learned — practiced, taught, shouted out loud. Where might your people need permission to practice praise rather than wait for it to arrive on its own?* Paired with Jeremiah's hard-eyed realism, this psalm reminds us that honest realism about difficulty and unembarrassed praise are not opposites. Both belong. How might your sermon hold these two together?Significant Cautions* The lectionary's selection omits the long complaint that closes Psalm 89. If you preach the praise alone, be honest with your congregation that this is one voice within a longer, more complicated prayer — not the whole of the psalm.Romans 6:12–23The Epistle — Wages and GiftSummaryPaul picks up where last week left off. The argument has been that baptism unites us with Christ in his death and frees us from the rule of sin. Now Paul presses the practical implications. Do not let sin reign in your bodies. Do not present yourselves to sin as instruments of wrongdoing; present yourselves to God as people alive from the dead. Then he reaches for a metaphor that lands uncomfortably on modern ears: you were once slaves of sin, now you are slaves of righteousness. Paul acknowledges that the metaphor is limited — “I am speaking in human terms,” he says, “because of your natural limitations.” The passage closes with one of his most famous lines: the wages of sin is death, but the free gift of God is eternal life in Christ Jesus our Lord.Key Ideas for Preaching* Paul assumes that we are always under some kind of authority — and that the question is not whether we will serve something, but what we will serve. Where in your congregation might it be freeing to hear that the choice is not between independence and submission, but between two very different kinds of belonging?* The “wages of sin is death” line has often been preached as a scare tactic. But Paul sets it next to a contrast: the free gift of God is eternal life. Wages are earned. Gifts are not. What might it shift in your people to hear that what God offers is fundamentally not a paycheck?* Paul says he is speaking in human terms “because of your natural limitations.” He admits openly that the metaphor he is using is imperfect. What does it look like to preach with the same kind of humility — using the words available while admitting that they cannot quite contain what is being said?Significant Cautions* Paul's slavery language is rough. It was uncomfortable in its own century, and it is much more so now, in a world where actual chattel slavery has shaped enormous suffering. Be honest that the metaphor has its limits and has been misused.* “The wages of sin is death” has been wielded as a threat. The structure of the verse actually points the other way — the news, the good news, is the free gift on the other side of the comma.* “Slaves to righteousness” should not be flattened into a demand for moralism. Paul's freedom is freedom from a set of destructive authorities, not freedom into a list of rules.Matthew 10:40–42The Gospel — A Cup of Cold WaterSummaryThis is the close of the long sending discourse, and after the difficult sayings of last week, the tone here is unexpectedly gentle. Jesus speaks of welcome — how those who welcome the disciples welcome him, and how those who welcome him welcome the One who sent him. Then he names the smallest possible kindness: even a cup of cold water given to one of these little ones in the name of a disciple will not lose its reward. The whole sending speech, which began with sober instructions and warnings, closes here on what almost sounds like a warm afterthought — but an afterthought that turns out to carry real weight.Key Ideas for Preaching* The discourse closes not with grandeur but with the smallest possible act of hospitality — a cup of cold water. Where in your congregation has the imagination for “real” ministry crowded out the small kindnesses that Jesus actually names here?* Jesus says that welcoming a disciple is welcoming him. That goes both directions. It promises something to your people when they are welcomed — they carry Christ with them. And it asks something of your people when they are the welcomers. How might this two-way welcome shape your congregation's sense of both being received and receiving?* This is the fourth and final Sunday of the Matthew 10 arc. Three weeks ago, the disciples were sent with empty hands. Two weeks ago, they were warned that the road would be hard. Today, the discourse closes with the promise that the smallest welcome is not lost. How might your sermon let your people feel the shape of the whole arc — and the unexpected tenderness of its close?Significant Cautions* “These little ones” is a tender phrase, but it has sometimes been preached condescendingly, as if the speaker were the welcomer and someone else were the recipient. In this passage, the disciples are the little ones. Be careful which direction your sermon casts the metaphor.* The “reward” language is easy to flatten into transactional thinking — do this small thing and earn that big thing. Jesus is not running a points system. He is saying that nothing offered in his name goes unnoticed.* The cup of cold water has sometimes been used to bless the substitution of small charity for real engagement with the systems that produce thirst in the first place. Both the small act and the larger work matter. Do not let one be used to excuse the absence of the other.Thematic ConnectionsAfter three Sundays of increasingly difficult Gospel readings, the lectionary closes the Matthew 10 arc with three short, gentle verses about welcome. The four-week shape is worth holding together: found, sent, warned, received. The disciples who were called from their tables, then sent out with empty hands, then warned about the cost, are now placed inside a network of hospitality — disciples who carry Christ with them, and households who welcome them as Christ.The Old Testament tracks pull in very different directions, and the preacher's choice matters. Track One brings Genesis 22 alongside the brief Gospel — the agonizing test of Abraham paired with the small kindness of a cup of cold water. The contrast is severe, and the preacher has real work to do to make that pairing serve a congregation rather than overwhelm it. Psalm 13's repeated “how long” gives voice to the silence inside Abraham's obedience.Track Two brings Jeremiah's confrontation with false prophecy — the hard-eyed test of whether a word from God actually bears out — and pairs it with Psalm 89's exuberant praise. The combination invites a congregation to hold honest realism and unembarrassed worship together.Romans is on both tracks and continues to develop the question of what kind of life baptism actually launches. The wages-and-gift contrast at the close of the reading offers a clean line for a sermon on either track.The Gospel itself is short enough that it may not seem to carry an entire sermon, but its closing image — a cup of cold water — is worth a sermon in its own right. After the heaviness of last week, the smallness of this week's instruction is itself the good news. The disciples Jesus has been preparing are not asked to do impossible things; they are asked to receive and to give the smallest kindnesses faithfully — and to trust that those kindnesses are received as if they were given to him. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

This guide covers the readings appointed in the Revised Common Lectionary for the Fourth Sunday after Pentecost (Proper 7), Year A, falling on June 21, 2026. We are well into the green season now — the long, ordinary stretch of Sundays during which the church listens, week by week, to the long witness of Scripture.This Sunday's readings are not gentle. The Gospel continues last week's account of Jesus sending out the Twelve, but where last week was the calling, this week names the cost. Jesus tells the disciples three times not to be afraid, then warns them that the message will divide families, that they will be hated, and that those who try to hold on to their lives will lose them. The Old Testament tracks each offer their own difficult companion. Track One follows Hagar and her son into the wilderness after they are cast out at Sarah's demand — one of the most painful scenes in Genesis. Track Two gives us Jeremiah's famous lament, in which the prophet accuses God of having tricked him into a vocation that has cost him everything. The Epistle, from Romans 6, sets the baptized at the heart of this difficulty: we have died with Christ, and so what could ordinarily destroy us no longer has the final word.This is a Sunday that asks the preacher for both courage and tenderness. The Gospel in particular has been used in some of the most damaging ways in the church's history — to justify family estrangement, to coerce loyalty, to bless suffering that people did not choose. The guide names those misuses plainly in the cautions, because the texts will preach better when their misuses are named than when those misuses are left to lurk.The ReadingsGenesis 21:8–21First Reading (Track One) — Hagar and Ishmael in the WildernessSummaryThe day Isaac is weaned, Abraham throws a great feast. Sarah looks across the celebration and sees Ishmael — the son Hagar bore to Abraham years earlier — and something hardens in her. She tells Abraham to send Hagar and the boy away, so that Ishmael will not inherit alongside Isaac. The text says the matter is very distressing to Abraham, but God tells him to do as Sarah says, with the promise that God will also make a nation of Ishmael. The next morning Abraham sends Hagar out with bread, a skin of water, and the boy. The water runs out in the wilderness. Hagar puts the child under a bush so she will not have to watch him die, and she lifts up her voice and weeps. God hears the boy's voice. An angel speaks to Hagar — do not be afraid, God has heard him where he is. God opens her eyes, and she sees a well that was there all along. The boy grows up in the wilderness and becomes the ancestor of a great nation.Key Ideas for Preaching* The text says God heard the voice of the boy — and the name Ishmael means “God hears.” The story is its own argument: there is no one whose voice God does not hear, including the ones the official story has cast out. Where does your congregation tend to assume that some voices reach God and others do not, and how might Ishmael's name interrupt that assumption?* Hagar does not see the well until God opens her eyes. The water was already there. What might it mean for your people that the help they have been pleading for may already be present, waiting to be seen rather than waiting to be made?* God's promise expands rather than narrows. Isaac receives the promise, and Ishmael will also become a great nation. The text refuses to make this an either/or. Where in your congregation has the assumption taken hold that God's blessing is a finite resource — that someone else's portion must come out of ours?* The story sits uncomfortably with us, and it should. There is real cruelty here, and real grief. What might it look like to preach this scene without rushing toward a moral, letting your people sit with the painful complexity of a family text that does not resolve neatly?Significant Cautions* Hagar's story has been used in the church to claim that one religious people has displaced another — most painfully in claims that Christianity has replaced Judaism, or that the Arab descendants of Ishmael are outside God's care. The text itself refuses this reading. God's blessing extends to both lines.* Sarah's demand and Abraham's quick compliance are easy to moralize — to make Sarah a villain or Abraham a coward. The text is more honest than that. They are real, flawed people inside a real, flawed family system, and the story does not ask us to pick sides among them.* The line that God told Abraham to listen to Sarah has sometimes been used in troubling ways. Read in context, it is God's particular guidance about this particular moment — not a general endorsement of any voice that arrives within a family.* This is a Genesis story that Muslims also hold as sacred — Ishmael is the ancestor of the Arab peoples, and the well in this text is foundational to Islam. Be particularly careful with any language that would imply Christians have an exclusive claim on the material.Hagar and Ishmael in the Desert by Christoffer Wilhelm EckersbergPsalm 86:1–10, 16–17The Psalm (Track One) — Incline Your Ear, O LordSummaryThis is a psalm of supplication from someone in deep need. “Incline your ear, O Lord,” it begins; “I am poor and needy.” The psalmist names God's character — good and forgiving, abounding in steadfast love — and pleads for an answer. The middle of the psalm widens the view: God is unique among all the gods of the nations, the maker of all peoples, the one to whom every people will one day come. The selected verses close with another plea: turn to me, give me strength, save me, show me a sign of your favor.Key Ideas for Preaching* The psalmist names himself “poor and needy” — and names it to God, not hides it. What does it look like for your congregation to bring their actual need to God without first trying to dress it up?* The psalm holds together a private cry and a cosmic vision. In the same breath the psalmist asks God to listen to him and reminds himself that all the nations will one day come and bow down. How might your sermon hold those two together — the intimate and the vast — without flattening either?* The plea is grounded in who God is, not in who the psalmist is. God is good and forgiving, abounding in steadfast love. Where in your congregation has prayer started to feel like throwing words into a void, and how might naming who God is steady that?Significant Cautions* The psalmist asks God to act so that “those who hate me may be put to shame.” That is honest prayer, but it can also become a weapon. Be careful about preaching this verse in a way that licenses contempt for those we disagree with.* “I am devoted to you” can be heard as the psalmist claiming exceptional faithfulness. Read in the context of the whole psalm, it is relationship language, not a boast about merit.Jeremiah 20:7–13First Reading (Track Two) — A Fire Shut Up in My BonesSummaryJeremiah turns to God in something close to anger. You have tricked me, he accuses; you have overpowered me. He has become a laughingstock. Everyone mocks him; his message of judgment has cost him friends and reputation. He has tried to keep silent — but the word of God, he says, is like a fire shut up in his bones, and he cannot hold it in. Even his closest acquaintances are watching for him to stumble. And then, in the middle of the lament, the tone turns. He remembers that God is on his side, that the Lord is with him like a dread warrior. He calls on the assembly to sing to the Lord. The lament does not erase itself, but it ends — for now — in praise.Key Ideas for Preaching* Jeremiah accuses God of trickery and gets away with it. The text does not punish him for the accusation; it preserves it as Scripture. What might it mean for your congregation to hear that even rage toward God can be a faithful prayer?* The word inside Jeremiah is “like a fire shut up in my bones.” He cannot keep it in even when keeping it in would be easier. Where in your congregation is there a truth that needs to come out, and what is it costing your people to hold it in?* The lament ends in praise — not because the problem has been solved, but because Jeremiah remembers who is with him. What does it look like for your people to praise from inside a difficulty that has not yet resolved?Significant Cautions* Jeremiah's lament can be used to suggest that faithful people quickly arrive at peace and praise after suffering. The turn is real in this passage, but it is not automatic, and the rest of Jeremiah's life is not exactly peaceful. Do not rush a lament toward resolution.* “There is something like a burning fire in my bones” has sometimes been used to pressure people into evangelism, as if a faithful Christian must always feel compelled to proclaim. Jeremiah's compulsion is the experience of a particular prophet under particular circumstances, not a universal test of faithfulness.Psalm 69:7–10, (11–15), 16–18The Psalm (Track Two) — A Stranger to My KindredSummaryA lament from someone who has been alienated by their devotion to God. It is for your sake, the psalmist says, that I have borne reproach — I have become a stranger to my kindred. Zeal for God's house has consumed him. He is mocked in the streets; even drunkards make him the subject of their songs. The psalm pleads with God to draw near, to answer, to redeem him from the muck. The selected verses close with an urgent appeal: do not hide your face from me; come near and redeem me.Key Ideas for Preaching* The psalmist's faithfulness has cost him relationships — even with his own family. This pairs powerfully with the Gospel's hard language about division. What does your congregation know about the real cost of taking faith seriously, and how might this psalm give them words for it?* The image of being stuck in the mire, where there is no foothold, is one of the most physical pictures in the psalms. It is not abstract theology; it is what real trouble feels like in the body. How might your sermon let the body of the psalm meet the bodies of your people?* The psalmist does not pretend to be patient. “Do not hide your face from me” is urgent, almost demanding. What might it free in your people to hear that urgent prayer is faithful prayer?Significant Cautions* The psalm has been used to claim a kind of spiritual martyrdom for ordinary discomfort — to dramatize mild inconvenience as suffering for the gospel. The cost the psalmist describes is real. Be careful applying his words to a much smaller scale.* Some verses near these (not included in the reading) contain sharp curses against the psalmist's enemies. The lectionary leaves them out for a reason. If you reach for them, handle them with care.Romans 6:1b–11The Epistle — Buried with Him by BaptismSummaryPaul has just argued in Romans 5 that grace abounds where sin abounds. He hears the objection coming: shall we then sin all the more, so that grace can abound all the more? Absolutely not, he says. And the picture he gives in answer is baptism. To be baptized into Christ is to be baptized into his death — buried with him so that we might also walk into a new kind of life. The old self has been crucified with him. The pull of the old life no longer has the final word. Christ, having been raised, will never die again; death no longer has dominion over him. And so, Paul says, we are to consider ourselves dead to sin and alive to God in Christ Jesus.Key Ideas for Preaching* Paul defines baptism not as a religious rite added on top of a person's life but as a death and a resurrection. The old self has been crucified. The new life is something already begun. How might it shift your congregation's sense of baptism — their own, and any they are about to celebrate — to hear it described in these terms?* “Death no longer has dominion over him” — and so, by extension, over us. This is the same Romans 6 that ties directly to today's Gospel, where Jesus tells the disciples not to fear those who can kill the body. The two readings are saying the same thing in different keys. What changes in your people when the deepest threats lose their final authority?* Paul tells us to “consider ourselves dead to sin and alive to God.” That is not a description of how it feels; it is a posture, a reckoning, a choosing to remember what is true even when experience suggests otherwise. Where in your congregation might this practice of remembering provide more steadiness than trying to feel a particular way?Significant Cautions* “Dead to sin” has sometimes been read as the claim that Christians no longer struggle. Paul is not saying that — he goes on in chapter 7 to describe at length the ongoing struggle. He is describing an orientation, not a finished condition. Say so plainly.* The language of being “crucified with Christ” can be used to romanticize suffering, or to suggest that hardship is the proof of faith. Paul's image is about baptismal identity, not a measuring stick for who is suffering enough.* “Walking in newness of life” can be flattened into self-improvement language. Paul's vision is much larger — a whole new sphere of life in which the powers that used to determine us no longer have the final say.Matthew 10:24–39The Gospel — Do Not Be AfraidSummaryThe sending discourse continues, and Jesus turns to the cost. He warns the disciples that they will be treated as he is treated — if people call the master of the house Beelzebul, his household should expect worse. Three times he tells them not to be afraid. Do not fear those who can kill only the body; fear instead the one who has authority over both body and soul. Do not be afraid: even the sparrows are not forgotten, and you are worth more than many sparrows. Acknowledge me before others, Jesus says, and I will acknowledge you before my Father. And then the hardest verses: do not think I came to bring peace; I came to bring a sword. Loyalty to me will cause division — even within families. Whoever loves family more than me is not worthy of me. Whoever does not take up the cross is not worthy of me. Those who try to hold on to their life will lose it. Those who lose their life for my sake will find it.Key Ideas for Preaching* The phrase “do not be afraid” appears three times in this passage. It is the constant beneath everything else. The hard language about division and loss is held inside that frame. What would it look like for your sermon to make the “do not fear” as loud as the difficult verses around it?* Jesus uses sparrows — the cheapest birds at the market — to make a point about God's attention. Not one of them falls without God noticing; and you are worth more. How might this small, almost throwaway image be exactly the picture your congregation needs of a God whose attention reaches the least-counted parts of their lives?* The “sword” Jesus brings is not his intention but his effect. He is naming a social reality: following him will not be welcome everywhere, even in some families. He is preparing his disciples for that, not endorsing the division. How might your sermon help your people tell the difference between division that follows costly faithfulness and division that follows from cruelty or stubbornness?* “Take up the cross” was, in the first century, the specific image of a condemned prisoner carrying the crossbeam of their execution. It was a death-march image, not a metaphor for ordinary hardship. What is your congregation actually being asked to die to for the sake of Jesus, and how can you name it without trivializing the image?* “Those who lose their life for my sake will find it” is one of the central paradoxes of the Gospels. It is not a license for self-destruction; it is the strange truth that the life that tries to protect itself shrinks, and the life that is given for something larger grows. Where in your people's lives is a small, protected life keeping them from a larger, given one?Significant Cautions* “Do not fear those who kill the body” has sometimes been used to pressure people toward martyrdom or to invalidate ordinary fear. Jesus is not condemning fear; he is steadying people facing genuine threat. Don't use this verse to shame the afraid.* The verse about fearing the one who can destroy both body and soul is genuinely difficult, and many faithful readers have understood the subject of that verse differently. Be cautious about turning it into a casual threat. The weight of the passage is not on the warning; it is on the comfort that immediately follows.* “I came not to bring peace but a sword” has been used in some of the most damaging ways imaginable — to justify religious violence, to bless the cutting off of LGBTQ+ family members, and to license abusive religious leaders demanding total loyalty. Be especially clear: Jesus is naming a social effect, not endorsing harm to anyone.* “Whoever loves father or mother more than me is not worthy of me” has been weaponized by spiritually abusive systems to demand that members cut off family. The wider witness of Scripture — including Jesus' own care for his mother from the cross, and the command to honor parents — flatly contradicts that use.* “Take up the cross” should not be applied to suffering that people did not freely choose — illness, abuse, poverty, grief. Such suffering is not their cross to bear, and calling it that has been used to silence people who needed to be heard.* “Lose your life to find it” should never be used to validate self-harm, the staying in dangerous situations, or the spending of oneself in service of leaders or institutions that demand it. Jesus is talking about the freedom of the gospel, not about self-destruction.Thematic ConnectionsBoth tracks open onto the same difficult Gospel, and both offer it different company.Track One brings Hagar's wilderness story. A woman and her son have been cast out — by the official story, by the family that should have held them. The water runs out. The mother cannot bear to watch the child die. And God hears. The story does not solve what Sarah has done; it does not undo the cruelty. But it insists that no voice is unheard, no person is forgotten, and that the help God provides may already be present, waiting to be seen. Paired with the Gospel's “do not fear” and the sparrow image, the message is the same in two keys: God's attention reaches the ones the world has overlooked.Track Two brings Jeremiah's lament and Psalm 69's cry of alienation. Both texts give voice to the cost of faithfulness — the rejection, the social isolation, the impossibility of keeping silent. Read alongside the Gospel, they put words in the mouths of disciples for whom following has cost something. The whole day, on this track, gives a congregation permission to be honest about how hard faithfulness has been, and a promise that the honesty is itself a form of prayer.Romans 6 anchors both tracks in baptismal identity. Whatever the world's hostility can do, the worst of it has already lost its dominion. Christ has gone down into death and come back out the other side, and the baptized have gone with him.The Gospel is the natural preaching center either way, and it asks particular courage from the preacher. These texts have been weaponized; the cautions in this guide are not theoretical. But the heart of the passage is the threefold “do not be afraid” and the small, almost tossed-off promise about the sparrows. A sermon that lets those quieter verses set the temperature, while taking the harder verses seriously and naming their misuses plainly, will land more honestly than one that either avoids the difficulty or leans into it as something to admire.For preachers following the recent series: this is the third Sunday in the Matthew 10 arc. Two weeks ago, Jesus called Matthew from his table. Last week, he sent the twelve out with empty hands and the compassion of the Lord of the harvest. This week, he is honest with them about what the sending will cost. The shape is now complete: found, sent, warned. Next week, the lectionary begins to move into the parables of the kingdom. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

Hoo, boy… it's great to be back in the saddle at my computer and in front of the microphone! I greatly enjoyed a short break to visit my family in New York, and I appreciate you all sticking with it while the audio has taken a break. I hope the printed materials continued to be helpful. * * * * * * * * * * * * * * *This guide covers the readings appointed in the Revised Common Lectionary for the Third Sunday after Pentecost (Proper 6), Year A, falling on June 14, 2026. The great festivals of Easter and Pentecost are behind us, and the church now settles into what has been variously called Ordinary Time, the Season after Pentecost, or simply the long stretch of green Sundays that runs all the way to Advent. The lectionary now walks through stories and letters in a more sustained way — not building toward a particular feast but simply listening, week by week, to the long witness of Scripture.This Sunday offers two parallel Old Testament tracks. Track One (semi-continuous) follows the great stories of Israel in order, picking up this week with Abraham and Sarah and the visitors at Mamre. Track Two (complementary) chooses an Old Testament text that lines up thematically with the Gospel — this week, the giving of the covenant at Sinai, where God names Israel a kingdom of priests. Either track will preach. Most congregations pick a track at the beginning of the season and stay with it; this guide treats both fully and lets the preacher choose.The Epistle and Gospel are the same for both tracks: Romans 5 on hope formed in suffering, and Matthew's account of Jesus sending out the Twelve. One quiet continuity is worth noticing as you prepare. Matthew the tax collector, called from his table just last week, appears in today's Gospel in the list of the twelve apostles being sent out. The lectionary is showing us how quickly being found becomes being sent.Matthew the tax collector, called from his table just last week, appears in today's Gospel in the list of the twelve apostles being sent out. The lectionary is showing us how quickly being found becomes being sent.The ReadingsGenesis 18:1–15, (21:1–7)First Reading (Track One) — Sarah LaughsSummaryThree travelers arrive at Abraham's tent in the heat of the day, and Abraham — without yet knowing who they are — hurries to offer extravagant hospitality. Over the meal, one of them announces that Sarah will have a son within the year. Sarah is listening from inside the tent and laughs to herself, silently, as she thinks, at the idea that two old people could still have a child. The visitor knows. He calls out the laugh and asks the question on which the whole story turns: is anything too wonderful for the Lord? Sarah, frightened, denies laughing. He simply says: Oh yes, you did. The optional ending of the reading carries the story forward — the promise comes true, Sarah gives birth, and they name the child Isaac, which means “he laughs.” The laughter that began in skepticism comes back as joy.Key Ideas for Preaching1. Abraham welcomes strangers and ends up hosting God. He does not know who they are when he runs to greet them — he simply treats them like honored guests. What does it look like for your congregation to extend that kind of hospitality to people whose importance they have not yet discovered?2. Sarah's laughter is honest. After twenty-five years of waiting on a promise that never came, she is not pretending anymore. What does it look like to give your people permission to bring their honest doubt to God without dressing it up as faith?3. The question at the heart of the story — is anything too wonderful for the Lord? — is not about whether God can do tricks. It is about whether we still credit God with the capacity to surprise us. Where has your congregation quietly written something off as impossible — about themselves, about each other, about the world — that this text suggests they should hold more loosely?4. If you include the verses from chapter 21, Isaac's name carries the whole arc: “he laughs.” The laughter that began in disbelief comes back as the laughter of joy. What would it mean for your people to trust that God can turn the laughter of skepticism into the laughter of celebration — and that both kinds of laughter can be holy?Significant Cautions• Sarah's laughter is sometimes preached as a failure of faith, with Sarah cast as a cautionary example. The text is gentler than that. She is honest, and God is honest back. Be careful not to turn the scene into a morality lesson about doubt.• The three visitors have been used in some traditions as a kind of preview of the Trinity. The text itself does not make that claim, and forcing it on the passage tends to distract from what is actually happening. Better to let the strangeness of the scene be what it is.• The promise of a child in old age can land hard on people who have prayed for a child and not received one. Be careful not to suggest that those who do not get the miracle are short on faith.Psalm 116:1–2, 12–19The Psalm (Track One) — What Shall I Return to the Lord?SummaryThis is a psalm of thanksgiving from someone who has been heard. The opening lines tell us why the psalmist loves God: because God listened. The middle section asks the question every grateful person eventually asks — what can I possibly give back? The answer turns out not to be a material payment at all. It is to lift the cup of salvation, to call on God's name, to keep the vows made in the day of trouble — and to do all of this publicly, in the presence of all God's people.Key Ideas for Preaching1. The psalmist's love for God begins with being heard. That is a much smaller and more reachable claim than it sounds. What might it do for your congregation to hear that the path to loving God can begin with something as simple as the conviction that God is paying attention?2. The question “what shall I return to the Lord?” is asked by someone overflowing with gratitude, not by someone calculating a debt. Where in your congregation has gratitude turned into obligation rather than response, and how might this psalm soften that?3. The thanksgiving is offered in the presence of all God's people — public, witnessed, communal, not a private feeling kept to oneself. What would it look like to give your people room to name out loud where God has met them?Significant Cautions• “Precious in the sight of the Lord is the death of his faithful ones” can sound to a grieving person as if their loved one's death is being called a treasure. The line means that God watches over the lives and deaths of God's people with care — not that death itself is a good thing. Handle it tenderly.• “I love the Lord, because he has heard my voice” can be heard painfully by someone whose prayers have not been answered the way they wanted. Make room in the sermon for them as well.Exodus 19:2–8aFirst Reading (Track Two) — A Kingdom of PriestsSummaryThe Israelites have just come out of Egypt and are camped at the foot of Mount Sinai. Moses climbs the mountain, and God speaks to him with a word for the people. God begins by reminding them of what they have already seen — how God carried them out of slavery on eagles' wings — and then names what they are about to become: if they keep the covenant, they will be God's treasured possession out of all the peoples of the earth, a kingdom of priests, a holy nation. Moses brings the message back, and the people answer in a single voice: everything the Lord has said, we will do.Key Ideas for Preaching1. God's word to Israel begins with what God has already done. The covenant is offered to people God has already rescued, not to people who have earned it. Where does your congregation still imagine that their relationship with God starts with their performance rather than with God's prior love?2. A kingdom of priests is a people whose whole life points others toward God. This is not a job for clergy or for a few specially gifted members — it is the identity of the whole community. What does it look like for your people to take seriously that their ordinary lives are meant to be priestly?3. The people's “we will do” comes very quickly. They will, of course, fail to keep it almost immediately. What does it mean to preach this scene knowing both that the commitment is sincere and that it will not hold — and that God enters the covenant anyway?Significant Cautions• “Treasured possession” has been used to claim that one group has been chosen over and against others — including, in tragic stretches of Christian history, to argue that the church has replaced Israel as the chosen people. That is a misreading. Be careful with the language of being chosen so that it does not slide into superiority.• The image of being carried on eagles' wings is beautiful but can be turned into the promise that God always rescues the faithful from hardship. The Exodus story itself does not promise that. Hold the image tenderly for people whose deliverance is still long in coming.Psalm 100The Psalm (Track Two) — The Sheep of His PastureSummaryThe whole psalm is one sustained call to worship — seven imperatives stacked into five short verses. The reason runs through every line: God made us, we belong to God, God is good, God's steadfast love endures forever. It is among the shortest and best-loved psalms in the Bible, often used to open worship.Key Ideas for Preaching1. The psalm is almost all imperatives — commands to worship. Worship here is not a feeling the worshiper has to manufacture; it is something the people are invited to do, and the doing tends to come first. Where might your congregation be waiting to feel ready to worship rather than simply showing up to do it?2. The reason for worship in the psalm is not the worshiper's circumstances but God's character — that God made us, that we belong to God, that God's love endures. What would change if your congregation grounded its praise in who God is rather than in how the week has gone?3. This psalm pairs naturally with the Exodus reading. The people God is forming into a kingdom of priests are the same people the psalm calls to enter God's gates with thanksgiving. The identity and the practice belong together. What might it look like for your congregation to feel both at once?Significant Cautions• The command to “make a joyful noise” has sometimes been turned into the requirement that worship always be exuberant and loud. Joy in worship comes in many keys — including quiet ones. Be careful not to make joyful noise the same as loud noise.• A psalm of pure praise can leave out people who are grieving or hurting, who cannot easily summon gladness. The psalm is one voice in a larger book that also makes ample room for lament. Not every Sunday is Psalm 100 weather, and saying so honestly can be a kindness.Romans 5:1–8The Epistle — Hope That Does Not DisappointSummaryPaul opens this chapter with one of his great summary statements: now that we have been put right with God by trust, we have peace with God through Jesus Christ. From there he describes the strange logic of Christian hope. We can even hold our heads up in suffering, he says, because suffering forms endurance, endurance forms character, and character forms hope — a hope that does not let us down, because God's love has been poured into our hearts by the Holy Spirit. Then he gives the ground for it all: Christ did not wait for us to deserve him. He died for us while we were still weak, still sinners, with no claim on him at all.Key Ideas for Preaching1. The chain Paul builds — suffering, endurance, character, hope — describes what suffering can do, not what it always does. Paul is not telling sufferers that their pain is a tool God is using on them; he is telling people who are already enduring something hard that the road they are walking has been walked before, and it leads somewhere. Where does your congregation need to hear that distinction made plainly?2. The hope Paul describes is not optimism. Optimism depends on circumstances; this hope is poured in from outside — the love of God by the Spirit. How might it help your people to be told that they do not have to manufacture their own hope?3. Christ died for us, Paul says, while we were still sinners — before any of us had cleaned ourselves up to qualify. Where does your congregation still secretly believe that God will love them more once they have improved, and what would change if they let that go?Significant Cautions• “Suffering produces endurance” has been used to silence people whose suffering is real and unjust — to tell them they should be grateful for what their pain is doing to them. That is a cruel misuse. Paul is not blessing suffering; he is comforting people in it. Say so plainly.• “Justified by faith” can be flattened into the idea that what saves us is the strength of our own believing — as if faith were a new thing to achieve. The weight here is on the trustworthiness of God, not the size of our trust. Keep the emphasis where Paul puts it.• Paul's contrast between sinners and the righteous has sometimes been used to draw lines around who counts as truly bad and who counts as basically good. The whole point of the passage is that none of us was on the right side of that line, and Christ came anyway.Matthew 9:35–10:8, (9–23)The Gospel — The Compassion and the SendingSummaryJesus has been moving through the towns of Galilee, teaching and healing, and when he looks at the crowds something gives way in him. They are exhausted, he says — harassed and helpless, like sheep without a shepherd. From that compassion comes the saying about a plentiful harvest and too few laborers, and then the response: Jesus summons twelve of his disciples, names them one by one, gives them authority, and sends them out. The instructions are striking. Stay with Israel for now. Take nothing — no money, no extra clothing, no traveling kit. Whatever you have received, give freely. In the verses that follow, the warning grows sober: you will be sent like sheep among wolves, you will be hated, you will need to endure. The mission is real, and so is the cost, and Jesus hides neither. Talk about some straight talk!Key Ideas for Preaching1. The mission begins in Jesus' compassion. Before there is a strategy or a sending, there is a look at the crowds and the sense that they are sheep without a shepherd. What does it look like for your congregation's own sense of mission to begin in compassion rather than in obligation or ambition?2. Among the twelve named and sent is Matthew the tax collector — the very man called from his table in last week's Gospel. The lectionary is showing us how quickly being found becomes being sent. Where in your congregation are people waiting to feel qualified before they are willing to be sent, and what would change if they took Matthew's story seriously about themselves?3. The travel instructions are notable for everything they leave out. No money, no bag, no extra clothes. The mission is meant to be carried out in a posture of vulnerability and dependence on those who receive them. What does it look like for your congregation to do mission in a way that does not arrive with all the answers and all the resources — but with empty hands?4. “You received without payment; give without payment.” The freedom of what has been given is meant to set the temperature of how it is given. Where in your congregation has ministry quietly become a transaction, and how might Jesus' instruction reset it?5. The harder verses about persecution are not meant to glamorize suffering. They are meant to be honest with disciples about what the road can cost. How might your sermon prepare your people for the real costs of faithful witness without making them dramatic about minor inconveniences?Significant Cautions• “The harvest is plentiful” has been used to fuel a kind of urgent recruitment that pressures and manipulates. The compassion of Jesus comes first; the harvest language is meant to motivate prayer (“ask the Lord of the harvest”), not panic.• The instruction to “go nowhere among the Gentiles” is specific to this moment in Jesus' ministry. By the end of Matthew's Gospel, the disciples will be sent to all nations. Be careful not to use this verse to argue for any kind of restriction or favoritism today.• “Shake the dust from your feet” has been used to justify cutting off relationships with people who do not respond the way we want. Read in context, it is permission to keep moving without resentment, not a license for contempt.• The persecution verses — brother betraying brother, being hated because of his name — have been pressed into service to dramatize any modern opposition to a religious agenda as fulfillment of prophecy. Be cautious. Jesus is preparing disciples for a specific kind of cost; he is not handing his followers a script for grievance.• “The one who endures to the end will be saved” can land cruelly on people who are exhausted. The verse is encouragement for the road, not a warning that those who burn out are lost.• The naming of twelve men has been used to argue that leadership belongs to a particular kind of person. The wider New Testament — including Mary Magdalene as the first witness of the resurrection, Lydia, Phoebe, Priscilla, and many others — tells a much fuller story about who is sent.Thematic ConnectionsDepending on which track you follow, the day takes one of two shapes — and both lead naturally toward the same Gospel.On the first track, the day is about God's faithfulness to people whose circumstances make the promise look ridiculous. Abraham and Sarah are old, and Sarah laughs. Psalm 116 gives the voice of someone delivered and overflowing with gratitude. Romans 5 grounds hope not in our endurance but in the love of God poured into us. And the Gospel sends an unlikely set of workers — Matthew the tax collector among them — out into a harvest that needs them. The thread is the stubborn, surprising reliability of God when the human side of the equation looks impossible.On the second track, the day is about identity and mission. Exodus names Israel as a kingdom of priests; Psalm 100 calls the whole earth to worship the God who has made and gathered them; Romans grounds the believer in the love of God; and the Gospel sends the disciples out as the very priestly people God has been forming all along. The thread is the long, patient work of God shaping a people who exist for the sake of the world.The Gospel is the natural preaching center either way. Jesus' compassion and the sending of the Twelve gather both threads — God's faithfulness across generations and the formation of a people who are sent. * If you are on Track One, Romans pairs with Genesis to insist that the church's hope is grounded in God's character, not in our circumstances. * If you are on Track Two, Exodus and Psalm 100 prepare the congregation to hear today's sending as the latest chapter in God's long pattern of making a priestly people. * The psalms work best as sung or spoken responses; either one offers a line worth carrying into the sermon — “what shall I return to the Lord?” or “we are God's people, and the sheep of God's pasture.”If you haven't already, be sure to check out “The Thursday Sermon” (which actually comes out on Wednesday each week) as an example of how these preaching insights can be used. There are also additional “Liturgical Resources” for each week that you are WELCOMED and ENCOURAGED to use in your worship services. Acknowledgment to “Lectionary.pro” will be greatly appreciated. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit lectionarypro.substack.com/subscribe

This deep dive explores the complex and foundational Erie Doctrine in federal civil procedure, covering its historical evolution, key cases, and modern analytical framework. Perfect for law students and legal practitioners aiming to master the balance of federal and state law.Most law students dread the eerie doctrine — often the most intimidating topic in civil procedure. But what if mastering it could unlock your highest exam scores? Imagine transforming this complex, fearsome concept into a crystal-clear decision tree that demystifies federalism, federal court limits, and the true boundaries of judicial power. This episode reveals the structured framework behind the Erie Doctrine, turning insurmountable confusion into strategic mastery.We begin by unpacking the core constitutional challenge Erie addressed: how federal courts navigate the delicate federal-state law balance after jurisdiction is established. Once jurisdiction hurdles are cleared, the final question emerges — whose law governs? This isn't just about procedural rules; it's about safeguarding federalism and preventing federal courts from overstepping their constitutional bounds. Learn why Erie rejected the Swift era's federal common law and reasserted states' sovereignty over substantive law, cementing the principle that federal courts must respect state law unless a federal rule or statute explicitly applies.Delve into the layered hierarchy of laws: the Constitution sits at the peak, followed by federal statutes and rules, then state substantive law, and finally, federal procedural rules at the base. We break down the pivotal tests: the Rules Enabling Act (REA), which validates federal rules if they regulate procedure without affecting substantive rights; and the twin aims of Erie — avoiding forum shopping and ensuring equitable law administration. Discover the historical flaws of outcome determinative and the refined, flexible approach introduced by Hanna and subsequent cases, which impose a careful, structural balance.You'll uncover the two critical tracks in Erie analysis: Track One, when a federal rule or statute directly conflicts with state law, where the REA controls; and Track Two, which involves assessing whether applying federal practice encourages forum shopping or inequities, using the modified outcome determinative test and the balancing framework from Byrd and Hanna. Our decision tree toolkit offers a step-by-step process, empowering you to evaluate any fact pattern confidently and avoid common pitfalls like mixing procedures and substance or misidentifying the appropriate track.The episode also tackles nuanced issues: federal common law's limited scope, how to handle novel state law issues through predictions or certification, and the layered hierarchy guiding judicial deferment. Plus, we explore a paradox — federal judges sometimes influence state law via Erie's dialogue, raising questions about federal-state interactions that could seem almost paradoxical.Perfect for exam takers, practitioners, and law lovers alike, this episode transforms daunting doctrine into an accessible, strategic tool. Master the Erie Doctrine's architecture, understand its constitutional heartbeat, and confidently navigate federal versus state law questions — all in one comprehensive, actionable guide.Whether you're preparing for the bar, tackling civil procedure, or just love understanding the architecture of our legal system, this episode provides the clarity and confidence to dominate Erie. Don't just memorize rules — understand the structure, so you can apply it seamlessly under exam pressure or in practice.Key TopicsErie Doctrine and its constitutional basisHistorical evolution from Swift v Tyson to Erie Railroad v Tompkins Erie Doctrine, Federal Civil Procedure, Federalism, Swift v Tyson, Hanna v Plumer, Rules Enabling Act, Outcome Determinative Test, Twin Aims, Federal Common Law, Legal Analysis

Track One (Global Virus X-Tended) by Global Virus

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Track One by Global Virus

Sales reps often manage deals through CRM stages while missing the buyer's internal reality: approvals, meetings, budget cycles, and shifting priorities. In this episode, Brandon breaks down the two timelines running inside every deal and explains why “random” stalls usually happen when internal motion doesn't match external progress.You'll learn the questions that surface internal decision triggers, how to anchor next steps to real calendar events, and how to stop relying on hope as your timeline. If your deals keep slipping despite strong calls, this episode gives you the framework to regain control.

Wednesday on The A-Team, Adam Clanton and Adam Wexler examine the Texans' upcoming clash with the Patriots, react to Houston's win over the Bulls, and Chris Gordy joins the show in studio to share his thoughts on Texans-Patriots.

Cheryl McColgan introduces the idea of tracking one thing during the day for the healthy habits challenge. Tracking brings awareness to your behaviors and gives you a powerful tool for habit change. This link is for the free Cronometer food tracking app mentioned in the episode. The habit tracker we recommend is Griply. Watch on YouTube Disclaimer: Links may contain affiliate links, which means we may get paid a commission at no additional cost to you if you purchase through this page. Read our full disclosure here. CONNECT WITH CHERYL Shop all my healthy lifestyle favorites, lots of discounts!  21 Day Fat Loss Kickstart: Make Keto Easy, Take Diet Breaks and Still Lose Weight  Dry Farm Wines, extra bottle for a penny Drinking Ketones Wild Pastures, Clean Meat to Your Doorstep 20% off for life  Clean Beauty 20% off first order DIY Lashes 10% off  NIRA at Home Laser for Wrinkles 10% off or current promo with code HealNourishGrow Instagram for daily stories with recipes, what I eat in a day and what’s going on in life Facebook YouTube  Pinterest TikTok Amazon Store The Shoe Fairy Competition Gear Getting Started with Keto Resources The Complete Beginners Guide to Keto Getting Started with Keto Podcast Episode Getting Started with Keto Resource Guide Episode Transcript: Cheryl McColgan (00:00.014)Hey everyone, I’m Cheryl McColgan, founder of Heal Nourish Grow. Welcome to day 11 of the 30 Day Habits Challenge. And today we’re going to start a practice that is something that’s useful for a lot of parts of your life. It may be something that you’re not used to doing yet. For a lot of people, this is a very foreign thing to them. But the habit for today is to just track one thing. And so that could be tracking your movement, that could be tracking water, it could be tracking your mood, something like that. Again, this is all about learning the skill of discipline. So it doesn’t need to be perfect. You just need to do it. So pick a thing that you’re going to track. Maybe it’s steps, maybe it’s water, maybe it’s like your mood, like I said, or maybe it’s protein. We talked about protein a lot, so maybe you want to track protein. But you’re just keeping it neutral. You’re just collecting data. You’re not judging yourself. So if you’re tracking steps, you’re not shooting for a certain amount. Or if you’re tracking calories, you’re not trying to restrict or anything. You’re just… tracking what is and using it as a simple data point. So that’s the minimum today to just track one single thing. If you need tools for tracking, I’ve mentioned to you the couple of apps before that we have in the resources for journaling, for tracking things. One that I have not mentioned yet, if you’re going to use… If you’re going to track things like protein or calories or things like that, an app is super helpful. mean, back in the old school days, we literally used to write it down and try to find ways to look up calories and stuff. It was a lot more challenging. Now it’s super easy. My favorite, one of the ones that people know a lot is my fitness pal, but I find that one to be very inaccurate, just not that good. Chronometer is amazing. I use the free version for years. I pay for it now because it’s that good. I love it. It’s not super expensive. But if you go to https://healnourishgrow.com/cronometer that’ll give you the link that gives you access to the app. Like I said, it’s a hundred percent free. You get really access to most things you need without ever having to pay anything. It’s just if you want more advanced tracking features like tracking. I think one of the advanced things is more like tracking your micronutrients kind of things, but for just everyday calorie tracking and things like that, it’s a great app and it’s super easy to use. Yeah, so one thing, whatever it is, pick that. That’s your habit for the day. It should be super simple as always. Cheryl McColgan (02:17.922)Hope you’re keeping track of these things in your tracker. If you ran across this and you’re not part of the challenge yet, just go to healnourishro.com slash habits and you can join at any time. It’ll set you on day one. And so whatever time of the year it is, whenever you find this, would still love to have you join. So that is it for day 11 and I will see you again tomorrow.

On today's show, the Amazeum celebrates the finishing touches of their expansion with a traditional "topping-off" ceremony. Also featured on this episode, results for two special election in Arkansas, and more of Little Rock Public Radio's podcast series, Track One. 

Episode #458: Lilianne Fan is a long-time Myanmar analyst and advocate who served as an adviser to the ASEAN Special Envoy on Myanmar and as part of Malaysia's advisory group during its ASEAN chairmanship. Drawing on that insider role, she argues that ASEAN's response to the 2021 coup must be judged by how ASEAN actually functions, not by expectations of decisive moral intervention.Fan explains that ASEAN's Five-Point Consensus was never meant to resolve Myanmar's crisis. Its real purpose was to create a diplomatic framework that allowed ASEAN to remain engaged while denying the junta regional legitimacy. Most significantly, it institutionalized the exclusion of Min Aung Hlaing from high-level ASEAN meetings, preventing the military from claiming regional endorsement.She acknowledges ASEAN's early failures, particularly its initial reliance on shuttle diplomacy with the junta and its slow recognition of Myanmar's mass civilian resistance. Over time, however, ASEAN adapted. Under Indonesia and especially Malaysia, engagement broadened to include resistance actors, ethnic organizations, and civil society.Fan highlights Malaysia's chairmanship as a turning point. Kuala Lumpur invested heavily in preparation and conflict analysis, convening confidential, structured Track One meetings with resistance stakeholders, complemented by Track 1.5 dialogues with experts and civil society. These processes treated resistance groups as serious political actors without granting formal recognition.She also points to a major humanitarian shift: ASEAN's formal acknowledgment that aid cannot rely solely on the AHA Centre and must include cross-border assistance and local delivery networks. Fan concludes that while ASEAN cannot force outcomes or reform the military, it plays a critical role in maintaining political red lines, preventing premature legitimization of the junta, and slowly reshaping ASEAN's own approach to conflict and legitimacy.

Scripture: Luke 14:1, 7-14

Scripture: Hosea 1:2-10

Can you guess the Enneagram Type?Today, you're stepping into the shoes of someone who wakes up already scanning for possibilities, both the best and the worst.Through a day-in-the-life story, you'll feel the heartbeat of someone who longs for safety, trusts deeply, and faces the world with quiet courage.Before the big reveal, we'll explore how this Type communicates, wrestles with anxiety, and moves between fear and faith.Plus, you'll hear a real Wholehearted Transformation Journey from one of my coaching clients — a glimpse of what happens when trust finally grows louder than fear.Stick around for a special blessing, an invitation for your next wholehearted step, and the heartbeat reminder of Simply Wholehearted:We are all broken. We're all blowing it. But the brave one? She does something about it.

DwD 0647:  Do You Always Use ALL the Track One of the things that you will often here is that you should use all of the track.  While we do not disagree, there are a few situations that we discuss here that may be opportunities to improve your lap time by not using all of the available track.  And if we left anything out, please let us know at GarageHeroesInTraining@gmail.com  A link to the episode is: https://tinyurl.com/UseAllTheTrack And if we left anything out, please let us know at GarageHeroesInTraining@gmail.com  A link to the episode is: https://tinyurl.com/SettingUpAPass We hope you enjoy this episode! If you would like to help grow our podcast and high-performance driving and racing: You can subscribe to our podcast on the podcast provider of your choice, including the Apple podcast app, Google music, Amazon, YouTube, etc. Also, if you could give our podcast a (5-star?) rating, that we would appreciate very much.  Even better, a podcast review would help us to grow the passion and sport of high performance driving and we would appreciate it. Best regards, Vicki, Jennifer, Ben, Alan, Jeremy, and Bill Hosts of the Garage Heroes in Training Podcast and Garage Heroes in Training racing team drivers Money saving tips: 1)  Enter code "GHIT" for a 10% discount code to all our listeners during the checkout process at https://candelaria-racing.com/ for a Sentinel system to capture and broadcast live video and telemetry. 2)  Enter the code “ghitlikesapex!” when you order and Apex Pro system from https://apextrackcoach.com/ and you will receive a free Windshield Suction Cup Mount for the system, a savings of $40. 3)  Need a fix of some Garage Heroes in Training swag for unknown reasons:  https://garage-heroes-in-training.myspreadshop.com/

Hey you! You're about to listen to another GREAT episode of Trve. Cvlt. Pop! WELL DONE! On this weeks show we do basically the opposite of what Gaz used to do on his old podcast Track One, Side One and, instead of picking a bunch of opening tracks from albums, we pick some of our favourite closing tracks from some of our fave albums. There's plenty of good stuff from the world of funk, stoner rock, college rock, soul, goth-punk and much more. Plus we pay tribute to former Kerrang! magazine editor, NME man and friend of the show James McMahon, there's talk from the recent Therpy? London show and we talk A LOT about Jimmy Nail... no, Jimmy we're not lying!

Today my friend Mel Cowan joins me to talk about a sampling of our favorite album openers! We didn't have time to play and talk about every possible entry in this list, but we mention a ton that weren't discussed and you should check out.   Songs discussed in this episode: The New Pornographers - Brill Bruisers (2014) Orange Juice - Rip It Up (1982) Beastie Boys - Sure Shot (1994) Portishead - Mysterons (1994) The Pogues - The Sick Bed of Cuchulainn (1985) Radiohead - Everything In Its Right Place (2000) Courtney Barnett - Elevator Operator (2015) Carole King - I Feel The Earth Move (1971) Marnie Stern - Vibrational Match (2007) The Stone Roses - I Wanna Be Adored (1989)

Hello, welcome to not really a Trve. Cvlt. Pop! Podcast. No, it isn't. Steve was on holiday this week, so, rather than give you nothing at all, we've delved back into the archives of Gaz's old podcast, Track One Side One, an unearthed a cracker. This is Gaz's conversation with podcast high roller Stu Whiffen, he of the Off the Beat and Track, Hardcore Listing and many other shows, talking about Stu's 5 favourite album openers. If you'd like to hear more, search out Track One Side One wherever you get your podcasts from, there's 53 banging episodes ready for your consumption. We also pay tribute to legendary music PR Michelle Kerr, who sadly passed away this week. Please consider donating to her Gofundme here - https://www.gofundme.com/f/michelle-kerr-memorial-fund Normal service resumes next week.

 Jordan Foote, Josh Keiser and Joel Penfield break down the Kansas City Royals losing some games and if the Boys in Blue can get back on track with an important series against the Cleveland Guardians coming up. The guys discuss their player spotlights, team updates and more! — The best Kansas City sports coverage in one place. Download our app now! Apple: https://apps.apple.com/us/app/kcsn/id6443568374 Google Play: https://play.google.com/store/apps/details?id=com.kcsn&hl=en — Subscribe to the KCSN Daily substack for film reviews, exclusive podcasts, KC Draft guide, discounts and access, giveaways, merch drops and more at https://kcsn.substack.com/subscribe FOLLOW US ON: Facebook - https://www.facebook.com/KCSportsNetwork Instagram - https://www.instagram.com/kcsports.network/ Twitter - https://twitter.com/KCSportsNetwork Learn more about your ad choices. Visit podcastchoices.com/adchoices

Now it's no secret that there is A LOT of data you get from your Instagram Insights, BUT don't let that deter you from creating a data-driven strategy for your social media marketing because truly when it comes down to it, there is really only one piece of data you really need to keep your eyes on. Episode HighlightsTHIS is the ONEGoals and KPIsIf a SMM had to pick one…Resources MentionedIf you enjoyed this episode, please leave a review on Apple Podcasts so we can help as many teacher business owners as possible:https://podcasts.apple.com/us/podcast/schooled-in-socials/id1675566649Connect with hostKassaundra is a teacher-turned-social media manager with a passion for helping educators reach their goals and dreams using the power of social media. You can follow her on Instagram @fostercontentsolutionsInstagram: https://www.instagram.com/fostercontentsolutions/Join the Facebook Community: https://www.facebook.com/groups/schooledinsocialsNote: As an Amazon Associate I earn from qualifying purchases. There is no additional cost to you for shopping through my link but your support helps keep this podcast running so Thank You!Social media tools I love:Airtable (affiliate link): https://airtable.com/invite/r/ZnOJJF9YLater (affiliate link): https://try.later.com/ggv1e2qz2oopMentioned in this episode:It's time to Post and Profit!It's here! The doors to my course Post and Profit: Data-Driven Social Media Strategies for Teacherpreneurs is finally open just in time to help you start creating strategic content that will help you have a great Back to School season! https://kassaundra-s-site.thinkific.com/courses/PostandProfit This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Happy Anniversary to us and Happy Birthday to Larry!  Track One of our Eleventh Year Soundtrack!  Enjoy!

Listen to Pastor Marc preach from Psalm 1, the first track of the songbook designed for Christians following the footsteps of the Blessed Man before us. Observing the two ways of life, the way of the wicked and of the righteous and then each of their guides, their fruit, and their end.

Thirty years after their debut album it turns out that the Rolling Stones are still capable of getting to number one in the UK with a new record. The 90s were fucking weird. Is this actually a good album though, should the Stones still have bothered putting out new music to add to their legacy? Opinions are divided. For this episode we are joined by the wonderful Gaz Jones from the Trve.Cvlt.Pop (and previously Track One, Side One) podcast who is a big Stones fan and actually bought this record in the week it came out back in 1994. Big big thanks again to him for coming to join us on this one. And this week we also get the chance to chat about bands like Kerbdog, Marilyn Manson and the mighty Let Loose. All of which made Gaz very happy. We also mention our May 2024 Brighton Fringe live shows, tickets for which are already on sale and can be bought from the website here. We'd love to see some friendly faces if you fancy coming along! As always please do give us a follow on our social media platforms and why not go and give us a nice rating over on Spotify now that you're able to while you're checking out this episode's companion playlist and our ongoing and sprawling playlist of songs from each album that we do an episode on. Cheers!

So we decided to go out to dinner and we had a 30 minute wait. Whatever is there to do for 30 minutes??? Create a podcast episode of course and that is why it's called Shi'nanigansSupport the showInstagram: @shar1ta_Facebook: Sha RitaYouTube: SharitaTwitter: @5har1taTwitch: TygyrlillyTikTok: Tygyrlilly

Your pain tells a story, and what bothers you can actually reveal some of your unique heart values!

Start Artist Song Time Album Year 0:00:50 Intro and 1 Track One 0:17 0:01:08 Jethro Tull Thick As A Brick (Part 1) 22:37 Thick As A Brick 1972 0:23:44 2 Track Two 0:13 0:23:58 Aphrodite's Child Babylon 2:45 666 1972 0:26:44 3 Track Three 0:13 0:26:57 Focus Sylvia 3:22 Focus III 1972 0:30:19 4 Track […]

It was the best of podcasts, it was the worst of podcasts, it was the podcast of wisdom, it was the podcast of foolishness, it was the podcast of belief, it was the podcast of incredulity, it was the podcast of light, it was the podcast of darkness, it was the podcast of hope, it was the podcast of despair. Track One from The Miracle this week folks. People have opinions about this song. They're not all positive. But they're definitely not all negative. But they're REALLY not all positive. The boys split the vote again. If I were to title this episode, I'd probably call it “Randy forgot to title this episode” Or possibly, “The Cardinal really needs to get a grip!” Today's episode covers the song "Party". Thanks to everyone who tuned in to the last episode and left us some comments on Twitter and Facebook! We'll always try to answer any questions you have and seriously appreciate any corrections you make to anything we get wrong. And thanks so much for all your support as usual. We're loving diving into the Queen fandom a little more deeply as much as we're enjoying recording the podcasts!Huge thanks to Corey Morrissette and Mark Camire for letting us copy and paste the format from their gold-standard podcast; And the Podcast Will Rock. You can find them at @PodcastWillRock on Twitter. Also, make sure you go check out our beautiful brothers and sisters over on the Deep Dive Podcast Network!Follow us onTwitter: @queenseasideFacebook: @seasidepodreviewAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://podcasters.spotify.com/pod/show/ultimate-catalogue-clashAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Eric Kohn. Eric is the Director of Marketing & Communications at the Acton Institute. Check him out on Twitter at @iEricKohn.Eric's Music Pick: Huey Lewis & the NewsDo you believe in miracles? Yes! After years of lobbying, Jeff has proven that anyone will fold, given enough time and pressure. Here is the Huey Lewis & the News episode of Political Beats.Those of you with us for a while will know that the band is a favorite of Scot's while Jeff previously has taken any opportunity to vow never to cover Huey and the boys on the show. Well, recently he had a change of heart (Track One, Picture This) and we wasted no time in finding a guest. Did we end up talking for three hours about Huey Lewis & the News? Of course we did. Did we change Jeff's mind? Listen and find out.Scot's love of the band started at a young age, and much of his knowledge of the early story of the band's history comes from a mass-market paperback that he still has to this day. Huey Lewis & the News: A Biography is a 142-page chronicle of the rise of the band and its origins on the San Francisco music scene. It's out of print, obviously, but check your local used bookstore for a copy.Huey Lewis & the News essentially was the merger of two big local Bay area bands -- Clover and Soundhole. Huey and keyboardist Sean Hopper played in the former, while drummer Bill Gibson, saxophonist/guitarist Johnny Colla, and bassist Mario Cipollina in the latter. Clover (sans Huey) were perhaps best known for being Elvis Costello's back-up band on My Aim Is True. The band then picked up a 21-year-old kid in 1979, Chris Hayes, to play lead guitar and were off. The next year, 1980, brought the little-noticed self-titled debut. Here's the thing: It's quite good! This album, and the early sound of the band, is the commercial follow-through on the wonderful music made by the pub rock artists of the U.K. This record is heavier on Mario's bass than later entries, but those trademark backing vocals are there from the start. It didn't sell. At all. The next album would be make or break. Huey's face alone is on the cover. Harmonies are tighter. Little did they know they had an ace in the hole: a song written by Mutt Lange. "Do You Believe in Love" would explode to #7 on the charts. The band had a hit. A follow-up would be tougher. Three other singles from Picture This failed to break #36, though one, “Workin' for a Livin',” has endured as a blue-collar anthem.The band went back to work with a taste of success and a thirst for more. The mission for the next album was simple: every song a hit. Easy, right? With Sports, they pretty much pulled it off. You know virtually every song on this album, including “I Want a New Drug,” “The Heart of Rock and Roll,” “If This Is It,” and more. There was no thematic goal other than producing hits. Synths, drum machines, massive hooks -- whatever it took. Outside writers? Sure! A strength of the band was taking other's material and making it sound like their own, as they did on “Heart and Soul” and “Walking On a Thin Line.”Sports was a monster. Massive headlining tours followed. Two major projects before the next album would drop. First, Huey would take a lead vocal spot in "We Are the World,” filling in for Prince. Second, some work on a little film called Back to the Future and the band's first #1 hit in “The Power of Love.”Huey Lewis & the News is on top of the world. But 1986 is approaching and a new album is due soon. One problem: No one hears a single. One of the engineers calls up Chris Hayes at home and says, "Chris, we need a hit.""Stuck With You" was what he came up with, and it was the lead single for Fore!, which would also hit #1 & sell 3 million+ copies. That said, Fore! is a bit of an odd duck. Fully half the songs were from outside writers, including the album's other #1 single, “Jacob's Ladder” (written by the Hornsby brothers)Next? Well, whatever the band wanted. And what they wanted was not necessarily commercial in nature. A socially conscious effort full of eclectic musical themes, Small World. As far as I've read, the band loves this album. They got to stretch their legs as musicians. They had earned the right to make a project of their choosing. The record-buying public was not impressed. Small World barely scraped 1 million units in sales.  The band did have one last bullet to fire at the charts. “Perfect World,” a song written by Alex Call, a former Clover bandmate of Huey and Sean, hit #3 and clearly sits aside their best.Afterward, the band had some well-earned time off. In the time span, though, the rock world was changing quickly. Huey & company dropped the weirdness of the last album and returned to the blueprint -- rock, R&B, a love song, and a tune by Mutt Lange. All on Hard At Play. There would not be another album of new material for ten years. Four Chords and Several Years Ago, an album of 50s-era covers, came in 1994.Plan B, an album of new material, arrived in 2001, followed by Soulsville, a Stax covers album, and finally 2020's Weather. The last record was released following Huey's diagnosis of Ménière's disease, an inner-ear disorder, which means he can no longer hear music frequencies or hold vocal pitches. The result is no touring and no more new music from the band. It's sometimes hard to hear Huey Lewis & the News on the radio. Living on that weird line between rock and pop in the 1980s means there's not a great format for those songs now. It's a catalog well worth further inspection, though. You won't regret spending three hours with us and the band.

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Gaz from the Track One Side One podcast is our guest for this episode, bringing forth one of his favourite albums of all time: Troublegum by Therapy?. Aside from chat on the album, there's some interesting tangents on the state of rock in 1994, and how the genre evolved very, very quickly. Guest: Gaz Jones Listen to Track One Side One----Email: Pick A DiscFollow us on:Twitter | Instagram | FacebookPick A Disc(Ord) Discord ServerWe Made This:@wemadethispodhttps://wemadethispod.com/The Spotify Hall of Fame Playlist

Join us as we discuss the first episode of the Amazon series Daisy Jones & The Six. We discuss our views on watching media in general, initial feelings, and all things Daisy Jones & The Six! Find Taylor Holt on Insta @tholt18 Please Rate, Review and Follow us on Apple Podcasts. It helps the podcast grow.   Rate us Five Stars on Spotify!   WE HAVE MERCH! Go to Tee-Public to get T-Shirts, Totes, Onesies and MORE: http://tee.pub/lic/learningthetropes   Find us- Patreon Learning the Tropes Instagram @learningthetropes Twitter @learningtropes Facebook Learning The Tropes Podcast Join The Learning The Tropes Troop! Email: learningthetropespodcast@gmail.com

The second, and concluding, rundown of our own personal favourite albums from 1993 to round off Season Four with a festive bang. We also managed to rope in some fellow nerds from other podcasts to drop in with their choices so you'll find some of those clips peppered throughout the show. Make sure you listen after the closing credits to hear Steve and Sam from True Cult Pop's FULL chat that they sent over by the way as opposed to the hastily-edited-for-time-constraints version that is in the main episode. Massive thanks as well to Gaz Jones from Track One, Side One, Andrew Bird from A Funny Taste In Music and Cliff Smogo from Devil Times Five Horror Podcast for making time for us. The playlist that we made alongside these Best Of '93 shows can be found here with our picks of songs from each of the albums we talk about. If we didn't put whatever your choice of song would have been on there it's probably Dave's fault so get angry with him. You can get hold of either of us or just leave some feedback on our Facebook, Twitter and Instagram pages. So that's it for 1993 and Season Four - a season of highs and lows, from Nirvana to Cliff Richard and plenty in between. Thank you to everyone who listened and we'll be back before long with a journey through 1994!

This is Trve. Cvlt. Pop!, a podcast about your favourite music and that what not. It's getting to that time of the year, where podcasts and publications across the globe start counting down their best of the year lists. Steve and Sam are going to get to that, but before we do we decided to invite some of our friends and peers in the podcasting and music world to give us their five favourite albums of the year. Plus a few other highlights. Shout out A Year in Horror, Pop Collaborate and Listen, The James McMahon Music Podcast, Primordial Radio and the Track One, Side One Podcast for giving their time and thoughts. Plus, there's YOUR album of the year as well! We asked you for your favourite albums of the year and you answer, we crunched the numbers and reveal who came out on top here. We even get a lovely little message from this years winner as well. What more do you want?! Dive in! ★ Support this podcast on Patreon ★

Introducing Spark Hunter starring Mark Rylance and Rebecca Ferguson. We begin this week when the robot's Maker (Rylance) is enlisted by the cyber-warfare unit to fix his creation (Ferguson) who has gone rogue. Shadow (Charles Dance) gives him two hours to avoid his worst nightmare. Realm presents Spark Hunter, a Fighter Steel audio drama. Also with Vanessa Redgrave. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Episode 78 of Prime Time Jukebox, Coop and Dave look at Track Ones – the first track on a LP, Cassette, CD, or stream playlist. Coop and Dave will look at what makes a good Track One and discuss some of their favorite ones. Plus we cover a wide array of both music and cigar news. For this show, Dave smokes the Undercrown 10 Corona Viva and Coop smokes the Aladino Cameroon Queens Perfecto. As always you can follow along with our Spotify Playlists: Full Episode 78 Playlist References Dolly Parton's Pet Clothes Taylor Swift Midnights Album Announced Lamont Dozier Passes Away Shane Hawkins Performs My Hero Cigar Coop PCA Coverage Concludes Team Cigar Review: El Artista Big Papi Firecracker  Team Cigar Review: Matilde Limited Exposure No. 2  Bob Marley: Natty Dread    

On Episode 78 of Prime Time Jukebox, Coop and Dave look at Track Ones – the first track on a LP, Cassette, CD, or stream playlist. Coop and Dave will look at what makes a good Track One and discuss some of their favorite ones. Plus we cover a wide array of both music and cigar news. For this show, Dave smokes the Undercrown 10 Corona Viva and Coop smokes the Aladino Cameroon Queens Perfecto. As always you can follow along with our Spotify Playlists: Full Episode 78 Playlist References Dolly Parton's Pet Clothes Taylor Swift Midnights Album Announced Lamont Dozier Passes Away Shane Hawkins Performs My Hero Cigar Coop PCA Coverage Concludes Team Cigar Review: El Artista Big Papi Firecracker  Team Cigar Review: Matilde Limited Exposure No. 2  Bob Marley: Natty Dread    

HOUSE OF MERCY Lyrics + Arrangement: Sarah Jaroz   LEANING ON THE EVERLASTING ARMS Lyrics + Arrangement: Traditional   GLORIA PATRI Lyrics + Arrangement: City Hymns   HARD TIMES COME AGAIN NO MORE Lyrics + Arrangement: Traditional    COME YE CHILDREN OF THE LORD Lyrics: Traditional Arrangement:  The Lower Lights    SHAKE IT OUT Lyrics + Music: Florence + The Machine    ON STAGE Admiral Radio: Becca + Coty Hoover (singing, stringed instruments) Dawn Hyde (lots of speaking) Lucas Jones (speaking)    SERMON AUDIO IS AVAILABLE FOR STREAMING THROUGH THE WEBSITE AND AS A PODCAST THROUGH ITUNES AND PODBEAN.    ALL SCRIPTURE QUOTED FROM THE NEW REVISED STANDARD VERSION OF THE BIBLE © 1989 BY THE NATIONAL COUNCIL OF CHURCHES OF CHRIST.  

Construction begins and fence materials have been selected for the Natchez Trace Bridge. Ever wanted to fish on Tennessee waters but didn't want to pay for a fishing license? Well..on Saturday you can fish for free! Plus, updated details get released for the entertainment district of the Nashville Yards.Take a Tour With Us! Use code NASH for 20% off - https://www.xplrnash.com/toursToday's Sponsors: Brad Reynolds  https://thinkbrad.com/Bowtie Barber Clubhttps://www.bowtiebarberclub.com/Nash NewsConstruction begins on Natchez Trace bridge safety barrierhttps://www.wkrn.com/news/local-news/construction-begins-on-natchez-trace-bridge-safety-barrier/Tennesseans Can Fish For Free This Saturday https://fox17.com/news/local/tennesseans-can-fish-for-free-this-saturday-06-06-2022Nashville Development NewsWedgewood-Houston's Track One building sells to local developer https://www.bizjournals.com/nashville/news/2022/05/31/track-one-building.htmlFactory At Franklin Update https://www.bizjournals.com/nashville/news/2022/05/31/factory-at-franklin-update.html?ana=TRUEANTHEMFB_NA&csrc=6398Notes: Permits issued for Nashville Yards entertainment segment https://www.nashvillepost.com/business/development/notes-permits-issued-for-nashville-yards-entertainment-segment/article_6380dab6-e29b-11ec-a8d2-77477d80c692.htmlNashville Daily Artist of the Day Playlist   https://open.spotify.com/playlist/51eNcUWPg7qtj8KECrbuwx?si=nEfxeOgmTv6rFUyhVUJY9AFollow us @ XPLR NASH   Website -  https://nashvilledailypodcast.com/   YouTube Channel - https://www.youtube.com/c/xplrnash   Instagram - https://www.instagram.com/xplr.nash/   Twitter - https://twitter.com/xplr_nash   NASHVILLE & XPLR MERCH - https://www.xplrnash.com/shopMedia and other inquiries please email hello@xplr.life